Theatre Workshop\\''s Jadiyo Galpo Show Schedule
\r\nMarch 14 Minerva Theater 6.30pm
\r\nMarch 17 Academy of Fine Arts 6.30pm
', 0, 0, 271, 0, 1, 0, 20090318, 0, 'Jadyio Galpo'), (3, 'ECTA Presents
BAANAPRASTHA
a new play by Sudipta Bhawmik
May 16,17 and 30,31 2009
Edison Valley Playhouse, Edison, NJ URL: http://ectainc.org
First I want to congratulate Sudipta for providing us with a very useful public forum to discuss our community affairs. As past Chairman of Durga Puja committee and president of Kallol, I must emphasize the Durga Puja expenses are ever increasing and becoming very difficult to budget in accordance with the expected attendance. The variable expenses such as facility rent, tent rental and goat meet dinner is getting difficult to estimate because of either increasing cost or unforeseen township enforcement for fire code and or other code requirements.\r\nI am not going to pass any judgment on what our patron should pay to enjoy the three- day festival in terms of their donation. The spirit of Durga Puja should not be compared with service provided to our community but the cost of the puja should be met with appropriate revenue collection and managing controllable expenses. Let’s us see the Puja cost vs. revenue:\r\nRevenue\r\nLet’s say the average 500 families attend Kallol Durga Puja celebration. If we estimate 2.5 persons per family then the total attendance are 1250 people. If we appeal $75 donation per family, we raise $37,500 as gate collection. Please note, beginning 2002 the committee was successful in collecting brochure advertisement in excess of $17,000 and average $5,500 from vendors. This gives us a total collection of approximately $60,000. \r\nExpenses\r\nHall rental for 3 days with tent $ 22,000 (variable)\r\nFood for 500 family 15,000 (variable)\r\nEntertainment 10,000 (controllable)\r\nPrinting and mailing 2,000 (controllable)\r\nStage light 3000 (controllable)\r\nPuja exp 3,000 (variable)\r\nContingent 5,000\r\nTotal $ 60,000\r\n\r\nAbove calculation are based on past experience. Please note if the gate collection fall or advertisement revenue does not meet projected amount Kallol has to sustained losses. This is why pressure always mounts on the executive committee. There are no specific solutions, but effort should be made to raise sufficient revenue so that Kallol does not sustained any losses. In my opinion $75 donation per family is fair and reasonable.\r\n\r\n', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.0)', '', 0, 15, 'N', NULL),
(12, 46, 'Alok_NJ', 'aldey99@yahoo.com', '', '160.254.107.55', '2005-10-29 02:13:48', '2005-10-28 20:43:48', 'I found the blogs from Amitava and Sudipta quite interesting. I preferred to skip Raghab''s show @ Kallol over Chandrabindoo, but heard him singing the following weekend @ NY.He performed very well inspite of the poor sound system. He sang a wide variety of songs from bengali folk,films, recent hindi hits etc, By and large the audience enjoyed his show. .\r\n\r\n I have more questions and few answers when talking about our Bengali entertainment scene in NJ. Some of my thoughts:\r\nCatering to and satisfying a wide cross section of public is not an easy task. We need tolerance and acceptance of programs designed for a section of the populace different from which we may belong. Maybe Raghab could have entertained the Kallol audience better if he had known about the type of songs we would like. This applies to any performer for any show. \r\nWe need ideas from all to enrich our entertainment scene and that includes our nextGen.\r\nOne of the reasons we could not get the Bengali-NextGen( BNG) participate more wholeheartedly in our cultural events is because we are not receptive enough to listen to them. Have we tried enough to encourage them on topics of their interest? Why not provide them with a program slot to present their ideas? For the past many years we have taken pride in always ''importing'' cultural icons from Desh and presenting them,...its high time that we start presenting our home grown talent. This year''s natak @ kallol Puja was a great example of how given an opportunity and guidance, the BNG can entertain us with quality presentations. Kudos to Sudipta and his team for leading the way.\r\nI believe we will be better off having a policy of inclusion over exclusion. Some appreciation, tolerance and patience is called for from the audience. \r\nCulture is not about ''commodotizing'' a product. There cannot be a perfect ''cultural product'' to sell in a market. Culture is a way of life,a perception that has to be felt and experienced by those who are inclined towards that experience. I think the ''value'' factor for entertainment cannot be weighed in terms of ''$$$'' terms only. ', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.0; .NET CLR 1.1.4322)', '', 0, 12, 'N', NULL),
(13, 45, 'Alok_NJ', 'aldey99@yahoo.com', '', '160.254.107.55', '2005-11-02 02:07:07', '2005-11-01 20:37:07', '
If organizers really want to democratize the celebration and cater to the majority, then along with the brochures, it may be a good idea to publish the projected expenses and a poll form to solicit feedback from participants on issues that are important to them. \r\nSome poll questions could be: \r\nAre you OK with buying food rather than having it served free, if that curtails the puja budget (and chandaa) by 25%? \r\nIf goat curry eats up more than 50% of the food budget, should we persist with it? \r\nWhat type of entertainment do you prefer: (Rank 1-5 in order of preference)\r\nLocal artistes/ Imported icons/ Classical music/Dance/etc/ ..etc.\r\n\r\nOtherwise it does not matter what the public says; you have a group that celebrates Puja; either join them and play by their rules or stay away. The organizers work very hard towards making the Puja a success and I am afraid that critical comments on chandaa might undermine their efforts and motivation. \r\n\r\nFrom Purnada’s budget, it seems that $75 is the threshold for break-even. Being a non-profit organization, the general public should understand that Kallol contributes towards many of our cultural activities outside the realm of Durga Puja. ( like Ananda Mandir etc). The surplus chandaa should be invested towards promoting other cultural activities like drama, ldevelopment of local talent, Bengali movies, language development etc which happen throughout the year. With knowledge of such utilization of funds, I believe the paying public would refrain from being skeptical about the $100 chandaa.\r\nWithout a proper understanding of all the activities and the budget, many are inclined to think that $100 as chandaa for Puja is debatable. \r\n\r\nHowever the organizers should be cognizant of the fact that Durga Puja is meant to bring the community together for celebration on a common platform. You do not want to exclude the average family from enjoying the Puja ambience due to the price tag of the celebration. \r\nCan an average family be part of the Puja ambience ( dhak , adda, chaa, etc ..) without participating in the inflationary items like goat meat and other non-essential items that come as accessories with the Pujas? Should some gatekeepers be vested the authority of control of ‘ Pratima Darshan’ ? I believe that ‘Pratima Darshan’ is a birthright of every Bengali, and it is unfair to link it to a statutory contribution. We have to find a means to ensure that that there is a way to participate in the religious side of the Pujas without having to participate in the accessories. \r\n', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.0; .NET CLR 1.1.4322)', '', 0, 12, 'N', NULL),
(14, 45, 'Aditi Sen', 'Aditi.S.Sen@gmail.com', '', '67.81.56.206', '2005-11-11 20:34:44', '2005-11-11 15:04:44', 'As an attendee to the Pujo, I have always felt the entire Puja operation highlights the lack of proper organization at all levels! If an event costs me about $100 to attend with my family, it better be good. I mean, ''good''. You cannot expect that people will pay that money, when all the ''Pujo'' organizers have to show is complete chaos at the dinner place, entertainment with poor acoustics and noisy audience. For one thing, the ''pujo'' itself doesn''t feel like ''pujo'' at all. The atmosphere is completely chaotic. \r\n\r\nFrom the suggestion box:\r\n\r\nOne needs to distinguish between different kind of attendees. Not everybody wants to see the entertainment show. Give them a viable option to opt out. For those who want to see the entertainment, give them the best experience their money can buy under similar ticket prices. Here you are catering to essetially a savvy consumer only on the basis of '' back-home sentiment'' That cannot work in the long run. \r\n\r\nHere is my suggestion. 1. For basic pujo attendance, charge as little as you can: about $5 per person(?). That should cover pujo and prosad (not dinner with goat meat!!). For that money, you owe the attendees a good decoration of the Pujo pandel, pujo, anjali, dhunuchi naach, aarati, shindoor khela -- every thing that is associated with proper event of Durga puja. This way, you attract and satisfy those people who are trying to enjoy ''puja'' only. \r\n\r\n2. For the nightly entertainments and dinner along with basic pujo package: charge whatever you desire, because they are the commited lot. This way, you can attract and retain those who are interested in the complete pujo package: entertainment and all. Have an entirely separate ticketing system. And "inform'' the people of their choices before the event. \r\n\r\nCategorizing your target market/customers in a clear and concise way will stop ''piggy back rides'' and yet bring more donations in the long run. To achieve this goal, I would create two entirely separate sub committees to oversee the functions. The pujo sub committee should be responsible for making "the core pujo experience the best ever". While the entertainment subcommitee should be responsible for the entertainment and dinner only. But whatever you do, please do it well!! Compare your organizational performance with other American events, and don''t give that ''better than other Indian'' analogy. You are in America !!', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; .NET CLR 1.1.4322)', '', 0, 17, 'N', NULL),
(15, 55, 'sudipta', 'bhawmik@gmail.com', '', '216.89.70.30', '2005-11-21 22:45:06', '2005-11-21 17:15:06', 'Amitava-da,\r\nThank you for your well thought article on Bengali Blog. Your points are well taken. \r\nThe primary reason why I opened up this site for any of our community members to contribute is because I think that this can serve as a vehicle to express our opinions on our society as well as share any ideas or information that can be used to enrich our lives. We the Bengalees of this area do not have a common platform to express ourselves. There has been some attempt to publish some newsletters and newspapers in print, but they have several limits incuding the high cost of producing them. \r\n\r\nThis blog site is not a literary venture; you do not have to be an excellent writer to publish your thoughts and opinions. All you need is an opinion. As Charles McAbe once said, "Any clod can have the facts, but having opinions is an Art." And I am sure you will agree that Bengalees are never short of opinions.\r\n\r\nWe tend to complain a lot, at weekend parties or some social gatherings, about how things are not going right, how things should be done, etc. etc. \r\nWhy not share them with a broader audience? Maybe someone will care and can initiate a chain reaction of changes. \r\n\r\nYes, we know that we are here to make a living. But I''d like to broaden the scope of the term "living". Living is not only making money. Living is a process that is much more than making money. The hunter gatherers too drew pictures in the dark cave walls. They wanted to express too; express their living experiences.\r\n\r\nSo why not us? The internet and the web is our cave walls. Let''s light up the torches of our minds and draw those lines of our lives.\r\n\r\nSudipta ', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.7.12) Gecko/20050915 Firefox/1.0.7', '', 0, 1, 'N', NULL),
(16, 64, 'sunno.theke.suru', 'sunno.theke.suru@gmail.com', '', '71.251.138.152', '2006-01-08 11:54:55', '2006-01-08 06:24:55', 'I did not spend much time with him, but that much to justify a salute from a like-minded worker.\r\n\r\nWherever you are, may you cherish the life of lives as always with burnt lips barraging with humors, uncanny t-shirts proclaiming yourself, deep voice backed with deeper thoughts and floating eyes sailing in heritage.\r\n\r\nSalute.\r\n', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; .NET CLR 1.1.4322; InfoPath.1)', '', 0, 16, 'N', NULL),
(17, 65, 'nandita sen', 'nandita_sen1112@yahoo.com', '', '69.115.255.152', '2006-02-01 01:51:29', '2006-01-31 20:21:29', 'Sudipto,\r\n\r\nYou''ve echoed the thoughts of so many of us ''baby boomers''. My husband Santanu and I recently returned from a trip to Kolkata where we spent a hectic but wonderful holiday with frineds and family. Kolkata has certainly changed with the looming malls and the looping flyovers, but so have the people we left behind many years ago. Our jethus, kakas, mamas still welcome us with the warmth we cherished, but their greying heads and wrinkles foretell of an uncertain future the next time we visit. Like the earlier generation of Bengalis who regularly follow the migratory pattern of winters in India, we too would love to someday enjoy the luxury of over four weeks of stay in Kolkata without having to worry about jobs or the responsibility of young children awaiting us when we return. But, beyond it all, we need to develop a passion or a zest for living in our ''golden years''. \r\n\r\nThe magazine sounds like a wonderful idea to pen ones thoughts and experiences. Perhaps these articles and anecdotes will also serve as a bridge between our generation and the next. Anandamandir has already earned a place in the hearts of Bangalis as a cultural and social center. I am sure with some ''serious thought'' we can all work together securing long term and stimulating goals towards our futures.\r\n\r\nNandita Sen', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; .NET CLR 1.1.4322)', '', 0, 13, 'N', NULL),
(18, 71, 'sudipta', 'bhawmik@gmail.com', '', '216.89.70.30', '2006-04-21 19:31:35', '2006-04-21 14:01:35', 'Amitava-da,\r\nYou have asked some fundamental questions in your article. First of all, why do we still want to go back to Kolkata even when we do not have a place to stay there? Secondly, why do we seek recognition from the people whom we have deserted in search of a better life? And finally, what is happiness. I''ll try to share my thoughts on these issues and maybe we can attempt to search for a common answer. \r\n\r\nRoots have an uncanny power to attract. We may try hard to uproot ourselves from our land, people, traditions, culture, but it still keeps on pulling us back. West Bengal and Kolkata is our roots; this is where our social and cultural being took its form. We will cease to exist as we are if Kolkata and Bengal leaves us. We need to go back again and again to replenish ourselves, to justify and vindicate our existence. And that is why we search for recognition from our roots - maybe just to check, are we still Bengali enough? Is our cultural being still intact and hasn''t lost its purity and integrity? It is their approval which matters to us the most, it is their recognition which makes us feel that we have not lost everything. Hence it is not the ticket sales in USA that we look forward to when we have those press conferences and shows. It is our attempt to cry out and plead, "Brothers, please do not forget us. We still exist, and we keep on our stuggle to exist as a Bengali in different parts of the World." \r\n\r\nAs for your question on happiness, it is a question of perspective. Yudhisthir, one of the most unhappy man of Mahabharata, had his point of view. So did Duryodhan, "Sukh chaai naai Maharaaj, Joy Joy cheyechhinu - Joyee aami aaj". We, in this country, follow the Charbaak doctrine, "Rinan Kritwa Ghritang Pibet" (or something like that). Drinking ghee may have its ill effects, but who cares as long as you keep on enjoying!\r\n\r\n ', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.8.0.2) Gecko/20060308 Firefox/1.5.0.2', '', 0, 1, 'N', NULL),
(105, 74, 'titosarkar', 'titosarkar@yahoo.com', '', '69.254.182.128', '2007-07-30 08:26:56', '2007-07-30 02:56:56', 'This movie was set in 1930''s and it just seemed odd that there was just one mention of the Widow Remarriage Act (passed in 1857). There was a lot of emphasis on Gandhiji''s opinion on this issue even though Gandhiji mentioned this issuse very rarely. The complete absence of Ishawarchandra Vidyasagar''s mention in the entire movie was also pretty shocking.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; Tablet PC 1.7; .NET CLR 1.0.3705; .NET CLR 1.1.4322; IEMB3)', '', 0, 23, 'N', NULL),
(106, 72, 'titosarkar', 'titosarkar@yahoo.com', '', '69.254.182.128', '2007-07-30 08:29:45', '2007-07-30 02:59:45', 'Also, telecommuting helps.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; Tablet PC 1.7; .NET CLR 1.0.3705; .NET CLR 1.1.4322; IEMB3)', '', 0, 23, 'N', NULL),
(107, 71, 'titosarkar', 'titosarkar@yahoo.com', '', '69.254.182.128', '2007-08-03 05:37:39', '2007-08-03 00:07:39', 'The falling US Dollar and rising inflation in India may change this dynamics.\r\n\r\nOn another note, the discussion on the exotic saree was interesting. I just cannot understand the tremendous urge to acquire something that has no practical usage in the US (for work or casual wear) except for once every 10 years in some occasion (where everyone is busy admiring their own costumes) and with practically no salvage value as a collectable(loses 99% of the value after single usage). I don''t know of any legal poduct that can be compared to this.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; Tablet PC 1.7; .NET CLR 1.0.3705; .NET CLR 1.1.4322; IEMB3)', '', 0, 23, 'N', NULL),
(402, 121, 'sujoy', 'sujoymenon.md@gmail.com', 'http://', '72.76.197.105', '2007-12-22 21:43:55', '2007-12-23 01:43:55', 'I am no Dr. Sanjay Gupta ....''YET'', but I would like to point out 3 things. I have gone over the “Physicians for National Health Plan” site and their actual manifesto document. It does ask for a SINGLE payer system. There absolutely CANNOT be a system to take this on besides the govt. The Medicare system is a govt.-sponsored system that is on the brink of failure and there are no assurances that when I retire I will get the same benefits, as do retirees currently. Also there are more that 600k physicians in the country, hence a fringe of 14k physicians do not voice the opinions of doctors by any means. \r\n\r\nP.S. In my opinion trying the "Moore way" can only be worse. I might obviously be entirely wrong.\r\n\r\nWhy don''t we organize a discussion forum so that we see what the community thinks.\r\n\r\n\r\nSujoy', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.0.3705; .NET CLR 1.1.4322; Media Center PC 3.1; .NET CLR 2.0.50727)', '', 0, 29, 'N', NULL),
(390, 110, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2007-11-13 13:03:42', '2007-11-13 17:03:42', 'Well, I did mention the events that were disappointing but the others were quite good. The good ones were good enough to make me enjoy the overall celebrations. After all, I do not expect to see best-in-class performances on a Puja stage where the performers have to accept to umpteen compromises. We need to realize that one cannot produce quality shows in a godown like hall with the worst acoustics and technical support. A Durga Puja cultural event is almost like a background entertainment that helps us to participate in our "adda" sessions as loud as possible. To watch and enjoy quality theater or music I would go to the proper venues.\r\n\r\nIt is unfortunate that you found Subhomita''s music lifeless and dull. She obviously did not sing the golden oldies and that may have been the reason why she failed to connect to many. When we hear something new, it deserves some extra attention, which again is not possible in a Durga Puja environment and at a venue where nothing can be heard after the fourth row. I still applaud the organizers for having the courage to bring in the new generation of musicians and making us aware of the kind of music being created now in India and Bengal.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.8.1.9) Gecko/20071025 Firefox/2.0.0.9', '', 0, 1, 'N', NULL),
(399, 121, 'sudipta', 'bhawmik@gmail.com', 'http://', '68.193.113.20', '2007-12-14 20:36:26', '2007-12-15 00:36:26', 'I agree that Mr. Moore did not get the providers side of the story. However, it should be noted that this documentary is not against the doctors or hospitals, it is against the way health care is managed in this country by insurance companies and HMOs. These organizations do things in the name of the doctors that the doctor''s themselves deny (remember the scene where the doctor admits that he has not even seen those denials which bore his signature stamps). \r\n\r\nSecondly, a universal or national health care system does not have to be managed by the govt., it can still be managed by a non-profit single payer organization like Medicare. Medicare is quite successful as far as providing care to the patients. \r\n\r\nFinally, if you check out the "Physicians for National Health Plan" website, you''ll find that the reason more than 14,000 physicians like this plan is because a plan like HR 676 can save tons of money wasted due to paperwork required by multiple insurance companies. \r\n\r\nIt is quite easy to brand Moore''s documentary as a propaganda, but nobody has been able to counter the facts presented in the film. Even the famed Dr. Sanjay Gupta had to retract his statements against the documentary. \r\n\r\nWe have fallen prey to the propaganda''s of the health management industry. Why not try out the Moore way and HR 676? I am sure it cannot be worse. Rather, it can help reduce the burden on the US companies and help improve the overall economy of the country (besides providing everybody the care they need.)', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X; en-US; rv:1.8.1.11) Gecko/20071127 Firefox/2.0.0.11', '', 0, 1, 'N', NULL),
(388, 110, 'amitavasen', 'amitavasen@msn.com', 'http://', '71.255.85.155', '2007-11-13 12:28:59', '2007-11-13 16:28:59', 'I got a little confused about what in the Kallol Pujo cultural program exactly met writer''s expectation. Did he know something which we didn''t to set his expectations on lowest common denominator? Admittedly, he argued; Friday was disappointing, Saturday was a disaster and Sunday had to be awkwardly stagemanged by a child; it still surpassed or met his expectations. Interesting observation.\r\nEven discounting the sound malfunction the play production was nothing to write home about. The selection of the play was ill-considered for the occasion. Moreover the director, the actors and stagehands, all seemed to have seen their prime.\r\nAs a rule in this country the singers in their concerts perform only their published and already popular numbers and sometimes cover songs. The reason is obvious; live perfomance lets the audience participate and be involved. Selecting only her own songs might have given Suvomita a distinction and a point to make as she expressedly did in fact. Some of her song numbers may have been heard before by a handful of recent H1B''s, but not by the the vast majority of the audience here. She overlooked that she was not performing on a Calcutta podium. Her performance was technically superb, but dull and lifeless. Not tuning to the audience is a failing on the part of the performer, greatest she may have been. The ultimate responsibility for the lapse of judgment of course rests on the shoulders of the program organizers.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1)', '', 0, 8, 'N', NULL),
(398, 121, 'sujoy', 'sujoymenon.md@gmail.com', 'http://', '72.68.60.43', '2007-12-14 20:10:48', '2007-12-15 00:10:48', 'There is always 2 sides to a story. Mr. Moore in his effort to sensationalize his movie (after all is said and done, he is but an entertainer and a good business person) has left out the other side, or has presented a biased version of the other side. Please be careful not to fall prey to such propaganda. As far as the candidates are concerned, they will say anything to get your votes. The only thing that I will ask is - when has ANYHTING run by the govt. been successful???.Sujoy', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.0.3705; .NET CLR 1.1.4322; Media Center PC 3.1; .NET CLR 2.0.50727)', '', 0, 29, 'N', NULL),
(403, 121, 'sudipta', 'bhawmik@gmail.com', 'http://', '68.193.113.20', '2007-12-24 03:12:00', '2007-12-24 07:12:00', 'I am not sure where did you read that the PNHP does not call for a single payer system. The opening page of of their website talks about it. Also here is an excerpt from the Physicians proposal intro: "The Physicians’ Proposal for National Health Insurance establishes the vision and principles of a single-payer health system for the United States. The document was composed by a distinguished group of physician leaders*, and secured the endorsement of 8,000 physicians by the time of its publication in the August 13, 2003 JAMA." (http://www.pnhp.org/single_payer_resources/physicians_proposal_intro.php)\r\nThis may not constitute the majority of the physicians of this country, but at least a large chunk that feels something needs to be done and possibly single payer system is the best way. Till date I have not met a single doctor who is happy with the insurance companies and HMOs. They have to accept whatever negotiated rates these companies set with them. Then why not have a single such company and cut all the other red tape?\r\n\r\nMedicare being an offshoot of the social security system is under a huge financial burden and we all know about it. Social Security needs to be fixed anyway, but Medicare as a health care management system has been largely successful in providing care to its target group so far. \r\nI agree, that when we retire, things may be even worse - no Medicare and no health insurance company or HMO willing to provide us with the insurance we would need. Hence the system needs to be fixed, and the solution does not likely to be the current way of profit motivated HMO type system.\r\n\r\nHealth care should be a right. It cannot be subjected to the capitalist market system - since when a patient needs care - he just needs it. He has no other option. Health care is not a consumer commodity that one can possibly live without. But that''s what the current system is making us do - to choose between a index finger or a ring finger ( as the film shows) or to make a trip to India or Cuba for "Medical Tourism". \r\n\r\nI would very much like our community''s feedback on this issue and welcome your suggestion to have an open discussion forum.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.8.1.11) Gecko/20071127 Firefox/2.0.0.11', '', 0, 1, 'N', NULL),
(404, 121, 'sujoy', 'sujoymenon.md@gmail.com', 'http://', '72.76.190.27', '2007-12-24 21:33:20', '2007-12-25 01:33:20', 'Not sure what you mean by ''PNHP does not call for a single payer system.'' when you quote “The Physicians’ Proposal for National Health Insurance establishes the vision and principles of a single-payer health system for the United States.". I am sure I am missing smthing.\r\n\r\nBesides this, I guess I have fundamental difference in opinion with you, I do NOT think healthcare -as we know it here in the US- is a right, it most cetainly is a priviledge. Yes emergent and life saving care is most obviously a right as will be deemed in any civilized society. this is true in this country as well. Getting 4 MRIs for a tennis injury that has left a nagging pain in smones'' elbow is not a right by any stretch.\r\n\r\nI too have not met any doctor who likes that insurance companies (rather high school trained telephone operatorsmanage claim requests). I fully agree with you on that and the fact that the current payment sytstem is just plain bad. I am just not with you in that a SOCIALIZED sytem is better. What next then free food for all, work for all, equality in society......etc, etc, etc....does sound familiar though.\r\n\r\nMore on this. Why not get together in book store Borders or B&N or even the EB library on a week end. \r\n\r\nSujoy', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.0.3705; .NET CLR 1.1.4322; Media Center PC 3.1; .NET CLR 2.0.50727)', '', 0, 29, 'N', NULL),
(405, 121, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2007-12-26 17:10:26', '2007-12-26 21:10:26', 'I was only quoting your comment when I mentioned that "PNHP does not call....". That intrigued me, since clearly their web site indicates to the contrary. \r\n\r\nI agree, that getting four MRIs for a tennis injury cannot be a right. But having a doctor check it out, do the minimum diagnostics required and provide the appropriate medications and care - is it unjustified and too much to ask for? An ER visit for such an injury will result in a bill of few thousand dollars and can cause serious financial burden on anybody without adequate health insurance. When I say "health care should be a right" it implies, care needed for a non emergency illness should be a right. If a patient has cancer, or any other disease (respiratory, heart disease, kidney disorder or any other), he/she should be treated when it is most appropriate - and not wait for the condition to get worse to be rushed into ER for care (just to be stabilized temporarily). \r\n\r\nI do not understand why do people get paranoid when they hear the term "socialized" service. All I am trying to imply is that certain services cannot and should not be a privilege for the rich only. Can you think of police service or defense services to be completely privatized? Only the rich who can afford private security agencies will be protected and not others? You mention "free food for all" - but interestingly US (and state) govt do have some program to provide food (food stamps)for the needy. They have made shelters for the homeless, they try to provide "equal opportunity" for all in the workplace. But it is only in the case of healthcare, no tangible attempt has been made to make it accessible to the people who need them most.\r\n\r\nThere has to be a balance struck somewhere. Most countries of the developed world has successfully (but not without flaws) implemented universal health care in some form. It is a tragedy that the richest country in the world cannot provide health care to its own citizens. \r\n\r\nI am willing to get together at any suitable place. Let me know, how you''d like to organize this.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.8.1.11) Gecko/20071127 Firefox/2.0.0.11', '', 0, 1, 'N', NULL),
(406, 121, 'sujoy', 'sujoymenon.md@gmail.com', 'http://', '72.76.180.186', '2007-12-28 15:06:46', '2007-12-28 19:06:46', 'I don''t think that you read what I wrote and that’s why I stood a bit confused. Just for the record, I said, and I quote "It does ask for a SINGLE payer system." I never said anything to the contrary. \r\n\r\nYour comment " If a patient has cancer, or any other disease (respiratory, heart disease, ....- and not wait for the condition to get worse to be rushed into ER for care (just to be stabilized temporarily)" stands as the underlying principle of Medicine and is what is practiced today. \r\n\r\nIt is really not true that healthcare in the US is for the rich only. In fact the poor and the homeless have access to the best surgeons at Harvard so much so that you and I will have to go through a lot of hoops to get that kind of care. To add to this almost every large academic healthcare inst. (where you get the best care) has a free clinics in every department starting from general medicine to orthopedics. So this would be your food stamp equivalent. This is of course apart from the Medicaid system.\r\n\r\nSee, the bottom line is the US has the best healthcare in the world available to the majority of its citizens. The number that I have heard thrown around ranges form 20 - 50 million people who are not insured. (Take into account the fact that there are about 25 million people are also illegals in this country who are being supported on a daily basis by our healthcare system). Hence if you talk about citizens (as you did) we have a lot of them covered. That is not the problem. The problem is underinsurance and not non-insurance. It is when you need a particular procedure and is denied by some high school dropout on the other end of the phone.\r\n\r\nAlso when you say that the other developed countries have it all figured out, I don’t agree. Take it with a grain of salt when Sweden or Cuba says that their infant mortality rate is the lowest in the world. The fact is a large majority of the complicated cases come to this country (CHOP, Boston childrens etc handle by far the MOST complicated cases in the WORLD) and by the hundreds. This brings me to my point that I am trying to make. Please understand that the US subsidizes the entire world as far as innovations in healthcare are concerned. Pharmaceuticals, instrumentation, surgeries, technologies, techniques and much more. This all has a cost. Now you can argue that maybe we should scale back on the research and development to save money. I am not sure that is the solution. \r\n\r\nI will end by saying fundamentally you might be correct in your sentiment that healthcare should be accessed at all times, free, top quality and for all. Please believe me in that, doctors in this country and others I am sure all strive for that, inspite of the hurdles put forward to them by insurance companies.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.0.3705; .NET CLR 1.1.4322; Media Center PC 3.1; .NET CLR 2.0.50727)', '', 0, 29, 'N', NULL),
(418, 135, 'Parvati Mookherjee', 'bollywoodlove79@yahoo.co.in', '', '24.187.112.167', '2008-02-02 18:35:51', '2008-02-02 22:35:51', 'Congratulations to Pronoy-kaku on the new novel. My blessings to you.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.8.1.11) Gecko/20071127 Firefox/2.0.0.11', '', 0, 31, 'N', NULL);
INSERT INTO `wp_comments` (`comment_ID`, `comment_post_ID`, `comment_author`, `comment_author_email`, `comment_author_url`, `comment_author_IP`, `comment_date`, `comment_date_gmt`, `comment_content`, `comment_karma`, `comment_approved`, `comment_agent`, `comment_type`, `comment_parent`, `user_id`, `comment_subscribe`, `comment_enclosure`) VALUES
(524, 126, 'ECTA Theater Shows in New Jersey | NY/NJ Bengali', '', 'http://ethnomediallc.com/wpress/index.php/archives/166', '67.228.228.192', '2008-05-22 16:44:37', '2008-05-22 20:44:37', '[...] For details about Satyameva click this link. [...]', 0, '1', 'Incutio XML-RPC -- WordPress/2.5.1', 'pingback', 0, 0, 'N', NULL),
(525, 126, 'A Mini Theater Festival | NY/NJ Bengali', '', 'http://ethnomediallc.com/wpress/index.php/archives/169', '67.228.228.192', '2008-05-29 23:14:21', '2008-05-30 03:14:21', '[...] For details about Satyameva click this link. [...]', 0, '1', 'Incutio XML-RPC -- WordPress/2.5.1', 'pingback', 0, 0, 'N', NULL),
(571, 229, 'Sushmita Dutta', 'sushmita.dutt@sap.com', 'http://www.novel-ebiz.com', '169.145.3.12', '2008-09-30 14:44:43', '2008-09-30 18:44:43', 'In this chaos of disappointments and angry outbursts, I am getting a tremendous sense of solidarity realizing the fact that the Bengali community in New Jersey has really grown into a voluminous and economically strong body. It''s a great feeling. Let’s live it up guys ! May be we can now think of some exclusively Bengali outfits like “Oh! Calcutta” and “Ganguram” or “Banchharam”.\r\n\r\nYes, it''s time for Kallol to look for a bigger place. The Ukranion church has been the venue for Kallol''s Durga Puja for past several years and even after realizing the accommodation problem faced last year, it was unresolved this year.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; .NET CLR 2.0.50727; InfoPath.1; .NET CLR 1.1.4322)', '', 0, 0, 'N', NULL),
(569, 207, 'pranojit', 'panto77@yahoo.com', 'http://', '146.145.92.51', '2008-09-26 12:42:42', '2008-09-26 16:42:42', 'This is not fair for everyone. Why couldn''t kallol and GSCA organize pujo in different weekends. \r\n\r\nThey should think about other who would like to have a extended pujo atomosphere.\r\nOne weekend is a very short time to enjoy.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.8.0.12) Gecko/20070508 Firefox/1.5.0.12', '', 0, 81, 'N', NULL),
(568, 222, 'Durga Puja in New Jersey : Durga Puja 2008', '', 'http://www.durgapuja2008.com/?p=5', '74.50.25.185', '2008-09-21 13:53:43', '2008-09-21 17:53:43', '[...] View post: Durga Puja in New Jersey [...]', 0, '1', 'Incutio XML-RPC -- WordPress/2.6.1', 'pingback', 0, 0, 'N', NULL),
(582, 229, 'RD', 'rd@yahoo.com', '', '141.150.205.20', '2008-10-04 12:14:02', '2008-10-04 16:14:02', 'Instead of complaining and throwing blames at each other, what is needed is smart planning. I think what is needed is to decouple the Puja/anjali/bhog activities from cultural function. The limit is basically set by the auditorium capacity which gets crowded and becomes a safety issue during evening cultural functions. Just like the food which is now provided in a huge tent outside, I think Puja/anjali could be arranged in another big tent outside. The tickets should be sold for either just Puja/anjali/bhog (~$35) or for combined Puja/anjali/bhog/function (~$65). This way a lot of bengalis can participate in Puja and may not mind terribly if they miss the cultural function one year.\r\n\r\nRD', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.0; en-US; rv:1.9.0.3) Gecko/2008092417 Firefox/3.0.3', '', 0, 0, 'N', NULL),
(583, 207, 'Jayanta', 'jayanta_deka@rediffmail.com', '', '12.161.237.158', '2008-10-06 15:44:54', '2008-10-06 19:44:54', 'why is puja organized on 3-4th when the actual puja date starts from 6th (today) to 9th ?', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; InfoPath.1; .NET CLR 2.0.50727)', '', 0, 0, 'N', NULL),
(536, 137, 'fry bread recipe', '', 'http://lillie.usednewsdigest.info/frybreadrecipe.html', '58.85.33.34', '2008-06-10 03:40:55', '2008-06-10 07:40:55', '[...] filling. This delicious food can be eaten as it is or with some spicy meat of other curry dishes.http://ethnomediallc.com/wpress/index.php/archives/137Fry Bread RecipesThe magic is in frying the bread quickly! The hotter the oil, the less time it [...]', 0, '1', 'Incutio XML-RPC -- WordPress/4.01', 'pingback', 0, 0, 'N', NULL),
(574, 207, 'sonai chatterjee', 'dsonai@gmail.com', '', '67.82.98.3', '2008-09-30 17:13:44', '2008-09-30 21:13:44', 'This is ludicrous... even to see Durga Maa once a year, organizations such as these have made it impossible for people to visit.\r\nWhat is exactly the underlying purpose of all you people???', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.8.1.17) Gecko/20080829 Firefox/2.0.0.17', '', 0, 0, 'N', NULL),
(539, 173, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2008-06-13 14:51:56', '2008-06-13 18:51:56', 'Watch Natyamela photos at http://www.chhandosik.com/NatyaMela/image-gallery/index.php?page=list-image&album=4', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.8.1.14) Gecko/20080404 Firefox/2.0.0.14', '', 0, 1, 'N', NULL),
(573, 229, 'pranojit', 'panto77@yahoo.com', 'http://', '146.145.92.51', '2008-09-30 16:56:10', '2008-09-30 20:56:10', 'This is a very unfortunate thing as many people were looking forward to celebrate the durga puja through Kallol or GSCA.\r\n\r\nIt would have been nice if they thought about it before considering similar things happened last year.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.8.0.12) Gecko/20070508 Firefox/1.5.0.12', '', 0, 81, 'N', NULL),
(572, 229, 'Amal Paul', 'apaul@metlife.com', '', '216.163.255.1', '2008-09-30 15:00:36', '2008-09-30 19:00:36', 'One correction: We had warning posted on Kallol.com two days ahead of closing that said "registration will be closed soon".', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.0.3705)', '', 0, 0, 'N', NULL),
(570, 229, 'Arunansu Dasgupta', 'arunansud@yahoo.com', '', '69.127.18.41', '2008-09-30 13:56:33', '2008-09-30 17:56:33', 'May I take this opportunity to thank you for the illuminating article. No organizer would like to tell their patrons” Please do not come to our event(S)”. Under the circumstances of different place, different country, and different rules of the land GSCA, Kallol, Dallas and many other place s are compelled to restrict the number attendee. It is very unfortunate but until we can find a better solution organizations will have no other choice. Hopefully with the time angry arguments will be replaced by logical thinking and constructive proposal .', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1) ; .NET CLR 1.1.4322; .NET CLR 2.0.50727; IEMB3; IEMB3)', '', 0, 0, 'N', NULL),
(576, 230, 'Abhishek', 'abhi.mkj@gmail.com', '', '205.245.184.25', '2008-10-01 11:05:00', '2008-10-01 15:05:00', 'Is this the pujo at Plainfield Ave location?', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.3) Gecko/2008092417 Firefox/3.0.3', '', 0, 0, 'N', NULL),
(577, 230, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2008-10-01 11:07:19', '2008-10-01 15:07:19', 'The address is:\r\nPlainfield High School,\r\n950 Park Avenue, Plainfield, NJ 07060', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/525.13 (KHTML, like Gecko) Chrome/0.2.149.30 Safari/525.13', '', 0, 1, 'N', NULL),
(578, 229, 'Surajit Mitra', 'surajit.mitra@gs.com', 'http://www.gardenstatepuja.org', '206.230.48.50', '2008-10-01 11:33:13', '2008-10-01 15:33:13', 'Sudiptoda,\r\nThanks for the article (...puja registration being closed). I am associated with the GSPC Jersey City Durga Puja - we''re expecting a large crowd too this year. We may have to turn back people because our infrastructure (hall/parking) would not support more than 550 people. We''re getting a lot of calls too.\r\n\r\nYou might remember me - I am from IIT KGP 1983 ECE batch - Bhusi''s class. You had directed our fresher''s natok - but I''m not a natok person. But I was involved in TMS - represented IIT many times\r\n\r\nRegards,\r\nSurajit', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; CPT-IE401SP1; .NET CLR 1.0.3705; .NET CLR 1.1.4322; InfoPath.1; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; CPT-IE401SP1; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022)', '', 0, 0, 'N', NULL),
(579, 229, 'Subhasis Das', 'subhdas@yahoo.com', '', '216.163.255.1', '2008-10-01 12:25:36', '2008-10-01 16:25:36', 'Thanks for sharing the information. its really sad for all Bengali’s who will miss the Durga Puja (including me)- specially the Adda -- Just a thought .... kollol is a big organization with the strength of organizing big event - is it possible to find another place near by where all the "dukhi bengali" can meet and refresh themselves with adda and Kollol can project the live event happening at main place on some "Big screen".\r\nmay be its too late .. but "Jago bangali" .. do something we cannot miss adda & food with a cultural boost up.\r\n\r\nregards\r\nSubhasis', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; .NET CLR 2.0.50727)', '', 0, 0, 'N', NULL),
(581, 229, 'Subal Sarkar', 'subal05@gmail.com', '', '71.225.42.203', '2008-10-01 17:08:43', '2008-10-01 21:08:43', 'Beacuse of a large number of telephone requests, Durga Puja pre-registration was extended till midnight today, Oct 1, 2008 at www.gsca.us. As all of you know after 9/11 all facilities are under very strict supervision and surveillance. We must adhere to fire, life and safety regulations and therefore, cannot admit more than the allowable capacity of our facility. We have a larger facility and will allow on site registration until the capacity is reached. Last year this happened around late afternoon and we had to disappoint many who came from far away places. We directed them to Ananda Mandir and Bharat Sevashram. However, this year their Puja will not start until Monday, the eve of Saptami. We therefore strongly urge all to pre-register.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; SLCC1; .NET CLR 2.0.50727; .NET CLR 3.0.04506; .NET CLR 1.1.4322)', '', 0, 0, 'N', NULL),
(1618, 343, 'Brinda Guha', 'brinda.guha@gmail.com', 'http://www.brinda.cjb.net', '216.165.19.211', '2009-05-06 21:20:22', '2009-05-07 01:20:22', 'I will be there with arms wide open!!', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US; rv:1.9.0.10) Gecko/2009042316 Firefox/3.0.10', '', 0, 0, 'N', NULL),
(734, 249, 'Biman Bhatta', 'bkbnj8@aol.com', 'http://ethhnomediallc.com/wpress', '72.68.33.192', '2008-11-02 22:35:42', '2008-11-03 02:35:42', 'So are we to suppose to presume that we all Indians, especially the first generation of immigrants, abhor our own dark skin color and are ready to do anything to become white? Well I have a solution for that: Just follow what Michael Jackson did – bleach your skin, and then learn to speak English as the Americans do.\r\nThis isn’t about Barak Obama; it is about our craze to become a white Anglo Saxon. The parents who are obsessed about their children marrying a darker color mate would show their condemnation no matter wherever they would be India or Overseas. And the only reason for it is that they want their grandchildren to be whiter than what they or their children are. Anyway this behavior is part of our inheritance. Indian have lived a long time under white people’s rule and started learning to worship the whites as if they were Angels.\r\nBut this Presidential Election is not about color of skin. It is also not about expecting that Obama with a magic wand would dispel overnight all the desolation that Bush Administration has bestowed on this land. It is about Obama showing us the ray of hope that might be waiting at the end of this dark tunnel.\r\nGo ask the young people. Obama is the leader they want because to them he carries the vision of better future world.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1)', '', 0, 0, 'N', NULL),
(845, 207, 'K.B.', 'patrymook@yahoo.com', '', '24.187.112.167', '2008-11-17 12:26:50', '2008-11-17 16:26:50', 'I understand the adoption of the policy to cut the crowds in which I agree because I hate crowds thus I had bad experiences with it that it was not funny at all. However, Kallol is making it difficult to enjoy the presence of Durga Maa in many ways: there are folks out there that can only pay in cash in which they have the right to it; each and everyone of us have our own reasons to pay in cash; in other words, if anybody does not have a checking account, he or she has to deprive itself from seeing Durga Maa, since drop-ins are no longer accepted. Very sad! We must find a solution because if it continues like this, it will lose a lot of patrons and we do not this to happen to Kallol because it an excellent organization. Speaking about having two organizations celebrating Durga Puja on the same days, there used to a time when we could enjoy puja-hopping. Hello?! What is wrong with that? At least is always better than discotheque-hopping! Durga Puja comes once a year and I think there is nothing wrong with puja-hopping, therefore, Durga Puja means a lot to all of us. And it no use to frequent other locations because it would be crowded no matter what. I think New Jersey Puja Association should organize its own Durga Puja to balance out the crowd: they work in an outstanding manner and I feel that NJPA should become a bigger and more popular organization. Durga Puja is an enormous event and every organization and temple should celebrate it, at least we can have a choice on where to go and we can make plans from two weeks to a month ahead of time, and we can still have the freedom to have a wonderful time. Speaking of the badges, ink stamps, and wristbands, Kallol is acting like it is a discotheque. Oh please! I truly understand the security measures that need to be taken, but this is extreme. We spend hundreds, if not thousands, of dollars in fashions, shoes, and accessories to look our best for two or three days, not to mention the food and the offerings we make to Durga Maa, plus the cost of the entrance; it''s like we spend a lot of money just to get bossed around if we want to have a wonderful time. It makes me angry to think like that! A good way to apply security measures without ruining the fun and our fashion statement is to go for the "invisible" ink stamps and hire a security guard with a black light to control the entry, it barely shows and it does not affect our fashion statement at all. I would like to say that I am glad to hear about the crowd control policy, it is about time.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; SLCC1; .NET CLR 2.0.50727; .NET CLR 3.0.04506; .NET CLR 1.1.4322)', '', 0, 0, 'N', NULL),
(590, 229, 'sarah fay', 'cantsay@dot.com', '', '24.228.82.141', '2008-10-13 15:18:11', '2008-10-13 19:18:11', 'Catch 22 :-\r\nBengalis are famous of buying "air time" without having any concrete solutions. It is needless to say that space is a problem to accomodate all the bong''s to enjoy durga puja. So, what can be done? Kallol like other organisation has tried to put some discipline and to stop people (so called sophisticated Bengalis) who likes to enjoy three days puja, nice entertainment and food without spending dime. As we all know economic situtation in the country is very day, prices have gone up significantly and that requires increase in Budget even to do the same puja for three days with decent entertainment and food at the same place. \r\nIt is very easy to say that kallol needs a bigger place (which may be true)but who is going to pay for it? Where is the money going to come to rent bigger place which will cost more money and that requires increase in subscription. \r\n\r\nI even heard some people saying that Kallol should bear the cost of renting bigger place. My question to them is who is Kallol? All the 9 donkey''s (executive committee) or you, me all the kallol members?\r\n\r\nIt seems like "Catch 22" situation.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.0.3705)', '', 0, 0, 'N', NULL),
(929, 266, 'Pramit', 'pramit_palit@rediffmail.com', '', '125.20.65.74', '2009-02-20 05:55:56', '2009-02-20 09:55:56', 'We have had blasts not just in Mumbai - but across the country, from Guahati to Ahmedabad and from Benaras to Bangalore. Hundreds have died. And our Govt. was not worried. They woke up after Mumbai - probably because 49 Muslims lost their lives.\r\nTill Mumbai, there was no plan, no effort, no sense of urgency to combat terrorism.\r\nThat had made India a soft target for these trigger happy killers.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1)', '', 0, 0, 'N', NULL),
(969, 271, 'Kaberi Dutta', 'kaberi.dutta@rediffmail.com', '', '60.243.40.169', '2009-03-12 01:13:12', '2009-03-12 05:13:12', 'Who is playing the role of Parashar Pathak(Munna) in Dhoop Chhaya?His tall figure and sharp features would make him a perfect candidate to play the role of Feluda.Sandip Ray should sit up and take note.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1)', '', 0, 0, 'N', NULL),
(613, 243, 'subhashis ghosh', 'gsubhashis@gmail.com', '', '117.194.128.60', '2008-10-17 04:30:48', '2008-10-17 08:30:48', '"Pooja related Cartoons are really funny,enjoyable\r\nand exposes fact!N.J.Kallol Pooja report are quite descriptive and informative particularly qurious MainLand(India)people like us.But one thing I failed to understand,the absence of any Pooja celebration Photographs,without that I presume a report or documentation is incomplete,in todays standard!Congratulation and thanx to N.J.Kalol Pooja comitee for another successful Durgotsav.All the best. \r\ns.ghosh.(Kolkata)', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; FDM)', '', 0, 0, 'N', NULL),
(704, 249, 'Indranil Mukherjee', 'indymukh@gmail.com', '', '71.244.81.81', '2008-10-31 09:20:26', '2008-10-31 13:20:26', 'This is so true ... Amitava Da pinned us really ... time is even getting bore on this cross-cultural dogmas. Do we have to really show-off our culture and care for one''s to get in habbit with? We need to ask ourselves, do we get into cultural dialogues everytime there is a new entity around us? Is our culture so vulnerable to another culture? Or, is it the question that we are used to live in a way and cannot get out of it?', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; InfoPath.2)', '', 0, 0, 'N', NULL),
(931, 273, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2009-02-23 12:18:48', '2009-02-23 16:18:48', '8 Oscars - Including best picture, best director, best screenplay and best original score! \r\nWay to go Rahman!', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.6) Gecko/2009011913 Firefox/3.0.6', '', 0, 1, 'N', NULL),
(887, 133, 'sudipta', 'bhawmik@gmail.com', 'http://', '68.193.111.159', '2008-12-16 01:33:49', '2008-12-16 05:33:49', 'Sorry - it should have been millions. I stand corrected.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.5; en-US; rv:1.9.0.4) Gecko/2008102920 Firefox/3.0.4', '', 0, 1, 'N', NULL),
(994, 312, 'Sambit Basu', 'sambitbasu@hotmail.com', 'http://www.basus.net', '64.105.168.210', '2009-03-24 21:01:14', '2009-03-25 01:01:14', 'Jobor news! New Jersey is fast becoming the nouveau aNtuD of bongo-songskriti! Paraphrasing Lalmohan, "cultivate korte hochchhe moshai!"', 0, '1', 'Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.9.0.7) Gecko/2009021906 Firefox/3.0.7', '', 0, 0, 'N', NULL),
(829, 247, 'Sujay Ghosh', 'ghosh.sujay@gmail.com', 'http://sujayghosh.wordpress.com', '164.164.97.81', '2008-11-14 07:48:41', '2008-11-14 11:48:41', 'Nice to see a Bengali blog . \r\n\r\nOnek din dhore bideshider blog e pore berachi...:-)\r\n\r\nI am also on Twitter @sujayg', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.4) Gecko/2008102920 Firefox/3.0.4', '', 0, 0, 'N', NULL),
(830, 247, 'Sujay Ghosh', 'ghosh.sujay@gmail.com', 'http://rear-mirror.blogspot.com', '164.164.97.81', '2008-11-14 07:56:27', '2008-11-14 11:56:27', '2nd Time - Could not resist..:-) . I also blog on my personal life at http://rear-mirror.blogspot.com', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.4) Gecko/2008102920 Firefox/3.0.4', '', 0, 0, 'N', NULL),
(1624, 345, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2009-05-07 12:07:47', '2009-05-07 16:07:47', 'That is strange indeed. Alexa is a highly reputed site. Go to Alexa.com and try to download the tool bar for there directly. Else, maybe your ISP has been compromised.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/525.19 (KHTML, like Gecko) Chrome/1.0.154.53 Safari/525.19', '', 0, 1, 'N', NULL),
(927, 88, 'Anniversary Poems', 'brendawalker01@gmail.com', 'http://www.poemsall.com', '210.211.252.74', '2009-02-04 08:23:13', '2009-02-04 12:23:13', 'Nice collection about variety of poems and they are very needed for me because i am a teacher of small children it surely help them to learn a different thing from it.\r\nThanks for your time post this post.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.6) Gecko/2009011913 Firefox/3.0.6 GTB5', '', 0, 0, 'N', NULL),
(1625, 343, 'Kajal Sen', 'senkajal@yahoo.com', 'http://www.kalimati.co.in', '117.200.80.71', '2009-05-07 12:56:21', '2009-05-07 16:56:21', 'Apnader sapholya kamona kori. Shubhechchha ebong abhinandan janai.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; GTB6; InfoPath.2)', '', 0, 0, 'N', NULL),
(1622, 345, 'Kaushik', 'kaudata@yahoo.com', '', '68.46.173.7', '2009-05-07 07:48:13', '2009-05-07 11:48:13', 'Look at Quantcast.com. It is emerging as a leader in this space.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US; rv:1.9.0.10) Gecko/2009042316 Firefox/3.0.10', '', 0, 0, 'N', NULL),
(925, 273, 'sudipta', 'bhawmik@gmail.com', 'http://', '68.193.111.159', '2009-01-23 23:05:02', '2009-01-24 03:05:02', 'Now 10 Oscar nominations! Go for it!', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_6; en-us) AppleWebKit/525.27.1 (KHTML, like Gecko) Version/3.2.1 Safari/525.27.1', '', 0, 1, 'N', NULL),
(938, 286, 'nikki', 'niki.princess@gmail.com', '', '123.201.73.12', '2009-03-04 11:24:00', '2009-03-04 15:24:00', 'GREAT TRUTH REVEALED', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1)', '', 0, 0, 'N', NULL),
(882, 157, 'Pujan Ghosh', 'pujan.g1962@yahoo.co.in', '', '59.93.242.33', '2008-12-11 11:58:59', '2008-12-11 15:58:59', 'I want to participate in your programe', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/525.19 (KHTML, like Gecko) Chrome/0.4.154.29 Safari/525.19', '', 0, 0, 'N', NULL),
(2276, 70, 'Patrizia Mookherjee', 'patrymook@hotmail.com', '', '24.187.112.167', '2009-06-07 14:02:00', '2009-06-07 18:02:00', 'The reason of poor attendance in our social clubs is because there are not many interests for our youths. Other than that people come up with some lame excuses, such as moving out of state. What is going to happen to the future of our children? We need more young people to get involved to get our clubs back on track. Heritage is very important and there should be no excuses.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_7; en-us) AppleWebKit/525.28.3 (KHTML, like Gecko) Version/3.2.3 Safari/525.28.3', '', 0, 0, 'Y', NULL),
(896, 271, 'watcher', 'oasisguy98@yahoo.com', '', '99.135.185.18', '2008-12-22 21:56:57', '2008-12-23 01:56:57', 'This is not a comment, rather a question. Is Raghuram Pathak played by Mrinal Mukherjee, the actor of Chhuti, Ekhoni, Apanjan etc, (also fathet of Jojo the singer)?', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; FunWebProducts; .NET CLR 1.0.3705; .NET CLR 1.1.4322; Media Center PC 4.0)', '', 0, 0, 'N', NULL),
(934, 286, 'sudipta', 'bhawmik@gmail.com', 'http://nynjbengali.ethnomediallc.com', '74.202.52.1', '2009-02-26 16:56:05', '2009-02-26 20:56:05', 'The book is published by A DASGUPTA-ALLIANCE PUBLICATION\r\nOrder your copy in the U.S. from: GLOBAL BOOKS: http://www.globalbooksus.com\r\nFor price discount on five (5) or more copies, please write to: globalbooksusa@gmail.com.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/525.19 (KHTML, like Gecko) Chrome/1.0.154.48 Safari/525.19', '', 0, 1, 'N', NULL),
(746, 181, 'Sujoy', 'sujoymenon.md@gmail.com', '', '71.125.73.243', '2008-11-03 22:41:12', '2008-11-04 02:41:12', '"Barack Obama laid out his foreign policy strategy in very clear and specific terms." \r\n\r\nNo he did not! He just repeated a bunch of played out terms. But I am sure my definition of spesific is not just platitudes.\r\n\r\nAlthough, I am not sure it matters a cause we are in for a typical "big goverment can solve everything" and "I am entitiled to everything without any accountability" policies for at least the next 4 years. \r\n\r\nI just wonder where will the money come from for all the freebies....oh wait there are always the biggest suckers.....tax payers....us.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.0.3705; .NET CLR 1.1.4322; Media Center PC 3.1; .NET CLR 2.0.50727)', '', 0, 0, 'N', NULL),
(747, 249, 'Sujoy', 'sujoymenon.md@gmail.com', '', '71.125.73.243', '2008-11-03 22:57:07', '2008-11-04 02:57:07', 'thats interesting I do NOT think so at all...and I think I am still young...', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.0.3705; .NET CLR 1.1.4322; Media Center PC 3.1; .NET CLR 2.0.50727)', '', 0, 0, 'N', NULL),
(908, 273, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2009-01-09 12:46:38', '2009-01-09 16:46:38', 'Slumdog wins 5 Critcs Choice Awards:\r\n\r\nWinners at Thursday''s 14th annual Critics'' Choice Awards:\r\n\r\n• Picture: "Slumdog Millionaire"\r\n• Director: Danny Boyle, "Slumdog Millionaire"\r\n• Writer: Simon Beaufoy, "Slumdog Millionaire"\r\n. Young actor/actress: Dev Patel, "Slumdog Millionaire"\r\n• Composer: A.R. Rahman, "Slumdog Millionaire"', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.5) Gecko/2008120122 Firefox/3.0.5', '', 0, 1, 'N', NULL),
(936, 219, 'Athu', 'athu88@live.com', '', '124.195.215.145', '2009-03-01 02:10:46', '2009-03-01 06:10:46', 'I Love to eat Indian Food', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.6) Gecko/2009011913 Firefox/3.0.6', '', 0, 0, 'N', NULL),
(937, 286, 'Pramit', 'pramit_palit@rediffmail.com', '', '125.20.65.74', '2009-03-01 11:04:43', '2009-03-01 15:04:43', 'Good work !', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1)', '', 0, 0, 'N', NULL),
(914, 137, 'sanjida', 'sanjidaro@gmail.com', 'http://www.ictoday.blogspot.com', '114.141.80.100', '2009-01-16 10:23:46', '2009-01-16 14:23:46', 'helpfull', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0)', '', 0, 0, 'N', NULL),
(1623, 345, 'Pramit', 'pramit_palit@rediffmail.com', '', '121.242.110.2', '2009-05-07 12:05:27', '2009-05-07 16:05:27', 'Could not install Alexa. There was a Trojan warning. I think it needs to be sorted out.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; GTB6)', '', 0, 0, 'N', NULL),
(910, 271, 'Deb', 'sarb_ghosh@yahoo.co.in', '', '121.246.5.39', '2009-01-12 13:18:02', '2009-01-12 17:18:02', 'Yes Raghuram Pathak is in fact played by Mrinal Mukherjee,whom audiences will best for his National Award winning performance in Chhuti and for other films like Ekhuni Apanjan etc!!!', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.5) Gecko/2008120122 Firefox/3.0.5', '', 0, 0, 'N', NULL),
(911, 273, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2009-01-13 13:15:43', '2009-01-13 17:15:43', 'Slumdog won 4 Golden Globes:\r\nBest Picture, Best Director, Best Screenplay, and Best Original score.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.5) Gecko/2008120122 Firefox/3.0.5', '', 0, 1, 'N', NULL),
(769, 251, 's.ghosh.', 'gsubhashis@gmail.com', '', '117.194.128.125', '2008-11-05 13:42:47', '2008-11-05 17:42:47', 'Typical "HILSA" lover Bengalee Pleasure!!!!', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; .NET CLR 1.1.4322)', '', 0, 0, 'N', NULL),
(987, 271, 'sudipta', 'bhawmik@gmail.com', 'http://', '68.193.111.159', '2009-03-16 23:08:10', '2009-03-17 03:08:10', 'Abhrajit Chakraborty is performing as Parashar Pathak. His acting skills need to improve considerably before one can think him as Feluda.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.5; en-US; rv:1.9.0.7) Gecko/2009021906 Firefox/3.0.7', '', 0, 1, 'N', NULL),
(805, 249, 'Subhodev Das', 'subhodev@att.net', '', '98.221.130.71', '2008-11-10 01:23:31', '2008-11-10 05:23:31', 'Now that we''re done with the election, does anybody feel that President-elect Barack Obama is not acceptable as a close member of one''s family? \r\n\r\nAs a social being we''re prejudiced one way or the other, hence our propensity to intolerance. When it comes to (Bengali) matrimony, this prejudice is no better expressed than in the ads. I''ve not seen an individual, particularly women, advertising to have a very dark complexion ("ghor krishnabarna"); at worst a person has brightly dark complexion ("ujjol shyambarna") - what an oxymoron!\r\n\r\nIn a marriage of "inequals" - social, economic, individual, or otherwise in nature - one party is always fearful of "losing out" that could manifest as shame or guilt. This fear may sometime lead to adverse situations, but more often both parties learn to accept each other through mutual tolerance. \r\n\r\nSen. Obama never ran on race (nor did he run away from it) and the ones among us, the Bengalis, who voted for him were not swayed by his complexion (judging from our predisposition). Thus, linking our support for his political endeavor to our prejudice-laced social behavior is misplaced in my opinion.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; .NET CLR 1.1.4322; InfoPath.1; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; NET_mmhpset)', '', 0, 0, 'Y', NULL),
(883, 271, 'Silent-Observer', 'adas2@comcast.net', '', '72.90.162.154', '2008-12-12 10:18:06', '2008-12-12 14:18:06', 'Good Review of Dhoop-Chhaya. Confision for viewers for ''same talent in different roles in different serial'' is because ETV has fixed ''signed'' actors who they''ll have to use in ''their'' serials. They cannot take any talent from Kolkata talent pools, so is Aakaasg-Bangla, and other channels.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; SLCC1; .NET CLR 2.0.50727; .NET CLR 3.0.04506)', '', 0, 0, 'N', NULL),
(905, 99, 'leonidas', 'info@leoloi.gr', 'http://www.loizides.gr', '77.49.46.68', '2008-12-28 16:42:04', '2008-12-28 20:42:04', 'GREEK CULTURE EMBRACES THE ENTIRE WORLD \r\n \r\n \r\nThe Theatre Scheme of Leonidas Loizides tours staging “BACCHAE” of Euripides, in a version of the dean and professor of the University of Athens, Marika Thomadaki and in direction of the pioneer and innovating director Leonidas Loizides, who has a 20-year active career in the theatre stardom, always serving the quality theatre, and with artistic successes, the destiny of which had been to travel abroad and make a tour in Europe and America, as we are ambitious for our new oncoming production too. The play is presented in the Greek language with English hyper-titles. Its ingenuity lies in the fact that it is performed only by a female cast, that totally consists of eight women, selected professional actresses. It is about a pioneer idea of Leonidas Loizides that aims at the promotion of the role and the power of the woman, in the past as well as in the present time and the future. We also point out that in this attempt of ours we have the support of the Greek and Cypriot state and the honour, this theatrical production to be under the auspices of the Greek Ministries of Foreign affairs, Tourist Development, Transportation and Communications, the Organization for the Promotion of the Greek Culture of the Ministry of Culture, the Ministry of Education and Culture of the Cypriot Republicas well as ???? (Cultural Organization of the Municipality of Athens) and UNESCO.Our Communication Sponsors are: ERT WORLD, ????, «Apogevmatini”, “City Press”, “Athens Voice”, “Athens 984, GoCulture,while our Sponsor is the “BANK OF CYPRUS”All the above factors render the as above performance perfect from the artistic point of view, at a level that it can satisfy even the most demanding audience. The theatre company consists of 8 members and along with the director, the technician (operator of lights and sound) and the production organizer, constitutes the eleven-member team that will travel for the materialization of this inspired project.The specific production spread its wings beyond the Greek horizons in September of 2008 with a 40-day tourney in America, in 18 states of the USA, under the auspices of the World Council of Hellenes Abroad, SAE USA Region and the Organization under the name “PEDIA” (meaning EDUCATION in the English Language), and we hope that its journey will be as far and long, from the time point of view, as possible. Our tourney in America had an extremely warm reception from the audience and the press, winning many distinctions by local entities, with the awarding of prizes by the Municipality of New York and the American Congress being the high spot. Our following destination is Europe, with already scheduled performances in Germany, London, Cyprus and Paris for January and February 2009, while we are already preparing our new theatrical production “Troades” of Euripides, which will start its tour in Greece and abroad from August of 2009. Our ulterior objective is not to gain any profit, but the spreading of the Greek culture and theatre as well as the teaching of the classical and always timely, for any society, tragedies of one of our greatest tragic poets, to Greeks of the same descent that live abroad and to foreigners. Furthermore, an aim of our specific attempt is to find people and states which are friendly to Greece and our culture, aiming at their promotion and the beginning of a professional and artistic opening of the Greek theatre. The realization of this dream of ours lies in your contribution We would be interested in being in contact with acknowledged or valid theatrical Festivals, local or not, theatrical organizations, Cultural Organizations, Municipal authorities, acknowledged Theatres or Theatre Companies of abroad, aiming at the inclusion of our production in their artistic agenda for the season of 2009-2010. We also think that it would be useful for us to get in touch with universities of the country, in which theoretical arts are taught, in case they were interested in accommodating our theatre performance aiming at the teaching and education of their students.Finally, some performances could be staged under the auspices of local or national benevolent institutes and the returns of which could be disposed for charity purposes, thus promoting the social character of our country as well.We are open to any other proposal or idea you may have, which could help to the materialization of the specific theatrical production abroad, and of course we would be very glad, if your entity itself was interested in accommodating our production and supporting us financially, as well as in publicizing and promoting our proposal.We hope to realize in your turn, the specialness and substantialness of this attempt of ours for an international tourney of the tragedies “BACCHAE” and “TROADES” of Euripides, for the Greek theatre, as well as for the spreading of our culture beyond our national frontiers and to be a fellow traveler in our cultural journey. \r\nDirector, Leonidas Loizidis Tel: 0030 6945608103, 6955172106\r\nOfficial site:http://www.loizidis.com\r\nMyspace profile: http://myspace.com/leonidasloizides \r\ne-mail: info@leoloi.gr This e-mail address is being protected from spambots. You need JavaScript enabled to view it , vakxes@hotmail.com This e-mail address is being protected from spambots. You need JavaScript enabled to view it', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; WOW64; SLCC1; .NET CLR 2.0.50727; .NET CLR 3.0.04506; Media Center PC 5.0; InfoPath.2)', '', 0, 0, 'N', NULL),
(885, 133, 'Vinit', 'gbavideo@gmail.com', '', '216.31.255.3', '2008-12-12 17:26:53', '2008-12-12 21:26:53', 'How can 12.5 billion people go to Broadway a year when there are only 6 billion people in the world?', 0, '1', 'Mozilla/5.0 (Macintosh; U; PPC Mac OS X 10.4; en-US; rv:1.9.0.4) Gecko/2008102920 Firefox/3.0.4', '', 0, 0, 'N', NULL),
(1457, 335, 'Brinda Guha', 'brinda.guha@gmail.com', 'http://www.brinda.cjb.net', '128.122.131.250', '2009-04-24 10:55:57', '2009-04-24 14:55:57', 'It''s interesting how many myths actually surround the topic of HIV/AIDS. First and foremost, HIV can''t be cured, but it can be treated. Ignoring the problem doesn''t have it go away. It''s like cancer in that sense. Secondly, HIV does not only affect gay men and drug users. HIV is something that can be spread through various channels, and it is noted that in today''s age of America, most people who have HIV are heterosexual and clean of drugs! It''s so condemned in society but really, it''s just another sickness that needs treatment, if not careful in the first place. And lastly, HIV and AIDS are not the same thing, as the former is a virus and the latter is a collection of illnesses. \r\n\r\nThis play sounds very interesting. It''s strange how people of our grand community treat something perceive situations they know very little about. I guess it''s because they are used to knowing so much about things, that something foreign like this is climbing it''s way through the latter. But it''s THAT reason only that people should be more understanding and educated of how to go about the situation, rather than forcefully ignore their condition. \r\n\r\nI hope I can make it to the show! Great article and as always, I support you 100%!\r\n\r\n-Brinda', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.9) Gecko/2009040821 Firefox/3.0.9', '', 0, 0, 'N', NULL),
(1698, 349, 'Search for Idols : Durga Puja 2008', '', 'http://www.durgapuja2008.com/durgapuja/search-for-idols/', '74.50.25.185', '2009-05-25 20:10:53', '2009-05-26 00:10:53', '[...] Read more from the original source: Search for Idols [...]', 0, '1', 'Incutio XML-RPC -- WordPress/2.6.1', 'pingback', 0, 0, 'N', NULL),
(1660, 343, 'Atri Guha', 'ag6789@yahoo.com', '', '98.109.237.40', '2009-05-11 23:14:51', '2009-05-12 03:14:51', 'Wish you all the best.look forward to see more multi act plays w/multi characters..', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.0.3705; .NET CLR 1.1.4322; Media Center PC 4.0)', '', 0, 0, 'N', NULL),
(1534, 340, 'nora', 'eluongo@gmail.com', 'http://www.twitter.com/rutgers_newark', '165.230.92.2', '2009-04-30 10:48:43', '2009-04-30 14:48:43', 'that''s really great - makes a lot of sense too with the large indian population (though i wish this was happening on the newark campus)... i wonder will there be bhangra dance classes offered?', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; GTB5; .NET CLR 1.1.4322; .NET CLR 2.0.50727)', '', 0, 0, 'N', NULL),
(1563, 340, 'Raja', 'raja.roy1@gmail.com', '', '74.241.82.29', '2009-05-02 01:19:17', '2009-05-02 05:19:17', 'How does one register for the summer camp? Will the concert be open to the public or does one need to pre-register?\r\n\r\nThanks so much.\r\n\r\nRaja', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US) AppleWebKit/525.19 (KHTML, like Gecko) Chrome/1.0.154.59 Safari/525.19', '', 0, 0, 'N', NULL),
(1578, 304, 'Reaction to swine flu vaccine.', '', 'http://www.spike.com/blog/swine-flu-compare/77525', '72.167.232.29', '2009-05-02 22:31:06', '2009-05-03 02:31:06', '1976 swine flu....\n\nSwine flu. 1976 swine flu. 1976 swine flu scare....', 0, '1', 'WordPress/2.7', 'trackback', 0, 0, 'N', NULL),
(1599, 340, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2009-05-04 15:54:34', '2009-05-04 19:54:34', 'Check the following link for more info:\r\nhttp://www.masongross.rutgers.edu/extension/summer.html', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/525.19 (KHTML, like Gecko) Chrome/1.0.154.53 Safari/525.19', '', 0, 1, 'N', NULL),
(1607, 328, 'Brinda Guha', 'brinda.guha@gmail.com', 'http://www.brinda.cjb.net', '216.165.19.124', '2009-05-05 15:17:34', '2009-05-05 19:17:34', 'House is definitely my all-time favorite show. I find that recently the show has been getting really spicy and interesting, because it actually veered from that typical setup to become something more intriguing, more dramatic, without losing its medical flare. Great article!', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US; rv:1.9.0.10) Gecko/2009042316 Firefox/3.0.10', '', 0, 0, 'N', NULL),
(2270, 358, 'Mr. Kaplan', 'svoboda1@hotmail.com', '', '68.196.143.135', '2009-06-05 17:03:50', '2009-06-05 21:03:50', 'The tempo of the play “Banaprastha” increases rapidly, as the suspense and the family drama captured my imagination. The acting is superb, with the performers deeply engrossed in the Stanislavsky method. The script is woven into the fabric of the conflict between the Past and the Present. Sudipta Bhawmik painstakingly researched the material, which also adds to the play''s unabashed realism. With tiny bits of sprinkled wit, "Banaprastha" deserved to be seen by a wider Bengali and English-speaking audience.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.1.4322)', '', 0, 0, 'N', NULL),
(1395, 314, 'Bloggers For Hire', '', 'http://www.outsidethebeltway.com/archives/bloggers_for_hire/', '72.32.122.55', '2009-04-21 11:41:36', '2009-04-21 15:41:36', '[...] Story via Jonathan Adler. Image: NY/NJ Bengali. [...]', 0, '1', 'Incutio XML-RPC -- WordPress/2.6.2', 'pingback', 0, 0, 'N', NULL),
(1615, 341, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2009-05-06 15:06:44', '2009-05-06 19:06:44', 'Following is the response from ETV.\r\n\r\nDear Customer,\r\n \r\nWe regret for the inconvenience caused to you.\r\n \r\nRight now, we are facing some issues with time delay. The process is in and it''ll take a day or two to set the things right back. Please bear with us.\r\n \r\nThank you for your cooperation and we look forward to serve you better.\r\n \r\nRegards,\r\nETV Team', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.10) Gecko/2009042316 Firefox/3.0.10 (.NET CLR 3.5.30729)', '', 0, 1, 'N', NULL),
(2278, 186, 'Rohon', 'rohonkuddus@gmail.com', 'http://www.rohonkuddus.com', '220.227.179.5', '2009-06-11 09:34:37', '2009-06-11 13:34:37', 'Forgot to mention one more site SRISTISukh (http://www.sristisukh.com). You may find this interesting.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; GTB5; InfoPath.1; InfoPath.2)', '', 0, 0, 'Y', NULL),
(2277, 186, 'Rohon', 'rohonkuddus@gmail.com', 'http://www.rohonkuddus.com', '220.227.179.5', '2009-06-11 09:32:46', '2009-06-11 13:32:46', 'There is a webmag SRISTI (http://www.sristi.co.in). And you can find some other under the tab ''Onyora'' of that webmag. You may find some mag to worth mentioning in your esteemed blog.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; GTB5; InfoPath.1; InfoPath.2)', '', 0, 0, 'Y', NULL),
(2279, 364, 'sudipta', 'bhawmik@gmail.com', 'http://nynjbengali.com', '74.202.52.1', '2009-06-11 16:22:01', '2009-06-11 20:22:01', 'Amitava-da, \r\n\r\nThank you for the review. You have said whatever you felt after the watching the play and I appreciate it. However I feel that I need to respond to some of your comments, not as a member of the production team, but as a playwright. \r\n\r\n1. You commented - "But in these days of cheap airlines tickets and cheaper communication cost can anyone be so unaware (and acting so taken aback) of the changes going on, particularly for a person having purchased a place of residence there during the intervening years? Where has he been?"\r\n\r\nDo you think all of us visit our home in India every year? Here is an email comment from one of our audience: "....I appreciated it more because I went to India in May after 11 years." \r\nParijat went back home after 8 years. \r\n\r\nBut even when I visit India every year or every other year, the social changes keeps on amazing me. Yes, we are aware of the changes, but when it starts affecting you personally, it hits home. I am sure you feel it too. If not, I''d say that you are in denial. Some of us do try to pretend that they are abreast of what''s going on back home, they even appear to appreciate some of the social changes to prove their liberal mindset - but deep within, it hurts them too - it hurts when you find your home is no more. One of our western audience member told me, his mother used to say - "there is no home!" I was almost in tears.\r\n\r\n2. "Message is not clear though, at times it looks like telling us that it is all right, even laudable to acquire HIV virus provided the cause is right."\r\n\r\nHow could you get this distorted message that the play is trying to say that it is "laudable to acquire HIV"? The only message (if any) one could conclude is that HIV can attack us from any front - one need not visit brothels or use infected needles or get transfused with contaminated blood. \r\nJust to let you know that the Suranjana character is not entirely fictitious. It is based on real life character. \r\nCareless saintly behavior (like some health care workers) or unprotected romance, can cause this virus to infect - because the virus does not care whether the body they are attacking is that of a saint, or a romantic lover, or a criminal rapist. But each such case can be a story - a story in its own right. Suranjana and Pallab''s story is also a story - please don''t humiliate it by saying that it seemed it is laudable to acquire HIV for the right cause. \r\n\r\nI felt that without the presence of the character Suranjana, Pallab''s story would have been incomplete and it would have been unfair to Pallab and many other young men and women. Pallab never tried to give any excuse for his predicament, but that should not be misinterpreted in anyway. The story may draw some sympathy for Pallab and Suranjana - but I don''t know how it can be interpreted as being an effort to glorify the acquisition of this deadly disease!\r\n\r\n3. "The doctor, expert on AIDS treatment uttered not so much of a word about anti-retroviral drug. "\r\n\r\nDr. Parijat Sen did mention - "HIV is no longer a death sentence" and also mentioned several times that drugs are now available that can hold of HIV for long periods. Although he did not mention David Ho or Bill Gates or go into the details of anti-retroviral cocktail or HAART therapy - it was not the treatment of HIV/AIDS the issue here - at least to him or his brothers family. It was well established in the play that access to treatment is not the key problem in India (or Calcutta) - although not all hospitals would admit an HIV patient even today. \r\n\r\nAs per the recent reports, many HIV patients do not seek medical treatment because they are afraid that doing so would expose their HIV status and they would be social outcasts.\r\n\r\nAlso you must be aware that anti-retrovirals are not cures - they just happen to hold it off for some time and the time varies from person to person and the quality of care he/she is receiving. One of the key problems in India is that the patients do not continue their treatment and thus develop resistance to the medications.\r\n\r\n4. "On this subject at least India is not far out of step with the rest of the world and this is a wrong issue to depict the primitiveness and heartlessness of our people, which appears to be the subtext of the story. "\r\n\r\nAlthough HIV is still considered a stigma in some western countries, but it is not the same as it was during the seventies or the eighties. The HIV stigma in the west is associated with homosexuality (I''d recommend Tony Kushner''s "Angels in America") and the west''s homophobia. With the wider acceptance of homosexuals in this country, the stigma associated with HIV has lost its sting in many ways. However, in India, the HIV stigma is associated more with sexual morality - besides the undue fear of infection. \r\n\r\nBefore writing this play, and even before staging this play, I have read countless episodes of social cruelty in India towards HIV patients. Even a current running serial novel in "Desh" patrika was writing about this issue. After watching the play another audience member pointed me to this article - http://timesofindia.indiatimes.com/Cities/Kolkata-/Neighbours-thrash-HIV-patient/articleshow/4626142.cms\r\n\r\nA recent (August 2008) report said that a bill of rights for HIV patients that was presented to the govt in August 2006 is yet to reach the parliament. \r\n\r\nAmitava-da, denial is not going to help us. \r\nYes, "the apathy towards HIV is not typical of Calcutta or India" - but I am an Indian and that is what I can write about. I cannot write about what happens in Indonesia. \r\nWe had several non-Indian audience and they did extract the universality of the issue. I am sorry that you felt that I was unfairly critical of India. \r\nI just wanted to tell a story through this play - a large part of which are based on facts and my own feelings.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/525.19 (KHTML, like Gecko) Chrome/1.0.154.65 Safari/525.19', '', 0, 1, 'N', NULL);
INSERT INTO `wp_comments` (`comment_ID`, `comment_post_ID`, `comment_author`, `comment_author_email`, `comment_author_url`, `comment_author_IP`, `comment_date`, `comment_date_gmt`, `comment_content`, `comment_karma`, `comment_approved`, `comment_agent`, `comment_type`, `comment_parent`, `user_id`, `comment_subscribe`, `comment_enclosure`) VALUES
(2545, 176, 'Patrizia Mookherjee', 'patrymook@hotmail.com', 'http://pmookherjee.sulekha.com', '24.187.112.167', '2009-06-30 17:36:08', '2009-06-30 21:36:08', 'I want to congratulate PronoyKaku. He is my hero and my inspiration; he is the reason why I am staying strong after the bitter I have gone through. I have not seen him in two years and I would love to see him again. Kaku, if you read this comment, I want to let you know that I always think about you and that I love you so much. It would make my happy if you contact me and I want to thank you for the strength and the advice you have given me by e-mail.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; GTB6; SLCC1; .NET CLR 2.0.50727; .NET CLR 3.0.04506; .NET CLR 1.1.4322)', '', 0, 0, 'Y', NULL),
(2546, 176, 'Patrizia Mookherjee', 'patrymook@hotmail.com', 'http://pmookherjee.sulekha.com', '24.187.112.167', '2009-06-30 17:38:45', '2009-06-30 21:38:45', 'I am refering to the bitter divorce I have gone through and thanks to PronoyKaku, I learned how to be strong and positive. I love you Kaku.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; GTB6; SLCC1; .NET CLR 2.0.50727; .NET CLR 3.0.04506; .NET CLR 1.1.4322)', '', 0, 0, 'Y', NULL),
(2581, 378, 'Anirban', 'anirbanray1981@gmail.com', 'http://anirban-ubacho.blogspot.com/', '24.6.125.189', '2009-08-17 05:27:58', '2009-08-17 09:27:58', 'You are very right. But are these voices reaching the coordinators?', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; WOW64; SLCC1; .NET CLR 2.0.50727; .NET CLR 3.0.04506; Media Center PC 5.0; .NET CLR 3.5.21022)', '', 0, 0, 'N', NULL),
(2590, 393, 'Patrizia Mookherjee', 'patrizia.mookherjee@hotmail.com', '', '24.187.112.167', '2009-08-27 16:19:21', '2009-08-27 20:19:21', 'I agree withthat suggestion because it gives everyone a chance to see our beloved Durga Maa, especially for those who love to go to a different venue for those two and0or three days.\r\nThis is going to be my first Durga Puja since my divorce and my daughter''s very first one and I am so happy and I look forward to it.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.0; Trident/4.0; GTB6; SLCC1; .NET CLR 2.0.50727; .NET CLR 1.1.4322; .NET CLR 3.5.30729; .NET CLR 3.0.30618)', '', 0, 0, 'N', NULL),
(2593, 406, 'Pramit', 'pramit_palit@rediffmail.com', '', '125.20.67.2', '2009-09-10 10:04:01', '2009-09-10 14:04:01', 'Great !', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6; msn OptimizedIE8;ENIN)', '', 0, 0, 'N', NULL),
(2589, 381, 'Satyabrata Acharya', 'akroorsambaad@gmail.com', 'http://gmail.com', '115.184.206.31', '2009-08-24 00:05:21', '2009-08-24 04:05:21', 'Hello,\r\n I already have sent my demo voice and CV to info@internation.com,but the delivery to the recipient failed permanently.\r\n\r\n As per your announcement (http://nynjbengali.com/archives/381) I would like to convey my wholehearted interest to work with you as a Bengali Speaker in your ‘lip-sync/dubbing’ for the City of New York. I am from West Bengal and a native speaker of Bengali.\r\nMy working experience in All India Radio (Kolkata- B, Akashbani Bhawan, 297.6M/ 1008Khzs) as Bengali Program Presenter for several years covering the areas of Live Presentation, Script Writing , Interviews & Out based (OB) programs and my prior academic background in Applied Linguistics emphasizing the areas of Phonetics, Morphology, Syntax, Semantics etc. and my post-graduation research dissertation on ‘Pragmatic and Discourse Analysis of Bengali Recitation’ are highly directing me to work in Media Sectors.\r\nMajor domains of my work, my academic background , Experience of program anchoring and performance (Audio Cassette, stage programs,---) of Bengali Recitation as my love and passion from my childhood –all associatively have inspired me to apply for this position.\r\nI feel confident that my work experiences combined with my education and relevant involvements make me a suitable candidate for this position.\r\nI would very much welcome the ways to discuss my qualifications in greater detail to find out the suitability of my candidature and if you feel interest I am ready to send my demo voice. .\r\n\r\nThanking you,\r\nSincerely,\r\nSatyabrata\r\n\r\nSatyabrata Acharya\r\nC-206, Vikram Sarabhai Residential Complex (VSRC),\r\nIndian Institute of Technology (IIT),\r\nKharagpur-721302, West Bengal, India\r\nE-Mail:\r\nakroorsambaad@gmail.com\r\nMobile:\r\n+91-9735353391', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.1.2) Gecko/20090729 Firefox/3.5.2', '', 0, 0, 'N', NULL),
(2594, 406, 'subhasis', 'subhdas@yahoo.com', '', '216.163.246.1', '2009-09-10 13:42:45', '2009-09-10 17:42:45', 'Kollol-e abar tahole double "Pnathar" tan.\r\n\r\n"Pnatha theke dure theko" -- ''Pnatha'' -rai bole\r\nmepe mepe paa fele k-jon r chole.\r\n\r\ncholesterol beshi? tai apshosh?\r\npujo diye pnatha kheyo - kete jabe dosh', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; MS-RTC LM 8)', '', 0, 0, 'N', NULL),
(2611, 417, 'Indranil Mukherjee', 'indymukh@gmail.com', '', '64.115.98.6', '2009-10-01 09:01:54', '2009-10-01 13:01:54', 'I must say - the find of this year''s durga puja are\r\n1. Mili - the amazingly talented girl danced in "ami sei meye"\r\n2.GuDDu, aka, Sunanda Mitra - the new sensation in light designing ... he single handedly changed the good-old flat light schemes to melodious and melancholy lights ... thanks guDDu. I liked the "bhuter naach" lighting the best !!\r\n3. First time I saw Puja Theater completes without any glitches !!!\r\n4. Comeback of Dhriti Di after a period of pause ... she was a surprise !!\r\n5. NO ISSUES IN THE KHABAR PANDEL !!', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; InfoPath.2)', '', 0, 0, 'Y', NULL),
(2596, 406, 'Nandita Sen', 'jayrohan@yahoo.com', '', '68.197.171.172', '2009-09-14 12:57:48', '2009-09-14 16:57:48', 'Look forward to the audio visual goat themed play this year. In 2003 the tongue in cheek character of Chagla-Baba graced the Kallol/Pujo stage in the natok ''Shondesh aar Raajbhog'' and is still a topic of many an animated discussion', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; GTB6; SLCC1; .NET CLR 2.0.50727; MS-RTC LM 8; .NET CLR 3.5.30729; .NET CLR 3.0.30618)', '', 0, 0, 'N', NULL),
(2597, 409, 'Sunny', 'sunycal_98@yahoo.com', '', '159.53.46.142', '2009-09-17 14:40:54', '2009-09-17 18:40:54', 'I am not sure as to why republicans and some lunatics are making it a big deal. All we need are the followings:-\r\n1. Pre-existing condition should be covered.\r\n2. Lower the premium.\r\n3. Cut the non-sense of allowing generic vs non-generic drugs. Whatever, is prescribed by the doctor should be allowed by insurance company at a reasonable price.\r\n4. Serious, life threatning disease should be covered to the fullest extent till the cultural evolution takes place and people are more educated to maintain healthy lifestyles.\r\n5.Remove this non-sense of network vs non-network doctors. Patient should be allowed to choose any doctors they want.\r\n6. Health Insurance should be mandatory and affordable.\r\n7. There should be one flat rate premium for basic coverage.\r\n8. Remove all these PPO, PDO nonsense. \r\n\r\nNow if that require, public options to create competition, so be it or insurance companies should by all these rules.\r\n\r\nIs it too much to ask?', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; .NET CLR 1.1.4322; .NET CLR 1.0.3705; .NET CLR 2.0.50727; MS-RTC LM 8)', '', 0, 0, 'N', NULL),
(2613, 417, 'Brinda Guha', 'brinda.guha@gmail.com', 'http://www.brinda.cjb.net', '128.122.131.250', '2009-10-01 09:40:31', '2009-10-01 13:40:31', 'Well Said! From what I hear, pictures, and my experience on Friday night, Kallol Durga Puja was once again a fun experience. \r\n\r\nHowever, there are a lot of things that I feel are unnecessary and irrational and need to be addressed in a constructive and public matter to the Kallol committee: \r\n\r\n1) There needs to be day tickets. As lots of discussion already yielded this conclusion, it is important to understand that there are 4 to 7 Pujas in the nearby vicinity during this time, and not everybody should have to pay for three days when they only want to come for one or two. \r\n\r\n2) I can speak only for my mother''s dance school, Kalamandir, when I say that there are lots of people who aren''t necessarily part of the Kallol organization, but would like to appreciate puja for what it is - and their children''s dances that they work so hard for for months! There is a big difference between a community program and a school program - in a community, families should have to pay whatever the required payment is because they would attend that gathering anyway and it is a community program working with kids from all over Kallol map. But in a school program, it is the school director''s responsibility to take care of her students - performers who are not necessarily part of the same community but work their butts off to continue producing good shows in a community unlike their own. They should not have to pay a hefty $65 per person just to enter for one hour, especially when this is supposed to be a time for everyone. This is another reason why guest passes and/or daily tickets should be introduced. \r\n\r\n3) We, as a community, need to revert back to the old system of volunteers. In this day and age, everyone depends on making things easier and quicker, so although there are still hard workers who work to make this Durga Puja happen every year, we have lost the meaning of having OURSELVES do everything. There used to be a new design and pandle for the idol every year. There used to be community kids who did the hall decorations. There used to be volunteers serving all the food and prasad. There used to be Kallol members checking for badges, cleaning the hall, keeping the hallways cleared. What happened to that? Instead of assuming that no one wants to do those little things anymore, why not look around and see all the people who do want to still do that (I can name 50 from the top of my head - including myself)? That was the essence of Kallol Puja - doing things ourselves so that it feels like it is OUR puja. \r\n\r\nThere are other bones to pick, and it is obvious that I wasn''t completely satisfied with this year''s arrangements. But the only reason I am typing up so much stuff is because I actually care - this is the only link I have to a real puja here in this country. I will never be a full and complete Indian, because I grew up here and I have my life here. I can only do little (and very important) things to keep that link - learn Indian Classical dance, perform and spread the Indian culture, and attend my favorite puja of the year - Kallol Durga Puja.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.14) Gecko/2009082707 Firefox/3.0.14', '', 0, 0, 'N', NULL),
(2614, 417, 'Baskar Menon', 'baskarm@aol.com', '', '205.188.116.19', '2009-10-01 11:30:23', '2009-10-01 15:30:23', 'I think this year Kallol did a wonderful job during the Durga Puja. I would like personally congratulate the Executive Members who very efficiently conducted evrything thing in an extremely professional manner. Finally everything ran on time without any serious glitches. Thanks once again for giving us such enjoyment.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; AOL 9.1; AOLBuild 4334.5006; Windows NT 6.0; SLCC1; .NET CLR 2.0.50727; .NET CLR 1.1.4322; .NET CLR 3.5.30729; .NET CLR 3.0.30618)', '', 0, 0, 'N', NULL),
(2741, 442, 'shriparna raja', 'parna65@yahoo.com', 'http://www.nynz.com', '68.197.57.163', '2010-02-18 15:56:11', '2010-02-18 19:56:11', 'I want "krittibas" patrika,ans Desh and sananda\r\n\r\nNoW I am in usa.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.0; Trident/4.0; SLCC1; .NET CLR 2.0.50727; Media Center PC 5.0; .NET CLR 3.0.30618; InfoPath.2; .NET CLR 3.5.30729)', '', 0, 0, 'N', NULL),
(2724, 219, 'Shamuel Abraham', 'r_heartilly@yahoo.com', '', '168.9.0.88', '2010-01-29 13:36:25', '2010-01-29 17:36:25', 'INDIAN FOOD IS SO HOT RIGHT NOW', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; .NET CLR 1.1.4322; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; .NET CLR 3.0.04506.648; InfoPath.1)', '', 0, 0, 'N', NULL),
(2616, 417, 'Patrizia Mookherjee', 'patrizia.mookherjee@hotmail.com', '', '24.187.112.167', '2009-10-01 17:22:42', '2009-10-01 21:22:42', 'This was my first Durga Puja in a few years and I must say I was very impressed with the results. It was also my daughter''s very first Durga Puja and she has a wonderful time, especially when she played with all the children there. Even my boyfirend enjoyed his first Durga Puja (he is from Delhi; loved all the cultural programmes. I have one photograph that looks like Durga Puja happening in Kolkata.\r\n\r\nhttp://www.facebook.com/photo.php?pid=30672207&l=0d8c728433&id=1010516816\r\n\r\nhttp://www.facebook.com/patriziamookherjee?v=app_2392950137&ref=profile#/video/video.php?v=1217908520434', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.0; Trident/4.0; GTB6; SLCC1; .NET CLR 2.0.50727; .NET CLR 1.1.4322; .NET CLR 3.5.30729; .NET CLR 3.0.30618)', '', 0, 0, 'Y', NULL),
(2622, 417, 'Subhadip', 'subhadip9999@gmail.com', '', '115.113.57.143', '2009-10-06 12:36:05', '2009-10-06 16:36:05', 'Wow, this looks really nice. It''s amazing to see how Durga Puja is celebrated by NRI bongs. Really it did not look like it was in NJ. Where do you get the idol from? Is it taken all the way from India?\r\nJust curious - does the Panditji chant the mantra in english? :)', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US; rv:1.9.1.3) Gecko/20090824 Firefox/3.5.3 (.NET CLR 3.5.30729)', '', 0, 0, 'N', NULL),
(2623, 417, 'sudipta', 'bhawmik@gmail.com', 'http://nynjbengali.com', '74.202.52.1', '2009-10-06 13:11:41', '2009-10-06 17:11:41', 'The idol (made of fiber-glass) is brought all the way from Kolkata - and our priest chants the mantras in pure Sanskrit.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/532.0 (KHTML, like Gecko) Chrome/3.0.195.21 Safari/532.0', '', 0, 1, 'N', NULL),
(2625, 417, 'Sujoy', 'sujoy_menon@hotmail.com', '', '159.123.254.1', '2009-10-09 08:42:08', '2009-10-09 12:42:08', 'Well run, great programs and good food. What else do you want. We had a great time. Well done kallol. My congratulations.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 2.0.50727; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729)', '', 0, 0, 'N', NULL),
(2551, 364, 'Abhijit Ganguly', 'jit.ganguly@rabobank.com', 'http://noneyet', '68.197.191.135', '2009-07-05 01:05:29', '2009-07-05 05:05:29', 'Sen-da,\r\n\r\nDid you ever appreciate anything in the Bengali community in NJ ? This guy Sudipta and his team ( I personally know Indranil very well who is the director of this play) has been trying very hard to revive the Bengali theatrical culture in north America, and you always discourage them with your critical remarks.\r\nNot only for theater, but also for community functions like Kallol Durga Puja etc, you always voice your criticism to a group of enthusiastic people who wants to do something.\r\n\r\nIn last 15 years, I have not seen you taking part in any drama or any cultural activities or take active part in Pujas, but you are always the first one to criticize.\r\nWhy don''t you do a play like Banaprashta ? Why don''t you start some cultural activities here and show us how it should be done? \r\n\r\nRegards\r\nAbhijit Ganguly', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 1.1.4322; .NET CLR 2.0.50727)', '', 0, 0, 'N', NULL),
(2556, 364, 'sudipta', 'bhawmik@gmail.com', 'http://', '74.202.52.1', '2009-07-06 10:50:12', '2009-07-06 14:50:12', 'We always welcome criticism. Without criticism we cannot improve our work.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.11) Gecko/2009060215 Firefox/3.0.11 (.NET CLR 3.5.30729)', '', 0, 1, 'N', NULL),
(2559, 373, 'Sandeep', 'sandeep.jana@gmail.com', 'http://me--n--myself.blogspot.com/', '125.22.2.41', '2009-07-09 04:21:41', '2009-07-09 08:21:41', 'Very well written...just couldn''t get who are the three Kobis you are referring to but nevertheless nice point to raise.', 0, '1', 'Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.8.1.20) Gecko/20081217 Firefox/2.0.0.20', '', 0, 0, 'N', NULL),
(2577, 378, 'Sunny', 'sunycal_98@yahoo.com', 'http://NA', '159.53.78.142', '2009-08-11 17:24:46', '2009-08-11 21:24:46', '"NABC seems to have fixed that vexing problem and made this cartoon irrelevant". Well, it may seem irrelevant at this point, but I wouldn''t rush to make such statement since Kallol will be hosting NABC2010. Who knows it may be more relevant.\r\n\r\nI will with the following statement :\r\n"1. Cut down the number of artistes from India (Kolkata, Mumbai)."\r\nHowever, I would like to add that NABC2010 organising committee should only invite new comers and not the old "hyped" performers like Srikanto Acharya, Indranil etc. \r\n\r\n2. I also agree with your other points of engaging younger generation with innovative activities (not the speed dating).\r\n\r\n3. However, I have little different view points of giving more coverage to litterary activities like recitation, seminars etc. I don''t necessarily agree. Unfortunately, the reality nowadays among the NABC organisers are somewhat like Durga Puja''s in Calcutta. Who can spent more money and bring all the the latest performers from Bombay. The focus is more on the bells and whistles and it should be that way. Without that no one will come. So, whether we like it or not, this is the reality.\r\nI think it would be better and will serve both the purpose to have more visual actitivities like Drama (good bengali drama), Old movies, Dance Drama of Rabindra Nath Tagore performed by celebrities etc.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; .NET CLR 1.1.4322; .NET CLR 1.0.3705; .NET CLR 2.0.50727)', '', 0, 0, 'N', NULL),
(2267, 358, 'Brinda Guha', 'brinda.guha@gmail.com', 'http://www.brinda.cjb.net', '128.122.131.250', '2009-06-04 13:40:41', '2009-06-04 17:40:41', 'No, thank you! These are the types of shows that people should spend their valuable time on, because it actually says something about society and the world we live in. Although I did not get to see the whole performance (my own schedule has been beating me up), from what I did see, I would like to give YOU ALL thanks for a job well done, and kudos to a fantastic writer and director who know what it means to put on a great show!', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.10) Gecko/2009042316 Firefox/3.0.10', '', 0, 0, 'N', NULL),
(2745, 466, 'S.C.', 'sourish.chakravarty@gmail.com', '', '128.205.153.27', '2010-02-25 11:06:19', '2010-02-25 15:06:19', 'Dhonnobaad....', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US) AppleWebKit/532.5 (KHTML, like Gecko) Chrome/4.0.249.89 Safari/532.5', '', 0, 0, 'N', NULL),
(2635, 434, 'Patrizia Mookherjee', 'patrizia.mookherjee@hotmail.com', '', '24.187.112.167', '2009-10-15 14:49:34', '2009-10-15 18:49:34', 'This is an important celebration/event where everyone looks forward to go and can not be missed.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.0; Trident/4.0; GTB6; SLCC1; .NET CLR 2.0.50727; .NET CLR 1.1.4322; .NET CLR 3.5.30729; .NET CLR 3.0.30618)', '', 0, 0, 'Y', NULL),
(2636, 234, 'Patrizia Mookherjee', 'patrizia.mookherjee@hotmail.com', '', '24.187.112.167', '2009-10-15 14:58:05', '2009-10-15 18:58:05', 'The Idol did look like as if the Puja was happening in Kolkata. I''m not Bengali, but it sure did made me feel like home. i have photographs in which I recieved a dozen comments saying the it looked like Kolkata.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.0; Trident/4.0; GTB6; SLCC1; .NET CLR 2.0.50727; .NET CLR 1.1.4322; .NET CLR 3.5.30729; .NET CLR 3.0.30618)', '', 0, 0, 'Y', NULL),
(2637, 425, 'Patrizia Mookherjee', 'patrizia.mookherjee@hotmail.com', '', '24.187.112.167', '2009-10-15 15:12:27', '2009-10-15 19:12:27', 'I was at the NJPA Kali Puja and I was very happy with the results. My brother Anup Mitra did a magnificent job and he made sure that me and my daughter were well taken care of. The food was delicious and, as always, I was charmed by all the children, especially Mili and I charmed them.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.0; Trident/4.0; GTB6; SLCC1; .NET CLR 2.0.50727; .NET CLR 1.1.4322; .NET CLR 3.5.30729; .NET CLR 3.0.30618)', '', 0, 0, 'Y', NULL),
(2718, 456, 'Anupam Basu', 'anupambas@gmail.com', '', '203.110.243.21', '2010-01-28 02:06:39', '2010-01-28 06:06:39', 'A couple of points here.\r\nThe Rabindra-Rachanabali project is of SNLTR. The digitization of contents (except Rabindrasangeet) has been carried out by the team from BESU (Prof. Indrajeet Banerjee and Prof. S.S. Barat)with technical help from Mat3Impex Pvt. Ltd. The Rabindrasangeet part has been digitized by the research team from SNLTR with help from IIT Kharagpur and rabindrasangeet.org (Prof. Baidurya Bhattacharya). The Swaralipi of Tagore songs is a unique feature of the project. As of now, we have experimentally put up about 100 Swaralipis. We plan to complete the entire Swarabitan by Ponchishe Baishakh.\r\n\r\nPlease visit our stall at the Kolkata Book Fair 2010, where we will be demonstrating a Swaralip editor which allows one to write ''aa- kaar matrik'' swaralipi and create e-versions of Indian music notes. To my knowledge this is the first such attempt. The system is a beta version and we plan the final release by Boishakh.\r\n\r\nWe are also making available Unicode compliant USB bi-lingual keyboards (Bangla and English) based on Baishakhi layout.\r\n\r\nWhile we have worked on collaborative project with Microsoft-Research India on transliteration, the much desired collaboration with companies like IBM are yet to happen.\r\n\r\nWe are planning to collaborate with Urhalpool for Unicode compliant productions.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/532.0 (KHTML, like Gecko) Chrome/3.0.195.27 Safari/532.0', '', 0, 0, 'N', NULL),
(2716, 447, 'Kakali', 'sinhakakali@yahoo.com', '', '96.239.229.145', '2010-01-21 07:24:47', '2010-01-21 11:24:47', 'From my viewpoint I agree with the other comments that I am not at impressed with Sapphire creations dance moves. Their movements were not even synchronized at some part of the video clippings.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; WOW64; SLCC1; .NET CLR 2.0.50727; Media Center PC 5.0; .NET CLR 3.5.30729; .NET CLR 3.0.30618)', '', 0, 0, 'N', NULL),
(2712, 447, 'Tufani', 'tufani00@yahoo.com', '', '71.168.215.223', '2010-01-14 13:20:41', '2010-01-14 17:20:41', 'Posted youtube Sapphire creations dance didn''t inspire me that much.I couldn''t find the energy and life in dance. I hope the live performance will be better.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.17) Gecko/2009122116 Firefox/3.0.17', '', 0, 0, 'N', NULL),
(2717, 453, 'Amitabha Bagchi', 'amitabhanj@gmail.com', '', '112.79.233.62', '2010-01-22 10:49:47', '2010-01-22 14:49:47', 'My feelings about "Ruddha Sangeet" are similar to yours. True fans of Debabrata Biswas (or George-da) would swoon over it, of course, but the drama is really a series of episodes -- much like the movie "Gandhi" -- and most of them have little in terms of dramatic impact. So non-bhaktas would be less impressed.\r\n\r\n"Patal Babu Filmstar" had too much Bengali sentimetality for my taste -- the ennobling power of poverty, for instance -- and was mediocre at best. I very much liked "Hutum Bhagaban," though, because it was unpretentious and funny, and had very good acting by two child actors.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US; rv:1.9.1.7) Gecko/20091221 Firefox/3.5.7 (.NET CLR 3.5.30729)', '', 0, 0, 'N', NULL),
(2690, 447, 'Abhijit Ganguly', 'abhijit@adscreations.com', '', '68.196.238.139', '2009-12-11 00:14:55', '2009-12-11 04:14:55', 'Are you the Sapphire creations ?', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 1.1.4322; .NET CLR 2.0.50727; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729)', '', 0, 0, 'N', NULL),
(2661, 263, 'sandip', 'night_elf_2005@hotmail.com', 'http://www.linesandgems.com', '61.17.162.2', '2009-10-29 06:49:54', '2009-10-29 10:49:54', 'dear friend,\r\n Nice cartoon by the way.... but i too am a strong believer in palmistry and practice it. I fell that palmistry skills must not be used to make money like you have shown in the cartoon, but to help others control their fate to some degree...', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.1.3) Gecko/20090824 Firefox/3.5.3 (.NET CLR 3.5.30729)', '', 0, 0, 'Y', NULL),
(2708, 341, 'S.K.Saha', 'subirkumarsaha@yahoo.com', 'http://saha@executeprojects.com', '70.240.207.196', '2010-01-08 12:08:47', '2010-01-08 16:08:47', 'Dear ETV Team,\r\nYour reply was on may 6, 09 and to day is Jan 8th 2010. We are still facing same problem.Why it is so hard to atleast update your listing with direct tv in USA.We can not record the listed programme if it do not match the show.\r\nThis is a very unprofessional and inefficient management. We are paying high dollar for the channel and do not even have a service.Please respond.\r\n\r\nSaha', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.1.4322; .NET CLR 2.0.50727)', '', 0, 0, 'N', NULL),
(2691, 447, 'sudipta', 'bhawmik@gmail.com', 'http://', '68.193.111.159', '2009-12-11 00:44:32', '2009-12-11 04:44:32', 'No I am not!', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.5; en-US; rv:1.9.1.5) Gecko/20091102 Firefox/3.5.5', '', 0, 1, 'N', NULL),
(2679, 442, 'Patrizia Mookherjee', 'patrizia.mookherjee@hotmail.com', 'http://www.angelcaudhary.blogspot.com', '24.187.112.167', '2009-11-15 16:40:10', '2009-11-15 20:40:10', 'I agree that some companies lack of customer service I have had a similar problem with NJPA (New Jersey Puja Association): I have not been happy with a lot of things about that organization especially in specifying the ticket prices on the flyers and website at the time of events. I have tried to contribute some ideas and suggestions and for some distorted reason I have been ignored. Therefore, I have decided to have my life membership money ($150) back. For the few weeks I have contaced the executive committee, including the president to kindly ask them to issue me refund, I even gave them my full explanation and still no response. As a member/consumer, if I am not happy with the services a business provide and I paid bid amount of money to meet those expectations, then I have the right to receive my refund. i may not be the first or the last person to complain about the characteristics of NJPA, but for telling this story in public is because this how I strongly feel and I want everyone to know what I went through. What do I have to do to get my money back? Complain to the State? Do I have any other choice? Please feel free to make any suggestions.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.0; Trident/4.0; GTB6; SLCC1; .NET CLR 2.0.50727; .NET CLR 1.1.4322; .NET CLR 3.5.30729; .NET CLR 3.0.30618)', '', 0, 0, 'Y', NULL),
(2680, 207, 'apratim chakraborty', 'abhraleen@gmail.com', '', '115.184.119.134', '2009-11-16 01:59:18', '2009-11-16 05:59:18', 'I am from kolkata, curently persuing engineering in bangalore. i make small idols of any goddess with paper, which looks realistic, light in weight & durable in nature. it doenot get damaged so can be preserved. if you are willing to buy my idols then please reply me so that i can mail some of the pictures to you. plz snd your e mail id also. my mobile no is +919836139420. if you have any one staying in kolkata i can personally meet & show some of the idols. \r\n thanking you \r\n yours faith fully \r\n Apratim Chakraborty', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1)', '', 0, 0, 'N', NULL),
(2744, 442, 'Jaydeep', 'bluish99@gmail.com', '', '68.40.142.237', '2010-02-24 23:40:24', '2010-02-25 03:40:24', 'As I was in the same situation regarding ''Desh'', I was looking for online order site, and happened to reach this website.\r\n\r\nI sincerely hope that ABP realizes the large number of expatriate customers it is loosing every day because of their antiquated subscription and payment methods, and because of their non-existent of customer service.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.0; Trident/4.0; Comcast Install 1.0; SLCC1; .NET CLR 2.0.50727; Media Center PC 5.0; .NET CLR 3.5.21022; .NET CLR 3.5.30729; InfoPath.2; .NET CLR 3.0.30729; .NET CLR 1.1.4322)', '', 0, 0, 'N', NULL),
(2758, 461, 'Joyashree Roy', 'joyashreeju@gmail.com', '', '117.194.232.42', '2010-03-07 04:52:27', '2010-03-07 08:52:27', 'It is just fabulous. I had been dreaming of such a thing for such a long time and it has been created by some intelligent people . \r\nThanks.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/532.5 (KHTML, like Gecko) Chrome/4.0.249.89 Safari/532.5', '', 0, 0, 'N', NULL),
(2767, 482, 'Aditi Sen', 'Aditi.S.Sen@gmail.com', '', '173.63.90.193', '2010-03-25 22:24:57', '2010-03-26 02:24:57', 'It is somewhat unfortunate that this lady couldn''t establish her social circle in Calcutta and had to come back to Boston. It is somewhat selfish to expect that one will go back to India and expect everyone else to adopt to their norms instead of the other way round. I wonder what age bracket she belongs to! (Mr. Amitava Sen doesn''t allude to that in the article.) But I have several friends who have made the transition very well and are actually glad that they went back home. They have a much fuller life with all the good things that Indian affluent societies have to offer. They travel lot more than us, they party lot more than us, they work lot less than us. I have to mention that we all grew up in Calcutta and are in their mid 40''s and are professionals. They are all involved in multiple social causes. It is not the contrast between ''new world'' and ''familiar world'' it is about ''creating my world''. Somewhere that got lost with Ms. Boston.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X; en-US; rv:1.8.1.1) Gecko/20061204 Firefox/2.0.0.1', '', 0, 0, 'N', NULL),
(2764, 378, 'shipra somani', 'shipra2@aol.com', '', '98.215.209.166', '2010-03-22 15:49:33', '2010-03-22 19:49:33', 'I enjoy attending NABC conference. The organizers put lot of hard work and sacrifice but it is always well done and enjoyable to the attendees. I am looking forward to attend it in July at Atlantic City,NJ.\r\n Shipra Somani', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; GTB6.4; .NET CLR 1.1.4322; InfoPath.1; .NET CLR 2.0.50727; OfficeLiveConnector.1.3; OfficeLivePatch.0.0; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729)', '', 0, 0, 'N', NULL),
(2765, 482, 'Jennifer Lancey', 'jen@why-outsource.com', 'http://www.why-outsource.com', '74.81.89.18', '2010-03-24 14:45:09', '2010-03-24 18:45:09', 'I''ve been reading along for a while now. I just wanted to drop you a comment to say keep up the good work.', 0, '1', '', '', 0, 0, 'N', NULL),
(2760, 378, 'Alex Kosnik', 'akosnik@optonline.net', 'http://www.nabc2010.org/youthactivities.html', '68.193.109.188', '2010-03-11 00:27:45', '2010-03-11 04:27:45', 'I''m the convener for Youth Seminars at this year''s Banga Sammelan in Atlantic City. Our Youth team is working hard to line up relevant, fun and interesting events for the 2nd generation. We''re also inviting proposals for seminars. If you have a topic and a passion, no matter what your age or area of expertise, please get involved by following the "click here" link on our youth page at: http://www.nabc2010.org/youthactivities.html \r\n\r\nGet involved! Represent your regional Bengali community! Come to NABC 2010!', 0, '1', 'Opera/9.80 (Windows NT 5.1; U; en) Presto/2.2.15 Version/10.10', '', 0, 0, 'N', NULL),
(2739, 461, 'Diganta Sarkar', 'coffeehouseraddablog@gmail.com', 'http://coffeehouseradda.com', '71.227.176.241', '2010-02-14 21:43:27', '2010-02-15 01:43:27', 'We''ve implemented this in our website for authoring posts and comments. It''s a nice and wonderful one, though I think the similar tool from Microsoft would even be better.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.1.7) Gecko/20091221 Firefox/3.5.7', '', 0, 0, 'Y', NULL),
(3080, 534, 'Best Indian Bloggers posts for weekend read!', '', 'http://blog.blogadda.com/2010/12/18/best-indian-bloggers-saiyona-lakshmi-sudipta-vibhuti-smita', '72.47.224.18', '2010-12-18 07:21:29', '2010-12-18 11:21:29', '[...] : Sudipta Bhawmik What : To Criticize or Not to Criticize, That is a Question! Spicy: Criticism is one thing which pricks everyone but also helps you grow at the same time. [...]', 0, '1', 'The Incutio XML-RPC PHP Library -- WordPress/5311', 'pingback', 0, 0, 'N', NULL),
(3051, 512, 'Arindam Chakraborty', 'chak.arindam@gmail.com', '', '129.7.52.2', '2010-11-02 18:05:33', '2010-11-02 22:05:33', 'Thank you so much for posting this... you have brought back so many old sweet memories...', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US) AppleWebKit/534.7 (KHTML, like Gecko) Chrome/7.0.517.41 Safari/534.7', '', 0, 0, 'N', NULL),
(2768, 482, 'Anindyo Sarkar', 'titosarkar@yahoo.com', '', '173.63.90.193', '2010-03-25 22:54:56', '2010-03-26 02:54:56', 'Wow! What a painful writeup! That lady who came back would not acknowledge the actual reasons why she came back.... "sister in law walking in.." absolutely hilarious! What do you expect! That is the culture we all grew up in and she should have had that expectation when she went back. She changed here. Why will the world change just for her? As far as close relationships are concerned, expats worldwide form close relationships. Lot of people develop close bonds by living in a prison cell for a bunch of years too! But that does not make it something great or unique. Ask that lady to stop blaming India and focus on herself. Let her stay and vegetate here than over there.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.1; Trident/4.0; GTB0.0; SLCC2; .NET CLR 2.0.50727; .NET CLR 3.5.30729; .NET CLR 3.0.30729; InfoPath.2; OfficeLiveConnector.1.3; OfficeLivePatch.0.0)', '', 0, 0, 'Y', NULL),
(2850, 498, 'Concerned citizen', 'amudhahotm@hotmail.com', '', '71.16.242.66', '2010-07-02 13:12:15', '2010-07-02 17:12:15', 'Dear Author,\r\n\r\nI am a mother of a teen age daughter living in Princeton. As an Indian, I am horrified by the incident and am trying to understand what could have possibly motivated such young kids(at least to me they are kids because they are my child''s age) to commit such a terrible crime. Like you mention how can we allow this to happen in our so called civilized society. Shouldnt schools do a screening for youngs thugs and watch out for disturbing behavior and take some action? It looks like OB residents have put up with a lot and what has the township done about it? How did things come to such a terrible trajic situation? Losing one Sinha is one too much already. Yes, these criminals should be brought to justice but we absolutely need to have the system catch these disturbed minds much earlier.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; InfoPath.2; .NET CLR 1.1.4322; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; MS-RTC LM 8; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729)', '', 0, 0, 'N', NULL),
(2851, 498, 'Vinny', 'ioeuropa@mail.com', '', '68.192.0.227', '2010-07-02 13:28:26', '2010-07-02 17:28:26', 'I hope the punks are given the punishment they deserve.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US) AppleWebKit/533.4 (KHTML, like Gecko) Chrome/5.0.375.86 Safari/533.4', '', 0, 0, 'N', NULL),
(2852, 498, 'Dave Makkar', 'davemakkar@yahoo.com', 'http://www.citizensfordemocracynj.org', '74.102.146.86', '2010-07-03 16:30:11', '2010-07-03 20:30:11', 'Attorney General should investigate Sinha Murder \r\nThe brutal murder of Dr Sinha out side his own home by few teenagers of his own town has shaken the Indian Community all over America . The sense of security among the community members has vanished over night. Then reports of racial bias towards Indian community members as narrated during the meeting with Mayor Philips on 6-29-10 has further compounded the fear factor. All investigations related to the brutal murder of Dr Sinha must be handled by AG office. Parents of the teenagers for bad parenting, school teachers & principle for not reporting abnormal behavior of these teenagers to law enforcement and above all 104 Police Officers of Old Bridge must be investigated to find out what went wrong in enforcing law & order. Impartial investigations by AG office will send right message on the street that there is accountability for crimes committed against minorities and it is safe for minorities to raise their families in NJ \r\n \r\nBRUCE KAPLAN IS A KNOWN INDIAN HATER \r\nRajnikant was brutally beaten under Racial Bias by Michael Dotro in front of 30-40 Indians. Kaplan refused to take their testimony by saying they are not credible witnesses because every body is saying same thing. Later on Parikh was deported in violation of US laws & human rights. State & ICE spent more than $100,000.00 & kept Parikh in Jail for over 8 months and still denied him Fair & Open Trail just to save a WHITE cop Dotro whom Paikh accused of Police Brutality under Racial Bias. \r\nhttp://www.profilingrace.blogspot.com \r\nSchwartz led Police Union, members, supporters & family members called, “Indians are cockroaches, animals, illiterates and illegal go home.” These are the worst ever called Racial Slurs for any community in over 200 years history of America . Police Dept, Mayor & Twp of Edison has yet to give verbal or written apology because community leaders like Upendra Chivukula feels these Slurs are Compliments for the community!', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; FunWebProducts; GTB6.5; Media Center PC 3.0; .NET CLR 1.0.3705)', '', 0, 0, 'Y', NULL),
(2855, 157, 'Dev Kar', 'devkumarkar@gmail.com', '', '71.126.133.106', '2010-07-09 10:32:57', '2010-07-09 14:32:57', 'My comment unfortunately is a negative one. The most important thing on this website is the PROGRAM. It''s extremely difficult to find. That should not be the case. Please note the other topics are not that important. The convention''s program should be the most prominent and easiest to find. This website is very badly designed.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.2.6) Gecko/20100625 Firefox/3.6.6', '', 0, 0, 'N', NULL),
(3052, 341, 'Dipak Bagchi', 'dbagchi26@hotmail.com', '', '71.104.35.251', '2010-11-02 23:33:21', '2010-11-03 03:33:21', 'Does etv Bangla Team have any expertise to fix the problem of Program Schedule we are experiencing for a long time? The program shown does not match the program list shown by direcTV in the USA. Or is it that the etv Bangla team does not care about its subscribers.\r\n\r\nBagchi', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.1; Trident/4.0; SLCC2; .NET CLR 2.0.50727; .NET CLR 3.5.30729; .NET CLR 3.0.30729; Media Center PC 6.0; InfoPath.2; .NET4.0C; MAMI)', '', 0, 0, 'N', NULL),
(2853, 498, 'Aditi Sen', 'aditi.s.sen@gmail.com', '', '74.105.126.83', '2010-07-08 10:24:46', '2010-07-08 14:24:46', 'My condolences to the Sinha family. This is a tragedy that can happen to any one of us. I agree that we should get involved in the local community and get to the know the people who run the towns. The best way to fight bigotry and hatred is to be inclusive and open up our hearts and minds to the local people. Our kids can be a good place to start. Elementary and middle schools are usually ideal places to get involved. They appreciate any help the parents can give during the countless events during the school year.', 0, '1', 'Mozilla/5.0 (Macintosh; U; PPC Mac OS X 10_4_11; en) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.2 Safari/525.22', '', 0, 0, 'N', NULL),
(3070, 506, 'Patrizia Mookherjee', 'patrizia.mookherjee@fastwebmail.it', 'http://none', '24.187.131.238', '2010-12-07 17:51:17', '2010-12-07 21:51:17', 'As always, big kudos to Kallol.\r\n\r\nI loved the Bombay Spice food stall, which was located to the left side as entering the building: it was so convenient by selling jasmin flowers for the women to wear, and bengali sweets for Bijoya. It was as if that stall was giving aid to make the puja as if in Kolkata. i hope they will be back next year.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.1; WOW64; Trident/4.0; GTB6.6; SLCC2; .NET CLR 2.0.50727; .NET CLR 3.5.30729; .NET CLR 3.0.30729; Media Center PC 6.0; InfoPath.2; OfficeLiveConnector.1.5; OfficeLivePatch.1.3; .NET4.0C; MS-RTC LM 8)', '', 0, 0, 'Y', NULL),
(3065, 523, 'K. Purohit', 'purohit9@gmail.com', '', '99.35.152.8', '2010-12-02 09:44:27', '2010-12-02 13:44:27', 'Nothing to be concerned or worth writing home. This is Bongo, berathar.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.2.12) Gecko/20101026 BTRS26718 Firefox/3.6.12', '', 0, 0, 'Y', NULL),
(3083, 534, 'Vibhuti B', 'vibhuti.bb@gmail.com', 'http://klishmaklaver.blogspot.com', '123.201.198.125', '2010-12-20 00:48:18', '2010-12-20 04:48:18', 'This is a wonderful piece here.\r\nThanks to BlogAdda I discovered a good writer too.\r\nAs a writer I have always longed for a free and frank blogger dost to guide me if Im slipping up in my writing some where. There are a few fellowbloggers who have the guts to come forth and express their opinions, their choices and I respect and look forward to their comments.\r\nBut yes, a critic here has to stick to a bit of diplomacy too, so as not to break hearts..:D\r\nThanks for sharing Sudipta..\r\nCheers', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.10 (KHTML, like Gecko) Chrome/8.0.552.224 Safari/534.10', '', 0, 0, 'N', NULL),
(2857, 498, 'Dave Makkar', 'davemakkar@yahoo.com', 'http://www.citizensfordemocracynj.org', '71.230.129.252', '2010-07-09 23:33:17', '2010-07-10 03:33:17', 'Dear Every one: \r\n\r\nPlease send letters to Gov. Christie by going directly on his official web site & to Attorney General Paula Dow after making required changes for State investigation into the brutal murder of Mr. Sinha in racial attack on 6-25-10 as per the attached letter sent to Gov. Christie. Please do not send information about Middlesex County Prosecutor Bruce Kaplan. Local authorities are trying to cover up this incident as stray incident. It is more than 1 week they have yet to release the names of the attackers of Dr Sinha who happens to be the residents of same town as Dr Sinha. \r\n\r\nGov. Chris Christie \r\nhttp://www.state.nj.us/governor/ \r\n\r\nAG Paula Dow \r\nhttp://www.nj.gov/oag/dcj/obccr/contact.htm \r\n\r\nOBCCR@njdcj.org \r\n\r\nJUSTICE FOR DIVYENDU FAMILY \r\nhttp:// justicefordivyendufamily. wordpress.com/ \r\n\r\nPLEASE SIGN A PETITION \r\nhttp://www.petitiononline. com/divyendu/petition.html \r\n\r\nVia Facsimile, E-mail & Regular Mail \r\n\r\nJuly 6, 2010 \r\n\r\nGov. Chris Christie \r\n\r\nState Of New Jersey \r\n\r\nFax: 609 292 3454 \r\n\r\nRe: Brutal Murder of Dr. Divyendu Sinha due to a racial attack on June 25, 2010 \r\n\r\nHon. Chris Christie: \r\n\r\nThe brutal murder of 49 yrs old eminent professor Dr Diveyndu Sinha out side his own home in Old Bridge by few teenagers of the town has shaken the Indian Community all over America with revived fear for their safety. The sense of security among the community members has vanished over night. Then the report of racial bias towards the Old Bridge Indian community as narrated by the members during the meeting with Mayor Philips on 6-29-10 has further compounded the fear factor along with outrage. \r\n\r\nWe request your honor that all investigations related to the brutal murder of Dr Sinha under racial bias must be handled by Bias Crime Unit of Attorney General’s Office. The sham investigations by Old Bridge Police under a known Indian Hater Middlesex County Prosecutor Bruce Kaplan is an insult to the victims; Late Dr Sinha, his 2 children age 12 & 16, wife & entire community of Indian origin living in New Jersey and America. \r\n\r\nThere should be prosecution of the parents of the teenagers for bad parenting, school teachers & principle for not reporting abnormal behavior of these teenagers involved in the murder to law enforcement agencies. Above all 104 Police Officers of Old Bridge Twp must be investigated and interrogated separately to find out what went wrong in ensuring law & order including neighborhood patrolling to prevent such crimes. All of them can not take a stand that they were unaware what the teenagers were doing in the town. The Police Chief of Old Bridge must be fired immediately and charged with failure to perform his fiduciary duties. Those found guilty out of the 104 Officers must be discharged from the force and prosecuted for failure to perform their duties and for aiding the brutal murder of Dr Sinha in a racial attack due to their negligence. \r\n\r\nThis incident has brought so many India American families of NJ like my family under constant fear especially when they are aware of the fact that majority in their town’s Police departments treat Indians with contempt and racial bias. \r\n\r\nImpartial investigations by Attorney General’s office will send the right message on the street that there is accountability for crimes committed against minorities and it is safe for the minorities to raise their families in New Jersey. \r\n\r\nFurther residents of New Jersey must be assured that the Police Departments of the towns are for Law Enforcement and prevention of crimes only. Police Departments in conjunction with corrupt Municipal Courts are not merely revenue generating entities for the townships to implement traffic summons quota designed by the Politicians to generate revenues. These Traffic Summons Quota are primarily being used against minorities and diverting the Police Force from their primary job of Law Enforcement and Prevention of serious crimes. \r\n\r\nSincerely, \r\nDevendra ‘Dave’ Makkar', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; SLCC1; .NET CLR 2.0.50727; .NET CLR 3.5.30729; .NET CLR 3.0.30618; .NET4.0C)', '', 0, 0, 'Y', NULL),
(2861, 502, 'Brinda Guha', 'brinda.guha@gmail.com', 'http://www.brinda.cjb.net', '76.116.68.162', '2010-07-21 13:38:37', '2010-07-21 17:38:37', 'I agree, I definitely thought Kallol paid more attention to the local talent this year than they do in any Durga Puja or past Bongo Sammelon experiences. Comparatively we did a lot better with highlighting all the groups we have around us, and for that I am very happy (since that was my biggest complaint since 2005). \r\n\r\nThe only thing that I thought needed work was the Youth program and Youth talent show. Who is going to run this Bongo Sammelon thing in 50-60 years? WE ARE. If not run the program, at least hope to play a part in it. There has to be a way to keep my generation interested, and stuffing a youth talent show in a small meeting room with no stage and a bad sound system is not going to hold anyone''s interested. Hall A was the perfect place to hold a proper, community kids talent show where the participants would have a proper stage, the scope of a bigger audience, and higher quality acts. But in a small room like the one we were given? No one is going to care about which talented teenager is doing what. \r\n\r\nGreat review!\r\n\r\n-Brinda Guha\r\nKalamandir Dance Company (kalamandirdanceco.webs.com)\r\nKalamandir of NJ (njkalamandir.webs.com)', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US) AppleWebKit/533.4 (KHTML, like Gecko) Chrome/5.0.375.99 Safari/533.4', '', 0, 0, 'N', NULL),
(2862, 500, 'A C', 'achatterjee@yahoo.com', '', '173.2.1.150', '2010-07-21 18:56:46', '2010-07-21 22:56:46', 'I have never understood the need by these local performers to pay to perform.\r\n\r\nThere are a few dance or music "teachers" who use this opportunity to advertise their names. In any event they make their students pick up the tab.\r\n\r\nBut the rest, specially the drama groups, who are doing this for the love of the art, should not bother.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.1.10) Gecko/20100504 Firefox/3.5.10 (.NET CLR 3.5.30729)', '', 0, 0, 'Y', NULL),
(3076, 506, 'ananya', 'mookherjee.ananya@gmail.com', '', '117.199.67.248', '2010-12-13 12:22:03', '2010-12-13 16:22:03', 'hello all,\r\ni wud leave a request to the family of late sri braja dulal mookherjee, to kindly contact me...he was the eldest brother of my father ashokankur mookherjee and my late uncle\r\nregards\r\nananya', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.2.13) Gecko/20101203 BTRS26718 Firefox/3.6.13', '', 0, 0, 'Y', NULL);
INSERT INTO `wp_comments` (`comment_ID`, `comment_post_ID`, `comment_author`, `comment_author_email`, `comment_author_url`, `comment_author_IP`, `comment_date`, `comment_date_gmt`, `comment_content`, `comment_karma`, `comment_approved`, `comment_agent`, `comment_type`, `comment_parent`, `user_id`, `comment_subscribe`, `comment_enclosure`) VALUES
(2896, 226, 'Yogesh Goel', 'yogeshgoel@gmail.com', 'http://www.ygoel.com', '59.93.197.199', '2010-09-10 11:52:33', '2010-09-10 15:52:33', 'Hi,\r\n\r\nI am Yogesh Goel, one from the Amar Durga Puja team. I am here to invite you to participate in the most unique initiative ever on the net on Ma Durga. We have a website AmarDurgaPuja.com and its totally user driven website. We want to bring Ma Durga to everyone''s home. Even to people who can''t be here during pujas. We want to make everyone feel at home and thats why this website.\r\n\r\nAmar Durga Puja (ADP) is an attempt by FOURDY Group to take Durga Puja to the world by sharing information and photos to help everyone in experiencing the thrill of Durga Puja. To make this happen, we started www.amardurgapuja.com in 2009 as a photography competition which received an overwhelming response from the user of various countries like India, Bangladesh, United States, Australia, United Kingdom and many more who showed their love for the festival by submitting 1,000+ photographs within a span of 6 days – making it the largest Durga Puja gallery online. Later, this year we were also recognized by Spanish Magazine – Global Voices (www.globalvoices.org).\r\n\r\nThis is a pictorial and video website where users can submit their entire collection and make it seen to the world and also share them. we want to make it a hub which everyone can cherish for life.\r\n\r\nDo visit and make urself a part of this greatest initiative ever.\r\n\r\nour website address is-\r\nhttp://www.amardurgapuja.com/\r\n\r\nAnd our facebook page address is-\r\nhttp://www.facebook.com/amardurgapuja\r\n\r\nHope to see u participating & contributing soon. Do not forget to tell about this to your friends too.\r\n\r\nTake Care,\r\nBe well,\r\n\r\nYogesh Goel\r\nFor,\r\nAmar Durga Puja team\r\nFOURDY Group', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/534.3 (KHTML, like Gecko) Chrome/6.0.472.55 Safari/534.3', '', 0, 0, 'N', NULL),
(2891, 503, 'college scholarships', 'pausleal@simps.com', 'http://www.collegescholarships-tips.org', '78.159.120.169', '2010-09-06 21:33:41', '2010-09-07 01:33:41', 'Keep posting stuff like this i really like it', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; .NET CLR 1.0.3705)', '', 0, 0, 'N', NULL),
(2894, 503, 'Munia Datta', 'munia62@yahoo.com', '', '144.160.226.53', '2010-09-09 11:37:55', '2010-09-09 15:37:55', 'Sudipto:\r\n\r\nCongratulations on getting your book published! You make us all so proud - look forward to reading your book. All the best for all your future publications and productions.\r\n\r\nMunia', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; ATT; .NET CLR 2.0.50727; .NET CLR 1.1.4322; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; ATT; ATT)', '', 0, 0, 'N', NULL),
(2884, 500, 'Arunabha Guha', 'aguha@att.com', '', '144.160.226.53', '2010-08-26 11:18:02', '2010-08-26 15:18:02', 'i completely agree with the observations. i had a chance to talk to a few baltimore organizers about this. maybe they will be able to come up with ways to do better. but if the trend continues, we will be slowly losing the next generation''s participation; i am already beginning to see that in my kids.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.1.11) Gecko/20100701 Firefox/3.5.11', '', 0, 0, 'N', NULL),
(2898, 506, 'Bengali SMS', 'sash89io@gmail.com', 'http://www.bhalobasa.in', '117.205.161.186', '2010-09-16 07:02:44', '2010-09-16 11:02:44', 'Good efforts !\r\n\r\nKeep up the good work !', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.2.9) Gecko/20100824 Firefox/3.6.9 GTB7.1', '', 0, 0, 'N', NULL),
(2905, 507, 'plastic surgeon', 'Corryilla@gmail.com', 'http://www.plasticsurgeonpro.com', '89.169.46.19', '2010-09-22 12:50:16', '2010-09-22 16:50:16', 'Thanks for taking the time to make this post, it was a good read', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; .NET CLR 1.1.4322; Alexa Toolbar; (R1 1.5))', '', 0, 0, 'N', NULL),
(2904, 506, 'Anup Dey', 'anup@bengalidurgapuja.com', 'http://www.bengalidurgapuja.com', '223.223.140.184', '2010-09-21 16:46:18', '2010-09-21 20:46:18', 'Hello there ,\r\n\r\nPlease check this interesting website.\r\n\r\nwww.bengalidurgapuja.com\r\n\r\nYou will love it!', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.5; InfoPath.2; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729)', '', 0, 0, 'N', NULL),
(2926, 226, 'Durga Puja 2010 Bengali SMS', 'sash89io@gmail.com', 'http://www.bhalobasa.in', '117.205.164.20', '2010-10-11 05:29:13', '2010-10-11 09:29:13', 'Good ones !', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.2.10) Gecko/20100914 Firefox/3.6.10 GTB7.1', '', 0, 0, 'N', NULL),
(2929, 516, 'Garden State Cultural Association Durga Puja 2010 | NY/NJ Bengali', '', 'http://onimia.com/?p=4243', '174.132.162.66', '2010-10-14 03:34:29', '2010-10-14 07:34:29', '[...] here: Garden State Cultural Association Durga Puja 2010 | NY/NJ Bengali marketing This entry was posted in Onimia and tagged association, classical, classical-dance, [...]', 0, '1', 'The Incutio XML-RPC PHP Library -- WordPress/3.0.1', 'pingback', 0, 0, 'N', NULL),
(3039, 524, 'Brinda Guha', 'brinda.guha@gmail.com', 'http://www.kalamandirdanceco.com', '66.108.15.22', '2010-10-24 22:03:28', '2010-10-25 02:03:28', 'There is no need to be sarcastic about how much the "second generation" does or does not participate in community activities. I can name approximately 100 off the top of my head, maybe not in this Durga Puja but in other major community functions and events, that do a lot to participate, myself included. And also, yes we are privileged for living a life in this country as a result of my parent''s hard work through education and immigration, but that doesn''t mean we sit around and don''t care. The question that I have is, why isn''t our generation interested in Durga Puja anymore (on a general level)? We have to ask ourselves why just a few years ago, a large amount of people who came to Durga Puja fell within the 10-25 year old age group, and now that has slowly been slinking away. The program that I mentioned above in my take on Sunday''s lineup included two "privileged second generation" artists, who worked very hard to put a program together and were rudely interrupted AND kicked off stage. \r\n\r\nAs a "privileged second generation" member myself, I can say that we definitely could take a step in towards producing events ourselves, but it is also very hard to relate to ''our inherent bengaliness'' as we are American children as well as Indian ones. For the many people in my age group and my older brother''s age group who participate in community functions, it takes a lot (including parental support, but also inner curiosity) to perform in classical/creative dance numbers, bengali plays, hindi theater, vocals, etc. That needs to be recognized. And by most people who have children who are involved in the community, it is recognized, which makes it easier for the children to continue in those kinds of activities.\r\n\r\nAnyway, enough rambling. What do we privileged second generation kids know anyway, right?', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US) AppleWebKit/534.7 (KHTML, like Gecko) Chrome/7.0.517.41 Safari/534.7', '', 0, 0, 'Y', NULL),
(2920, 506, 'Bonani Dutta', 'bonani_dutta@yahoo.com', '', '69.248.94.141', '2010-09-30 14:09:28', '2010-09-30 18:09:28', 'Thanks aton fo all the info about the Pujo 2010 and the events associated...truly a Good effort to link all the bengalies in Jersey and surrounding,who look forward all year long for to celebrate these 4 days....:)', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; Comcast Install 1.0; .NET CLR 1.1.4322; .NET CLR 2.0.50727; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; OfficeLiveConnector.1.3; OfficeLivePatch.0.0)', '', 0, 0, 'N', NULL),
(3027, 524, 'AMITAVA SEN', 'amitavasen@msn.com', 'http://nynjbengali.com', '67.81.254.201', '2010-10-21 11:52:02', '2010-10-21 15:52:02', 'If the piece by Brinda is indicative of the extent of interest and involvement of our children in our culture, it is definitely encouraging. But unfortunately such can not be generally said, our so called second generation is not into Durga Puja and sundry other Bengali cultural stuff. I am pleasantly surprised and indeed gratified that one of the members of that generation keeps track of the Bengali socio-cultural scene and takes part in it.\r\nHer opinion and her article, articulate, lucid, thoughtful and most of all respectful, deserves attention and should engender steps to address her concerns. If we mean what we profess about the second generation''s participation, we better not ignore her.\r\nBut I recognize that there may be a cultural communication problem too. The standard of decency and decorum of the likes of Renee and Brida who have grown up in thia country may be in clash with the one and a half generational internet crowd''s. The perceived rudeness and the lack of propriety may quite be acceptable and common place with the environment they grew up in.\r\nBrinda, you are an excellent dancer and performer, we all have taken notice of you since you''re a child. But, you know what? You write well too, you should do it more often, about Bengaliness of your generation and your views about our heritage. Sudipta Bhowmik offers a great vehicle for expressing yourself.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; GTB6.5; .NET CLR 1.1.4322)', '', 0, 0, 'Y', NULL),
(3031, 524, 'Sujoy Menon', 'Sujoymenon.md@gmail.com', '', '98.113.70.97', '2010-10-22 23:40:12', '2010-10-23 03:40:12', 'Although not a privileged "second generation", and hence at the risk of not been taken seriously, I too congratulate the organizers of the 2010 Durga puja for an awesome event. But then again I am not a " second generation" who cares what I think. Our inherent bengaliness precludes us from taking anything seriously from someone who does not have a "foreign accent". All hail the "second generation" who contributed sooooooo much to the event, or did we get taken for a ride for some stage time........', 0, '1', 'Mozilla/5.0 (iPad; U; CPU OS 3_2_2 like Mac OS X; en-us) AppleWebKit/531.21.10 (KHTML, like Gecko) Version/4.0.4 Mobile/7B500 Safari/531.21.10', '', 0, 0, 'N', NULL),
(3026, 524, 'sunanda mitra', 'sunanda1968@hotmail.com', '', '94.98.189.182', '2010-10-21 09:51:06', '2010-10-21 13:51:06', 'This account of the Anirban - Jaffar Billah incident is not completely true. Before the start of the show, Anirban was requested to conclude in 50 minutes.\r\n27 minutes before the curtain down, one of the cultural committee members walked on stage to request Anirban to wrap up in 15 minutes.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; FBSMTWB; .NET CLR 1.1.4322; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; .NET CLR 3.0.04506.648; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; BO1IE8_v1;ENUS)', '', 0, 0, 'Y', NULL),
(3034, 524, 'badmash', 'badmash@gmail.com', '', '173.233.65.155', '2010-10-23 09:12:58', '2010-10-23 13:12:58', 'I just signed up to your blogs rss feed. Will you post more on this subject?', 0, '1', 'Opera/9.0 (Windows NT 5.1; U; en)', '', 0, 0, 'N', NULL),
(3067, 529, 'Sushmita Dutta', 'sushmita@novel-ebiz.com', 'http://www.novel-ebiz.com', '68.197.175.155', '2010-12-02 11:38:50', '2010-12-02 15:38:50', 'Sudipta,\r\n \r\nThanks for this lovely review on Broken Images. I am completely in agreement with you that -\\The technique looked more gimmicky rather than an absolute necessity...\\\r\n \r\nReflecting on theater productions today that incorporate modern communication technologies, I wonder if the trend is purposeful or just an attempt to break away from the 2 dimensional monotony of theater that we have lived through for years and now seek a variation. \r\n\r\nAlyque Padamsee''s one of the early commercial shows I had seen, Evita, also had very strikingly different useage of lights and stage crafts to create an illusionary effect. It didn''t appear \\gimmicky\\, in fact, the effects blended well with the play and also retained the purity of theater experience. \r\n\r\nIn this production he could have had two levels of platforms (a higher level for the larger than life character) and Shabana could have acted both roles live on stage. But Alyque proffered a technological device though he is an absolutely dedicated theater person. I wonder why. \r\n\r\nAny other comments? \r\n \r\nBest, \r\nSushmita', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.1; WOW64; Trident/4.0; SLCC2; .NET CLR 2.0.50727; .NET CLR 3.5.30729; .NET CLR 3.0.30729; Media Center PC 6.0; HPNTDF; .NET4.0C)', '', 0, 0, 'Y', NULL),
(3086, 535, 'Indranil', 'indymukh@gmail.com', '', '98.221.115.32', '2010-12-23 08:49:11', '2010-12-23 12:49:11', 'And .... you cannot "un-friend" !! excellent chaining tactics ... "Freinds for ever" tag :))', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US) AppleWebKit/534.10 (KHTML, like Gecko) Chrome/8.0.552.224 Safari/534.10', '', 0, 0, 'Y', NULL),
(3091, 535, 'Indranil', 'indymukh@gmail.com', '', '98.221.115.32', '2010-12-24 18:58:32', '2010-12-24 22:58:32', 'I meant in another way :) I already had a lesson from Purba on FB. Thanks for the info anyway.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US) AppleWebKit/534.10 (KHTML, like Gecko) Chrome/8.0.552.224 Safari/534.10', '', 0, 0, 'Y', NULL),
(3088, 534, 'technician jobs', 'SaleBriette@gmail.com', 'http://www.laboratorytechnicianweb.com', '188.143.232.39', '2010-12-24 02:20:39', '2010-12-24 06:20:39', 'Pretty nice post. I just stumbled upon your blog and wanted to say that I have really enjoyed browsing your blog posts. In any case I’ll be subscribing to your feed and I hope you write again soon!', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; MSIE 5.5; Windows NT 4.0) Opera 7.0 [en]', '', 0, 0, 'N', NULL),
(3089, 535, 'sudipta', 'bhawmik@gmail.com', 'http://', '68.193.111.159', '2010-12-24 16:14:13', '2010-12-24 20:14:13', 'Yes, you can "Un-Friend" if you want. Go to the Account pull-down menu and click Edit Friends. Then "Remove" any friend you want. Simple.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.6; en-US; rv:1.9.2.3) Gecko/20100401 Firefox/3.6.3', '', 0, 1, 'N', NULL),
(3123, 517, 'grants for women', 'SaleBriette@gmail.com', 'http://www.findgrantsforwomen.com', '188.143.232.39', '2011-01-10 08:23:24', '2011-01-10 12:23:24', 'Valuable info. Lucky me I found your site by accident, I bookmarked it.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; MSIE 5.5; Windows NT 4.0) Opera 7.0 [en]', '', 0, 0, 'N', NULL),
(3107, 333, 'aerospace engineer', 'SaleBriette@gmail.com', 'http://www.aerospaceengineeringnow.com', '188.143.232.39', '2011-01-03 05:06:21', '2011-01-03 09:06:21', 'This is such a great resource that you are providing and you give it away for free. I enjoy seeing websites that understand the value of providing a prime resource for free. I truly loved reading your post. Thanks!', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; America Online Browser 1.1; rev1.2; Windows NT 5.1; SV1; .NET CLR 1.1.4322)', '', 0, 0, 'N', NULL),
(3108, 333, 'emt training', 'SaleBriette@gmail.com', 'http://www.emttrainingcourse.com/', '188.143.232.39', '2011-01-03 05:10:37', '2011-01-03 09:10:37', 'Keep posting stuff like this i really like it', 0, '1', 'Mozilla/0.91 Beta (Windows)', '', 0, 0, 'N', NULL),
(3111, 512, 'medical transcription jobs', 'SaleBriette@gmail.com', 'http://www.medicaltranscriptionblog.com', '188.143.232.39', '2011-01-04 11:24:40', '2011-01-04 15:24:40', 'Wow this is a great resource.. I’m enjoying it.. good article', 0, '1', 'Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; FREE; .NET CLR 1.1.4322)', '', 0, 0, 'N', NULL),
(3117, 462, 'mvsurender', 'mv.surender@yahoo.com', 'http://www.kundanlalsaigal.com', '1.23.60.234', '2011-01-07 13:40:33', '2011-01-07 17:40:33', 'Help is needed for establishing the precise identity (and obtaining a picture) of music director Pt Ganpatrao who composed songs rendered by K.L. Saigal for film Kurukshetra (1945) in the context of a reference to Pt. Ganapatrao Gurav, a classical hindustani vocalist.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13 ( .NET CLR 3.5.30729)', '', 0, 0, 'Y', NULL),
(3119, 540, 'Twitter Trackbacks for Facebook Related Cartoons | NY/NJ Bengali [nynjbengali.com] on Topsy.com', '', 'http://topsy.com/nynjbengali.com/archives/540?utm_source=pingback&utm_campaign=L2', '208.74.66.43', '2011-01-08 06:44:45', '2011-01-08 10:44:45', '[...] Facebook Related Cartoons | NY/NJ Bengali nynjbengali.com/archives/540 – view page – cached Sometime ago, I had made few Facebook related cartoons that I had posted on Facebook. Let me post them here for those readers who are not on my Facebook friends [...]', 0, '1', 'SOAP::Lite/Perl/0.712', 'pingback', 0, 0, 'N', NULL),
(3170, 133, 'RajuK', 'rajukhub@gmail.com', '', '174.88.120.51', '2011-02-17 11:52:29', '2011-02-17 15:52:29', 'In the blog, it says about theatre, "it is not fake as in the movies."\r\n\r\nI would not call movies as fake. Movies are perform once, and watch over and over again by many many people. Theatre is watched only by the live audience, unless it is videotaped.\r\n\r\nMovies give you a much much bigger canvas. You can shoot at different locales, but in theatre you are retricted to the stage. \r\n\r\nThe advantage of theatre is the possibility of a live discussion by the actors with the audience, after the show, which unfortunately very few theatre companies do. Hence theatre is an excellent medium for controversial topics.\r\n\r\nAnother advanage of theatre is low-cost of production, but with today''s digital cameras, movie production costs have dropped drastically.\r\n\r\nI sometimes want to go to the theatre to be surprised. Movies, because of their ease of availabilty, can have too much hype around them, which could bias me towards the movie even before I see it.\r\n\r\nAnd theatre gives voice to the small budget man, who not necessarily has small ideas to present.\r\n\r\nBecause of live actors, theatre is expected to be more cohesive. Movies are shot over days or weeks or years, and directors like Woody Allen do not even give the script to the actors. They just ask the actor to say a dialogue in a happy/sad/angry/etc. tone. So if the director/editor screw up, the actors won''t even know about it till it is too late. Also, because of interspersed shooting schedules, in movie, it could be very difficult to get the exact emotion out of the actors, specially if the actor is working on multiple movies at a time. Hence usually, good actors come out of the theatre. Also, many famous actors return to theatre just to do some "real" acting.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 6.1; WOW64; Trident/4.0; GTB6.6; SLCC2; .NET CLR 2.0.50727; .NET CLR 3.5.30729; .NET CLR 3.0.30729; Media Center PC 6.0; .NET CLR 1.1.4322; .NET4.0C; ShopperReports 3.0.470.0; SRS_IT_E8790272BD765E5234AE99; As', '', 0, 0, 'N', NULL),
(3148, 547, 'Gargi Mukherjee', 'garginy@yahoo.com', '', '69.74.249.182', '2011-01-31 18:25:39', '2011-01-31 22:25:39', 'Recently I too, like many others, came across Amy Chua’s article in the WSJ and had to smile and ponder. Not that I am a parenting expert because I don’t think anybody is. It’s a game of trial and error, but I do think we, as parents, are torn between two extremes. And since I abhor anything extreme in life and always prefer to look at other options and weigh the pros and cons, I think we need to aim for a happy medium. While as a parent, I lean a bit more on Amy’s side, I couldn’t ever NOT send my child to a sleepover or NOT be thrilled because he wants to take part in the school play. In fact, when there was an option to choose a middle school in our town with a concentration on the arts or the sciences, we chose the one that focused on the arts. Then how do I lean more on Amy’s side? \r\n\r\nFor the last couple of weeks, our home has been in a constant state of disarray with books, study guides, papers, notebooks, pens and pencils strewn all over our living room. And I have had a splitting headache for the 2 weeks—all because my 8th grader is taking his midterms. Every evening, if you were one of our neighbors, you would hear screams, yells, and tantrums galore. Why? Because I have incessant battles with my 13-year old about studying and not studying enough for his midterm exams. While he thinks I am expecting him to study as a college student, I feel his studying skills do not match his capabilities and will only fetch him grades between 79 and 82 and not 90 and above. \r\n\r\nAfter working all day in the demanding pharma advertising industry, I will admit that when I get home my tolerance level is probably zero. And hence the battle begins—hours of reviewing, quizzing, and studying—all in an atmosphere of tired, red eyes and yawns and the slouching gait and the constant resistance to anything I suggest that might help him. I often raise my voice (ok, maybe I scream) and allude to his “western” friends and their mothers and rhetorically ask if they are doing the same. And consequently, if so, why does he NOT appreciate the fact that I have given up my relaxation time, my time to watch the Idol or House or what have you and instead have been a martyr evening after evening only for him? Why does he not care? In fact, ever since he turned 12, we have been battling over most things—from brushing his teeth in the clinically accurate manner to not picking up the clothes he has thrown all over the floor of his room, to not practicing the tabla or the saxophone or to not staying on top of his school work. I had to literally sit him down one day and explain to him that in life he will be battling with me on major issues and he should learn to pick his battles and let go of the silly ones like brushing his teeth! It did seem to sink in, a bit. My sister, a mother of a son older than mine, once advised me to calm down because, she warned, this was only the beginning, that I would have to endure this struggle for another 4 years before he turns out semi-responsible! I choked because I seriously could not fathom doing this for years to come. \r\n\r\nOne of his teachers once told me to take a step back because he was a good boy and I should let him take on the onus of his actions and face the consequences himself if he fails. But I could never do that! How could I let my son’s grades slip or allow his performance to not be up to the mark? I wouldn’t be a true Indian or “Asian” mother then! \r\n\r\nBut all those things aside, on most nights after my son has gone to sleep, when I go to his room and look at that soft, warm, moon-like face, I forget that earlier in the evening, this was the same smarty pants who was challenging me on everything I was suggesting he do for his own good! I sit on his bed and run my fingers through his hair very gently. He barely looks at me, but smiles and turns around mumbling “creepy crawlies on my back, please.” And then I promise to never again lose my patience, never to be too harsh on him, just let him be a 13-year old and enjoy life! But then again, the next evening, the promises are forgotten and the rigors of raising a 13-year old, the Indian way, begins. Oh, there has to be a middle ground. I am searching. Let me know if you find one.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 2.0.50727; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322; InfoPath.2)', '', 0, 0, 'N', NULL),
(3140, 549, 'Aditi Sen', 'aditi.s.sen@gmail.com', '', '74.105.139.224', '2011-01-27 10:09:10', '2011-01-27 14:09:10', 'Thanks for sharing a brief history of Tagore in America. It is surprising how little the topic of Tagore''s visits to America was a part of the Tagore narrative that I grew around in Calcutta (and believe me, being from Patha Bhavan school, I was around a lot of Tagore loving people!!) I look forward to reading more on this topic.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.18.1 (KHTML, like Gecko) Version/5.0.2 Safari/533.18.5', '', 0, 0, 'N', NULL),
(3137, 545, 'Kankana Sengupta', 'kankana118@yahoo.com', '', '38.98.110.180', '2011-01-24 14:20:58', '2011-01-24 18:20:58', 'NJPA''s Saraswati puja will be held at Kiddie Keep Well Camp in Edison this year on Feb 19th. An exciting cultural program featuring local talents is in store for all as well.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; GTB6.6; .NET CLR 1.1.4322; .NET CLR 2.0.50727; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; MS-RTC LM 8)', '', 0, 0, 'N', NULL),
(3139, 331, 'Gregory A King', 'aka_kingdom@hotmail.com', '', '68.60.29.51', '2011-01-26 20:20:34', '2011-01-27 00:20:34', 'Just watched the movie for a second time and was moved to comment. To all the students that attended her class..Your all blessed to be part of something that shows no matter where we come from, we can over come anything a racist United States School system can try to stop...God bless America', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/534.10 (KHTML, like Gecko) Chrome/8.0.552.237 Safari/534.10', '', 0, 0, 'N', NULL),
(3142, 549, 'sudipta', 'bhawmik@gmail.com', 'http://', '68.193.111.159', '2011-01-28 19:32:54', '2011-01-28 23:32:54', 'Two new plays on related topics are coming up soon. Stay tuned.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.6; en-US; rv:1.9.2.3) Gecko/20100401 Firefox/3.6.3', '', 0, 1, 'N', NULL),
(3161, 545, 'Sandip Das', 'sandipdas@hotmail.com', 'http://www.sreeshti.com', '192.193.171.219', '2011-02-10 12:32:45', '2011-02-10 16:32:45', 'Sreeshti - Sarawasti Puja 2011 will be held on Feb 12th 2011. For more info visit www.sreeshti.com.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.1.4322; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30; .NET CLR 3.0.04506.648; InfoPath.2; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; MS-RTC LM 8; MS-RTC EA 2)', '', 0, 0, 'Y', NULL),
(3153, 550, 'Anindyo Sarkar', 'titosarkar@yahoo.com', '', '76.124.158.17', '2011-02-03 13:50:12', '2011-02-03 17:50:12', 'Pretty amazing movie. And yes. It will take some time to get "Boorjua" "Pratikriyasheel shakti" "Sreni shangram" out of the system of lot of people.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; Tablet PC 1.7; .NET CLR 1.0.3705; .NET CLR 1.1.4322; InfoPath.1; .NET CLR 2.0.50727; OfficeLiveConnector.1.3; OfficeLivePatch.0.0; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; msn Opti', '', 0, 0, 'Y', NULL),
(3199, 560, 'sudipta', 'bhawmik@gmail.com', 'http://', '67.52.130.30', '2011-02-24 14:42:28', '2011-02-24 18:42:28', 'Does this mean, with the 2 books/month plan, a subscriber can 2 books only a month, or he can keep two books at a time like the way Netflix does for movies? ALthough reading two books a month is an ardent task, but for some fast readers they can read more. If 2 books/month is a hard limit, what happens if I read 1 book a month? Do I get an extra book the following month?', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/534.10 (KHTML, like Gecko) Chrome/8.0.552.215 Safari/534.10', '', 0, 1, 'N', NULL),
(3203, 219, 'If I even hear the word Burger one more time, I’m going to scream! | This is Beirut', '', 'http://thisisbeirut.wordpress.com/2011/03/02/if-i-even-hear-the-word-burger-one-more-time-im-going-to-scream/', '72.233.69.19', '2011-03-02 04:32:27', '2011-03-02 08:32:27', '[...] photo credit South Indian Cuisine..looks strikingly similar to Lebanese food. [...]', 0, '1', 'The Incutio XML-RPC PHP Library', 'pingback', 0, 0, 'N', NULL),
(3198, 560, 'Santanu Chowdhury', 'feedback@clickforboi.in', 'http://www.clickforboi.in', '122.162.19.120', '2011-02-24 13:59:54', '2011-02-24 17:59:54', 'Thank you for spreading the word about Clickforboi.in by writing in your blog. We at Clickforboi has started this initiative with a single goal to make available Bengali books in an innovative way to all Bengali readers (starting with India..) and create a community of Bengali book lovers who would not only read / buy books but also share their perspective & opinion about books.\r\nAlso, wanted to add couple of points to your post about the site ~ the monthly subscription at Clickforboi.in allows reading either 2 books/month or 4 books/month based on the plan reader selects. We do not have unlimited delivery plan yet but would certainly explore this as we grow the membership. Next, we have very recently launched the Free Home Delivery service at our bookstore (www.clicktobuyboi.in) anywhere in India! So there are no more shipping charges to be borne buy the reader over and above the book price. We would run Special offers periodically to provide additional discount on certain books as well. We earnestly hope with this feature book lovers will be benefited more and Bengali books will have wider reach.\r\nHappy Reading !', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.13 (KHTML, like Gecko) Chrome/9.0.597.98 Safari/534.13', '', 0, 0, 'Y', NULL),
(3197, 345, 'JackMore', 'jack_more11@yahoo.com', '', '79.116.26.6', '2011-02-24 02:47:47', '2011-02-24 06:47:47', 'Hello people. I''m a bit new to this Alexa ranking stuff, but I managed to achieve something very very good, at least this is how i feel. This is what happened with my team''s website after I designed it.\r\nA few people recommended www.alexage.com to improve Alexa ranking.\r\nThey worked great for us and our site''s Alexa rank is now in Alexa''s top 100K.\r\nHope this helps', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.13 (KHTML, like Gecko) Chrome/9.0.597.98 Safari/534.13', '', 0, 0, 'N', NULL),
(3213, 560, 'Santanu Ghosal', 'ghosalsantanuit@gmail.com', 'http://wastelandersdiary.blogsopt.com', '121.244.146.2', '2011-03-23 05:08:00', '2011-03-23 09:08:00', 'An excillent website though I wonder if the clickforboi initiative will be benificial.While reading the plan is good but could suffer drastically becauese of long keeping time,hence the availability chain might be disrupted.\r\n\r\nOnce again buying the book might be a better idea altogether.Now coming to the part of buying,there is also another site www.boimela.in which is also offering similar service but is in market for a longer period of time.I myself have ordered from the site and was really surprised at the delivery timings.\r\n\r\nFinally its the consumers who will make the call but its always better to have more than one option at hand', 0, '1', 'Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 2.0.50727; MS-RTC LM 8)', '', 0, 0, 'N', NULL),
(3335, 580, 'sudipta', 'bhawmik@gmail.com', 'http://', '67.52.130.30', '2011-08-22 17:29:12', '2011-08-22 21:29:12', 'Comment from Jayeeta Ganguly on Facebook:\r\nI found your article to be echoing my thoughts. How often we are guilty of preaching not only what we don''t profess but also what we don''t know. Totally loved the part where you talked about Bengal''s Renaissance and the legacy of Sri Chaitanya and Sri Ramkrishna.', 0, '1', 'Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/535.1 (KHTML, like Gecko) Chrome/13.0.782.112 Safari/535.1', '', 0, 1, 'N', NULL),
(3336, 574, 'Sudipta Bhawmik', 'bhawmik@gmail.com', '', '173.54.229.137', '2011-08-22 21:21:56', '2011-08-23 01:21:56', 'Read a review of the play Rajar Chithi at http://bartamanpatrika.com/content/prabas.htm.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.6; en-US; rv:1.9.2.3) Gecko/20100401 Firefox/3.6.3', '', 0, 0, 'N', NULL),
(3360, 585, 'Lipi', 'lipisanyal@yahoo.co.uk', '', '78.145.69.253', '2011-09-15 16:23:51', '2011-09-15 20:23:51', 'I couldn''t agree more on the issue of addressing one by their first names. We are an ageist lot - i personally feel this name calling is about giving one acknowledgement of their identity which is unfortunately lost when a ''familial relationship'' is established. Addresses do not bring respect, tone does. We can still call someone by their first names and initiate enough respect in our tone and approach :D', 0, '1', 'Mozilla/5.0 (Windows NT 6.0) AppleWebKit/535.1 (KHTML, like Gecko) Chrome/13.0.782.220 Safari/535.1', '', 0, 0, 'N', NULL),
(3351, 314, 'list collection agencies', '', 'http://businesscollections.biz/archives/', '174.36.173.130', '2011-09-12 01:11:29', '2011-09-12 05:11:29', 'list collection agencies...\n\nI am inspired to continue research on list collection agencies....', 0, '1', '', 'trackback', 0, 0, 'N', NULL),
(3348, 583, 'Durga Puja 2011', 'info@theartscentregc.com.au', 'http://www.durgapuja-images.com/', '122.160.121.75', '2011-09-06 05:40:25', '2011-09-06 09:40:25', 'Only 3 weeks to go. Hope Maa Durga brings peace to every household this year. Joy Maa Durga!', 0, '1', 'Mozilla/5.0 (Windows NT 5.1; rv:6.0.1) Gecko/20100101 Firefox/6.0.1', '', 0, 0, 'Y', NULL),
(3344, 458, 'Write Avro Phonetic Bangla On Mobile', 'shabbir_yo@ymail.com', 'http://writebangla.com/', '180.211.145.16', '2011-08-29 11:00:42', '2011-08-29 15:00:42', '[Write Bangla On Mobile] http://writebangla.com/ Via this application you can write AVRO phonetic bangla from your mobile phone as well as we provide "one click" facebook bangla status update facility from your mobile handset.\r\n\r\nTo write correct Bangla spelling from mobile please Read some "Rules" and Follow the "KeyMap":\r\nhttp://writebangla.com/keymap.php\r\nFrequently Asked Questions About writebangla.com :(8 most common question/problem and there answer/solution)\r\nhttp://writebangla.com/faq/index.php\r\n\r\n______________\r\nSee The screenshot of Write Bangla On Mobile:\r\nhttp://prothom-aloblog.com/img/uploads/a771ef601225905bf0de68382cf18646.jpg\r\n______________\r\n\r\nHow to type Bangla with AVRO phonetic(English to Bangla) on your mobile?\r\n\r\n\r\nSTEP 1:\r\nBrowse http://writebangla.com/ (it''s our apllication link) via "Opera Mini" Or "UC" browser from your mobile.\r\nAs opera mini have "use bitmap for complex scripts" function(via this function you can read bangla and browse bangla site from your mobile) so please try to use "OPERA MINI" browser to browse [Write Bangla On Mobile] http://writebangla.com/ Applicatin\r\n__________\r\nRead This:[Write Bangla On Mobile] is a browser based application, so no need to download or install this application on your handset/mobile,just Browse http://writebangla.com/ and write phonetically bangla from your mobile easily.\r\n__________\r\n\r\nSTEP 2(only 1st time use):\r\nNow FACEBOOK will ask you to give "Write Bangla On Mobile" application permission to access your basic information(this application only need your "FULL Name" and "USER ID").\r\nTo post bangla facebook status from your mobile you have to give us "WALL POST" permission too. \r\nJust click on "ALLOW" button to give us basic information and wall post permission.\r\n(***This step is only for first time use,after giving us permission this step will be vanish from your facebook account***)\r\n\r\nSTEP 3:\r\nNow in "Banglish Input Box" type banglish(bangla typing in english alphabet) with BANGLA PHONETIC SYSTEM according to te KeyMap(to write bangla which english alphabet you have to type) \r\n_______\r\nEXAMPLE:amar sOnar bangla ami tOmay bhalObasi\r\n_______\r\nNow click On "Convert Banglish To Bangla" button to convert english alphabet or banglish into bangla language.\r\n______________\r\nSee The screenshot of Step 3:\r\nhttp://prothom-aloblog.com/img/uploads/fbc26e6ef664681c130a01dae0bd8074.jpg\r\n______________\r\nNow you can see the converted bangla in a textfield named "Bangla Output Box".\r\n(**Remember this:By using the "copy/paste" function of "OPERA MINI v6" or "UC" browser you can use this converted bangla anywhere in the net from your mobile**)\r\n\r\nSTEP 4:\r\nIN "Bangla Output Box" you may not read the bangla text,in "Bangla Output Box" you may see something like "????????" this(box box box symbol).\r\nIn that case you may not check eighter you write correctly or not,so to read that boxboxbox symbol you have to use "Check Spelling Before Post" button.\r\n______________\r\nSee The screenshot of Step 4:\r\nhttp://prothom-aloblog.com/img/uploads/d8417c4320c65920c64332addbdde2d0.jpg\r\n______________\r\nBy clicking this button you can read box box box symbol from "Bangla Output Box" and if you find any wrong spelling you may correct it.\r\n\r\nSTEP 5:\r\nNow click on "Post FB Status To Your Wall" button to publish or update your bangla facebook status on your facebook wall...\r\n______________\r\nSee The screenshot of Step 5:\r\nhttp://prothom-aloblog.com/img/uploads/cfe33d1aea12de252cc6046174c57f01.jpg\r\n______________\r\nOkey thats great,you done it,chill out now because you can write bangla on your mobile...\r\n\r\n______________\r\nRemember this:By using the "copy/paste" function of "OPERA MINI v6" or "UC" browser you can write bangla or type bangla from your mobile anywhere in the net via this application,not only Facebook wall post or comment or notes,anywhere means all wap or web site you browser from your mobile.\r\n______________\r\n\r\nIf you have any other question about "Write Bangla On Mobile" application then join our facebook fan page and please let us inform about yout question or problem...\r\nhttp://www.facebook.com/WriteBanglaViaMobile', 0, '1', 'Mozilla/5.0 (Windows NT 6.1; rv:7.0) Gecko/20100101 Firefox/7.0', '', 0, 0, 'N', NULL),
(3354, 585, 'sudipta', 'bhawmik@gmail.com', 'http://', '173.63.2.180', '2011-09-14 00:41:26', '2011-09-14 04:41:26', 'Ha Ha Ha! At least someone is taking it seriously! Thanks Brinda-di!', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.6; en-US; rv:1.9.2.3) Gecko/20100401 Firefox/3.6.3', '', 0, 1, 'N', NULL),
(3353, 585, 'Brinda Guha', 'brinda.guha@gmail.com', 'http://www.brindaguhadance.wordpress.com', '67.250.46.98', '2011-09-14 00:35:39', '2011-09-14 04:35:39', 'I feel like it shoudn''t be a big deal, to be honest. I understand the discomfort, I''ve been called Aunty by someone my age before and it''s totally weird. But it''s weird for a second, you correct them by telling them what you prefer to be called, and call it a day. It doesn''t need to be this whole thing. \r\n\r\nBut anyway, I can understand people feeling weird about it if it keeps happening. In that case, your idea to use da and di makes sense, just to keep it uniform across the board. \r\n\r\nSometimes it''s nice though. Like my mom''s students call me Brinda Didi, and the children of people who I call Dada and Didi call me Mashi or Pishi, and I kind of like it. That familial tie establishes a close relationship that makes spending time with them more comfortable. \r\n\r\nIn general, I think people are way too obsessed with what people call them or think of them or how old they may or may not look. Embrace it, you are a human and you''re going to go through changes, might as well stop denying that part of it. All you have to do it be straightforward: \\Just so you know, I am your dad''s age so call me Sudipta Kaku, not Dadu!\\. And then it''s done. You can be even more aloof and take Dadu as a sign that you are the epitome of wisdom (just joking). \r\n\r\nAnyway, since I can bet most people disagree with me, I like your idea of a compromise, Sudipta da.', 0, '1', 'Mozilla/5.0 (Windows NT 6.0) AppleWebKit/535.1 (KHTML, like Gecko) Chrome/13.0.782.220 Safari/535.1', '', 0, 0, 'Y', NULL),
(3376, 590, 'Amitava Sen', 'amitavasen@msn.com', '', '68.192.176.93', '2011-09-29 10:32:03', '2011-09-29 14:32:03', 'Sudipta\r\nThe question posed by you is what is the significance of Durga Puja to Bengali teens. What your teen-interviewees have addressed is, what they enjoy in a gathering of their parents with other families.It''s a fun time which should not be confused as introduction to heritage. The observation is true for any congregation, be it Banga Sammelan or week-end long Rabindra teach-ins. \r\nTeen-dom does not end at fourteen, personalities take shape in high school, firmly establishing as they go to college, independent and liberated.\r\nYou will probably find more enthusiastic responses when you pick your subjects regressively from teens to tweens to children.\r\nOf course we should bring our children to Durga Puja as long as they have fun, which I suspect may stop at the ripe age of fourteen.\r\nAmitavada', 0, '1', 'Mozilla/5.0 (Windows NT 5.1) AppleWebKit/535.1 (KHTML, like Gecko) Chrome/14.0.835.186 Safari/535.1', '', 0, 0, 'N', NULL),
(3386, 592, 'Rishi Bhattacharjee', 'rishi.bhatta@yahoo.com', '', '173.251.54.13', '2011-10-07 16:57:40', '2011-10-07 20:57:40', 'Sad that Durga Pooja is over although couple of more festive gatherings are coming up in the horizon. Overall, well done and kudos to Kallol in organizing and carrying out yet another memorable Durga Pooja. We know it is not easy in terms of logistics and unfortunately you cannot please everyone; since the purpose of pooja is to get the family together and enjoy three days to the fullest with friends, that was a roaring success. Now, I would like to raise some concerns and maybe we can discuss this in future Kallol meetings as Lessons Learned.\r\n\r\na) There were "volcanic" and extremely nasty verbal exchanges (ek kathai abohawa besh garom chhilo) during cultural programs between attendees themselves as well with my bouncer buddies. I am sure you may have guessed, this is to with the front few rows designated for "Donors" with white tags. This needs serious rethinking. Although I understand and fully appreciate the intent of keeping a few rows for people who commit more money for the event, but at the same time this creates lot of divisions and ill will amongst lines of friendship. Let me explain a bit, donor seats were 25% un-utilized up to the beginning of Anindya and Purbayan when the Kallol committee members started to enforce that every seat be occupied with white badge. Many orange badges saw that and started fuming since Orange rows were overcrowded. Another problem was more donors than seats. This led people to put grown kids (legitimate seat holders by themselves) on their laps so that all donors can seat. Watching a 3-4 hr program with a kid on your lap can be extremely cumbersome and painful. The “bouncers” Amit, Alok, Prosenjit and Tathagato tried their level best of stopping the myriads of seat reservation tactics (except inner garments, people open everything), but when floodgates open up, what will a few well intended “bangosantans” do? Also, it is very sensitive to ask a senior Kallol member and loyalist to vacate a white badge seat and move to orange badge area just because he/she did not pay the threshold amount in cash; knowing full well that these stalwarts and kallol pioneers have given more to these poojas over the years with their selfless love, commitment, night after night of sheer brawn and doing everything with a smile for 3 straight days. Some of them are our dadas and didis and we know we have this Durga Pooja only because they took charge and have handed over to the next projanmyo. When dad and mom grow old, do we throw them out of the plush sofa (akin to white badge) to the back of the room? Many of the veterans do not feel the same excitement and enthusiasm about Durga Pooja and many recant the good old days of Kallol and the high class and esteem it used to espouse towards the community it serves. This trickle of discontent may lead to a gush of attritions from loyal Kallol ranks to other pooja organizers. My humble suggestion is to remove the donor rows and make it first come, first serve. You want to show the donors your appreciation, give them closer parking, more visibility in website and the magazine, announce their names on a frequent basis, ensure they get access or one-on-one photo-op time with key performers, …. Just some thoughts. \r\nb) The food lines need to be revisited. I have seen people get down from their cars and walk straight to food tent for two straight days. Since there is no badge check, there was no stopping these folks and the volunteers serving and directing the crowd were helpless and has to serve everyone without filtering. What we propose is colored hand stamps or stickers given in Disney or Chucky Cheese (costs nothing), one color for each day to be checked by the tent gatekeepers. We know and have witnessed people exchange badges with fresh friends who did not register but wants to have lunch. \r\nc) Thanks to Kallol Cultural Committee for Anindya and Purbayan… what a phenomenal offering and rendition of Sitar and Percussion. Hats off to you guys. The best program of this pooja in my opinion. Nachiketa was absolutely terrible and disappointing but that may be because of my taste and traditional background. His sudden rant towards the couple (who were talking) reminds me of someone having the Tourette’s Syndrome. Artists do not like people talking in front rows and I have seen many artists tell audience politely and nicely. Nachiketa’s rant was an absolute revelation of his class. Kabor was a great theme but not appropriate for Pooja; but I understand that it was a face-saver since Patolbabu was canned. I did not see Aparna but heard people disappointed with lack of sync between the letters and the songs especially Kesariya and Lolita punched. But, again there were others who thoroughly enjoyed the program in its entirety – letters, songs and all. Most people did rave about the singer. Aparna Sen is a talented crowd-puller and we do recognize that and hence are appreciative of the effort she has put together and the research that went behind the show.\r\n\r\nWell, enjoy the traces of the Pooja season till the white stuff arrives. See you all in some nook and cranny in this our NY/NJ bengali life.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.2.22) Gecko/20110902 Firefox/3.6.22', '', 0, 0, 'Y', NULL),
(3458, 606, 'Indranil', 'Indymukh@gmail.com', 'http://Sararattir.info', '68.37.179.96', '2012-01-08 06:55:43', '2012-01-08 10:55:43', 'Thank you Sudipta da for the show announcement.\r\n\r\nDear all, \r\nSararattir is back with a new peoduction \\Paakhir Moton Shokaal\\\r\n\r\nIn trying to keep up with the immigrant’s life in the fast lane, we have chained ourselves in tiny little cages of exile and loneliness. The more we have tried to deal with our exile, the lonelier we have become. In the stormy quest of following the American dream as an immigrant, we have at times forsaken our own family values. Standing atop the ruins of that storm on a quiet, deeply personal lonely moment, when we look back at the years gone by, and face the morning, the bird-like morning, or “Paakhir Moton Shokaal,” what do we see ??\r\n \r\nCelebrate the New Year on an introspective note with characters of “Paakhir Moton Shokaal” and may be you will find yourself amidst them.\r\n\r\nRegards \r\n\r\nSararattir', 0, '1', 'Mozilla/5.0 (iPad; CPU OS 5_0_1 like Mac OS X) AppleWebKit/534.46 (KHTML, like Gecko) Version/5.1 Mobile/9A405 Safari/7534.48.3', '', 0, 0, 'N', NULL),
(3418, 595, 'Mallika De', 'soundsofpoetry@yahoo.com', '', '69.115.46.135', '2011-11-10 21:04:21', '2011-11-11 01:04:21', 'Although, the writer raises some important questions about the state of a terribly consumerist society we live in today, the article makes some very totalizing essentialist notions of gender that are extremely problematic.', 0, '1', 'Mozilla/5.0 (Macintosh; Intel Mac OS X 10_7_2) AppleWebKit/534.51.22 (KHTML, like Gecko) Version/5.1.1 Safari/534.51.22', '', 0, 0, 'N', NULL),
(3460, 515, 'Eva', 'evalinas2006@yahoo.com', 'http://nynjbengali.com', '24.44.210.62', '2012-01-10 15:05:26', '2012-01-10 19:05:26', 'please add me to your mailing list for upcoming events, Thank you', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-US; rv:1.9.1.7) Gecko/20091221 Firefox/3.5.7 (.NET CLR 3.5.30729)', '', 0, 0, 'N', NULL),
(3493, 609, 'Alana', 'camillamartins10@hotmail.com', 'http://www.jogosdocartoon.net', '187.87.7.244', '2012-03-12 21:20:18', '2012-03-13 01:20:18', 'i like this subject and it will help me a lot with my homework. thanks for helping.http://www.jogosdocartoon.net', 0, 'spam', 'Mozilla/5.0 (compatible; Googlebot/2.1; +http://www.google.com/bot.html)', '', 0, 0, 'Y', NULL),
(3494, 609, 'Araceli', 'casalcomweb@hotmail.com', 'http://www.hdparanotebook.com', '201.55.163.150', '2012-03-13 12:13:35', '2012-03-13 16:13:35', 'the layout of the site is awesome, this will attract many newbie...keep it up.http://www.hdparanotebook.com', 0, 'spam', 'Mozilla/5.0 (compatible; Googlebot/2.1; +http://www.google.com/bot.html)', '', 0, 0, 'Y', NULL),
(3490, 611, 'Dilza', 'carolina_pinaffo@hotmail.com', 'http://www.cinemacuritiba.com', '186.212.75.93', '2012-03-10 20:29:52', '2012-03-11 00:29:52', 'admiring the time and effort you put into your blog and detailed information you offer!http://www.cinemacuritiba.com', 0, 'spam', 'Mozilla/5.0 (compatible; Googlebot/2.1; +http://www.google.com/bot.html)', '', 0, 0, 'Y', NULL);
INSERT INTO `wp_comments` (`comment_ID`, `comment_post_ID`, `comment_author`, `comment_author_email`, `comment_author_url`, `comment_author_IP`, `comment_date`, `comment_date_gmt`, `comment_content`, `comment_karma`, `comment_approved`, `comment_agent`, `comment_type`, `comment_parent`, `user_id`, `comment_subscribe`, `comment_enclosure`) VALUES
(3491, 607, 'Ceres', 'clicando@terra.com.br', 'http://www.hdparanotebook.com', '201.21.110.19', '2012-03-12 14:43:10', '2012-03-12 18:43:10', 'your blog is really excellent. it inspires the readers who have that great desire to lead a better and happier life. thanks for sharing this information and hope to read more from you.http://www.hdparanotebook.com', 0, 'spam', 'Mozilla/5.0 (compatible; Googlebot/2.1; +http://www.google.com/bot.html)', '', 0, 0, 'Y', NULL),
(3476, 590, 'Debashis Paul', 'riday_2006@yahoo.com', '', '122.248.183.1', '2012-02-22 14:22:31', '2012-02-22 18:22:31', 'Actually the old meaning of Durga Puja also changed in Bengal. Most of the puja committee represents their ability to spend money and power rather then their divinity to goddess Durga. \r\n\r\nThe children from outside of Bengal, who ware not part of Durga puja in Bengal, never feel the actual test of Durga puja. As long as they become elder, they will find their happiness what they will get easily near by their hand. They will be habituated by the local culture and festival rather then a foreign festival (Durga Puja).', 0, '1', 'Opera/9.80 (Windows NT 5.1; U; en) Presto/2.10.229 Version/11.61', '', 0, 0, 'N', NULL),
(3489, 607, 'Berta', 'camis_htinha@hotmail.com', 'http://www.simbolodamusica.com', '201.9.77.67', '2012-03-09 08:03:04', '2012-03-09 12:03:04', 'nice blog !http://www.simbolodamusica.com', 0, 'spam', 'Mozilla/5.0 (compatible; Googlebot/2.1; +http://www.google.com/bot.html)', '', 0, 0, 'Y', NULL),
(3488, 607, 'Anita', 'caroline.crown@hotmail.com', 'http://www.queroouvirmusica.com', '85.96.190.145', '2012-03-09 04:17:22', '2012-03-09 08:17:22', 'this was a lovely article to read.http://www.queroouvirmusica.com', 0, 'spam', 'Mozilla/5.0 (compatible; Googlebot/2.1; +http://www.google.com/bot.html)', '', 0, 0, 'Y', NULL),
(3487, 612, 'Betânia', 'caracois18@hotmail.com', 'http://www.iguinhojogos.net', '78.174.208.91', '2012-03-06 13:57:17', '2012-03-06 17:57:17', 'thanks for info.http://www.iguinhojogos.net', 0, 'spam', 'Mozilla/5.0 (compatible; Googlebot/2.1; +http://www.google.com/bot.html)', '', 0, 0, 'Y', NULL),
(3482, 607, 'Raj Deb Roy', 'SomersetDeveloper@gmail.com', 'http://www.rajdebroy.com', '98.221.156.204', '2012-03-01 20:54:54', '2012-03-02 00:54:54', 'Maybe there is a third option....believing in a higher power but not religion per se....or is that the same? \r\nI love every religious event and all things cultural associated with that.And not just my religion. Almost every organized religion. However - not having a blind faith in ''documented'' religion. \r\nHowever in my own private way believing in a higher power.', 0, '1', 'Mozilla/5.0 (Windows NT 6.0) AppleWebKit/535.11 (KHTML, like Gecko) Chrome/17.0.963.56 Safari/535.11', '', 0, 0, 'N', NULL),
(3486, 607, 'Cariana', 'claudio7777@msn.com', 'http://www.jogosdopicapau.org', '187.52.103.170', '2012-03-06 12:15:40', '2012-03-06 16:15:40', 'hey i visited the site...it is a nice site. thanks for providing information here...i like your blog post too thanks a lot.http://www.jogosdopicapau.org', 0, 'spam', 'Mozilla/5.0 (compatible; Googlebot/2.1; +http://www.google.com/bot.html)', '', 0, 0, 'Y', NULL),
(3485, 607, 'Euro Football Championship', 'reservation@badawiya.com', 'http://euro2012.journalspace.com', '173.234.146.84', '2012-03-05 23:43:09', '2012-03-06 03:43:09', 'Euripides: "Judge a tree from its fruit not from the leaves."', 0, 'spam', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.1.4322; .NET CLR 2.0.50727; .NET CLR 3.0.04506.30)', '', 0, 0, 'N', NULL),
(3495, 607, 'Alana', 'ceresbehmer@hotmail.com', 'http://www.cartoonnetworkjogos.net', '177.66.106.2', '2012-03-15 14:16:58', '2012-03-15 18:16:58', 'every time i come here i am not disappointed. nice post.http://www.cartoonnetworkjogos.net', 0, 'spam', 'Mozilla/5.0 (compatible; Googlebot/2.1; +http://www.google.com/bot.html)', '', 0, 0, 'Y', NULL);
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--
-- Table structure for table `wp_ec3_schedule`
--
DROP TABLE IF EXISTS `wp_ec3_schedule`;
CREATE TABLE IF NOT EXISTS `wp_ec3_schedule` (
`sched_id` bigint(20) NOT NULL auto_increment,
`post_id` bigint(20) default NULL,
`start` datetime default NULL,
`end` datetime default NULL,
`allday` tinyint(1) default NULL,
`rpt` varchar(64) default NULL,
PRIMARY KEY (`sched_id`)
) ENGINE=MyISAM DEFAULT CHARSET=latin1 AUTO_INCREMENT=173 ;
--
-- Dumping data for table `wp_ec3_schedule`
--
INSERT INTO `wp_ec3_schedule` (`sched_id`, `post_id`, `start`, `end`, `allday`, `rpt`) VALUES
(1, 75, '2007-08-22 18:30:00', '2007-08-22 20:30:00', 0, NULL),
(2, 75, '2007-08-23 18:30:00', '2007-08-23 20:30:00', 0, NULL),
(4, 79, '2007-08-31 20:00:00', '2007-08-31 20:00:00', 0, NULL),
(5, 83, '2007-09-16 10:00:00', '2007-09-16 17:00:00', 0, NULL),
(6, 85, '2007-09-23 16:00:00', '2007-09-23 19:00:00', 0, NULL),
(7, 86, '2007-09-22 19:00:00', '2007-09-22 23:00:00', 0, NULL),
(8, 87, '2007-09-09 10:00:00', '2007-09-09 17:00:00', 0, NULL),
(9, 90, '2007-09-09 17:00:00', '2007-09-09 19:00:00', 0, NULL),
(10, 92, '2007-09-14 20:00:00', '2007-09-14 22:00:00', 0, NULL),
(11, 93, '2007-10-19 18:00:00', '2007-10-21 00:00:00', 0, NULL),
(12, 94, '2007-10-12 19:00:00', '2007-10-12 22:00:00', 0, NULL),
(13, 94, '2007-10-13 11:00:00', '2007-10-13 22:00:00', 0, NULL),
(14, 94, '2007-10-14 11:00:00', '2007-10-14 22:00:00', 0, NULL),
(15, 96, '2007-10-14 05:00:00', '2007-10-14 07:00:00', 0, NULL),
(16, 98, '2007-10-26 19:30:00', '2007-10-26 22:30:00', 0, NULL),
(17, 100, '2007-11-03 18:30:00', '2007-11-03 22:30:00', 0, NULL),
(18, 105, '2007-10-17 18:00:00', '2007-10-21 18:00:00', 0, NULL),
(19, 106, '2007-10-20 18:00:00', '2007-10-21 23:00:00', 0, NULL),
(20, 109, '2007-11-09 18:30:00', '2007-11-09 22:30:00', 0, NULL),
(21, 116, '2007-12-08 15:00:00', '2007-12-08 17:30:00', 0, NULL),
(22, 117, '2007-12-08 19:00:00', '2007-12-08 23:00:00', 0, NULL),
(23, 116, '2007-12-08 18:30:00', '2007-12-08 18:30:00', 0, NULL),
(24, 119, '2007-12-07 19:00:00', '2007-12-07 22:00:00', 0, NULL),
(25, 120, '2007-12-14 20:00:00', '2007-12-14 22:00:00', 0, NULL),
(26, 125, '2008-01-26 18:30:00', '2008-01-26 20:30:00', 0, NULL),
(27, 125, '2008-01-27 15:30:00', '2008-01-27 17:30:00', 0, NULL),
(28, 128, '2008-01-11 20:00:00', '2008-01-11 22:00:00', 0, NULL),
(29, 129, '2008-01-12 15:00:00', '2008-01-12 19:00:00', 0, NULL),
(30, 130, '2008-01-18 20:00:00', '2008-01-18 22:00:00', 0, NULL),
(31, 131, '2008-02-11 07:45:00', '2008-02-11 12:45:00', 1, NULL),
(32, 132, '2008-02-08 20:00:00', '2008-02-08 22:00:00', 0, NULL),
(33, 139, '2008-02-09 19:30:00', '2008-02-09 21:30:00', 0, NULL),
(34, 140, '2008-03-06 00:00:00', '2008-03-06 00:00:00', 1, NULL),
(35, 141, '2008-03-14 20:00:00', '2008-03-14 22:00:00', 0, NULL),
(36, 142, '2008-03-21 20:00:00', '2008-03-21 22:00:00', 0, NULL),
(37, 143, '2008-04-18 20:00:00', '2008-04-18 22:00:00', 0, NULL),
(38, 145, '2008-03-30 18:00:00', '2008-03-30 19:30:00', 0, NULL),
(39, 146, '2008-04-26 17:00:00', '2008-04-26 19:30:00', 0, NULL),
(40, 147, '2008-04-18 20:00:00', '2008-04-18 22:00:00', 0, NULL),
(41, 148, '2008-05-04 16:00:00', '2008-05-04 19:30:00', 0, NULL),
(42, 153, '2008-06-07 17:00:00', '2008-06-07 22:00:00', 0, NULL),
(43, 154, '2008-05-10 21:00:00', '2008-05-11 08:00:00', 0, NULL),
(44, 155, '2008-06-01 14:00:00', '2008-06-01 20:00:00', 0, NULL),
(45, 158, '2008-05-04 15:00:00', '2008-05-04 17:00:00', 0, NULL),
(46, 161, '2008-05-09 20:00:00', '2008-05-09 22:00:00', 0, NULL),
(47, 162, '2008-06-07 13:00:00', '2008-06-07 16:00:00', 0, NULL),
(48, 166, '2008-06-28 15:30:00', '2008-06-28 17:30:00', 0, NULL),
(49, 166, '2008-06-29 15:00:00', '2008-06-29 19:30:00', 0, NULL),
(50, 172, '2008-06-28 15:30:00', '2008-06-28 17:30:00', 0, NULL),
(51, 180, '2008-07-20 15:00:00', '2008-07-20 17:00:00', 0, NULL),
(52, 182, '2008-07-20 17:30:00', '2008-07-20 19:30:00', 0, NULL),
(53, 183, '2008-07-27 16:00:00', '2008-07-27 20:00:00', 0, NULL),
(54, 188, '2008-08-24 15:00:00', '2008-08-24 19:00:00', 0, NULL),
(55, 192, '2008-08-08 20:00:00', '2008-08-08 22:00:00', 0, NULL),
(56, 193, '2008-08-08 20:00:00', '2008-08-08 22:00:00', 0, NULL),
(57, 197, '2008-08-16 10:00:00', '2008-08-16 22:00:00', 0, NULL),
(58, 202, '2008-09-13 17:00:00', '2008-09-13 22:00:00', 0, NULL),
(59, 204, '2008-08-24 06:00:00', '2008-08-24 21:00:00', 1, NULL),
(60, 203, '2008-08-22 20:30:00', '2008-08-22 22:30:00', 0, NULL),
(61, 205, '2008-09-20 10:00:00', '2008-09-20 16:00:00', 0, NULL),
(62, 206, '2008-08-23 10:00:00', '2008-08-23 16:00:00', 0, NULL),
(63, 209, '2008-09-12 19:00:00', '2008-09-12 22:00:00', 0, NULL),
(64, 218, '2008-09-14 14:00:00', '2008-09-14 17:00:00', 0, NULL),
(65, 221, '2008-09-28 04:30:00', '2008-09-28 06:30:00', 0, NULL),
(66, 239, '2008-10-25 15:00:00', '2008-10-25 23:00:00', 0, NULL),
(67, 240, '2008-10-11 15:00:00', '2008-10-11 21:00:00', 0, NULL),
(68, 242, '2008-11-16 15:30:00', '2008-11-16 19:30:00', 0, NULL),
(69, 253, '2008-11-09 16:00:00', '2008-11-09 19:00:00', 0, NULL),
(70, 254, '2008-11-07 20:00:00', '2008-11-07 23:00:00', 0, NULL),
(71, 255, '2008-11-16 15:00:00', '2008-11-16 18:00:00', 0, NULL),
(72, 265, '2008-11-21 20:00:00', '2008-11-21 22:00:00', 0, NULL),
(73, 280, '2009-02-13 18:30:00', '2009-02-13 20:30:00', 0, NULL),
(74, 281, '2009-02-27 20:00:00', '2009-02-27 22:00:00', 0, NULL),
(75, 282, '2009-05-16 18:00:00', '2009-05-16 21:00:00', 0, NULL),
(76, 282, '2009-05-17 16:00:00', '2009-05-17 19:00:00', 0, NULL),
(77, 282, '2009-05-30 18:00:00', '2009-05-30 21:00:00', 0, NULL),
(78, 282, '2009-05-31 16:00:00', '2009-05-31 19:00:00', 0, NULL),
(79, 295, '2009-05-09 19:00:00', '2009-05-10 06:00:00', 0, NULL),
(80, 298, '2009-03-20 20:00:00', '2009-03-20 22:00:00', 0, NULL),
(81, 310, '2009-03-29 16:00:00', '2009-03-29 18:00:00', 0, NULL),
(82, 311, '2009-04-11 14:00:00', '2009-04-11 16:00:00', 0, NULL),
(83, 317, '2009-04-25 20:00:00', '2009-04-25 23:00:00', 0, NULL),
(84, 325, '2009-04-18 12:00:00', '2009-04-18 23:00:00', 0, NULL),
(85, 330, '2009-04-24 18:45:00', '2009-04-24 21:00:00', 0, NULL),
(86, 334, '2009-05-15 14:00:00', '2009-05-17 19:00:00', 0, NULL),
(87, 352, '2009-06-13 15:30:00', '2009-06-13 18:30:00', 0, NULL),
(88, 360, '2009-10-09 18:30:00', '2009-10-09 18:30:00', 0, NULL),
(89, 361, '2009-06-27 13:00:00', '2009-06-27 22:00:00', 0, NULL),
(90, 379, '2009-07-18 18:30:00', '2009-07-18 21:30:00', 0, NULL),
(91, 380, '2009-08-01 11:00:00', '2009-08-01 15:30:00', 0, NULL),
(92, 389, '2009-08-22 10:00:00', '2009-08-22 18:00:00', 0, NULL),
(93, 390, '2009-09-12 11:00:00', '2009-09-12 16:00:00', 0, NULL),
(94, 392, '2009-08-20 14:30:00', '2009-08-20 16:30:00', 0, NULL),
(95, 394, '2009-09-19 11:00:00', '2009-09-19 11:00:00', 1, NULL),
(96, 394, '2009-09-20 11:00:00', '2009-09-20 11:00:00', 1, NULL),
(97, 407, '2009-09-25 11:00:00', '2009-09-25 11:00:00', 1, NULL),
(98, 407, '2009-09-26 11:00:00', '2009-09-26 11:00:00', 1, NULL),
(99, 407, '2009-09-27 11:00:00', '2009-09-27 11:00:00', 1, NULL),
(100, 408, '2009-09-20 04:30:00', '2009-09-20 07:30:00', 0, NULL),
(101, 411, '2009-10-11 15:00:00', '2009-10-11 17:30:00', 0, NULL),
(102, 425, '2009-10-10 15:00:00', '2009-10-10 23:00:00', 0, NULL),
(103, 427, '2009-10-24 18:30:00', '2009-10-24 23:30:00', 0, NULL),
(104, 428, '2009-10-10 12:00:00', '2009-10-10 23:00:00', 0, NULL),
(105, 429, '2009-10-11 12:00:00', '2009-10-11 20:00:00', 0, NULL),
(106, 434, '2009-10-17 18:30:00', '2009-10-17 23:30:00', 0, NULL),
(107, 446, '2009-12-05 16:00:00', '2009-12-05 18:00:00', 0, NULL),
(108, 460, '2010-04-03 19:00:00', '2010-04-03 22:00:00', 0, NULL),
(109, 465, '2010-02-19 20:00:00', '2010-02-19 22:00:00', 0, NULL),
(110, 468, '2010-03-20 15:30:00', '2010-03-20 17:30:00', 0, NULL),
(111, 478, '2010-05-08 15:00:00', '2010-05-08 17:00:00', 0, NULL),
(112, 478, '2010-05-08 18:00:00', '2010-05-08 20:00:00', 0, NULL),
(113, 478, '2010-05-09 13:00:00', '2010-05-09 15:00:00', 0, NULL),
(114, 478, '2010-05-09 16:00:00', '2010-05-09 18:00:00', 0, NULL),
(115, 479, '2010-03-14 18:00:00', '2010-03-14 20:00:00', 0, NULL),
(116, 481, '2010-03-28 16:00:00', '2010-03-28 23:00:00', 0, NULL),
(117, 485, '2010-06-12 18:00:00', '2010-06-12 21:00:00', 0, NULL),
(118, 485, '2010-06-13 16:00:00', '2010-06-13 19:00:00', 0, NULL),
(119, 491, '2010-06-06 19:00:00', '2010-06-06 22:00:00', 0, NULL),
(120, 493, '2010-06-20 16:00:00', '2010-06-20 19:00:00', 0, NULL),
(121, 496, '2010-07-03 16:00:00', '2010-07-03 19:00:00', 0, NULL),
(122, 497, '2010-07-10 18:00:00', '2010-07-10 19:30:00', 0, NULL),
(123, 507, '2010-09-25 10:15:00', '2010-09-25 12:45:00', 0, NULL),
(124, 508, '2010-10-17 16:00:00', '2010-10-17 19:00:00', 0, NULL),
(125, 509, '2010-10-03 15:00:00', '2010-10-03 17:30:00', 0, NULL),
(126, 510, '2010-10-02 16:00:00', '2010-10-02 20:00:00', 0, NULL),
(127, 511, '2010-10-10 04:30:00', '2010-10-10 06:30:00', 0, NULL),
(128, 515, '2010-10-15 14:00:00', '2010-10-15 23:30:00', 0, NULL),
(129, 515, '2010-10-16 10:00:00', '2010-10-16 10:00:00', 1, NULL),
(130, 515, '2010-10-17 11:00:00', '2010-10-17 11:00:00', 1, NULL),
(131, 516, '2010-10-16 10:00:00', '2010-10-16 10:00:00', 1, NULL),
(132, 516, '2010-10-17 10:00:00', '2010-10-17 10:00:00', 1, NULL),
(133, 517, '2010-10-29 20:30:00', '2010-10-29 22:30:00', 0, NULL),
(134, 517, '2010-10-30 12:00:00', '2010-10-30 22:00:00', 0, NULL),
(135, 526, '2010-12-04 15:30:00', '2010-12-04 18:30:00', 0, NULL),
(136, 527, '2010-11-19 20:00:00', '2010-11-19 22:30:00', 0, NULL),
(137, 554, '2011-03-20 16:00:00', '2011-03-20 18:30:00', 0, NULL),
(138, 559, '2011-08-06 00:00:00', '2011-08-06 00:00:00', 1, NULL),
(139, 564, '2011-05-08 18:00:00', '2011-05-08 20:00:00', 0, NULL),
(140, 565, '2011-06-04 16:00:00', '2011-06-04 20:00:00', 0, NULL),
(141, 568, '2011-08-06 14:00:00', '2011-08-06 22:00:00', 0, NULL),
(142, 569, '2011-05-28 16:00:00', '2011-05-28 22:00:00', 0, NULL),
(143, 570, '2011-05-14 23:00:00', '2011-05-14 23:00:00', 1, NULL),
(144, 570, '2011-05-15 23:00:00', '2011-05-15 23:00:00', 1, NULL),
(145, 571, '2011-06-11 18:30:00', '2011-06-11 20:30:00', 0, NULL),
(146, 571, '2011-06-12 17:00:00', '2011-06-12 19:00:00', 0, NULL),
(147, 576, '2011-07-24 14:00:00', '2011-07-24 18:00:00', 0, NULL),
(148, 578, '2011-08-07 12:00:00', '2011-08-07 18:00:00', 0, NULL),
(149, 579, '2011-08-28 16:00:00', '2011-08-28 21:00:00', 0, NULL),
(150, 582, '2011-09-24 00:00:00', '2011-09-24 00:00:00', 1, NULL),
(151, 582, '2011-09-25 00:00:00', '2011-09-25 00:00:00', 1, NULL),
(152, 583, '2011-09-30 20:00:00', '2011-09-30 20:00:00', 1, NULL),
(153, 583, '2011-10-01 20:00:00', '2011-10-01 20:00:00', 1, NULL),
(154, 583, '2011-10-02 20:00:00', '2011-10-02 20:00:00', 1, NULL),
(155, 584, '2011-10-01 22:00:00', '2011-10-01 22:00:00', 1, NULL),
(156, 584, '2011-10-02 22:00:00', '2011-10-02 22:00:00', 1, NULL),
(157, 586, '2011-10-09 14:00:00', '2011-10-09 17:00:00', 0, NULL),
(158, 589, '2011-10-21 19:00:00', '2011-10-21 19:00:00', 1, NULL),
(159, 589, '2011-10-22 19:00:00', '2011-10-22 19:00:00', 1, NULL),
(160, 589, '2011-10-23 19:00:00', '2011-10-23 19:00:00', 1, NULL),
(161, 596, '2011-12-03 15:00:00', '2011-12-03 18:00:00', 0, NULL),
(162, 600, '2011-12-03 13:45:00', '2011-12-03 16:30:00', 0, NULL),
(163, 601, '2012-01-14 14:00:00', '2012-01-14 22:30:00', 0, NULL),
(164, 602, '2012-01-29 14:00:00', '2012-01-29 23:00:00', 0, NULL),
(165, 603, '2012-01-28 12:00:00', '2012-01-28 21:00:00', 0, NULL),
(166, 604, '2012-01-28 10:00:00', '2012-01-28 20:00:00', 0, NULL),
(167, 605, '2012-01-21 10:00:00', '2012-01-21 22:00:00', 0, NULL),
(168, 606, '2012-01-21 15:00:00', '2012-01-21 20:00:00', 0, NULL),
(169, 606, '2012-01-22 14:00:00', '2012-01-22 19:00:00', 0, NULL),
(170, 611, '2012-03-11 16:00:00', '2012-03-11 20:00:00', 0, NULL),
(171, 612, '2012-04-15 15:00:00', '2012-04-15 16:30:00', 0, NULL),
(172, 612, '2012-04-15 17:30:00', '2012-04-15 19:00:00', 0, NULL);
-- --------------------------------------------------------
--
-- Table structure for table `wp_email_list`
--
DROP TABLE IF EXISTS `wp_email_list`;
CREATE TABLE IF NOT EXISTS `wp_email_list` (
`id` int(11) NOT NULL auto_increment,
`email_addr` varchar(255) default NULL,
`gets_mail` int(11) default NULL,
`last_modified` timestamp NOT NULL default CURRENT_TIMESTAMP on update CURRENT_TIMESTAMP,
`date_subscribed` datetime default NULL,
PRIMARY KEY (`id`)
) ENGINE=MyISAM DEFAULT CHARSET=latin1 AUTO_INCREMENT=22 ;
--
-- Dumping data for table `wp_email_list`
--
INSERT INTO `wp_email_list` (`id`, `email_addr`, `gets_mail`, `last_modified`, `date_subscribed`) VALUES
(1, 'bhawmik@gmail.com', 1, '2005-11-30 03:59:21', '2005-11-30 22:52:48'),
(18, 'chandraboli_20@rediffmail.com', NULL, '2006-01-29 01:52:15', '2006-01-29 20:52:15'),
(4, 'drani_00@yahoo.com', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(5, 'k.p.das@ieee.org', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(6, 'bpstinc@aol.com', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(7, 'amitavasen@msn.com', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(8, 'amrita.ghosh@gmail.com', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(9, 'baskarm@aol.com', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(10, 'tathagata_ghosh@hotmail.com', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(11, 'aldey99@yahoo.com', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(21, 'nandita_sen1112@yahoo.com', 1, '2006-03-20 14:53:24', '2006-03-21 09:51:54'),
(13, 'arunansud@yahoo.com', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(14, 'Purbha@comcast.net', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(15, 'sunno.theke.suru@gmail.com', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(16, 'Aditi.S.Sen@gmail.com', 1, '2005-11-30 22:24:40', '2005-12-01 17:24:40'),
(17, 'smkbasu@yahoo.com', NULL, '2005-12-04 01:28:07', '2005-12-04 20:28:07'),
(19, 'ray9313@aol.com', NULL, '2006-02-03 19:31:40', '2006-02-04 14:31:40'),
(20, 'sray9313@aol.com', NULL, '2006-02-03 19:31:57', '2006-02-04 14:31:57');
-- --------------------------------------------------------
--
-- Table structure for table `wp_email_list_config`
--
DROP TABLE IF EXISTS `wp_email_list_config`;
CREATE TABLE IF NOT EXISTS `wp_email_list_config` (
`id` int(11) NOT NULL auto_increment,
`site_name` varchar(255) default NULL,
`site_url` varchar(255) default NULL,
`blog_url` varchar(255) default NULL,
`from_email` varchar(255) default NULL,
`admin_email` varchar(255) default NULL,
`nice_urls` char(3) default NULL,
`show_content` char(3) default NULL,
`html_email` char(3) default NULL,
`default_send` char(3) NOT NULL default '',
PRIMARY KEY (`id`)
) ENGINE=MyISAM DEFAULT CHARSET=latin1 AUTO_INCREMENT=2 ;
--
-- Dumping data for table `wp_email_list_config`
--
INSERT INTO `wp_email_list_config` (`id`, `site_name`, `site_url`, `blog_url`, `from_email`, `admin_email`, `nice_urls`, `show_content`, `html_email`, `default_send`) VALUES
(1, 'NY/NJ Bengali Blog Site', 'http://www.ethnomediallc.com/wpress/', 'http://www.ethnomediallc.com/wpress/', 'sudipta@ethnomediallc.com', 'sudipta@ethnomediallc.com', 'Yes', 'No', 'No', 'Yes');
-- --------------------------------------------------------
--
-- Table structure for table `wp_email_list_future`
--
DROP TABLE IF EXISTS `wp_email_list_future`;
CREATE TABLE IF NOT EXISTS `wp_email_list_future` (
`post_ID` bigint(20) NOT NULL default '0',
`post_date` char(12) NOT NULL default '0',
`notification_sent` char(1) NOT NULL default '',
PRIMARY KEY (`post_ID`)
) ENGINE=MyISAM DEFAULT CHARSET=latin1;
--
-- Dumping data for table `wp_email_list_future`
--
INSERT INTO `wp_email_list_future` (`post_ID`, `post_date`, `notification_sent`) VALUES
(59, '200512012001', 'n'),
(63, '200512040759', 'y'),
(64, '200601072058', 'y'),
(65, '200601182334', 'y'),
(70, '200603140933', 'y'),
(71, '200604201905', 'y'),
(72, '200605260039', 'y'),
(74, '200704302148', 'y'),
(73, '200705092353', 'y');
-- --------------------------------------------------------
--
-- Table structure for table `wp_links`
--
DROP TABLE IF EXISTS `wp_links`;
CREATE TABLE IF NOT EXISTS `wp_links` (
`link_id` bigint(20) NOT NULL auto_increment,
`link_url` varchar(255) NOT NULL default '',
`link_name` varchar(255) NOT NULL default '',
`link_image` varchar(255) NOT NULL default '',
`link_target` varchar(25) NOT NULL default '',
`link_category` bigint(20) NOT NULL default '0',
`link_description` varchar(255) NOT NULL default '',
`link_visible` varchar(20) NOT NULL default 'Y',
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(66, 0, 'rss_0ff4b43bd116a9d8720d689c80e7dfd4', 'O:9:"MagpieRSS":18:{s:6:"parser";i:0;s:12:"current_item";a:0:{}s:5:"items";a:10:{i:0;a:13:{s:5:"title";s:26:"WordPress Takes SXSW 2012!";s:4:"link";s:60:"http://wordpress.org/news/2012/03/wordpress-takes-sxsw-2012/";s:8:"comments";s:69:"http://wordpress.org/news/2012/03/wordpress-takes-sxsw-2012/#comments";s:7:"pubdate";s:31:"Tue, 06 Mar 2012 16:19:55 +0000";s:2:"dc";a:1:{s:7:"creator";s:10:"Jane Wells";}s:8:"category";s:15:"CommunityEvents";s:4:"guid";s:33:"http://wordpress.org/news/?p=2240";s:11:"description";s:327:"The South by Southwest Interactive Festival (SXSW) holds a special place in the history and heart of WordPress. Though the conference has changed in the years since I first met Matt in the hallway in 2003 — before WordPress even had a name — it’s still arguably one of the most influential events in our [...]";s:7:"content";a:1:{s:7:"encoded";s:3437:"The South by Southwest Interactive Festival (SXSW) holds a special place in the history and heart of WordPress. Though the conference has changed in the years since I first met Matt in the hallway in 2003 — before WordPress even had a name — it’s still arguably one of the most influential events in our industry, and we’ll be there again this year. Will we see you there?
\nThere will be a WordPress booth at the SXSW trade show March 12-15. Our booth was packed to overflowing last year as we helped people with their blogs and gave away WordPress swag, so this year we’ll have more space to meet as many of you as possible. Stop by if you need a helping hand with your site, or just to say hi. We’ll also have buttons, stickers, and t-shirts again this year.
\nThis year’s WordPress party will be hosted by the WordPress Foundation on Monday, March 12 from 6-9pm. Space is limited, so make sure you RSVP (no SXSW badge is required). The party this year will be at the Buzzmedia Pure Volume House, and the story of how we hooked up with them is pretty cool.
\n\nOnce upon a time, David Wang had a business called Buzzmedia in Malaysia, with the twitter username @buzzmedia. When David changed gears and started ClickWP, a WordPress support business, he stopped going by the Buzzmedia name. In the U.S., a company also called Buzzmedia wished it had that Twitter username, and asked if they could have it since David wasn’t going to use it anymore.
\nDavid, feeling the WordPress community love, said he would give them the name, and suggested they do something in return for the WordPress Foundation. So, everyone talked to everyone else and it worked out that Buzzmedia was willing to donate a fantastic venue for this year’s party as well as covering the bar.
\nIn the end, the Foundation got a great SXSW party, Buzzmedia got their twitter username, and David got the warm glow of having used his power for the good of the WordPress community, and they all lived happily ever after.
Seriously, though, the PureVolume House is always a great SXSW venue, so thank you David and Buzzmedia for your generosity! We’ll have drinks and snacks and a few hundred WordPress-loving partygoers, so you know it will be a good time. Kind of like a WordCamp afterparty without all the work of a WordCamp.
The venue can hold 500 people, and based on last year, we’ll hit that pretty quickly. The one requirement is that you use WordPress. On the RSVP form, you will be asked to enter the URL of your WordPress-powered site (if you have more than one, just pick your main site). If you fill in this field with something other than what’s requested (such as “N/A” or putting in a fake url) your RSVP may be deleted, so please make sure to enter your real site.
\n RSVP Now!
The South by Southwest Interactive Festival (SXSW) holds a special place in the history and heart of WordPress. Though the conference has changed in the years since I first met Matt in the hallway in 2003 — before WordPress even had a name — it’s still arguably one of the most influential events in our industry, and we’ll be there again this year. Will we see you there?
\nThere will be a WordPress booth at the SXSW trade show March 12-15. Our booth was packed to overflowing last year as we helped people with their blogs and gave away WordPress swag, so this year we’ll have more space to meet as many of you as possible. Stop by if you need a helping hand with your site, or just to say hi. We’ll also have buttons, stickers, and t-shirts again this year.
\nThis year’s WordPress party will be hosted by the WordPress Foundation on Monday, March 12 from 6-9pm. Space is limited, so make sure you RSVP (no SXSW badge is required). The party this year will be at the Buzzmedia Pure Volume House, and the story of how we hooked up with them is pretty cool.
\n\nOnce upon a time, David Wang had a business called Buzzmedia in Malaysia, with the twitter username @buzzmedia. When David changed gears and started ClickWP, a WordPress support business, he stopped going by the Buzzmedia name. In the U.S., a company also called Buzzmedia wished it had that Twitter username, and asked if they could have it since David wasn’t going to use it anymore.
\nDavid, feeling the WordPress community love, said he would give them the name, and suggested they do something in return for the WordPress Foundation. So, everyone talked to everyone else and it worked out that Buzzmedia was willing to donate a fantastic venue for this year’s party as well as covering the bar.
\nIn the end, the Foundation got a great SXSW party, Buzzmedia got their twitter username, and David got the warm glow of having used his power for the good of the WordPress community, and they all lived happily ever after.
Seriously, though, the PureVolume House is always a great SXSW venue, so thank you David and Buzzmedia for your generosity! We’ll have drinks and snacks and a few hundred WordPress-loving partygoers, so you know it will be a good time. Kind of like a WordCamp afterparty without all the work of a WordCamp.
The venue can hold 500 people, and based on last year, we’ll hit that pretty quickly. The one requirement is that you use WordPress. On the RSVP form, you will be asked to enter the URL of your WordPress-powered site (if you have more than one, just pick your main site). If you fill in this field with something other than what’s requested (such as “N/A” or putting in a fake url) your RSVP may be deleted, so please make sure to enter your real site.
\n RSVP Now!
We hereby declare 2012 as the Year of the WordPress Meetup. You’ll want to get in on this action.
\n\nmeet·up \\mēt-əp\\ noun
\nA meeting, especially a regular meeting of people who share a particular interest and have connected with each other through a social-networking Web site: a meetup for new moms in the neighborhood; a meetup to plan the trip; a meetup for WordPress users.1
So what is a WordPress Meetup? Basically, it’s people in a community getting together — meeting up — who share an interest in WordPress, whether they be bloggers, business users, developers, consultants, or any other category of person able to say, “I use WordPress in some way and I like it, and I want to meet other people who can say the same.” Meetups come in different shapes and sizes, but they all carry the benefit of connecting you with potential collaborators and friends, and helping you learn more about what you can do with WordPress. Here are some of the common types of WordPress meetups:
\nThere’s no prescribed format, as each local group can decide for itself what they want to do. Some groups mix it up from month to month, while others have multiple events each month to satisfy the needs of their community.
\nThe tough part? Running a popular group takes time and money. Just as we worked last year to remove the financial burden for WordCamp organizers and provide logistical support so they could focus more on their event content and experience, we want to start extending that kind of support to meetup groups as well. We don’t want it to cost anything for someone to run a WordPress meetup, or to attend one — building local communities should be as free as WordPress itself!
\nSince there are so many more meetups than there are WordCamps, we’re going to start with the cost that is the same for every group: meetup.com organizer dues. We’re setting up an official WordPress account on Meetup.com right now, and over the next couple of weeks will be working with existing meetup group organizers, people who want to start a new meetup group, and the helpful folks at Meetup.com to put this program in place. WordPress meetup groups that choose to have their group become part of the WordPress account will no longer pay organizer dues for that group, as the WordPress Foundation will be footing the bill.
\nThis is exciting for several reasons. First, it means local organizers who are giving something back to the project by way of their time won’t also have shell out $12-19/month for the privilege. That alone is a big step. Second, it will open the door to more events and leaders within a community, since leadership and event planning won’t need to be tied to “owning” the meetup group. Third, more active meetup groups means more WordCamps, yay!
\nIn addition to the financial aspects, we’ll be working on ways to improve social recognition of meetup activity by incorporating feeds from the official meetup groups into the WordPress.org site, and including meetup group participation in the activity stream on your WordPress.org profile.2 I’m also hoping we can do something around providing video equipment to meetup groups (like we already do for WordCamps) to record presentations and tutorials that can be posted to WordPress.tv, helping meetup groups offer WordPress classes in their community, and getting involved with mentoring WordPress clubs at local schools and universities. Oh, and we’ll send out some WordPress buttons and stickers to the groups that join in, because everyone loves buttons and stickers.
\nWe’re also putting together some cool resources for people who want to start a new meetup group. There will be a field guide to getting started and some supplies to help you get your group going, and a forum for organizers to talk to and learn from each other.
\nOver time, we’ll be talking to organizers and looking at what other expenses we can absorb and what other support we can provide to local groups. For now, we’re starting with the organizer dues. If you currently run a WordPress meetup group (whether you are using Meetup.com or not) or would like to start a WordPress meetup group in your area, please fill out our WordPress Meetup Groups survey. Filling in the survey doesn’t obligate you to join the official group, it just gives us a starting point to a) find out what groups are around/interested, and b) get some information on existing groups and their expenses and needs. Meetup.com will contact the group organizers who’ve said they’d like to join the new program, and will walk them through the logistics of the change and answer questions before helping them to opt-in officially.
\nSo, if you currently run a WordPress meetup group, or you would like to start one, please fill out our WordPress Meetup Groups survey. I can’t wait to see more meetups!
\n1 – Adapted from “meetup” definition at dictionary.com.
\n2 – Didn’t know about profiles? Check out http://profiles.wordpress.org/users/yourwordpressdotorgusernamehere (put in the username you use in the WordPress.org forums) to see yours!
We hereby declare 2012 as the Year of the WordPress Meetup. You’ll want to get in on this action.
\n\nmeet·up \\mēt-əp\\ noun
\nA meeting, especially a regular meeting of people who share a particular interest and have connected with each other through a social-networking Web site: a meetup for new moms in the neighborhood; a meetup to plan the trip; a meetup for WordPress users.1
So what is a WordPress Meetup? Basically, it’s people in a community getting together — meeting up — who share an interest in WordPress, whether they be bloggers, business users, developers, consultants, or any other category of person able to say, “I use WordPress in some way and I like it, and I want to meet other people who can say the same.” Meetups come in different shapes and sizes, but they all carry the benefit of connecting you with potential collaborators and friends, and helping you learn more about what you can do with WordPress. Here are some of the common types of WordPress meetups:
\nThere’s no prescribed format, as each local group can decide for itself what they want to do. Some groups mix it up from month to month, while others have multiple events each month to satisfy the needs of their community.
\nThe tough part? Running a popular group takes time and money. Just as we worked last year to remove the financial burden for WordCamp organizers and provide logistical support so they could focus more on their event content and experience, we want to start extending that kind of support to meetup groups as well. We don’t want it to cost anything for someone to run a WordPress meetup, or to attend one — building local communities should be as free as WordPress itself!
\nSince there are so many more meetups than there are WordCamps, we’re going to start with the cost that is the same for every group: meetup.com organizer dues. We’re setting up an official WordPress account on Meetup.com right now, and over the next couple of weeks will be working with existing meetup group organizers, people who want to start a new meetup group, and the helpful folks at Meetup.com to put this program in place. WordPress meetup groups that choose to have their group become part of the WordPress account will no longer pay organizer dues for that group, as the WordPress Foundation will be footing the bill.
\nThis is exciting for several reasons. First, it means local organizers who are giving something back to the project by way of their time won’t also have shell out $12-19/month for the privilege. That alone is a big step. Second, it will open the door to more events and leaders within a community, since leadership and event planning won’t need to be tied to “owning” the meetup group. Third, more active meetup groups means more WordCamps, yay!
\nIn addition to the financial aspects, we’ll be working on ways to improve social recognition of meetup activity by incorporating feeds from the official meetup groups into the WordPress.org site, and including meetup group participation in the activity stream on your WordPress.org profile.2 I’m also hoping we can do something around providing video equipment to meetup groups (like we already do for WordCamps) to record presentations and tutorials that can be posted to WordPress.tv, helping meetup groups offer WordPress classes in their community, and getting involved with mentoring WordPress clubs at local schools and universities. Oh, and we’ll send out some WordPress buttons and stickers to the groups that join in, because everyone loves buttons and stickers.
\nWe’re also putting together some cool resources for people who want to start a new meetup group. There will be a field guide to getting started and some supplies to help you get your group going, and a forum for organizers to talk to and learn from each other.
\nOver time, we’ll be talking to organizers and looking at what other expenses we can absorb and what other support we can provide to local groups. For now, we’re starting with the organizer dues. If you currently run a WordPress meetup group (whether you are using Meetup.com or not) or would like to start a WordPress meetup group in your area, please fill out our WordPress Meetup Groups survey. Filling in the survey doesn’t obligate you to join the official group, it just gives us a starting point to a) find out what groups are around/interested, and b) get some information on existing groups and their expenses and needs. Meetup.com will contact the group organizers who’ve said they’d like to join the new program, and will walk them through the logistics of the change and answer questions before helping them to opt-in officially.
\nSo, if you currently run a WordPress meetup group, or you would like to start one, please fill out our WordPress Meetup Groups survey. I can’t wait to see more meetups!
\n1 – Adapted from “meetup” definition at dictionary.com.
\n2 – Didn’t know about profiles? Check out http://profiles.wordpress.org/users/yourwordpressdotorgusernamehere (put in the username you use in the WordPress.org forums) to see yours!
WordPress.org is officially joining the protest against Senate Bill 968: the Protect IP Act that is coming before the U.S. Senate next week. As I wrote in my post a week ago, if this bill is passed it will jeopardize internet freedom and shift the power of the independent web into the hands of corporations. We must stop it.
\nOn January 18, 2012 many sites around the web — from small personal blogs to internet institutions like Mozilla, Wikipedia, reddit, and I Can Has Cheezburger? – will be going dark in protest and to drive their visitors to sites like americancensorship.org to take action and help fight the passage of the Protect IP Act. So will WordPress.org.
\nIf you want to join the protest by blacking out your WordPress site or applying a ribbon, there is now a variety of blackout plugins in the WordPress.org plugins directory. While joining the protest in this manner is laudable, please don’t forget to also make those phone calls to U.S. Senators — they’re the ones with the voting power.
\n\n";}s:3:"wfw";a:1:{s:10:"commentrss";s:57:"http://wordpress.org/news/2012/01/internet-blackout/feed/";}s:5:"slash";a:1:{s:8:"comments";s:1:"0";}s:7:"summary";s:314:"WordPress.org is officially joining the protest against Senate Bill 968: the Protect IP Act that is coming before the U.S. Senate next week. As I wrote in my post a week ago, if this bill is passed it will jeopardize internet freedom and shift the power of the independent web into the hands of corporations. [...]";s:12:"atom_content";s:1752:"WordPress.org is officially joining the protest against Senate Bill 968: the Protect IP Act that is coming before the U.S. Senate next week. As I wrote in my post a week ago, if this bill is passed it will jeopardize internet freedom and shift the power of the independent web into the hands of corporations. We must stop it.
\nOn January 18, 2012 many sites around the web — from small personal blogs to internet institutions like Mozilla, Wikipedia, reddit, and I Can Has Cheezburger? – will be going dark in protest and to drive their visitors to sites like americancensorship.org to take action and help fight the passage of the Protect IP Act. So will WordPress.org.
\nIf you want to join the protest by blacking out your WordPress site or applying a ribbon, there is now a variety of blackout plugins in the WordPress.org plugins directory. While joining the protest in this manner is laudable, please don’t forget to also make those phone calls to U.S. Senators — they’re the ones with the voting power.
\n\n";}i:3;a:13:{s:5:"title";s:19:"Help Stop SOPA/PIPA";s:4:"link";s:54:"http://wordpress.org/news/2012/01/help-stop-sopa-pipa/";s:8:"comments";s:63:"http://wordpress.org/news/2012/01/help-stop-sopa-pipa/#comments";s:7:"pubdate";s:31:"Tue, 10 Jan 2012 19:18:56 +0000";s:2:"dc";a:1:{s:7:"creator";s:10:"Jane Wells";}s:8:"category";s:9:"Community";s:4:"guid";s:33:"http://wordpress.org/news/?p=2191";s:11:"description";s:298:"You are an agent of change. Has anyone ever told you that? Well, I just did, and I meant it. Normally we stay away from from politics here at the official WordPress project — having users from all over the globe that span the political spectrum is evidence that we are doing our job and [...]";s:7:"content";a:1:{s:7:"encoded";s:4305:"You are an agent of change. Has anyone ever told you that? Well, I just did, and I meant it.
\nNormally we stay away from from politics here at the official WordPress project — having users from all over the globe that span the political spectrum is evidence that we are doing our job and democratizing publishing, and we don’t want to alienate any of our users no matter how much some of us may disagree with some of them personally. Today, I’m breaking our no-politics rule, because there’s something going on in U.S. politics right now that we need to make sure you know about and understand, because it affects us all.
\nUsing WordPress to blog, to publish, to communicate things online that once upon a time would have been relegated to an unread private journal (or simply remained unspoken, uncreated, unshared) makes you a part of one of the biggest changes in modern history: the democratization of publishing and the independent web. Every time you click Publish, you are a part of that change, whether you are posting canny political insight or a cat that makes you LOL. How would you feel if the web stopped being so free and independent? I’m concerned freaked right the heck out about the bills that threaten to do this, and as a participant in one of the biggest changes in modern history, you should be, too.
You may have heard people talking/blogging/twittering about SOPA — the Stop Online Piracy Act. The recent SOPA-related boycott of GoDaddy was all over the news, with many people expressing their outrage over the possibilities of SOPA, but when I ask people about SOPA and its sister bill in the Senate, PIPA (Protect IP Act), many don’t really know what the bills propose, or what we stand to lose. If you are not freaked out by SOPA/PIPA, please: for the next four minutes, instead of checking Facebook statuses, seeing who mentioned you on Twitter, or watching the latest episode of Sherlock*, watch this video (by Fight for the Future).
\n\n
Some thoughts:
\nBlogging is a form of activism. You can be an agent of change. Some people will tell you that taking action is useless, that online petitions, phone calls to representatives, and other actions won’t change a single mind, especially one that’s been convinced of something by lobbyist dollars. To those people, I repeat the words of Margaret Mead:
\n\nNever doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has.
We are not a small group. More than 60 million people use WordPress — it’s said to power about 15% of the web. We can make an impact, and you can be an agent of change. Go to Stop American Censorship for more information and a bunch of ways you can take action quickly, easily, and painlessly. The Senate votes in two weeks, and we need to help at least 41 more senators see reason before then. Please. Make your voice heard.
\n*Yes, the latest episode of Sherlock is good. Stephen Moffatt + Russell Tovey = always good
\n";}s:3:"wfw";a:1:{s:10:"commentrss";s:59:"http://wordpress.org/news/2012/01/help-stop-sopa-pipa/feed/";}s:5:"slash";a:1:{s:8:"comments";s:1:"0";}s:7:"summary";s:298:"You are an agent of change. Has anyone ever told you that? Well, I just did, and I meant it. Normally we stay away from from politics here at the official WordPress project — having users from all over the globe that span the political spectrum is evidence that we are doing our job and [...]";s:12:"atom_content";s:4305:"You are an agent of change. Has anyone ever told you that? Well, I just did, and I meant it.
\nNormally we stay away from from politics here at the official WordPress project — having users from all over the globe that span the political spectrum is evidence that we are doing our job and democratizing publishing, and we don’t want to alienate any of our users no matter how much some of us may disagree with some of them personally. Today, I’m breaking our no-politics rule, because there’s something going on in U.S. politics right now that we need to make sure you know about and understand, because it affects us all.
\nUsing WordPress to blog, to publish, to communicate things online that once upon a time would have been relegated to an unread private journal (or simply remained unspoken, uncreated, unshared) makes you a part of one of the biggest changes in modern history: the democratization of publishing and the independent web. Every time you click Publish, you are a part of that change, whether you are posting canny political insight or a cat that makes you LOL. How would you feel if the web stopped being so free and independent? I’m concerned freaked right the heck out about the bills that threaten to do this, and as a participant in one of the biggest changes in modern history, you should be, too.
You may have heard people talking/blogging/twittering about SOPA — the Stop Online Piracy Act. The recent SOPA-related boycott of GoDaddy was all over the news, with many people expressing their outrage over the possibilities of SOPA, but when I ask people about SOPA and its sister bill in the Senate, PIPA (Protect IP Act), many don’t really know what the bills propose, or what we stand to lose. If you are not freaked out by SOPA/PIPA, please: for the next four minutes, instead of checking Facebook statuses, seeing who mentioned you on Twitter, or watching the latest episode of Sherlock*, watch this video (by Fight for the Future).
\n\n
Some thoughts:
\nBlogging is a form of activism. You can be an agent of change. Some people will tell you that taking action is useless, that online petitions, phone calls to representatives, and other actions won’t change a single mind, especially one that’s been convinced of something by lobbyist dollars. To those people, I repeat the words of Margaret Mead:
\n\nNever doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has.
We are not a small group. More than 60 million people use WordPress — it’s said to power about 15% of the web. We can make an impact, and you can be an agent of change. Go to Stop American Censorship for more information and a bunch of ways you can take action quickly, easily, and painlessly. The Senate votes in two weeks, and we need to help at least 41 more senators see reason before then. Please. Make your voice heard.
\n*Yes, the latest episode of Sherlock is good. Stephen Moffatt + Russell Tovey = always good
\n";}i:4;a:13:{s:5:"title";s:48:"WordPress 3.3.1 Security and Maintenance Release";s:4:"link";s:50:"http://wordpress.org/news/2012/01/wordpress-3-3-1/";s:8:"comments";s:59:"http://wordpress.org/news/2012/01/wordpress-3-3-1/#comments";s:7:"pubdate";s:31:"Tue, 03 Jan 2012 21:24:10 +0000";s:2:"dc";a:1:{s:7:"creator";s:10:"Ryan Boren";}s:8:"category";s:16:"ReleasesSecurity";s:4:"guid";s:50:"http://wordpress.org/news/2012/01/wordpress-3-3-1/";s:11:"description";s:358:"WordPress 3.3.1 is now available. This maintenance release fixes 15 issues with WordPress 3.3, as well as a fix for a cross-site scripting vulnerability that affected version 3.3. Thanks to Joshua H., Hoang T., Stefan Zimmerman, Chris K., and the Go Daddy security team for responsibly disclosing the bug to our security team. Download 3.3.1 or visit [...]";s:7:"content";a:1:{s:7:"encoded";s:603:"WordPress 3.3.1 is now available. This maintenance release fixes 15 issues with WordPress 3.3, as well as a fix for a cross-site scripting vulnerability that affected version 3.3. Thanks to Joshua H., Hoang T., Stefan Zimmerman, Chris K., and the Go Daddy security team for responsibly disclosing the bug to our security team.
\nDownload 3.3.1 or visit Dashboard → Updates in your site admin.
\n";}s:3:"wfw";a:1:{s:10:"commentrss";s:55:"http://wordpress.org/news/2012/01/wordpress-3-3-1/feed/";}s:5:"slash";a:1:{s:8:"comments";s:1:"0";}s:7:"summary";s:358:"WordPress 3.3.1 is now available. This maintenance release fixes 15 issues with WordPress 3.3, as well as a fix for a cross-site scripting vulnerability that affected version 3.3. Thanks to Joshua H., Hoang T., Stefan Zimmerman, Chris K., and the Go Daddy security team for responsibly disclosing the bug to our security team. Download 3.3.1 or visit [...]";s:12:"atom_content";s:603:"WordPress 3.3.1 is now available. This maintenance release fixes 15 issues with WordPress 3.3, as well as a fix for a cross-site scripting vulnerability that affected version 3.3. Thanks to Joshua H., Hoang T., Stefan Zimmerman, Chris K., and the Go Daddy security team for responsibly disclosing the bug to our security team.
\nDownload 3.3.1 or visit Dashboard → Updates in your site admin.
\n";}i:5;a:13:{s:5:"title";s:25:"WordPress 3.3 “Sonny”";s:4:"link";s:40:"http://wordpress.org/news/2011/12/sonny/";s:8:"comments";s:49:"http://wordpress.org/news/2011/12/sonny/#comments";s:7:"pubdate";s:31:"Mon, 12 Dec 2011 22:58:50 +0000";s:2:"dc";a:1:{s:7:"creator";s:14:"Matt Mullenweg";}s:8:"category";s:8:"Releases";s:4:"guid";s:33:"http://wordpress.org/news/?p=2135";s:11:"description";s:382:"The latest and greatest version of the WordPress software — 3.3, named “Sonny” in honor of the great jazz saxophonist Sonny Stitt — is immediately available for download or update inside your WordPress dashboard. WordPress has had over 65 million downloads since version 3.0 was released, and in this third major iteration we’ve added significant [...]";s:7:"content";a:1:{s:7:"encoded";s:17122:"The latest and greatest version of the WordPress software — 3.3, named “Sonny” in honor of the great jazz saxophonist Sonny Stitt — is immediately available for download or update inside your WordPress dashboard.
\nWordPress has had over 65 million downloads since version 3.0 was released, and in this third major iteration we’ve added significant polish around the new user experience, navigation, uploading, and imports. Check out this short video that summarizes the things we think you’ll find are the cat’s pajamas:
\n\nExperienced users will appreciate the new drag-and-drop uploader, hover menus for the navigation, the new toolbar, improved co-editing support, and the new Tumblr importer. We’ve also been thinking a ton about what the WordPress experience is like for people completely new to the software. Version 3.3 has significant improvements there with pointer tips for new features included in each update, a friendly welcome message for first-time users, and revamped help tabs throughout the interface. Finally we’ve improved the dashboard experience on the iPad and other tablets with better touch support.
\nThere is a ton of candy for developers as well. I’d recommend starting your exploration with the new editor API, new jQuery version, better ways to hook into the help screens, more performant post-slug-only permalinks, and of course the entire list of improvements on the Codex and in Trac.
\nThe Credits tab on the new About WordPress screen in the WordPress dashboard provides recognition for contributors to each release, but we like to thank them here as well.
\nAaron D. Campbell, Aaron Jorbin, Adam Backstrom, Adam Harley, Alex Concha, Alex King, Alex Mills (Viper007Bond), amereservant, ampt, Andrei Freeman, Andre Renaut, andrewfrazier, Andrew Nacin, Andrew Ozz, Andrew Ryno, Andy Skelton, Anthony Atkinson, Austin Matzko, Bartosz Kaszubowski, Benjamin J. Balter, Brandon Dove, carlospaulino, Caspie, cebradesign, Chelsea Otakan, Chip Bennett, Chris Jean, Coen Jacobs, Curtiss Grymala, Daniel Bachhuber, Daryl Koopersmith, Daryl L. L. Houston, David, David Cowgill, David Gwyer, Da^MsT, deltafactory, demetris, Derek Herman, Devin Reams, Digital Raindrops, Dion Hulse (@dd32), Dominik Schilling (ocean90), Doug Provencio, dragoonis, DrewAPicture, Dylan Kuhn, eduplessis, Eightamrock, eko-fr, Elpie, elyobo, Empireoflight, Erick Hitter, Eric Mann, Evan Anderson, Evan Solomon, fonglh, garyc40, Gary Jones, Gaurav Aggarwal, George Stephanis, goldenapples, goto10, hakre, Helen Hou-Sandi, Ian Stewart, Ipstenu, Jackson, Jacob Gillespie, Jake Goldman, James Collins, Jane Wells, jeremyclarke, Jesper Johansen (Jayjdk), jgadbois, Jick, Joe Hoyle, John Blackbourn, John Hawkins, John James Jacoby, JohnONolan, John P. Bloch, Jon Cave, Jorge Bernal, Joseph Scott, jtclarke, Jurica Zuanovic, Justin Givens, Justin Sainton, Kailey Lampert (trepmal), kevinB, kitchin, Konstantin Kovshenin, Kuraishi, Kurt Payne, Lance Willett, Latz, linuxologos, Lloyd Budd, Luc De Brouwer, lukeschlather, Mako, Mantas Malcius, MarcusPope, mark-k, Mark Jaquith, Mark McWilliams, Marko Heijnen, Martin Lormes, masonjames, Matias Ventura, Matt Mullenweg, Matt Thomas, Matt Wiebe, MattyRob, Mert Yazicioglu, Michael Adams (mdawaffe), Michael Fields, Michal “Mau” Pliska, Mike Bijon, Mike Schroder, Milan Dinic, mitchoyoshitaka, Mohammad Jangda, Morten Hauan, Mr Papa, mrtorrent, Naoko McCracken, natebedortha, Nikolay Bachiyski, olivM, olleicua, Otto, pagesimplify, paulhastings0, pavelevap, pete.mall, Peter Westwood, peterwilsoncc, ppaire, Ptah Dunbar, r-a-y, Rami Y, Rasheed Bydousi, Robert Chapin (miqrogroove), Ron Rennick, Ross Hanney, ruslany, Ryan Boren, ryanhellyer, Ryan Imel, Safirul Alredha, Samir Shah, Sam Margulies, saracannon, Scott Basgaard, Scott Bressler, Scott Cariss, scottconnerly, Scott Reilly, Scott Taylor, scribu, Sergey Biryukov, Sheri Bigelow, Simon Wheatley, sirzooro, Stephanie Leary, tech163, TheDeadMedic, Tim Moore, Tom Auger, Travis Ballard, Ulrich Sossou, vnsavage, wpweaver, WraithKenny, Yoav Farhi, and Ze Fontainhas.
\nAs well, we’d like to give a shout out to these users who have been particularly active on the support forums since the release of 3.2:
\nalchymyth, Andrea_r, ClaytonJames, cubecolour, Eran Miller, esmi, Frederick Townes, govpatel, Ipstenu, keesiemeijer, kmessinger, Marcus, Otto, peredur, Rev. Voodoo, Samuel B, Tobias, vtxyzzy, and zoonini.
\n";}s:3:"wfw";a:1:{s:10:"commentrss";s:45:"http://wordpress.org/news/2011/12/sonny/feed/";}s:5:"slash";a:1:{s:8:"comments";s:1:"0";}s:7:"summary";s:382:"The latest and greatest version of the WordPress software — 3.3, named “Sonny” in honor of the great jazz saxophonist Sonny Stitt — is immediately available for download or update inside your WordPress dashboard. WordPress has had over 65 million downloads since version 3.0 was released, and in this third major iteration we’ve added significant [...]";s:12:"atom_content";s:17122:"The latest and greatest version of the WordPress software — 3.3, named “Sonny” in honor of the great jazz saxophonist Sonny Stitt — is immediately available for download or update inside your WordPress dashboard.
\nWordPress has had over 65 million downloads since version 3.0 was released, and in this third major iteration we’ve added significant polish around the new user experience, navigation, uploading, and imports. Check out this short video that summarizes the things we think you’ll find are the cat’s pajamas:
\n\nExperienced users will appreciate the new drag-and-drop uploader, hover menus for the navigation, the new toolbar, improved co-editing support, and the new Tumblr importer. We’ve also been thinking a ton about what the WordPress experience is like for people completely new to the software. Version 3.3 has significant improvements there with pointer tips for new features included in each update, a friendly welcome message for first-time users, and revamped help tabs throughout the interface. Finally we’ve improved the dashboard experience on the iPad and other tablets with better touch support.
\nThere is a ton of candy for developers as well. I’d recommend starting your exploration with the new editor API, new jQuery version, better ways to hook into the help screens, more performant post-slug-only permalinks, and of course the entire list of improvements on the Codex and in Trac.
\nThe Credits tab on the new About WordPress screen in the WordPress dashboard provides recognition for contributors to each release, but we like to thank them here as well.
\nAaron D. Campbell, Aaron Jorbin, Adam Backstrom, Adam Harley, Alex Concha, Alex King, Alex Mills (Viper007Bond), amereservant, ampt, Andrei Freeman, Andre Renaut, andrewfrazier, Andrew Nacin, Andrew Ozz, Andrew Ryno, Andy Skelton, Anthony Atkinson, Austin Matzko, Bartosz Kaszubowski, Benjamin J. Balter, Brandon Dove, carlospaulino, Caspie, cebradesign, Chelsea Otakan, Chip Bennett, Chris Jean, Coen Jacobs, Curtiss Grymala, Daniel Bachhuber, Daryl Koopersmith, Daryl L. L. Houston, David, David Cowgill, David Gwyer, Da^MsT, deltafactory, demetris, Derek Herman, Devin Reams, Digital Raindrops, Dion Hulse (@dd32), Dominik Schilling (ocean90), Doug Provencio, dragoonis, DrewAPicture, Dylan Kuhn, eduplessis, Eightamrock, eko-fr, Elpie, elyobo, Empireoflight, Erick Hitter, Eric Mann, Evan Anderson, Evan Solomon, fonglh, garyc40, Gary Jones, Gaurav Aggarwal, George Stephanis, goldenapples, goto10, hakre, Helen Hou-Sandi, Ian Stewart, Ipstenu, Jackson, Jacob Gillespie, Jake Goldman, James Collins, Jane Wells, jeremyclarke, Jesper Johansen (Jayjdk), jgadbois, Jick, Joe Hoyle, John Blackbourn, John Hawkins, John James Jacoby, JohnONolan, John P. Bloch, Jon Cave, Jorge Bernal, Joseph Scott, jtclarke, Jurica Zuanovic, Justin Givens, Justin Sainton, Kailey Lampert (trepmal), kevinB, kitchin, Konstantin Kovshenin, Kuraishi, Kurt Payne, Lance Willett, Latz, linuxologos, Lloyd Budd, Luc De Brouwer, lukeschlather, Mako, Mantas Malcius, MarcusPope, mark-k, Mark Jaquith, Mark McWilliams, Marko Heijnen, Martin Lormes, masonjames, Matias Ventura, Matt Mullenweg, Matt Thomas, Matt Wiebe, MattyRob, Mert Yazicioglu, Michael Adams (mdawaffe), Michael Fields, Michal “Mau” Pliska, Mike Bijon, Mike Schroder, Milan Dinic, mitchoyoshitaka, Mohammad Jangda, Morten Hauan, Mr Papa, mrtorrent, Naoko McCracken, natebedortha, Nikolay Bachiyski, olivM, olleicua, Otto, pagesimplify, paulhastings0, pavelevap, pete.mall, Peter Westwood, peterwilsoncc, ppaire, Ptah Dunbar, r-a-y, Rami Y, Rasheed Bydousi, Robert Chapin (miqrogroove), Ron Rennick, Ross Hanney, ruslany, Ryan Boren, ryanhellyer, Ryan Imel, Safirul Alredha, Samir Shah, Sam Margulies, saracannon, Scott Basgaard, Scott Bressler, Scott Cariss, scottconnerly, Scott Reilly, Scott Taylor, scribu, Sergey Biryukov, Sheri Bigelow, Simon Wheatley, sirzooro, Stephanie Leary, tech163, TheDeadMedic, Tim Moore, Tom Auger, Travis Ballard, Ulrich Sossou, vnsavage, wpweaver, WraithKenny, Yoav Farhi, and Ze Fontainhas.
\nAs well, we’d like to give a shout out to these users who have been particularly active on the support forums since the release of 3.2:
\nalchymyth, Andrea_r, ClaytonJames, cubecolour, Eran Miller, esmi, Frederick Townes, govpatel, Ipstenu, keesiemeijer, kmessinger, Marcus, Otto, peredur, Rev. Voodoo, Samuel B, Tobias, vtxyzzy, and zoonini.
\n";}i:6;a:13:{s:5:"title";s:33:"WordPress 3.3 Release Candidate 3";s:4:"link";s:52:"http://wordpress.org/news/2011/12/wordpress-3-3-rc3/";s:8:"comments";s:61:"http://wordpress.org/news/2011/12/wordpress-3-3-rc3/#comments";s:7:"pubdate";s:31:"Sun, 11 Dec 2011 00:27:32 +0000";s:2:"dc";a:1:{s:7:"creator";s:10:"Jane Wells";}s:8:"category";s:19:"DevelopmentReleases";s:4:"guid";s:33:"http://wordpress.org/news/?p=2130";s:11:"description";s:364:"The third (and hopefully final!) release candidate for WordPress 3.3 is now available. Since RC2, we’ve done a handful of last-minute tweaks and bugfixes that we felt were necessary. Our goal is to release version 3.3 early next week, so plugin and theme authors, this is your last pre-release chance to test your plugins and themes to find any [...]";s:7:"content";a:1:{s:7:"encoded";s:1726:"The third (and hopefully final!) release candidate for WordPress 3.3 is now available. Since RC2, we’ve done a handful of last-minute tweaks and bugfixes that we felt were necessary.
\nOur goal is to release version 3.3 early next week, so plugin and theme authors, this is your last pre-release chance to test your plugins and themes to find any compatibility issues before the final release. We’ve published a number of posts on the development blog that explain important things you need to know as you prepare for WordPress 3.3. Please review this information immediately if you have not done so already.
\nIf you think you’ve found a bug, you can post to the Alpha/Beta area in the support forums. Or, if you’re comfortable writing a reproducible bug report, file one on WordPress Trac. Known issues that crop up will be listed here, but let’s all keep our fingers crossed for a quiet Sunday so we can get these new features into your hands early next week!
\nTo test WordPress 3.3, try the WordPress Beta Tester plugin (you’ll want “bleeding edge nightlies”). Or you can download the release candidate here (zip).
\n";}s:3:"wfw";a:1:{s:10:"commentrss";s:57:"http://wordpress.org/news/2011/12/wordpress-3-3-rc3/feed/";}s:5:"slash";a:1:{s:8:"comments";s:1:"0";}s:7:"summary";s:364:"The third (and hopefully final!) release candidate for WordPress 3.3 is now available. Since RC2, we’ve done a handful of last-minute tweaks and bugfixes that we felt were necessary. Our goal is to release version 3.3 early next week, so plugin and theme authors, this is your last pre-release chance to test your plugins and themes to find any [...]";s:12:"atom_content";s:1726:"The third (and hopefully final!) release candidate for WordPress 3.3 is now available. Since RC2, we’ve done a handful of last-minute tweaks and bugfixes that we felt were necessary.
\nOur goal is to release version 3.3 early next week, so plugin and theme authors, this is your last pre-release chance to test your plugins and themes to find any compatibility issues before the final release. We’ve published a number of posts on the development blog that explain important things you need to know as you prepare for WordPress 3.3. Please review this information immediately if you have not done so already.
\nIf you think you’ve found a bug, you can post to the Alpha/Beta area in the support forums. Or, if you’re comfortable writing a reproducible bug report, file one on WordPress Trac. Known issues that crop up will be listed here, but let’s all keep our fingers crossed for a quiet Sunday so we can get these new features into your hands early next week!
\nTo test WordPress 3.3, try the WordPress Beta Tester plugin (you’ll want “bleeding edge nightlies”). Or you can download the release candidate here (zip).
\n";}i:7;a:13:{s:5:"title";s:21:"Core Team Meetup Time";s:4:"link";s:56:"http://wordpress.org/news/2011/12/core-team-meetup-time/";s:8:"comments";s:65:"http://wordpress.org/news/2011/12/core-team-meetup-time/#comments";s:7:"pubdate";s:31:"Sun, 11 Dec 2011 00:06:56 +0000";s:2:"dc";a:1:{s:7:"creator";s:10:"Jane Wells";}s:8:"category";s:9:"Community";s:4:"guid";s:33:"http://wordpress.org/news/?p=2127";s:11:"description";s:352:"It’s almost that time again, when the WordPress core development team gets together in person to review the year’s progress and talk about priorities for the coming year. Next week Matt Mullenweg, Mark Jaquith, Peter Westwood, Andrew Ozz, Andrew Nacin, Dion Hulse, Daryl Koopersmith, Jon Cave, and I will meet at Tybee Island, GA, the [...]";s:7:"content";a:1:{s:7:"encoded";s:2152:"It’s almost that time again, when the WordPress core development team gets together in person to review the year’s progress and talk about priorities for the coming year. Next week Matt Mullenweg, Mark Jaquith, Peter Westwood, Andrew Ozz, Andrew Nacin, Dion Hulse, Daryl Koopersmith, Jon Cave, and I will meet at Tybee Island, GA, the same location as the last meetup.
\nLast year we wanted to do a video town hall, but ran into technical and scheduling difficulties. This year we’re planning ahead, and will definitely make it happen. We’re currently taking questions, and will record a series of town hall-style videos where we answer your questions. Ask about the roadmap, code, community, contributing, WordCamps, meetups, themes, plugins, features, you name it. No topic (as long as it is about WordPress) is off limits, and we’ll do our best to answer as many questions as we can while we are together. The videos will be posted to this blog and archived at WordPress.tv.
\nLast year the people who were in attendance also posted pictures and updates to Twitter using the #wptybee tag. We’ll use the same tag this year, so if you’re interested in following along, add it to your Twitter client as a search.
\nWhat do you want to know from us? Ask away!
\n";}s:3:"wfw";a:1:{s:10:"commentrss";s:61:"http://wordpress.org/news/2011/12/core-team-meetup-time/feed/";}s:5:"slash";a:1:{s:8:"comments";s:1:"0";}s:7:"summary";s:352:"It’s almost that time again, when the WordPress core development team gets together in person to review the year’s progress and talk about priorities for the coming year. Next week Matt Mullenweg, Mark Jaquith, Peter Westwood, Andrew Ozz, Andrew Nacin, Dion Hulse, Daryl Koopersmith, Jon Cave, and I will meet at Tybee Island, GA, the [...]";s:12:"atom_content";s:2152:"It’s almost that time again, when the WordPress core development team gets together in person to review the year’s progress and talk about priorities for the coming year. Next week Matt Mullenweg, Mark Jaquith, Peter Westwood, Andrew Ozz, Andrew Nacin, Dion Hulse, Daryl Koopersmith, Jon Cave, and I will meet at Tybee Island, GA, the same location as the last meetup.
\nLast year we wanted to do a video town hall, but ran into technical and scheduling difficulties. This year we’re planning ahead, and will definitely make it happen. We’re currently taking questions, and will record a series of town hall-style videos where we answer your questions. Ask about the roadmap, code, community, contributing, WordCamps, meetups, themes, plugins, features, you name it. No topic (as long as it is about WordPress) is off limits, and we’ll do our best to answer as many questions as we can while we are together. The videos will be posted to this blog and archived at WordPress.tv.
\nLast year the people who were in attendance also posted pictures and updates to Twitter using the #wptybee tag. We’ll use the same tag this year, so if you’re interested in following along, add it to your Twitter client as a search.
\nWhat do you want to know from us? Ask away!
\n";}i:8;a:13:{s:5:"title";s:33:"WordPress 3.3 Release Candidate 2";s:4:"link";s:68:"http://wordpress.org/news/2011/12/wordpress-3-3-release-candidate-2/";s:8:"comments";s:77:"http://wordpress.org/news/2011/12/wordpress-3-3-release-candidate-2/#comments";s:7:"pubdate";s:31:"Wed, 07 Dec 2011 06:26:57 +0000";s:2:"dc";a:1:{s:7:"creator";s:12:"Andrew Nacin";}s:8:"category";s:19:"DevelopmentReleases";s:4:"guid";s:33:"http://wordpress.org/news/?p=2119";s:11:"description";s:349:"The second release candidate for WordPress 3.3 is now available! As the first release candidate was well-received, we think we’re really close to a final release. Primarily, we’ve ensured that new toolbar (the admin bar in 3.2) has a consistent appearance across all browsers, and the API for developers is now final. You can check [...]";s:7:"content";a:1:{s:7:"encoded";s:2123:"The second release candidate for WordPress 3.3 is now available!
\nAs the first release candidate was well-received, we think we’re really close to a final release. Primarily, we’ve ensured that new toolbar (the admin bar in 3.2) has a consistent appearance across all browsers, and the API for developers is now final. You can check our bug tracker for the complete list of changes.
\nPlugin and theme authors, please test your plugins and themes now, so that if there is a compatibility issue, we can figure it out before the final release. On our development blog, we’ve published a number of posts that explain important things you need to know as you prepare for WordPress 3.3.
\nIf you haven’t tested WordPress 3.3 yet, now is the time — please though, not on your live site unless you’re adventurous. Once you install RC2, you can visit About WordPress page (hover over the WordPress logo in the top left) to see an overview of what’s to come in WordPress 3.3 (and what to test, of course).
\nIf you think you’ve found a bug, you can post to the Alpha/Beta area in the support forums. Or, if you’re comfortable writing a reproducible bug report, file one on WordPress Trac. Known issues that crop up will be listed here.
\nEnjoy!
\nTo test WordPress 3.3, try the WordPress Beta Tester plugin (you’ll want “bleeding edge nightlies”). Or you can download the release candidate here (zip).
\nSometimes time slows down
\nbetween releases – like now
\nThis is RC2
The second release candidate for WordPress 3.3 is now available!
\nAs the first release candidate was well-received, we think we’re really close to a final release. Primarily, we’ve ensured that new toolbar (the admin bar in 3.2) has a consistent appearance across all browsers, and the API for developers is now final. You can check our bug tracker for the complete list of changes.
\nPlugin and theme authors, please test your plugins and themes now, so that if there is a compatibility issue, we can figure it out before the final release. On our development blog, we’ve published a number of posts that explain important things you need to know as you prepare for WordPress 3.3.
\nIf you haven’t tested WordPress 3.3 yet, now is the time — please though, not on your live site unless you’re adventurous. Once you install RC2, you can visit About WordPress page (hover over the WordPress logo in the top left) to see an overview of what’s to come in WordPress 3.3 (and what to test, of course).
\nIf you think you’ve found a bug, you can post to the Alpha/Beta area in the support forums. Or, if you’re comfortable writing a reproducible bug report, file one on WordPress Trac. Known issues that crop up will be listed here.
\nEnjoy!
\nTo test WordPress 3.3, try the WordPress Beta Tester plugin (you’ll want “bleeding edge nightlies”). Or you can download the release candidate here (zip).
\nSometimes time slows down
\nbetween releases – like now
\nThis is RC2
Release Candidate stage means we think we’re done and are about ready to launch this version, but are doing one last check before we officially call it. So take a look, and as always, please check your themes and plugins for compatibility if you’re a developer.
\nStayed up late tonight,
\nHammering toward RC1.
\nNow with more icons!
Download WordPress 3.3 Release Candidate 1.
\n";}s:3:"wfw";a:1:{s:10:"commentrss";s:73:"http://wordpress.org/news/2011/12/wordpress-3-3-release-candidate-1/feed/";}s:5:"slash";a:1:{s:8:"comments";s:1:"0";}s:7:"summary";s:334:"Release Candidate stage means we think we’re done and are about ready to launch this version, but are doing one last check before we officially call it. So take a look, and as always, please check your themes and plugins for compatibility if you’re a developer. Stayed up late tonight, Hammering toward RC1. Now with [...]";s:12:"atom_content";s:475:"Release Candidate stage means we think we’re done and are about ready to launch this version, but are doing one last check before we officially call it. So take a look, and as always, please check your themes and plugins for compatibility if you’re a developer.
\nStayed up late tonight,
\nHammering toward RC1.
\nNow with more icons!
Download WordPress 3.3 Release Candidate 1.
\n";}}s:7:"channel";a:8:{s:5:"title";s:14:"WordPress News";s:4:"link";s:25:"http://wordpress.org/news";s:11:"description";s:14:"WordPress News";s:13:"lastbuilddate";s:31:"Tue, 06 Mar 2012 16:48:24 +0000";s:8:"language";s:5:"en-US";s:2:"sy";a:2:{s:12:"updateperiod";s:6:"hourly";s:15:"updatefrequency";s:1:"1";}s:9:"generator";s:39:"http://wordpress.org/?v=3.4-alpha-20291";s:7:"tagline";s:14:"WordPress News";}s:9:"textinput";a:0:{}s:5:"image";a:0:{}s:9:"feed_type";s:3:"RSS";s:12:"feed_version";s:3:"2.0";s:5:"stack";a:0:{}s:9:"inchannel";b:0;s:6:"initem";b:0;s:9:"incontent";b:0;s:11:"intextinput";b:0;s:7:"inimage";b:0;s:13:"current_field";s:0:"";s:17:"current_namespace";b:0;s:19:"_CONTENT_CONSTRUCTS";a:6:{i:0;s:7:"content";i:1;s:7:"summary";i:2;s:4:"info";i:3;s:5:"title";i:4;s:7:"tagline";i:5;s:9:"copyright";}s:13:"last_modified";s:31:"Tue, 06 Mar 2012 16:48:24 GMT\r\n";}', 'no'); INSERT INTO `wp_options` (`option_id`, `blog_id`, `option_name`, `option_value`, `autoload`) VALUES (1719, 0, 'simplyexclude', 's:702:"a:5:{s:3:"cfg";a:2:{s:9:"page_name";s:13:"simplyexclude";s:5:"myurl";s:56:"http://nynjbengali.com/wp-content/plugins/simply-exclude";}s:4:"cats";a:2:{s:7:"actions";a:4:{s:7:"is_home";s:1:"e";s:10:"is_archive";s:1:"e";s:9:"is_search";s:1:"e";s:7:"is_feed";s:1:"e";}s:7:"is_home";a:2:{i:5;s:2:"on";i:260;s:2:"on";}}s:4:"tags";a:1:{s:7:"actions";a:4:{s:7:"is_home";s:1:"i";s:10:"is_archive";s:1:"e";s:9:"is_search";s:1:"e";s:7:"is_feed";s:1:"e";}}s:7:"authors";a:1:{s:7:"actions";a:4:{s:7:"is_home";s:1:"i";s:10:"is_archive";s:1:"e";s:9:"is_search";s:1:"e";s:7:"is_feed";s:1:"e";}}s:5:"pages";a:2:{s:7:"actions";a:1:{s:9:"is_search";s:1:"i";}s:9:"is_search";a:3:{i:415;s:0:"";i:177;s:0:"";i:581;s:0:"";}}}";', 'yes'), (67, 0, 'rss_0ff4b43bd116a9d8720d689c80e7dfd4_ts', '1332955976', 'no'); INSERT INTO `wp_options` (`option_id`, `blog_id`, `option_name`, `option_value`, `autoload`) VALUES (68, 0, 'rss_867bd5c64f85878d03a060509cd2f92c', 'O:9:"MagpieRSS":18:{s:6:"parser";i:0;s:12:"current_item";a:0:{}s:5:"items";a:50:{i:0;a:7:{s:5:"title";s:58:"Weblog Tools Collection: WordPress Theme Releases for 3/28";s:4:"guid";s:41:"http://weblogtoolscollection.com/?p=11203";s:4:"link";s:73:"http://feedproxy.google.com/~r/weblogtoolscollection/UXMP/~3/UHujULifyI8/";s:11:"description";s:869:"
Atheros is modern, customizable, clean, and readable with nice smooth shadow effects.
\n
Daylight uses soft, subtle daylight sky blue in the background, white post content areas and a minimalist, simple setup.
\n
Atheros is modern, customizable, clean, and readable with nice smooth shadow effects.
\n
Daylight uses soft, subtle daylight sky blue in the background, white post content areas and a minimalist, simple setup.
\nI used to use three 27″ monitors vertically, then switched to two 30″ Dells, nowadays I’m on a 13″ Air screen most of the time, and occasionally plug into a Thunderbolt Display. Here’s a cool article on how to increase productivity per square inch of your screen by Peter Legierski.
";s:7:"pubdate";s:31:"Tue, 27 Mar 2012 18:59:20 +0000";s:2:"dc";a:1:{s:7:"creator";s:4:"Matt";}s:7:"summary";s:425:"I used to use three 27″ monitors vertically, then switched to two 30″ Dells, nowadays I’m on a 13″ Air screen most of the time, and occasionally plug into a Thunderbolt Display. Here’s a cool article on how to increase productivity per square inch of your screen by Peter Legierski.
";}i:2;a:7:{s:5:"title";s:77:"Weblog Tools Collection: Phishing Attempt Targets WordPress Plugin Developers";s:4:"guid";s:41:"http://weblogtoolscollection.com/?p=11197";s:4:"link";s:73:"http://feedproxy.google.com/~r/weblogtoolscollection/UXMP/~3/DAsPzOlg29w/";s:11:"description";s:915:"If you’re a WordPress plugin developer, you may have received an email from an address other than WordPress.org notifying you that your plugin had been removed. These emails are fake and designed to gather your login information for unknown nefarious reasons.
\nEmails from the WordPress.org Plugin Repository are always sent from a WordPress.org email address, so if you receive an email from elsewhere claiming official WordPress.org Plugin Repository business, delete it immediately. If you have already fallen victim to this phishing attack, you should change your passwords as soon as possible.
\nIf you’re a WordPress plugin developer, you may have received an email from an address other than WordPress.org notifying you that your plugin had been removed. These emails are fake and designed to gather your login information for unknown nefarious reasons.
\nEmails from the WordPress.org Plugin Repository are always sent from a WordPress.org email address, so if you receive an email from elsewhere claiming official WordPress.org Plugin Repository business, delete it immediately. If you have already fallen victim to this phishing attack, you should change your passwords as soon as possible.
\nIt was announced earlier today that that BuddyPress 1.5.5 is now available for download. This is considered a maintenance release which addresses 14 issues, some of which are security related. Congrats to the team and I hope you had a blast at WordCamp Netherlands Paul Gibbs.
\nRelated posts:
It was announced earlier today that that BuddyPress 1.5.5 is now available for download. This is considered a maintenance release which addresses 14 issues, some of which are security related. Congrats to the team and I hope you had a blast at WordCamp Netherlands Paul Gibbs.
\nRelated posts:
“In the beginner’s mind there are many possibilities, but in the expert’s there are few.” –- Zen Master Shunryo Suzuki. Read more about Beginner’s Mind on zenhabits.
";s:7:"pubdate";s:31:"Tue, 27 Mar 2012 04:57:11 +0000";s:2:"dc";a:1:{s:7:"creator";s:4:"Matt";}s:7:"summary";s:288:"“In the beginner’s mind there are many possibilities, but in the expert’s there are few.” –- Zen Master Shunryo Suzuki. Read more about Beginner’s Mind on zenhabits.
";}i:5;a:7:{s:5:"title";s:59:"Weblog Tools Collection: WordPress Plugin Releases for 3/26";s:4:"guid";s:41:"http://weblogtoolscollection.com/?p=11188";s:4:"link";s:73:"http://feedproxy.google.com/~r/weblogtoolscollection/UXMP/~3/_XJ8k7it7EU/";s:11:"description";s:1126:"Rich Text Editor For Comments replaces the regular comment textarea with a lightweight fully customizable WYSIWYG rich text editor.
\nUltimate Nofollow is a suite of tools that gives you complete control over the rel=nofollow tag on an individual link basis.
\nContextual Related Posts helps you increase reader retention and reduce bounce rates by displaying a set of related posts on your website or in your feed.
\nShare Buttons by Lockerz / AddToAny helps people share, bookmark, and email your posts & pages using any service, such as Facebook, Twitter, Google, StumbleUpon, Digg and many more.
\nRich Text Editor For Comments replaces the regular comment textarea with a lightweight fully customizable WYSIWYG rich text editor.
\nUltimate Nofollow is a suite of tools that gives you complete control over the rel=nofollow tag on an individual link basis.
\nContextual Related Posts helps you increase reader retention and reduce bounce rates by displaying a set of related posts on your website or in your feed.
\nShare Buttons by Lockerz / AddToAny helps people share, bookmark, and email your posts & pages using any service, such as Facebook, Twitter, Google, StumbleUpon, Digg and many more.
\nPlugin authors need to take serious notice of a recent phishing attack that is aimed specifically at plugin authors. Ipstenu, one of the volunteer WordPress.org support forum moderators has published a forum thread warning others that responding to the email wouldn’t be a good idea. The way in which this phishing attack works is pretty interesting. After clicking on the link within the email to check on your plugins status, you are then taken to a site that looks very similar to WordPress.org where you’re asked to provide your password. Passwords that are given can then be used to gain unauthorized access to the account and associated plugins attached to it.
\nPlugin authors are encouraged not to reply to the email as well as not entering your password on the fake WordPress.org website. It’s important to note that plugins have not been removed from the repo, and if they had, the email would have come from a wordpress.org account.
\nYou might have to jog my memory but this is the first time that I can remember where WordPress.org plugin authors were the target of a phishing scam.
\nRelated posts:
Plugin authors need to take serious notice of a recent phishing attack that is aimed specifically at plugin authors. Ipstenu, one of the volunteer WordPress.org support forum moderators has published a forum thread warning others that responding to the email wouldn’t be a good idea. The way in which this phishing attack works is pretty interesting. After clicking on the link within the email to check on your plugins status, you are then taken to a site that looks very similar to WordPress.org where you’re asked to provide your password. Passwords that are given can then be used to gain unauthorized access to the account and associated plugins attached to it.
\nPlugin authors are encouraged not to reply to the email as well as not entering your password on the fake WordPress.org website. It’s important to note that plugins have not been removed from the repo, and if they had, the email would have come from a wordpress.org account.
\nYou might have to jog my memory but this is the first time that I can remember where WordPress.org plugin authors were the target of a phishing scam.
\nRelated posts:
Believe is a dark two column theme.
\n
Buttercream is a cute cupcake theme in three different color styles.
\n
Esplanade is a stylish, modern and flexible theme with responsive layout.
\n
Natural is a clean, soft, and attractive theme.
\n
Believe is a dark two column theme.
\n
Buttercream is a cute cupcake theme in three different color styles.
\n
Esplanade is a stylish, modern and flexible theme with responsive layout.
\n
Natural is a clean, soft, and attractive theme.
\nAs laid out by BloggingPro.com, the question is simple. Should you close comments on older blog posts? While their article goes into specific reasons as to why or why not, I’ve personally been a fan of closing comments on articles that are 180 days old. I think the bulk of the conversation that is going to take place on any particular post will be within 7 days of it being published. Therefor, I don’t feel the need to have the form open if the conversation is over with. Another major reason I opt to go this route is spam. Back when I used to write for other websites, I noticed that the majority of their spam comments were for articles buried deep within their archives. Every now and then, a legitimate comment would show up but that was the exception rather than the rule. As a site administrator, closed comments on older articles also provides an easier administrative role. Instead of wading through pages of comments caught within the Akismet queue to check for false positives, I normally have only a page or two at the most.
\nWith that said, as a site administrator, how do you have your comments configured and why did you chose that configuration?
\nRelated posts:
As laid out by BloggingPro.com, the question is simple. Should you close comments on older blog posts? While their article goes into specific reasons as to why or why not, I’ve personally been a fan of closing comments on articles that are 180 days old. I think the bulk of the conversation that is going to take place on any particular post will be within 7 days of it being published. Therefor, I don’t feel the need to have the form open if the conversation is over with. Another major reason I opt to go this route is spam. Back when I used to write for other websites, I noticed that the majority of their spam comments were for articles buried deep within their archives. Every now and then, a legitimate comment would show up but that was the exception rather than the rule. As a site administrator, closed comments on older articles also provides an easier administrative role. Instead of wading through pages of comments caught within the Akismet queue to check for false positives, I normally have only a page or two at the most.
\nWith that said, as a site administrator, how do you have your comments configured and why did you chose that configuration?
\nRelated posts:
Twenty Twelve, the next great WordPress default theme, has unfortunately been removed from the 3.4 development cycle and pushed back to 3.5. There is no specific reason given for the change, but it seems likely that the team would rather focus on the core functions as WordPress 3.4 draws closer to its inevitable April release.
\nIf you already have Twenty Twelve activated and are using trunk, make sure that you activate another theme before upgrading to the latest, as Twenty Twelve will be removed. If you want to continue to use Twenty Twelve, you can grab it from GitHub for now.
\nTwenty Twelve, the next great WordPress default theme, has unfortunately been removed from the 3.4 development cycle and pushed back to 3.5. There is no specific reason given for the change, but it seems likely that the team would rather focus on the core functions as WordPress 3.4 draws closer to its inevitable April release.
\nIf you already have Twenty Twelve activated and are using trunk, make sure that you activate another theme before upgrading to the latest, as Twenty Twelve will be removed. If you want to continue to use Twenty Twelve, you can grab it from GitHub for now.
\nRavael Angeline has a tutorial posted on WP.Tutsplus.com that covers the basics of a header.php file. This particular file is located in every WordPress theme and is essential to how a theme works. Also worthy of reading following the tutorial is a comment by Tom McFarlin.
\nRelated posts:
Ravael Angeline has a tutorial posted on WP.Tutsplus.com that covers the basics of a header.php file. This particular file is located in every WordPress theme and is essential to how a theme works. Also worthy of reading following the tutorial is a comment by Tom McFarlin.
\nRelated posts:
Keyring provides a very hookable, completely customizable framework for connecting your WordPress site to an external service.
\nSuperSlider-Perpost-Code allows you to write css and javascript code directly on your post edit screen on a per post basis.
\nToolBar Removal allows you to completely disable the WordPress toolbar without loosing logout functionality.
\nCloudFlare ensures your WordPress blog is running optimally on the CloudFlare platform.
\nFast Secure Contact Form lets your visitors send you a quick e-mail message and blocks all common spammer tactics. Additionally, the plugin has a multi-form feature, optional extra fields, and an option to redirect visitors to any URL after the message is sent.
\nImage Widget uses a native WordPress upload thickbox to add image widgets to your site.
\nJewishDate shows the current date in the sidebar, in phonetic Hebrew.
\nStore Locator allows you to efficiently display and manage your important stores, locations, or other points of interest on your website in a manner that’s easily searchable by visitors.
\nWP Missed Schedule Fix finds missed schedule posts and republishes them correctly.
\nKeyring provides a very hookable, completely customizable framework for connecting your WordPress site to an external service.
\nSuperSlider-Perpost-Code allows you to write css and javascript code directly on your post edit screen on a per post basis.
\nToolBar Removal allows you to completely disable the WordPress toolbar without loosing logout functionality.
\nCloudFlare ensures your WordPress blog is running optimally on the CloudFlare platform.
\nFast Secure Contact Form lets your visitors send you a quick e-mail message and blocks all common spammer tactics. Additionally, the plugin has a multi-form feature, optional extra fields, and an option to redirect visitors to any URL after the message is sent.
\nImage Widget uses a native WordPress upload thickbox to add image widgets to your site.
\nJewishDate shows the current date in the sidebar, in phonetic Hebrew.
\nStore Locator allows you to efficiently display and manage your important stores, locations, or other points of interest on your website in a manner that’s easily searchable by visitors.
\nWP Missed Schedule Fix finds missed schedule posts and republishes them correctly.
\nFor the first time that I can remember, WordPress has been rejected from the Google Summer Of Code mentor ship program. This was an unexpected move, especially considering how WordPress has been a part of the program for the past few years. As you read through the comments of the post, quite a few people have expressed disappointment. However, if the experimental approach to WordPress development that is currently taking place with 3.4 via the aspect of teams is successful, WordPress could conduct a mini Summer Of Code event with each major release of the software, minus the big paycheck. It would also eliminate the age restriction that is currently part of the Google Summer Of Code. It’s unclear as to why WordPress was rejected but the reason is expected to be given at a meeting within the next week or so.
\nRelated posts:
For the first time that I can remember, WordPress has been rejected from the Google Summer Of Code mentor ship program. This was an unexpected move, especially considering how WordPress has been a part of the program for the past few years. As you read through the comments of the post, quite a few people have expressed disappointment. However, if the experimental approach to WordPress development that is currently taking place with 3.4 via the aspect of teams is successful, WordPress could conduct a mini Summer Of Code event with each major release of the software, minus the big paycheck. It would also eliminate the age restriction that is currently part of the Google Summer Of Code. It’s unclear as to why WordPress was rejected but the reason is expected to be given at a meeting within the next week or so.
\nRelated posts:
After several years of success with Google Summer of Code, WordPress was not accepted as a mentoring organization for 2012. The reasons for this are not clear, and at this point it’s not worth speculating until the WordPress team hears back from Google during an upcoming feedback meeting.
\nDespite this momentary hitch in their plans, the core WordPress developers are not throwing out the idea of a developing version 3.5 as a mentorship-focussed release without Google’s backing. We’ll have more news on this as it becomes available.
\nAfter several years of success with Google Summer of Code, WordPress was not accepted as a mentoring organization for 2012. The reasons for this are not clear, and at this point it’s not worth speculating until the WordPress team hears back from Google during an upcoming feedback meeting.
\nDespite this momentary hitch in their plans, the core WordPress developers are not throwing out the idea of a developing version 3.5 as a mentorship-focussed release without Google’s backing. We’ll have more news on this as it becomes available.
\nWhile Twenty Twelve has been an anticipated feature of the upcoming WordPress 3.4 release, some will be disappointed to hear that the new default theme for this year will not ship with WordPress 3.4. Instead, it will likely come with WordPress 3.5. However, if you’re interested in playing around with the theme as is, you can download the source via GitHub. While no direct reasoning was given as to why the theme was punted, I’m going to guess that because 3.4 development is already behind, it made sense to postpone it to speed up the development of everything else going into 3.4.
\nNo related posts.
While Twenty Twelve has been an anticipated feature of the upcoming WordPress 3.4 release, some will be disappointed to hear that the new default theme for this year will not ship with WordPress 3.4. Instead, it will likely come with WordPress 3.5. However, if you’re interested in playing around with the theme as is, you can download the source via GitHub. While no direct reasoning was given as to why the theme was punted, I’m going to guess that because 3.4 development is already behind, it made sense to postpone it to speed up the development of everything else going into 3.4.
\nNo related posts.
Theme.FM has reopened to the public with a brand new theme store. After browsing around the store for a little while, I like the overall design and how the theme information is laid out. Simple, excellent use of white space and I don’t feel overwhelmed when looking over a design. Nice job fellas.
\nRelated posts:
Theme.FM has reopened to the public with a brand new theme store. After browsing around the store for a little while, I like the overall design and how the theme information is laid out. Simple, excellent use of white space and I don’t feel overwhelmed when looking over a design. Nice job fellas.
\nRelated posts:
Dark Tower is a dark blue theme.
\n
Little Baby is a simple light baby theme.
\n
Responsive is a responsive theme with 9 page templates, 9 widget areas, 4 menu areas, and theme options.
\n
Royal Oak is a rich, royal purple theme featuring the silhouette of a large, lush tree on a subtle silver wood grain background.
\n
Stripay is a simple theme with coloured stripes.
\n
Dark Tower is a dark blue theme.
\n
Little Baby is a simple light baby theme.
\n
Responsive is a responsive theme with 9 page templates, 9 widget areas, 4 menu areas, and theme options.
\n
Royal Oak is a rich, royal purple theme featuring the silhouette of a large, lush tree on a subtle silver wood grain background.
\n
Stripay is a simple theme with coloured stripes.
\n\n
\n
Until now, details regarding WordCamp New York have been scarce to non-existent. However, Steve Bruner has published a post on the official site for the event and has notified everyone that this years event will take place on June 9th – 10th at Baruch College, the same location as 2010. As it turns out, WordCamp New York didn’t take place in 2011. Stay tuned to their official event website for details on Tickets and Speaker forms.
\nRelated posts:
Until now, details regarding WordCamp New York have been scarce to non-existent. However, Steve Bruner has published a post on the official site for the event and has notified everyone that this years event will take place on June 9th – 10th at Baruch College, the same location as 2010. As it turns out, WordCamp New York didn’t take place in 2011. Stay tuned to their official event website for details on Tickets and Speaker forms.
\nRelated posts:
\n
\n
\n
\n
\n
\n
It seems like every month, someone will write an article with the headline that Blogging Is Dead or in the process of dieing and discuss which services are replacing the medium. However, according to stats released by Nielsen, Blogging is gaining in popularity. This is great news for services such as WordPress.com. Be sure to read the detailed stats behind the numbers further down in their post.
\nRelated posts:
It seems like every month, someone will write an article with the headline that Blogging Is Dead or in the process of dieing and discuss which services are replacing the medium. However, according to stats released by Nielsen, Blogging is gaining in popularity. This is great news for services such as WordPress.com. Be sure to read the detailed stats behind the numbers further down in their post.
\nRelated posts:
\n
\n
\n
\n
Vladimir Prelovac, an esteemed plugin author has shared his story on how he made $80,000 through one plugin. It took a few years but once he rewrote the free plugin and decided to charge for it, the money started to roll in. While I would have thought that the most purchasers would have opted for the cheapest version, instead, he made the most amount of money from the expensive version which had the least amount of costumers.
\nHis story is inspiring. I just wish I had the skills necessary to create a plugin and then charge for it. I think I’ll hire Vladimir to create me a plugin, then I’ll handle the charging for it along with the support. Sure would be nice to have 80 grand to kick around.
\nRelated posts:
Vladimir Prelovac, an esteemed plugin author has shared his story on how he made $80,000 through one plugin. It took a few years but once he rewrote the free plugin and decided to charge for it, the money started to roll in. While I would have thought that the most purchasers would have opted for the cheapest version, instead, he made the most amount of money from the expensive version which had the least amount of costumers.
\nHis story is inspiring. I just wish I had the skills necessary to create a plugin and then charge for it. I think I’ll hire Vladimir to create me a plugin, then I’ll handle the charging for it along with the support. Sure would be nice to have 80 grand to kick around.
\nRelated posts:
\n
\n
WordPress Review Engine is an all-in-one review system.
\nCloudFlare ensures your WordPress blog is running optimally on the CloudFlare platform.
\nRename Media Files enables renaming of media files.
\nTallyopia Analytics provides analytics that you can embed into your site using shortcodes or view in your admin dashboard.
\nWordPress Text Message allows people to subscribe to SMS text message updates of your web site via their cell phone.
\nwp-Monalisa allows you to place the smilies of your choice in posts, pages or comments.
\nWordPress Review Engine is an all-in-one review system.
\nCloudFlare ensures your WordPress blog is running optimally on the CloudFlare platform.
\nRename Media Files enables renaming of media files.
\nTallyopia Analytics provides analytics that you can embed into your site using shortcodes or view in your admin dashboard.
\nWordPress Text Message allows people to subscribe to SMS text message updates of your web site via their cell phone.
\nwp-Monalisa allows you to place the smilies of your choice in posts, pages or comments.
\nI’m in New Orleans for a few days and, long story short, although I pre-ordered the New iPad it’s arriving to an address I won’t be at for a while, so since I was up early this morning thought I’d go to the nearest Apple store in Metairie and see if I could pick one up, or at least be part of the excitement that always accompanies Apple launch mornings.
\nThe store had opened at 8, but I arrived at about 8:55, and the scene was not at all what I expected. There was a crowd outside the Apple store, but it was of blue-shirt employees, I walked up and said I was there for a 64GB white AT&T iPad, the fellow handed me a card, and 5 minutes later I was checked out. No line, no waits, no anything! Here’s a picture of the front of the store, at 9:20am.
\n
The woman who checked me out said there had been a bit of a line that morning at 8, but just about 20-30 people and she thought that most people didn’t know they were opening at 8 that morning instead of the normal 10.
\nI walked back outside and grabbed a water bottle from the big pallet they had of them (for the expected line) and a Verizon employee accosted me to show ask if I had gotten AT&T or Verizon. When I replied “AT&T” he said “oh man!” and showed me the speed tests he was getting on his iPad 2 tethered via wifi to a Droid device he had, an impressive 20mbps down. “Think how fast it’d be going direct to an iPad.” (I agree, but I already have a Verizon Nexus device, a T-Mobile Blackberry, a Sprint iPhone, so I wanted to complete the quartet with another carrier and ensure I could have coverage anywhere.) I decided to celebrate with some beignets across the food court from Cafe Du Monde:
\n
So why the lack of a line? Perhaps it was mix up about store opening time, as they suggested. Maybe New Orleans is a Samsung town. Perhaps Apple just did a better job with the pre-orders arriving on launch day, so people didn’t feel the need to go to the store. Maybe people weren’t as excited as I was about the new launch. All in all, it doesn’t matter to me. The screen is gorgeous, it’s restoring now from iCloud backup, and I’m pleased as punch to have one on launch day and I’ll probably spend far too much time today staring at the amazingly high resolution. If you were waiting because you thought the stores might be crazy today, maybe head to them half an hour after open time and skip the queues.
";s:7:"pubdate";s:31:"Fri, 16 Mar 2012 14:51:11 +0000";s:2:"dc";a:1:{s:7:"creator";s:4:"Matt";}s:7:"summary";s:2758:"I’m in New Orleans for a few days and, long story short, although I pre-ordered the New iPad it’s arriving to an address I won’t be at for a while, so since I was up early this morning thought I’d go to the nearest Apple store in Metairie and see if I could pick one up, or at least be part of the excitement that always accompanies Apple launch mornings.
\nThe store had opened at 8, but I arrived at about 8:55, and the scene was not at all what I expected. There was a crowd outside the Apple store, but it was of blue-shirt employees, I walked up and said I was there for a 64GB white AT&T iPad, the fellow handed me a card, and 5 minutes later I was checked out. No line, no waits, no anything! Here’s a picture of the front of the store, at 9:20am.
\n
The woman who checked me out said there had been a bit of a line that morning at 8, but just about 20-30 people and she thought that most people didn’t know they were opening at 8 that morning instead of the normal 10.
\nI walked back outside and grabbed a water bottle from the big pallet they had of them (for the expected line) and a Verizon employee accosted me to show ask if I had gotten AT&T or Verizon. When I replied “AT&T” he said “oh man!” and showed me the speed tests he was getting on his iPad 2 tethered via wifi to a Droid device he had, an impressive 20mbps down. “Think how fast it’d be going direct to an iPad.” (I agree, but I already have a Verizon Nexus device, a T-Mobile Blackberry, a Sprint iPhone, so I wanted to complete the quartet with another carrier and ensure I could have coverage anywhere.) I decided to celebrate with some beignets across the food court from Cafe Du Monde:
\n
So why the lack of a line? Perhaps it was mix up about store opening time, as they suggested. Maybe New Orleans is a Samsung town. Perhaps Apple just did a better job with the pre-orders arriving on launch day, so people didn’t feel the need to go to the store. Maybe people weren’t as excited as I was about the new launch. All in all, it doesn’t matter to me. The screen is gorgeous, it’s restoring now from iCloud backup, and I’m pleased as punch to have one on launch day and I’ll probably spend far too much time today staring at the amazingly high resolution. If you were waiting because you thought the stores might be crazy today, maybe head to them half an hour after open time and skip the queues.
";}i:29;a:7:{s:5:"title";s:58:"Weblog Tools Collection: WordPress Theme Releases for 3/16";s:4:"guid";s:41:"http://weblogtoolscollection.com/?p=11151";s:4:"link";s:73:"http://feedproxy.google.com/~r/weblogtoolscollection/UXMP/~3/IiwgQ7Z-jCQ/";s:11:"description";s:2196:"
Angler is a highly customizable but simple theme.
\n
Light Blue Home is a simple light blue architecture theme.
\n
Modern Nature is a green nature theme.
\n
Skylark is a great starter theme for portfolio and business sites.
\n
Sundance is a minimalist video theme crafted with clean, elegant typography and close attention to detail.
\n
Utility is a basic theme of a simple setup for a simple blog or website.
\n
Angler is a highly customizable but simple theme.
\n
Light Blue Home is a simple light blue architecture theme.
\n
Modern Nature is a green nature theme.
\n
Skylark is a great starter theme for portfolio and business sites.
\n
Sundance is a minimalist video theme crafted with clean, elegant typography and close attention to detail.
\n
Utility is a basic theme of a simple setup for a simple blog or website.
\nPerhaps one of the easiest attacks to perform on a WordPress based website is a brute force attack. Sucuri took the time to create a few different honeypots and monitored WP-Login.php to track the various IP addresses as well as the passwords used to break into the site. Their list of passwords attempted is no surprise to me as I’ve seen the same results over the course of a year via the Limit Logins plugin. It all comes back to the use of a strong password. A strong password would look something like this, RCu7R*0#zm. Unfortunately, many forms don’t accept certain characters in passwords so at the very least, add numbers to your password if you can only use numbers and letters.
\nThe reason why this is one of the easiest attacks to perform is because by default, WordPress allows an unlimited amount of tries when logging into the backend. I understand that it’s the users responsibility to use a strong password but at the same time, I feel as though the software could help out by only allowing 3 login tries per IP address, very similar to how the Limit Login attempts plugin works. After 3 failed attempts, the IP address would be locked out for a certain amount of time. The only thing I can figure is this particular enhancement would cause some site owners more grief than peace of mind. Unlimited login attempts has been apart of WordPress since I started using it in 2007 and I don’t see it changing anytime soon, especially since the Limit Login attempts plugin exists and solves the problem so well.
\nRelated posts:
Perhaps one of the easiest attacks to perform on a WordPress based website is a brute force attack. Sucuri took the time to create a few different honeypots and monitored WP-Login.php to track the various IP addresses as well as the passwords used to break into the site. Their list of passwords attempted is no surprise to me as I’ve seen the same results over the course of a year via the Limit Logins plugin. It all comes back to the use of a strong password. A strong password would look something like this, RCu7R*0#zm. Unfortunately, many forms don’t accept certain characters in passwords so at the very least, add numbers to your password if you can only use numbers and letters.
\nThe reason why this is one of the easiest attacks to perform is because by default, WordPress allows an unlimited amount of tries when logging into the backend. I understand that it’s the users responsibility to use a strong password but at the same time, I feel as though the software could help out by only allowing 3 login tries per IP address, very similar to how the Limit Login attempts plugin works. After 3 failed attempts, the IP address would be locked out for a certain amount of time. The only thing I can figure is this particular enhancement would cause some site owners more grief than peace of mind. Unlimited login attempts has been apart of WordPress since I started using it in 2007 and I don’t see it changing anytime soon, especially since the Limit Login attempts plugin exists and solves the problem so well.
\nRelated posts:
Automattic has announced the launch of a new featured VIP Partner program that will provide more bang for the buck for VIP customers.
\nRelated posts:
Automattic has announced the launch of a new featured VIP Partner program that will provide more bang for the buck for VIP customers.
\nRelated posts:
";s:7:"pubdate";s:31:"Thu, 15 Mar 2012 20:17:39 +0000";s:2:"dc";a:1:{s:7:"creator";s:17:"Lorelle VanFossen";}s:7:"summary";s:463:"It’s hard to believe that the first ever full college course on WordPress is coming to an end, with a new one beginning April 10, 2012, but here we are, and time is running out to get your seat in this Introduction to WordPress course. If you live in the Portland, Oregon, or Southwest Washington [...]";}i:33;a:7:{s:5:"title";s:57:"Andrew Nacin: WordPress: So Easy a Congressman Can Do It";s:4:"guid";s:24:"http://nacin.com/?p=3995";s:4:"link";s:70:"http://nacin.com/2012/03/15/wordpress-so-easy-a-congressman-can-do-it/";s:11:"description";s:6973:"The U.S. House Committee on Oversight and Government Reform launched a new site on WordPress today. This is really cool for a few reasons. Rep. Darrell Issa tweeted about it this morning, saying WordPress is “rare” for government and said it was “to support fast improvements in response to your feedback.”
\n\n
@DarrellIssa
Darrell IssaNew http://t.co/7m7BwixZ is built w/ @WordPress, rare for govt sites, to support fast improvements in response to your feedback
Favorite Retweet
The video takes a shot at bad government websites, and while the new site isn’t the prettiest thing in the world, I like the point they’re getting across: Government can excel on the web using the same free publishing software as many of their constituents. It won’t be rare for long.
\nRelated: Ben Balter’s post on WordPress and government from last week is making waves.
\nBonus: The Consumer Financial Protection Bureau recently gave their WordPress site a new coat of paint.
\n";s:7:"pubdate";s:31:"Thu, 15 Mar 2012 18:47:54 +0000";s:2:"dc";a:1:{s:7:"creator";s:12:"Andrew Nacin";}s:7:"summary";s:6973:"The U.S. House Committee on Oversight and Government Reform launched a new site on WordPress today. This is really cool for a few reasons. Rep. Darrell Issa tweeted about it this morning, saying WordPress is “rare” for government and said it was “to support fast improvements in response to your feedback.”
\n\n
@DarrellIssa
Darrell IssaNew http://t.co/7m7BwixZ is built w/ @WordPress, rare for govt sites, to support fast improvements in response to your feedback
Favorite Retweet
The video takes a shot at bad government websites, and while the new site isn’t the prettiest thing in the world, I like the point they’re getting across: Government can excel on the web using the same free publishing software as many of their constituents. It won’t be rare for long.
\nRelated: Ben Balter’s post on WordPress and government from last week is making waves.
\nBonus: The Consumer Financial Protection Bureau recently gave their WordPress site a new coat of paint.
\n";}i:34;a:7:{s:5:"title";s:48:"WPTavern: WordPress.com Welcomes Posterous Users";s:4:"guid";s:31:"http://www.wptavern.com/?p=6417";s:4:"link";s:100:"http://feedproxy.google.com/~r/WordpressTavern/~3/Vkrqr-16yWI/wordpress-com-welcomes-posterous-users";s:11:"description";s:1125:"
It was’nt long ago when Posterous looked poised to take a big chunk of market share away from WordPress and other sites such as Tumblr. But alas, Posterous will become yet another internet memory as they’ve announced that the talent behind the service will now be apart of Twitter. While Posterous will remain online for the foreseeable future, users have already started flocking to different services such as WordPress.com, who have experienced a 250% increase in imports from Posterous accounts since the announcement.
No related posts.
It was’nt long ago when Posterous looked poised to take a big chunk of market share away from WordPress and other sites such as Tumblr. But alas, Posterous will become yet another internet memory as they’ve announced that the talent behind the service will now be apart of Twitter. While Posterous will remain online for the foreseeable future, users have already started flocking to different services such as WordPress.com, who have experienced a 250% increase in imports from Posterous accounts since the announcement.
No related posts.
Posterous, a popular hosted blogging platform, has been acquired by Twitter. The team behind Posterous assures that the service will not be disrupted, but will give “ample notice if [they] make any changes to the service,” and Sachin Agarwal (Posterous founder and CEO) is now a Product Manager for Twitter. It is not yet clear if Twitter intends to make use of the Posterous service or if this acquisition was intended to just bring the talent behind Posterous to Twitter’s ever-growing platform.
\nIf you’re concerned about the future of your Posterous Space, it’s not too late to switch to a self-hosted WordPress installation (where you have full control over your content) with this importer. If you prefer a hosted environment, like Posterous, you can move to WordPress.com following this handy guide.
\nPosterous, a popular hosted blogging platform, has been acquired by Twitter. The team behind Posterous assures that the service will not be disrupted, but will give “ample notice if [they] make any changes to the service,” and Sachin Agarwal (Posterous founder and CEO) is now a Product Manager for Twitter. It is not yet clear if Twitter intends to make use of the Posterous service or if this acquisition was intended to just bring the talent behind Posterous to Twitter’s ever-growing platform.
\nIf you’re concerned about the future of your Posterous Space, it’s not too late to switch to a self-hosted WordPress installation (where you have full control over your content) with this importer. If you prefer a hosted environment, like Posterous, you can move to WordPress.com following this handy guide.
\n
\nIf you’re passionate about posting great photos on your blog, you might just fall in love with this new feature. If you have Camera+ 3.0 on your phone (and WordPress for iOS 2.9.5 or higher), you’ll be able to quickly post photos using the Camera+ app! Simply launch the WordPress app, and tap the Photo button.
Posting a photo from the Camera+ Lightbox is dead easy. Tap “Add Photo from Camera+,” and your phone switches to the Camera+ app – select a photo to load it into the WordPress app. Add a Title and a Description (both optional), and boom! You’re done.
\nUsing Camera+ to snap your photo is just as easy. Tap “Take Photo with Camera+” to switch to the Camera+ app’s camera. Make a “meow” sound to locate your cat, add effects, borders, and crop your photo. When you’re done, just press “Use” and your photo is imported into the WordPress app where you can add details if you want.
\nAs more camera apps open up their features for other apps, we’ll look into making more options available. Camera+ was the first to open their app up for integrations, but hopefully more will follow.
\nFor now, the Camera+ options are only available for the Photo button on iPhone, but we’re hoping to add it to the Post Editor very soon as well. If you don’t have Camera+ on your phone, the options simply won’t be shown. Be sure to subscribe to this blog and follow us on Twitter to get the latest news first.
\nDo you use Camera+, or another camera app? Please let us know in the comments!
\n
";s:7:"pubdate";s:31:"Thu, 15 Mar 2012 07:11:23 +0000";s:2:"dc";a:1:{s:7:"creator";s:11:"Isaac Keyet";}s:7:"summary";s:3616:"
\nIf you’re passionate about posting great photos on your blog, you might just fall in love with this new feature. If you have Camera+ 3.0 on your phone (and WordPress for iOS 2.9.5 or higher), you’ll be able to quickly post photos using the Camera+ app! Simply launch the WordPress app, and tap the Photo button.
Posting a photo from the Camera+ Lightbox is dead easy. Tap “Add Photo from Camera+,” and your phone switches to the Camera+ app – select a photo to load it into the WordPress app. Add a Title and a Description (both optional), and boom! You’re done.
\nUsing Camera+ to snap your photo is just as easy. Tap “Take Photo with Camera+” to switch to the Camera+ app’s camera. Make a “meow” sound to locate your cat, add effects, borders, and crop your photo. When you’re done, just press “Use” and your photo is imported into the WordPress app where you can add details if you want.
\nAs more camera apps open up their features for other apps, we’ll look into making more options available. Camera+ was the first to open their app up for integrations, but hopefully more will follow.
\nFor now, the Camera+ options are only available for the Photo button on iPhone, but we’re hoping to add it to the Post Editor very soon as well. If you don’t have Camera+ on your phone, the options simply won’t be shown. Be sure to subscribe to this blog and follow us on Twitter to get the latest news first.
\nDo you use Camera+, or another camera app? Please let us know in the comments!
\n ";}i:37;a:7:{s:5:"title";s:64:"WordPress.tv: Oliver Nielsen, WebMatros: SUCCES med Online Video";s:4:"guid";s:28:"http://wordpress.tv/?p=10032";s:4:"link";s:80:"http://wordpress.tv/2012/03/14/oliver-nielsen-webmatros-succes-med-online-video/";s:11:"description";s:1889:"
Admium lets users sign up for recurring subscriptions to your site, and lets you make subscriber-only content.
\nBusinessBites Button allows you to get paid to communicate with your visitors using built in time tracking and automated billing.
\nFoxyPress is a custom plugin made to integrate FoxyCart e-commerce functionality into your WordPress website.
\nImage Widget uses a native WordPress upload thickbox to add image widgets to your site.
\nAdmium lets users sign up for recurring subscriptions to your site, and lets you make subscriber-only content.
\nBusinessBites Button allows you to get paid to communicate with your visitors using built in time tracking and automated billing.
\nFoxyPress is a custom plugin made to integrate FoxyCart e-commerce functionality into your WordPress website.
\nImage Widget uses a native WordPress upload thickbox to add image widgets to your site.
\n
John Baptiste of CatsWhoCode.com has published 10 useful SQL queries that you can use to clean up the database that houses your WordPress installation. Before any SQL queries are run, you should definitely back up your entire website as a wrongly executed query can ruin the database, rendering your site useless. If you’re afraid to execute any of the queries mentioned within his list, there are plugins available that can accomplish the same tasks such as WP-Cleanup but the same precautions must be taken, especially since some of the cleaning plugins are old and may not have the correct table or location to delete data from.
\nNo related posts.
John Baptiste of CatsWhoCode.com has published 10 useful SQL queries that you can use to clean up the database that houses your WordPress installation. Before any SQL queries are run, you should definitely back up your entire website as a wrongly executed query can ruin the database, rendering your site useless. If you’re afraid to execute any of the queries mentioned within his list, there are plugins available that can accomplish the same tasks such as WP-Cleanup but the same precautions must be taken, especially since some of the cleaning plugins are old and may not have the correct table or location to delete data from.
\nNo related posts.
The Olive Garden restaurant making the rounds a few days ago was actually from the mother of a WSJ writer, here’s his take: When Mom Goes Viral: Marilyn Hagerty, 85, Is Talk of Social Media.
";s:7:"pubdate";s:31:"Tue, 13 Mar 2012 16:10:00 +0000";s:2:"dc";a:1:{s:7:"creator";s:4:"Matt";}s:7:"summary";s:296:"The Olive Garden restaurant making the rounds a few days ago was actually from the mother of a WSJ writer, here’s his take: When Mom Goes Viral: Marilyn Hagerty, 85, Is Talk of Social Media.
";}i:42;a:7:{s:5:"title";s:49:"Weblog Tools Collection: WP_Query Quick Reference";s:4:"guid";s:41:"http://weblogtoolscollection.com/?p=11140";s:4:"link";s:73:"http://feedproxy.google.com/~r/weblogtoolscollection/UXMP/~3/yTu1OnCLKyY/";s:11:"description";s:920:"Are you looking for a super-simple quick reference for WP_Query and all of its parameters? Loosely described, WP_Query is how WordPress displays posts defined by a variety of parameters, and keeping that of the available parameters can be a monumental task. It’s easy to forget all that you can do with WP_Query if you aren’t working with it every single day.
\nOf course, this brings me to this handy Gist. It’s nothing flashy, but it is a super-simple text file listing and describing all the WP_Query parameters. I’m not sure how long this will be around, so you might want to download it ASAP for reference when you need it.
\nAre you looking for a super-simple quick reference for WP_Query and all of its parameters? Loosely described, WP_Query is how WordPress displays posts defined by a variety of parameters, and keeping that of the available parameters can be a monumental task. It’s easy to forget all that you can do with WP_Query if you aren’t working with it every single day.
\nOf course, this brings me to this handy Gist. It’s nothing flashy, but it is a super-simple text file listing and describing all the WP_Query parameters. I’m not sure how long this will be around, so you might want to download it ASAP for reference when you need it.
\nAs I mentioned about a month ago, Jane Wells has been working on a new venture called Jitterbug which aims to be a bakery with a cafe feel complete with WiFi. To help fund this venture and to purchase some equipment, Jane put together a project on KickStarter.com to generate crowd sourced capital. The monetary goal was $15,000.00 and that was reached just 4 days prior to the project expiring. One particular backer was able to pledge $5,000.00 and will have a muffin named after him. The backer was Michael Torbert, the author behind the All In One SEO Plugin.
\nCongratulations goes out to Jane Wells for a successful kickstarter project. I myself chipped in a hundred bucks but the best thing about it all is that I now have a really good reason to visit Tybee Island, Georgia.
\nRelated posts:
As I mentioned about a month ago, Jane Wells has been working on a new venture called Jitterbug which aims to be a bakery with a cafe feel complete with WiFi. To help fund this venture and to purchase some equipment, Jane put together a project on KickStarter.com to generate crowd sourced capital. The monetary goal was $15,000.00 and that was reached just 4 days prior to the project expiring. One particular backer was able to pledge $5,000.00 and will have a muffin named after him. The backer was Michael Torbert, the author behind the All In One SEO Plugin.
\nCongratulations goes out to Jane Wells for a successful kickstarter project. I myself chipped in a hundred bucks but the best thing about it all is that I now have a really good reason to visit Tybee Island, Georgia.
\nRelated posts:
Brown World is a simple dark brown theme.
\n
My Life is a serene blogging theme that emphasizes your content with readable typography.
\n
Picochic is a neutral, light, clean and professional looking theme.
\n
Simple Black is a simple theme with a dark black design.
\n
Suede has two columns, fixed width, a left sidebar, and features a brilliant, vibrant orange-red, beige, tan, cream, brown, and taupe scheme.
\n
Brown World is a simple dark brown theme.
\n
My Life is a serene blogging theme that emphasizes your content with readable typography.
\n
Picochic is a neutral, light, clean and professional looking theme.
\n
Simple Black is a simple theme with a dark black design.
\n
Suede has two columns, fixed width, a left sidebar, and features a brilliant, vibrant orange-red, beige, tan, cream, brown, and taupe scheme.
\nbbPress Digest allows you to send daily digest with a forum’s active topics.
\nPulseMaps Visitor Map Plugin allows you to see your visitors on a world map.
\nUser Login Statistics tracks registered users login statistics each day.
\nWP App Maker allows you to generate and distribute an Android App for your WordPress blog.
\nImage Widget uses a native WordPress upload thickbox to add image widgets to your site.
\nUltimate CMS is an easy to use plugin to create, customize, and manage custom post/page types, custom archives, and custom taxonomies.
\nbbPress Digest allows you to send daily digest with a forum’s active topics.
\nPulseMaps Visitor Map Plugin allows you to see your visitors on a world map.
\nUser Login Statistics tracks registered users login statistics each day.
\nWP App Maker allows you to generate and distribute an Android App for your WordPress blog.
\nImage Widget uses a native WordPress upload thickbox to add image widgets to your site.
\nUltimate CMS is an easy to use plugin to create, customize, and manage custom post/page types, custom archives, and custom taxonomies.
\nSucuri has published more information regarding the compromising of at least 30,000 domains. Based on their research, they are ruling out the possibility that the attacks are taking advantage of a new vulnerability within the core of WordPress.
\n\nThe first question is how are these sites getting hacked? On all the cases we analyzed, they either had outdated versions of WordPress, or of a plugin. We can safely rule out any new vulnerability on WordPress itself.
To stay on top of the latest malware threats on the web, you should subscribe to their RSS feed. Perhaps the more people that realize this stuff is happening on a daily basis, the more it will persuade them to keep sites, plugins, and themes updated.
\nRelated posts:
Sucuri has published more information regarding the compromising of at least 30,000 domains. Based on their research, they are ruling out the possibility that the attacks are taking advantage of a new vulnerability within the core of WordPress.
\n\nThe first question is how are these sites getting hacked? On all the cases we analyzed, they either had outdated versions of WordPress, or of a plugin. We can safely rule out any new vulnerability on WordPress itself.
To stay on top of the latest malware threats on the web, you should subscribe to their RSS feed. Perhaps the more people that realize this stuff is happening on a daily basis, the more it will persuade them to keep sites, plugins, and themes updated.
\nRelated posts:
Fresh from WordCamp Phoenix 2012, Lance Willett who works for Automattic and is part of the theme wrangler team gave a great presentation for beginners on how to navigate the vast landscape that is WordPress themes. He covers the gamut such as where to look for themes, commercial themes, things to consider before using the theme on your site, etc. This presentation is truly for the beginner as it has nothing to do with coding. Nice job Lance.
\n\nRelated posts:
Fresh from WordCamp Phoenix 2012, Lance Willett who works for Automattic and is part of the theme wrangler team gave a great presentation for beginners on how to navigate the vast landscape that is WordPress themes. He covers the gamut such as where to look for themes, commercial themes, things to consider before using the theme on your site, etc. This presentation is truly for the beginner as it has nothing to do with coding. Nice job Lance.
\n\nRelated posts:
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dramatist-director Sudipta Bhawmik’s Satyameva. A senior executive body-shopping software engineers fires his incompetent new recruit, who pleads that he should not be sent back to India. By a remarkable plot of twists and turns (perhaps too many of them) Bhawmik conveys older Bengalis’ nostalgia for their birthplace and younger Bengalis’ desire to emigrate to America. Sankar Ghoshal and Indranil Mukherjee respectively give realistic portrayals of these parts, but the playwright’s craftsmanship tends to get the better of heartfelt emotions, which we had found in Ron.\r\n\r\nAlso you''ll find attached a review from "Sangbad Pratidin".\r\n\r\nOverall, the show was quite successful. Thanks to the wonderful support by Ganakrishti (who presented our show in Kolkata) members. Without them, it was quite impossible for us to stage the show. \r\n\r\nNow we need to plan for a local staging here in New Jersey. Stay tuned.\r\n\r\n
) and is regarded as a must have for any aspiring actor. Several books on his acting technique are also available. They include Sanford Meisner on Acting
, The Sanford Meisner Approach: An Actors Workbook (A Career Development Book)
,The Sanford Meisner Approach: Workbook IV Playing the Part (The Sanford Meisner Approach)
and others.\r\nThe Sanford Meisner center in Los Angeles is the only acting school founded (1995) by the master himself that specializes in his technique. ', 'Sanford Meisner: The Guru of Acting', 0, '', 'publish', 'open', 'open', '', 'sanford-meisner-the-guru-of-acting', '', '', '2007-10-10 17:41:36', '2007-10-10 21:41:36', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/91', 0, 'post', '', 0);
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(29, 1, '2005-06-24 01:45:16', '2005-06-23 20:15:16', '
Bratya Basu is currently one of the brightest young playwright and director of the Bengali stage in Kolkata. He is in USA now, rehearsing and preparing his latest directorial venture covering the post independence era of modern Bengali theatre. The play will be staged at the 25th North America Bengali Conference on July 3rd, at the Hammerstein Ballroom in Manhattan, New York. I asked him few questions on how he conceived of this project and the challenges he faced in directing this show.\r\n\r\nSudipta: NABC 2005 is celebrating 200 years of Bengali theatre through three plays covering the period. You have written the script and directing one of the segments. What part of this vast canvas are you covering in your segment?\r\n\r\nBratya: I have tried to cover the post independence era of modern Bengali theatre, from 1950 to 2000. The play presents snippets from several plays covering this period including a play from Bangladesh. The plays are, "Raktakarabi", "Raja Oedipous", "Tiner Talowar", "Sarater Megh", "Chak Bhanga Modhu", "Ebong Indrajit", "Winkle Twinkle" and "Eersha".\r\n\r\nSudipta: What was your criteria in selecting the play segments?\r\n\r\nBratya: I primarily used three criteria to select my play segments; (a) Plays that were important as contemporary theatre during its time, (b) it has a significant literary value, (c) and is still relevant to our society in its fundamental message.\r\n\r\n\r\nSudipta: What was your thought process in developing your segment?\r\n\r\nBratya: It was particularly challenging for me to figure out a method to develop the entire play such that it comes out as a whole entity, even when the segments themselves stand out as an individual theatrical unit. Of all the three plays, I am the only director who is working with actors from India as well as USA. I had to take special care to ensure that there exists proper synergy and balance between the segments acted by the different groups of actors and also to develop a relationship as a team. To work as a team they need to get familiarized with the acting style and patterns of each other, build the mutual trust that is absolutely essential in producting a theatre. Since many of the actors whom I am working with in this play are new to me, I was not sure whether I''ll be able to get what I want from them and stage a show where the proper balance is maintained. I am glad to say that I was able to achieve that.\r\n\r\nSudipta: What can the audience expect to see in this segment?\r\n\r\nBratya: Primarily, I expect the audience to experience the development and evolution of modern Bengali theatre. They will also exprience a modern theatrical approach and acting style that is rooted in Bengal but international in every sense.\r\n\r\nSudipta: Is this your first visit to North America Bengali Conference? If so, what is your expectation?\r\n\r\nBratya: Yes, this is my first NABC. My expectation is that I''d like to see that true cultural relationship and cultural exchange happen through this conference. I''d like to see that this conference bring to life the true international spirit of Bengali culture in all its glory.\r\n', 'An Interview with Bratya Basu', 0, 'Bratya Basu is one of the brightest young playwright and director on the Bengali stage in Kolkata now. He is in USA now, rehearsing and preparing his latest directorial venture covering the post independence era of modern Bengali theatre. The play will be staged at the 25th North America Bengali Conference on July 3rd, at the Hammerstein Ballroom in Manhattan, New York. I asked him few questions on how he conceived of this project and the challenges he faced in directing this show.', 'publish', 'open', 'open', '', 'an-interview-with-bratya-basu', '', '', '2005-10-21 02:19:34', '2005-10-20 20:49:34', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/30', 0, 'post', '', 0),
(34, 1, '2005-07-12 08:48:19', '2005-07-12 03:18:19', 'Many things have gone right and many things have gone wrong during our last NABC2005. The following letter from Chitra Divakaruni exemplifies one of the things that went really wrong. We understand that managing such an event of this scale is not trivial and especially for the volunteers (I repeat, volunteers) it was indeed an arduous task to do their job and also keep their cool. However, I only hope that this letter from Chitra helps us in improving our festival, rather than turn out into a finger pointing exercise.\r\n\r\nThank you.\r\n\r\n--------------------------------------------------------------------------------------------------------------------------\r\nDear NABC 2005 organizers:\r\n \r\nThank you very much for inviting me to be a speaker/performer at NABC 2005. It was a huge event! I cannot even imagine how you managed to organize such a large scale convention so successfully. Congratulations! I enjoyed all the events I could go to, and of course I particularly enjoyed the literary events. I could see there was a lot of interest, esp. in the main stage events we did, and I want to thank Goutam Dutta for working very hard to make all of these happen. The literary seminar discussions with the audience was very high quality as well.\r\nMy thanks also for your care and hospitality in terms of my airport car rides, hotel, timely honorarium, etc. I know how hard this is to arrange, when so much is going on.\r\n \r\nI do want to share with you one negative experience I had--and I write this only because my hope is that if it is pointed out to the organizers, perhaps it will not happen again to someone else.\r\n \r\nAs part of my welcome packet, I was given a letter from the hospitality committee saying that I was to take my meals on the 7th floor of the Manhattan Center. After my Saturday morning event at Hammerstein, Goutam Dutta told us (the speakers) to go there for lunch. However, when I went there, I was treated very rudely by the 2 women in charge, and told I should not be coming there for meals. They also referred very rudely to Goutam when I mentioned that he had sent me there. This event was very embarrassing for all of the speakers. I was made to feel as though I had sneaked in there to get a free meal to which I was not entitled. I would have left right away to buy myself a meal outside the hotel, but the other speakers and Mohua, one of the literary organizers, requested me not to go as our next program was about to start in 15 minutes. She managed to get some food for me, putting up with many insults herself to do that. I ate it, But as you may imagine, I felt very bad, kind of like a bhikhiri in a biyebari. In my 15 plus years of doing events in this country and abroad, I have never been treated like this. It will be, unfortunately, something I will remember for a long time.\r\n \r\nI know many NABC volunteers and organizers worked tirelessly behind the scenes to make things happen just right for the hundreds of performers and speakers that came to your event. Unfortunately, most of them did not interact directly with us, so we could not experience their warmth and sincerity. The volunteers/organizers who have the most impact on us guests are the ones who deal with us directly, one on one, such as the women in the meal room. Perhaps you could remind them of the importance of what they do--and the effect it can have on a guest''s overall memories of an otherwise wonderful NABC.\r\n \r\nthank you\r\nChitra Divakaruni', 'An Open Letter from Chitra Divakaruni', 0, 'Many things have gone well and many things have gone wrong during our last NABC2005. The following letter from Chitra Divakaruni exemplifies one of the things that went really wrong. We understand that managing such an event of this scale is not trivial and especially for the volunteers (I repeat, volunteers) it was indeed an arduous task to do their job and also keep their cool. However, I only hope that this letter from Chitra helps us in improving our festival, rather than turn out into a finger pointing exercise.\r\n\r\nThank you.', 'publish', 'open', 'open', '', '34', '', '', '2005-10-21 02:17:16', '2005-10-20 20:47:16', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/34', 0, 'post', '', 1),
(36, 8, '2005-07-15 22:53:36', '2005-07-15 17:23:36', 'What makes a Banga Sammelan successful? Advancing the cause of Bengali culture , literature and business ; sheer fun of meeting friends and late night Adda; showing off of collection of Sarees and (for a few) basking in the reflected glory of Calcutta luminaries? The answer is all of the above except anything to do with the advancement of Bengali culture, literature and business. To claim that it is will be pretentious. By that yardstick the Banga Sammelan in New york has definitely been a success. Yarning for the lime light apart, one has to recognize and admire the effort and hard labor of the organizers. It is no mean achievement that Banga Sammelan has come to being an institution serving the community in general. The name that comes in mind, who is the undisputed leader is Prabir Roy. He not only deserves recognition and praise but our gratitude as well.\r\nIn a way this meet was innovative in certain areas, like involving the local talents, recognizing the second generation young talents and in choosing the topics in the commemorative journal published on this occasion\r\nThese are long due steps needed for establishing an identity for the Sammelan. It is also time to reflect on the charecter and nature of Banga Sammelan. Start with compilation of data as to:\r\n1. What is the demography of the people coming to the Banga Sammelan, their homes, age, income brackets etc.\r\n2. At what point of the year they decided to come.\r\n3. What kind of arena do they prefer as the venue.\r\n4. How much they spend in all for the entire weekend.\r\n5. What are the sources of fund for sponsors, registration, advertizement.\r\n6. How much do the organizers spend under individual headings; rent, advertizement, Calcutta artists. Calcutta writers; their air fare, hotel expenses, their fees.\r\n7. How many people attend literary seminars, business seminars.\r\n8. Why do people come; Cultural performances of Calcutta artists, talk to famous writers; connecting to Calcutta for business.\r\n9. How many people will like to see Bombay stars and at what cost.\r\nThe questions above are not necessarily in order of importance\r\nThese are sample questions, I am sure there are many more relevant and revealing questions.\r\nRecords of say, last five Sammelans can be compiled and released. Now on every local organizer may be required to submit a report at the conclusion of the event.\r\nOf course there were lapses and glitches. I noticed some and I am sure others can point out to more.\r\nAt the entrance of the arena a big banner with a wrong spelling was an eyesore. The word is OIKOTAN and not OIKYATAN.\r\nAnd then the national anthems, both of them by a Bengalee poet, of India and Bangladesh were disasters. Out of tune and pitch and even wrong words. Bangladeshi anthem was not even performed as an anthem.\r\nOne of the most ballyhooed items, the anthology of Bengalee dramas was poorly play written, poorly directed, poorly presented and poorly acted. It all could be due to the fact that the idea was ill conceived and from the start was designed to go no where.\r\nBottom line: we enjoyed the meet, like we do every year no more no less.\r\n\r\n\r\n\r\n\r\n\r\n\r\n', 'Banga Sammelan', 0, '', 'private', 'open', 'open', '707183e', 'banga-sammelan', '', '', '2005-07-17 02:48:44', '2005-07-16 21:18:44', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/36', 0, 'post', '', 0),
(97, 1, '2007-09-26 11:28:19', '2007-09-26 15:28:19', '\r\nAfter a long time, the Indian Cricket team has done something wonderful. They brought home the ICC 20/20 World Cup. Kudos to Dhoni and his team. Many people (including former Pakistan captain Rashid Latif) have attributed this success to the recent film, "Chak De India". I have not seen the film yet, but the media has made me aware of the story line. Shah-Rukh Khan plays the coach of the Indian womens hockey team and leads them to World Cup victory. It is a story of courage, perseverance and overall team spirit. \r\nWe see several sports films coming out of the Hollywood film factory, but this genre is quite rare in Bollywood. "Chak De" is a welcome change. And, if one film can motivate our cricket "Team India" to win the 20/20 World Cup, I hope films like this can influence and improve the overall sports scenario in our country. \r\n"Chak De" reminds me of a long lost film that came out of Tollywood - "Koni". Based on a wonderful novel by Mati Nandi (who also wrote some exceptional sports novels like Striker and Stopper) and directed by Saroj De, "Koni" is a heart warming film about the struggles of a swimming coach "Khidda" (played by Soumitra Chatterjee) and his trainee Koni (played by Sriparna Banerjee). Khidda (for Khitish -da) picked up Koni from the slums of Calcutta and groomed her to be a team member of the Bengal swim team at the national swimming championship. Extreme poverty, social stigma, petty sports politics - nothing could beat the indomitable spirit of "Khidda" and her protege, Koni. Kihidda''s encouraging words, "Fight, Koni Fight!" still ring in my ears. May be it is time for the big budget film makers of Bollywood to think about remaking "Koni" with the technical finesse that todays films are built with. With advanced sports photography techniques (like underwater shots), smart editing and a stellar cast, Koni is a sure winner. I am sure that under the right hands, "Koni" will become another great motivational movie that can snap out our sports authorities from their deep slumber and lead our athletes to some medals at the Olympics and other international events. \r\nI was lucky to find the entire Koni film on Youtube (in 13 parts) and I have enclosed the playlist with this post. Watch this film and say out loud, "Chak de Koni".\r\n', '"Chak De" and Koni', 0, '', 'publish', 'open', 'open', '', 'chak-de-and-koni', '', '', '2007-09-26 11:28:19', '2007-09-26 15:28:19', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/97', 0, 'post', '', 0),
(95, 1, '2007-09-19 11:47:23', '2007-09-19 15:47:23', 'Due to the unreliability and restrictions imposed by my web hosting service, I am using a new email newsletter service provider (FeedBlitz). You will now receive an email (every week) with the list of recent postings on the blog site. \r\nIf you were in my earlier email list, you do not need to do anything. If you would like to contribute your articles, comments and thoughts, you need to register (click the register link on the right column). \r\nAs always, spread the word and let us all share our thoughts and experiences through this new medium.\r\n', 'New Email Service', 0, '', 'publish', 'open', 'open', '', 'new-email-service', '', '', '2007-09-26 10:07:27', '2007-09-26 14:07:27', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/95', 0, 'post', '', 0),
(96, 1, '2007-09-21 09:28:21', '2007-09-21 13:28:21', '\r\nANANDA MANDIR will present its annual marquee program\r\n“LIVE” MAHALAYA on October 14th at 5 AM at Ananda Mandir.\r\n \r\nThis event is so close to every one’s heart who celebrates Durga Puja or Dashera.\r\nWell known local artists, such as Mitali Bhawmik, Parthasarathi Mukhopadhya,\r\nZafar Billa, and many more will participate in this event.\r\n \r\nSpace is limited. Please come early. For more info, call Arun Bhowmik @ 908-672-1452.', 'MAHALAYA - LIVE', 0, '', 'publish', 'open', 'open', '', 'mahalaya-live', '', '', '2007-09-21 09:28:21', '2007-09-21 13:28:21', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/96', 0, 'post', '', 0),
(39, 9, '2005-07-18 02:47:52', '2005-07-17 21:17:52', 'Cerebration, a quarterly electronic journal is calling for submissions for its forthcoming issues. Cerebration is a trans-cultural magazine operating from NJ and Delhi and attempts at bridging academic and non-academic circles; Cerebration strives to provide a space for critical discussions and creative expression across cultures and is sponsored by Drew University, NJ. The editorial advisory board consists of eminent academics, critics, journalists and filmmakers from US and India including Gayatri Chakraborty Spivak , Bapsi Sidhwa, Barkha Dutt, Subrata Sen amongst other well-renowned academics from US (www.cerebration.org/board.html ). Cerebration is currently accepting submissions in the categories of essays, fiction, columns, poetry, photography and art work. Please visit Cerebration at www.cerebration.org \r\n\r\n', 'Call for Submissions', 0, '', 'publish', 'open', 'closed', '', 'call-for-submissions', '', '\nwww.cerebration.org', '2005-07-18 02:48:58', '2005-07-17 21:18:58', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/39', 0, 'post', '', 1),
(46, 8, '2005-10-14 20:05:25', '2005-10-14 14:35:25', 'Amitava Sen\r\n\r\n\r\n\r\n
No one can say that Raghav Chatterjee does not sing well. He does. He is an extremely talented and skilled singer and performer. But he came up short in delivering for the major and I stress, major part of his audience at Kallol Puja. He was too loud and sometimes painfully screaming. His repertoire was too post modern and convoluted for our liking. He possibly was targetting relatively young Calcutta born crowd present, but he definitely did not cater to the people who paid most for hiring him. The fault does not lie with him. The so called younger group of Kallol is ostensibly in control of the stage and what goes on there. Programs are chosen and directed by them with a trace of arrogance and a little bias. We heard Raghav at Banga Sammelan in New York and really liked his not so hip performance on the sober side. But his program at Kallol was disappointing to many and I dare say most of us. 50 people who danced with his singing at Durga Puja are not the final arbiters, I am afraid.\r\nThis is neither new nor an isolated instance. Larger question is: are we being culturally manipulated by a few? Have we always been? By we I mean people who have been here for two or three decades or longer. In the beginning we had amongst us a self proclaimed intellectual coterie, the "better than thou" crowd. They fed us with all sorts of revolutionary cliche''d theatrical performances and obscure plays. We the intellectually challenged masses sat through them approvingly lest we were branded un-intellectual. Then there were literary seminars and classical musical soirees. We also suffered through them silently. While we prided ourselves of being in elite intellectual company, they really needed an audience and mostly our money.\r\nNow, there are friends and close acquaitances, who consider themselves artistically gifted, eager to present their wares in public, at a price of course. Saying no to their entreaties to buy a ticket or two will not take you far. What is a friend in need if the most expensive tickets are not bought? They also badly need a crowd. So attenedence is a must if you do not want to flush your relationship down the drain.\r\nI say, where the culture is doled out wholesale as in Durga Puja we have to excercise our collective power in letting the organizers know what we want. In retail performance area we have to excercise our individual buying power in choosing what we like. Sitting through poorly presented and histrionically deficient plays, listening to Rabindra Sangeet in Hindi or Sukumar Roy in English translation is ultimate undermining of our cultural sensitivity. We are not doing any favor either to our friends by encouraging them to hold on to their delusional views of their thespian and musical talents.\r\n\r\nAmitava Sen\r\n\r\n
Finally 2005 Pujo is here. In this Garden State of ours, Kallol has started their celebration yesterday (Friday) evening and GSCA will start theirs from today. Are you all ready to hit the doors of Ukrainian Community Center or Plainfield High School? As you attempt to enter the doors, you''ll encounter few somber looking gentlemen sitting behind a linen covered desk with few preprinted stationary and scattered ball point pens. Yes, you now need to pull out your check book and be ready to shell out few dollars from your savings. The question is how much? The gentleman behind the desk will point you to a preprinted piece of paper with a heading which reads something like, “Suggested Donation". For few moments you will struggle with the word, "suggested". It may occur to you that the shocking amounts below those lines are mere suggestions only. No one is forcing you to pay that amount. However, after some deep contemplation and few tacit exchanges, finally you will succumb to both internal and external pressures and write that check for the full amount that was asked for. For the next few minutes, this episode will keep on pinching you. Soon enough you’ll forget the unpleasant feeling and get involved in the festivities, until next year when this issue will again surface at the parties and get-togethers. The debate undoubtedly will be that why these Pujo organizers can charge such astronomical amounts? After all what do they offer? \r\n\r\nLet’s think about this issue for a moment. Is it justified for the organizers to demand the contribution they are asking for? \r\n\r\n
For the past few years, these two major Pujos of NJ are celebrating their festivals on the same weekend, breaking a long tradition of having them on separate weekends, primarily to manage the logistics. First of all, reservation of these venues on specific targeted weekends is a difficult task. Secondly, this simultaneous celebration, divides the crowd which has grown over the years to such an extent that the fire marshals of the respective towns would be forced to shut down the event if the crowd skews to any particular direction. However, this division of crowd has caused some financial strains on the organizers. The cost of organizing these festivals is also shooting through the roof. The venues are demanding higher rent every year. To accommodate the increase in crowd, we need to set up tents outdoors. Only few years ago, we remained quite satisfied with the entertainment programs presented by our local artists and performers. Now we demand the top performers from Kolkata, maybe even Mumbai. This translates to increased expense. Then comes the question of food. Goat curry seems to be consistent debate. Just check out the price of a pound of goat meat in your local halal meat store. Now you do the math. Think about it, just to attend a show of these performers that we get to watch during the Pujo, will cost much more than what we pay as chandaa. Then factor in the food and fun, I think you’ll find that you are coming out much ahead.\r\n\r\nPlease join in the debate. Send me your comments and your thoughts on this issue. \r\nWish you a great Pujo. \r\n\r\n\r\nSudipta Bhawmik\r\n', 'Pujor Chandaa', 0, '', 'publish', 'open', 'open', '', 'pujor-chandaa', '', '', '2005-11-01 00:01:39', '2005-10-31 18:31:39', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/45', 0, 'post', '', 7),
(582, 1, '2011-08-30 23:24:21', '2011-08-31 03:24:21', 'ICC Durga Pujo 2011
\r\n\r\n
Please mark your calendar
\r\nICC of Garden State is pleased to announce the dates for Durga Pujo 2011:
\r\n· Saturday, September 24 and Sunday, September 25.
\r\n\r\n
\r\n
Main attractions: (subject to change)
\r\n· Nachiketa, renowned singer from Kolkata for Saturday, September 24.
\r\n· Natok group from Toronto, Canada for Saturday, September 24.
\r\n· Soumyen Adhikari, singer also from Kolkata with a voice of Hemanta Mukherjee will perform on Sunday, September 25
\r\n\r\n
Food and Prasad:
\r\nBoth the days Prasad and Dinner will be served.
\r\nSaturday dinner highlights are Goat Curry, Rice.
\r\nSunday dinner highlights are Khichoori and Labra.
\r\n\r\n
Venue:
\r\nIn Morris County, NJ
\r\nMt Olive High School
\r\n18 Corey Rd, FLanders, NJ 07836.
\r\n\r\n', 'ICC Durga Pujo 2011', 0, '', 'publish', 'open', 'open', '', 'icc-durga-pujo-2011', '', '', '2011-08-30 23:24:21', '2011-08-31 03:24:21', '', 0, 'http://nynjbengali.com/?p=582', 0, 'post', '', 0), (290, 1, '2009-02-27 00:32:08', '2009-02-27 04:32:08', '', 'slumdogs', 0, 'Hey, shouldn''t we get our fair share?', 'inherit', 'open', 'open', '', 'slumdogs', '', '', '2009-02-27 00:32:08', '2009-02-27 04:32:08', '', 289, 'http://ethnomediallc.com/wpress/wp-content/uploads/2009/02/slumdogs.gif', 0, 'attachment', 'image/gif', 0), (291, 1, '2009-03-04 19:03:31', '2009-03-04 23:03:31', '\r\nWhile the current economic crisis still bogging us down to our knees, I chanced upon an insightful lecture by Dr. Alan Blinder, a Professor of Economics and Public Affairs at the Woodrow Wilson School, Princeton University. A world renowned economist, Prof. Blinder speaks very eloquently about the multiple causes and culprits of the current economic crisis and also spells out the possible remedies. It was an extremely educational experience for me, and I think will be the same for many people like me who keep on hearing multiple different stories from different sources. \r\n
Bengali music found its new voice through band music that has recently proliferated across the land and one of the pioneers of this music is "Bhoomi" the legendary band from Kolkata. The key to Bhoomi''s success is their use of Bengali folk tunes and enrich them using modern musical arrangements. The six member team, with occasional guest artists, have been entrancing their audiences since 1999 with their captivating music. Folk musicals styles like baul, bhatiyali , moishaal, jhumur,saari gaan and qawaali constitutes the primary source of inspiration for Bhoomi''s music. Bhoomi uses a wide range of acoustic instruments that include the thumbas, bongos, dotara, djembe, drums, violin, flute, khanjira, mandolin, banjo, khamak, matka, handi, guitar, castanets, tambourine, kanshar ghanta, conch, resso, blues harp, pan flute, spring drum, steel drum, melodica, blues harp, harmonium, piano, moorcing, ektara, recorders, tabla, balalaika, dugdugi, dubki, edakkaii ,cowbells, chimes, dholak, khol, madol etc. The band members are all multi-talented musicians who not only can sing, compose, write lyrics for the songs but also can play a wide variety of instruments. Soumitra (Ray) and Surojit (Chatterjee) are the lead singers of the band but they also play a variety of instruments with Soumitra on the rhythm (drums) and Surojit typically on the Mandolin, flute or the guitar. The other team members - Sanjoy Mukherjee (sound effects), Abhijit Bose (base guitar), Robin Lai (violin and keyboard) and Hemanto Goswami (lead guitar) complement the singers in a variety of arrangements.\r\n\r\n
We Bengalis are fond of bargains. We feel insulted to shop at any store which do not allow bargaining. We are paranoid that the store owners and businesses are always on the lookout for ways to rip us off. And we would like to be on top of them. "Start your negotiation at one third the asking price", advised our elders who claim to be the greatest negotiators of all time, "and be prepared to walk away, but slowly. The shopkeeper is going to call you back with a better offer!" \r\nYou need to be thick skinned too. Some of the savvy sales people will attack your pride and self confidence without any mercy. They will make you feel like a lowlife for having the audacity to make such an outrageous offer. Some, will keep on playing with you your own game and finally both of you will agree on a deal which will appear like a big win for you and a big loss for the sales person. He will whine and cry and ask you for the last two bits that you can spare, like "Dada, aar duto taka diye din; bounir somoy!", and you will gracefully oblige. After all you are the big winner! You will walk away with your winning smile, and the sales person will start dealing with his next customer, hiding his own laughter. Many of us, the hard bargainers, snobbishly avoid those stores who conspicuously display the "Fixed Price" sign. What is the fun in shopping if we can''t get to play the bargaining game?\r\n\r\n
The online shopping scene has thrown a wrench to the traditional bargaining game. You no longer have to deal with a real person. You visit your favorite online store, search through the catalog, pick your product and pay for it. No more haggling. No more walking away with the hope that someone is going to call you back. But, we all knew that no shopping can ever exist without bargaining and that too in America, the bargain hunter’s paradise. So soon we saw the arrival of eBay, Priceline, Hotwire and many others. Ebay is now a phenomenon; it started out at as an online auction site, but soon it has evolved into a major bargaining site, where you can name your price. Priceline and Hotwire concentrate primarily on the travel business, but I won''t be surprised if they diversify into other markets soon. \r\n\r\nBut Ebay, Priceline all have their caveats. You have to make some sort of a commitment; and if the seller accepts your offer, you cannot walk away. But if you make too small a bid, you may not have a deal at all. This, kind of, turns me off. Rather I use the other form of bargain hunting, coupons and rebates. If you can find the right combination of coupons and rebates, you can manage to get great deals (or at least you can have a feeling of a great deal). There are several websites that can help you find such bargains. They will tell you which manufacturer or seller is offering what kind of discounts in the form of rebates, coupons, special promotions etc. Companies like Dell, Staples, OfficeMax often offer great deals through rebates and coupons. Check out websites like hot-deals.org, techbargains.com or deals2buy.com. I particularly like hot-deals.org, for its simple interface and no nonsense deals. It will only list those deals that are “hotâ€, and not the regular discounts. I confess, that it is one site that I visit once daily. Techbargains.com is a good site if you are looking for technical gadgets and stuff. These days I find it foolish to buy a product without any discounts of any kind. Even when I find a seemingly good deal, I often feel cheated since soon enough someone will inform me that they found a better deal. It’s a lousy feeling, even though the difference may be only a few dollars. It’s not the money, but our pride that gets hurt the most. Let’s admit, we the bargain hunters, have special tools and techniques that we guard as our greatest secrets. These are the skills that we have mastered over the years that make the difference between a winner and a loser. \r\n\r\nBut again, there are those amongst us, who are more generous. They feel good to share a good tip with their friends. They feel happy when their friends are happy. I am sure you are one of those great souls. So, please, share a tip with us. Tell us how you made that great deal? I am sure the readers of this site will bless you and wish you well.\r\n\r\nBest regards.\r\n', 'Bargains! Bargains!', 0, '', 'publish', 'open', 'open', '', 'bargains-bargains', '', '', '2005-10-29 20:25:41', '2005-10-29 14:55:41', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/52', 0, 'post', '', 0);
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(55, 8, '2005-11-11 20:41:38', '2005-11-11 15:11:38', 'Amitava Sen\r\n\r\nIf you are not reading or writing in Blogs you are completely out of touch, you are totally un-cool , you are ouside the intellectual landscape; plainly speaking you have forfeited your claim to the membership of "Antel-dom". Today blogs wield enormous power and influence over politics, society and even literature and publishing, rivalling network news and newspapers. The Blog derives its name from the word Web logs. The word Blog was coined in 1997, where you can post daily scribbings, mostly critiquing anything and expressing any well formulated or stray thoughts. The idea caught on with lightning speed so much so that according to Technorati, the blog tracking site, 70,000 blogs are being launched every day worldwide. Technorati tracks over 20 million active blogs in real time. Most blogs turn out to be servicing specific subjects, specific interests and specific groups, specific may always not be in their contents but in their souls. So what is baring Bengali souls in North America?\r\nBut are Bengalees ready for entry into the Blogosphere?\r\n(Or for that matter any group of immigrants from a third world country?)\r\nMost people of current generation came here for making a better living, period. Making money in this country is not difficult, still easier is to look in to the mirror and see your larger than life image At that point most among us get somewhat delusional and forget reality self-check. We hanker for recognition by the peers, some in art area as actors, singers; some in social domain as club presidents and secretaries. But let''s face it; those skills can not be bought. So we end up performing out of tune songs as singers or delivering forgettable speeches as presidents. \r\nMost, almost all of us left our country for acquiring worldly things; we are the material types. We have not transcended hunter gatherer mode, not yet. We are not ready for the stage. We are not ready for letters either. I remember a disastrous effort in Banga Sammelan of the year 2000 publishing an English magazine . So let''s get back to what we do well, make more money. And occasionally get on to the stage for doing what we do not so well.\r\nDo not feel bad, this is the way the country has been. Remember none of the founding fathers was a first generation immigrant.\r\nBlogs are modern day vehicle for thoughtful expressions. We specially the first generation immigrants have not had much time to think and still don''t. Then there is a problem with language, that also is natural and expected. We are naturally shy putting our thoughts, if we have any, down on paper in an alien language. So expressing through writing in blog is not what Bengalees feel comfortable with. That may explain why you are having such a poor support in your admirable endeavor, Sudipta.\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n', 'Are Bengalees ready for a Blog Site of their own?', 0, '', 'publish', 'open', 'open', '', 'are-the-bengalees-ready-for-a-blog-site-of-their-own', '', '', '2006-01-19 04:24:24', '2006-01-18 22:54:24', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/55', 0, 'post', '', 1),
(57, 1, '2005-11-13 03:27:34', '2005-11-12 21:57:34', 'Sudipta Bhawmik\r\n\r\nThe phenomenon of job outsourcing has been the topic of discussion in all circles these days. The high tech and IT sectors are specially affected by the outflow of high paying jobs to India and China. Initially it was only the relatively low paying jobs like call centers, medical transcription services were moving to India. But now highly skilled jobs like IT, semiconductor chip design, accounting and financial analysis jobs are also moving to India. But we all know that this is a natural phenomenon. High cost jobs will move to low cost areas. The laws of physics are equally applicable to economics and finance, at least in this case. It is fruitless to try to resist this flow. My question is how we, the so-called non-resident Indians are or NRIs are reacting this phenomenon? Are we happy that after all these years the Indian economy and high technology sector is booming? After all, many of us have stayed back in this country with the excuse that India did not have the opportunities and challenges to justify our education and training. Many of us believed that our intellectual and professional capabilities were too superior to be wasted in India. But those excuses do not hold water any more. So shouldn’t we be happy that after all these years we can now think about going back to our homeland? \r\nOr are we feeling a bit threatened? Maybe we are feeling that the comfortable and luxurious life that we have built for ourselves in this land of opportunity is suddenly under an ominous threat. Any day our employers may decide to outsource our jobs to India to be done efficiently at one fifth the cost. We may have to give up our high paying jobs for some low paying alternative. Besides, the improving economy in India is also depriving us of our financial edge. The Indian professionals now earn enough to make them at par on purchasing power with any US employed professional. Moreover they enjoy many other amenities like house keeper, cook, chauffer etc. Do we sometimes feel a tinge of jealousy? But neither can we go back so easily. Our roots have started to grow in this country. Our children are used to the American life. We have built our social lives here. Can we uproot ourselves once again? I guess we are in a strange dilemma. \r\nHow do you feel about this issue? Send in your comments.\r\n', 'Outsourcing and Us', 0, '', 'publish', 'open', 'open', '', 'outsourcing-and-us', '', '', '2005-11-13 03:29:00', '2005-11-12 21:59:00', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/57', 0, 'post', '', 0),
(63, 8, '2005-12-03 21:36:35', '2005-12-03 16:06:35', 'Amitava Sen\r\n\r\nWhat does the word Biswa-kobi mean? Poet laureate of the world, World-class poet, Universal poet? Bengalees use this honorific or title in referring to Rabindranath Thakur. I have always wondered about it as I have as to why the championship of baseball is called World Series. How does a tournament of game played by less than 5 % of the world population even after keeping other baseball playing nations such as Japan or Cuba out, claim to be a world event? Likewise, the “World†cup for the game of cricket played mostly by a few third world countries raises the same question. \r\nAmericans are prone to use hyperbole in describing whatever comes their way and they get away with it because coming from the most overpowering nation, the rest of the world accepts it with awe. Neither can their claim to the world title be dismissed as the arrogance of the novaeu rich; for record the winner of the game played between just two teams as back as in 1884 was crowned as the “Champion of the worldâ€. (And it continues to the day). For Americans the world stops at their shore and what the humanity beyond their world think does not count and realistically speaking, does not matter. \r\nOn the other hand, a game of cricket can claim the distinction of most man-hours spent by the viewing public in days’ long game. (Man-hours in this instance mean, number of people multiplied by the number of hours spent watching a game). And I can understand that this number is unsurpassed by any other game in the world. The most countries playing cricket have an inexhaustible supply of unemployed and bored flocks attending the games lasting ten to forty hours. But should not the cricket championship be more appropriately called Third-World Cup? \r\nBut for me Biswa-Kobi still continues to be a riddle. Rabindranath have written profoundly of upper and middle class Bengalee society, with deep Hindu spirituality and mysticism, but universal he is not by any measure. His sonorous lyrics and songs are hugely popular in Bengal, both east and west. But universally he has failed the test of time. He is largely forgotten in the west and the rest of the world. During Tagore’s life time Graham Greene famously wrote “As for Rabindranath Tagore, I can not believe that anyone but Mr. Yeats can still take his poems very seriously.†I wonder how many amongst the erudite lot in Bengalee Diaspora know Rabindranath beyond his songs and dances.\r\nHowever, evaluating Rabindranath and his works is not the point of this piece, easily carried-away and irrationally exuberant Bengali emotion is. In order to call someone our own great, we tend to canonize the person, we turn them into icons, more to be garlanded and worshipped than understood. English speaking world did not call Shakespeare the “World-playwright.\r\nSomeone at some point of time must have bestowed on Rabindranath the title of “Biswa-Kobi†or anointed him to the position of Poet Laureate of the world. Recognizing Rabindranath’s proclivity for self-aggrandizement it is not inconceivable that he himself may have done so. He was not shy about heralding his birth as a momentous event for the human kind (Hey Nutan Dekhadik Arbar Janmero Prothomo Subhakhan) or proclaiming his super-human stature (Oi Mahamanaba Ashe) and then staking his claim for a place among the greats (Ami Jodi Janma Nitem Kalidasher Kale, Hotem Tobe Dasham Ratna Naba Ratna Male). \r\nIt would be interesting to find out where and when did Rabindranath referred to himself as Biswa-kobi. If he did not, who did?\r\n\r\nAmitava Sen \r\n\r\n', 'What is Biswa-Kobi?', 0, '', 'publish', 'open', 'open', '', 'what-is-a-biswa-kobi', '', '', '2005-12-05 07:01:29', '2005-12-05 01:31:29', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/63', 0, 'post', '', 0),
(64, 1, '2006-01-07 20:58:19', '2006-01-07 15:28:19', 'Sudipta Bhawmik\r\n\r\nThis week one of our very close friends, Siddharta Dutta, passed away. \r\nSiddharta-da, popularly known as Ashi-da, was one of the most culturally and socially active Bengalees of this region. Many of us have seen him perform on stage, sometimes as an actor, sometimes as a singer and sometimes both. His performances in plays like Chhutir-Phande, Byapika Biday, Antony Phiringi, Tulkalam, Kenaram Becharam will be remembered by many theater lovers. He was a multi-talented person who, besides acting and singing, was also an excellent writer of short stories, essays and plays. His wide knowledge base and refined taste in the arts was always reflected in his work.\r\n\r\nMy acquaintance with Ashi-da was primarily through theater. We did several plays together, plays like Ferari Fouz, Tul-Kalam, Kenaram Becharam and few others. He was one of the most sincere actors that I have worked with in this country. He always arrived on time at the rehearsals, and he was always the first to memorize his lines, when we all were struggling. A great team player, Ashi-da never grudged to work under the direction of his juniors and gave his best for the success of the project. And his wit and sense of humour was something to be experienced. It was people like Ashi-da, from whom I derived the inspiration to survive culturally in this country. He demonstrated that creative people can find their stage anywhere in the world, all you need is few like minded friends.\r\n\r\nWe all will be missing Ashi-da. On behalf of all of us, I''d like to extend our deepest condolences to Banani-di and the rest of Ashi-da''s family. I pray that his soul rests in peace. \r\n', 'Goodbye Ashi-da', 0, '', 'publish', 'open', 'open', '', 'goodbye-ashi-da', '', '', '2006-01-07 20:59:58', '2006-01-07 15:29:58', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/64', 0, 'post', '', 1),
(65, 1, '2006-01-18 23:34:44', '2006-01-18 18:04:44', 'Sudipta Bhawmik\r\n\r\n(Originally published in AnandaSangbad January 2006 issue.)\r\nWe are getting old! We maybe in denial, but the fact remain true. Those of us who belong to the so called baby boomer generation (that is born between 1946 and 1964) are quickly approaching the age about which we need to think and plan about. Yes, financial planning, like IRAs and 401(k)s are important, but I am talking about social and cultural planning. What are we going to do in our “golden years� Did we ever think about it? Moving to Florida is out of the question, admit it, we won’t be able to move to an adult community in Florida and spent the rest of our lives with complete strangers. Some of us do dream about returning back to our homeland, to India. Several times we have contemplated the thought that with our retirement benefits and social security paycheck we will live like kings in India, more specifically, in Kolkata. But is it true? First of all, when we return to India, most likely many of our relatives like parents, uncles, aunts, may no longer be there. Our relationships with our cousins and other friends will likely become too loose to re-establish. The India we left behind during our youth does not exist any more. We will be once again moving to a foreign land. The cost of living in India is growing too, and it is doubtful how long we will be able to leverage our dollar advantage. Finally, with our children and grandchildren in this country, will we be able to live happily in India? So, if we rule out the above two, we are left with the only alternative of living where we are. Maybe we will downsize our homes and move to smaller condos, townhouses or maybe even to adult housing, but what are we going to do? We can however opt to blend in more with the mainstream and spend time at local senior centers playing Bingo and Pool. There is no harm in that, but those of us who have been actively engaged in Bengali social and cultural activities, it will be difficult to adjust to Bingo and Atlantic City tours. \r\nSo, I think it is high time we think about our future. We need to do something that will not only keep us happily engaged, but will also be intellectually stimulating and satisfying. My uncle in India, after he retired from his Government job, started to edit and publish a unique magazine. Titled “Phire Dekha†(Looking Back), it is a magazine for the retired people and by the retired people. Currently in its twelfth year, the magazine has grown a loyal following of hundreds of retired people from all around India. They write their own stories from their experiences, some professionals (like doctors, lawyers, accountants) share their expertise, some engage in social debates. The magazine has grown into a movement of sorts. The subscriber-members meet often just to discuss, chat and have a good time. This is the type of activity that I’d like to be involved when I retire. But can we do it here, in this adopted homeland of ours?\r\nAnandamandir can effectively support such a movement and serve as the vehicle which can help us sustain in our old age. We need to get engaged more with the Anandamandir committee and help them develop a cultural center that can not only serve us now but can be our social and cultural retreat during our golden years. Let’s give it a serious thought.\r\n\r\nP.S. Please send your comments to bhawmik@gmail.com\r\n\r\n', 'Our Golden Years', 0, 'We are getting old! We maybe in denial, but the fact remain true. Those of us who belong to the so called baby boomer generation (that is born between 1946 and 1964) are quickly approaching the age about which we need to think and plan about. Yes, financial planning, like IRAs and 401(k)s are important, but I am talking about social and cultural planning. What are we going to do in our “golden years�', 'publish', 'open', 'open', '', 'our-golden-years', '', '', '2006-02-15 22:02:51', '2006-02-15 16:32:51', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/65', 0, 'post', '', 1),
(77, 1, '2007-08-22 20:02:19', '2007-08-22 14:32:19', 'Please fill this form to subscribe to this blog. You will receive emails about recent posts and events on a weekly basis.
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Trip to Calcutta: A Chiaroscuro\r\nAmitava Sen\r\n\r\n\r\nI could hardly see her, behind the pile of sarees stacked on the shop counter; nevertheless, I recognized her and was pleasantly surprised to see Gouri of New Jersey at the Gariahat ladies tailoring shop. I confess that although not a customer, I am a frequent visitor to this place during my not so long stays in Calcutta. My wife always carries a big order of blouses from her friends during our annual trip to Calcutta and then she has her own stuff. That calls for more than a few visits. From logistical considerations we found that we save time and gasoline if we could drop-in at the tailor shop on our way to other destinations. \r\nI inquired about Gouri’s stay and travel plans. She is in India for a total of three weeks, she discloses; she has already been one week in Calcutta and three days each in Bombay and Bangalore. She does not have many relatives, her both parents are deceased, and she has a sister in Bangalore and a first cousin in Bombay. She informed that she was at the tailoring shop for hemming, attaching fall and netting of the 25 sarees she purchased, not to mention stitching 25 blouses matching each of them. I could see where the pile of sarees on the counter came from.\r\nOn our way back from the shop I was wondering aloud how could she manage to buy 25 sarees during her one week’s stay in Calcutta? My wife explained that these sarees had been purchased from three cities all resplendent with saree shops. I conjectured how could she not buy 8 and one third sarees per city, especially when each of the sarees was unique, one of a kind and at dirt cheap price of not more than100-150 dollars each? My wife was clearly indignant at my insensitivity. Sure, I immediately relented; I should have understood the obvious reason behind the purchase of 25 sarees. Pleased with my remorse, my wife confided, Gouri bought five more, which were not at the tailoring shop. Gouri did not like them after she brought them home. But never mind, she will take them back to America and sell them to her friends at cost, which will most likely include a reasonably hefty profit for herself, call it service charge. And she can rightly recover her marketing and selling expenses which will include a dinner at her place. I made a mental note to excuse us from any dinner invitation from Gouri when we return.\r\nWhat brought Gouri to India? Why do we keep on coming back? Ostensively to see relatives or buy sarees more than Gouri can conceivably wear in a year or two. That could not be the major reason for many of us. It was not true for Gouri either and only partly true for the rest of us. I know of many amongst us who take the grueling 20 hours trip to Calcutta and stay in a hotel or a guest house or are sequestered in Ramkrishna Mission Institute of Culture at Golpark. They do not even have a place to stay with friends or relatives. A stay in Calcutta is arguably unpleasant. The place is polluted, pot-holed, noisy and not a pristine tourist attraction by any stretch of imagination. \r\nBut don’t we feel good? Feel good about what? Feel good about ourselves, our inflated selves; our larger than life selves. It seems like a power trip to establish and proclaim our new found power and self esteem for our old country to see. We grew up in a place where money, muscle and connection mattered. Unless you were rich or Daoud Ibrahim’s brother or Jyoti Babu’s son you had no chance and you had no power. We have now found a way to the power; we have adequate money, adequacy measured by Indian yardstick. We expect that people, at least, back in our old country will be awestruck and will respect us for that.\r\nSo why not flaunt our money or our power here in the United States, where we live in our Diaspora? But it is difficult to get noticed here by our compatriots who look at the mirror and only like what they see. It is easier in India where there is an aura of ‘American mystique’ around you. From being a no body when we have left our country we are somebody now and we want our old country to take note. Why otherwise do we call press conferences in Calcutta to announce upcoming events staged solely for the audience in the United States? It could as well be held in Baghdad or Timbuktu; cultural aficionados or the drama reviewers in Calcutta could not care less. It hardly will attract an audience or sell a ticket or even engender a mention in Calcutta press. \r\nI suspect lurking in our minds’ shadows is the urge to claim fifteen minutes of glory back in our homeland from which we are voluntarily severed; yet we want to impose our glorified and often unreal images, desperately seeking to be noticed.\r\nOn another thought, do we revisit our old country in search of happiness? Are we unhappy here? We ought to be by “Mahabharatian†definition. When Dharma asked Judhistir as to who were considered happy in life, Judhistir answered that a happy person was the one who did not live away from home and who was not indebted. (Think about our huge mortgage and credit card debts). By that yardstick we are probably unhappy.\r\nIn the end, some would relate to me when I say that I always feel happy as soon as the aircraft touches down at DumDum and I walk in to the dirty, dusty and chaotic immigration hallway. I look around and discover that I am amongst my own people, they look like me and act like me. It is not even a feeling which reflects looking forward to meeting many relatives or friends. Neither do I have plans to buy a saree or a punjabi. Why do I feel so much at home? Is it all about getting touchy-feely? I ask myself. Do I feel slight or less of a person in the midst of white folks, back “Home� Am I happy to leave it all behind? Suddenly, I am very comfortable fitting-in; I am completely home.\r\n\r\n', 'Trip To Calcutta: A Chiaroscuro', 0, '', 'publish', 'open', 'open', '', 'trip-to-calcutta-a-chiaroscuro', '', '', '2007-08-18 09:54:00', '2007-08-18 04:24:00', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/71', 0, 'post', '', 2),
(72, 1, '2008-06-19 00:39:10', '2008-06-19 04:39:10', '\r\nOne of the key advantages of living in the United States was cheap gasoline and the joy of driving. But it seems that it will soon become a luxury of the past. Gas prices are going through the roof, and we are all suffering. The trouble is, the fundamental requirement to live in the suburbs is to be able to drive a car. We do not have a rickshaw stand nearby where we can walk to and hop into a human driven (absolutely green) vehicle and merrily coast to the local grocery store. It will be a major human rights issue if someone even dreams of such an entrepreneurial venture. Hence we have no other option other than trying to save on gasoline costs. This sort of motivated me to do some research on the web and I have come up with some interesting gas saving tips that are not always obvious. I hope you find them useful. They are not necessary in any specific order or category. If you have any such tips, please share them with us all.\r\n\r\n1. Drive fewer cars: In this country, our freedom has taken us to the extremes. We all need to drive our own gas guzzlers. However, with a little compromise, we may be able to share rides. I participate in a carpool myself and that saves me quite a bit (for 82 miles of round trip commute every day). Sometimes, within a family, husband and wife use separate cars to the same destination since they cannot compromise on a schedule. "Can''t we all get along" and save some gas (think money)?\r\n2. If you are an aggressive driver and have the sudden urges to beat everybody on the road to dust, chances are that your gas bills are quite astronomical. Avoid flooring the gas pedal that often. Take the long view of the road and brake slow and easy. Tests conducted by Edmunds have shown an average of 31% savings by following this tip alone. If you slowed your 0-to-60-mph acceleration time down from your current 10 seconds to a more normal pace of 15 seconds, you''ll feel the savings immediately.\r\n3. Edmunds website also suggests that slowing down your speed (from 75-90mph to 60-65mph) on highways can save you 12% on the average. 55mph is still the most economical speed limit.\r\n4. It has been a common belief that turning off the air conditioner saves gas. It turns out that is not the case, as per Edmunds'' tests. Apparently the modern day climate control systems of cars are highly efficient and do not consume any alarming amount of extra gas. So, stay cool in your slightly longer rides.\r\n5. Use cruise control whenever possible. Tests suggest that you may save up to 14 percent with an average savings of 7%.\r\n6. Do not idle excessively; it can save up to 19%. The recommendation is that if your stop is over a minute, turn off the engine.\r\n7. Avoid long warm-up periods; 30 seconds should be enough even on cold mornings.\r\n8. Buy gasoline during coolest time of day - early morning or late evening is best. During these times gasoline is densest. Gas pumps measure volumes of gasoline, not densities of fuel concentration. You are charged according to "volume of measurement". \r\n9. Carefully choose your brand, better quality gas gives better mileage. It is not necessary to use higher octane gas unless your car manual specifically asks for it. After filling up, be sure the gas cap clicks 3 times. Improperly seated gas caps allow 147 million gallons of fuel to vaporize every year in the U.S.\r\n6. Finally, buy gasoline from the station offering the lowest price. Several websites now offers gas prices of gas stations in your local area. One such website is http://www.automotive.com/gas-prices. ', 'Saving Gas', 0, '', 'publish', 'open', 'open', '', '72', '', '', '2008-06-19 11:27:19', '2008-06-19 15:27:19', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/72', 0, 'post', '', 1),
(174, 1, '2008-06-19 12:15:22', '2008-06-19 16:15:22', '\r\nCouple of years ago, I wrote an article on how to save gasoline by changing some of our driving habits. I have republished the article again with the faint hope that it may help us again. I say "faint hope" because whatever we could have saved has been wiped out by this record price increase. These days I am taking a more philosophical approach towards this disaster, and this resulted in a new play "Baad Protibaad". Well, don''t be scared, since "Baad Protibaad" is not a philosophical play at all (unless you really try hard to dig out the trace amounts from deep within the characters). It is just a humorous take on the effects of the gas price increase on us, the Bengalees. \r\nThe word "Gas" has some special connotation to us the Bengalees. But now, it almost means our life blood. And when this important part of our existence in this country is threatened, how do we react? \r\n"Baad Protibaad" is a short play, produced in an audio play format. The play will be broadcast on EBC Radio, 1170 AM on Sunday, June 22nd, in the Bengali program air slot - "Probaha" hosted by Abhijit Sanyal at 10am in the morning. The play is produced by ECTA Inc. Following are the detailed credits:\r\n\r\n"Baad Protibad"\r\nA Hilarious Play in Bengali by Sudipta Bhawmik\r\n\r\nProduced by ECTA Inc. \r\nDirected by Indranil Mukherjee\r\nCast:\r\nSubhodev Das as Ashok\r\nAparajita Das as Kakoli\r\nIndranil Mukherjee as Soumen\r\nAnisha Das as Jhimli\r\n\r\nRecorded and mixed at the Bharatiya Kala Kendra, NJ, Studio by Partha Sarathi Mukherjee\r\nEdited by Partha Sarathi Mukherjee and Indranil Mukherjee\r\nMusic and effects by Partha Sarathi Mukherjee.\r\n\r\nAnd please remember to come to ECTA''s mini theater festival on June 28th and 29th at the Edison Valley Playhouse, in Edison, NJ. If you like the above play, I am sure you''ll love the plays at the festival.\r\n\r\n', 'Gas and Us', 0, '', 'publish', 'open', 'open', '', 'gas-and-us', '', '\nhttp://ethnomediallc.com/wpress/index.php/archives/72', '2008-06-19 12:19:36', '2008-06-19 16:19:36', '', 0, 'http://ethnomediallc.com/wpress/?p=174', 0, 'post', '', 0), (73, 1, '2007-05-09 23:53:06', '2007-05-09 18:23:06', '\r\nKolkata has been always acknowledged as the theatre capital of India. The rich tradition of modern Bengali theatre that started more than two hundred years ago is still revered by the cultural elite of the country. Hence, an invitation from Ganakrishti (one of the top tier theatre groups of Kolkata) to perform at their seventh annual theatre festival came to me as a major challenge. \r\nIt was during the 2005 Bangasammelan in New York, when Bratya Basu, the then champion of Ganakrishti made me the offer. And I accepted, without thinking too much about the consequences. It has been a dream for me as well as all serious Bengali theatre workers in this country, to be able to showcase our work in front of the Kolkata audience. But we all know that when the rubber actually meets the road, not too many rises up to the occasion, especially when it meant taking leave from work and then travel to India spending your own money. Ganakrishti admitted that they will not be able to pay our air fares, but they will take care of us and cover all our production related expenses the moment we arrive in Kolkata. I had some faith in my core group members and I knew that they will not pass this opportunity under any circumstances.\r\nI did not even have any play in mind that we can take to Kolkata. Although our repertory had couple of good short plays ready at hand, Ganakrishti preffered a full length play. I had a full length play script ready and waiting to be produced, but I thought I''d like to take something to Kolkata that is contemporary and truely reflects some of the fundamental conflicts that we encounter as immigrants to this country.\r\n\r\nThe basic idea of "Ron" was in my mind for sometime, and I thought, why not develop this idea into a full length play? I started working on it (which involved quite a bit of research about the US Armed forces, the Iraq war etc) and by the end of 2005 I had the first draft ready. We had the first reading and Indranil is (one of our key group members) living room with most of our team members eagerly listening. The key decision we had to make that evening was to decide if we''d like to produce "Ron" (it wasn"t even named then) or to produce "Baanaprastha" (the script that I had written earlier). The team chose "Ron" primarily because of its relevance in todays world. I asked the group to find a good title for the play, and several suggestions started pouring in. It was only after few weeks, when I read the play to Tarun Chatterjee (the accomplished actor and director) and he suggested finding a short name, the name "Ron" struck upon me. Not only is my central character named "Ron" (or Ronobir/Ranveer), but also because "Ron" means war and that is what the play is about.\r\nThe next challenge was casting for the characters. We had one primary requirement for any actor accepting our offer was that he or she has to travel to India during peak summer season spending his/her own money. Although most of the key group members had no problem with this (many have been planning to go to India during that period anyway), casting some of the characters became an issue, namely those of "Nando" and "Bidisha".\r\nWe started looking for Nando and few interested fellows showed up. One, Biswajit Das, came all the way from Poughkeepsie New York to try for the role. Being from Bangladesh, he was a perfect fit for the role. He was willing to come to the rehearsals all the way from Poughkeepsie, although I was a bit sceptical. But soon he informed that he has a conflict in July and won''t be able to do the play. The search continued, and after few disappointing auditions, I reluctantly planned to take up the role myself. It was not the best option at all, since directing and acting in the same play is a very difficult task.\r\nThen I met Kaushik Datta at Lili Majumdar''s house. Kaushik had some early acting experience and was planning to go to Kolkata during July for a family vacation anyway. After a quick and surrepticious audition, I selected Kaushik for the role of "Nando". The next task was to find Bidisha.\r\n\r\nTo be continued.......\r\n', 'Staging Ron in Kolkata : Part 1', 0, '', 'publish', 'open', 'open', '', 'staging-ron-in-kolkata', '', '', '2007-08-29 15:53:12', '2007-08-29 19:53:12', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/73', 0, 'post', '', 0), (74, 1, '2007-04-30 21:48:26', '2007-04-30 16:18:26', 'Recently I had the opportunity to watch Deepa Mehta’s film, “Waterâ€on DVD . Most of you may have already seen this movie as well as its predecessors, “Fire†and “Earthâ€. “Water†is the third segment of Deepa’s elemental trilogy. I am not a film critic by any measure. However, the reason for me to write about this film is because it deals with an issue which has always been a controversial and sensitive one in our culture and religion. For the benefit of those of you who have not seen the film, “Water†deals about the plight of the Hindu widows (during 1930s) who were banished from the society to live a secluded life in the “Bidhava Ashrams†or Widow Homes of Varanasi. These widows, ranging from eight years to eighty years of age, live a life deprived of all pleasures and wait earnestly to die in the sacred ghats of Kashi, an extremely fortunate fate that guarantees a spot in the heaven. Although some of them, like Shakuntala (Seema Biswas) earn not for the heavens but rather to be born again as a man. Some, like Kalyani (Lisa Ray) do not even wait; rather they sacrifice themselves to the holy waters of to escape from their exile. \r\n\r\nMany will argue that this story is not relevant anymore. Hindu widows, these days, do not have to lead such a deprived life. They no longer have to wear whites, shave their heads, and eat vegetarian and fast on every eleventh lunar day. But is it true? Granted that, in the urban middle class and upper middle class families, widows have a relatively better life now. But the huge majority still has to succumb to the societal pressures and pick up the white garb. Widow homes (or Bidhava Ashrams) still exist in , and the lives of their residents are not that different from those shown in the film. Even the widows of the urban elites have to tolerate the “different†attitude thrown towards them by the more fortunate members of their “Hindu†society. The film asks some pertinent questions that are relevant even today. These days a young widow may not have to live her life as an ascetic in an Ashram, but she is no longer welcome in a man’s life either, as his lawful wedded wife. She still has to tolerate the greedy eyes of men who consider them as easily available. And if any one tries to raise her voice in protest, she has to face the wrath of the Hindu fundamentalists as did Deepa Mehta herself.\r\n\r\nThe story of the film happens in the background of the holy city of Benaras, a city that has appeared several times in films of stalwarts like Satyajit Ray, Raghu Rai and others. Unfortunately, Deepa Mehta did not have the luxury of capturing this picturesque city on her film. Rather, she had to be content with a poor imitation constructed in Sri Lanka. Deepa Mehta was not allowed to shoot her film in the holy city. The right wing Hindu extremists destroyed her sets and threatened her and her crew. She was forced to stop filming and return to her home in Canada. But I guess, this incident only strengthened her resolve. After two years she went back to the sub-continent, to Sri Lanka, to make her film with an entirely new cast.\r\n\r\nIt’s not that the film is perfect and free of all short comings. The script lacked the depth that a film dealing with such an issue deserves. Lisa Ray was miscast in the role of Kalyani. Despite her best efforts she could not free herself of her western accent and sophistication. But most of the other cast members did proper justice to their roles. Special mention needs to be made for Sarala, who performed the role of the child widow Chhuiya, and of course Seema Biswas who carried the film to a great extent. John Abraham’s character (Narayan) felt a little under developed – so were most of the male characters in a primarily female dominated movie. Raghuvir Yadav (as the eunuch Gulabi) did an excellent job as usual.\r\n\r\nThe most exquisite feature of this film is its cinematography (Giles Nuttgens). The framing, color schemes and compositions were breath taking at times. I wonder what impact the film would have made if it could have been shot at its original locale,\r\n\r\nThe film has surfaced once again a shame of our society and religion, a shame that had tormented people like Raja Rammohan Roy and Iswar Chandra Vidyasagar, but it still manages to sink and hide itself in the depths of our conscience. Deepa Mehta has made another attempt to bring it up and challenged us to deal with it. I deeply thank her for her heroic efforts. \r\n', 'Water: A Film That Surfaces our Shame', 0, 'Recently I had the opportunity to watch Deepa Mehta’s film, “Waterâ€on DVD . Most of you may have already seen this movie as well as its predecessors, “Fire†and “Earthâ€. “Water†is the third segment of Deepa’s elemental trilogy.', 'publish', 'open', 'open', '', 'water-a-film-that-surfaces-our-shame', '', '\nhttp://bengali.sulekha.com/blog/post/2006/12/water-a-film-that-surfaces-our-shame.htm', '2007-08-15 21:10:18', '2007-08-15 15:40:18', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/74', 0, 'post', '', 1), (75, 1, '2007-08-13 20:08:41', '2007-08-13 14:38:41', '"Satyameva Jayate" - a phrase from the Mundaka Upanishad is the national motto of India and all Indians. Literally it means, "truth alone prevails" - implying that truth is all that we should strive for, since truth only can lead us to success and happiness. But this hypothesis has been proven wrong time and again. Through bitter life experiences we all discover that "truth" hardly leads us anywhere - it is the "untruth", the "false" and "deceit" that we need to master in order to attain our goals and objectives. Or is it that our goals and objectives need to be re-examined? Are we chasing the right goals? Goals for which we do not have to rely on the "false" - goals that can truly be achieved by truth alone?\r\n\r\n"Satyameva", a play written by Sudipta Bhawmik, tries to explore this age old question in a setting in North America where the immigrant Indian population tries to deal with this issue in their everyday lives.\r\n\r\nSanjoy, a young software professional, has arrived in the "land of opportunity" for just over six months and works for a software body shopping company "InterSoft" owned and operated by Bill (a Bengali American living in the States for over thirty years.) On the day of the play Bill fires Sanjoy and asks him to go back to India. Sanjoy, however, is not happy with this decision and refuses to oblige. He informs Bill that he is not going to return to India under any circumstances. He states that returning to India is synonymous to signing a death warrant. He cannot subject himself to such a grave risk. And to justify himself, and to win his ultimate motive, he has to make a choice between truth or deceit.\r\n\r\nCast:\r\nBill : Sankar Ghoshal\r\nSanjoy : Indranil Mukherjee\r\n\r\nWritten and Directed by Sudipta Bhawmik\r\nProduced by Ethnomedia Center for Theater Arts (ECTA)\r\nPresented by Ganakrishti, Kolkata\r\n\r\n6.00pm August 20, 21, 22, 23 2007\r\nSujata Sadan, 7, Hazra Road, Kolkata - 700 026.\r\n\r\nPhone- 2476-6131\r\n\r\nPlease inform your friends and family in India to come and watch this play that tells our story.\r\n\r\n\r\n
. The film had officially premiered the earlier evening which unfortunately, I was not able to attend. However, the producers of the film were kind enough to arrange couple of seats for me for the special screening for the Museum of Moving Images which included a Q&A session with the director Mira Nair (and surprise guests Tabu and Irfan Khan). \r\nBeing a participant in the filming process (in a very limited way in the role of Subroto Mesho), I was especially curious to see the final result – the big picture as you may call it. At the end of the screening when Mira asked me how I liked the film, I was sort of speechless. I did answer something like “great” or “wonderful”, but that was only a gut reaction – I was still trying to figure out my feelings towards the film. I was not able to give Mira the right answer. I figured, maybe, if I try to jot down my thoughts, I’ll be able to come up with a better answer. \r\n\r\nSo how did I feel watching the film? \r\nHave you ever, in a lonely rainy afternoon, sat down and leafed through the pages of your family photo album? An album that spans three generations, your parents, yourselves and your children, captured in those 4x6 frames? With each turn of page, you see the glimpses of your life that went past; you see how your image changed over the years. Fleeting memories hit you like a hail storm and you feel lost – for few moments. That’s exactly how I had felt watching "The Namesake". The film is a family album, a photo album of the Ganguli’s, but you feel as if it is your own. The only difference is that the subjects in those photos are not still, they become alive, they talk, they move, they laugh, they cry – and you join them. And when you are done watching it, you just want to sit silently, hugging the album close to your heart with your eyes closed. You try to remember those pictures that were not captured by any camera on any film. Just as Ashoke tells his son Gogol (when he realizes that he has forgotten his camera to shoot the end of his journey) “We will just have to remember this…… all our life” - Mira’s film inspires us to remember our journey and “follow our bliss”.\r\n\r\nMira herself admitted that the style of this film was inspired by still photographs (by masters like Raghu Rai, Raghubir Singh, Mich Epstein, Dayanita Singh) and it showed. I guess, to capture a period spanning three generations, this was the best form available to her. We jump from period to period, from city to city with extreme ease, just like turning a page of our album. We see the characters change, but not always how they change. But we have no trouble in filling the gaps, because it is our story. There are no surprises, no suspense, no thrill, no profound philosophy – only the solitude and quietness of a deeply felt sorrow and ….bliss. \r\n\r\nThe film starts as Ashoke’s story, then switches to become Ashima’s story and then again transforms to become Gogol’s story with no jitters, as if it is the natural progression. Not too many Hollywood filmmakers would dare to undertake such an unconventional screenplay structure. But Mira herself is unconventional. She pays homage to Satyajit Ray and Ritwick Ghatak through this film. She imbibed in this film the lyricism of Ray and the visual exuberance of Ghatak that is rare in this part of the world. Some of the scenes strongly remind you of Ray’s works like “Apur Sansar” or Ritwick’s “Meghe Dhaka Tara”. She even cast Supriya Choudhuri, the unforgettable Nita of “Meghe Dhaka Tara”, in a special role and made her utter the unforgettable line, “Embrace the new, but do not forget your past”. She shoots the two great cities of the world (Kolkata and New York) with the same sensitivity and care as did Ray in “Mahanagar” or “Jana Aranya” (kudos to Fred Elmes.)\r\n\r\nThe film is not free from imperfections, but let that not distract you in anyway. Sometimes you may feel that the time limit of two hours was too much of an imposition on a film of this kind. Some issues could have been explored a bit more, some characters developed some more. But I guess, some compromises need to be made anyway.\r\n\r\n I am not sure what the verdict of the film Pundits of the world would be, or even what criticisms would the “argumentative Indians” (and Bengalees) bring to their tea (“adda”) table, but to me, “The Namesake” will be one of my dearest films to date. \r\n', '“The Namesake”: A Personal Experience', 0, '', 'publish', 'open', 'open', '', '%e2%80%9cthe-namesake%e2%80%9d-a-personal-experience', '', '', '2007-10-04 23:04:08', '2007-10-05 03:04:08', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/81', 0, 'post', '', 0),
(101, 1, '2007-10-04 16:21:55', '2007-10-04 20:21:55', 'A scene from Jhara Samayer Kavya', 'Jhara Samayer Kavya', 0, '', 'inherit', 'open', 'open', '', 'jhara-samayer-kavya', '', '', '2007-10-04 16:21:55', '2007-10-04 20:21:55', '', 99, 'http://ethnomediallc.com/wpress/wp-content/uploads/2007/10/jhorasomoy.jpg', 0, 'attachment', 'image/jpeg', 0),
(102, 1, '2007-10-10 17:40:03', '2007-10-10 21:40:03', '\r\nSynopsis:\r\n\r\nSukomol, the protagonist who lives and works in USA, suddenly, arrives at his home to the utmost surprise and joy of his parents Satyasadhan and Mrinmoyee and his sister Sikha. Later in the afternoon, Sukomol breaks to his would-be father-in law Ramapada and his mother that he has come back for good and would like to work in India or possibly set up a chemical plant in his hometown. Mrinmoyee is delighted at the prospect of her son staying back in India, but Ramapada rebukes him for his naivety and foolishness. Being a failed politician himself, Ramapada reminds Sukomol of how impossible it is to build anything in West Bengal with its business hostile political environment. At this moment comes Bibhas, Sukomol’s childhood friend and gives him hope by promising that he will make all arrangements to make Sukomol’s dream a reality with the help of the local member of the legislative assembly. However, in the very next scene in an interesting twist, Bibhas confides to Sukomol that all that he had said was pure bluff, just to settle a score with his political rival Ramapada. He advises Sukomol to go back to USA and even pleads to take him along. Sukomol gets another jolt when his fiancée Krishnaa makes it very clear that her only goal in life is to go to America, and if Sukomol decides to stay back in India, she’ll do it alone. However, the final blow comes when Sukomol overhears his father who almost breaks down at the possibility that the flow of dollars is about to stop. Satyasadhan, who himself is an immigrant from Bangladesh (then East Pakistan), struggled all his life to take care of his family, his parents, his brothers and sisters. He never had the chance of enjoying the slightest of luxury. Now, with his son working in USA and with his regular dollar remittances, Satyasadhan has started to get used to the better things of life, the small luxuries like traveling in a rented car and having a luxury bathroom. He dreads at the possibility of losing his current life and going back to the days of hardship. Only, Mrinmoyee, the eternal mother, tries to defend her son’s decision to the last moment.\r\n\r\n', 'YouTube Video Release of "Phera"', 0, '', 'publish', 'open', 'open', '', 'youtube-video-release-of-phera', '', '', '2007-10-10 17:40:03', '2007-10-10 21:40:03', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/102', 0, 'post', '', 0), (103, 1, '2007-10-17 23:28:19', '2007-10-18 03:28:19', '\r\nThe other day, while channel surfing, I stumbled upon the Zee-TV SaReGaMaPa "Bishwayudh" grand finals. I have not been following this show, but the community was buzzing with excited fans rooting for the three finalists - Anik, Raja and Amanat. Anik became the champion and being a Bengali it felt good that another Bengali kid has succeeded in keeping up the tradition of excelling in the performing arts. And I think that this partisan and regional feeling, in some sense, carries more weight in deciding who wins. It was impossible to qualitatively judge the three performers since they all were excellent singers. Hence, selecting the champion is nothing but a chance accident on who votes and for whom. \r\n\r\nAlmost all Indian TV channels (national and regional) host multiple music and dance (which I''ll talk about in a future blog) contests. These so-called reality shows draw a huge fan following (it seems people are sick and tired of the cliche ridden, poorly made serials) and they also provide a platform to bring forth the best talents from all across the country. The ETV Bangla channel, that I watch most, has three such music contests - "Sa-theke-sa", "Tarana" and "Gane mor Indradhanu". "Sa theke Sa" is conducted by a very talented musician, Nachiketa. However, the screening process of the adult contenders do not seem to be strict enough which often results in mediocre performance. Judgment is rendered by a single senior musician instead of any voting or audience poll. "Tarana" is a kid''s contest and is targeted primarily for kids. Judgment process is similar to Nachiketa''s show. Some of the participants are really talented but the show lacks the glamor and glitz of the other more popular shows. \r\n
\r\nOf the three contests, "Gane mor Indradhanu" is the most elaborate and competitive (and possibly the most funded) show. The previous round of this show focused solely on Bangla songs and featured the adult performers. And what performers they have been. The show demonstrated that the depth and breadth of musical talent in Bengal is something that we should be really proud of. In the current round of "Gane mor Indradhanu - Tarana", the competitors are the teenage and pre-teenage boys and girls from all corners of Bengal. Listening to them is an amazing experience. Some of the young boys and girls are so talented that their songs bring tears to the most critical of the judges on the floor, not to mention the audience on the set and the viewers on the other side of the screen. Singers like Ahinjita (7-8 years old) or Debdyuti can sing at par with any of the established musicians. The contest is judged by a panel of distinguished musicians like Monomoy Bhattacharya, Jojo, Sudeshna Ray, Sampa Kundu and others and they do not hesitate to make critical comments (in a constructive manner) to point out the shortcomings of the performers. But they too are often awed by the sudden flashes of talent demonstrated by these youngsters. If these talented performers are properly trained and groomed, I am sure that they will make us all proud one day and Bengal will retain its esteemed position in the field of Indian music for many more years in the future. Kudos to ETV Bangla for bringing this show to us. The only complaint I have is that the show could have retained its focus on "Bangla Songs" only as it did in the previous round.
', 'Reality Music Contests on Indian TV Channels', 0, '', 'publish', 'open', 'open', '', 'reality-music-contests-on-indian-tv-channels', '', '', '2007-10-17 23:51:00', '2007-10-18 03:51:00', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/103', 0, 'post', '', 0), (104, 1, '2007-10-16 14:13:31', '2007-10-16 18:13:31', 'Review of Satyameva published in the popular Bengali daily "Sangbad Pratidin"', 'Pratidin Review', 0, '', 'inherit', 'open', 'open', '', 'pratidin-review', '', '', '2007-10-16 14:13:31', '2007-10-16 18:13:31', '', 84, 'http://ethnomediallc.com/wpress/wp-content/uploads/2007/10/pratidin_stayameva_review_bw.jpg', 0, 'attachment', 'image/jpeg', 0), (109, 1, '2007-10-28 22:25:13', '2007-10-29 02:25:13', '\r\nAnanda Mandir of New Jersey is celebrating Maha Kali Pujo on Friday, November 9, 2007, starting at 6:30 p.m.\r\n \r\nIf you are interested in sponsoring Kali Pujo, please send your check in the amount of $101 directly to Ananda Mandir at 269 Cedar Grove Lane, Somerset, NJ 08873 before Nov. 5th as Biswabhai will prepare separate "ARGHYAs" for individual families for "HOM" on the Pujo night .\r\n \r\nPlease remember it is not necesssary to bring fruits, flowers and other items for Kali Pujo, since the temple provides them to the sponsors.', 'Kali Puja at Ananda Mandir', 0, '', 'publish', 'open', 'open', '', 'kali-puja-at-ananda-mandir', '', '', '2007-10-28 22:25:13', '2007-10-29 02:25:13', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/109', 0, 'post', '', 0), (111, 1, '2007-10-31 09:53:54', '2007-10-31 13:53:54', 'Public toilet in Kolkata', 'Public Toilet in Kolkata', 0, '', 'inherit', 'open', 'open', '', 'public-toilet-in-kolkata', '', '', '2007-10-31 09:53:54', '2007-10-31 13:53:54', '', 108, 'http://ethnomediallc.com/wpress/wp-content/uploads/2007/10/toilet.JPG', 0, 'attachment', 'image/jpeg', 0), (112, 1, '2007-10-31 10:02:39', '2007-10-31 14:02:39', 'Kallol Durga Protima', 'Kallol Durga Protima', 0, '', 'inherit', 'open', 'open', '', 'kallol-durga-protima', '', '', '2007-10-31 10:02:39', '2007-10-31 14:02:39', '', 110, 'http://ethnomediallc.com/wpress/wp-content/uploads/2007/10/dsc_0770.jpg', 0, 'attachment', 'image/jpeg', 0), (113, 1, '2007-11-08 15:51:00', '2007-11-08 19:51:00', '\r\nThe Bengali-American group Ethnomedia from New Jersey, which stunned Calcutta last year with Ron, returned for the world premiere of dramatist-director Sudipta Bhawmik’s Satyameva. A senior executive body-shopping software engineers fires his incompetent new recruit, who pleads that he should not be sent back to India. By a remarkable plot of twists and turns (perhaps too many of them) Bhawmik conveys older Bengalis’ nostalgia for their birthplace and younger Bengalis’ desire to emigrate to America. Sankar Ghoshal and Indranil Mukherjee respectively give realistic portrayals of these parts, but the playwright’s craftsmanship tends to get the better of heartfelt emotions, which we had found in Ron. - Ananda Lal, telegraph\r\n\r\n
India during the 1930s and ’40s was in a state of turmoil. Violent revolution against British rule, ethnic riots and widespread famine and disease on the national scene were eventually reflected in even the most remote villages. A Living Memory, retreats to that local, personal level, revealing the intricate psychology of social stigma, of love under adverse circumstances, and of the inescapable duality of dreams and disappointments.\r\n Surrounding a sugar mill, the village of Alipur on the Mahi River is a close-knit community where families live in harmony. Bloody revolts against British colonialism, Hindu-Muslim riots that turn into massacres, and famine and epidemics have not yet disturbed the village’s tranquility.\r\n One day a young girl, Runu, is found missing from her home. She has been taken captive by Mr. Bose, the most influential man in Alipur, who thinks he can take whatever he wants. By coincidence Runu is recognized by a boy named Tushar, who brings her back home, and a bond forms between them. Over time their intimacy deepens, but circumstances keep them apart.\r\n Runu’s life is filled with uncertainty and disappointment, with love and hope. Although she enters into an arranged marriage, her dreams of Tushar remain. Fourteen years later, her husband dies of a heart attack. Runu becomes obsessed with returning to Alipur and reuniting with Tushar. But everything has changed.\r\n The mill has been shut down. Rampant ethnic discrimination has robbed workers of their jobs. When Runu finally finds Tushar after a hard and complicated journey, she cannot connect with his world. Dismayed that the harmony of her youth and the promise of her happiness have been shattered, Runu is left with only a living memory.\r\n\r\nI had asked Pronoy, what motivated him to write a novel about a period that seems almost like a long lost nightmare? He answered \r\n\r\n
"My initial motivation for writing this book was to have a glimpse of my own childhood. First few chapters illustrate the environment under which I grew up till age 10, in Bihar and in a sugar mill community. However, as I was writing it developed as a fiction based on facts, not necessarily happened at the same place or to the same characters that I portrayed in the book. However, the incidents were true, happened to somewhere and to someone. Because I started with my childhood so I had to chose that specific period, late 1930s onward. I also wanted to illustrate the the incidents of Independence movements and the horrors of famine, flood and riots during that era."\r\n\r\nI have seen many movies of this period (Ashani Sanket - The Distant Thunder by Satyajit Ray comes to my mind), read several books and heard stories from my parents and grand-parents and the period always intrigued me, horrified me. I thought we were really blessed to have not experienced those days. But I guess, the period has also helped us to identify ourselves, to understand our vulnerabilities and develop as a better human being and a better nation. Pronoy''s "Living Memory" will once again help us to reflect upon those days and appreciate the struggles and pains that our earlier generation had to go through to make our lives better. I look forward to read this book.\r\n\r\nOn a separate note, I had asked Pronoy another question, "Pronoy-da, English is not your mother tongue, but still you write in English. Is it because you feel you can express better in English or you want to reach a wider readership?" \r\nAnd Pronoy-da answered, \r\n\r\n
"No, it''s neither one that you stated. I like to write in Bengali, but I cannot type Bengali and never took time to practice it. Writing a 300 page book in longhand and then to keep on revising and rewriting is extremely tedious and I don''t have that patience. Typing in English and making revisions and editing have become technically very simple with Microsoft Words and that''s the only reason I wrote in English."\r\n\r\n"A Living Memory" is available at all the major online stores (like from Amazon.com : A Living Memory
) as well as from the publisher directly AuthorHouse.com. If you read the book, please send in your comments on this site. \r\n\r\n', 'A Living Memory : A New Novel by Pronoy Chatterjee', 0, '', 'publish', 'open', 'open', '', 'a-living-memory-a-new-novel-by-pronoy-chatterjee', '', '', '2008-01-31 15:27:13', '2008-01-31 19:27:13', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/135', 0, 'post', '', 1),
(136, 1, '2008-01-31 15:14:03', '2008-01-31 19:14:03', 'Cartoon by Sudipta Bhawmik', 'Daami Chhobi', 0, '', 'inherit', 'open', 'open', '', 'living-memory', '', '', '2008-01-31 15:14:03', '2008-01-31 19:14:03', '', 135, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/01/living_memory.jpg', 0, 'attachment', 'image/jpeg', 0),
(137, 1, '2008-02-01 19:21:27', '2008-02-01 23:21:27', '\r\n\r\nBalaji Temple Auditorium (HTCS) 780 old Farm Road, Bridgewater, NJ 08807 \r\n\r\n4th May at 4 p.m. to 7 P.m. Admission—members $15.00, and non-members $20.00\r\n
\r\nContact (732) 241-7063, (908) 240-8289, (609)-890-4890 or email bhawmikm@gmail.com, mayuresh.khare@gmail.com,dhu92@optonline.net.\r\n\r\nRSVP will be appreciated.\r\n
\r\nRaag-Rang Inc. is a not-for profit tax-exempt 501(3)(c) organization dedicated to the promotion of Indian music.
', 'Pandit V. G. Jog Memorial Concert', 0, '', 'publish', 'open', 'open', '', 'raag-rangs-first-classical-concert', '', '', '2008-04-03 12:05:13', '2008-04-03 16:05:13', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/148', 0, 'post', '', 0), (150, 1, '2008-04-03 22:49:58', '2008-04-04 02:49:58', '\r\nECTA (Ethnomedia Center for Theater Arts) is looking for two actors for their upcoming theater production ("Baanaprastha" written by Sudipta Bhawmik and directed by Indranil Mukherjee) to be staged in fall 2008. A brief description of the characters are given below. Interested person may please contact by email to either indymukh@gmail.com or bhawmik@gmail.com. Actors may be called for a brief audition.\r\n\r\nCharacter A: Bengali speaking male, mid to late twenties, tall and thin built. \r\n\r\nCharacter B: Bengali speaking female, late teen - early twenties.\r\n
\r\nActors must be committed to the rehearsal schedule and all stage productions of the show and should posses the passion to act. \r\nPlease note that this is a voluntary service and ECTA will not compensate the actors or the crew either financially or by any other means. \r\n\r\nA Brief Note on ECTA:\r\n\r\nECTA (Ethnomedia Center for Theater Arts) Inc. is a not-for profit community theater company dedicated to produce and stage quality theater. ECTA''s past productions include, "Phera", "Alibaba", "Kalsudhhi", "The Redemption", "Durghatana", "Ron" and "Satyameva". ECTA has staged plays all across USA and also in India. ECTA''s mission is "to tell our own stories through theater."\r\n\r\n ', 'Actors Needed', 0, '', 'publish', 'open', 'open', '', 'actors-needed', '', '', '2008-04-03 22:51:22', '2008-04-04 02:51:22', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/150', 0, 'post', '', 0); INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_category`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (151, 1, '2008-04-17 15:33:38', '2008-04-17 19:33:38', '\r\n
Dr. Debesh Das, IT Minister, West Bengal is currently touring USA to meet several technology companies and investors. He will meet several entrepreneurs and investors in New Jersey on the 20th of May, 2008.\r\n\r\n', 'West Bengal on the Verge of an IT Revolution? ', 0, '', 'publish', 'open', 'open', '', 'west-bengal-on-the-verge-of-an-it-revolution', '', '', '2008-05-21 12:12:31', '2008-05-21 16:12:31', '', 0, 'http://ethnomediallc.com/wpress/index.php/archives/164', 0, 'post', '', 0), (165, 1, '2008-05-15 13:35:24', '2008-05-15 17:35:24', 'Debesh Das, IT Minister, West bengal', 'Debesh Das', 0, '', 'inherit', 'open', 'open', '', 'debesh-das', '', '', '2008-05-15 13:35:24', '2008-05-15 17:35:24', '', 164, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/05/debesh_das.jpg', 0, 'attachment', 'image/jpeg', 0), (166, 1, '2008-06-09 16:44:32', '2008-06-09 20:44:32', '\r\n
After a long hiatus and constant requests from theater lovers, ECTA will be staging three plays on June 28th and 29th, 2008, at the Edison Valley Playhouse (EVP) in Edison, New Jersey. \r\nOn 28th June, Saturday, there will be an encore staging of "Satyameva" , a play by Sudipta Bhawmik, directed by Indranil Mukherjee; starring Sudipta Bhawmik and Pinaki Dutta. \r\n\r\nOn 29th June, Sunday, two plays will be staged. Theater Practitioners of Cleveland, OH will present an audio and video staging of "Ashomoy" a new play by Sudipta Bhawmik starring Saubhik Sengupta and Moushumi Sengupta. \r\n\r\nThis will be followed by "Taconic Parkway", written and directed by Sudipta Bhawmik, starring Indranil Mukherjee, Keka Sirkar and Pinaki Dutta. This play will premiere at the California Natyamela on June 7th. \r\n\r\nSynopsis of the plays and other details are given below. Seating is limited, hence please book your seats as early as possible. \r\n\r\n\r\nSynopsis: Ashomoy\r\nA play by Sudipta Bhawmik\r\nA phone rings in the middle of the night in a middle class Bengali home in suburban America and throws the life of a married couple in complete jeopardy. \r\n\r\nProduced by Theater Practitioners of Cleveland OH. Directed by Saubhik Sengupta\r\nDuration: 30 mins\r\n\r\n\r\n
Synopsis: Taconic Parkway\r\nA play by Sudipta Bhawmik\r\nManasij, a veteran Bengali screen actor is visiting USA with a theater group to stage some shows in multiple cities. During his first stop in New York, he is hosted by Dipak and Sharika at their multi-million dollar mansion in upstate New York. The enthusiastic host, Dipak, expresses his desire to make a film with Manasij as the hero and their daughter Pom as the heroine. But Sharika objects to this proposal vehemently. She would never let Pom take part in this dream project of Dipak. Manasij tries to mediate, but soon realizes that he is being pulled into a dark vortex of suspicion and animosity that was carefully camouflaged by the opulence and the veneer of apparent happiness of an affluent NRI family. \r\nProduced by ECTA Inc.\r\nDuration: 1 hour.\r\n\r\n\r\nFor details about Satyameva click this link.\r\n\r\nVenue: Edison Valley Playhouse, 2196 Oak Tree Road, Edison, NJ\r\n\r\nSaturday June 28, 2008, 3.30pm Satyameva \r\nSunday June 29, 2008, 3.00pm Ashomoy + Taconic Parkway\r\n 5.30pm Ashomoy + Taconic Parkway\r\n\r\nAdmission: $20.00 for each day; $35.00 for two days. ECTA Member discount 20%\r\nContact: indymukh@gmail.com, kaudata@yahoo.com\r\n\r\n\r\n\r\n', 'ECTA Mini Theater Festival: Satyameva, Ashomoy, Taconic Parkway', 0, '', 'publish', 'open', 'open', '', 'upcoming-ecta-shows-in-new-jersey', '', '\nhttp://ethnomediallc.com/wpress/index.php/archives/126', '2008-06-10 10:14:21', '2008-06-10 14:14:21', '', 0, 'http://ethnomediallc.com/wpress/?p=166', 0, 'post', '', 0), (167, 1, '2008-05-22 16:06:07', '2008-05-22 20:06:07', '', 'satyameva_banner', 0, '', 'inherit', 'open', 'open', '', 'satyameva_banner', '', '', '2008-05-22 16:06:07', '2008-05-22 20:06:07', '', 166, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/05/satyameva_banner.jpg', 0, 'attachment', 'image/jpeg', 0), (168, 1, '2008-05-24 10:10:50', '2008-05-24 14:10:50', '\r\n\r\nTake a peek at this exciting promotional video "Advantage Bengal" produced by the Department of Information Technology, Govt. of West Bengal and Webel. Listen what the IT business leaders are saying about the IT opportunities in West Bengal as well as from the Chief-Minister Mr. Buddhadev Bhattacharya and IT Minister Dr. Debesh Das. Share this video with others who may be interested by using the "Share This" button on your right. ', 'Advantage Bengal: A Video on the IT Industry Opportunities in West Bengal', 0, '', 'publish', 'open', 'open', '', 'advantage-bengal-a-video-on-the-it-industry-opportunities-in-west-bengal', '', '', '2008-05-24 10:12:19', '2008-05-24 14:12:19', '', 0, 'http://ethnomediallc.com/wpress/?p=168', 0, 'post', '', 0), (169, 1, '2008-05-29 23:14:07', '2008-05-30 03:14:07', '\r\nOn June 28th and 29th, ECTA Inc. will be presenting a mini theater festival of three plays. On 29th June, an encore presentation of the highly acclaimed play "Satyameva" will be held at 3.30pm. This play has received great reviews both in Kolkata and USA and has been recently made into a Telefilm (titled Satyasotyo for Tara channel) by the reputed actor and director of Kolkata, Chandan Sen. Watch the promo video by clicking the image above.\r\n\r\nOn 29th, the festival features two shows of two plays each. The first play, Ashomoy, is a novel audio-visual presentation by Theater Practitioners of Cleveland OH, directed by the veteran All India Radio and Doordarshan artist Saubhik Sen. "Ashomoy" will be followed by "Taconic Parkway", a one act play by ECTA Inc. "Taconic Parkway" is a dark play of an immigrant Bengali couple and a visiting actor from India. The play premieres at the California Natyamela on June 7th, 2008. \r\n\r\nSynopsis of the plays and other details are given below. Seating is limited, hence please book your seats as early as possible. \r\n\r\n\r\n
Synopsis: Ashomoy\r\nA play by Sudipta Bhawmik\r\nA phone rings in the middle of the night in a middle class Bengali home in suburban America and throws the life of a married couple in complete jeopardy. \r\n\r\nProduced by Theater Practitioners of Cleveland OH. Directed by Saubhik Sengupta\r\nDuration: 30 mins\r\n\r\n\r\n
Synopsis: Taconic Parkway\r\nA play by Sudipta Bhawmik\r\nManasij, a veteran Bengali screen actor is visiting USA with a theater group to stage some shows in multiple cities. During his first stop in New York, he is hosted by Dipak and Sharika at their multi-million dollar mansion in upstate New York. The enthusiastic host, Dipak, expresses his desire to make a film with Manasij as the hero and their daughter Pom as the heroine. But Sharika objects to this proposal vehemently. She would never let Pom take part in this dream project of Dipak. Manasij tries to mediate, but soon realizes that he is being pulled into a dark vortex of suspicion and animosity that was carefully camouflaged by the opulence and the veneer of apparent happiness of an affluent NRI family. \r\nProduced by ECTA Inc.\r\nDuration: 1 hour.\r\n\r\n\r\nFor details about Satyameva click this link.\r\n\r\nVenue: Edison Valley Playhouse, 2196 Oak Tree Road, Edison, NJ\r\n\r\nSaturday June 28, 2008, 3.30pm Satyameva \r\nSunday June 29, 2008, 3.00pm Ashomoy + Taconic Parkway\r\n 5.30pm Ashomoy + Taconic Parkway\r\n\r\nAdmission: $20.00 for each day; $35.00 for two days. ECTA Member discount 20%\r\nContact: indymukh@gmail.com, kaudata@yahoo.com\r\n', 'A Mini Theater Festival', 0, '', 'publish', 'open', 'open', '', 'a-mini-theater-festival', '', '\nhttp://ethnomediallc.com/wpress/index.php/archives/126', '2008-05-30 00:00:32', '2008-05-30 04:00:32', '', 0, 'http://ethnomediallc.com/wpress/?p=169', 0, 'post', '', 0), (170, 1, '2008-05-30 16:48:38', '2008-05-30 20:48:38', '\r\n
I was deeply hurt to hear the news of the death of Vijay Tendulkar, one of the greatest playwrights of Indian theater. It was only last year, at the South Asian Theater festival, I had the opportunity of meeting Mr. Tendulkar. It was an experience that I will never forget. He was physically frail, but his will was as strong as any young man. It was this will and his love for theater that brought him over here, few thousand miles away from home, to see how are we doing our theater. During his speech at the opening ceremony, the way he protested against the non-issuance of visa to one of the participating teams demonstrated that the fire was still burning within him - the fire that led him to write the plays that changed Indian theater.\r\n\r\nDuring the time when most Indian playwrights were busy translating and adapting western plays, Tendulkar came as a breath of fresh air. His plays grew out of the common man, his drama developed from their life stories, from the grass roots society. The films he wrote also bears the same signature, his protest against exploitation, protest against violence and injustice to humanity.\r\n \r\nWhen I met him last year, he wanted to see my plays. Somebody, close to him, had possibly told him about my plays, especially "Ron" that was staged at the first South Asian Theater festival. Unfortunately, last year I had no play in the festival. I told him, that I''ll try to send him a copy of my plays (translated to English). He gave me his card and asked me to visit him in India with my plays. \r\nIt will be my life long repentance that I could not avail of this opportunity to visit him, discuss theater with him, and get some lessons from the great master. But he will be a great inspiration to me for all times.\r\n\r\nI hope and pray that his soul rests in peace. ', 'Vijay Tendulkar : A Real Indian Playwright ', 0, '', 'publish', 'open', 'open', '', 'vijay-tendulkar-a-real-indian-playwright', '', '', '2008-05-30 16:50:35', '2008-05-30 20:50:35', '', 0, 'http://ethnomediallc.com/wpress/?p=170', 0, 'post', '', 0),
(171, 1, '2008-05-30 16:43:02', '2008-05-30 20:43:02', 'Vijay Tendulkar', '398px-vijay_tendulkar', 0, 'Vijay Tendulkar', 'inherit', 'open', 'open', '', '398px-vijay_tendulkar', '', '', '2008-05-30 16:43:02', '2008-05-30 20:43:02', '', 170, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/05/398px-vijay_tendulkar.jpg', 0, 'attachment', 'image/jpeg', 0),
(172, 1, '2008-06-10 10:24:16', '2008-06-10 14:24:16', '\r\n
After receiving wide critical acclaim and audience appreciation in Kolkata, New Jersey and Pennsylvania, ECTA offers an encore presentation of "Satyameva", a play by Sudipta Bhawmik.\r\n\r\nSanjoy, a young software professional, has arrived in the “land of opportunity” for just over six months and works for a software body shopping company “InterSoft” owned and operated by Bill (a Bengali American living in the States for over thirty years.) On the day of the play Bill fires Sanjoy and asks him to go back to India. Sanjoy, however, is not happy with this decision and refuses to oblige. He informs Bill that he is not going to return to India under any circumstances. He states that returning to India is synonymous to signing a death warrant for himself. He cannot subject himself to such a grave risk. And to justify himself, and to win his ultimate motive, he has to make a choice between truth or deceit.\r\n\r\nECTA (Ethnomedia Center for Theater Arts) presents this new Bengali play (with English SuperTitles) at the Edison Valley Playhouse, in Edison NJ on June 28, 2008 at 3.30pm.\r\nAdmission: $20.00\r\n', 'ECTA Festival: Satyameva', 0, '', 'publish', 'open', 'open', '', 'ecta-festival-satyameva', '', '', '2008-06-10 10:24:17', '2008-06-10 14:24:17', '', 0, 'http://ethnomediallc.com/wpress/?p=172', 0, 'post', '', 0),
(173, 1, '2008-06-12 14:49:27', '2008-06-12 18:49:27', '\r\nRecently we (ECTA) had the opportunity to stage our new play “Taconic Parkway” at the California Natyamela 2008 held at the Amador Theater in Pleasanton, CA. Last year when I was visiting California to see the staging of my play “Ron” by the local group ENAD, I met Pradosh Sarkar who invited me to participate at the 2008 Natyamela, their fourth year of the festival. Pradosh Sarkar, a playwright and director himself, is a key member of Sanskriti, the group that organizes the Natyamela. In the previous years they limited their invitation only to the local groups, but Pradosh told me that he wants to make an exception in 2008 by inviting us from New Jersey. And I had no option but to accept the offer when he also assured me that they would take care of the expenses. However, Pradosh reminded me that they have a time limitation and each play must be limited to an hour, give or take ten minutes. This was a challenge for me since the plays we had in our repertoire all exceeded this limit. But I thought that this may be a perfect opportunity to work on a new play that was brewing in my mind for some time. After I came back, I started to work on the script and soon developed a one act play named “Taconic Parkway” which perfectly fits the bill for the California Natyamela 2008. It had three characters, and was limited to an hour and ten minutes. \r\n\r\nCalifornia Natyamela 2008 was hosted jointly by Sanskriti and BINA (Bangladesh Community Bay Area). The theater hall, Amador Theater, was a bit out of the way for most Bay Area residents, but as the festival progressed the hall was almost full. The festival included two children’s plays, the Sukumar Ray classic “Lokkhoner Shoktishel” and “Maa’r kaachhe shona” by Bangladesh Community Children''s Ensemble, Bay Area. Including children’s plays was indeed a laudable effort and I congratulate the organizers for keeping these slots for our next generation. These kids, when they grow up will surely carry a fond memory of this day and maybe develop an interest in the culture of their roots. \r\nThe next play was “Mimangsha,” a play written and directed by Pradosh Sarkar and produced by Sanskriti. Our play, “Taconic Parkway” was the next and was followed by “Amader American Dream : Belashesh Edition” written and directed by Abu Hena Mustafa Kamal and produced by BINA.\r\n\r\n"Taconic Parkway" is a dark play in many ways. It delves into some of the areas of human psyche that we are afraid to face or deal with. Manasij, a veteran actor of the golden age of Bengali cinema, is visiting USA from Kolkata and is hosted by a middle aged couple Dipak and Sharika at their mansion in upstate New York. Although this invitation seemed to Manasij like a typical, well to do non-resident Bengali''s fancy to host celebrity guests at their homes, it soon turned out to be something else. Both Dipak and Sharika had their own agenda with Manasij, and Manasij was slowly pulled into a dark vortex of suspicion and animosity that was carefully camouflaged by the veneer of apparent happiness of an affluent NRI family. \r\n\r\nNatyamela 2008 was the premiere show of "Taconic Parkway", which featured some of our veteran actors, Indranil Mukherjee, Keka Sirkar and Pinaki Datta. The play received an overwhelming response as was evident from the applause at the end of the play as well as from comments from Sanskriti''s web site. Here are some of the comments:\r\n\r\n\r\n"Very powerful. Aami maajhe maajhei naTokTa mone mone replay korchhi. Thanks for writing our stories." - Sambit Basu, ENAD, CA.\r\n\r\n"Sudipta Bhawmik is rather established in theatrical area. That''s what many told me there. I built up lot of expectation from this play. And, I got more than I expected. I can not thank the committee enough to bring this production all the way from New Jersey. We were totally engrossed. I can not mention any single moment as great. It was so seamless. The dramatic turn at each moment was just like a hide and seek. At the end what you get is a pleasant surprise." - Jagat Bandhu Das, San Francisco, CA.\r\n\r\n"New Jersey-r natok ekebare tan tan. Dipak ar Sarika ki bhison ujjol. Dipak bodh hoy sobaikei chhariye gechhen. Monosij-ke khub maniyechhe choritre. Emon thas-bunot-er natok to kotodin dekhi ni. Golper ki othapora! Ki bandhuni! " - Debaraoti Sen, Livermore, CA.\r\n\r\n"Durdanto...oshadharon natak ei Taconic Parkway...amar pore eto bhalo legechhe...je...ki bolbo...anekkei nataktar kotha bolechhi." - Amitava Dutta, Ganakrishti, Kolkata.\r\n\r\nAs a side note, let me mention that "Taconic Parkway" has been officially invited by Ganakrishti of Kolkata to stage it at their festival (Ganakrishti Natyotsav 2008) this year. Unfortunately, I am not sure if we would be able to take our show due to the high costs involved. Hence, we are looking for sponsors. Anybody interested to help us take our story back to Kolkata, please contact me.\r\nThank you. \r\nP.S. Please do not miss Taconic Parkway to be staged in New Jersey on June 29th.', 'California Natyamela 2008 and Taconic Parkway', 0, '', 'publish', 'open', 'open', '', 'california-natyamela-2008-and-taconic-parkway', '', '', '2008-06-13 14:39:03', '2008-06-13 18:39:03', '', 0, 'http://ethnomediallc.com/wpress/?p=173', 0, 'post', '', 1), (175, 1, '2008-06-24 11:06:02', '2008-06-24 15:06:02', '\r\n[display_podcast]\r\nLast week I wrote about our new radio play "Baad Protibad" that was broadcast on EBC Radio 1170AM during the Sunday morning Bengali program "Probaho" conducted by Abhijit Sanyal. The play received quite a bit of positive feedback, and I thought that for the benefit of the people who could not listen to the radio that morning, I''d upload this play as a podcast. You can listen to this play by clicking the player above or download it into your iPod or similar digital players.\r\n\r\nThe credits are given below.\r\n
"Baad Protibad"\r\nA Hilarious Play in Bengali by Sudipta Bhawmik\r\n\r\nProduced by ECTA Inc.\r\nDirected by Indranil Mukherjee\r\nCast:\r\nSubhodev Das as Ashok\r\nAparajita Das as Kakoli\r\nIndranil Mukherjee as Soumen\r\nAnisha Das as Jhimli\r\n\r\nRecorded and mixed at the Bharatiya Kala Kendra, NJ, Studio by Partha Sarathi Mukherjee\r\nEdited by Partha Sarathi Mukherjee and Indranil Mukherjee\r\nMusic and effects by Partha Sarathi Mukherjee.\r\nSong "Need some cash to fill up my gas" by Vikram Kumar\r\nPlease let me know how you liked the play. We may do more plays like this in the future.', 'Podcast: "Baad Protibad" A (Hilarious) Play in Bengali', 0, '', 'publish', 'open', 'open', '', 'podcast-baad-protibad-a-hilarious-play-in-bengali', '', '', '2009-05-03 11:30:39', '2009-05-03 15:30:39', '', 0, 'http://ethnomediallc.com/wpress/?p=175', 0, 'post', '', 0), (176, 1, '2008-07-03 11:57:09', '2008-07-03 15:57:09', '\r\nThe Cultural Association of Bengal (CAB) every year honors a group of people for their outstanding contribution to the society. This year, one of our closest friends, Pronoy Chatterjee has been awarded the "Distinguished Service Award" for his contribution towards promoting and nurturing Bengali literature in North America. His award letter reads,\r\n\r\n\r\n
You are one of the foremost literary personality in the United States who has helped the cause of propagating and nurturing Bengali culture in North America, the goal the Cultural Association of Bengal cherish. You have done so as founder of NJPA and through years of association with Kollol of Jew Jersey, Ananada Mandir and other well known organizations. Your contribution to literature and work on arsenic cleaning in water is also well known.\r\nIn recognition of your dedication, we have the honor to award you the “Distinguished Service Award’ during the 28th North American Bengali Conference.\r\n\r\nPronoy Chatterjee is an ardent author, has written two novels (a review of one of his books appear in this blog) and has been an editor or several Bengali magazines including "Kallol Sahitya Sambad", "AnandaLipi", "Ananda Sangbad" and many others. He has that magical ability to inspire people around him to be creative, to develop their literary skills that have been dormant in them, and to enrich the lives of the community members through their creations. \r\n\r\nMy heartiest congratulations goes to Pronoy-da for this well deserved award.', 'CAB Honors Pronoy Chatterjee', 0, '', 'publish', 'open', 'open', '', 'cab-honors-pronoy-chatterjee', '', '', '2008-07-03 11:57:09', '2008-07-03 15:57:09', '', 0, 'http://ethnomediallc.com/wpress/?p=176', 0, 'post', '', 2), (177, 1, '2008-07-03 15:15:29', '2008-07-03 19:15:29', 'These are some of the feeds from various sources that I read often:\r\n\r\nTimes of India\r\n\r\n[feedsnap, 6]http://timesofindia.indiatimes.com/rssfeedsdefault.cms[/feedsnap]\r\n\r\nHindustan Times\r\n\r\n[feedsnap, 6]http://epaper.hindustantimes.com/blog/atom.xml[/feedsnap]\r\n\r\nIndia Today\r\n[feedsnap, 6]http://indiatoday.digitaltoday.in/index.php?option=com_rss&feed=RSS1.0&no_html=1&issueid=60&rsspage=home[/feedsnap]\r\n\r\n', 'Feeds', 0, '', 'publish', 'open', 'open', '', 'feeds', '', '', '2010-01-25 15:51:17', '2010-01-25 19:51:17', '', 0, 'http://ethnomediallc.com/wpress/?page_id=177', 3, 'page', '', 0); INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_category`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (178, 1, '2008-07-10 16:24:08', '2008-07-10 20:24:08', '\r\n
Just as the excitement and euphoria of the recently concluded BangaSammelan (Toronto) dies down, Bengalis living in the middle western states are preparing to get into a festival of their own - Bangamela. \r\n\r\nThe 10th annual Bangamela 2008 will be held in Columbus OH this year from July 18 to 20. The event is hosted by COBCA (Central Ohio Bengali Cultural Association). Just as Bangasammelan (NABC) is franchised and sponsored by CAB (Cultural Association of Bengal), Bangamela is managed and controlled at the high level by MABA or Mid America Bengali Association. Without going into the details about the genesis of Bangamela, it suffices to say that the Bengalis of the mid west felt that they needed to have a festival of their own, a festival that is located closer to where they live and is easily accessible compared to NABC that tends to get most of their attendees from the densely populated (with Bengalis) east and west coast states. \r\n\r\nMy first experience with Bangamela was in Memphis at the Bangamela 2007, where I joined the festival as a performer (along with our Theater group ECTA). There were about four to five hundred attendees (a small fraction of a typical NABC attendance) and they had a long line up of performers from Friday afternoon to Sunday evening. There were no crowds or long lines, no running around from one auditorium to the other. People were relaxed, they were busy meeting old friends and making new ones. It felt a lot homely and cozy atmosphere than NABC. Maybe this was what NABC was fifteen or twenty years ago. There were some organizational mishaps, scheduling problems and lack of event management skills - but tell me one Bengali festival that doesn''t have any? \r\n\r\nI understand the 2008 Bangamela is expecting a larger crowd, they will have multiple performance venues and the guest artist (from India) line up is also longer. Once again, we will be staging our play (Satyameva) too as an invited theater group, and hopefully once again we will be able to meet friends and make friends. I know of several other people from the NY NJ area who will be attending this festival, and this shows that Bangamela is now attracting more and more people from the areas that were traditionally NABC areas. And I have no problem with it. The more the merrier. In this country of market economy, competition is the name of the game. Competition can help improve the quality of the festival, can help reduce the cost to the consumers - since they will go to the event that offers them the most value for their money. And think about the artists and performers from India, they too will have more than one opportunity to offer their art to the Bengalis of USA. \r\n\r\nHence I wish Bangamela and Bangasammelan (NABC) both the best for their efforts in bringing the Bengalis of USA together - be it in Ohio or in California, or in New York. Lets all celebrate our great heritage together at the festival of our choice and make this adopted homeland of ours a better place to live as a Bengali.\r\n\r\n', 'Bangamela - The Festival for the Midwestern Bengalis', 0, '', 'publish', 'open', 'open', '', 'bangamela-the-festival-for-the-midwestern-bengalis', '', '', '2008-07-10 17:18:43', '2008-07-10 21:18:43', '', 0, 'http://ethnomediallc.com/wpress/?p=178', 0, 'post', '', 0),
(179, 1, '2008-07-10 17:18:06', '2008-07-10 21:18:06', '', 'Bangamela', 0, 'Bangamela 2008', 'inherit', 'open', 'open', '', 'bmlogo', '', '', '2008-07-10 17:18:06', '2008-07-10 21:18:06', '', 178, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/07/bmlogo.jpg', 0, 'attachment', 'image/jpeg', 0),
(180, 1, '2008-07-11 12:06:42', '2008-07-11 16:06:42', '\r\nJuly 20th 2008 Sunday, 3 pm\r\n\r\nSuggested Donation $10 per person, Sponsors - $50 per family\r\n\r\nAshvin Bhigendra, a leading male Carnatic musician is paired with Mitali Banerjee Bhawmik a leading female Hindisthani musician.\r\n\r\nat 24 Scott drive Morganville, NJ 07751\r\n\r\nAshvin will be accompanied by Arun Ramamurthy on Violin and Suresh Ramachandran on Mridangam.\r\n\r\nMitali will be accompanied by Kedar Naphade on Harmonium and Amod Dandawate on Tabla.\r\n\r\nFor more details and directions etc.\r\n\r\n Jayashree Suresh 732- 251-7085 rsuresh59@yahoo.com', 'Hindusthani - Carnatic Vocal Music Jugalbandi', 0, '', 'publish', 'open', 'open', '', 'hindusthani-carnatic-vocal-music-jugalbandi', '', '', '2008-07-11 12:06:42', '2008-07-11 16:06:42', '', 0, 'http://ethnomediallc.com/wpress/?p=180', 0, 'post', '', 0),
(181, 1, '2008-07-16 11:07:30', '2008-07-16 15:07:30', '\r\n On 15th of July, 2008, Barack Obama laid out his foreign policy strategy in very clear and specific terms. He talked about how he would end the war in Iraq, how he would like to combat terrorism and end the oil based conflicts by reducing our (as well as other nations) dependency on oil. His plans call for getting back the world''s confidence in America, to get back some of its lost credibility by working together with the nations of the world to combat terrorism, reduce oil dependency and control climate change. He even talks about his willingness to sit down and talk to Iran about resolving the nuclear crisis. \r\nAll this may sound quite idealistic, but I guess at this point of time this idealism gives some hope to make things right. Any idealism can succeed if it is supported by the people. Let''s hope that Barack gets the support he deserves and brings in the change he envisions.\r\nWatch the speech in this embedded video.', 'Barack Obama''s Strategy for a New World', 0, '', 'publish', 'open', 'open', '', 'barack-obamas-strategy-for-a-new-world', '', '', '2008-07-16 16:02:57', '2008-07-16 20:02:57', '', 0, 'http://ethnomediallc.com/wpress/?p=181', 0, 'post', '', 1),
(182, 1, '2008-07-16 15:57:30', '2008-07-16 19:57:30', '\r\nIt is our great pleasure to have The Famous Rabindra Sangeet Artist Pramita Mallick with us. We are organizing a Sangeet Anushthan for her honor on 20th of july (Sunday) at 5:30 pm. Please come and enjoy the evening with us.\r\n\r\nVenue: 112 Monroe Ave, Edison, NJ 08820 (Sharmila & Sandip''s house )\r\n\r\nTime: 5:30 pm to 7:30 pm \r\nThere will be no ticket for this Anushthan but your willing contribution for the artist will be appreciated.\r\n\r\nPlease call me if you need anymore information and forward this mail to your friends who are interested.\r\n\r\nMy phone # 908-4228-6650(home) 908-787-6590 (cell)\r\n\r\nEmail id dastandra@yahoo.com or tandra1975@yahoo.com ', 'Rabindrasangeet Concert', 0, '', 'publish', 'open', 'open', '', 'rabindrasangeet-concert', '', '', '2008-07-16 15:57:30', '2008-07-16 19:57:30', '', 0, 'http://ethnomediallc.com/wpress/?p=182', 0, 'post', '', 0),
(183, 1, '2008-07-21 10:19:34', '2008-07-21 14:19:34', '\r\nDakshineswar Ramkrishna Sangha\r\nAdyapeath, USA Foundation, Inc.\r\n(A non-profit tax-exempt organization)\r\nAn Evening of Songs by Lopamudra Mitra &\r\nDance Recital by Nritya Creations\r\n(A Fund Raising Event for Temple Fund)\r\nLopamudra Mitra, the most popular contemporary singer in Bengal today is\r\nperforming in New Jersey this summer!\r\nDaughter of Late, Shree Pranab Mitra and Shreemati Sumita Mitra, she started\r\nlearning music from her father in childhood. Ranging from Rabindra Sangeet,\r\nIndian Classical music, Bhajan and Nazrulgeeti, her versatility knows no\r\nbounds. She ultimately found her platform in the songs based on poems of\r\nrenowned Bengali Poets. And that was her way to success. She performed all\r\nover India with her new approach and won the music-lovers'' heart.\r\nShe won many awards for her unique dramatic style of singing, which is\r\nfashioned with the classical aid and tenor voice quality. She won the prestigious\r\n''Bengal Film Journalist Award'' on her debut playback in the film ''Sedin\r\nChaitramas’. Her album ''Bhalobaste Balo'' was honoured as the best puja\r\nalbum, best singer and album of the year in 2001. Her other album ''Jhor Hole\r\nPar!'' got the ''ZEE MUSIC AWARD'' in 2005.\r\n\r\nThe scintillating creative dance performance of Nritya Creations will keep you\r\nspellbound. Nritya Creations is the winner of First Prize in the Senior Category and Best\r\nChoreographer Award at the 2008 Naya Andaz Dance Competition 2008.\r\nMeena Basunag, the founder and Artistic Director of Nritya Creations\r\nartistically blends various styles of Indian Classical dance such as Bharat\r\nNatyam, Oddissi, Manipuri and Kathak with western contemporary forms such\r\nas jazz and ballet and other cultural dance forms to create a unique and\r\nwonderfully pleasing experience of sight and sound. Nritya Creations has also\r\nwon the Best Choreography and Best Performance Awards at the 2008 Naach\r\nRevolution.\r\nhttp://www.nrityacreations.com/\r\n\r\nContacts:\r\nSwapan Nandi (609) 235-9576 Pamela Ghosh (732) 516-0730\r\nKeya Chatterjee (732) 369-6759 Anasua Biswas (732) 727-2621\r\nAmitava Hazra (908) 874-6923 Kanika Mazumdar (732) 496-5216\r\nAvijit Dasgupta (732) 548-6065 Madhumita Sinha (201) 796-5738\r\nTapan Dutta (732) 650-9513 Priya Bhattacharya (609) 799-7975\r\nUttarjyoti Banerjee (732) 767-0260 Santanu Chakraborty (732) 572-3650\r\nOn July 27th, 2008 at 4:00PM\r\nMarlboro High School, 95 N Main Street, Marlboro, NJ 07746\r\nTickets: $100, $50, $35 & $25\r\n\r\nDRSA, USA Foundation, Inc. (A Non-Profit Organization)\r\n1190 Easton Avenue, Franklin Township, NJ 08873, USA\r\nPhone: (732) 249-7077 E-mail: adyapeathusa@adyapeathusa.com Website: www.adyapeathusa.com', 'An Evening of Songs by Lopamudra Mitra', 0, '', 'publish', 'open', 'open', '', 'an-evening-of-songs-by-lopamudra-mitra', '', '', '2008-07-21 10:19:34', '2008-07-21 14:19:34', '', 0, 'http://ethnomediallc.com/wpress/?p=183', 0, 'post', '', 0),
(186, 1, '2008-07-23 22:03:04', '2008-07-24 02:03:04', '\r\nThe proliferation of internet and web technology has ushered in a new era in the publication of Bengali literary magazines. Any Bengali who has the slightest inclination towards Bangla literature must have been associated with some kind of "little magazine" related activity in some point of their life, be it writing, editing, publishing or even selling them to their patronizing clients. The thrill of seeing ones own writing in print fascinated them and hence whenever a few like minded folks got together, a visit to the printing press became obligatory. The smell of ink and the clanking of the printing machines was intoxicating to say the least - long hours were spent proof reading those smudgy newsprint and trying to pool in as much money they could by either begging the local business owners to insert an advertisement or by coughing up their own savings to pay the press owner. But the exponentially growing costs of paper and printing has often resulted in an untimely death of the magazine and hence the death of many literary dreams. Many of these talents also whither away just because they do not get the opportunity to be noticed by any of the leading print publications. \r\n\r\nBut the internet technology has given new hopes to the thousands of these dreamers who want to reach out to world with their literary creations through the world wide web. It has not been easy to publish Bengali content on the web. Several technical obstacles had to be overcome. The web savvy publishers of these e-zines or webzines found several alternatives to get their content published. The newer browser and font technologies have helped too. But still the Bangla web publication is not as easy as publishing in English or any other European language or even Hindi for that matter. \r\n\r\nOne of the premier Bangla e-zines that comes to my mind is "Parabaas". Parabaas, first published in 1997 had a dedicated editorial team lead by Sameer Bhattacharya. Over the years, Parabaas has matured into a well read and well respected magazine on the internet. Several established as well as upcoming writers contribute to this magazine. Parabaas also has a section for kids. It has also a section that carries English translations of well known Bengali literary works. Special issues on theater, poetry or famous literary personalities are quite common. The special issue on Buddhadev Bose, Satyajit Ray or the issue on Bengali theater is a real pleasure to read. I would like to encourage everybody to check out Parabaas and enjoy the rich content it offers. \r\n\r\nAnother ezine of interest is Shatarupa.com. This is another magazine that is on line for quite some time (1999). Edited by Sanhita Mallik and Chaitali Som, the magazine publishes a variety of Bengali literary content. \r\n\r\nAbasar.net is another webzine that provides more than fiction and literature. It aims to be something like a wikipedia but does not allow open submissions. \r\n\r\nThe online magazine Kourab is dedicated to Bangla poetry only. The magazine''s impressive layout with Jamini Roy''s sketches makes it an interesting place to visit. \r\n\r\nSome other ezines that are worth trying out are:\r\n
Long time ago, I used to draw cartoons for some magazines like Proma (published in Kolkata), Udayan (published from NY), Sangbadik (also published from New York) and News India Times. I would like to share some of them with you. This cartoon was published in Proma few years ago. It is a take on art valuation. Let me know how you like it. In future weeks I''ll post one cartoon a week, from my old archives.', 'Cartoon of the Week: Quality of Art', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-daami-chhobi-expensive-art', '', '', '2008-10-14 13:49:18', '2008-10-14 17:49:18', '', 0, 'http://ethnomediallc.com/wpress/?p=185', 0, 'post', '', 0),
(188, 1, '2008-07-28 12:23:24', '2008-07-28 16:23:24', '\r\nOn the auspicious occasion of Janmashtami (Sunday, August 24, 2008), Anandamandir will be hosting a four hour long (3.00pm to 7.00pm) event of Bhajans and Bhakti Sangeet.\r\n\r\nMusicians are invited to participate (singers, accompanists) in this great event and be a part of the Anandamandir community. \r\nIf you would be interested to participate, then please send an email to suranjanbc@hotmail.com by Thursday, July 31, 2008. With your help and support this will be an enchanting evening of Bhajan and Bhakti Sangeet.', 'Bhajan Sandhya at Anandamandir', 0, '', 'publish', 'open', 'open', '', 'bhajan-sandhya-at-anandamandir', '', '', '2008-07-28 12:23:24', '2008-07-28 16:23:24', '', 0, 'http://ethnomediallc.com/wpress/?p=188', 0, 'post', '', 0),
(189, 1, '2008-07-30 10:24:51', '2008-07-30 14:24:51', '\r\n
This cartoon was done for "Proma" a long time ago. Abstract art has always drawn the attention of humorists and cartoonist. This one exaggerates the abstractness to the extent that the artist himself does not have any clue regarding his own painting, not event it''s orientation. Many of us, the naive (read pseudo) art connoisseurs, think that abstract art - the art that does not represent any form that we are familiar to, is quite easy to render. Many of us consider them nothing but few blotches of paint and maybe some geometric patterns in an arrangement which does not resemble anything that we see in our daily lives. Hence, many pseudo-artists tend to declare themselves as artists by creating such absurd canvasses and trivialize the bewildered viewers as "uneducated an uncultured" brutes. This is true not only for fine arts, but also in those branches of art that thrive on abstractions and absurdity - like poetry, play, film, music and even short stories. Hence it is of utmost importance, that we make an attempt to train ourselves to be able to appreciate these art forms - to open up our minds to appreciate forms and colors and movements and sounds that are beyond our accustomed reality. ', 'Cartoon of the week 2: Abstract Art', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-2-abstract-art', '', '', '2008-10-14 13:49:02', '2008-10-14 17:49:02', '', 0, 'http://ethnomediallc.com/wpress/?p=189', 0, 'post', '', 0),
(190, 1, '2008-07-30 10:22:38', '2008-07-30 14:22:38', '', 'ulto_chhobi', 0, 'Ulto Chhobi', 'inherit', 'open', 'open', '', 'ulto_chhobi', '', '', '2008-07-30 10:22:38', '2008-07-30 14:22:38', '', 189, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/07/ulto_chhobi.jpg', 0, 'attachment', 'image/jpeg', 0),
(197, 1, '2008-08-10 10:43:44', '2008-08-10 14:43:44', '\r\nANANDA MANDIR Presents\r\nHERITAGE DAY & ANANDA MELA 2008\r\nA FUN FILLED DAY OF ACTIVITIES\r\n\r\nStarting with Heritage Day Celebrations August 16 @ 10:00am\r\n\r\n NATIOANAL ANTHEM, PRABHAT FERI, FLAG HOISTING, BHARAT\r\n MATA PUJA, CHILDREN TREE PLANTING, PRESIDENT’S SPEECH,\r\n CULTURAL PROGRAMS including VANDE MATARAM- Song & Dance\r\n\r\nFOODCOURT & SHOPPING,\r\n\r\nFollowed by Ananda Mela Activities @12:00pm–\r\nGAMES FOR Adults, Young Adults, Children & Family;\r\n\r\n CHILDREN’S COMPETETIONS\r\n BADMINTON & TABLE TENNIS COMPETITION;\r\n ($5 ENTRY FEE FOR MEN’S / YOUNG ADULT’S BADMINTON & T.T. COMPETETION)\r\n CANDY SEARCH & SPOON RACE, MUSICAL CHAIR,\r\n TUG OF WAR & YOUTH PROGRAM - MAGIC SHOW,\r\n PRIZE DISTRIBUTION & RAFFLE DRAW\r\n\r\nIn the evening 6:30pm ONWARDS Rakhi & Jhulan Yatra Samapan\r\nAND Community Dinner\r\n\r\nAT ANANDA MANDIR CAMPUS\r\nDate: AUGUST 16th, 2008\r\nTime: Starts at 10.00 AM\r\n269 Cedar Grove Lane, Somerset, NJ 08873\r\nPhone: 732 873 9821\r\nwww.anandamandir.org\r\n\r\nContact: Krishna Dutta Roy – 732-390-8069 / Sanjit Dutta - 732 821 5996\r\n\r\nAnanda Mandir requests your presence to make this a Grand Success\r\n', 'HERITAGE DAY & ANANDA MELA 2008', 0, '', 'publish', 'open', 'open', '', 'heritage-day-ananda-mela-2008', '', '', '2008-08-10 10:47:48', '2008-08-10 14:47:48', '', 0, 'http://ethnomediallc.com/wpress/?p=197', 0, 'post', '', 0),
(196, 1, '2008-08-05 11:06:49', '2008-08-05 15:06:49', '', 'Lopamudra Mitra', 0, 'Lopamudra Mitra', 'inherit', 'open', 'open', '', 'lopamudra', '', '', '2008-08-05 11:06:49', '2008-08-05 15:06:49', '', 195, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/08/lopamudra.jpg', 0, 'attachment', 'image/jpeg', 0),
(203, 78, '2008-08-20 21:18:20', '2008-08-21 01:18:20', '\r\n\r\n', 'Sahitya O Alochana @ Ananda Mandir', 0, '', 'publish', 'open', 'open', '', 'sahitya-o-alochana-ananda-mandir', '', '', '2008-08-20 21:18:20', '2008-08-21 01:18:20', '', 0, 'http://ethnomediallc.com/wpress/?p=203', 0, 'post', '', 0), (193, 1, '2008-07-31 10:00:29', '2008-07-31 14:00:29', '\r\nAT ANANDA MANDIR Artists of the month\r\n\r\nMADHUMITA SAHA \r\nMadhumita will be accompanied on Tabla by her husband, the illustrious\r\nTabla Maestro\r\nPandit Samar Saha\r\n\r\nOn the harmonium, it will be our own and very talented\r\nSri Kedar Naphade\r\nWho has accompanied all prominent vocalists from India for many years\r\n\r\nAs you can see, this one will be memorable event presented by ANANDA MANDIR\r\n\r\nPlease come and share this fabulous musical evening.\r\nAs usual, the ANANDA SANDHYA concert is FREE, Children come free. However, your kind donation is always graciously accepted.\r\n\r\nAnanda Mandir is located on Cedar Grove Lane off Easton Avenue in Somerset, NJ.\r\nFor info, call Arun Bhowmik at 908-672-1452.\r\n', 'Ananda Sandhya: Madhumita Saha', 0, '', 'publish', 'open', 'open', '', 'ananda-sandhya-madhumita-saha', '', '', '2008-07-31 10:00:29', '2008-07-31 14:00:29', '', 0, 'http://ethnomediallc.com/wpress/?p=193', 0, 'post', '', 0), (195, 1, '2008-08-05 11:10:51', '2008-08-05 15:10:51', '\r\nAnanda Mandir is starting a regular Sahitya O Alochana - Meeting of literary readings and discussionswith a meeting this Friday, 22 August 2008, at 8:30 PM.
\r\nThe aim is to have a quasi-monthly meeting of literary readings and discussions, occasionally interspersed with lectures on religion or philosophy. The first meeting will focus on how to get the effort organized, but we will also have invited speakers from our community speaking on selected topics. Anyone interested is welcome to attend.
\r\n
Few weeks ago, Lopamudra Mitra presented a concert at the Marlboro High School Auditorium at the invitation of the Dakshineshwar Ramkrishna Sangha Adyapeath (DRSA) of New Jersey. She was touring USA at the invitation of the Bangamela 2008 (held in Columbus OH) and before leaving the country, she made a brief visit to New Jersey. It was Lopamudra''s special attachment to Dakshineshwar Adyapeath that brought her to this fund raising concert. However, the audience response was only lukewarm at best. The torrential downpour before the concert may have contributed to the low attendance, but I think the major reason is the multiple events that are happening all around us during the summer season. \r\n\r\nLopamudra''s concert started quite late (by Sunday evening standards), but it was worth waiting for. Her well trained mellifluous voice that traverses the three octaves with extreme ease and grace was a treat for all music lovers. The power in her voice and rendition style touched everybody. \r\nDuring the early nineties, when Suman Chatterjee and few others heralded in a new era of Bengali music, it was primarily dominated by male singers. Lopamudra appeared into this new arena with her unique approach. Her musical rendition of the famous modern Bengali poems (Joy Goswami, Jibananda Das and others) took Bengal by storm. Her musical interpretation of Joy Goswami''s "Benimadhab" gave the poetry a new meaning - it shattered the notion that modern Bengali poetry lacked lyricism. \r\nOn this rainy afternoon in New Jersey her voice and music reverberated not only in the auditorium but in the hearts and minds of the few listeners who came daring the storm. She proved once again her versatility in all forms of Bengali music - modern, folk, Rabindrasangeet. Her rendition of "Aguner Parashmoni" at the end left the whole auditorium humming the tune even after the concert had ended. \r\n\r\nDRSA deserves our heartiest thanks for bringing this wonderful artist to us. However, the organizers could have limited the number of events and provided Lopamudra some more time. I am all for supporting local talents, but please make sure that these performers have the quality to share the same stage with an artist like Lopamudra. ', 'Lopamudra Concert in New Jersey', 0, '', 'publish', 'open', 'open', '', 'lopamudra-concert-in-new-jersey', '', '', '2008-08-05 11:10:51', '2008-08-05 15:10:51', '', 0, 'http://ethnomediallc.com/wpress/?p=195', 0, 'post', '', 0),
(588, 1, '2011-09-23 20:11:39', '2011-09-24 00:11:39', 'It is said that you can take a Bengali out of Bengal, but you cannot take Bengal 
out of a Bengali. I''d rather rephrase it by saying that you can never take Durga Puja out of a Bengali. The greatest Bengali festival is once again knocking on our doors and the New Jersey Bengalis are gearing up to greet their Mother Durga with utmost fervor. Although according to the Bengali calender the puja starts (Maha Shasthi) on Sunday October 2, the enthusiastic New Jersey Bengalis are not willing to wait that long. ICC of Garden State will start their festival on Saturday 24th September and continue till Sunday the 25th. The Puja will be held at the Mt Olive High School, 18 Corey Rd, Flanders, NJ 07836. They have also lined up an impressive cultural program featuring the famous Bengali singer Nachiketa (more on Nachiketa later), a Bengali play from Toronto, and Soumen Adhikari, another singer from Kolkata. Several other local programs and great food also awaits the attendees. Note: I just learnt that ICC has canceled Nachiketa’s program due to lack of timely confirmation from the artist’s agent. Instead, they will be presenting Nirmalya Ray, a well known artist to the NJ music lovers.\r\nOn 25th early morning, Ananda Mandir will be invoking Devi Durga with their live annual Mahalaya Mahishasura Mardini presentation. Over the years, this program has developed a great following with overflowing crowd, all coming in from far and near at 4.00am in the morning. Good words of this event has spread far and beyond the US shores. So if you want to attend this event, then arrive at the Mandir by 4.00am to secure a seat. The event is generally followed by a traditional Bengali breakfast of Luchi, Aloor dom and Jilipi, although I am not sure if this tradition is to continue this year.\r\nKallol of New Jersey will be celebrating their Puja starting on Friday Sept 30 and continue till Sunday October 2nd. Kallol’’s cultural program has always been a mix of local and guest performers of excellent quality. This year, on Kallol’s stage Purbayan Chatterjee ( Sitar) along with Pandit Anindyo Chatterjee (Tabla) will be presenting “String Struck” on Friday evening, a classical musical program including Sitar and vocal music. The famous singer Nachiketa will be presenting his concert “Tumi Sesh Parjonto” on Saturday evening. Sunday evening will feature Aparna Sen (readings) along with Soumajit Das (vocals) and Sourendra Mallik (piano), to present “You and I… Lovingly Yours”. The other events that promise to enthrall the audience include, “Bisarjan” a program of dance and recitation directed by Faroque Azam and “Durga Stotra” a dance recital by Mili Bhattacharya, both on Friday. On Saturday the Kallol children will perform “A Wonderful World”, a musical play written and directed by Aparajita Das. This futuristic play brings a group of friends into an endangered world wrought by global warming, resource depletion, and life form extinction. Their journey creates an open window into the dangers of what life can become for our children and the future of the planet. The ex-New Jerseyan, Tarun Chatterjee, will stage “Kabar” a play by Minir Choudhury with his team from Columbus Ohio. Mina Basu Nag (Nritya Creations) & Sanjeeb Bhattacharya will also present a dance recital. On Sunday, Kallol''s choreographer and director, Sunrita Mitra pays homage to Rabindranath Tagore by presenting highlights of three immortal creations, "Taasher Desh", "Chitrangada" and "Chandalika" in a single musical and dance presentation titled “Troyee”.\r\n\r\nGarden State Cultural Association, GSCA, will be celebrating their Puja on Oct 1 and 2 at the Plainfield High School. Theit cultural events include dance recital by Mitra Purkayastha’s troupe and\r\na hilarious Bengali play “Eta Byaktigoto”, written and directed by Soumendu Bhattacharya along with\r\nSongs by Pratibha Singh & Soumen Nandi (Sa Re Ga Ma Pa Challenge 2009 finalists) on Saturday evening. On Sunday, the events include “Surer Biswayane Rabindranath, a GSCA musical production followed by Monomoy Bhattacharya (Kolkata) concert of modern Bengali Songs.\r\n\r\nAnandamandir will be celabrating their Durga Puja from October 2 to 6 as per the Bengali calendar and so will Bharat Sevashram Sangha. However, at this time I do not have any information regarding their cultural programs.\r\n\r\nLike cultural programs, food is an integral part of any Durga Puja celebration in New Jersey. All the organizers promise to have scrumptious dinner on all evenings during the Pujas. "Panthar Mansho" (goat meat) will be the key attraction at all the community Puja''s except at the Anandamandir and Bharat Sevashram Sangha temples.\r\n\r\nI hope that you all will have a great Durga Puja and enjoy the festival to the fullest.\r\n\r\n\r\n', 'Durga Puja 2011 : New Jersey Style', 0, '', 'publish', 'open', 'open', '', 'durga-puja-2011-new-jersey-style', '', '', '2011-09-25 23:31:37', '2011-09-26 03:31:37', '', 0, 'http://nynjbengali.com/?p=588', 0, 'post', '', 0),
(198, 1, '2008-08-13 12:09:32', '2008-08-13 16:09:32', '\r\nRecently a bunch of reviews on ECTA''s mini Theater festival plays have been published in various news and online media both in USA and India. I would like to share them with you, since many may not have access to these publications, especially those which are published in India. \r\n
Arranged marriage is still quite common in India, and one important phase in an arranged marriage is the process of selecting the bride. Mind you, I said "bride selection" and not "groom selection". An important component of this process is to visit the bride''s home and conduct an interview of the girl to figure out if the girl is a suitable candidate. In some cases, the girl is not only asked to provide verbal answers to the questions, but also demonstrate their gait, posture, length of the hair and also their artistic, musical, and culinary skills. This cartoon was drawn to emphasize on this aspect of the selection process - the girl demonstrates her gait by walking on a tight rope. After all, that''s what she will have to do everyday at her in-laws family - walk the fine line with amazing dexterity, balance and skill. Women of our country may not be participating at the Olympics gymnastics events, but this skill of walking the horizontal beam is in their genes. This cartoon was done for Proma (published from Kolkata) few years ago. I thought this would be an interesting post during this Olympic season. ', 'Cartoon of the Week 3: The Selection Process', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-3-the-selection-process', '', '', '2008-10-14 13:48:09', '2008-10-14 17:48:09', '', 0, 'http://ethnomediallc.com/wpress/?p=200', 0, 'post', '', 0),
(201, 1, '2008-08-14 13:35:59', '2008-08-14 17:35:59', '', 'kemon_haante', 0, 'Walk the line', 'inherit', 'open', 'open', '', 'kemon_haante', '', '', '2008-08-14 13:35:59', '2008-08-14 17:35:59', '', 200, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/08/kemon_haante.jpg', 0, 'attachment', 'image/jpeg', 0),
(202, 1, '2008-08-14 17:50:44', '2008-08-14 21:50:44', '\r\nCultural Association of Bengal\r\npresents\r\nA gala concert of classical Indian Music\r\nOn 13th September 2008, Saturday , 5 P.M. \r\nat Q208, 74-13 commonwealth Blvd, Bellerose, NY 11426\r\n\r\nPt. Tarun Bhattecharya on Santoor accompanied by Abhishek Basu on tabla. \r\nEminent vocalist Mitali Banerjee Bhawmik, accompanied by Sri Dibyarka Chatterjee on tabla and Sri Kedar Naphade on Harmonium. \r\nYoung vocalist Indrani Chakrabarty Khare will be recognized by cultural association of Bengal (C.A.B) for her achievement.\r\nSuggested Donation $20.00, $35.00. Ample free parking inside the school premises.\r\nContact Number: 718-631-9819, 516-298-2454, 914-277-4662, 732-496-0385, 631-821-5684,\r\n917-518-5484, 718-380-1373, 516-501-1966, 516-232-5124.\r\nDirection: By subway/bus: E or F train to Union Tpk exit. Then Q46 bus to Cross Island Parkway stop. Enter school gate.\r\nBy car: (1) Grand Central Parkway (east) to Union Tpk exit. Right turn to Unin Tpk. School entrance between Cross island and commonwealth Blvd.\r\n(2) Grand Central Park way (west) to Little neck PKway. Left Turn to Littleneck PKway. Go under Grand central PKway.Right turn on Littleneck PKway. Right turn again on Union Tpk.\r\nSchool on right after crossing Commonwealth Blvd.\r\n(3) Long Island Expressway to Littleneck Pky exit. Take Little Neck Pky (South). Go under Grand Central Pky and follow option 2.', 'CAB Classical Music Concert', 0, '', 'publish', 'open', 'open', '', 'cab-classical-music-concert', '', '', '2008-08-14 17:51:43', '2008-08-14 21:51:43', '', 0, 'http://ethnomediallc.com/wpress/?p=202', 0, 'post', '', 0),
(204, 78, '2008-08-20 21:20:14', '2008-08-21 01:20:14', '\r\nAnanda Mandiis celebrating Sri Krishna Janmashtami on Sunday, August 24 From 6:00 AM to 9 :00 PM.\r\n| \r\n Sri Krishna Janmashtami Sunday, Aug 24, 2008 Extended Temple Hours 6:00 AM to 9:00 PM \r\n6:00 am --Mangal Aarati \r\n6.30 am --Sri Krishna Sahasra Naam Path \r\n7.30 am - 9.30 am --Nitya Puja \r\n10.00 am -11.00 am --Srimad Bhagavad Path \r\n3.00 pm - 6.30 pm --Bhajan Sandhya \r\n7.00 pm - 8.30 pm --Janmashtami Puja & Aarati \r\n | \r\n
The most awaited event for any Bengali, the Durga Puja festival, is less than two months away. Kallol of NJ will be celebrating this festival during the weekend of October 3 to 5, 2008, while Garden State Cultural Association will have a concurrent celebration on Oct 4th and 5th. Having a concurrent celebration has its pros and cons. On the positive side, it helps to divide the audience which otherwise becomes impossible to manage at a single venue. The negative aspect is that many of us, who would have loved to attend both (and attend them completely), are denied of the opportunity. \r\nHowever, even this joint celebration (I mean the dates only) is not helping the organizers. Depending on what performers are being invited from Kolkata or Mumbai by these organizers, crowd management becomes a major issue with frequent interruptions and threats from the Fire dept. Inviting these famous artists to perform during the Puja is a double edged sword. You need to get the popular star performers to pull in the crowd because it is them who pays for the enormous expense. On the other hand, too many people cannot be accommodated in the spaces the organizers typically use. \r\nHence the Durga Puja organizers have adopted new policies to control the crowd as well as bring in some predictability to the number of potential attendees. Kallol of NJ, from this year (2008) will be accepting early registrations for the Durga Puja festivals. Once they reach their target number, no further registrants will be allowed and hence no drop-ins. This proposal was formally announced during the Kallol picnic, however further details will be mailed out to the members in late August. This year Kallol is inviting the famous singer from Mumbai, Babul Supriyo, to perform on Sunday (Oct 5th) and they expect a huge turn out. There will be few more guest artists (to be announced soon) as well as local performers. So, if you do not want to miss Babul Supriyo, you better register (with early payment of your contribution) soon. I don''t know if Kallol is offering a staggered contribution rate to encourage early registration, but I am told that the process is going to be enforced quite strictly and professionally. \r\n\r\nThis is all very nice and fair. But, to me, this excessive formality takes out some of the fun of attending the Durga Puja festival. It almost sounds like we are attending a conference (like NABC?) or some formal event where we need to follow strict rules of attendance. Dangling those ugly badges on your beautiful and expensive attire is itself an insult to many of the fashion conscious attendees. And now you may have to wear wrist bands or indelible ink stamps to make sure you can get past the gate keepers. You need to commit months ahead which Puja you''d like to attend instead of making a spontaneous decision. \r\nBut I guess we need to sacrifice some of our freedom to help better manage the festivities. Aren''t we getting used to this already?\r\n', 'New Jersey Durga Puja 2008', 0, '', 'publish', 'open', 'open', '', 'new-jersey-durga-puja-2008', '', '', '2008-08-21 14:18:04', '2008-08-21 18:18:04', '', 0, 'http://ethnomediallc.com/wpress/?p=207', 0, 'post', '', 5),
(208, 1, '2008-08-21 14:12:14', '2008-08-21 18:12:14', '', 'babul-supriyo', 0, 'Babul Supriyo', 'inherit', 'open', 'open', '', 'babul-supriyo', '', '', '2008-08-21 14:12:14', '2008-08-21 18:12:14', '', 207, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/08/babul-supriyo.jpg', 0, 'attachment', 'image/jpeg', 0);
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(209, 1, '2008-08-26 13:34:24', '2008-08-26 17:34:24', '\r\nFri Sep 12 7pm – 10pm\r\n(Timezone: Eastern Time)\r\nGeorge Street Playhouse, 9 Livingston Avenue, New Brunswick, NJ 08901 (map)\r\n\r\n
You are invited to this music concert in the New Brunswick Theater District that I am helping to organize for September 12. Knowing your love for music, I am taking this opportunity to invite you to the concert and requesting to please kindly forward the invite to all interested music lovers you know. This concert will take you on a trip to the whole India through its music. Light music from all four corners of India will be presented by the accomplished and beloved artists mentioned below. Moreover, this is a fund raising concert to help the victims of the Myanmar floods and China earthquake, supported by the South Asian Professional Network (SAPN) of Merrill Lynch. A donation of $35 per person is desired to raise sufficient funds for the unfortunate victims.\r\n\r\nYour participation will provide palpable help to the survivors.\r\n\r\nThe $35 include a ticket for the concert, full course Indian dinner\r\nand soft drinks at the theater. Please RSVP before September 6 and your\r\nseats will be reserved. Your donations will be accepted at the theater\r\non September 12 prior to the concert.\r\n\r\nAgenda on Septeber 12 (Friday)\r\nDinner 7:00pm-7:45pm\r\nConcert 7:45pm-10:00pm\r\n\r\n\r\n\r\nArtists\r\n\r\nVocal:\r\n\r\nDr. Mohan Deshpande\r\n\r\nSmt. Mitali Banerjee Bhawmik\r\n\r\nSmt. Astha Shukla\r\n\r\nTabla: Dr. Amod Dandawate\r\n\r\nHarmonium: Dr. Kedar Naphade.\r\n\r\n\r\n\r\n ', 'The Music Of India : A Concert at New Brunswick Theater District', 0, '', 'publish', 'open', 'open', '', 'the-music-of-india-a-concert-at-new-brunswick-theater-district', '', '', '2008-08-28 15:16:20', '2008-08-28 19:16:20', '', 0, 'http://ethnomediallc.com/wpress/?p=209', 0, 'post', '', 0), (210, 1, '2008-08-26 12:08:59', '2008-08-26 16:08:59', '', 'Mitali Banerjee Bhawmik', 0, 'Mitali Banerjee Bhawmik', 'inherit', 'open', 'open', '', 'mitali', '', '', '2008-08-26 12:08:59', '2008-08-26 16:08:59', '', 209, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/08/mitali.jpg', 0, 'attachment', 'image/jpeg', 0), (211, 1, '2008-08-28 15:08:41', '2008-08-28 19:08:41', '\r\n
Pujo contribution or Chaanda (as we fondly call this concept) is always an issue with the average Bengali. Be it in India or in USA, Bengalis have the feeling that this is an unjust extortion in the name of a festival that we all like to attend. It should be free for all of us. Where the organizers get their funds is not for us to bother about. Since, most of the Pujo organizers make it a point to ensure that each and every attendee pays their contribution, we''d like to get away with the minimum amount that helps us to claim a stake in the festival. But the Pujo organizers these days are smart, they make the contribution amount quite obvious by displaying it in bold font. To justify the specified amount, the organizers will cite different components of the cost incurred to hold a festival of this magnitude, like goat meat, Mumbai and Kolkata performers - etc etc. This cartoon raises a legitimate question - why not an a-la carte system for Pujor Chanda? Sounds fair to me!\r\n ', 'Cartoon of the Week 4: Pujor Chanda', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-4-pujor-chanda', '', '', '2008-10-14 13:47:50', '2008-10-14 17:47:50', '', 0, 'http://ethnomediallc.com/wpress/?p=211', 0, 'post', '', 0),
(212, 1, '2008-08-28 15:06:41', '2008-08-28 19:06:41', '', 'Niramishashi', 0, 'Vegeterian', 'inherit', 'open', 'open', '', 'niramishasi_web', '', '', '2008-08-28 15:06:41', '2008-08-28 19:06:41', '', 211, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/08/niramishasi_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(213, 1, '2008-09-03 11:19:19', '2008-09-03 15:19:19', '\r\n
Durga Puja festival has always been a great source of inspiration to me as a cartoonist. I have drawn several cartoons related to this festival and the way we celebrate it in our adopted homeland. Last week I posted one on the "Chanda" issue. This cartoon (drawn a long time ago for Kallol Sahityo Patrika) also takes a spin on the same touchy subject. In earlier times (late 80''s and early 90''s), the Pujo organizers did not specify or "suggest" any contribution amount to the attendees. The strong "suggestion" became, sort of, necessary from the later half of the 90''s when goat meat (or mutton curry) became a must item at the Saturday evening community dinner. Goat meat has always been an expensive item, and with the unpredictable attendance being a major problem, estimating the amount of meat to be cooked is always an issue. The volunteers serving dinner had to deploy smart strategies to control the number of mutton pieces to the hungry devotees standing in the line. At the beginning phase, they are generally generous, especially to their friends and families. However, soon (after a quick review by the supervisors) the strategy changes to a rationing mode when the number of mutton pieces served becomes indirectly proportional to the number of attendees. Now in this situation, the tired and hungry attendee, who has paid the "suggested minimum contribution" has all the right to demand a "suggested minimum number of pieces" of the precious goat meat. After all, that was one of the key factors that attracted him to this festival in the first place!\r\n', 'Cartoon of the Week 5: Pujo Cartoon', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-5-pujo-cartoon', '', '', '2008-10-14 13:47:38', '2008-10-14 17:47:38', '', 0, 'http://ethnomediallc.com/wpress/?p=213', 0, 'post', '', 0),
(214, 1, '2008-09-03 11:17:00', '2008-09-03 15:17:00', '', 'Goat Meat', 0, 'Suggested minumum pieces : 8', 'inherit', 'open', 'open', '', 'goatmeat_web', '', '', '2008-09-03 11:17:00', '2008-09-03 15:17:00', '', 213, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/09/goatmeat_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(215, 1, '2008-09-03 22:08:10', '2008-09-04 02:08:10', '\r\nECTA (Ethnomedia Center for Theater Arts) is looking for actors and actresses for their upcoming production to be staged in late November 2008. Previous acting experience is nice to have but not necessary. Love for theater and performing arts is a must. \r\n\r\nIf you are interested please attend the following casting call. \r\n\r\n\r\n\r\nPlay: Banaprastha - a play in Bengali by Sudipta Bhawmik\r\nDirected by: Indranil Mukherjee\r\n\r\nDate and Time: Friday Sept 5 at 7:30pm\r\nPlace: 28 McBride Way, Bridgewater, NJ 08807\r\n\r\nTo RSVP send email to indymukh@gmail.com or bhawmik@gmail.com\r\n\r\n\r\n', 'ECTA Looking for Actors and Actresses', 0, '', 'publish', 'open', 'open', '', 'ecta-looking-for-actors-and-actresses', '', '', '2008-09-03 22:09:07', '2008-09-04 02:09:07', '', 0, 'http://ethnomediallc.com/wpress/?p=215', 0, 'post', '', 0), (216, 1, '2008-09-10 16:57:24', '2008-09-10 20:57:24', '\r\n
Entertainment events are the major attractions of any Durga Puja festival. The Puja organizers spend thousands of dollars to get the most popular artistes from India as well as from the local talent pool. It is the star entertainers that pull in the crowd, and crowd brings in revenue. The popularity ratings of the entertainers define the success of a Durga Puja. \r\nBut is it true? If the stars and their entertainment was the only reason to attend a Puja festival, then why do we have to listen to the constant rumbling noise of numerous "adda" sessions that continue in the background? As the audio levels of the performers rise, so does the noise level. To many attendees (myself included) the main attraction of attending a Puja is the opportunity to meet friends and engage in endless "addas". We have no ill feeling towards the performers, they can continue to do their job as long as they don''t disturb our "addas". After all, it is them who made us decide which Puja to attend - but they cannot deny us our birth right to be able to talk, talk and talk for hours on. We will occasionally listen to one or two songs to give our tired jaw bones some rest, but soon we''ll get back to argue about who was the best performer of the song, and how this "hopeless" artist has ruined the song completely. We''ll lament the dearth of talent in Bengal and how we miss the golden days of Kishore and Hemanta-da, how the new generation of band music is destroying Bangla music and why one should ban artistes like Sumon and Nachiketa. \r\n', 'Cartoon of the Week 6: The Pujo Entertainment', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-6-the-pujo-entertainment', '', '', '2008-10-14 13:47:25', '2008-10-14 17:47:25', '', 0, 'http://ethnomediallc.com/wpress/?p=216', 0, 'post', '', 0),
(217, 1, '2008-09-10 13:05:46', '2008-09-10 17:05:46', '', 'Adda', 0, 'Pujor Adda', 'inherit', 'open', 'open', '', 'aastegaan_web', '', '', '2008-09-10 13:05:46', '2008-09-10 17:05:46', '', 216, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/09/aastegaan_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(218, 1, '2008-09-11 10:34:56', '2008-09-11 14:34:56', '\r\nTagore Society of New York\r\nWill celebrate\r\n100 Year Anniversary of writer, poet ,novelist\r\nBuddhadeb Bose\r\n\r\nSunday, September 14, 2008 @ 2.00 PM\r\nAt the residence of Dr.Nupur Lahiri\r\n4343 State Hwy No. 27\r\nPrinceton, NJ 08540\r\n732-821-3949\r\n\r\nIntroduction Jyotirmoy Datta\r\nSongs Supti Dasgupta / Sushmita Sarkar / Nupur Lahiri\r\nPoetry Reading Pijush Dey / Mel Datta\r\nPlay recital To be Determined\r\nPoetry Reading Farooque Azam / Arvin Ghosh\r\n \r\n\r\nDirection:\r\nRt. 1 south – turn right on Promonade Blvd.\r\nTurn right on Rt. 27 drive 1 mile\r\nThe house is on left across Little Rocky Hill firehouse\r\n', 'Birth Centenary Celebration of Buddhadeb Bose', 0, '', 'publish', 'open', 'open', '', 'birth-centenary-celebration-of-buddhadeb-bose', '', '', '2008-09-11 10:34:56', '2008-09-11 14:34:56', '', 0, 'http://ethnomediallc.com/wpress/?p=218', 0, 'post', '', 0),
(219, 1, '2008-09-18 15:55:02', '2008-09-18 19:55:02', '\r\n
All around us we find tons of books, websites, and other information about food and nutrition. What we should eat and what not, what foods to avoid for diabetes, what foods to eat to lower cholesterol and what foods to avoid for weight loss. Zillions of nutritionists, dietitians, physicians, nurses, body builders and quacks have made millions writing such books. Most of these books, however, cater to the western food habits. Their meal suggestions, recipes and nutritional information cover only the kind of diet that we Indians hardly eat in our daily lives. Some diet books lightly touch upon some of the Indian foods but they are severely limited to the typical north Indian recipes like tandoori chicken or chicken tikka masala. But if you are a Bengali, then CTM (as they call chicken tikka masala in UK) appears rarely on our diet. We would be interested in knowing whether chhaanar dalna is a healthier meal than shorshe ilish.\r\n
Few months ago, a friend of mine forwarded me an e-book (a pdf file) titled "Indian Foods: AAPI''s Guide to Health, Nutrition, and Diabetes". This book, written by a team of experts appointed by the American Association of Physicians of Indian Origin (AAPI) provides an invaluable guide to the Indians living in America to make some sense of their diet in terms of healthiness. The best part of this book is that it contains chapters pertaining to the regional foods of India. For example, in its chapter on Bengali and Oriya cuisine, the author provides a table (no pun intended) showing a typical Bengali diet and how it can be modified to make it healthier.\r\nI''d like to welcome you all to download this book by clicking on this link. AAPI is distributing this book for free. I thank AAPI for providing this valuable resource.', 'Indian Food and Nutrition', 0, '', 'publish', 'open', 'open', '', 'indian-food-and-nutrition', '', '', '2009-03-23 14:20:09', '2009-03-23 18:20:09', '', 0, 'http://ethnomediallc.com/wpress/?p=219', 0, 'post', '', 3),
(220, 1, '2008-09-18 15:52:07', '2008-09-18 19:52:07', '', 'Indian Food', 0, 'A Thali of Indian Food', 'inherit', 'open', 'open', '', '800px-indian_food_set', '', '', '2008-09-18 15:52:07', '2008-09-18 19:52:07', '', 219, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/09/800px-indian_food_set.jpg', 0, 'attachment', 'image/jpeg', 0),
(221, 1, '2008-09-18 23:20:01', '2008-09-19 03:20:01', '\r\nLive Mahishasura Mardini at Anandamandir \r\nFeaturing some of the best musicians of New Jersey\r\n\r\n4.30AM', 'Live Mahalaya at Anandamandir', 0, '', 'publish', 'open', 'open', '', 'live-mahalaya-at-anandamandir', '', '', '2008-09-18 23:20:01', '2008-09-19 03:20:01', '', 0, 'http://ethnomediallc.com/wpress/?p=221', 0, 'post', '', 0),
(222, 1, '2008-09-18 23:40:18', '2008-09-19 03:40:18', '\r\nFollowing is the list of Durga Puja celebrations in New Jersey with dates and venues:\r\n\r\n1. Kallol of New Jersey\r\n Oct 3, 4, 5\r\n Ukrainian Church Community Center, \r\n 135 Davidson Ave, Somerset, NJ\r\n\r\n2. Garden State Cultural Association\r\n Oct 4th and 5th 2008\r\n Plainfield High School,\r\n 950 Park Avenue, Plainfield, NJ 07060\r\n\r\n3. Indian Community Center of Garden State\r\n Oct 4th & 5th\r\n Eisenhower Middle School\r\n 47 Eyland Avenue\r\n Succasunna, NJ 07876\r\n\r\n4. Garden State Puja Committee\r\n Oct 4th and 5th, 2008\r\n 40 Sullivan Dr, Jersey City, NJ\r\n\r\n5. Anandamandir\r\n Oct 5th to Oct 9th , 2008\r\n 269 Cedar Grove Lane,\r\n Somerset, NJ 08873-5212\r\n\r\n6. Bharat Sevahram Sangha\r\n Oct 5th to 9th 2008\r\n 3490 Route 27, Kendall Park, NJ 08824\r\n\r\nYou may visit the websites of these Pujas from our Webcollage page.', 'Durga Puja in New Jersey', 0, '', 'publish', 'open', 'open', '', 'durga-puja-in-new-jersey', '', '\nhttp://ethnomediallc.com/wpress/index.php/test-web-collage', '2008-09-19 14:08:16', '2008-09-19 18:08:16', '', 0, 'http://ethnomediallc.com/wpress/?p=222', 0, 'post', '', 1),
(223, 1, '2008-09-19 14:32:24', '2008-09-19 18:32:24', '[contact-form 1 "Contact form 1"]', 'Contact', 0, '', 'publish', 'open', 'open', '', 'contact', '', '', '2008-09-19 14:32:24', '2008-09-19 18:32:24', '', 0, 'http://ethnomediallc.com/wpress/?page_id=223', 5, 'page', '', 0),
(224, 1, '2008-09-23 12:32:00', '2008-09-23 16:32:00', '\r\n
Blogging by celebrities is a trend that has caught on for quite some time now. But in most cases the celebrities use the blog to market their latest products, films, music, whatever. Blogging regularly, in the midst of their busy schedule, is quite a challenge for any celebrity. Still some find the time to do it, besides the marketing aspect, just to be connected to their fans - sometimes even to show the people a different side of their personality which is never exposed through the medium they generally use. \r\nOne of the most popular celebrity blog these days (at least in India) is the one by Big B - Amitabh Bachchan (I am not including the link here - visit my web collage page and find it for yourself). When I first read the blog (few months ago), I thought may be this was just another PR channel operated by some ghost blogger on behalf of Mr. Bachchan. But after closely following the blog for some time, my impression started to change. The regularity with which the blog is published, the subtle little details that he writes, his minute observations, thoughts and expressions are too real to be emulated by a ghost writer. This blog surely brings Mr. Bachchan much closer to his fans, makes him a real person. It is the next best thing to sitting next to him on a quite afternoon and chatting away about the so-called trivialities of life. And I must mention that his writing skills are extraordinary. Just like his acting skills, he can touch his reader''s heart through his writings too - almost instantaniously. When he writes about his father''s feelings when he was admitted to the hospital after a near fatal injury on the set of Cooly, or when he writes about his feelings regarding the terrorist attacks in Delhi - one can almost hear him speaking in his soulful voice. \r\nI would like to request Mr. Bachchan to use his extraordinary writing skills to write a memoir of his struggles, his successes and failures, his joys and sorrows and share with us. I am sure it will be an international best seller.', 'Big B''s Blog', 0, '', 'publish', 'open', 'open', '', 'big-bs-blog', '', '', '2008-09-26 13:09:14', '2008-09-26 17:09:14', '', 0, 'http://ethnomediallc.com/wpress/?p=224', 0, 'post', '', 0),
(225, 1, '2008-09-23 12:30:24', '2008-09-23 16:30:24', '', 'Amitabh Bachchan', 0, 'Amitabh Bachchan', 'inherit', 'open', 'open', '', 'ab', '', '', '2008-09-23 12:30:24', '2008-09-23 16:30:24', '', 224, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/09/ab.jpg', 0, 'attachment', 'image/jpeg', 0),
(226, 1, '2008-09-25 17:44:47', '2008-09-25 21:44:47', '
In several of my earlier blog articles, I wrote about our sensitivity to paying Durga Puja contributions (popularly known as Chaanda). The Puja organizers have tried to be innovative in extracting (no I never said extorting) the funds from the pockets of the attendees - they suggested (very strongly) donation amounts which partially resolved the problem but not the unpredictability. They have now resorted to early registration to ensure the committed funds (doesn''t matter if the contributors fail to attend due to weather or personal issues) and again they are successful to a great extent (Kallol has stopped early registration two weeks in advance and have declared "House Full"). Now, if this too fails in the coming years, the organizers can use the age old technique of door to door collection service, as we did back in our home country. This style of collection has a special appeal to many old timers. The collectors can use a barrage of methods, the maastan approach, the pleading approach, the good cop bad cop routine etc. etc. Some of the contributors may even like the personal touch and treat the collectors with some home made delicacies served with a cup of tea. So folks, those of you have been reluctant to register early or refused to succumb to the strong suggestions, look out for the chaanda collection service car on your driveway next year.', 'Cartoon of the week 7: Durga Puja Chaanda Collection Service', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-7-durga-puja-chaanda-collection-service', '', '', '2008-10-14 13:47:08', '2008-10-14 17:47:08', '', 0, 'http://ethnomediallc.com/wpress/?p=226', 0, 'post', '', 2),
(227, 1, '2008-09-25 17:39:42', '2008-09-25 21:39:42', '', 'baarite_chaanda_web', 0, 'Chaanda collection service ', 'inherit', 'open', 'open', '', 'baarite_chaanda_web', '', '', '2008-09-25 17:39:42', '2008-09-25 21:39:42', '', 226, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/09/baarite_chaanda_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(238, 1, '2008-10-08 10:44:15', '2008-10-08 14:44:15', 'by Amitava Sen\r\nHe was standing there outside the Puja hall wearing a pained look, like he has been left on the wayside by the world and ignored. I knew the man well, not intimately but well enough over three decades. I have seen him in most of the Pujas since 1976. Part of his misery was the October chill in which he was made to wait. I empathized and asked him what’s going on. It appeared that he could not produce the computer print-out confirming his registration which he claimed to have made on line. Later, one of the officials relented and finally produced his entry badge. It all ended well, so I thought.\r\nBut the man remained nonplussed. I asked him not to take it too hard. Doesn’t he realize that he is passé and he is irrelevant now? The Puja officials are quite within their rights. His mistake was to expect a 1976 style congenial familiarity. Too bad that the changing of the guards has passed him by, un-noticed, again his mistake. \r\n\r\nPuja brochure published on the occasion correctly points out that Durga Puja is more of a social event. True, but which society? Society this man has known has been taken over by new net connected relationship; it’s a new social order. If you cannot meld, better get out of the way, remove yourself from the scene; it will roll over you, no matter how much it hurts.\r\nThe gentleman conceded my point and admitted that suddenly he realized that he did not know the majority of the crowd. Most were strangers to him. One of his nieces, who worked with computer all day, had booked him an entry pass on line. A lot of his friends and mine as well are not blessed with a computer savvy niece and they missed out. Our turned-down friends are sadly wrong if they assume that thirty-two years of loyalty will get them an entry to their supposedly familial affair. You do not have to be very smart to calculate the arithmetic of it; three days’ meals , for husband, wife and two children under twelve and an opportunity to Bhangra- Break dance to the tune of your favorite band, all for hundred and change, a definite bargain; who could pass it by? So, the tickets went fast. Our friends have been a day late if not a dollar short. Next year at the end of summer and beginning of autumn, check the internet on an hourly basis or make friends with internet folks, if you want to avoid the heart break of missing out on the un-nerving new age heavy metal screaming of the band, I earnestly advised the gentleman.\r\n\r\nIt’s a different age and players are different. The days of Puja as a service to the community and cultural program by the members of the club and an occasional artist or two from Calcutta are over, now it is a strange pop rock band on Friday, a sa-re-ga-ma artist on Saturday and a touch of Bollywood on Sunday. It is also a matter of getting featured in Annada Bazaar Patrika, making your parents proud and neighbor jealous back home. \r\nI can see a point here; in this global era, thinking in terms of only a conventional community is thinking backward. Society and community as we have known it, is probably dead for us here. Better be prepared for a Kobi-Joyonti-Dhamaka in the summer and a globalized Hangama in New Year’s Eve, but do not expect the comfort of familiarity.\r\nAt the end I advised my friend; yes, by the end of the day we were in friendly terms, not to lose his heart, go with the flow, stay hip and most of all behave well with the new-era crowd; you may even some day be rewarded with a cameo appearance on the stage handing over computer generated appreciation certificates. And do not forget to bundle up to stay warm in the October chill.\r\n\r\nAmitava Sen\r\n\r\n\r\n\r\n', 'Are you still Relevant?', 0, '', 'publish', 'open', 'open', '', 'are-you-still-relevant', '', '', '2008-10-08 10:44:15', '2008-10-08 14:44:15', '', 0, 'http://ethnomediallc.com/wpress/?p=238', 0, 'post', '', 0),
(229, 1, '2008-09-29 12:04:24', '2008-09-29 16:04:24', 'This year something unprecedented has happened. The two major Durga Puja committees have closed their doors to the Bengalis of the area who have failed to pre-register in due time. Kallol organizers tell me that they are completely sold out and do not have space for a single extra person. They had to express their inability to accommodate hundreds of people. Apparently this year the township authorities have clamped down with severe restrictions on the number of people that can be accommodated at the Ukranian Cultural/Community Center hall where Kallol celebrates its Durga Puja. It is envisaged that the township authorities will be inspecting the venue every day during the festival during the peak hours.\r\n\r\nThis is indeed a very sad situation. Bengalis of the area have been coming to these Pujas for a long long time. And this is the first time, they may not be able to attend their favorite festival for which they having waiting year long, just because they missed the registration deadline in their busy life. Kallol did not even have a deadline. They closed their registration window as soon as they reached their target number. The community is buzzing about this issue, and sometimes the buzz in breaking out into loud arguments about whether the organizers have the right to restrict admissions to a "sarbojonin" or public festival celebration. But I think they are missing one point. Any organizer would love to have more attendees - because that''s what fetches the revenue. But in this country we are bound by several laws and regulations that prevent us from doing things the way we would like them to be. Moving to a bigger venue is also not economically feasible without a guaranteed huge revenue stream. \r\n\r\nHence, to all our friends who have not been able to register to either Kallol or GSCA Pujo, I''d request them to patronize the other two New Jersey Pujo''s this year. ICC of Garden State and the Garden State Puja Committee of Jersey City are having their celebrations during the same weekend. They also plan to have great entertainment program with bands like Chandrabindu from Kolkata. And I understand, they do have some extra room to accommodate few more people. Following are their details: \r\n\r\nIndian Community Center of Garden State\r\nOct 4th & 5th\r\nEisenhower Middle School\r\n47 Eyland Avenue\r\nSuccasunna, NJ 07876\r\n\r\nGarden State Puja Committee\r\nOct 4th and 5th, 2008\r\n40 Sullivan Dr, Jersey City, NJ\r\n\r\nAlso, I''d request you to become members of organizations like Kallol and GSCA, such that in future years your admission is assured.\r\n\r\n', 'Kallol and GSCA Durga Puja Registrations Sold Out!!!', 0, '', 'publish', 'open', 'open', '', 'kallol-and-gsca-durga-puja-registrations-sold-out', '', '', '2008-09-30 14:01:45', '2008-09-30 18:01:45', '', 0, 'http://ethnomediallc.com/wpress/?p=229', 0, 'post', '', 9),
(230, 1, '2008-10-01 10:34:44', '2008-10-01 14:34:44', 'Here is a note I received from Subal Sarkar, Vice Chair, GSCA Board of Trustees.\r\n\r\nGSCA pre-registration will remain open till midnight October 1 , and 2. GSCA Puja is held in a much larger facility than Kallol and will have plenty of room to accommodate registration at the gate on first-come first-in basis until the capacity is reached.\r\n\r\n\r\n', 'GSCA Registration still open!!!', 0, '', 'publish', 'open', 'open', '', 'gsca-registration-still-open', '', '', '2008-10-01 10:34:44', '2008-10-01 14:34:44', '', 0, 'http://ethnomediallc.com/wpress/?p=230', 0, 'post', '', 2), (231, 1, '2008-10-01 21:02:14', '2008-10-02 01:02:14', 'Welcome to NY/NJ Bengali Website.\r\n\r\nThis site is about the Bengali life and experience in the US east coast. Please feel free to subscribe to our weekly email of new posts and event announcements.\r\n\r\n * Click on the Subscribe tab above (or the Feedblitz button on the right sidebar) and fill up the form with your email address. You''ll receive a weekly email newsletter with the latest posts. Please note the email newsletter is delivered from FeedBlitz@mail.feedblitz.com. Make sure your email server does not block or filter out emails from feedblitz.\r\n * To post an article you need to register (subscription will not do) by clicking the Register/Login link on the right sidebar.\r\n * If you like this blog or any article on this blog, share it with your friends. Click on the Share This button on the right side bar. You can share either by email or through multiple other social networking sites like Facebook, Stumbleupon etc.\r\n * You can also subscribe to this blog through any RSS feed reader (like Google Reader). To subscribe to this feed use http://ethnomediallc.com/wpress/index.php/feed\r\n\r\nThanks.\r\nSudipta Bhawmik\r\n[WP-CUMULUS]\r\n', 'About Us', 0, '', 'publish', 'open', 'open', '', 'about-us', '', '', '2009-03-05 15:09:29', '2009-03-05 19:09:29', '', 0, 'http://ethnomediallc.com/wpress/?page_id=231', 6, 'page', '', 0), (232, 1, '2008-10-02 10:29:21', '2008-10-02 14:29:21', '
Finally, the Durga Puja festival is upon us. After all the registration/pre-registration dust settles, we''ll all assemble in front of Maa Durga and pray to give us a good life. We may be at different puja celebrations, but in some way, we all will be connected by the single thread of joy, hope and happiness that this festival has been bringing to us over the years. \r\nOne of the most enjoyable things at the Durga Puja festivals is the community dinner. Sitting together and having a nice meal with the rest of the community gives a great feeling of solidarity. But these dinners are also a source of major logistical issues. Switching gracefully from the dinner to the cultural programs becomes a major problem. People trickle in at the dinner hall at their own pace, while the events start on the main stage. Many people, in the great urge to enjoy the events of their favorite artists, are tempted to bring in their dinner inside the auditorium and enjoy the food as well as the performance. And this, as usual, causes a major problem. All auditoriums forbid bringing any food or drink inside the hall. But we still manage to sneak in some, maybe some snacks, or a cup of tea, or a can of soda. At the end of the show, when all the happy audiences have left, the organizers find themselves in a big mess of trash - spilt coffee, decaying food, foam cups, dirty napkins, crushed soda cans. Under the angry eyes of the hall authorities threatening to impose severe fines and ban the organization of using the facility in the future years, the festival organizing committee members get to work to clean the premises. I understand, that sometimes, food becomes necessary - maybe for a hungry child, or maybe to take some prasad for the member of the family who had to stay home, or maybe that hot cup of tea which doubly enhances the enjoyment of that nostalgic song. But please, think about the consequences of such actions. Keep the food and drinks outside the auditorium, please help in keeping the facility clean. Lets all enjoy the Pujas without any incidents that can cause any unnecessary strains.\r\nWish you all a very Happy Durga Puja.', 'Cartoon of the Week 8: Puja Prasad', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-8-puja-prasad', '', '', '2008-10-14 13:46:48', '2008-10-14 17:46:48', '', 0, 'http://ethnomediallc.com/wpress/?p=232', 0, 'post', '', 0),
(233, 1, '2008-10-02 10:22:32', '2008-10-02 14:22:32', '', 'No Food - Prasad', 0, 'Holy Food, Prasad', 'inherit', 'open', 'open', '', 'auditorium_title_web', '', '', '2008-10-02 10:22:32', '2008-10-02 14:22:32', '', 232, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/10/auditorium_title_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(234, 1, '2008-10-06 16:07:40', '2008-10-06 20:07:40', '
After three days of hectic scrambling, managing thousands of registrants, the blaring music from the entertainers and the long dinner lines, Kallol Pujo celebrations have finally come to an end. Although many skeptics were not sure about how the Pujo would fare out, especially when many people were not happy when Kallol had announced the closure of their registration due to full capacity, overall the people who attended were quite happy. The crowd was well managed and as far as I know, nobody was turned back due to their failure to register early. The new full sized idol of Maa Durga and her entourage was something that attracted many to stand for few extra minutes before the Goddess than before. The simple styling of the idol reminded many of us of our local Puja''s back home. The ample "adda" space all around was also utilized very well. The vendor stalls were quite crowded (except not many seemed to open up new accounts with BoA), especially the food vendor made a killing with $2.00 mini veg chops. The community dinner served in the tents was as predictable as ever, however the lines moved quite fast on all evenings.\r\n\r\nKallol, this year, arranged for a wide variety of entertainment programs. Friday evening''s star attraction was the famous "Bangla" band "Cactus". I have listened to Cactus earlier, and I like their music. This time too, they did not disappoint me. Their renderings of Gautam Chattopadhyay''s famous songs (from Mohiner Ghoraguli) were extremely good. Cactus is a rock band, and they don''t make any pretensions about it. And unlike many of the mushrooming bands of Kolkata, these folks sing in tune. Their lyrics are not their greatest strength, but under those blaring guitars, bass, keyboard and drums, who''s following the lyrics anyway? The huge decibels of their delivery, emptied the first few rows of the Kallol seniors very quickly and made room for the young crowd to gyrate and stomp to the tunes of Cactus who also proved that they are equally good with the traditional Bangla music, be it the Baul melodies or the popular Tollywood numbers. \r\nOn Saturday, the evening started with a show by the kids of Kallol a dance extravaganza presenting the folk and modern dance forms from the different parts of India. The show staged about forty kids, from toddlers to teens, and they did a wonderful job. The show was directed and choreographed by Sunrita Mitra. This was followed by a play in Bengali by the members of Kallol. Adapted from Dario Fo''s famous play "The Virtuous Burgler", "Taskar Brittanto" is an excellent comedy that when executed properly can have a major impact on the audience. This presentation, as the director Debi Prasad Palit himself admitted during the curtain call, was not adequately rehearsed. The lack of preparedness on the part of the actors and the director showed, the comedic timings were miscued, some lines missed and the erratic editing of the script caused hiccups in the flow. However, the people still enjoyed the play due to a working audio system and the power of the dialogs. A little more care and imagination could have resulted in an unforgettable experience. \r\n\r\nAfter the play, the two of the guest artists from Kolkata came on stage. The first was Bratati Bandopadhyay, who recited a bunch of poems with her customary musical accompaniment. Here renditions were pleasing to the ears, but I had a feeling that she failed to connect to her audience. Shampa Kundu, who came on stage after Bratati, however did connect quite well to the Kallol crowd. Her wide repertoire of songs, ranging from the music of the late nineteenth century to the contemporary, catered to the entire spectrum of the audience. Although she took couple of songs to warm up, but as the evening progressed, her vocal prowess became quite evident and she enthralled the audience with her pleasing tonal quality, smart selection of songs and her on stage demeanor. \r\n\r\nThe Sunday evening entertainment was a real contrast between tradition and popular culture. The evening started with a classical vocal presentation by the young and promising musician Shounak Chattopadhyay. Shounak started his concert with a vilambit jhaptal kheyal in Raga Behag, followed by a teental drut. His next rendition was a small composition in Rag Desh from which he switched to a Randra Sangeet and a tarana in the same raga. He concluded the concert with a bhajan in Raga Bhairabi, the famous "Bhavani dayani", an appropriate musical invocation to Maa Durga. Shounak''s rendition spoke volumes about his potential as a classical vocalist - his clean and copy-book style exposition during the vilambit, his crisp taans demonstrate that he has been working on his craft quite diligently. The only thing that he now possibly needs to master is to pour his heart into the music and give it some feeling that can touch his audience''s soul. He looked a bit disturbed, maybe he was under the pressure to finish his concert and make way for Babul Supriyo to come on stage. The huge audience was also getting impatient, they wanted their popular artist to come on stage and render some high octane Bollywood numbers, rather than listen to a young classical vocalist. Shounak was ably accompanied on the tabla by Sameer Chatterjee and on the harmonium by Kedar Naphade. \r\n\r\nThe grand finale of the evening was the presentation by Babul Supriyo. After spending about fifteen minutes to adjust the sound, Babul stabilized and bolted out one after another popular numbers from Bollywood and Tollywood. His cheesy comments and jokes often fell flat on his audience, but his music was quite well received, especially by the young crowd. He invited the beauties from the audience on the stage to dance to his tunes and too many were eager to oblige causing enough stress to the organizers. The stress heightened when he invited a bunch of kids to the stage and got the volunteers and stage managers panicking to prevent an accident (which could have potentially resulted in severe unpleasant consequences). Thankfully, nothing untowardly happened. Babul even pulled up one of the senior most members of Kallol, Ajit Rakshit, and made him dance to his rendition of "Khaike paan...". \r\nBabul was possibly well prepped up to cater to the wide range of his audience''s age and taste, and he delivered by singing not only the recent and popular numbers but also several oldies from Manna Dey, Hemanta Mukherjee and others. Overall, Babul tried his best to impress his audience, but the question remains as to whether he was worth the money spent on him. I saw many people nodding their heads in disappointment stating that these songs could have been possibly rendered by many talented singers at a fraction of the cost. \r\n\r\nSo this was Kallol''s Durga Puja celebration. I am sure the other Pujo''s (which I missed) were also equally enjoyable. I''d like to hear about them too. \r\n\r\nWishing everybody a Happy Bijoya. \r\nSudipta', 'Another Successful Durga Puja by Kallol of NJ', 0, '', 'publish', 'open', 'open', '', 'another-successful-durga-puja-by-kallol-of-nj', '', '', '2008-10-08 10:46:36', '2008-10-08 14:46:36', '', 0, 'http://ethnomediallc.com/wpress/?p=234', 0, 'post', '', 1),
(235, 1, '2008-10-06 16:03:38', '2008-10-06 20:03:38', '', 'Dhunuchi Dance', 0, 'Dhunuchi dance', 'inherit', 'open', 'open', '', 'dhunuchi_wt_web', '', '', '2008-10-06 16:03:38', '2008-10-06 20:03:38', '', 234, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/10/dhunuchi_wt_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(236, 1, '2008-10-07 12:40:36', '2008-10-07 16:40:36', '
Neel Kashkari, a 35 year old son of immigrant parents Chaman and Sheila Kashkari from Jammu and Kashmir, has been appointed by the Treasury Secretary Henry Paulson to oversee and manage the $700 billion bailout of Wall Street. This brings Neel directly under the global spotlight as to how he manages this huge and controversial issue that affects millions of people not only in USA, but also all around the globe. The other day, when an NPR radio commentator mentioned that "a rocket scientist" has been invited to rescue the Wall Street, he was not joking. Neel did work as an R&D engineer at TRW in California where he helped in the development of space technology for NASA, like the James Webb Space Telescope scheduled to be launched in 2013 to replace the aging Hubble Telescope. Neel received his engineering training from the University of Illinois, Urbana Champaign, and later an MBA in finance from Wharton School of Univ. of Pennsylvania. \r\nThe media is now buzz with this new comer and his name has already been a source of many puns and wise cracks - "Cash Carry" to handle the cash debacle? Isn''t he too young and inexperienced to handle such a grave economic situation? \r\nBut many are pinning their hopes on this bright young Indian American. His youth, his creative and out of the box thinking, as well as his engineering background to craft innovative solutions to tough problems, can prove to be an asset in resolving this crisis. We all look forward to Neel to get us out of this black hole.', 'Neel Kashkari to Oversee $700bn Bailout', 0, '', 'publish', 'open', 'open', '', 'neel-kashkari-to-oversee-700bn-bailout', '', '', '2008-10-07 12:40:36', '2008-10-07 16:40:36', '', 0, 'http://ethnomediallc.com/wpress/?p=236', 0, 'post', '', 0),
(237, 1, '2008-10-07 12:38:34', '2008-10-07 16:38:34', '', 'Neel Kashkari', 0, 'Neel Kashkari', 'inherit', 'open', 'open', '', 'neel', '', '', '2008-10-07 12:38:34', '2008-10-07 16:38:34', '', 236, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/10/neel.jpg', 0, 'attachment', 'image/jpeg', 0),
(239, 1, '2008-10-08 18:41:22', '2008-10-08 22:41:22', 'NJPA cordially invites you with your family and friends to celebrate Kali Puja on October 25th, 2008.\r\nPuja : 3:00 P.M. to be performed by Swami Bikramananda of Bharat Sevasram\r\nDinner : 5:30 P.M. to 7:00 P.M.\r\nCultural Program : 7:00 P.M. to 11:00 P.M. Special attraction Shamit Tyagi of Sony Fame Gurukul\r\nVenue : Crossroads South Middle School\r\n195 Major Road, Monmouth Junction, NJ, 08852', 'Kali Puja', 0, '', 'publish', 'open', 'open', '', 'kali-puja', '', '', '2008-10-08 18:41:22', '2008-10-08 22:41:22', '', 0, 'http://ethnomediallc.com/wpress/?p=239', 0, 'post', '', 0),
(240, 1, '2008-10-08 18:52:30', '2008-10-08 22:52:30', 'Kallol of NJ to celebrate Lakshmi Puja on\r\nSaturday, October 11, 2008 \r\nAt the Kiddie Keep Well Camp 85 Roosevelt Drive, Edison NJ 08837 \r\n\r\nPuja: 3:00 p.m. Anjali: 4:00 p.m.\r\nDinner: 9:00 p.m. \r\n\r\nVijaya Sammelani & Cultural Program: 6:30 p.m. ', 'Kallol Kojagari Lakshmi Puja', 0, '', 'publish', 'open', 'open', '', 'kallol-kojagari-lakshmi-puja', '', '', '2008-10-08 18:52:30', '2008-10-08 22:52:30', '', 0, 'http://ethnomediallc.com/wpress/?p=240', 0, 'post', '', 0),
(241, 1, '2008-10-13 21:11:43', '2008-10-14 01:11:43', 'In today''s world of minuscule attention span, writing and reading long blog articles are sure to lose popularity. After all the "text messaging" generation does not want to spend hours reading long drawn blog essays. Hence "micro-blogging" is the rave of the day and undoubtedly, the king of micro blogging is "Twitter". The world blog comes from "Web Logs", which implies that blogs are essentially online logs of the blogger ramblings, sort of like a diary or online journal. Twitter does just that, it allows users to write snippets (140 characters or less) of any message that you want to share with your friends of the world, and they get logged onto your home page. But the story does not end here. If you have a bunch of friends who are interested in you, who want to know what you are up to, who would like to "follow you", they can link up with your "Tweets" and receive an update whenever you post something through tweeter. Check out my tweeter page http://twitter.com/bhawmik to figure out what I am talking about. For example, if you''d like to follow me, just click the link "follow". You will of course have to sign up with Twitter before you can follow somebody. People who are familiar with Orkut scrapping or Facebook wall writing or status update should get the idea, except on Twitter you are doing a one-to-many messaging, rather than one-on-one with global access.\r\n\r\nBesides individuals, many corporations, news organizations, radio stations, all have twitter accounts and you can follow any one you like. Corporations use Twitter as a marketing tool. News organization use it to send out their latest breaking news snippets. Individuals use it to stay connected. The possibilities are endless. \r\n\r\nYou can send tweets or received tweets from your mobile phones. You can have desktop applications on your computer to receive and send tweets. And of course you can use the web site too. Once you get hooked on to it, it is hard to live without it.\r\n\r\nTwitter offers an API to build smart interfaces and plugins to use in several applications. For example, Wordpress bloggers can use a Twitter plugin to have their tweets posted on their blog page - check out the right hand side bar. You''ll notice a short column of my twitter messages. When I don''t have the time to write about a topic but feel the urgent need to share it with my readers, I use Twitter and the message gets posted on my blog. This allows me to post the latest happenings. \r\n\r\nSo give it a shot. Try out Twitter and jump on the latest band wagon.', 'Twitter - The Latest Craze in Micro-blogging', 0, '', 'publish', 'open', 'open', '', 'twitter-the-latest-craze-in-micro-blogging', '', '', '2008-10-13 21:13:19', '2008-10-14 01:13:19', '', 0, 'http://ethnomediallc.com/wpress/?p=241', 0, 'post', '', 0);
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(242, 1, '2008-10-14 21:17:03', '2008-10-15 01:17:03', 'On 16th November, at 3-30 p.m.\r\n\r\nRaag- Rang presents a magical evening of\r\n\r\nHindustani classical music, featuring the master of sound magic Steve Gorn on bamboo flute.\r\n\r\nConcert will start with two short vocal presentation by Anand Arikarevula\r\n\r\nand Smt Girija Iyer accompanied by Shree Amod Dandawate on tabla and Smt\r\n\r\nIndrani Chakrabarty Khare on harmonium.\r\n\r\nVenue: Universal Unitarian Congragation Of Princeton.\r\n\r\n50 Cherry Hill Road, Princeton 08540.\r\n\r\nAdmission: non-members: $20.00(kids between 5-10 years $10.00).\r\n\r\nMembers: $15.00 (kids between 5 to 10 years $7.00).\r\n\r\nContact : (732)-241-7063, (609)-890-4890, (908)-240-8289 or\r\n\r\nEmail bhawmikm@gmail.com, mayuresh.khare@gmail.com,\r\n\r\ndhu92@optonline.net', 'Raag-Rang Presents Steve Gorn', 0, '', 'publish', 'open', 'open', '', 'raag-rang-presents-steve-gorn', '', '', '2008-10-14 21:17:03', '2008-10-15 01:17:03', '', 0, 'http://ethnomediallc.com/wpress/?p=242', 0, 'post', '', 0),
(243, 1, '2008-10-16 11:10:00', '2008-10-16 15:10:00', '
From the recent comments and postings on this and other blogs and from the "addas" at various Bijoya Sammilani parties, I keep on getting a constant message - maybe we are missing the good old style Durga Puja as it used to happen in this part of the world. We all can agree on one thing that back home, the Bijoya Dashami was one of the saddest day of the year. No amount of "Naru", "Laddu" or "Ghugni" could sweep away the sadness. But when we came to this country, we discovered that Durga Puja does not have to end on one specific day. Each Puja committee celebrated the festival on non overlapping weekends and the festivities continued for weeks. As attendees to these festivals, we too felt the importance and the market value of our presence. Due to the short supply of the Bengalis in this region, we were in high demand. We are treated as "Patrons" and not as "Registrants". These days, with all the major organizations having their Puja on the same weekend, we are missing out on this prolonged celebrations. In this foreign land, where social interactions between ourselves are so rare, we long for the opportunity to meet at a common place, spend some time together, exchange few words, share our joys and sorrows. This fragmentation of the festivities is tearing this fragile social bond in some sense. Many of our friends with whom we meet every year at these Puja festivals, could not attend the same venue. This never happened in the earlier days. However, I guess this was inevitable. When a society grows, such fragmentation is bound to happen.\r\nBut thanks to Anandamandir and Bharat Sevashram Sangha, this year the festivities were extended by at least one more week and the members of our community could display their newly acquired fashion gear for few more days. \r\n\r\nSubho Bijoya to you all.', 'Cartoon of the Week 9: Are we Missing Something?', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-9-are-we-missing-something', '', '', '2008-10-16 11:18:43', '2008-10-16 15:18:43', '', 0, 'http://ethnomediallc.com/wpress/?p=243', 0, 'post', '', 1),
(244, 1, '2008-10-16 11:09:06', '2008-10-16 15:09:06', '', 'Pujor Saari', 0, 'Pujor Saari', 'inherit', 'open', 'open', '', 'pujor_saari_web', '', '', '2008-10-16 11:09:06', '2008-10-16 15:09:06', '', 243, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/10/pujor_saari_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(246, 1, '2008-10-22 11:11:36', '2008-10-22 15:11:36', '\r\nLast night (Tuesday Oct 21, 9.52pm US Eastern time) I watched with awe when the giant PSLV rocket blasted off from the Satish Dhawan Space center in Shriharikota, India, carrying with it India''s pride - the Chadrayaan-1 unmanned lunar mission. Largely ignored by the US media, the Chandrayaan-1 mission may not be of much interest to the US population but it is a giant step for India to prove to the world that India can do whatever it puts its mind to. With the success of this mission, India will join the select group of countries who have made lunar missions. Many are asking for the economic justification of such an expensive adventure. When the majority of Indians are lacking the basic necessities of life, scientific extravaganza like a "Lunar mission" is seen as nothing but sheer luxury. The nuclear exercise at least had some tangible benefits in the defense and energy sector. What benefits are we expecting by sending a box full of instruments to the moon? Are we sending a space craft to the moon only because "it is there"? Or is it because we want to stake a claim on a new frontier by planting the tri-color just as we did in Antartica? \r\nAlthough, both of the above objectives are true to some extent, I think the motivations are deeper than that. Expeditions like this add value in many dimensions. First of all it improves the scientific and technological credibility of the country in the global community and firmly establishes India as a major technological power. Secondly, India''s moon missions and the advanced rocket launch capability can prove to be a profitable venture as they offer this service to other countries to carry their space and/or lunar payloads at a competitive price. Chandrayaan-1 is already carrying multiple foreign instruments including two from USA. A third benefit that may come out of this is the development of ancillary industries to support the space missions. For example, in USA, most of the NASA development work is done by third party contractors. The demands of space technology can foster the development of many products that can be beneficial to the common people. When a large scientific project like this gets in motion, the scientific community gets energized and the offshoot technologies, that may or may not be directly related to the space missions, can themselves prove to be extremely beneficial. And of course we cannot completely ignore the knowledge gained from the experiments conducted on the lunar surface.\r\n\r\nDuring the summer of 1981, I had the good fortune of working with the Indian Space Research Organization''s (ISRO) Ahmedabad outfit as a summer trainee from IIT Kharagpur. Although it was only a two month association, but I think I can still claim some kinship with this organization and feel proud that I too had once contributed to what has culminated today to a full fledged moon mission - the Chandrayaan. \r\n\r\nWay to go ISRO, way to go India!\r\n\r\nFor more details on the mission visit the Chandrayaan website.', 'Chandrayaan-1 Lifts Off', 0, '', 'publish', 'open', 'open', '', 'chandrayaan-1-lifts-off', '', '', '2008-10-22 11:16:24', '2008-10-22 15:16:24', '', 0, 'http://ethnomediallc.com/wpress/?p=246', 0, 'post', '', 0),
(247, 1, '2008-10-23 20:20:07', '2008-10-24 00:20:07', '
In the famous Bengali play "Alibaba" by Khirodprasad Bidyabinod, when the righteous dacoit chief came as a guest to Alibaba''s home - he mentioned about one diet restriction that he had - he doesn''t eat salt. Obviously his salt restriction was not because of hypertension or any other nephrological disease that he might have had (the playwright did not give any clues except that he was quite hot tempered). He didn''t want Alibaba to serve him any salty food because then he would have had to pay for his salt indebtedness. He would no longer be able to kill Alibaba and his family and loot back his wealth. He could never be a "Namak Haram"! Such is the power of salt. This mythological power of salt has been used as a test of ones righteousness. If you ever ingest salt served by somebody, you should always sing his praise - in Bengali we say "Noon khai jaar - Goon gai taar!" But these days we hardly obey such silly dictum. So, when an eligible bachelor makes his rounds with his family at potential brides homes they look forward to the traditional hospitality of being served with a sumptuous meal both sweet and salty. I know of a person who used to have is regular evening snacks at potential brides places. I even heard a story that some NRI person, before going to India on a vacation, would advertise in a Kolkata newspaper looking for a bride. Then he would visit each of the applicants house and enjoy a great meal. I cannot vouch for the accuracy of this story, but I wouldn''t be surprised if somebody nurtured such a perverse hobby. \r\nThe tradition of arranged marriage in India is a long way from being eradicated from the society. But if you do not like the girl sitting in front of the potential in-laws, at least have the courtesy to refuse the salty food being served in front of you. At least, it will give the girls family, some kind of a sign. ', 'Cartoon of the Week 10: The Power of Salt', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-10-the-power-of-salt', '', '', '2008-11-03 13:00:16', '2008-11-03 17:00:16', '', 0, 'http://ethnomediallc.com/wpress/?p=247', 0, 'post', '', 2),
(248, 1, '2008-10-23 17:05:28', '2008-10-23 21:05:28', '', 'Nonta Khabar', 0, 'Namak Harami Korbo Naa.', 'inherit', 'open', 'open', '', 'nonta_khaabaar', '', '', '2008-10-23 17:05:28', '2008-10-23 21:05:28', '', 247, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/10/nonta_khaabaar.jpg', 0, 'attachment', 'image/jpeg', 0),
(249, 1, '2008-10-30 01:48:47', '2008-10-30 05:48:47', 'by AMITAVA SEN\r\n\r\n
It is hard to be in a party these days without entering in to a conversation about the presidential election. My Bengali friends are frenzied and crazed about the prospect of Barack Obama getting elected our president. They are incredulous about the fact that they are living in the same planet and at the same age as The One. It’s like the second comings of Jesus Christ, Gautama Budhha and Lord Krishna, all combined together. Throw in Elvis Presley and a sprinkle of Karl Marx in the mixture. Barack Obama, we are sure is going to set every thing right on January 21, 2009 and in the process make us all millionaires with his tax cut. Talk about world peace? We are going to dinner with Iran, Al Qaeda and Taliban, our buddies and we will all live happily ever after in peace. Dow is going to touch 20,000 in weeks, our 401(K) reverting to its full glory and all those crooks in Wall Street will be sent to gallows. \r\nWhile animated discussions were going on in our weekend party, I noticed the absence of one person amongst us who was often teary-eyed at the mention of the coming of the messiah. Where were they, he and his wife? I inquired.\r\nI was told that she wasn’t feeling well. That was not the real reason though. I didn’t, but it seemed every one else knew the underlying reason for her not feeling so well. Her daughter who is a doctor in Texas has signaled her intention to get engaged soon. Her fiancé is a doctor too; they have known each other since their days at Baylor Medical School. Man’s parents are medical practitioners in Texas. And his brother is a lawyer from Harvard.\r\n\r\nFabulous, so where is the problem? What more the parents can want for their child? Well, there is a small problem, the man is good looking, six feet tall; but he is African American, Black in other words. The parents are so embarrassed; they would rather not face their friends.\r\nEvery one of us in the party was understanding and empathetic. How could a mother act any other way? How could the parents and the family be stigmatized like this and still feel well? The ladies sniffed at the prospect, the men looked away. Except one who argued; so what if he was black. He is different, wouldn’t fit in our culture; comes the answer from a couple whose daughter is married to a Caucasian and he is white alright. Even if he is a notch lower in academic or economic ladder and his culture is also not quite same as ours, the couple is happy about their daughter’s choice. They even took their white son-in-law to show off to their relatives in Calcutta. We did not quite see the point here and did not really know where the difference was, but we agreed intuitively.\r\nHow about Barack Obama as your son-in-law, I asked. Can you imagine Obama, who had almost reached the threshold of sainthood coming to your home? Of course that would be a real privilege and an honor; but not as my son-in-law, was the unanimous sentiment. Was it because he was dark skinned? Some one in the party pointed out that Obama may be a shade lighter than half the people in the room. My friends were flabbergasted with the argument; didn’t every body see the point? He is black. We’re not ready, at least not yet to accept a black person as family.\r\n\r\nIt is that simple. Why does not every body get such an obvious point, the couple with Caucasian son-in-law said in exasperation. I do get their point but what I do not get is how I can anoint a person as my president who is not fit to be my daughter’s husband.\r\n', 'Barack Obama: Son-in-Law', 0, '', 'publish', 'open', 'open', '', 'barack-obama-son-in-law', '', '', '2008-10-30 01:48:47', '2008-10-30 05:48:47', '', 0, 'http://ethnomediallc.com/wpress/?p=249', 0, 'post', '', 4),
(250, 1, '2008-10-30 01:48:17', '2008-10-30 05:48:17', '', 'obama', 0, 'Barack Obama', 'inherit', 'open', 'open', '', 'obama8', '', '', '2008-10-30 01:48:17', '2008-10-30 05:48:17', '', 249, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/10/obama8.jpg', 0, 'attachment', 'image/jpeg', 0),
(251, 1, '2008-10-30 21:35:17', '2008-10-31 01:35:17', '
', 'Cartoon of the Week 11: Sheer Pleasure', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-11-sheer-pleaseure', '', '', '2008-11-05 12:34:29', '2008-11-05 16:34:29', '', 0, 'http://ethnomediallc.com/wpress/?p=251', 0, 'post', '', 1),
(252, 1, '2008-10-30 21:34:03', '2008-10-31 01:34:03', '', 'bazar_kore_wt_web', 0, 'Bonghisr Bazaar', 'inherit', 'open', 'open', '', 'bazar_kore_wt_web', '', '', '2008-10-30 21:34:03', '2008-10-31 01:34:03', '', 251, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/10/bazar_kore_wt_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(253, 1, '2008-11-03 12:54:34', '2008-11-03 16:54:34', 'A Musical Odyssey : Journey through history and Genres\r\nA unique mehfil celebrating the diversity of raagdari and folk music from India''s different regions. Our journey will take us across India''s landscape, stopping at points of interest from the Himalayan Highlands to the backwaters of Kerala, from the havelis of Rajasthan to the flowing waters of Bengal, as distinguished artists perform the music of their heritage.\r\n\r\nGhazals, Bhajans, Taranas, Tillanas, Folk, Thumris, Dhrupad, Khayal, Kirtans, and more - \r\nFeaturing:\r\n\r\n\r\n\r\nDr. Mohan Deshpande \r\nMitali Banerjee-Bhawmik \r\nAstha Shukla-Shrivastav\r\nKamala Ramamurthy \r\nBhupendra Gadhavi \r\nTrupti Parikh \r\nUma Ramakrishnan \r\nKedar Naphade \r\nAmod Dandawate\r\n\r\n\r\n\r\nNovember 9, 2008, 4:00pm (sharp)\r\n\r\nHills Highlands Recreation Center/Clubhouse \r\n75 Hansom Road, Basking Ridge, NJ 07920\r\n\r\nTel: (201) 447-6936, (908) 429-1120, (973) 539-5534\r\nDonations of $15/adult & $7/below 18 years of age will be collected at the door. Limited seating, RSVP.\r\nLimited parking at Venue. Street parking is allowed. Please look for the appropriate road signs.\r\n', 'Music Of India', 0, '', 'publish', 'open', 'open', '', 'music-of-india', '', '', '2008-11-03 12:54:34', '2008-11-03 16:54:34', '', 0, 'http://ethnomediallc.com/wpress/?p=253', 0, 'post', '', 0), (254, 1, '2008-11-03 12:56:07', '2008-11-03 16:56:07', 'AN EVENING OF SITAR AND VOCAL CLASSICAL MUSIC\r\n \r\nSRI PARTHA BOSE : SITAR\r\nEVENING RAGAS AND DHUNS\r\n \r\nSMT ESHA BANDOPADHYAY\r\nKHYAL,THUMRI,RAGPRADHAN\r\n \r\nSRI ADITYA NARAYANBANERJEE: TABLA\r\nSRI MADHU VORA: HARMONIUM\r\n \r\nAT 4343 RT 27, PRINCETON NJ\r\nDATE FRIDAY NOVEMBER 7, 2008\r\nTIME 8PM\r\nSUGGESTED DONATION\r\n$20/COUPLE $15/SINGLE\r\nREFRESHMENTS INCLUDED\r\nARATI BHATTACHARYA :7328878073\r\nNUPUR LAHIRI :7328213949', 'Sitar and Vocal Classical Music', 0, '', 'publish', 'open', 'open', '', 'sitar-and-vocal-classical-music', '', '', '2008-11-03 12:56:07', '2008-11-03 16:56:07', '', 0, 'http://ethnomediallc.com/wpress/?p=254', 0, 'post', '', 0), (255, 1, '2008-11-03 13:05:52', '2008-11-03 17:05:52', 'Cultural Association of Bengal presents\r\nHeritage\r\nA Centenary Celebration of Buddhadev Bose''s Literary Works\r\n\r\nOn August 16, 2008\r\nEdison Valley Playhouse, 2196 Oak Tree Road, Edison, NJ\r\n\r\n3-4:00PM- Poetry Reading & Seminar on Buddhadev Bose’s Literary Works\r\n4:30-5:30PM- A Play “Satya Sondho\r\n\r\nAdmission: $5 (including snacks)\r\nContact: 908-507-5998, 347-612-6111, 908-281-7438, 732-241-7060, 201-602-4291\r\n', 'Buddhadev Bose Centenary Celebration', 0, '', 'publish', 'open', 'open', '', 'buddhadev-bose-centenary-celebration', '', '', '2008-11-03 13:05:52', '2008-11-03 17:05:52', '', 0, 'http://ethnomediallc.com/wpress/?p=255', 0, 'post', '', 0), (256, 1, '2008-11-05 12:32:31', '2008-11-05 16:32:31', '\r\n\r\nNovember 4, 2008 will go down as one of the greatest days in America''s history. Today, the Americans rose up to a new hope, to look forward to the change promised by their President elect Barack Obama. Barriers of prejudice has been shattered and the impossible has been made possible. The entire world, along with the Americans, is looking towards the new leader with the hope that America will once again prove to be the great land of opportunity, a country that lends its helping hand to all in need, and a country that inspires everybody around the globe. The following two pictures illustrate how much hope the World has on this new leader.\r\n
An Indian artist (in Ahmedabad) makes a painting of American president elect Barack Obama and Mahatma Gandhi to mark the victory of Obama (photo courtesy AP Photo/Ajit Solanki). It is interesting to see how people are relating Obama to Mahatma Gandhi - through civil rights movement and Martin Luther King Jr.\r\n\r\n
In Puri (Orrisa, India) a sand sculpture congratulating US president-elect Barack Obama by the Indian sand artist Sudarsan Patnaik on a beach has become a major attraction (Photo courtsey AFP/Sanjib Mukherjee). These photos clearly indicate that the World (and India) is hoping that Obama will be able to bring in lasting peace by keeping his promise of working with the countries of the world.\r\n
\r\nLet''s all stand behind this charismatic leader and help him build a new future for all of us.
', 'OBAMA WINS', 0, '', 'publish', 'open', 'open', '', 'obama-wins', '', '', '2008-11-06 12:15:32', '2008-11-06 16:15:32', '', 0, 'http://ethnomediallc.com/wpress/?p=256', 0, 'post', '', 0), (257, 1, '2008-11-06 11:45:01', '2008-11-06 15:45:01', 'An Indian artist makes a painting of American president elect Barack Obama and Mahatma Gandhi to mark the victory of Obama in Ahmadabad, India, Wednesday, Nov. 5, 2008. (AP Photo/Ajit Solanki)', 'India US Election Reax', 0, '', 'inherit', 'open', 'open', '', 'india-us-election-reax', '', '', '2008-11-06 11:45:01', '2008-11-06 15:45:01', '', 256, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/11/capt2c23ea48aa4e4bdf9ffe6d5aabb29e1bindia_us_election_reax_amd101.jpg', 0, 'attachment', 'image/jpeg', 0), (258, 1, '2008-11-06 11:46:33', '2008-11-06 15:46:33', 'Congrats for Barack : A sand sculpture congratulating US president-elect Barack Obama by Indian sand artist Sudarsan Patnaik is seen on a beach in Puri.\r\n(AFP/Sanjib Mukherjee)', 'captcpsocy13061108011057photo00photodefault-512x347', 0, 'Congrats Obama', 'inherit', 'open', 'open', '', 'captcpsocy13061108011057photo00photodefault-512x347', '', '', '2008-11-06 11:46:33', '2008-11-06 15:46:33', '', 256, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/11/captcpsocy13061108011057photo00photodefault-512x347.jpg', 0, 'attachment', 'image/jpeg', 0), (262, 1, '2008-11-18 23:25:41', '2008-11-19 03:25:41', 'I had often been requested to write plays for our children. With our kids in mind, few years ago I wrote a play titled BSL or Bangla as a Second Language. BSL is a hilarious short play for children (pre-teens, teens, young adults) of Bengali origin. Neil, Nick, Jay and Seema live in USA. But like all children of Bengali speaking parents, they are being forced to learn Bengali (or Bangla) against their will. Neil, the most innovative and smart kid he is, invents a device that can make one learn Bangla (or any other language) in seconds. Nick agrees to be the first guinea pig for the trials of this machine and the results are - quite unexpected to say the least. The play was successfully staged during the Durga puja celebrations of Kallol few years ago. I have also received several requests from the Bengalis living in different parts of the country to make the play available for their children.\r\n\r\nAlthough the script has been published earlier in the India Doot Saradiya magazine, unfortunately the magazine circulation is less than adequate to reach the right people. Hence to make the script available to a larger readership, I have uploaded it on Scribd.com and can be downloaded or read here. \r\n\r\nBSL : Bangla as a Second Language \r\n\r\nNOTE: If someone decides to stage the play, please send me an email. The play should not be staged without the permission of the playwright.', 'BSL : Bangla as a Second Language', 0, '', 'publish', 'open', 'open', '', 'bsl-bangla-as-a-second-language', '', '', '2008-11-18 23:25:41', '2008-11-19 03:25:41', '', 0, 'http://ethnomediallc.com/wpress/?p=262', 0, 'post', '', 0), (260, 1, '2008-11-12 12:19:32', '2008-11-12 16:19:32', '
The other day I was at the Union County College (UCC) to participate in a seminar/talk about immigrant issues as portrayed in works of art and literature. The topic emerged from the works of Jhumpa Lahiri, since her two books, "Interpreter of Maladies" and "The Namesake", are being selected as the college novels for the 2008-2009 term. After my talk, few of us were chatting regarding how we deal with cultural differences in our everyday life in this country. Each of us were narrating some incidents in our life and in connection to "The Namesake" we were talking about the significance of names in different cultures, how we address each other, and how they are being interpreted. When I was giving the example of how, in the film "The Namesake", Ashoke and Ashima reacted when Maxine addressed Ashoke by his first name, one of the faculty members mentioned that she doesn''t like her students address her by her first name. This came as a surprise to me, cause in many cases I have seen students addressing their professors by their first name, and at the insistence of the professors themselves. The UCC professor also mentioned that in one instance, when one of her students addressed her as "Miss", she didn''t like it either. I told her that in India, we used to call our lady teachers in schools as "Miss" and maybe that''s what this student thought would be appropriate to address her, although "Madam" would have been more appropriate especially in a college. She then felt much better. One of the UCC students, mentioned that in her home country (Portugal), they would not even address their teachers as "you". For example, instead of asking one''s professor, "Would you like a cup of coffee?", she would ask "Would Prof. Das like a cup of coffee?" Addressing the Prof as "you" would have been too demeaning. \r\n\r\nExperiencing culture shock, and then to learn to absorb the shock, is what we have been doing every day since we arrived in this country. It is not only the language and behavior that matters, but also our environment and our surroundings surprises us quite often. Things that we take for granted and feel are obvious in one culture becomes something rare and exotic in another. The case in point is highlighted in the above cartoon. Long time ago, I had taken my kids to the zoo and was amazed too see common animals like goats and cows, whom we used to see everyday in the streets of India, are kept in a zoo for kids to watch and pet. Similarly, when visitors from India come here and see herds of deer in our backyard, they get excited cause in India you get to see a deer only in a zoo or in one of the exotic forest reserves. \r\nI used to be shocked to see common people keeping snakes and lizards as pets in this country. In India, we always tried (in vain) to stay away from these reptiles. The list of such shocking experiences goes on and on. \r\n\r\nWhy not share your culture shock experience with us all? We can have a good laugh together. So click the comment link and jot down one of your hilarious experiences. We all will feel much better.', 'Cartoon of the week 12: Culture Shock', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-12-culture-shock', '', '', '2008-11-12 12:19:32', '2008-11-12 16:19:32', '', 0, 'http://ethnomediallc.com/wpress/?p=260', 0, 'post', '', 0),
(261, 1, '2008-11-12 12:04:51', '2008-11-12 16:04:51', '', 'Culture Shock', 0, 'Culture Shock', 'inherit', 'open', 'open', '', 'zoo_web', '', '', '2008-11-12 12:04:51', '2008-11-12 16:04:51', '', 260, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/11/zoo_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(263, 1, '2008-11-20 21:09:29', '2008-11-21 01:09:29', '
\r\nMany of us are strong believers in astrology and other similar practices like palmistry, tarot cards etc. etc. that claim to predict one''s future. A huge industry runs on servicing such people and also provides employment to millions. The television and other media advertisements of such sooth sayers and fortune tellers prove that they earn enough money to invest in these marketing campaigns. The precious and semi-precious gem stone market in India depends on the belief that the negative influence of the planets and stars can be countered by wearing a specific kind of gem stone that can cost thousands of rupees. Circulation of newspapers and magazines thrive on the so called accuracy of their horoscope/sun-sign columns. It should be a topic of serious investigation by psychologists as to how can a large segment of the population be swayed to believe that the future events of their life depends on the time of their birth or is scribed in the lines in their palms. It is true that sometimes such predictions help boost ones confidence, or provide them with some kind of mental strength to deal with an unforeseen event whether it happens or not. But in many cases it rather acts the negative way, pushing someone into desperation or even depression, leading to serious consequences. \r\nHowever, I feel that these predictors of future can be utilized in rather useful ways as seen in this cartoon. If one could predict when a train would depart, or whether a flight would be delayed or not, it would be a great service to people like us.', 'Cartoon of the Week 13: Prediction', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-13-prediction', '', '', '2008-11-20 21:09:29', '2008-11-21 01:09:29', '', 0, 'http://ethnomediallc.com/wpress/?p=263', 0, 'post', '', 1),
(264, 1, '2008-11-20 18:18:43', '2008-11-20 22:18:43', '', 'Prediction', 0, 'Can you please tell me from which platform will the train depart?', 'inherit', 'open', 'open', '', 'astrology_web', '', '', '2008-11-20 18:18:43', '2008-11-20 22:18:43', '', 263, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/11/astrology_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(265, 1, '2008-11-20 21:31:35', '2008-11-21 01:31:35', 'Ananda Mandir invites you on Friday, Nov.21st , 2008 at 8:00 PM to join Sahitya O Alochana for an evening of discussion on Ritwik Ghatak. ?????? (?????) ??? the brilliant & famous bengali scriptwriter & filmaker that is compared with Satyajit Ray & Mrinal Sen. The discussion would cover his life, sense, impact influences, and manner of reinventing cinema.\r\n \r\nAll are welcome.\r\n\r\nFor further information please call 973-939-7375.', 'Sahitya Alochona', 0, '', 'publish', 'open', 'open', '', 'sahitya-alochona', '', '', '2008-11-20 21:34:03', '2008-11-21 01:34:03', '', 0, 'http://ethnomediallc.com/wpress/?p=265', 0, 'post', '', 0),
(266, 1, '2008-11-27 14:20:10', '2008-11-27 18:20:10', 'It is Thanksgiving eve and this dastardly scene unfolds in front of me on the Indian News networks - Mumbai under attack. Soon CNN picked it up and all news networks focused on the financial capital of India - Mumbai. It was dramatic, to say the least, to witness the Taj, Oberoi and Trident hotels on fire, gun shots and explosions, and the closeups of blood stained people and property. As I write this, the siege is still on with several hostages under the clutches of the terrorists and more than 100 people killed. \r\n\r\nI don''t know who is doing this (although some sources are reporting that Deccan Mujaheddin has claimed responsibility) and for what purpose, but it is clear that it is a very well planned and well coordinated effort to not only shake up India, but also the entire world. India is rapidly gaining recognition as a major economic power, it''s opinions carry lot of weight in the global economy. All major economies in the world are eager to do business with India and Mumbai is their main port of call. Possibly the terrorists hope to scare off the world by trying to demonstrate Mumbai (and India) as an unsafe place to do business with. But they are grossly mistaken. They fail to understand that the world is not only watching their cowardly attacks but also the heroic efforts by the police and the army, the selfless efforts of the hotel employees who risked their lives to save their guests. The chief of anti terrorist squad, Hemant Karkare and the additional commissioner of police, Ashok Kamte laid down their lives along with several other of their compatriots to save the lives of the people of Mumbai. The entire world will be with India and thwart the efforts of the terrorists to isolate India. \r\n\r\nLet''s all condemn these attacks and show our solidarity behind the people of Mumbai. Our deepest condolences goes to the families of the victims of this incident. We hope that the people of Mumbai and India will stay calm and not do anything rash and violent to hurt their fellow citizens ''cause that will only serve the cause of the terrorists. ', 'Terror in Mumbai', 0, '', 'publish', 'open', 'open', '', 'terror-in-mumbai', '', '', '2008-11-27 14:20:10', '2008-11-27 18:20:10', '', 0, 'http://ethnomediallc.com/wpress/?p=266', 0, 'post', '', 1),
(267, 1, '2008-11-27 15:26:53', '2008-11-27 19:26:53', '
A new Bengali/English webzine, Urhalpool, has been launched by the local New Jersey group Shrishti. The magazine is edited by Gautam Dutta and the first issue consists of contributions from some great writers like Sunil Ganguly, Taslima Nasreen, Sreejato, Subodh Sarkar, Maillika Sengupta, Alolika Mukherjee, Jyotirmoy Dutta and others. The issue also includes interviews of Bratya Basu, Suman Ghosh, Gautam Ghosh, Noam Chomsky and others. The cover is painted by the celebrated artist Paritosh Sen. \r\nUrhalpool is indeed a commendable effort. But as with most magazine, be it print or online, the challenge is sustaining it for the long term. I hope the publishers of this magazine keep up their good work through perseverance and love for literature and art.', 'Urhalpool: A New Bengali/English Webzine', 0, '', 'publish', 'open', 'open', '', 'urhalpool-a-new-bengalienglish-webzine', '', '', '2008-11-27 15:26:53', '2008-11-27 19:26:53', '', 0, 'http://ethnomediallc.com/wpress/?p=267', 0, 'post', '', 0),
(268, 1, '2008-11-27 15:25:14', '2008-11-27 19:25:14', 'A Webzine', 'urhalpool', 0, 'Urhalpool', 'inherit', 'open', 'open', '', 'urhalpool', '', '', '2008-11-27 15:25:14', '2008-11-27 19:25:14', '', 266, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/11/urhalpool.jpg', 0, 'attachment', 'image/jpeg', 0),
(269, 1, '2008-12-04 22:11:01', '2008-12-05 02:11:01', '
Last week the holiday shopping season kicked off with mad black Friday. With the current economic turmoil and officially declared recession looming on us, many pundits predicted that this shopping season will be less than stellar. However, the black Friday sales reports say something different. Shoppers flocked to the stores in hordes, many camped outside their favorite stores overnight. The tragic stampede death of a security worker at the Long Island Wal-mart clearly indicated the shopper frenzy was not at all dampened by any economic concerns. On the other hand, some may argue, that this shopper frenzy is caused due to the economic conditions since people want to spend the minimum this season. Hence black Friday was possibly their only option to get the best possible deals. \r\nThe other day I heard another pundit on the NPR who suggested that whatever disposable (now that''s a loaded word) income one makes this season, they should spend at the stores. This not only helps the economy, but also is the best use of the money at this moment since neither the stock market nor the bank can be relied upon. Hence enjoy while you can. \r\nAnother option may be to enjoy short term and return! The long return lines at the stores after the Christmas can be longer this season. After the instant gratification of shopping a fresh product, send it back to where it came from. Returning stuff is a hobby for many folks. They just buy stuff only to return them. The liberal return policy of these stores (who believe that the best way to satisfy a customer is to gladly accept the returned merchandise) have spoiled many a shopper. They love to return stuff, they seem to fall in love with the customer service counter as much as they love the cash counter. The only gripe they have is that they need to retain the price tags and the receipts. If only the tags could have been made invisible and the requirements for receipts waived - this world would have been heaven!', 'Cartoon of the Week 14: Buy and Return', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-14-buy-and-return', '', '', '2008-12-04 22:11:01', '2008-12-05 02:11:01', '', 0, 'http://ethnomediallc.com/wpress/?p=269', 0, 'post', '', 0),
(270, 1, '2008-12-04 22:08:18', '2008-12-05 02:08:18', '', 'Buy and Return', 0, 'Buy and Return', 'inherit', 'open', 'open', '', 'tag_web', '', '', '2008-12-04 22:08:18', '2008-12-05 02:08:18', '', 269, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/12/tag_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(271, 1, '2008-12-12 00:50:40', '2008-12-12 04:50:40', 'Like me, if any of you watch ETV Bangla in your homes, you must be watching this new tele-serial "Dhoop Chhaya" or "Sun and Shade" the latest remake of "The Godfather". Since Francis Ford Coppola made his classic mafia-gangster movie trilogy and created film making history, there has been several attempts to make films inspired by these great classics. Ram Gopal Verma made his Sarkar and Sarkar Raj adapted directly from the Coppola classics with the Bachchan father son duo - Amitabh and Abhishek. And now ETV Bangla is doing their share - "Dhoop Chhaya" a new tele-serial directed by Debangshu Sengupta and produced by Atanu Roy. The story revolves around the mafia family of Raghuram Pathak (Don) whose hot headed son Uday Pathak (Sonny) and the more refined Parashar Pathak (Michael) rule the Kolkata underworld. The opening episode looked so much like that of the opening sequence of Godfather (I) that I expected to see a shot by shot remake. The serial even has the family counsel Tom Hagen''s (Robert Duvall) character is played in this serial by Saswato Chatterjee. However, the serial has now taken its own twists and turns, and like most serials, the believability of these plot twists are questionable. But overall, the serial has the intensity to keep the viewers glued to the screen. The acting overall is at par and in some instances, quite good. Another positive aspect of this serial is the presence of some fresh new faces. It often becomes tiring to see the same faces in all serials. Sometimes it becomes difficult to figure out what serial is on - the same actors acting out similar characters in similar story lines. It seems the actors are not at all concerned about over exposure and how it can damage their career as well as the viewership of these serials. Kolkata never lacked in acting talent and we the viewers would like to see fresh talent on our screens. I hope the producers will take notice of this issue. ', 'Dhoop Chhaya : Yet Another Godfather Remake', 0, '', 'publish', 'open', 'open', '', 'dhoop-chhaya-yet-another-godfather-remake', '', '', '2008-12-12 00:50:40', '2008-12-12 04:50:40', '', 0, 'http://ethnomediallc.com/wpress/?p=271', 0, 'post', '', 5),
(289, 1, '2009-02-27 00:34:09', '2009-02-27 04:34:09', '
The recent success of "Slumdog Millionaire" at the Oscars have resurfaced a new crisis that has often plagued us, the people of India and Indian origin. Well, I should possibly qualify that statement by saying that not everybody is complaining. In fact the slum dwellers are celebrating the Oscar win as their won victory. It is only those people who feel insecure of their reality has been complaining the most by accusing that these artists and film makers are making millions by exploiting the poverty of India. Many have been offended by the film''s title "Slumdog" as a derogatory comment on the slum dwellers. Some have even moved to the court and demanded that the film be re-titled. Some have been organizing protest rallies and meetings to awaken the masses against the western exploitation of our poverty. However, such accusation have not been made only against the western film makers. Satyajit Ray was criticized several times for winning awards by displaying the poverty of India to the international audience. They complain that films like "Slumdog" do not portray the real India. India is not only tattered slums and undernourished villages - it is also the skyscrapers, the multi-nationals, SENSEX and the vast middle class for which the entire world is trying to set up their stores in India. But is it the true India? \r\n\r\nI guess it is a moot point to attribute such labels to a country as large and complex as India. Trying to describe it in any simple terms is like those three blind men who tried to describe an elephant. Any attempt to portray India using simple motifs like slums or villages is just that, nothing more. But art is not just labels and stamps and no work of art should be viewed as such. "Pather Panchali", "Ashani Sanket" were not about poverty but about the spirit of humanity. Danny Boyle''s "Slumdog Millionaire" is not about slums, it is about the spirit of the characters, their hopes, and their dreams to succeed in an environment that works against them. An artists role is not to provide solutions to problems, but to use his/her art as a mirror and hold it in front of us such that we can see ourselves in a different light. \r\n\r\nI don''t claim that "Slumdog" is the best film ever made, but it is indeed a good film, a thoroughly enjoyable film that does expose some of the unpleasant realities of Indian cities. It even reminded me of a novel we read when I was a child, "Maa Ami Ashok" (Mother, I am Ashok"), a heart wrenching tale about a young boy who was kidnapped by the anti-socials who used to cripple the children and force them to beg on city streets. It was hard to believe that such ghastly things can happen then, as it is now. But the human spirit can overcome any hurdles as long as it has the will to succeed, and a dream to pursue.\r\n ', 'Slumdogs, Oscars, and Artists', 0, '', 'publish', 'open', 'open', '', 'slumdogs-oscars-and-artists', '', '', '2009-02-27 00:36:56', '2009-02-27 04:36:56', '', 0, 'http://ethnomediallc.com/wpress/?p=289', 0, 'post', '', 0);
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(273, 1, '2008-12-18 13:23:45', '2008-12-18 17:23:45', '
When you watch Danny Boyle''s latest rags-to-riches fairy tale "Slumdog Millionaire", you''ll experience an emotional roller-coaster ride that only Mumbai can offer. The city that never sleeps, the city that is in the center of the center of the world (as mentioned by Salim in the movie), a city that has an economic and social contrast ratio of 20,000,000:1, reveals itself on the screen as Danny Boyle and his screen writer Simon Beaufoy (based on the novel Q&A by Vikas Swarup) masterfully crafts the film using the television game show "Kaun Banega Crorepati?" or "Who wants to be a Millionaire?" as the spine of the story. Indian slum and street life has been explored by many international film makers like Mira Nair (Salaam Bombay) and Roland Joffe (City of Joy) amongst others, but Slumdog brings to life the dark as well as the bright side of the city of Mumbai in a style that is shocking and heart warming at the same time. The story of Jamal, an uneducated chai-wallah at a modern high tech call center, who question after question moves towards the highly coveted two crore rupees award money is indeed a fairy tale. It''s such an unbelievable incident that the show host (Anil Kapoor) gets him arrested to find out how this boy can cheat his way through to the correct answers. But, fortunately for Jamal, the answers to the questions comes from his life experiences and not from any books - the vivid memories of his life in the slums and streets of Mumbai, to his struggle for existence along with his brother Salim at the foot of the Tajmahal, and finally in his search for the love of his life - Latika! Ironically, the final two crore question comes from the book, "Three Musketeers" by Alexander Dumas, that he and his brother had only started to read during his limited encounter with school. He calls his "Life Line" - his brother and Latika, but they fail to answer either. Hence Jamal gives in to destiny - and once again gambles his life in front of the millions of television viewers.\r\nThe performances by all the lead characters were heartfelt and spontaneous, especially the performance of the children in the first half on the movie. The music by A. R. Rahman (who bagged a golden globe nomination) has helped heighten the emotions and the final song and dance scene during the credits was a treat. \r\nThe film, although extremely enjoyable, has sometimes gone overboard and simplified many of the complex issues. The film does contains some strong imagery, some quite disturbing, and some very heartwarming. Special kudos to the cinematographer Anthony Dod Mantle for the gorgeous photography and the editor Chris Dickens for maintaining the breakneck pace of the film that keeps the audience on the edge of their seats. \r\nThe film has already won quite a few awards and have already bagged four Golden Globe nominations. Many pundits and film buffs feel that Slumdog will be a strong contender for the Oscars next February. But the limited release of the film is really a major constraint for many viewers. Hopefully, we''ll see more theaters screening the film if the Oscar nominations give it a nod. But before that happens, I''d like to encourage you all to check out the listings and find a theater where you can enjoy this film as soon as possible.\r\n \r\n', 'Slumdog Millionaire: A Mumbai Two Crore Opera', 0, '', 'publish', 'open', 'open', '', 'slumdog-millionaire-a-mumbai-two-crore-opera', '', '', '2008-12-18 13:23:45', '2008-12-18 17:23:45', '', 0, 'http://ethnomediallc.com/wpress/?p=273', 0, 'post', '', 4),
(274, 1, '2008-12-18 13:15:12', '2008-12-18 17:15:12', '', 'slumdog_millionaire_poster', 0, '', 'inherit', 'open', 'open', '', 'slumdog_millionaire_poster', '', '', '2008-12-18 13:15:12', '2008-12-18 17:15:12', '', 273, 'http://ethnomediallc.com/wpress/wp-content/uploads/2008/12/slumdog_millionaire_poster.jpg', 0, 'attachment', 'image/jpeg', 0),
(275, 1, '2009-01-01 23:41:00', '2009-01-02 03:41:00', 'Year 2008 is finally over, and what a year it has been. I am sure this year will go down in history as one of the most significant year of this century. If we look back to this year, the two events that stand out the most are - the global economic meltdown and the historic presidential election. \r\nThe economic meltdown of the 2008 will go down in history possibly as the darkest economic times of the twenty-first century just as the great depression of 1929. The sub-prime mortgage crisis, the credit crisis, the crash of the Wall street giants, the market crash created a snow ball effect of financial disasters which still remains to be contained. This crisis also proved once again how tightly the global markets are connected these days when it spread from its epicenter in USA to all parts of the developed and developing world. \r\nThe second most significant event was the US presidential election. The election of Barack Obama, the first African American to grace the White House as the president of the United States is an event that will be recorded in history in golden letters. Barack Obama brings with him the hopes for a positive change not only in USA but also the whole world. The worldwide celebrations at the election win of Obama is a testament to how the world looks forward to this new leader. \r\n\r\nIndia too has seen some good and bad days during the last year. The dastardly attack on Mumbai by the terrorists has caused the world community to refocus their attention to deal with global terrorism. Terrorism still continues to plague the world and keeps on challenging our defenses in any way they can. \r\nOn the positive side, the Indian technological and economic prowess showed off with the successful launch of Chandrayaan I and then with the successful implant of the lunar probes on the surface of the moon. This has been a significant achievement for a country that is relatively young to the space race. \r\n\r\nAnother 2008 global event that I will remember for a while is the 2008 Beijing Olympic Games. The Olympic games demonstrated how human beings like Michael Phelps and Usain Bolt can become super humans. This Olympics was also especially favorable to the Indian athletes with its first individual gold and if I am not incorrect, the highest medal tally at the games. \r\n\r\nI hope 2009 comes to us with the promise to fulfill our hopes and dreams. Let''s hope that from January 20th, the new President brings in the change he promised and helps herald in the peace and prosperity that we all have been looking forward to. Let''s hope that evil in all forms, from terrorists to the financial swindlers, all are defeated and good prevails for all in the world.\r\n\r\nWishing you all a very happy New Year.\r\n\r\nSudipta Bhawmik', 'Goodbye 2008 - Welcome 2009', 0, '', 'publish', 'open', 'open', '', 'goodbye-2008-welcome-2009', '', '', '2009-01-01 23:41:00', '2009-01-02 03:41:00', '', 0, 'http://ethnomediallc.com/wpress/?p=275', 0, 'post', '', 0),
(276, 1, '2009-01-15 18:09:00', '2009-01-15 22:09:00', '
Traveling long distance by train was one of the most enjoyable modes of transportation in India. Once you get over the initial hurdles of getting a reserved seat or squeeze yourself in through the crowded doors as the train slowly rolls in to the platform or the frantic attempts to manage the porter and the family, the journey becomes much easy and enjoyable. Overnight train rides are especially thrilling when you not only need to manage a berth to sleep, but also keep an eye on your luggage and belongings to protect them from the "highly suspicious" co-passengers around you. When I was a child, I remember the train journeys from Kolkata (Sealdah or Howrah depending on which train you take) to Siliguri. Before the Farrakka bridge (barrage) was completed, we had to get off the train at Farakka and then take a steam boat across the Ganges to the other side (Sagrikoli Ghaat) and then scramble on to the train after a long run. If you were unlucky enough of not having a proper reservation, then your plight can only be imagined by those who took that journey. However, once you are settled in your seats or berths, temptations start knocking on your senses as the aroma of hot food attracts your attention along with the loud marketing attempts by the food vendors on the station. The appetizing offerings of "Ilish Maachher Jhol", "Bhaaja Mooger Daal", "Gorom Bhaat with Ghee" and "Begun Bhaja" pulls in many hungry passengers to the bamboo and hay thatched eateries all around the train station. \r\nLater, after the completion of the Farrakka barrage, we had to be consoled only with the food offered by the railway caterers which looked and smelled tempting but was hardly tasty. Still, we waited eagerly for the moment when the uniformed caterers brought in those food trays with holes and slots filled with rice, daal, anda curry, fish curry etc. Often we carried better food with us like luchi, alur dom, but still those aluminum trays looked much tastier than our home cooked meals. \r\nAnother feature of this specific route was that most regulars hardly ever bought any tickets for their travel. After traveling few times, they all knew each and every Ticket Collector (TTs) and they had a nice arrangement with them which reduced their travel budget significantly. In fact it was a disgrace for a young guy to travel with a train ticket as one of my cousins explained to me. When he displayed his ticket to the TT on board, the disappointed official scolded him citing that a young guy like him should have been more adventurous. \r\nI really appreciate our railway minister Mr. Lallu Prasad Yadav. It must have been a real challenge for him to make the railways profitable by collecting the proper fare from each and every passenger. However, he must have killed the adventurous spirit of our young folks in this process.', 'Cartoon of the Week 15: Train Travel', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-15-train-travel', '', '', '2009-01-15 22:48:20', '2009-01-16 02:48:20', '', 0, 'http://ethnomediallc.com/wpress/?p=276', 0, 'post', '', 0),
(277, 1, '2009-01-15 18:07:19', '2009-01-15 22:07:19', 'Travel', 'wt_web', 0, '', 'inherit', 'open', 'open', '', 'wt_web', '', '', '2009-01-15 18:07:19', '2009-01-15 22:07:19', '', 276, 'http://ethnomediallc.com/wpress/wp-content/uploads/2009/01/wt_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(278, 1, '2009-02-05 16:27:09', '2009-02-05 20:27:09', '
Theatre Workshop, the leading theater company/group of Kolakata, will be premiering their new production "Jadio Galpo" at the Academy of Fine Arts theater in Kolkata at 3.00pm on Saturday February 7th. The play is written by yours truly and was earlier produced by our group ECTA in Kolkata and USA as "Satyameva". The play has also been published in the Bohurupi theater magazine in 2008.\r\n\r\nTheater Workshop, who under the leadership of Ashok Mukhopadhyay, is promoting the play as the first attempt in globalizing Bengali Theater. Globalization has affected Bengali theater from its early days with the contributions of Herasim Steppanovich Lebedeff and later with the numerous adaptations of western plays onto Bengali stage. But the play "Jadio Galpo" introduces globalization from a different perspective - it deals with the lives of the global Bengali. Bengalis are no longer limited within the geographic confines of the two Bengals, they have now spread themselves out all over the world. And, it is rare to see a play these days that talks about the lives of the Bengalis who live outside Bengal or Bangladesh. There has been some attempts in films (Bong Connection, The Namesake etc.) but Bengali theater has always kept themselves limited to their roots. In 2006, when our group staged "Ron" in Kolkata, it created quite a bit of stir. Ananda Lal, the theater reviewer of "The Telegraph" wrote in 2007 while writing about "Satyameva" - "The group from New Jersey who last year stunned Calcutta with their play Ron...". And I believe that this effect was caused not by any production extravaganza, but due to the fact that possibly for the first time the Kolkata audience experienced a Bengali play that takes place in an American locale, a play that tells the stories of Bengalis in America. \r\n"Jadio Galpo" also tells the stories of two generations of Bengalis in America - the veterans who struggled hard to reach their pinnacle of success, and the new comers or FOBs (Fresh Off the Boat) who with their H1-B visa are set to conquer the world by any means. But it also talks about hopes and dreams - dreams fulfilled and dreams shattered. The tales of the global Bengali also needs to be told - also needs to be listened too. Because it is only from a distance can one see one''s own world in a different light. \r\n\r\nThe upcoming show schedules are as follows:\r\n\r\nFeb 7th, 3.00pm Academy of Fine Arts, Kolkata\r\nFeb 13th, 6.30pm Girish Mancha, Kolkata\r\nOther shows will be advertised in the local newspapers.\r\n\r\nThe play is directed by Ashok Mukhopadhyay who also acts in one of the lead roles. The other character is performed by Krishnagoti Chatterjee.\r\n\r\nIf you happen to be in Kolkata, I''d strongly encourage you to watch the play and give me your feedback. \r\nThank you.', '"Jadio Galpo": Globalization in Bengali Theatre', 0, '', 'publish', 'open', 'open', '', 'jadio-galpo-globalization-in-bengali-theatre', '', '', '2009-02-12 11:25:02', '2009-02-12 15:25:02', '', 0, 'http://ethnomediallc.com/wpress/?p=278', 0, 'post', '', 0),
(280, 1, '2009-02-11 15:59:39', '2009-02-11 19:59:39', 'Jadio Galpo : A New Play by Theatre Workshop\r\nFriday February 13, 2009 at 6:30pm\r\nGirish Mancha,\r\n76/1, Bagbazar Street\r\nkolkata, West Bengal Get Directions\r\nTheatre Workshop presents\r\n\r\n"Jadio Galpo"\r\n\r\nA play by Sudipta Bhawmik\r\nDirected by Ashok Mukhopadhyay\r\n\r\nSanjoy, a young software professional, has arrived in USA, the "land of opportunity", for just over six months and works for a software body shopping company "InterSoft" owned and operated by Bill (a Bengali American living in the States for over thirty years.) On the day of the play Bill fires Sanjoy and asks him to go back to India. Sanjoy, however, is not happy with this decision and refuses to oblige. He informs Bill that he is not going to return to India under any circumstances. He states that returning to India is synonymous to signing a death warrant for himself. He cannot subject himself to such a grave risk. And to justify himself, and to win his ultimate motive, he has to make a choice between truth or deceit.', 'Jadio Galpo by Theater Workshop', 0, '', 'publish', 'open', 'open', '', 'jadio-galpo-by-theater-workshop', '', '', '2009-02-11 15:59:39', '2009-02-11 19:59:39', '', 0, 'http://ethnomediallc.com/wpress/?p=280', 0, 'post', '', 0),
(281, 1, '2009-02-11 16:02:49', '2009-02-11 20:02:49', 'This month''s Sahitya O Alochana will be held on the fourth Friday, February 27, at 8 PM at Anandamandir. \r\nThe topic will be "The Story of India -- the Aryan Migration." I shall show portions of the first hour of the PBS series on the subject (:"The Story of India") and then lead a discussion on the topic.', 'Sahitya O Alochona', 0, '', 'publish', 'open', 'open', '', 'sahitya-o-alochona', '', '', '2009-02-11 16:02:49', '2009-02-11 20:02:49', '', 0, 'http://ethnomediallc.com/wpress/?p=281', 0, 'post', '', 0),
(282, 1, '2009-02-11 16:09:21', '2009-02-11 20:09:21', 'ECTA presents
\r\n\r\nA play by Sudipta Bhawmik\r\nDirected by Indranil Mukherjee
\r\n“A senior Bengali virologist returns to India, after retiring from his medical practice of 35 years, to find peace, tranquility and solace amongst his family and old friends. But soon he discovers that his nemesis has followed him and he has nowhere to hide. "
\r\n\r\nCast:
\r\nGargi Mukherjee, Samya Goswami, Keka Sirkar, Kaninika Dutta, Sudipta Bhawmik, Subhodev Das, Indranil Mukherjee, Pradeep Ramdass, Kaushik Dutta, and Lilabati Majumdar
\r\nMusic: Partha Sarathi Mukhopadhyay
\r\n\r\nTickets: $20.00
\r\nContact: Email: bhawmik@gmail.com, indymukh@gmail.com
\r\n\r\n
\r\nI drew this cartoon long time ago to highlight the healthcare cost crisis. For the benefit of the readers who don''t read Bengali let me explain it a bit. The doctor looking at his patient''s charts comments that he is not concerned with his lab reports but he is concerned about his bank statement reports which of course is not good enough to bear the cost of treatment. \r\nHealthcare cost management, one of the major election issues last year, is once again in the back burner - being overshadowed by the economic meltdown. Although the recent economic stimulus package contains a provision to modernize health-care record keeping which can potentially reduce some of the costs and also provide for some computer programming jobs, it can hardly put a dent on this monstrous problem. Health-care cost is poised to be the next bubble to burst and it can also have devastating effects on the population and businesses. This needs to be dealt with as soon as possible before the entire system disintegrates. Many hospitals are reporting higher rates of ER admissions for patients without insurance. This is expected with the high unemployment numbers. Soon the hospitals will be asking for bail out money.\r\nThe current method of cost reduction as practiced by the insurance companies and HMOs has not been working for a long time, at least not in the patients favor. The medical practitioners have been forced by the HMOs and insurance companies to avoid treatment as much as possible. A patient is treated based on the amount he (or his insurance company) can pay and not based on what they need. Remember the finger attachment case in Michael Moore''s Sicko? I have seen in doctor''s offices, clear instructions for the nurses and attendants to ask the patient if he/she can pay for a specific test or procedure before conducting it. \r\nThe doctors spend minimum time with their patients because the reduced compensation per patient forces them to increase their patient count. The doctors rely more on the lab reports and mechanized algorithms rather than spending time to solve the unique medical puzzle each patient poses. I don''t blame the doctors, they simply don''t have the time. \r\nThe medical costing structure is another huge puzzle. I just cannot understand what kind of costing method does the hospitals use. When their astronomical bills gets sized down to a fraction of their original amount by the insurance companies, I fail to comprehend how could these hospitals survive. Since most patients have some kind of insurance, I am sure none of them agree to pay those huge bills and only pay a highly reduced negotiated amount. And since the hospitals are still surviving and their employees getting paid, I am sure that the negotiated amount they receive serves them well. So why this inflated bill in the first place? Is this notion of high health-care cost nothing but an illusion? Only an imaginary crisis? I am sure there is some explanation for all this. However, I think that if the hospitals and medical practitioners had charged the typical insurance company negotiated rates to the common public, then many would have been able to pay them without going through insurance companies. The businesses who employ their patients also could have easily picked up the bill without going through the insurance companies any pay them the hefty middle-man charges. \r\nMany smart people have looked into this problem and they must have found the problem complex enough to leave it unsolved. However, the only worry I have is, if these problems turn out to be "greed", "special interests" and "lobbies", then we are in for another disaster. The sub-prime crisis, the credit crunch and the Wall-Street meltdown should have taught us enough lessons - only if we learn from them.\r\n', 'Cartoon of the Week 16: Healthcare Costs', 0, '', 'publish', 'open', 'open', '', 'cartoon-of-the-week-16-healthcare-costs', '', '', '2009-02-19 16:08:39', '2009-02-19 20:08:39', '', 0, 'http://ethnomediallc.com/wpress/?p=284', 0, 'post', '', 0),
(285, 1, '2009-02-17 20:34:47', '2009-02-18 00:34:47', '', 'bank-report-', 0, 'Bank Report', 'inherit', 'open', 'open', '', 'bank-report-web', '', '', '2009-02-17 20:34:47', '2009-02-18 00:34:47', '', 284, 'http://ethnomediallc.com/wpress/wp-content/uploads/2009/02/bank-report-web.jpg', 0, 'attachment', 'image/jpeg', 0),
(286, 1, '2009-02-26 13:44:03', '2009-02-26 17:44:03', '
"My name is Shikha Morol. That''s not my real name, but I don''t want to tell you my real name. This is my name here. And please don''t take any pictures. I won''t allow it . . ."\r\n\r\nThe woman in front of me sat with her head bowed. She wore a blue synthetic sari with garish floral prints and a mismatched purple blouse. She looked neat and clean but signs of poverty were evident in her work-roughened hands and broken nails.\r\n\r\nHer name, she said, was Shikha, "a little flame." She said she was 30. I was surprised. I assumed she was closer to 50.\r\n\r\nThis is how one of the interviews with Sikha, a sex worker in Sonagachhi Kolkata, starts in Shamita Dasgupta and Indrani Sinha''s latest book, "Mothers for Sale: Women in Kolkata''s Sex Trade". \r\nKolkata sex workers have earned an international reputation through Oscar winning films like "Born into Brothels" (directed by Zana Briski) and their activism. Several novels have been written, several films made on these women and their lives, mostly my male writers and film makers. They portray them from different view points, sometimes as exploited women, sometimes as victims of poverty and social injustice, sometimes a lovers and sometimes just as sex objects. However, Shamita and Indrani looks at these women from a different perspective, as working mothers who sell their services to take care of their children and family. \r\n\r\n"They tell me I am their son," says Sikha about the greatest compliment that was bestowed upon her by her in-laws. Sikha''s husband, a landless laborer, killed himself few years ago leaving his parents and three children to be taken care of by Sikha, the sole bread earner. Shikha sold the milk of their cows, worked in a rice mill and picked vegetables in other people''s farms, sometimes working sixteen hours a day. But she couldn''t earn enough to properly feed her sons and her husband''s parents and through a series of accidents had to finally chose the oldest profession of sex trade. "I came of my free will", she declared to Shamita and Indrani. She was not forced into this trade by anyone. Since she began her work in Shonagachhi, she had been regularly sending money orders to her parents-in-law for them and her three sons. But she hates this work and looks forward to the day when her children no longer need her money and she can "leave all this behind." \r\n\r\nAs per the promotional material, the book Mothers for Sale attempts to offer an understanding of sex workers as mothers that goes beyond the current debate on the viability and legitimacy of sex work for women. It highlights the aspirations and fears, joys and disappointments, triumphs and failures that sex workers share with all mothers. The book is based on information gathered from more than 750 sex workers and more than 300 of their children through detailed interviews that the authors conducted since 2006. This is not fiction or fantasy that many writers and film makers have resorted to, to portray the conditions of the sex traders. This is an objective and compassionate study of a class of working women who are trying to make a living for themselves and their children.\r\n\r\nThe authors Shamita Dasgupta and Indrani Sinha have been working for women''s cause throughout their career. 
\r\nShamita Dasgupta cofounded Manavi in New Jersey and is an adjunct faculty of law with the NYU Law School. Indrani Sinha founded Sanlaap in 1987 and works with women and young people fighting for their rights and protesting violence against women.\r\n\r\n\r\nI sincerely congratulate them for their excellent work. \r\n\r\n\r\n\r\n\r\n\r\n', 'Mothers in Sex Trade : An In-depth Look', 0, '', 'publish', 'open', 'open', '', 'mothers-in-sex-trade-an-in-depth-look', '', '', '2009-02-26 13:44:03', '2009-02-26 17:44:03', '', 0, 'http://ethnomediallc.com/wpress/?p=286', 0, 'post', '', 3),
(287, 1, '2009-02-26 13:34:48', '2009-02-26 17:34:48', '', 'cover-3916', 0, 'Mothers for Sale', 'inherit', 'open', 'open', '', 'cover-3916', '', '', '2009-02-26 13:34:48', '2009-02-26 17:34:48', '', 286, 'http://ethnomediallc.com/wpress/wp-content/uploads/2009/02/cover-3916.gif', 0, 'attachment', 'image/gif', 0),
(288, 1, '2009-02-26 13:35:35', '2009-02-26 17:35:35', '', 'dasgupta-3916', 0, 'Shamita Dasgupta', 'inherit', 'open', 'open', '', 'dasgupta-3916', '', '', '2009-02-26 13:35:35', '2009-02-26 17:35:35', '', 286, 'http://ethnomediallc.com/wpress/wp-content/uploads/2009/02/dasgupta-3916.jpg', 0, 'attachment', 'image/jpeg', 0),
(297, 1, '2009-03-15 11:32:30', '2009-03-15 15:32:30', '
The famous Joynagar moa, a confectionery prepared from date palm jaggery (nalen gur) and puffed, rice could be given a geographical indication (GI) patent. If awarded, the patent would be the second for a produce of Bengal, after Darjeeling tea. Also in the pipeline for a GI patent are Bardhamaner Sithabhog, Shaktigarer lyangcha and Mursidabad silk.\r\n\r\nThe patent means that the particular product can be made only in that area and cannot be copied in the countries where it is registered as a GI product. Darjeeling Tea, which got a GI patent in 2008, has been registered as a GI product in countries like the UK, USA, Germany and Russia.\r\n\r\nThe Federation of the Association of Cottage and Small Scale Industries (Facsi) has started an awareness and sensitization program among confectioners who make Joynagarer Moa. They are being told about the details of intellectual property rights at an even held in the Joynagar-Majilpur Municipality area.\r\n\r\nAshok Kumar Ghosh, Sri Krishna Mistanna Bhandar is the oldest moa shop in Joynagar, felt GI would be a big boost for the poor sweet shop owners keeping alive Bengal''s legacy. "Our shop was established in 1929 by my father. Earlier, babus from Kolkata would order huge quantities of moa during Poush Sankranti. Our moa has even been sent to USA. But fake products are being made all over the state, putting our identity at stake," he said.\r\n\r\nGhosh attended the awareness program conducted by FACSI and the patent office. "There are over 150 sweet shops in Joynagar, Bahura and Charan, which make the delicacy. We shall sit and discuss the issue of the GI patent," he added. Ghosh pointed out that Joynagarer moa is made of a special brand of aromatic rice called Kanakchur and nalen gur, which cannot be made elsewhere.\r\n\r\nFACSI president Sukhendu Bikash Ghose said the organization is trying to act as a facilitator for a GI patent for Joynagarer moa. "The confectioners have set up an association. A GI patent is only given to associations. We have got a mandate from the department of MSMe of the Union government to facilitate a GI patent for ethnic products," he said. \r\n\r\n(News courtesy Times of India)', 'Jaynagarer Moa to be Patented', 0, '', 'publish', 'open', 'open', '', 'jaynagarer-moa-to-be-patented', '', '', '2009-03-17 22:42:12', '2009-03-18 02:42:12', '', 0, 'http://ethnomediallc.com/wpress/?p=297', 0, 'post', '', 0),
(298, 1, '2009-03-17 22:16:26', '2009-03-18 02:16:26', 'This is a reminder that we will resume our quasi-monthly Sahitya O Alochana meetings this Friday, March 20, at 8 PM at Ananda Mandir.\r\n\r\nDr. Nupur Lahiri, who recently translated Rabindranath''s "Rakto Karabi," will lead a (much-anticipated!) discussion on Tagore in Translation. I for one am looking forward to it.\r\n\r\nHoping to see you all there,\r\nAmitabha Bagchi', 'Sahityo-O-Alochona', 0, '', 'publish', 'open', 'open', '', 'sahityo-o-alochona', '', '', '2009-03-17 22:16:26', '2009-03-18 02:16:26', '', 0, 'http://ethnomediallc.com/wpress/?p=298', 0, 'post', '', 0),
(299, 1, '2009-03-17 22:37:29', '2009-03-18 02:37:29', 'Jaynagarer Moa a Bengali Sweet', 'bengali_sweet', 0, 'Bengali Sweet Jaynagarer Moa', 'inherit', 'open', 'open', '', 'bengali_sweet', '', '', '2009-03-17 22:37:29', '2009-03-18 02:37:29', '', 297, 'http://ethnomediallc.com/wpress/wp-content/uploads/2009/03/bengali_sweet.jpg', 0, 'attachment', 'image/jpeg', 0),
(300, 1, '2009-03-19 10:44:33', '2009-03-19 14:44:33', '
On Wednesday (18th March), fourteen authors across the world were been named as the contenders for the Man Booker International prize. The long list of writers includes the name of prolific veteran Bengali writer Mahasweta Devi. Sir V. S. Naipaul is also included in the list. In all 14 authors from 12 countries have been nominated for Booker Prize, which is one of the most prestigious literary awards in the world. The prize given in two years carries prize money of 60,000 pounds and can be won by any author worldwide, provided their work is available in English.
\r\n
Seven out of fourteen writers, who have been named in the judge''s list of contenders, are in translation category. Mahasweta Devi, who writes in Bengali, is based in Santiniketan in West Bengal. She is one among India''s foremost writers. She is also a well-known activist for the rights of indigenous peoples. Devi is known for depicting the moral dilemmas Indians from different walks of life face.
\r\n\r\n"I have always believed that the real history is made by ordinary people. I constantly come across the reappearance, in various forms, of folklore, ballads, myths and legends, carried by ordinary people across generations," Devi has said.
\r\n\r\n"The reason and inspiration for my writing are those people who are exploited and used, and yet they do not accept defeat. For me, the endless source of ingredients for writing is in these amazingly, noble, suffering human beings. Why should I look for my raw material elsewhere, once I have started knowing them? Sometimes it seems to me that my writing is really their doing," Devi added.
\r\n\r\nThe 14 authors on the list are: Peter Carey (Australia), Evan S. Connell (USA), Mahasweta Devi (India), E.L. Doctorow (USA), James Kelman (UK), Mario Vargas Llosa (Peru), Arnošt Lustig (Czechoslovakia), Alice Munro (Canada), V.S. Naipaul (Trinidad/India), Joyce Carol Oates (USA), Antonio Tabucchi (Italy), Ngugi Wa Thiong''O (Kenya), and Dubravka Ugresic (Croatia), Ludmila Ulitskaya (Russia).
\r\n\r\nThe judging panel for the Man Booker International Prize 2009 includes: Jane Smiley (writer), Amit Chaudhuri (writer, academic and musician) and Andrey Kurkov writer (film script writer and essayist).
', 'Mahasweta Devi Nominated for the 2009 Man Booker Prize', 0, '', 'publish', 'open', 'open', '', 'mahasweta-devi-nominated-for-the-2009-man-booker-prize', '', '', '2009-03-19 11:01:08', '2009-03-19 15:01:08', '', 0, 'http://nynjbengali.com/?p=300', 0, 'post', '', 0), (303, 1, '2009-03-19 21:28:47', '2009-03-20 01:28:47', 'Sunil Ganguly introducing Urhalpool.', 'sunil_ganguly', 0, 'Sunil Ganguly introducing Urhalpool', 'inherit', 'open', 'open', '', 'sunil_ganguly', '', '', '2009-03-19 21:28:47', '2009-03-20 01:28:47', '', 302, 'http://ethnomediallc.com/wpress/wp-content/uploads/2009/03/sunil_ganguly.jpg', 0, 'attachment', 'image/jpeg', 0), (301, 1, '2009-03-19 10:41:33', '2009-03-19 14:41:33', 'Mahasweta Devi, author, novelist, activist', 'Mahasweta Devi', 0, 'Mahasweta Devi, novelist, author, activist', 'inherit', 'open', 'open', '', 'mahasweta', '', '', '2009-03-19 10:41:33', '2009-03-19 14:41:33', '', 300, 'http://ethnomediallc.com/wpress/wp-content/uploads/2009/03/mahasweta.jpg', 0, 'attachment', 'image/jpeg', 0), (302, 1, '2009-03-19 21:34:26', '2009-03-20 01:34:26', '
Few months ago I wrote about the debut of a new Bengali webzine, Urhalpool.com. The magazine has now reached new heights with the introduction of the first hard copy version at the 2009 Kolkata Book Fair. On Saturday 7th February 2009, at 6PM, the UBI auditorium at the Kolkata Book Fair ground was completely packed with people standing all over. Sunil Gangopadhyay introduced Urhalpool with a short speech which was followed by editor Goutam Datta talking about the vision of the magazine. The Hon''ble consul general of Italy was present on the stage along with Urhalpool''s Italian writer Alessandra Corsini. Several other contributers to the magaine like Alolika Mukherjee, Subodh sarkar, Mallika Sengupta, Pinaki Thakur, Bithi Chattopadhyay and others were present at the event. Urhalpool''s Shakti Chattopadhyay Life Time achievement in Bengali literature award (Rs25,000) was presented to Nabaneeta Dev Sen and Nirmal Chandra Gangopadhyay Sahitya puroskar was awarded (Rs15,000) to Poet Srijato. Poet Shakti Chattopadhyay''s wife Minakhi-di handed over the Shakti Chattopadhyay award and Nupur Lahiri handed over Nirmal Chandra award. The entire program was conducted by Soumitra Mitra.
My alma mater, IIT Kharagpur is once again in the news with a great device - an artifical heart. It''ll be to coronary care what Nano is to cars, say scientists at Indian Institute of Technology, Kharagpur, who have devised an an artificial heart that could save lives for just Rs 1 lakh - reports the Times of India. The research team says trials of the prototype lab constructed heart have been successful on small animals and the gadget is being perfected on goats. The institute has applied for permission to conduct human trials. The Total Artificial Heart (TAH) — said to be the first such in the country — has been developed by a team of scientists at IIT-Kgp''s school of medical science and technology. After four years of painstaking research, the scientists say their creation is better and far more affordable than the first artificial heart developed in the US, which showed a "high rate failure'''' and at Rs 30 lakh, beyond the reach of the common man. The inventors hope to fit the heart into an ailing patient within a few months, once permissions from the Indian Council of Medical Research come through. The unique 13—chamber heart is working fine in small animals, said a member of the team. Human tests are to be conducted at Medical College and Hospital (MCH), Kolkata. Senior cardiac surgeons — Madhusudan Pal, Bhaskar Ukil, Tarun Saha and Kalishankar Das from MCH and Rajiv Narang of AIIMS, Delhi — will conduct the human trials. "We are also in touch with P Venugopal, former AIIMS director and one of the leading cardiac surgeons of the country. We expect him to be part of the team as well,'''' said Sujoy Guha, IIT-KGP faculty member and bio-medical engineering expert, who is leading the artificial-heart team. "The TAH will be of great help to patients whose heart muscles have become so weak that they need immediate transplantation. Angioplasty, stents and even bypass surgery are of no use for such patients because they cannot strengthen muscles. It is difficult to find donor organs and even if transplantation is done, the body develops auto rejection and severe medication is required to suppress immune reactions," said Guha. "TAH will be a life-saver, for the price of a Tata Nano,'''' said one of the scientists. "Bengal may have lost the Nano, but the world cannot miss this Rs 1-lakh invention.'''' News Courtesy of Times of India.
It is ironic to say the least that just when I was enthusiastically reporting the news of the development of an artificial heart by IIT Kharagpur, a young heart stopped beating in the campus. Rohit Kumar, a third year Electrical Engineering student (LLR Hall) died due to the apparent neglect by the in-campus "B.C.Roy Technology Hospital". Details about this event can be found in the campus students newspaper "Scholars Avenue" and I will refrain from reporting them once again out here. However this incident resulted in a student uproar that was unprecedented in the history of IIT Kharagpur. The angry students demonstrated their frustration at the residence of the director of the Institute which resulted in the resignation of the director as well as some other administrative staff.\r\n\r\nI grew up in the campus and hence the state of the health care infrastructure in well known to me. The hospital had primitive facilities and it never had the capabilities to take care of brain injuries or any other serious conditions that require intensive critical care. The doctors and the staff were equipped only to treat common ailments like dysentery or some other infections. Any complications were referred either to the railway hospital or to some Kolkata hospital. This has been the situations through ages. In the meantime the number of students in the campus has increased multiple folds, and so did the Institute budget. But it seems, not much has changed in the hospital.\r\n\r\nThe authorities now have promised to rectify the situation and to improve the medical facilities. But it is sad that it required the sacrifice of a promising young man to bring their attention to this matter. The incident has also tarnished the image of the IIT students (especially by the media) who in the heat of the moment did things that they shouldn''t have. But I think we need to understand their frustration too. They have to spend four years of their lives in the campus of a premier Institute of the nation. They have the right to expect a minimum level of health care.\r\nThis also goes true for the faculty and staff. How can IIT Kharagpur attract the best teachers if they cannot offer them some level of decent health care? Kharagpur has the disadvantage of being not close to any major metropolis. The health care infrastructure in the towns surrounding the campus is poor too. An Institute that develops artificial heart should have a health care facility to take care of its talents hearts and minds.', 'Trouble in IIT Campus', 0, '', 'publish', 'open', 'open', '', 'trouble-in-iit-campus', '', '', '2009-03-23 13:14:34', '2009-03-23 17:14:34', '', 0, 'http://nynjbengali.com/?p=308', 0, 'post', '', 0),
(309, 1, '2009-03-23 12:33:23', '2009-03-23 16:33:23', 'IIT Kharagpur', 'iit_kharagpur', 0, 'IIT Kharagpur', 'inherit', 'open', 'open', '', 'iit_kharagpur', '', '', '2009-03-23 12:33:23', '2009-03-23 16:33:23', '', 308, 'http://nynjbengali.com/wp-content/uploads/2009/03/iit_kharagpur.jpg', 0, 'attachment', 'image/jpeg', 0),
(310, 1, '2009-03-23 23:13:56', '2009-03-24 03:13:56', 'RAAGRANG is arranging a Lecture-Demonstration by a noted musician Shree Kedar Naphade on 29th March from 4 to 6 P.M. The event will start with a short vocal recital by young Ria Sabnis. Refreshments will be served after that. Please let us know how many of you will be attending. It is free for the members and $7.00 for the non-members. Hope you can make it.\r\n\r\nVenue:\r\n28 McBride Way\r\nBridgewater,\r\nNJ 08807.\r\nRSVP will be appreciated.\r\n(732) 241-7063.', 'Harmonium Lecture-Demonstration', 0, '', 'publish', 'open', 'open', '', 'harmonium-lecture-demonstration', '', '', '2009-03-23 23:13:56', '2009-03-24 03:13:56', '', 0, 'http://nynjbengali.com/?p=310', 0, 'post', '', 0),
(311, 1, '2009-03-24 10:48:58', '2009-03-24 14:48:58', 'Piyalir Password is the first Bengali film shot entirely on locations in the US, particularly in Virginia, Maryland and Washington DC. The movie has been subtitled in English. For more information www.piyalirpassword.net\r\n \r\n http://www.hindu.com/thehindu/holnus/009200903230951.htm\r\n\r\nThe film will be screened at 2:00 PM on 11th April at the TV Asia Studios, 76 National Road, Edison, NJ 08817\r\n\r\nThe lead actor of the film Rituparna Sengupta will be present in the beginning of the show and talk about the film.\r\n\r\nThe film is being presented by Center for Social Change www.centerforsocialchange.org, an organization serving individuals with developmental disabilities for the past 15 years, worlwide.\r\n\r\nTickets are $10 dollars and available online at www.sulekha.com and www.centerforsocialchange.org. Additionally ticket reservations can be made with Sonali Ganguly (tel: 732 203 7310) and Devasish Ray (tel: 240 988 1112)\r\n\r\n\r\nRaj Basu (703)507-6420 (cell) rajbasu@msn.com rkbasu@gmail.com', 'Movie Release : Piyalir Password', 0, '', 'publish', 'open', 'open', '', 'movie-release-piyalir-password', '', '', '2009-03-24 10:48:58', '2009-03-24 14:48:58', '', 0, 'http://nynjbengali.com/?p=311', 0, 'post', '', 0);
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(312, 1, '2009-03-24 16:51:34', '2009-03-24 20:51:34', '
Anybody who is even the least interested in making money with their blog has done a google search this title phrase and have landed up with thousands of articles, posts, advertorials, videos and other material that provide a hash-up of few different techniques that can bring in the greens. But when you look at them with some curiosity, you''ll see that almost all off them give you a bullet list of techniques that can bring in traffic and can potentially bring in some dough. You''ll learn about SEO techniques to improve search engine rankings, you''ll know how important it is to have in-links to your site, you''ll discover what article marketing is, and how to effectively use the social networking and bookmarking sites (Facebook, Orkut, Del.icio.us, Reddit, Stumbleupon etc. etc.). You''ll know the benefits of enlisting your blog to multiple blog networks and directories, tricks to improve Alexa rankings and the secrets of setting up RSS feeds for potential subscribers. All these techniques are good and work to some degree to bring in traffic to your blog - but believe me, millions of bloggers are doing just the same. Traffic is king to any blogger, and whatever published technique exists today are being tried over and over again. The problem is that the search engines (google, yahoo etc) and traffic ranking sites (like Alexa) keep on changing their strategy frequently and hence many techniques become stale.\r\n\r\nOn the money making aspect, these how-to articles will tell you, that online advertising is the only way to make money on your blog. Subscription, donation, and other direct fund collection schemes simply does not work on the blogosphere. There are multiple different ways to publish advertisements from agencies like Google Adsense, Yahoo Publisher Network and many many others - and they work to some degree - like collecting few cents after a year on the net. If you are lucky, you may be able to recover your blog hosting cost, but if you plan to quit your day job - this may not be the right vocation.\r\n\r\nHaving said that, you can make money on your blog only if you get traffic - lots and lots of traffic - period! But how to get them to flock to your site? The answer is simple - create your long tail!\r\n\r\n
Long Tail is a term coined by Chris Anderson to explain the marketing phenomenon used by companies like Amazon and Netflix that sell large number of unique items, each in relatively small quantities. For example, Amazon does not make its fortune by selling only the best sellers, rather the bulk of the sale comes from books and items that sell in small quantities. In other words, if you can manage to sell your two copies of your book through Amazon, you get your peanuts - but Amazon has millions of dreamy eyed publishers and writers like you to make their money from. Netflix rents more movies that can hardly be regarded as block busters. I think you get the idea. The concept of Long tail comes from the sales frequency distribution curve which shows high sales volumes for a very small number of items (less than 20%) but the distribution curve tapers down asymptotically such that most sales volumes occur for the low selling items. If this long tail is properly exploited then most money can be made from those low selling items.\r\nFor example, when you use Google Adsense kind of advertising on your low-traffic blog or website, you hardly make any money (maybe few cents a month) but Google has millions of websites like yours and hence they reap in the big bucks.\r\n\r\nSo how can we exploit this principle to bring traffic to your blog? What is the product that you are providing to your visitors on your blog? Your posts or articles. If you do some traffic analysis (whatever traffic data you may have) you''ll find that very few posts draw large number of visitors. Most of your articles will fall under the category of the long tail - each bringing in a measly number of visitors. Hence all we need to do is to make this long tail very very long! The longer you make, more traffic you get. That means you need to post a large number of articles or varied topics. This principle is used by many blog platforms like blogger or blogspot. Squiddo Lenses is another attempt to create a long tail to harvest visitors. You can do that too. Invite guest bloggers to write on your site, if possible syndicate articles. Note that your articles need not be long and wordy ones, they can be short, specific and to the point, that adds some value to the visiting experience. Not only articles, you may post images. Google image search can bring in large amount of traffic.\r\n\r\nHowever do not forget the SEO and the other promotional techniques I mentioned earlier. Your posts need to be discovered by your visitors. Web bots and crawlers will eventually discover your new post, but you need to be pro-active to invite them as early as possible.\r\n\r\nOnce you start getting traffic on your website or blog, advertisers and cash will follow. Till then keep stretching that long tail.', 'How to Bring Traffic to Your Blog or How to Make Money with Your Blog!', 0, '', 'publish', 'open', 'open', '', 'how-to-bring-traffic-to-your-blog-or-how-to-make-money-with-your-blog', '', '', '2009-04-01 17:45:11', '2009-04-01 21:45:11', '', 0, 'http://nynjbengali.com/?p=314', 0, 'post', '', 2),
(315, 1, '2009-04-01 17:36:21', '2009-04-01 21:36:21', 'Long tail distribution, Pareto curve', 'long_tail', 0, 'Long Tail ditribution', 'inherit', 'open', 'open', '', 'long_tail', '', '', '2009-04-01 17:36:21', '2009-04-01 21:36:21', '', 314, 'http://nynjbengali.com/wp-content/uploads/2009/04/long_tail.png', 0, 'attachment', 'image/png', 0),
(316, 1, '2009-04-01 17:39:03', '2009-04-01 21:39:03', 'Make Money On your Blog and Website', 'make_money_blog', 0, 'Make Money On your Blog and Website', 'inherit', 'open', 'open', '', 'make_money_blog', '', '', '2009-04-01 17:39:03', '2009-04-01 21:39:03', '', 314, 'http://nynjbengali.com/wp-content/uploads/2009/04/make_money_blog.jpg', 0, 'attachment', 'image/jpeg', 0),
(317, 1, '2009-04-03 10:29:43', '2009-04-03 14:29:43', '
Saturday April 25 Doors open 7.30 pm Show 8 pm\r\nThe Grand Opera, Wilmington DE.\r\nSponsored by The Bengali Association of the Delaware Valley\r\n*Shiv Kumar Sharma and Zakir Hussain, santur and tabla*\r\nTickets $35.00, $50.00 and $75.00\r\nTickets can be purchased from http://www.ticketsatthegrand.org. A \r\n$2.00/ticket service fee applies when you purchase tickets on-line.\r\nPhone 302-652-5577 or 1-800-37-GRAND', 'Shiv Kumar Sharma and Zakir Hussain', 0, '', 'publish', 'open', 'open', '', 'shiv-kumar-sharma-and-zakir-hussain', '', '', '2009-04-03 10:29:43', '2009-04-03 14:29:43', '', 0, 'http://nynjbengali.com/?p=317', 0, 'post', '', 0),
(318, 1, '2009-04-03 10:28:18', '2009-04-03 14:28:18', 'Ustad Zakir Hussain on Tabla', 'zakir_hussain', 0, 'Zakir Hussain on Tabla', 'inherit', 'open', 'open', '', 'zakir_hussain', '', '', '2009-04-03 10:28:18', '2009-04-03 14:28:18', '', 317, 'http://nynjbengali.com/wp-content/uploads/2009/04/zakir_hussain.jpg', 0, 'attachment', 'image/jpeg', 0),
(321, 1, '2009-04-08 13:35:36', '2009-04-08 17:35:36', ' Actor Kal Penn is taking a job in the Obama administration as a liaison to Asian-American groups, a White House spokesman said. The Hollywood star, who appeared in Fox TV’s drama “House” and several movies like "The Namesake", "Harold and Kumar" etc., is joining the White House Office of Public Liaison as a link to Asian-American and Pacific- Islander communities, spokesman Shin Inouye said.\r\nKal Pen was recently seen in Fox Network''s highly popular series "House" as Dr. Cutner who commits suicide on the April 6 2009 episode. I guess Kal has a more important call to answer to.', 'Kal Penn in White House', 0, '', 'publish', 'open', 'open', '', 'kal-penn-in-white-house', '', '', '2009-04-08 13:35:36', '2009-04-08 17:35:36', '', 0, 'http://nynjbengali.com/?p=321', 0, 'post', '', 0),
(322, 1, '2009-04-09 18:07:14', '2009-04-09 22:07:14', '
Recently I listened to an excellent talk by Dr. Jeffrey Cole (Director, Center for the Digital Future, of the USC Annenberg School) about Social Networks, the digital media and our teens. His research and insights into this digital revolution that we are growing through threw some interesting light on our teen generation. The teens today use technology in ways we never thought of. The entire digital industry is geared up to develop new gadgets and gizmos for the new generation. The social networking phenomenon like Facebook, Orkut and others have demonstrated how much influence this new generation has in defining the shape of digital media. Dr. Cole lists few characteristics of a teen in this and our future digital generation.\r\n\r\n\r\n
I kind of like Gregory House, MD. And who doesn''t? House is one of the most popular TV shows that has catapulted Fox network to lead the popularity ratings (along with 24 and other shows). The quirky, obnoxious and ill mannered medical genius has become everybody''s dream doctor. We the New Jersey viewers specially feel his absence in real life since Gregory House works in this fictitious "Princeton-Plainsboro" hospital and to whom people come crossing the rough seas risking their lives (no pun intended) to get treated. How lucky we would have been to have such a doctor in real life. And a hospital like "Princeton-Plainsboro" where doctors do everything - they serve not only as doctors and surgeons, but they draw blood, they set up IV lines, they give the patients their pills, they feed them, they operate the MRI, CT Scan and other diagnostic machines. There are hardly any nurses or technicians. In real life hospitals, I have seen the doctors come in to visit their patient only with one objective - how soon they can leave. They spend more time in front of the computer screens looking at the charts and filling up their billing codes than with the patient. But in Princeton-Plainsboro, Dr. House''s team is like Scotland Yard, deeply engaged in finding the culprit - in this case the cause of the disease. \r\n\r\nFor those of you who have not seen any of the House episodes, here is a typical structure of an one hour episode.\r\n\r\n0 - 5 mins: Symptoms appear in a patient and he/she is brought to Princeton-Plainsboro hospital.\r\n\r\n5-30 mins: House and his team starts their detective work. House lists symptoms on a white board and they brain storm. With the patient, they draw blood, setup IV lines, do CT scans, EEG, EKG, lumber puncture, biopsy and others. They keep thowing medications at the patient at random with the hyposthesis that if the patient responds well to a medication, then whatever that drug is supposed to cure must be the cause of the symptoms.\r\n\r\n30-35mins: Around this time, House first sees his patient. Also around this time the patient is likely to have a cardiac arrest (revived by defibrillator shocks), may stop breathing and require artificial ventillation, and in some cases dialysis.\r\n\r\n35-50mins: More of the above. Some relationship issues between the doctors also needs to be taken care of. Also somewhere along the line the team members break into the patient''s house to find possible clues for his ailment.\r\n\r\n50-55 mins: House suddenly has his stroke of genius, bulb lights up above his head from a piece of conversation or a painting on the wall. He finds the root cause which is always a simple and curable. He stops a surgery or chemo or some other life threatening procedure about to be performed on the patient and delivers his treatment along with some insults and misbehaviours.\r\n\r\n55-60 mins: The patient recovers and goes home, while House gulps couple of Vicodin tablets.\r\n\r\nI don''t know whether you can call this a formula for a successful TV show, but it still keeps the audience glued to their TV sets every Monday from 8.00pm to 9.00pm. The predictability of the show is possibly the main ingredient of this success - we know how each episode is going to unravel, we just want to find out the details of the relationship sub-stories and watch Hugh Laurie with awe. The show, apparently inspired by Sherlock Holmes detective stories, is indeed a medical whodunit show crafted by intertwining a medical thriller with human relationship stories in the right mix.\r\n\r\nCouple of weeks ago, one of the doctor in House''s team, Cutner (acted by Kal Penn) committed suicide for no apparant reason (the real reason being, Kal Penn had to leave the show to join the Obama adminstration). House fans will now wonder how this vacuum gets filled up withing the frame work of the above formula.', 'The House Formula', 0, '', 'publish', 'open', 'open', '', 'the-house-formula', '', '', '2009-04-15 16:20:20', '2009-04-15 20:20:20', '', 0, 'http://nynjbengali.com/?p=328', 0, 'post', '', 1),
(329, 1, '2009-04-15 16:02:55', '2009-04-15 20:02:55', 'Hugh Laurie as Gregory House MD in Fox networks show House.', 'gregory-house-md', 0, 'Gregory House, MD', 'inherit', 'open', 'open', '', 'gregory-house-md', '', '', '2009-04-15 16:02:55', '2009-04-15 20:02:55', '', 328, 'http://nynjbengali.com/wp-content/uploads/2009/04/gregory-house-md.jpg', 0, 'attachment', 'image/jpeg', 0),
(330, 1, '2009-04-20 15:26:54', '2009-04-20 19:26:54', 'New York City Council\r\nSpeaker Christine C. Quinne \r\nWith \r\nCouncilman Jim Gennaro\r\nAnd \r\nDistrict leader Uma Sengupta\r\ncordially invite you to \r\nBengali New Year''s Celebration! \r\n\r\n\r\n\r\n\r\nType: Music/Arts - Performance \r\nDate: Friday, April 24, 2009\r\nTime: 6:45pm - 9:00pm\r\nLocation: New York City Hall\r\n260 Broadway ( Park Place) \r\n Manhattan, NY\r\n\r\n\r\n\r\n\r\nJoin us for dinner, performances, and honoring members of our community in the historic City Hall Chambers!\r\n\r\n\r\n\r\nThis event is free. Please extend this invitation to your friends and family. \r\n\r\n www.usincelebrations.org\r\n\r\nEvent on Facebook @ http://www.facebook.com/event.php?eid=95879501256\r\n\r\n\r\n\r\nFor further information call:\r\n\r\nUma Sen Gupta\r\n718-380-0724\r\n\r\nRoger Sen Gupta\r\n201-864-4190 \r\n**********************************************************************************************************\r\n\r\nThank you & Regards,\r\n\r\n\r\n Roger Sen Gupta\r\n 201 864 4190\r\n\r\n', 'Bengali New Year Celebration at NY City Hall', 0, '', 'publish', 'open', 'open', '', 'bengali-new-year-celebration-at-ny-city-hall', '', '', '2009-04-20 15:26:54', '2009-04-20 19:26:54', '', 0, 'http://nynjbengali.com/?p=330', 0, 'post', '', 0),
(331, 1, '2009-04-21 17:09:02', '2009-04-21 21:09:02', '
Just finished watching the movie "Freedom Writers". It is such an intense, moving and at the same time inspiring film that I''d recommend it to everyone who loves movies. Based on a true story about an LA school, the film depicts how a teacher can change the lives of his or her students. Hilary Swank gives an wonderful performance (if I recall correctly, she was nominated for an Oscar for this role) and so does her students. If you haven''t seen the film, pick up a DVD copy and watch it right away.', 'Freedom Writers', 0, '', 'publish', 'open', 'open', '', 'freedom-writers', '', '', '2009-04-21 17:09:02', '2009-04-21 21:09:02', '', 0, 'http://nynjbengali.com/?p=331', 0, 'post', '', 1),
(332, 1, '2009-04-21 17:06:10', '2009-04-21 21:06:10', 'Hilary Swank in Freedom Writers', 'hilary-swank-freedom-writers', 0, 'Hilary Swank Freedom Writers', 'inherit', 'open', 'open', '', 'hilary-swank-freedom-writers', '', '', '2009-04-21 17:06:10', '2009-04-21 21:06:10', '', 331, 'http://nynjbengali.com/wp-content/uploads/2009/04/hilary-swank-freedom-writers.jpg', 0, 'attachment', 'image/jpeg', 0),
(333, 1, '2009-04-21 17:52:49', '2009-04-21 21:52:49', 'I was searching for an online Bengali dictionary that I can use not only to check meanings of Bengali words but also to use it as a spell checker. Then I chanced upon this website, Samsad Bengali-English Dictionary by Sailendra Biswas. The dictionary is quite effective, however you may need few tries to get accustomed. The dictionary is partly funded by the US Dept of Education.', 'Online Bengali to English Dictionary', 0, '', 'publish', 'open', 'open', '', 'online-bengali-to-english-dictionary', '', '', '2009-04-21 17:52:49', '2009-04-21 21:52:49', '', 0, 'http://nynjbengali.com/?p=333', 0, 'post', '', 2),
(334, 1, '2009-04-22 11:18:50', '2009-04-22 15:18:50', ' \r\n\r\nOver MAY 15, 16 & 17, IIPA, New Jersey will be celebrating "Rabindranath - Universe and Beyond, 2009" at The Community Presbyterian Church of Sand Hill, South Brunswick, New Jersey.The three-day celebration is an attempt to expand the boundaries of appreciation of Tagore''s literary and musical works through a variety of presentations:\r\n\r\nFriday, MAY 15 - Screening of Movie “Teen Konya.” \r\nSaturday, MAY 16 - Interactive talks with audio visual illustrations. \r\nTopics: Rabindranath’s Poetic Vision: A Synthesis of Arts & Sciences; Rabindranath in Translation; Disconnected Genius: Rabindranath, Dwarakanath; and Rabindranath & Folk Culture.\r\n\r\nSunday, MAY 17 - Rabindra Sangeet Soiree.\r\n\r\nTickets and Details: Please contact any of the following persons: \r\nHirak Guha:(732) 821-8719, Subhodev Das:(609) 924-6709, Surya Dutta: (732) 422-0599, Dhriti Bagchi: (732) 577-9575, Jhum Basu:(732) 817-0264, Sushmita Dutta:732-658-1643, Priyoranjan Das: (732) 274-9654, Krishna Bhattacharya: (732) 536-6325, Narayan Ray:(908) 561-9766, and Zafar Billah:(732) 951-9962.', 'Rabindranath - Universe and Beyond, 2009', 0, '', 'publish', 'open', 'open', '', 'rabindranath-universe-and-beyond-2009', '', '', '2009-04-22 12:28:29', '2009-04-22 16:28:29', '', 0, 'http://nynjbengali.com/?p=334', 0, 'post', '', 0),
(335, 1, '2009-04-22 17:26:39', '2009-04-22 21:26:39', '
I think it was in 2004 when I met Pranay Dutta, an AIDS activist from Calcutta who was on a world tour attending several AIDS conferences in Europe, Asia and America. Pranay Dutta was then (and I understand he still is) the secretary of Sonata Foundation, an NGO in Calcutta who was trying to spread AIDS awareness in West Bengal and India through music, documentaries and performing arts. His theory was that HIV/AIDS awareness through print media was bound to be a failure in India where the majority of the affected people are illiterate. He thought that if this message can be spread out using music and performing arts then it could have the greatest impact. During my discussions with Pranay, he told me numerous incidents of how HIV and AIDS are affecting the poor Indian population. But what struck me most was the fact that how this disease was surreptitiously spreading amongst the educated, urban middle class. He told me several incidents of well-to-do middle class families affected with HIV and their attempts to hush it up, just like the way people used to do in the early half of the twentieth century when people got infected with TB or Leprosy or something similar. The fear of social back lash was more than the disease itself. Anybody infected with HIV is immediately branded as an immoral social outcast - some one who does not have the right to exist amongst the social elite. Most middle class family consider themselves immune to HIV and think that this is only a poor man''s disease. As Pranay says in one of his interviews with Voice of America, people in our society doesn''t care about HIV until someone in their family is infected. It is difficult to make someone aware when he or she doesn''t want to be.\r\n\r\n\r\n\r\nWhen Pranay learned that I write plays, he requested me to write a play on this issue. I thought about it for a while, started delving into some research and even contacted couple of medical practitioners who deal with HIV/AIDS. However, I had no intention of writing a play that only deals with the issue of HIV/AIDS. I wanted a bigger canvas, a canvas where our lives (as immigrants in the country) are intertwined with those of our friends and family in India. If we look back to the history of HIV/AIDS in USA, the story was not any different from what it is in India now. Films like "Philadelphia" and plays like "Angels in America" depict the social apathy during the 80''s and 90''s towards HIV and AIDS victims quite vividly. Hence, for a person who has encountered that situation in USA from close proximity - another encounter at a different time and space would be quite painful to say the least. And from this evolved the play, Banaprastha (The Retirement).\r\n\r\nThe play Banaprastha tells the story of a senior virologist Dr. Parijat Sen, who returns to 
India, after retiring from his medical practice of 35 years, to find peace, tranquility and solace amongst his family and old friends. But soon he discovers that his nemesis has followed him and he has nowhere to hide.\r\n\r\nThe play, on multiple levels, depicts the rapid change in the economic, social and cultural life that is happening in India today due to the effects of globalization. The changes are too drastic for a person like Parijat Sen whose perception of his native land is nearly unchanged from the time he left for the U.S. But when he arrives in the city of his youth, he finds that there is hardly any difference between the middle-class life in New York and that in Kolkata. And in the process of his rude awakening, he encounters his old nemesis - the Human Immunodeficiency Virus or HIV. He finds that the virus has climbed its way through the social ranks and is now infiltrating the middle class. Dreadfully he also finds that this so-called educated and enlightened society is in a state of denial and refuses to deal with the disease - just the way he saw it happen during the early days of his career in the States.\r\n\r\nThe play was first written during the 2004-2005 time frame. It was again thoroughly revised during 2008 and 2009 when it reached its current form. The rapid changes in dealing with this disease in India were one of the main reasons for the revision. In 2004/2005 Bula-di was an unknown entity in Calcutta. Now, Buladi (the cute little doll) is everywhere spreading AIDS awareness in the most gentle way possible. AIDS awareness has gone a long way in these 4/5 years, but lot more needs to be done to make a lasting impact.\r\n\r\nPlease join me along with the cast and crew of "Banaprastha" on May 16/17 and 30/31st at the Edison Valley Playhouse (Edison, NJ) to show our solidarity with the people around the globe who are fighting this epidemic of our times.', 'Banaprastha and AIDS - The Genesis', 0, '', 'publish', 'open', 'open', '', 'banaprastha-and-aids-the-genesis', '', '', '2009-05-05 12:23:23', '2009-05-05 16:23:23', '', 0, 'http://nynjbengali.com/?p=335', 0, 'post', '', 1),
(336, 1, '2009-04-22 16:59:33', '2009-04-22 20:59:33', 'Red Ribbon for HIV AIDS Awareness', 'bp_logo-copy', 0, 'Banaprastha Logo Red Ribbon', 'inherit', 'open', 'open', '', 'bp_logo-copy', '', '', '2009-04-22 16:59:33', '2009-04-22 20:59:33', '', 335, 'http://nynjbengali.com/wp-content/uploads/2009/04/bp_logo-copy.jpg', 0, 'attachment', 'image/jpeg', 0),
(337, 1, '2009-04-22 17:35:05', '2009-04-22 21:35:05', 'Buladi Campaign for HIV AIDS Awareness', 'buladi', 0, 'Buladi Campaign for HIV AIDS Awareness', 'inherit', 'open', 'open', '', 'buladi', '', '', '2009-04-22 17:35:05', '2009-04-22 21:35:05', '', 335, 'http://nynjbengali.com/wp-content/uploads/2009/04/buladi.jpg', 0, 'attachment', 'image/jpeg', 0),
(339, 1, '2009-04-28 16:14:02', '2009-04-28 20:14:02', '
ETV Bangla has changed its broadcast schedule in USA. They claim that the schedule is now follows the current Kolkata broadcast schedule only with the time shifted. In other words a show at 8.00pm in Kolkata will be broadcast at 8.00pm Eastern in USA. Although, now we have the privilge of watching the current shows instead of a huge lag, the popular serials have now fast forwarded quite a bit with lot of story being lost in the process. The scheduling also doesn''t seem to be stabilzed - we often have to experience erratic programming.\r\n\r\nThe second issue is that the advertisements seem to have increased quite a bit. A short segment of broadcast is followed by a prolonged advertisement most of which are irrelevant for US market (I don''t think we are interested in Baygon Spray or Glucon-D).\r\n\r\nThe third issue is that ETV does not bother to update their listings with Direct-TV database and hence it makes DVR (aka Tivo, PVR) recording a major problem. I had once sent an email to ETV, and they did update it once. But that''s it.\r\n\r\nLet''s hope ETV gets their act together soon and make our subscription worth it.', 'ETV Bangla New Schedule for USA', 0, '', 'publish', 'open', 'open', '', 'etv-bangla-new-schedule-for-usa', '', '', '2009-05-08 17:16:30', '2009-05-08 21:16:30', '', 0, 'http://nynjbengali.com/?p=341', 0, 'post', '', 3),
(342, 1, '2009-05-05 15:35:25', '2009-05-05 19:35:25', 'Want to search the web in Bengali for websites in Bengali? Visit google.co.in and select the language (Bengali) from the menu below the search window. Now type in your search keyword using your keyboard. Google uses a transliteration scheme to form the word in Bangla. It will also offer multiple options as you type in. Select your option, and voila'' - several Bangla websites will splash on your screen.\r\n\r\nGive it a shot right away - if you haven''t done so.', 'Use Google to Search in Bengali', 0, '', 'publish', 'open', 'open', '', 'use-google-to-search-in-bengali', '', '', '2009-05-05 15:35:25', '2009-05-05 19:35:25', '', 0, 'http://nynjbengali.com/?p=342', 0, 'post', '', 0),
(343, 1, '2009-05-05 23:48:10', '2009-05-06 03:48:10', '
After a long preparation phase, the end is now in sight. In two weeks time, ECTA will be launching their latest production, "Banaprastha" or "The Retirement". ECTA''s play have always generated interest amongst the theater lover audience of this area and "Banaprastha" is no exception. People are eagerly waiting for the new play with lot of expectation. We hope this play will live up to that.\r\n\r\n"Banaprastha" will feature some of the regular performers of ECTA along with few new faces. Shamyo Goswami, a newcomer to New Jersey will be appearing for the first time on NJ stage. Although Shamyo''s primary interest is in film direction (he has directed and produced a Banga Tele-serial featuring some of the top actors of Bengali screen), he is also an excellent actor. Subhodev Das, after a long hiatus, will be performing the role of the protagonist character - Dr. Parijat Sen. Another newcomer is Pradeep Ramdas. Although not a native Bengali speaker, his love for Bengali theater is no less than any Bengali. In India, Pradeep was involved with the street theater movement. Pradeep plays the role of Ashok Diwan, a young business man of Kolkata. Kaninika Dutta''s debut in New Jersey theater was with Pratham Alo, where she acted in the key role of Bhumisuta. Kaninika, after a long break, returns to the stage as Sudeshna. Gargi Mukherjee, the well known actress (you cannot miss her in Mira Nair''s film - The Namesake) also returns to an ECTA production after a long time. She performed in ECTA''s first production "Phera" (The Return) in 2004 as a guest artist. In Banaprastha, she performs in the role of Suranjana - a character that will touch the hearts of many. Kaushik Dutta, who won the hearts of many with his role of Nando in "Ron", will also feature in an important character role.\r\n\r\n\r\n\r\nThe play also features the veteran performers like Lilabati Majumdar, Keka Sirkar, Indranil Mukherjee. I''ll also join the team on stage as Parikhit Sen.\r\n\r\nThis will be the third directorial venture of Indranil Mukherjee with ECTA. Alibaba and Satyameva were his first two ventures for which he has earned accolades from the audience. The music is composed by Partha Sarathi Mukherjee.\r\n\r\nMany of ECTA''s past actors like Pinaki Dutta, Nandita Ghosh, Tapas Ghosh, Aparajita Das and others will be performing behind the stage. ECTA believes that theater does not only belong to the actors and the director - but it also belongs to the entire crew who works hard to make the production a success.\r\n\r\nI hope you will all join us on May 16, 17, 30, 31st to celebrate this momentous event.', 'Banaprastha Rehearsals in Final Phase', 0, '', 'publish', 'open', 'open', '', 'banaprastha-rehearsals-in-final-phase', '', '', '2009-05-06 14:25:58', '2009-05-06 18:25:58', '', 0, 'http://nynjbengali.com/?p=343', 0, 'post', '', 3),
(344, 1, '2009-05-05 23:43:04', '2009-05-06 03:43:04', 'Dr. Parijat joins Pallab in his fight.', 'Parijat and Pallab', 0, 'Parijat and Pallab in Banaprastha', 'inherit', 'open', 'open', '', 'subho_sammo', '', '', '2009-05-05 23:43:04', '2009-05-06 03:43:04', '', 343, 'http://nynjbengali.com/wp-content/uploads/2009/05/subho_sammo.jpg', 0, 'attachment', 'image/jpeg', 0),
(345, 1, '2009-05-06 16:38:51', '2009-05-06 20:38:51', 'Alexa ranking is now the defacto standard for determining web popularity - the less the rank number the higher is your popularity. For example Google has the highest rank - 1. Most online advertisers use Alexa rank as the key metric to decide whether to spend their precious advertising dollars on a site.\r\n\r\nHowever, the way Alexa computes a sites rank is by measring how many visitors are viewing your site using a browser that has an Alexa tool bar installed. In other words, if a visitor do not have the Alexa tool bar installed, that visit does not count at all. Well, apparently there are are other variables used in computing the rank, but most webmasters and SEO pundits agree that the Alexa tool bar is the key instrumentation used in computing this elusive number.\r\n\r\nOne of the best ways of improving a web sites Alexa rank is to convince your visitors to download and install the Alexa tool bar (quite an unobtrusive element though) on their browser. So if you are reading this now, download and install the toolbar and help improve my rank. However, if you are using one of the less popular web browsers like Google Chrome, then you (and me) are out of luck.\r\n\r\nThe other less effective ways are things like, installing Alexa widgets on your site, increasing the number of incoming links, use techniques like posting on Asian forums (apparently Alexa is more popular in Asia) etc. Google the term "how to improve Alexa rank" and you''ll find tons of advice.\r\n\r\nBut I think the only way to make it work for you is to get tons of traffic to your site.', 'The Elusive Alexa Rank and How to Improve It', 0, '', 'publish', 'open', 'open', '', 'the-elusive-alexa-rank-and-how-to-improve-it', '', '', '2009-05-06 16:38:51', '2009-05-06 20:38:51', '', 0, 'http://nynjbengali.com/?p=345', 0, 'post', '', 4);
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(346, 1, '2009-05-08 17:08:02', '2009-05-08 21:08:02', 'ETV Bangla and its popular serials like "Krishnokoli".', 'etv-bangla', 0, 'ETV Bangla', 'inherit', 'open', 'open', '', 'etv-bangla', '', '', '2009-05-08 17:08:02', '2009-05-08 21:08:02', '', 341, 'http://nynjbengali.com/wp-content/uploads/2009/05/etv-bangla.jpg', 0, 'attachment', 'image/jpeg', 0),
(347, 1, '2009-05-11 14:56:16', '2009-05-11 18:56:16', '
Do you write in Bengali or any other Indian languages? Try quillpad! Its a great new online wordprocessor for Indian languages. The cool thing about this tool is its flexibility in transliteration. One does not need to follow any specific set of rules. The tool automatically tries to guess the word that you want to type in, and also offers multiple alternatives. This is an excellent feature because it can take care of several Bangla spelling issues. The documentation says that it works better on Internet Explorer, however I tried it on Firefox and Chrome and it works fine. One issue I encountered was the limitation of Bangla font availablility. Currently the font used is "Vrinda" and it''s not the best Bangla font available. The other issue is that this tool seems to have limited formatting capability. I am concerned about how effectively can this tool be used to write Bengali documents besides emails and small messages.\r\n\r\nI plan to check this tool out in more details and write a regular article some time later.', 'Quillpad.in: A New Tool to Write in Bengali', 0, '', 'publish', 'open', 'open', '', 'quillpadin-the-new-tool-to-write-in-bengali', '', '', '2009-05-11 15:07:15', '2009-05-11 19:07:15', '', 0, 'http://nynjbengali.com/?p=347', 0, 'post', '', 0),
(348, 1, '2009-05-11 14:50:21', '2009-05-11 18:50:21', 'Quillpad.in Bengali Web interface', 'quillpad-bengali', 0, 'Quillpad.in Bengali Web interface', 'inherit', 'open', 'open', '', 'quillpad-bengali', '', '', '2009-05-11 14:50:21', '2009-05-11 18:50:21', '', 347, 'http://nynjbengali.com/wp-content/uploads/2009/05/quillpad-bengali.jpg', 0, 'attachment', 'image/jpeg', 0),
(349, 1, '2009-05-12 23:39:55', '2009-05-13 03:39:55', '
The reality TV show "American Idol" has triggered a new trend - Idol search! TV channels all over the world are searching for idols - or talents. This search is not only limited to the television screen, but it has also proliferated onto the stage in various forms. Although the primary objective of this kind of shows is to screen for talent, in reality (excuse the pun) it is nothing but an entertainment show. The excitement, the drama, and the occasional emotional outbursts, are all part of the show. Undoubtedly, such shows do bring many talented men, women and children to the limelight, but is this the right way to do explore talent? In many cases, the exploration turns to exploitation - especially for the young participants. They have to go through a grueling screening process, sustain a tremendous pressure to perform, and then handle a barrage of criticism from the celebrity judges. I know in one dance show, a young girl couldn''t take the judges criticism anymore and had a nervous breakdown resulting in a paralytic fit. In several instances the young competitors sacrifice their education to continue the show. But the tragedy is, in most cases the winner is not judged by the celebrity panel whose criticism these young participants have to encounter, but rather by the audience through cell/mobile phone text messages (SMS). And in this process, the wireless carrier mints money. I am sure the show also gets their share of this income too.\r\n\r\n\r\n\r\nI remember in one such show (on ETV Bangla) one of the judge (a famous musician) was so frustrated with this gaming system, that he almost stormed out of the show. His argument was that these shows undermine the hard work and perseverance most musicians and performing artists have to go through in order to make it in this difficult world. He pointed out that these shows are unfairly biased to popular cheap performances (because that''s what the masses like), rather than music that requires years of professional training and practice. Well, he may have a point but he should have known that before agreeing to become a judge.\r\n\r\nLately, these shows are also held on live stage. Recently CAB (Cultural Association of Bengal) has announced NABC Idol, a show to select musical talent from this region to perform at the final to be held in San Jose in July. Arranging such a show is not trivial, and I hope this show will be successful in finding the real talent. The advertisement says that the judges will be all from overseas. I don''t know if this show will use SMS to collect audience voting to select the winners - that will be a major logistic and technical challenge. However, if this turns out to be the typical music competition that we used to have back home, it will undoubtedly lose some of its entertainment punch. I am not sure if the intention of the organizers is to make it a true talent search or a mere entertainment show, but I hope we''ll know that soon. ', 'Search for Idols', 0, '', 'publish', 'open', 'open', '', 'search-for-idols', '', '', '2009-05-13 10:19:55', '2009-05-13 14:19:55', '', 0, 'http://nynjbengali.com/?p=349', 0, 'post', '', 1),
(350, 1, '2009-05-12 23:43:20', '2009-05-13 03:43:20', 'Indian Idol Anu Malik', 'indian-idol-anu-malik', 0, 'Indian Idol Anu Malik', 'inherit', 'open', 'open', '', 'indian-idol-anu-malik', '', '', '2009-05-12 23:43:20', '2009-05-13 03:43:20', '', 349, 'http://nynjbengali.com/wp-content/uploads/2009/05/indian-idol-anu-malik.jpg', 0, 'attachment', 'image/jpeg', 0),
(351, 1, '2009-05-21 14:08:55', '2009-05-21 18:08:55', 'ECTA''s latest production "Banaprastha" premiered at the Edison Valley Playhouse on May 16th in front of a full house. The play was very well received by the audience as you can see in the accompanying video. The second show was held on May 17th. Besides the video comments, here are some of the comments sent over the email.\r\n\r\n"We thoroughly enjoyed Banaprasta. This is a very timely production. I wish this drama can be viewed by millions Indians in India in view of the fact that India is crazy about Bollywood. Once again congratulations for presenting a great drama." - Aurobindo Mukherjee\r\n\r\n\r\n\r\n"I saw your play yesterday and I must say it was outstanding. The theme was very contemporary and acting was great! Looking forward to many more!!" - Gargi Gupta\r\n\r\n"I want to encourage everyone to see the play Banaprastha. Mary and I saw it yesterday, and we both loved it. The play, entitled "Banaprastha," is about an Indian-born physician who spends is professional career in Manhattan and retires to his childhood home in India. It is performed in Bengali and English, with English subtitles. The acting and story was superb, and the cast comprised several actor''s from the Jumpha Lahiri movie "The Namesake." If you go, I''m sure that you''ll enjoy it as much as we did." - Jason Paul DeMont\r\n\r\n"I especially liked the topic that was addressed. I am one of those that believe if your spouse at old age is no longer by your side for whatever reason, one should find another companion. Perhaps my work leads me to believe that, I work with the Geriatric society in this country. Of course the crazy lifestyle which is imitated not really realized by Indians in India will cause a generation to suffer enormously. Globilization is fantastic but it does have its repercussion to the ones that are not mature." - Sashwati Chatterjee\r\nRAAG-RANG PRESENTS : MUSIC OF INDIA
\r\nCine-music, Ghazals, Bhajans, Taranas, Tillanas, Folk,
\r\nThumris, Dhrupad, Khayal, Kirtans, and more.
\r\n\r\nOur journey will take us across India''s landscape, stopping at points of interest from the Himalayan Highlands to the backwaters of Kerala, from the havelis of Rajasthan to the flowing waters of Bengal, as distinguished artists perform
\r\nthe music of their heritage.
\r\n\r\nMohan Deshpande, Mitali Banerjee-Bhawmik, Astha Shukla,
\r\nKamala Ramamurthy, Arun Ramamurthy, Trupti Parikh, Bhupendra Gadhavi
\r\nKedar Naphade, Pratik Devasthale, Amod Dandawate
\r\n\r\nIntroducing young artiste Rahul Palnitkar
\r\n\r\nArsha Bodha Center, 84 Cortelyous Lane, Somerset, NJ 08873
\r\n(287, Exit 10, Rt. On Cedar Grove, Lt. on Amwell, Rt. On
\r\nSouth Middlebush, 2.5 mi Lt. on Cortelyous, 1mi on left)
\r\nTel: (908) 429-1120, (609) 890-4890, (201) 447-6936, (973) 539-5534
\r\nbhawmikm@gmail.com, mayuresh.khare@gmail.com
\r\nDonations : Adult: $15 (non-members) / $10 (members)
\r\nUnder 12 : $7 (non-members)/$5 (members)
\r\nLimited seating, RSVP. Convenient parking at the Venue.
', 'RAAG-RANG PRESENTS : MUSIC OF INDIA', 0, '', 'publish', 'open', 'open', '', 'raag-rang-presents-music-of-india', '', '', '2009-05-21 14:22:55', '2009-05-21 18:22:55', '', 0, 'http://nynjbengali.com/?p=352', 0, 'post', '', 0), (353, 1, '2009-05-26 23:06:49', '2009-05-27 03:06:49', 'I am watching the devastation caused by hurricane Aila on ETV Bangla news. It looks really bad. Although the local adminstration has ramped up the rescue operation quite efficiently, the wide spread destruction is very difficult to handle. The recent election seems to have been responsible for this quick response from the Left Front State Govt who wants to prove that they have not lost contact with the people. The Trinamool leaders on the other hand is using this disaster to prove themselves as the viable alternative in the state. The White House Chief of Staff Rahm Emanuel had once said, "... a crisis like this cannot go to waste." The West Bengal politicians do not want this opportunity thrown to them by Aila to be wasted either. This is an excellent opportunity to prove themselves.\r\nWhatever may be the reason, if the state politicians for a change work in favor of the people, it would serve them as well as the people.', 'Aila Causes Devastation in West Bengal', 0, '', 'publish', 'open', 'open', '', 'aila-causes-devastation-in-west-bengal', '', '', '2009-05-26 23:09:17', '2009-05-27 03:09:17', '', 0, 'http://nynjbengali.com/?p=353', 0, 'post', '', 0), (354, 1, '2009-05-27 23:52:16', '2009-05-28 03:52:16', '
The classical Indian dance form Kathak is now quite well known amongst the dance connoisseurs of America. Americans who have some familiarity with classical music and dance of India, know about Kathak - a dance form that truly blends together the various components of Indian music - melody, rhythm and the beauty of the physical form. It is true that many stalwarts of the Kathak dance form like Pandit Birju Maharaj and others have graced the American stage with their amazing performances, but the primary reason for its popularity and sustenance in this country is due to the tremendous efforts put in by several Kathak dance schools and academies run by the immigrant dancers from India who wanted to spread their passion for this art form amongst the next generation. Once such school is Kalamandir of New Jersey led by its director, Malabika Guha.\r\n\r\n\r\n\r\nFor the last twenty three years, Malabika Guha and the students of Kalamandir have been working relentlessly to nurture and promote this traditional dance form of north India in USA. Malabika herself received training from illustrious gurus like Bela Arnab, Guru Bipin Singh, Amala Shankar and many others. She felt that it would be a crime to keep this art form within herself or to let it die like many other dreams once we land into this country. The passion for dance that her gurus have imbibed in her, found its release through her students and the journey that started twenty three years ago still continues. Kalamandir and Malabika has performed more than two hundred shows all across America, Europe and India. She has proven to the world that classical Indian music and dance not only transcends time but also space - it can shatter all barriers - social, geographical, political! "Art for art''s sake" - that''s what my teachers taught me, says Malabika.\r\n\r\nBut Malabika''s greatest success story is her daughter - Brinda. Like many other second generation Indian American girls she started taking lessons in Kathak from her mother - but then she fell passionately in love with dance - with rhythm. Now she is one of the prime drivers of Kalamandir, taking up the mantle from her mother and promising to take Kalamandir and Kathak to new heights. Always eager to explore, eager to push the boundary, Brinda blends Kathak with Flameco, Ballet and other modern dance forms to create new compositions that are classical and modern at the same time. She is what every dance and music teacher dream about for their students - someone who can carry on their legacy - a legacy that has been handed over to us through the generations.\r\n\r\nOrganizations like Kalamandir and people like Malabika and Brinda are what makes us feel proud of our heritage today. We should all come forward and support them in whatever way we can to make their mission a grand success.', 'Kathak in America - The Story of Kalamandir', 0, '', 'publish', 'open', 'closed', '', 'kathak-in-america-the-story-of-kalamandir', '', '', '2009-05-28 16:07:42', '2009-05-28 20:07:42', '', 0, 'http://nynjbengali.com/?p=354', 0, 'post', '', 0),
(355, 1, '2009-05-27 23:48:32', '2009-05-28 03:48:32', 'Kathak by Kalamandir Students', 'kathak-kalamandir', 0, 'Kathak by Kalamandir Students', 'inherit', 'open', 'closed', '', 'kathak-kalamandir', '', '', '2009-05-27 23:48:32', '2009-05-28 03:48:32', '', 354, 'http://nynjbengali.com/wp-content/uploads/2009/05/kathak-kalamandir.jpg', 0, 'attachment', 'image/jpeg', 0),
(356, 1, '2009-05-28 11:07:00', '2009-05-28 15:07:00', '\r\nA Taiwanese Idol contestant is singing a Hindi film song. It is amazing to see how Indian films are being accepted all across the world. Globalization is great! Jay Ho!', 'Taiwanese Idol Contestant Sings Bollywood Song!', 0, '', 'publish', 'open', 'closed', '', 'taiwanese-idol-contestant-sings-bollywood-song', '', '', '2009-05-28 11:07:00', '2009-05-28 15:07:00', '', 0, 'http://nynjbengali.com/?p=356', 0, 'post', '', 0),
(358, 1, '2009-06-03 23:16:58', '2009-06-04 03:16:58', '
I''d like to express my sincere thanks to all those of you who came to watch our play "Banaprastha" (The Retirement). We had full houses on all the four days and it was a testament to the fact that New Jersey Bengalis like to watch quality theatre if we can offer them. However, it was not only Jerseyans who came to our show, people came from Pennsylvania, Delaware, New York city and even Buffalo New York. The overall feedback has been extremely positive, and people are asking for more shows. Such encouragement is what makes all this hard work worth it and drives us to our next venture. We hope that with your good wishes, we''ll be able to keep up with your expectations and put New Jersey on the map of serious and quality Bengali theatre for time to come.\r\n\r\nThank you once again for supporting us.', 'Thank You', 0, '', 'publish', 'open', 'closed', '', 'thank-you', '', '', '2009-06-03 23:26:40', '2009-06-04 03:26:40', '', 0, 'http://nynjbengali.com/?p=358', 0, 'post', '', 2),
(359, 1, '2009-06-03 23:14:23', '2009-06-04 03:14:23', 'Suranjana and Pallab in Banaprastha', 'suranjana-and-pallab-web', 0, 'Suranjana and Pallab in Banaprastha', 'inherit', 'open', 'closed', '', 'suranjana-and-pallab-web', '', '', '2009-06-03 23:14:23', '2009-06-04 03:14:23', '', 358, 'http://nynjbengali.com/wp-content/uploads/2009/06/suranjana-and-pallab-web.jpg', 0, 'attachment', 'image/jpeg', 0),
(360, 1, '2009-06-10 16:41:57', '2009-06-10 20:41:57', '
\r\nat the Westin Princeton at Forrestal Village\r\n\r\n201 Village Boulevard, Princeton, NJ\r\n\r\nFriday October 9 | 6:30 pm to 12:00 am\r\n$50.00 ALL ADMISSIONS\r\n\r\n(includes Red Carpet, film screening, cocktail and dinner)\r\n\r\nhttp://njisacf.com/09/', 'NJISACF 2009: Opening Night', 0, '', 'publish', 'open', 'closed', '', 'njisacf-2009', '', '', '2009-10-05 15:59:25', '2009-10-05 19:59:25', '', 0, 'http://nynjbengali.com/?p=360', 0, 'post', '', 0),
(428, 1, '2009-10-05 15:49:23', '2009-10-05 19:49:23', 'SATURDAY, OCTOBER 10\r\nALL SCREENINGS AT LOREE IN DOUGLASS COLLEGE\r\n72 Lipman Dr., New Brunswick, New Jersey, 08901\r\n| \r\n | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| \r\n | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| \r\n | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
\r\n
| \r\n
Very few theatre personalities in India have become legends in their life time. Habib Tanvir was one of them. Born as Habib Ahmed Khan on September 1, 1923 in Raipur, Chattisgarh, Habib Tanvir has reinvented Indian folk theater and brought it out on the world stage in its full glory. I still remember the evening in Calcutta when I watched his brilliant creation "Charandas Chor". The presentation of the play in a traditional folk form looked so modern, so fresh, that I couldn''t think of anything comparable in contemporary theatre. Habib, through is work, has left a legacy that is difficult to carry on - because it demands a level of dedication that many of our modern theatre workers will fail to match. The sensitivity with which he nurtured the folk forms, experimented with content and presented them with such grace and simplicity - only a true genius can achieve such excellence. \r\n\r\nHabib Tanvir passed away on June 8th, 2009, but the lengend he became still lives on and inspires theatre workers all around the globe.', 'Habib Tanvir : The Legend Lives On', 0, '', 'publish', 'open', 'closed', '', 'habib-tanvir-the-legend-lives-on', '', '', '2009-06-10 17:15:18', '2009-06-10 21:15:18', '', 0, 'http://nynjbengali.com/?p=362', 0, 'post', '', 0),
(363, 1, '2009-06-10 17:08:28', '2009-06-10 21:08:28', 'Habib Tanvir', 'habib-tanvir', 0, 'Habib Tanvir', 'inherit', 'open', 'closed', '', 'habib-tanvir', '', '', '2009-06-10 17:08:28', '2009-06-10 21:08:28', '', 362, 'http://nynjbengali.com/wp-content/uploads/2009/06/habib-tanvir.jpg', 0, 'attachment', 'image/jpeg', 0),
(364, 1, '2009-06-11 15:52:14', '2009-06-11 19:52:14', '
As I entered the theatre the house was full and audibly expectant; as the play ended crowd was visibly appreciative and a few even ecstatic which was quite an achievement and cause for satisfaction for the group of people who presented Banaprastha at Edison Valley Playhouse on May 31, 2009. The play was generally well produced. A full house helps to create an environment of connectivity between the performers and audience. Perception of a full house and ambience that it helps create encourage the players to be their best. Selection of this adequately equipped arena, small in size, reflects producers’ sensibility about the importance of interaction between the players and the viewers and economic prudence at the same time.
The play was about a returning Bengali doctor with the expectation that he would spend his retirement amongst his own people. Instead he found himself in an unlikely family situation and in a native city, which was different than what he left behind decades ago. But in these days of cheap airlines tickets and cheaper communication cost can anyone be so unaware (and acting so taken aback) of the changes going on, particularly for a person having purchased a place of residence there during the intervening years? Where has he been?
\r\nThe play apparently and seemingly has a statement to make with a hint of somewhat half-understood intellectualism that Bengalis so proudly flaunt and which sometimes veers towards sentimentalism. The play whether intended or not attempts to convey a message. Message is not clear though, at times it looks like telling us that it is all right, even laudable to acquire HIV virus provided the cause is right.
\r\nBut unfortunately there is no saintly or romantic way to get afflicted with HIV virus. That brings us to another question. Was the character Suranjana necessary at all? She appeared in two scenes. A quasi-erotic introduction, a hint at potential virus transmission and one in the middle of the play, the intent of which was unclear, except that it stemmed the flow towards building up the narrative.
\r\nThe time setting of the story was not clear. The doctor, expert on AIDS treatment uttered not so much of a word about anti-retroviral drug. What did he want to fight was not clear, was it the disease or the societal stigma that went with it? So is it pre-David Ho (inventor of cocktail regimen) and pre-Bill Gates initiative? That was a long time ago; the ignorance of HIV virus was universal at that time. Even now the ignorance about and apathy towards HIV virus is not typical of Calcutta or India, it is still a fact of life in more advanced societies as well. On this subject at least India is not far out of step with the rest of the world and this is a wrong issue to depict the primitiveness and heartlessness of our people, which appears to be the subtext of the story. That is not to say in any way that India is not far behind in treating the disease and in the area of accessibility to the treatment.
\r\nIn the role of the father/ brother Sudipta Bhawmik, as always was superb, though at times he might have been a little overwhelming, but that proved quite effective in a stage setting. As his wife Keka Sirkar was natural as a mother swept away by the turn of events. Her mature but fragile demeanor brought out the pathos that the story was about. But her high-heeled shoes in all circumstance were somewhat incongruous and distracting. Gargi Mukherjee, the actor getting the top billing with lengthiest resume, in the role of Suranjana did not quite get it. A woman afflicted with HIV did not need to be speaking under her breath, sometimes out of breath but always shrill. Her interpretation of the character was undefined. Lily Majumdar (Nabanita) did not come out quite as urbane as a do-gooder NGO person. She appeared uncomfortable in that character, flubbing her lines a few times, confusing between counseling and counciling (sic). It is not all her faults; her dialogue gets unwieldy and haranguing making it difficult to deliver on stage. Shubhodev as the older brother was impressive, especially in the first part of the play.
\r\nStagecraft, lighting and sound were professional under the circumstances. Stage discipline followed by the players was excellent. The credit is due the director, Indranil Mukherjee, who is also a fine stage actor in the role of Alakendu. His attention to small details was noticeable. But his handling of the denouement, that is the final resolution of the intricacies of the plot, was rushed and uncharacteristically melodramatic for the ethos of the story.
\r\nIn the end add I must, the play was thoroughly engrossing and enjoyable.
\r\n\r\n
Few minutes ago an old friend of mine called to wish me for the upcoming Durga Puja festivals. He said, "It''s Mahasasthi in Kolkata today!" I wished him back, but it occurred to me that it''s Mahasashti everywhere, not only in Kolkata. When I reminded him, he laughed and said, "Yes indeed. But our Sasthi starts on coming Friday!" And he is absolutely right. Our Pujo in New Jersey (I am referring to the Kallol Durga Pujo which we both attend), starts on October 15th, Friday evening and that''s our Mahasasthi. The thought does give me some consolation that Pujo is yet to start and we have few more days to look forward too. But my friends and family in Kolkata have started enjoying their Pujo. They have started posting photos of their favorite idols on Facebook and Orkut, sending Pujo greetings through emails and expressing their joy and merriment. ETV Bangla is taking us through the streets of Kolkata and the online newspapers and magazines giving us day by day commentary of the Pujo happenings. And we cannot deny that this does cause a bit of a tinge in our hearts. \r\n\r\nI did not grow up in Kolkata, hence I don''t miss the city festivities. In fact, the few times I have been to Kolkata during the Pujo, I didn''t enjoy the crowd, the hustle and bustle and the inconveniences of daily civic life. The only excitement was drifting from Puja Pandal to Pandal and watching the Pratima and the other pleasant visuals (especially of the opposite sex) around. I grew up in Hijli Kharagpur (IIT Campus) where we had only three very homely Puja''s. We spent all four days of Puja hanging around the Pandals, tasting savory snacks at the make shift food stalls, participated in various events. During the evenings we gathered around the Pratima where the priest performed the arati while the dhakis and the dhunuchi dancers danced to the intoxicating beats and the perfumed smoke from the dhunuchis. I still remember our favorite "Dari Kaku" (you can see him standing on the right side in the picture above), the bearded compounder from our campus hospital drumming to his hearts glee and once in a while pulling in one of us kids to play the "kashar ghonta"! And at the end of the arati, came the prasad that we all waited for. Later in the evening, cultural programs, plays, music and dance livened up the pandal. Our favorite of course were the movie shows, old black and white Bengali movies like Dhuli, Ashite Ashiona, or Neel Akasher Niche with frequent breaks due to changing on the film spools on a singe projector. Late night, when the movie concluded, the grounds looked like a battled field strewn with bodies of children and grown ups sleeping happily under the open sky. Another attraction of the campus puja was the burning of the Ravan effigy or Ravan Dahan. During the Puja afternoons, me and my friends were assigned the task of building the Ravan using huge bamboo baskets and colored papers. On Dashami afternoon the 25 feet high Ravan effigy was installed on the island in our campus lake. The pyro-technicians from Kharagpur town came and installed the bombs and other fire works inside each of the ten heads and the torso. During the evening, the idol was put up on a truck and taken around the campus before the immersion ceremony. Dari-kaku would pull us up onto the truck and we accompanied Maa Durga while dancing to the drum beats and yelling "Bolo bolo Maa Durga ki Joy! Ashchhe bochhor aabaar hobe!". After the immersion of the Durga idol in the lake and some glorious display of fireworks, an arrow mounted on a wire-guided missile was launched from the banks of the lake. The arrow flew across and hit right on target - the heart of Ravan, and a series of controlled explosions soon brought down the effigy into a pile of ashes.\r\n\r\nBut the fun did not end with the Pujas. The Bijoya celebration was another great attraction, especially to us 
the kids who went from door to door, touched the elders feet and waited for the plates to appear from the kitchen filled with sweet and salty treats. This continued till Kali Puja came knocking at the doors.\r\n\r\nFor me, the Puja''s here more resemble the campus days - a meeting place with friends, to share a laugh and some happiness, to enjoy our kids running around, to appreciate the beautiful ladies around in their wonderful saris, enjoy those not-too-perfect presentations on stage and just reminisce of the good old days.\r\n\r\nHappy Puja to all of you my friends. May Maa Durga fill your lives with happiness and joy!', 'Durga Puja - Here and There', 0, '', 'publish', 'open', 'open', '', 'durga-puja-here-and-there', '', '', '2010-10-13 21:36:41', '2010-10-14 01:36:41', '', 0, 'http://nynjbengali.com/?p=512', 0, 'post', '', 2),
(509, 1, '2010-09-22 23:14:50', '2010-09-23 03:14:50', 'Raag-Rang presents for the first time an Informative, interactive and intimate session on different styles(Gharana) in Hindustani Music.\r\nA Lecture-Demonstration by Dr Mohan Deshpande.\r\n\r\nDr Deshpande, a musician and musicologist, will talk about different\r\nstyles of Indian music and how it is in use in today''s context.\r\n\r\nDate-- 3rd October, Sunday.\r\nTime-- 3 pm.\r\nDonation-- $5.00 for members and $10.00 for non-members.\r\nRSVP will be appreciated.\r\nContact-- (732)-296-1865, (908)-429-1120. Email --raagrang07@gmail.com\r\n\r\nVenue--At Sunil Nair''s residence\r\n36 Pine Ridge Drive,\r\nEast Brunswick,\r\nNJ 08816.\r\n\r\nFrom New Jersey Turnpike\r\n-Take Exit 9\r\n- Exit left after tolls to Route 18 South towards East Bruswick\r\n- After you pass Eggers St make the next U-Turn to get on 18 North\r\n- Immediately get to the right most lane on 18 North\r\n- Turn right on S Woodland Ave\r\n- Turn right at Serviss Ave\r\n- Turn left at Messler\r\n- Take the 2nd right onto Pine Ridge Dr\r\nDestination will be on the right 0.3 mi\r\n 36 Pine Ridge DrEast Brunswick, NJ 08816\r\n\r\nFrom Route 1\r\nTake Exit to Route 18 South and follow signs above.', 'Raag Rang Presents Lecture Demonstration by Dr. Mohan Deshpande', 0, '', 'publish', 'open', 'open', '', 'raag-rang-presents-lecture-demonstration-by-dr-mohan-deshpande', '', '', '2010-09-22 23:14:50', '2010-09-23 03:14:50', '', 0, 'http://nynjbengali.com/?p=509', 0, 'post', '', 0),
(510, 1, '2010-09-22 23:17:27', '2010-09-23 03:17:27', 'SKN Foundation Proudly Presents: \r\n"Sangeet Sandhya"\r\n\r\n"An Evening of Classical and Semi-Classical Songs"\r\n\r\n"A fundraiser for the preservation of Hindustani Classical Music" \r\n\r\nDate – Oct. 2 nd , 2010 – Time – 4 PM to 8 PM \r\n\r\nVenue – Stonecrest Community Church Auditorium\r\n\r\n1 1 Technology Drive North , Warren , NJ – 07059\r\nHindustani Vocal Classical by – ANASUA ROY\r\n\r\nAnd Semi-Classical Vocal and with a touch of Fusion by – NIRMALYA ROY (From Kolkata) \r\n\r\nSemi-classical music with touch of fusion:\r\n\r\nVocal by Nirmalya Roy (Kolkata), a scholar in classical music from SRA and disciple of Pt. Arun Bhaduri, is equally talented in light classical, Ghazal and Filmi songs. He has released number of CDs and has been performing in TV, Radio and abroad. Performed with Ravi Shankar-ji. Currently, involved with Z-TV Bangla SaReGaMa show as composer. www.nirmalyaroy.com.\r\n\r\nSitar By Abhisek Mallick, disciple of Pt. Shyamal Chatterjee and Pt. Manilal Nag, is a recipient of President Award for first position in AIR music competition 2003. He has been performing in TV, Radio and abroad.\r\nTabla By Shivalik Ghoshal, disciple of Pt. Swapan Chaudhuri.\r\nResonance Band (Satyajit Bhattacharya on Keyboard, Atish Mitra on Guitar and Anil Das on Percussion)\r\nFor More details pl. visit www.sknfoundation.org or call 732-310-3617 Cell.', 'Sangeet Sandhya', 0, '', 'publish', 'open', 'open', '', 'sangeet-sandhya', '', '', '2010-09-22 23:17:27', '2010-09-23 03:17:27', '', 0, 'http://nynjbengali.com/?p=510', 0, 'post', '', 0),
(369, 1, '2009-07-08 11:12:00', '2009-07-08 15:12:00', '', 'Rabindranath Tagore', 0, 'Rabindranath Tagore', 'inherit', 'open', 'closed', '', 'tagorejpg', '', '', '2009-07-08 11:12:00', '2009-07-08 15:12:00', '', 0, 'http://nynjbengali.com/wp-content/uploads/2009/07/tagore.jpg', 0, 'attachment', 'image/jpeg', 0),
(370, 1, '2009-07-08 11:12:01', '2009-07-08 15:12:01', '', 'tagore-thumb.jpg', 0, '', 'inherit', 'open', 'closed', '', 'tagore-thumbjpg', '', '', '2009-07-08 11:12:01', '2009-07-08 15:12:01', '', 371, 'http://nynjbengali.com/wp-content/uploads/2009/07/tagore-thumb.jpg', 0, 'attachment', 'image/jpeg', 0),
(375, 1, '2009-07-08 14:25:34', '2009-07-08 18:25:34', '', 'time-zone-web-thumb.jpg', 0, '', 'inherit', 'open', 'closed', '', 'time-zone-web-thumbjpg', '', '', '2009-07-08 14:25:34', '2009-07-08 18:25:34', '', 378, 'http://nynjbengali.com/wp-content/uploads/2009/07/time-zone-web-thumb.jpg', 0, 'attachment', 'image/jpeg', 0),
(376, 1, '2009-07-08 14:25:35', '2009-07-08 18:25:35', 'Sahaj_Ma', 'sahaj-ma.jpg', 0, 'Sahaj Maa', 'inherit', 'open', 'closed', '', 'sahaj-majpg', '', '', '2009-07-08 14:25:35', '2009-07-08 18:25:35', '', 378, 'http://nynjbengali.com/wp-content/uploads/2009/07/sahaj-ma.jpg', 0, 'attachment', 'image/jpeg', 0),
(377, 1, '2009-07-08 14:25:36', '2009-07-08 18:25:36', '', 'sahaj-ma-thumb.jpg', 0, '', 'inherit', 'open', 'closed', '', 'sahaj-ma-thumbjpg', '', '', '2009-07-08 14:25:36', '2009-07-08 18:25:36', '', 378, 'http://nynjbengali.com/wp-content/uploads/2009/07/sahaj-ma-thumb.jpg', 0, 'attachment', 'image/jpeg', 0),
(378, 1, '2009-07-08 14:25:36', '2009-07-08 18:25:36', '
On July 4th, Saturday night, the curtains came down upon the NABC 2009 at the San Jose McEnery Convention Center. But as the NABC lights faded out in the West Coast, Kallol of New Jersey got into full gear to herald in the NABC of 2010 to be held at the Atlantic City Convention center from July 9th to 11th, 2010. Although I was not able to attend the San Jose NABC, but judging from the excellent coverage on Urhalpool, it seemed that it was a successful one from an overall perspective. It seemed that the shows ran on time (which was unthinkable even a few years ago, NABC seems to have fixed that vexing problem and made this cartoon irrelevant), they were entertaining and dazzling, food was good, as were the long adda sessions. The second generation kids also seemed to have enjoyed themselves, some made new friends and some met old ones they met at previous NABCs.\r\n\r\n\r\n\r\nHowever, the editor of Urhalpool, Gautam Dutta (who also has received an award from the Cultural Asso. of Bengal at the NABC 2009 for his contribution to Bengali literature) wrote an editorial on the NABC proceedings which echoed some of the frustrations of the past. Gautam’s grievances about the treatment of domestic artists and performers, neglect of literary guests and their seminars, lack of care for Bengali literature as a major component of Bengali culture has been voiced time and again but to most of the organizers those are of lower priority. After all Shantanu (Shan) from Mumbai can pull in more registrants than Sunil from Kolkata. Although I wrote about some of these issues in a past article, I think I’ll re-iterate some of them once again. Since the 2010 NABC will be held in our home turf, organized by our club “Kallol”, I can hope that our hopes and wishes will find some compassionate ears. So here goes my wish list:\r\n\r\n1. Cut down the number of artistes from India (Kolkata, Mumbai).\r\nInviting a large number of artistes and performers from India is counter productive. It not only boosts the NABC budget, but to the audience members it becomes a major hassle to co-ordinate between other shows, social meetings, literary seminars, films, theater etc. etc. I have nothing against the professional performers from India. My point is to give some room to the audience members to enjoy and appreciate the other programs. How can we expect audience at a literary seminar when it runs parallel to “Shan”, “Shreya” or “Srikanto”? And hence during the local performances, they take their breaks for meals, addas and shopping. Please give them a break.\r\n\r\n2. Introduce new and upcoming talents from India.\r\n
Aren’t we tired of watching and listening to the same performers again and again? Srikanto Acharya is a great singer, but think how many times we have heard him in the last five years. We wouldn’t have attended his concert this many times even if we had lived in Kolkata. Same goes for many of the other artistes whom we see at each and every NABC gathering. Why not introduce some of the new and upcoming artistes at NABC? With the proliferation of Indian and Bengali TV channels in USA, we are now familiar with many of these artists. One name comes to my mind is “Sahaj Maa” – her renderings of Sufi and folk music is simply mind boggling. Stand up comedians like “Mir” or “Kanchan” can be an excellent addition to the usual repertoire and they can double up as anchors/emcees.\r\n\r\n3. Special events for second generation.\r\nAlthough this sounds like a cliché, but the fact remains that we mostly ignore our next generation at the NABC festivities and get too involved with ourselves. Mind you, when we talk about second generation, we are talking about a wide range of age groups. “Speed Dating” (introduced at NABC 2009 I presume) is nice for the youths, but may not be that attractive for the younger kids. We need to be innovative about getting them engaged – be it quiz contests or spelling bees, Bengali Idol (NABC idol was introduced in 2009) music contest, children''s drama competition, dance competition – anything that can engage them. How about mini-workshops on arts and crafts, music, acting or film making? And let our second generation kids organize, manage and run them.\r\n\r\nI have more wishes and I’ll list them in the coming weeks. I also welcome comments and suggestions from the readers and listen to their wishlist. However, the bottom line is that we need to rethink the objectives of Bango-Sammelon aka NABC and act accordingly.', 'Goodbye NABC 2009 - Welcome NABC 2010', 0, '', 'publish', 'open', 'closed', '', 'goodbye-nabc-2009-welcome-nabc-2010', '', '', '2009-07-09 13:50:26', '2009-07-09 17:50:26', '', 0, 'http://nynjbengali.com/archives/378', 0, 'post', '', 4),
(379, 1, '2009-07-08 16:34:08', '2009-07-08 20:34:08', 'A unique concert of Tagore songs with the accompaniment of Indian and Western musical instruments is planned for Saturday, July the 18th, 2009, at 6-30 P.M. at the fabulous sanctuary of the futuristic Saint Peters Church in the heart of New York City at 619 Lexington Avenue (corner of 54th Street), New York City. Rezwana Choudhury Bannya, the famed Tagore singer, will be the solo vocalist. Among the instruments will be Piano, Violin, Saxophone, Harp, Cello, Veena, Sitar, Flute, Tabla, Mandira etc. The musicians who will play these instruments are all accomplished artistes in their respective areas. This is the first time that such a concert is being offered where so many Western instruments will be played with Tagore songs (or any other Bengali song genre, for that matter) at the same session. As planned, Ms. Bannya will sing an average of two songs with each instrument individually. At the end, two or more songs are expected to be offered with all the instruments playing together.\r\n\r\nSuggested donations for the concert has been set at $100, $50 and $25, to defray the costs for the concert. Guests are requested to arrive on time and take their seats by 6-30 pm so that the session may start on time. The entrance is through the 54th Street south side doors, less than 50 feet from Lexington Avenue while walking towards Third Avenue. Discount parking is available at Metropolitan 51 Parking, 569 Lexington Avenue, south side of 51st Street, between Lexington and 3rd Avenue ($15 for upto five hours).. For getting the discount, the tickets have to be endorsed by a seal at the reception desk at the church entrance.\r\n\r\nThose interested to attend the concert and collect tickets are requested to ontact: 347-570-7787, 917-770-0146, 718-414-9743 or send email at following adresses:\r\nemail: smullah41@yahoo.com, sarwarharun@gmail.com', 'Bannya Concert in New York', 0, '', 'publish', 'open', 'closed', '', 'bannya-concert-in-new-york', '', '', '2009-07-08 16:34:08', '2009-07-08 20:34:08', '', 0, 'http://nynjbengali.com/?p=379', 0, 'post', '', 0),
(380, 1, '2009-07-13 10:58:57', '2009-07-13 14:58:57', 'On the Occasion of its 20th Anniversary Celebration, Mrittika, Inc. of New Jersey-A South Asian
\r\nLanguage and Heritage Center (formerly known as Bengali Learning center)
\r\nCordially Invites You to Attend the First “South Asian Heritage Day”
\r\nCelebrating “Unity in Diversity through the Arts”
\r\nCo-Sponsored by Monmouth County Library Headquarters
\r\nOn August 1, 2009, Between 11:00 AM & 3:30 PM at Monmouth County Library Headquarters
\r\n125 Symmes Drive, Manalapan, NJ 07726-3249
\r\nThe day-long cultural program includes Exhibition, Performing Arts, Documentaries
\r\nAuthor Presentations, Art Workshops
\r\nThe Exhibition "My Roots" contains three areas of display which includes:
\r\nDesire within boundaries: The Earth friendly, handed down ritualistic traditional, painting art form by women(from Three generations )of the Bengali Community features Alpana works
\r\n"Vanishing Earth": A special display of miniature clay art form of Bengal
\r\n"South View": An assorted display of folk artworks, articles and jewellaries from South Asia
\r\nThe Performing Arts will include Music and Dance programs by community artists
\r\n"Enchanting tunes of South Asia": A multimedia musical composition featuring flags and costumes of South Asia: Research, Compiling and composition by (Alumni) and other Mrittika members from the community. The live section will be presented by community celebrities
\r\n"Mother Earth-Father sky": A performance of Indian Lyrics and tunes written and composed by world famous writers poets and composers(Co-ordinated / directed and sung by: Arundhati Mullick with a group of local community celebrities) along with a specal dance segment by "Rhythms of dance and Music(Artistic Director: Mitra Purkayastha, performed by Mitra Purkayastha and Orchi Dutta)
\r\n"East meets West"-A performance of classical Indian (Kathak, Bharata Natyam) andWestern Dance(Ballet, Flamenco) by "Kalamandir" of New Jersey(Artistic Director: Malabika Guha, performed by Brinda Guha and Ariana Dasgupta)
\r\nThe Documentaries contain
\r\n"The treasure hunt from the past": Learn about the disappearing clay art form of Bengal(Bengali with English Subtitles)(Directed by: Sanjiban Guha and produced by Mrittika)
\r\n"A Journey"-Glimpses of Mrittika''s twenty years
\r\nArt workshops include
\r\n"Building the bridges": Guest Artists share techniques in South Asian Art Forms in the prticipatory programs for children and adults which includes Face art and Mehendi
\r\nand
\r\nthere will be a Author presentation
\r\nTwo Books: Two authors
\r\n\r\n\r\nMothers for Sale: Women in Kolkata’s Sex Trade
\r\n\r\nby Indrani Sinha\r\n& Shamita Das Dasgupta. Author Shamita Das Dasgupta shares this
\r\nsharply intelligent and compassionate exploration of an East Indian
\r\nsocial reality.
\r\n\r\n\r\n\r\nRed Oleanders
\r\n\r\n(Raktakarabi) by Rabindranath Tagore [1861 – 1941].\r\nA new translation and adaptation of the renowned Nobel Laureate
\r\nTagore’s drama by Nupur Lahiri. Dr. Lahiri will present.
\r\n\r\n
The program co ordinator: Dhriti Bagchi on behalf of Mrittika
\r\nCo-Sponsor: Monmouth County Library Headquarters
\r\nLight refreshment will be served
\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nThis program has been made possible in part by the Monmouth county Arts Council through funding from the Monmouth County Board of Chosen Freeholders, through the County Historical Commission and the New Jersey State Council of the Arts/Department of State, A Partmer Agency of the National Endowment for the Arts
\r\nFor further information pleae visit : www.mrittika.org
\r\nFor Library direction: phone number: 732-431-7220
\r\nWebsite: www.monmouthcountylib.org
\r\nAddress: 125, Symmes Drive, Manalapan, NJ 07726
\r\n\r\n\r\n', '20th Anniversary Celebration, Mrittika, Inc.', 0, '', 'publish', 'open', 'closed', '', '20th-anniversary-celebration-mrittika-inc', '', '', '2009-07-13 10:58:57', '2009-07-13 14:58:57', '', 0, 'http://nynjbengali.com/?p=380', 0, 'post', '', 0), (373, 1, '2009-07-08 11:14:13', '2009-07-08 15:14:13', 'By Amitava Sen\r\n\r\n
The derivative meaning of the word “Jayanti” in Bengali is, an occasion to acclaim and praise, linguistically speaking. But the word really means a Jubilee, celebration of certain anniversaries. More often it means celebration of birthdays of famous persons, usually dead than alive. In our case, the dates of these anniversaries could be an amalgam of many calendars. Saints and spiritual gurus are observed according to lunar calendar; Sri Ramakrishna is celebrated on the second day of the new moon on the eleventh month (Falgun) of the Bengali era. Poets and littérateurs have their assigned days in accordance with the dates of Bengali calendar, as in 25th of the first month (Baisakh) of the calendar for the poet Rabindra Nath Thakur and for some, the ones dealing with science, politics, sports etc. as per the Christian calendar; January 23rd for Subhas Chandra Bose, for example.\r\n\r\n\r\n\r\nBengalis worship their heroes. The modality of hero branding has changed somewhat. Now a foreign recognition is deemed necessary for getting up there. There was a dry period after Satyajit Ray till Amartya Sen arrived. Both are internationally recognized. Though Bengalis made Mother Teresa a hero she was not really their kind. Then there was Saurav Ganguly, whose virtual beatification for a period of time seemed destined to make him a candidate for Jayanti of his own. That he is still alive should not be a problem. We have precedents. Biggest of all our Jayantis, one for the poet Tagore had been happening long before he died. Indeed he was an enthusiastic and willing participant. In addition he saw to it that celebrators did not run out of songs and poetries for his anniversaries for longest time to come after he was gone, thousands of them; compare this with only 154 sonnets that Shakespeare wrote.\r\n\r\nAs we like to live in our past, present is dreary and the future is bleak; we need anniversaries, lots of them. The ways of celebrations differ.\r\n\r\nThat was January twenty-third; a taxi traveling in a side street in Calcutta was stopped at the entry by a group of youngsters. In the middle of the street a portrait of Bose was installed in a makeshift platform, duly garlanded. They objected to the taxi proceeding. The passenger reasoned that this was the only way the taxi could reach its destination, but that pleading fell in deaf ears. He was accused of being unpatriotic. The taxi driver got involved but he soon came to the conclusion that discretion was better part of valor and promptly retreated when some one threw a stone aiming at the windshield of the taxi causing a small crack, realizing that the violent outburst was probably the way the young fellows in the street intended to uphold Subhas Bose’s valiant legacy of armed resistance to the intruders.\r\n\r\nSaints and gurus have a peaceful way. Their affairs are usually confined in the temple and other places indoor, except for when Bharat Sevasram Sangha and the likes decide to bring out a big procession blaring loud music stopping traffic for hours. But disrupting traffic back in West Bengal is everyone’s revolutionary right. Almost everyday can be called an anniversary of some sort.\r\n\r\nPoets and writers, especially ones with songs to their credit usually do better, because their anniversaries have a monetary potential as it can attract a fare paying crowd of aficionados of their songs and poetries performed by celebrity artists and movie stars.\r\n\r\nCloser to home, here in New Jersey we love our Jayantis too, as long as it has a cover of culture. We consider only the poets and writers for the honor.\r\n\r\nOn a recent evening, there were three portraits, somewhat worn out from many years of use, two of them were instantly recognizable; the third though a familiar name, the face still remained a little unknown to the crowd who gathered there. Anyway, the display of three pictures was all we needed for their Jayanti celebrations. What followed had nothing to do with the subject poets and their contribution to the Bengali literature. They are dead anyway, who will care how they feel. Turning in the grave does not pose a threat of any consequence.\r\n\r\nOne of the organizers made an announcement that the Jayanti celebration was the major annual cultural program of the club. Demonstration that followed the announcement did not appear to promise a very bright future for the state of Bengali culture or for that matter, even for the three Kobis adorning the arena. The poor Kobis could not even get up on the stage, their pictures looking forlorn were planted below the main podium while some variation of go as you like was going on, up on the stage.\r\n\r\nThere is plenty supply of Kobis in Bengali. There is no reason that we have to have Jayanti for same three of them year after year after year. Could it be because we have no other framed portraits available readily? But we can act as Romans while in Rome. . Here in America we have a day earmarked for President George Washington but it really is a Presidents’ Day for all 40 dead presidents. It is closer to the first president’s birthday in February, that’s all. In the same vein we can have a Kobi day for all the dead Kobis. Assigning a day closer to the most famous of them will be fitting. We can do away with the three faded pictures and celebrate Jayanti for all of them. As they are too many in number, we will not be expected to sing and dance for any particular one. We will celebrate our culture in whatever shape and form we want. That will be liberating.', 'Jayanti''s are For Ever!', 0, '', 'publish', 'open', 'closed', '', 'jayantis-are-for-ever-3', '', '', '2009-07-08 13:36:57', '2009-07-08 17:36:57', '', 0, 'http://nynjbengali.com/archives/373', 0, 'post', '', 1),
(374, 1, '2009-07-08 14:25:32', '2009-07-08 18:25:32', '', 'time-zone-web.jpg', 0, '', 'inherit', 'open', 'closed', '', 'time-zone-webjpg', '', '', '2009-07-08 14:25:32', '2009-07-08 18:25:32', '', 378, 'http://nynjbengali.com/wp-content/uploads/2009/07/time-zone-web.jpg', 0, 'attachment', 'image/jpeg', 0),
(381, 1, '2009-07-20 19:45:36', '2009-07-20 23:45:36', 'A translation company specializing in voice-overs and subtitling are looking for native speakers of Bengali for lip-sync/dubbing of a video series for the City of New York (We are New York). They need approximately 10 --12 speakers, teenager to senior, male and female. Is this something you''d like to get involved in? Experience is preferred by not necessary.\r\n\r\nContact: Lindsey\r\nInterNation, Inc.\r\n299 Broadway, Suite 1400\r\nNew York, NY 10007\r\ntoll free: 800.222.8799\r\nphone: 212.619.5545\r\nfax: 212.619.5887\r\ninfo@internation.com\r\nwww.internation.com', 'Bengali Speakers Needed', 0, '', 'publish', 'open', 'closed', '', 'bengali-speakers-needed', '', '', '2009-07-20 19:45:36', '2009-07-20 23:45:36', '', 0, 'http://nynjbengali.com/?p=381', 0, 'post', '', 1),
(507, 1, '2010-09-20 21:49:54', '2010-09-21 01:49:54', 'PLEASE JOIN US FOR A COMMUNITY FORUM & DISCUSSION ON WORKING TOGETHER TO SECURE AND STRENGTHEN OUR COMMUNITIES\r\n\r\nDate: Saturday, September 25, 2010\r\n\r\nTime: 10:15am – 12:45pm\r\n\r\nWhere: \r\nGeorge Bush Senior Citizen Center\r\n1 Old Bridge Plaza, Old Bridge, NJ 08857\r\nDirections: www.oldbridge.com Ph: 732-721-5600\r\n\r\nPART I\r\nBias Incidents and Hate Crimes:\r\nHow to identify and address them as a community?\r\n\r\nPART II\r\nBridging the Gap:\r\nHow can community members collaborate with local law enforcement agencies\r\nto enhance public safety?\r\n\r\nRSVP preferred by Saturday, September18th, 2010 to\r\nCitizensofOldBridge@gmail.com\r\nPlease indicate whether you would like an interpreter. Refreshments provided.\r\n\r\nTHIS EVENT IS ORGANIZED BY THE CITIZENS OF OLD BRIDGE (COBNJ), SOUTH ASIAN AMERICANS LEADING TOGETHER (SAALT) AND THE U.S. DEPARTMENT OF JUSTICE COMMUNITY RELATIONS SERVICE IN COLLABORATION WITH OLD BRIDGE TOWNSHIP, MIDDLESEX COUNTY PROSECUTOR’S OFFICE, OLD BRIDGE POLICE DEPARTMENT, SOUTH ASIAN BAR ASSOCIATION NEW JERSEY (SABA-NJ), ASIAN AMERICAN LEGAL DEFENSE AND EDUCATION FUND (AALDEF), MANAVI, THE SIKH COALITION AND INDIAN AMERICAN DEFENSE LEAGUE', 'Divyendu Sinha Murder Followup: Community Forum and Discussion', 0, '', 'publish', 'open', 'open', '', 'divyendu-sinha-murder-followup-community-forum-and-discussion', '', '', '2010-09-20 21:49:54', '2010-09-21 01:49:54', '', 0, 'http://nynjbengali.com/?p=507', 0, 'post', '', 1),
(383, 1, '2009-08-05 16:38:27', '2009-08-05 20:38:27', '
\r\n\r\nSubrata Ghosh, an emiment theater critic from Kolkata, recently reviewed Theater Workshop''s production "Jadiyo Galpo" in Desh patrika. The play is directed by Ashok Mukhopadhyay. "Jadiyo Galpo" is the play that we had staged last year as "Satyameva". Check out this review and tell your friends and family in Kolkata to watch this play at their latest opportunity.', 'Jadiyo Galpo - A Review', 0, '', 'publish', 'open', 'closed', '', 'jadiyo-galpo-a-review', '', '', '2009-08-05 16:38:27', '2009-08-05 20:38:27', '', 0, 'http://nynjbengali.com/?p=383', 0, 'post', '', 0),
(384, 1, '2009-08-05 16:32:38', '2009-08-05 20:32:38', 'Review of Jadiyo Galpo in Desh Patrika', 'desh-review-web', 0, 'Review of Jadiyo Galpo', 'inherit', 'open', 'closed', '', 'desh-review-web', '', '', '2009-08-05 16:32:38', '2009-08-05 20:32:38', '', 383, 'http://nynjbengali.com/wp-content/uploads/2009/08/desh-review-web.jpg', 0, 'attachment', 'image/jpeg', 0),
(386, 102, '2009-08-06 22:59:24', '2009-08-07 02:59:24', '', 'wp-app', 0, '', 'inherit', 'open', 'closed', '', 'wp-app', '', '', '2009-08-06 22:59:24', '2009-08-07 02:59:24', '', -1249613824, 'http://nynjbengali.com/wp-content/uploads/2009/08/wp-app.php', 0, 'attachment', 'application/octet-stream', 0);
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(388, 1, '2009-08-18 23:52:05', '2009-08-19 03:52:05', '
Recently I was in the market to buy a used car for my son. It has been quite a long time since I bought a used or should I say "preowned" vehicle. Even when I had bought couple of "pre-owned" cars during my early days in this country, I bought them through my colleagues and friends. The first car I bought was a Dodge Aries wagon that was sold to me by a colleague of mine when I was desperate to get a car that had four wheels and could take me from my home to work and maybe some shopping. Hence I ignored several of its "minor" blemishes - like the rear passenger door which was disabled permanently. A previous accident had bent it awkwardly and my colleague warned me that if I attempt to open the door from inside, it may swing out violently and injure a bystander. I never opened the door. But the car served me very well. It was the time when minivans were just appearing in the market and station wagons were in high demand to haul luggage to the airports. My friends loved the car. It could sit six people quite comfortably and the huge trunk could pack in a whole apartment.\r\n\r\nMy second car was a Nissan Sentra - a cute little car with very low mileage. A friend of mine, who was a grad student at Rutgers helped me find this car while I was searching through local newspapers. Since then, lot of things have changed - the internet revolution happened - social networks and blog sites came about, and people stopped reading newspapers - old relations faded and new ones formed. I too avoided getting into the hassles of used car shopping and stuck to buying new cars just to avoid the stress.\r\n\r\nWhen my son became eligible to drive, pressure started to mount on me. He wanted a car of his own. I tried to hold off for a while but finally gave in and started looking for a "pre-owned" vehicle - a reasonably reliable vehicle that would have reasonable number of miles on it and would have a reasonable (read low very low) price tag. The problem with used vehicles is that you typically do not have a model in mind, rather you move with a dollar amount in mind. Maybe you can also setup a mileage target and age of the vehicle too - but my primary objective was to find a good deal! The next problem was, where do I start my search? My friends and colleagues suggested I should look up CraigsList, and I did just that. Soon I identified few cars in my area (central Jersey) that I liked and contacted the sellers. The cars were very attractively priced and I was eager to close a great deal. The sellers soon responded with tales of their own. Some were going through a nasty divorce, some lost their jobs, some had to leave the country, but the common theme was that everybody wanted to ship their car to me. Most wanted to transact through eBay or similar service and ensured that if I am not satisfied with the car, I can return the car and the money will be returned to me promptly. I was literally thrown aback - I never heard of used car salesman shipping cars via UPS or FEDEX and that too for free! I smelled a rat and sure enough I discovered the warning posted on craigslist - any offer to ship a car is fraud! I found some genuine sellers too, and checked out couple of them but none were satisfactory.\r\n\r\nIn the meantime I discovered CARFAX and AutoCheck. Both these services provide you with a detailed history of the car as to whether it had any (reported) accidents, whether the car was salvaged or whether the odometer was tampered. It also contains reports of each and every title change and registration renewals and in some cases inspection and service records. Autocheck (by Experian) even provides a Autocheck score which helps you tally the car against similar cars in the same category. For example, for the same model year a car with less mileage would have a higher score than one with higher mileage. Both companies offer buy back guarantees if the car later is proven to be a salvage, or have title or odometer discrepancies that were not reported. Hence I subscribed to CARFAX and Autocheck to arm myself with enough information before negotiating a deal.\r\n\r\nI was always hesitant to go to a used car dealer, mainly because of the stigma associated with this class of businessmen. I heard so many horror stories, I thought that the moment I step into a used car dealership, I''ll me coerced into buying a junk. But with CARFAX and AutoCheck, I felt that maybe I can outsmart them in their game. But soon I discovered that the used car sales people have changed their strategy. I met three sales people and none of them were pushy. They showed such a calm and disinterested demeanor that at times I felt that they must be in the wrong business. They all have their websites with the details about their inventory and even before I could mention CARFAX, they pulled out a report for me. Maybe the current state of our economy has been good to the used car business and hence they really didn''t mind losing a customer or too, but it kind of turned me off. Maybe my ego was hurt since they were not begging me to sell their cars.\r\n\r\nAs I was getting tired of searching for that great used car, and even contemplated the idea of buying a cheap new compact from Japan or Korea, a friend of mine pointed me to Sulekha classifieds. And it was indeed a gold mine. Almost all sellers are of Indian origin and most cars posted are the Indian favourites - Toyotas, Hondas, and Nissans. Very few American cars. I started shortlisting them and contacted the sellers for their VIN numbers, ran them through CARFAX and AutoCheck and soon I was able to find my car - a ''98 Nissan Altima with low mileage and good AutoCheck score! Now let''s see how long it lasts.', 'Buying a Used Car', 0, '', 'publish', 'open', 'closed', '', 'buying-a-used-car', '', '', '2009-08-19 11:02:55', '2009-08-19 15:02:55', '', 0, 'http://nynjbengali.com/?p=388', 0, 'post', '', 0),
(389, 1, '2009-08-17 23:28:59', '2009-08-18 03:28:59', 'August 22 at the Woodlot Park in Kendall Park NJ.\r\n\r\nContact Nilotpal Paul at nkpaul@gmail.com', 'Jadavpur University Alumni Picnic', 0, '', 'publish', 'open', 'closed', '', 'jadavpur-university-alumni-picnic', '', '', '2009-08-17 23:28:59', '2009-08-18 03:28:59', '', 0, 'http://nynjbengali.com/?p=389', 0, 'post', '', 0),
(390, 1, '2009-08-17 23:31:29', '2009-08-18 03:31:29', 'Hi Alumnus –
\r\n\r\nOur 12th annual picnic is scheduled for Saturday, September 12, 2009 (rain or shine) at the same park as last year (but different pavilion). Please join us, and bring your family/significant other. Invite your group of friends, and bhaat, play and chill.
\r\n\r\nWhen: Sat, Sept 12, 2009, 11am-4pm
\r\nWhere: Oak Grove Pavilion within Duke Island Park, Old York Road, Bridgewater, NJ
\r\nPark Contact: 908-722-7779, http://www.somersetcountyparks.org
\r\nCost: $20/adult (16yrs and above), $5 (6-15 yrs); Cost goes up after Sept 1
\r\n\r\nCatered Indian lunch will be served at 12:30pm. Please bring along any games or sports equipment (e.g., soccer, volleyball, cricket, baddy).
\r\n\r\nTo register and pay by credit card, please click on paypal links below (you don’t need to be paypal members):
\r\n\r\n1 Adult ($20): IIT KGP Picnic - Early Registration - Single ($20)
\r\n2 Adults ($40): IIT KGP Picnic - Early Registration - Double ($40)
\r\n1 Child ($5): IIT KGP Picnic - Early Registration - 1 Child ($5)
\r\n2 Children ($10): IIT KGP Picnic - Early Registration - 2 Children ($10)
\r\n\r\n
If you prefer to send a check, please send to: Ajit K Agrawal, 315 West End Avenue, #8B, New York, NY 10023.
\r\n\r\n
KGP ka tempo HIGH hai! See you on Saturday Sept 12.
\r\n\r\nAjit Agrawal (ajit_k_agrawal@yahoo.com)
\r\nSubhodev Das (subhodev@att.net)
\r\n\r\nWebsites: http://iitkgpny.community.officelive.com/, http://www.iitfoundation.org/chapters/
\r\n\r\n
Bengali Associations of NJ are gearing up for the biggest festival of the year - Durga Puja. This year the festival starts quite early, around 25th-26th of September. Kallol, GSCA and Anandamandir will be celebrating their Durga Puja during that weekend. And just like last year we should expect that the registration to start soon. GSCA has already opened their online registration, and Kallol is expected to open theirs in early September.\r\n\r\nLast year (2008) was the first time when Kallol of NJ started their online pre-registration process and it caused quite a bit of furor amongst the Kallol regulars who failed to register early. The registration window was closed as soon as the guest count limit was reached and that left many people with a bad taste. Some people were able to get in at the last moment (I don''t know how) but several people had to go back. I think Kallol needs to do something about this.\r\n\r\nI suggest that Kallol retain a limited number (approx 200 to 300) of reasonably priced daily tickets. These tickets should be released only on the day for which they are designated. For example a Saturday tickets should be sold on Saturday only and not earlier. The price of these daily admission tickets when totalled should be higher than the combined 3-day registration fees, and they can have different rates based on the key attractions of that evening. This process has several advantages:\r\n\r\n1. People who want to attend only on a specific day at Kallol can do so. They do not have to be tied to Kallol puja for all three days.\r\n\r\n2. Many people (including non Bengali speaking) would like to come to the Puja to watch their children or other family members perform in a show on a particular day. It would be unfair to charge the full 3 day registration from them. Even if they purchase the 3 day package and come only for one evening, Kallol will lose out a spot for the other three days.\r\n\r\n3. The daily tickets (which from our past experience can be expected to be sold out) will fetch more revenue for Kallol than 3-day registrations. This is a win-win situation.\r\n\r\nThese are my humble suggestions to the committee for consideration. However, other organizations can also follow this process.\r\n\r\nI hope the 2009 Puja festivals will bring in joy and happiness for all. I am looking forward to it, just like any other Bengali.', 'Durga Puja 2009 - Just a Month Away', 0, '', 'publish', 'open', 'closed', '', 'durga-puja-2009-just-a-month-away', '', '', '2009-08-20 17:32:20', '2009-08-20 21:32:20', '', 0, 'http://nynjbengali.com/?p=393', 0, 'post', '', 1),
(394, 1, '2009-08-28 11:00:47', '2009-08-28 15:00:47', 'I have been trying to avoid writing about the current health care issue on this blog. The key reason being that if I start writing I won’t be able to stop. I have been discussing this issue with my friends on my facebook page and the discussions often became quite passionate and sometimes quite heated too. The rumors, hear-says, myths and speculations on the healthcare bill have risen to a level that I doubt if ever happened before in American social and political life. Multiple bills have been floating in the Capitol and today Senator Baucus unveiled the so-called bipartisan bill (which apparently only one Republican Sen. Olympia Snowe is likely to support) which has no option for a public-option, requires families to contribute 13% of their income for health insurance premiums and imposes fines ($3800 per family) on those who do not purchase insurance. The bill does however impose some restrictions on insurance companies to prevent them from rejecting people with pre-existing conditions or from increasing the rates for people with serious illnesses. This bill, if accepted, would cost $856 billion over 10 year time.
\r\n\r\nI would say that this bill is kind of a disappointment, at least for me. Thirteen percent of one’s income as health insurance premium is far from what we call affordable. Secondly the bill does little to encourage competition. Without any public option, the insurance companies will have a field time to set their own rates. The so called exchange or market place can do little when each state has only a handful of insurance companies to select from. Health co-operatives, as proposed in the bill, can hardly compete with the insurance companies.
In New Jersey, the state imposes some regulatory measures for individual and small business health coverage. The standard plans for individuals are community rated. From late 1993 through 2008, this has meant that a carrier must offer a standard individual health benefits plans to everyone at the same rate, regardless of the applicants'' age, gender, profession, health status or geographical location in the State. In 2009, carriers may offer standard individual health benefits plans using community rating that considers age. The ratio of the highest rates for a standard individual health benefits plan to the lowest rates for the same standard individual health benefits plan cannot be more than 3.5:1.
Although this is far from being perfect, but at least it ensures one aspect of health coverage is that the premium rate cannot be adjusted based on health status. And this is one of the aspects of the Baucus bill – something which is already available in NJ and I am sure in many other states. This bill seems to me as a huge compromise with just a light slap on the insurance companies palms which I presume was worked out as a deal.
What I fail to understand is, what does this bill and similar bills like this can do to reduce or contain the health care cost? Insuring everybody (or almost everybody) can only reduce the risk for the insurance companies and possibly improve their profits, which unless the insurance companies share with their policy holders, will do little to reduce the premiums.
But premiums are only part of the story. What about deductibles and out of pocket expenses? What about insurance companies policing the doctor’s decisions? What about inflated hospital bills? What about doctor’s and hospitals practicing defensive medicine to shield themselves from potential malpractice suits?
Without public participation, I don’t think any reform can help control healthcare costs. People should not go bankrupt, or lose their homes or die just because they cannot afford medical insurance.
One suggestion I have is for the Government to provide a supplementary insurance for major medical costs like chemotherapy or other expensive treatments or surgeries that insurance companies are reluctant to cover. Currently, Medicare does pay for patients requiring dialysis for kidney failures even if they have not reached the Medicare qualifying age. Why not expand this coverage for other life saving expensive treatments like chemotherapy or transplant surgeries or similar conditions? This may require a minor adjustment of social security taxes or other taxes, but it would significantly reduce the cost of general health insurance and hence the potential savings in premium can cover for the increase in taxes, if any.
', 'The Health Care Debate', 0, '', 'publish', 'open', 'closed', '', 'the-health-care-debate', '', '', '2009-09-16 12:10:41', '2009-09-16 16:10:41', '', 0, 'http://nynjbengali.com/archives/409', 0, 'post', '', 1), (395, 1, '2009-08-28 11:28:35', '2009-08-28 15:28:35', 'I mean Vishal Varadwaj''s latest film "Kaminey". I liked it a lot! I was pleasantly surprised when I saw his previous film "Omkara". So I went to the theater with high hopes. And Kaminey exceeded my expectations. I can say that it is the best Bollywood gangsta movie ever made. It is a treat to watch how this talented film maker has blended in violence with humor! The story telling style, the high paced and intelligent editing, the mood photohraphy and lighting, the music and the exemplary acting by the cast members reminds us that Bollywood film making has evolved a lot from the days of Ajit, Pran and Prem Chopra! Vishal Varadwaj is the Quentin Tarantino of Mumbai - he can create visual poetry with violence, he can create characters that get tattooed in your brain, and he can create wonderful music with Gulzar''s lyrics!\r\n\r\nIf you have seen the movie, let us know how you liked it.\r\n\r\nAnd if you haven''t seen the movie - don''t sit there! Go to the nearest theater that''s screening "Kaminey"', 'Did You Like Kaminey?', 0, '', 'publish', 'open', 'closed', '', 'did-you-like-kaminey', '', '', '2009-08-28 11:28:35', '2009-08-28 15:28:35', '', 0, 'http://nynjbengali.com/?p=395', 0, 'post', '', 0), (506, 1, '2010-09-15 22:15:13', '2010-09-16 02:15:13', '\r\n\r\nThe time of the year is here again. The sky is blue with patches of white clouds floating lazily and the weather is cooling down. Durga Puja is here again in New Jersey. The local Bengali associations are gearing up to welcome Ma Durga with the usual pomp and cultural extravaganza, and let me share with you some information about the festivities that has come to my notice.\r\n\r\nLike previous years, Durga Puja festival in New Jersey will be heralded in by the live Mahishashura Mardini (Mahalaya) performance at the Ananda Mandir on October 10th at 5.00am in the morning. I have been a regular attendee at this event, and I can promise you that if you can take that bold step of getting up from bed that early and drive down to Ananda Mandir, you''ll have an experience that you will never regret.\r\n\r\nThis year however, Puja starts even earlier in New Jersey with Indian Community Center (ICC) of Garden State having their Puja on Oct 9th and 10th at the Eisenhower Middle School, 47 Eyland Avenue, Succasunna. ICC''s cultural program this year will feature the famous Bangla Band KAYA, who promises to rock the audience with their folk inspired melodies. Pranab Biswas, a noted classical vocalist, will be presenting a medley of Bengali and Hindi songs. The program will also present a bunch or events by local artists including an audio play (sruti natok) "Baad Protibad", written by yours truly.\r\n\r\nKallol of New Jersey will be celebrating Durga Puja on Oct 15th, 16th and 17th at their usual venue - Ukranian Community Center in Somerset NJ. The cultural events at the Kallol Puja has not been well publicized as yet, but the invitation card says that the program will include classical vocal performance by Parthasarathi Desikan (disciple and son-in-law of Pt. Ajoy Chakraborty), Jolly Mukherjee from Bollywood, and Koel Mukherjee of Sa Re Ga Ma Pa fame. The list also includes sarod recital by Anirban Dasgupta (son and disciple of Pt. Buddhadev Dasgupta), Rabindrasangeet by Sasha Ghoshal and modern songs by Shamit Tyagi and Sumona Banerjee from Kolkata. This year Kallol is introducing few new events :\r\n- Chess championship (all ages)\r\n- Bridge championship (adults)\r\n- Quiz show conducted by Dr. Nupur Lahiri.\r\n\r\nTo participate in any of these events, contact Sunanda Mitra (sunandamitra@yahoo.com) or Poushali Sengupta (poushali123@yahoo.com). And no Kallol Pujo is complete without drama performances by the adult and children members of Kallol. The Kallol seniors will present the play "Sorry, Wrong Number" directed by Debiprosad Palit, and the Kallol juniors will present "Khirer Putul" the all time favorite Bengali fairy tale. There will also be dance recitals by Sunrita Mitra''s young dancers, Brinda Guha''s Kalamandir Dance Company and Mitra Purakaysatha''s Rhythms of Dance & music. So, get ready. Kallol website mentions that online registration will open on Sept 20, 2010.\r\n\r\nGarden State Cultural Association (GSCA) will be celebrating their Puja on Oct 16 and 17. This year GSCA''s entertainment program includes recitation by Partha Ghosh and Gauri Ghosh, Bharatnatyam dance recital by Jhinook Mukherjee from Kolkata, vocal music performances by Shounak Chattopadhyay, Soumen Adhikari, Suchismita, Chandrayee Bhattacharya, and Gayatri Sharma. Kalamandir Dance Company will present their acclaimed composition, Heat. The highlight of GSCA''s presentation this year will be "Ajo Kahini", a hilarious play (written by Sudipta Bhawmik and directed by Pinaki Datta) produced by ECTA. For further details visit their website.\r\n\r\nAnanda Mandir and Bharat Sevashram Sangha will also be celebrating Durga Puja from October 13 to 17, 2010, as per the Bengali calender. People who are interested in attending a more traditional Pujo, Ananda Mandir and Bharat Sevashram Sangha may be the place for them.\r\n\r\nI hope, like all the previous years, Durga Puja this year too will be an enjoyable experience for all of us and pray that the Puja brings in peace and prosperity for all.', 'Durga Puja 2010 : New Jersey Style', 0, '', 'publish', 'open', 'open', '', 'durga-puja-2010-new-jersey-style', '', '', '2010-09-20 22:28:46', '2010-09-21 02:28:46', '', 0, 'http://nynjbengali.com/?p=506', 0, 'post', '', 5), (397, 1, '2009-09-08 23:26:42', '2009-09-09 03:26:42', 'For folks who follow the Weight Watchers diet system of points, the following table illustrates some of the popular Indian food items found in restaurants. However, note that this is not what we eat at home on a daily basis. Now how do we calculate points for Maachher Jhol, Begun Bhaja, Mung-dal, Posto-bata?\r\n| Wise Choices | \r\nPOINTS Value | \r\n
|---|---|
| Raita, 1/2 cup | \r\n1 | \r\n
| Chapati bread, 1 piece | \r\n2 | \r\n
| Puri bread, 1 piece | \r\n2 | \r\n
| Nan bread, 7 x 8-inch piece | \r\n4 | \r\n
| Tandoori chicken without skin, 1 piece | \r\n4 | \r\n
| Chicken tikka, 4 oz | \r\n5 | \r\n
| Bean and lentil stew, 1 cup (dal maharani) | \r\n6 | \r\n
| Not-So-Wise Choices | \r\nPOINTS Value | \r\n
|---|---|
| Samosa (fried vegetable or meat patties) | \r\n3 | \r\n
| Lamb korma (spicy curry), 1 cup | \r\n15 | \r\n
| Chicken curry, 1 cup | \r\n10 | \r\n
| Vegetable fritters, 1 cup | \r\n10 | \r\n
| Lamb biryani, 1 cup | \r\n14 | \r\n
| \r\n | \r\n |
|---|---|
| \r\n | \r\n |
| \r\n | \r\n |
| \r\n | \r\n |
| \r\n | \r\n |
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On November 24th, 2009, President Barack Obama hosted the first state dinner, since his inauguration, in honor of Dr. Manmohan Singh, the honorable Prime Minister of India and his wife Mrs. Gursharan Kaur. State dinners honoring foreign head of states are huge events and are attended by members of the top echelon of the society. The official White House fact sheet says:\r\n\r\nThe first State Dinner for a foreign head of state was held by President and Mrs. Ulysses S. Grant on December 12, 1874 for King David Kalakaua of Hawaii.\r\n\r\nSince that first dinner, many traditions have been added to State and Official Visits – yet the common theme of forging friendships, exchanging knowledge and building bridges that last for years to come remain unchanged.\r\n\r\nAs the world’s two largest democracies, India and the United States share common ideals and strengths, and the United States and India are working together to address a number of global challenges of the 21st Century—from security to the economy to climate change to the health and education of our people.\r\n\r\nPrevious State Dinners at the White House in honor of India include those hosted by the following Presidents and First Ladies:\r\n\r\n• President George W. Bush and Mrs. Laura Bush in 2005\r\n\r\n• President William J. Clinton and Mrs. Hillary Clinton in 2000\r\n\r\n• President Ronald Reagan and Mrs. Nancy Reagan in 1985 and 1982\r\n\r\n• President Lyndon B. Johnson and Mrs. Lady Bird Johnson in 1966\r\n\r\n• President John F. Kennedy and Mrs. Jacqueline Kennedy in 1963\r\n\r\n
The state dinner for Dr. Singh was held held under a tent on the South Lawn of the White House. The décor reflected the Obamas’ dedication to green and sustainable elements and featured a garden theme. Tables will be covered in apple green linens. Deep purple flower arrangements at each table pay homage to the state bird of India, the Indian Peacock. The centerpiece bouquets were composed of flowers that are evocative of the classic American garden: hydrangea, garden roses, and sweet peas in a rich palette of deep plum, purple and fuchsia. Arrangements of magnolia branches will surround the walls of the tent. Magnolias are native to both India and the United States. The magnolia, ivy, and nandina foliage used for the occasion were locally grown and sustainably harvested.\r\n\r\nThe tables were set with the following china from the White House’s historic collection.\r\n\r\nService Plates - Eisenhower : Porcelain, 1955, New Castle, Pennsylvania, Castleton China, Inc. U.S. Government purchase, 1955.\r\n\r\nService Plates - Clinton State China Service : China, 2000, Trenton, New Jersey, Lenox, Inc. Gift of the White House Historical Association, 2000. Commissioned to commemorate the 200th anniversary of the White House.\r\n\r\nDinner Plates - George W. Bush State China Service : China, 2008-2009, Kinston, North Carolina, Lenox, Inc. Gift of the White House Acquisition Trust, 2009.\r\n\r\nThe dinner was prepared by the award winning guest chef, Marcus Samuelsson. Mrs. Obama worked with Guest Chef Marcus Samuelsson and White House Executive Chef Cristeta Comerford and her team to create a menu that reflects the best of American cuisine, continues this White House’s commitment to serving fresh, sustainable and regional food, and honors the culinary excellence and flavors that are present in Indian cuisine. Herbs and lettuces were harvested from the White House Kitchen Garden.\r\n\r\nWhite House Executive Pastry Chef William Yosses and his team created the desserts. The pears were poached in honey from the White House Beehive. Desserts were garnished with mint and lemon verbena grown in the White House Kitchen Garden. I have attached the dinner menu at the bottom of this article.\r\n\r\nThe dinner entertainment included two Academy Award winning musicians, Jennifer Hudson and our own A.R. Rehman. The other performers included eight time Grammy nominee Kurt Elling, the National Symphony Orchestra conducted by Marvin Hamlisch and the United States Marine Band.\r\n\r\nThe star studded guest list included celebrities like Steven Spielberg, Blair Underwood, M. Knight Shyamalan, Dr. Sanjay Gupta, Kal Penn, Bobby Jindal and many others.\r\n\r\nState Dinner Menu\r\n\r\n\r\n\r\n(Photo Courtsey: AFP and AP)', 'The Green State Dinner', 0, '', 'publish', 'open', 'open', '', 'the-green-state-dinner', '', '', '2009-11-25 16:34:46', '2009-11-25 20:34:46', '', 0, 'http://nynjbengali.com/?p=443', 0, 'post', '', 0),
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(408, 1, '2009-09-10 10:57:39', '2009-09-10 14:57:39', 'Ananda Mandir will feature "Live" Mahalaya with local artists. Admission Free. \r\nDate: Sunday, 20th September, 2009. Time: 4:30 A.M. \r\nAddress: 269 Cedar Grove Lane, Somerset, NJ 08873-5212. \r\nPhone: 732-873-9821. Get directions: http://anandamandir.org/Contact.html', 'Mahalaya Live at Anandamandir', 0, '', 'publish', 'open', 'closed', '', 'mahalaya-live-at-anandamandir', '', '', '2009-09-10 10:57:39', '2009-09-10 14:57:39', '', 0, 'http://nynjbengali.com/?p=408', 0, 'post', '', 0),
(410, 1, '2009-09-22 15:27:45', '2009-09-22 19:27:45', 'Mahalaya in Bengal is synonymous to the seventy year old radio musical "Mahisashur Mardini" written by Bani Kumar and composed by Pankaj Mallik. Over the years this has become a Bengali tradition to wake up at 4.30am on Majalaya day and listen to this wonderful program that has not lost its charm till date. In fact, in Bengal the demand for new radios spike during this period. The inspiring narration and "Chandi Path" by Birendra Krishna Bhadra, the wonderful songs by the great musicians like Supriti Ghosh, Manabendra Mukherjee, and many others cast a spell on the listeners and put them into the Puja mood. Once there was an attempt to change the program and make it more contemporary using stars like Uttam Kumar, but severe protests from the listeners forced All India Radio to scrap it and go back to the traditional format.\r\nIn New Jersey, we have developed a tradition of our own. At the Anandamandir, at 4.30pm local musicians gather in front of a packed audience and perform the famous "Mahishashur Mardini" under the guidance of Arun Bhowmik. The musicians, most of whom are accomplished in their own right, devote their time to usher in the Durga Puja festival in front of the idols of Goddess Durga and Kali and create a magical moment for the audience some of whom travel all the way from Philadelphia, Long Island, and other distant cities. \r\nI have attached two clips of this event (recorded on my cell phone) for you to get a glimpse of this event. The audio quality is not too good, but you''ll still feel the electrifying atmosphere that charges us up for the upcoming festivals.', 'Mahalaya in New Jersey - A Tradition of Our Own', 0, '', 'publish', 'open', 'closed', '', 'mahalaya-in-new-jersey-a-tradition-of-our-own', '', '', '2009-09-24 17:40:16', '2009-09-24 21:40:16', '', 0, 'http://nynjbengali.com/?p=410', 0, 'post', '', 0),
(402, 1, '2009-09-09 17:25:45', '2009-09-09 21:25:45', '', 'goat.jpg', 0, '', 'inherit', 'open', 'closed', '', 'goatjpg', '', '', '2009-09-09 17:25:45', '2009-09-09 21:25:45', '', 0, 'http://nynjbengali.com/wp-content/uploads/2009/09/goat.jpg', 0, 'attachment', 'image/jpeg', 0),
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(411, 1, '2009-09-23 11:17:58', '2009-09-23 15:17:58', 'For the first time Raag-Rang presents Kal Ke Kalakar (Budding Artists of Future), providing a platform to promising young talents, featuring,\r\nRohan Prabhudesai (Harmonium Solo),\r\nTejas Tope (Tabla Solo),\r\nRohan Misra( Sarangi solo),\r\nCharmie Mehta(Hindustani Vocal),\r\nVeena Bhagavathi, Shiv Nadkarni & Ruchita Zaparde (Kathak Trio).\r\n\r\nDate: Sunday, October 11th, 2009\r\nTime: 3:00 to 5:30 (Sharp)\r\nVenue: Universal Unitarian Congregation of Princeton (Fahs Theater).\r\n50 Cherry Hill Road, Princeton, NJ 08540.\r\nAdmission: Non-Members: $12.00 (kids below 10 years: &7.00)\r\nRaag-Rang Members: $10.00 (Kids below 10 years: $5.00).\r\nContact: 908-429-1120, 609-890-4890, 908-240-8289. RSVP appreciated due to limited seating.\r\n\r\nEmail: bhawmikm@gmail.com, mayuresh.khare@gmail.com, dhu92@optonline.net', 'Raag-Rang presents - Kal Ke Kalakar', 0, '', 'publish', 'open', 'closed', '', 'raag-rang-presents-kal-ke-kalakar', '', '', '2009-09-23 11:17:58', '2009-09-23 15:17:58', '', 0, 'http://nynjbengali.com/?p=411', 0, 'post', '', 0);
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(412, 1, '2009-09-23 16:37:19', '2009-09-23 20:37:19', '
In New Jersey, Durga Puja is a special time when the festive mood brings with it a flurry of entertainment and cultural programs across the state. This year too the line up looks very promising although the spirits have dampened a bit due to the tough economic times and with the rejection of visas of few of the performers. Still the combination of local talents and professionals from India is bound to enthrall the Puja attendees on the coming weekends.\r\n\r\nI''ll try to briefly summarize the lineup this year, although the organizers have in many cases conveniently omitted the details about the local performers from their web sites. I tried to collect as much information I could manage. If any of you have more information, then please feel free to add them to this post as comments.\r\n\r\nKallol of New Jersey starts their celebrations with a bang featuring Sangit Martyanda Pandit Jasraj''s Hindustani classical vocal on Friday the 25th evening. Although this a deviation from Kallol''s tradition of presenting a classical musician on Sunday Bijoya night, but when you try to get an artist of the caliber of Pandit Jasraj, you have to go by the availability of the artist and not by your choice of date and time. Friday night will also feature dance presentations by Kalamandir of New Jersey under the guidance of Malabika Guha. The presentations will include a Kathak style Jugalbandi titled "Conversations" and a creative composition "Heat" which is billed as the debut performance of the newly founded Kalamandir Dance Company. The dancers include talented performers like Donia Salem, Nadia Nalini Singh, Ria Dasgupta, Jamuna Dasi, Natasha Mehra, and Brinda Guha with vocal accompaniment by Jayeeta Ghosh, Zafar Billah, and Arunava Chakraborty.\r\nOn Saturday evening Kallol''s stage will lighten up with close to forty kids of our community who under the direction of Aparajita Das will present the evergreen anti-war musical play - "Gupi Gayen Bagha Bayen". Based on Upendrakishor Roychoudhury''s story and Satyajit Ray''s film, this play tells the story of the adventures of Gupi and Bagha in a colorful presentation that will surely win the hearts of adults and children alike.\r\nThis will be followed by the Kallol adults play "Ajo Kahini" written by yours truly and directed by the talented young actor director Pinaki Dutta. This hilarious play will feature some well known actors of our community like Subhodev Das, Dhriti Bagchi, Piu Majumdar, Debi Prasad Palit, Sankar Ghoshal, Nandita Ghosh, Kaushik Dutta, Kaushik Bhowal, Roni Bose and Gautam Ghosh. I wrote more about this play in a previous post. I only hope that Kallol makes sure that the sound system works properly this time.\r\nThe featured artist this evening will be Ujjaini Mukherjee from Kolkata. Ujjaini, a talented young singer, was a finalist on Sa Re Ga Ma Pa Challenge 2005 achieving 7th place and subsequently a winner on Sa Re Ga Ma Pa Ek Main Aur Ek Tu with Aishwarya. I have never heard her live concerts before, but the few numbers that I listened to on YouTube were excellent and I have high hopes for this concert. On the same evening a dance fusion extravaganza by Nritya Creations and choreographed by Mina Basu Nag will keep the audience tapping their shoes. \r\nOn Sunday, the last day of Kallol''s durgapuja 2009, Sunrita Mitra will present a dance ensemble called ''Amei Sei Meye''. She has used her ''neo-fusion'' dance style to create a story about a free-spirited girl''s journey from girlhood into womanhood. Fortynine kids will play different roles in the ensemble. Dr Arunansu Dasgupta has written the script while Samya Goswami has created the back ground score. Bhaswati Bhadra will be the narrator. This will be followed by another Sa Re Ga Ma Pa champion Debojit from Mumbai and Assam.\r\n\r\n
Few miles away from the Kallol stage, Garden State Cultural Association will be celebrating their Puja on Saturday Sept 26 and Sunday Sept 27. On Saturday, their star attraction is Subhomita from Kolkata. Couple of years ago, Subhomita performed on Kallol stage. She is undoubtedly one of the best female singers in Bengal today. That evening, GSCA will also present a dance show by Nrityanjali group from New York, vocal recital by Ahin Das and guitar by Sekhar Das. On Sunday, Arnab Chakraborty from Mumbai will entertain the audience with a medley of popular Hindi and Bengali songs. Jagannath Bose and Urmimala Bose, the famous radio play and recitation duo from Kolkata will present an audio play. The local New Jersey organization IIPA, led by Suparna Guha, will present a unique Rabindrasangeet based show - Sakhi Sambad.\r\n\r\nAnandamandir has also lined up an impressive cultural program during their Durga Puja celebrations on Friday evening, well known singers of the community will present "Bangla Ganer Jolsha", with tabla accompaniment by Pandit Samar Saha. On Saturday evening, Anandamandir will present two classical music concerts. Dr. Shubhada Shiralkar, a Sangeet Visharad and Sangeet Acharya will perform Hindusthani classical vocal. This will be followed by a “Jugalbandi” by Pandit Snehashish Majumdar on Mandolin, and Sri Kedar Naphade on Harmonium with Sri Samrat Kakkeri on tabla.\r\n\r\nBharat Sevashram Sangha will also be celebrating Durga Puja this weekend. However I do not have any details regarding their cultural events except that Kalamandir of New Jersey will present "Tagore Around The World" directed by Malabika Guha which includes Hindi, Bengali and English translations to Rabindranath Tagore''s world renowned music and songs!\r\n\r\nAs I said this is by no means a complete list. So please let us know if you know of any other events.\r\nThese days it is difficult to attend multiple Puja''s on the same weekend. But wherever you go, I am sure you''ll have a great time with your friends and family.', 'Durga Puja and Cultural Events: The 2009 New Jersey Lineup', 0, '', 'publish', 'open', 'open', '', 'durga-puja-and-cultural-events-the-2009-new-jersey-lineup', '', '', '2009-09-24 17:23:54', '2009-09-24 21:23:54', '', 0, 'http://nynjbengali.com/?p=412', 0, 'post', '', 0),
(413, 1, '2009-09-23 16:25:30', '2009-09-23 20:25:30', '', 'Ujjaini Mukherjee', 0, 'Ujjaini Mukherjee', 'inherit', 'open', 'open', '', 'ujjaini', '', '', '2009-09-23 16:25:30', '2009-09-23 20:25:30', '', 412, 'http://nynjbengali.com/wp-content/uploads/2009/09/ujjaini.jpg', 0, 'attachment', 'image/jpeg', 0),
(414, 1, '2009-09-23 16:29:44', '2009-09-23 20:29:44', '', 'Subhomita', 0, 'Subhomita Banerjee', 'inherit', 'open', 'open', '', 'subhomita', '', '', '2009-09-23 16:29:44', '2009-09-23 20:29:44', '', 412, 'http://nynjbengali.com/wp-content/uploads/2009/09/subhomita.jpg', 0, 'attachment', 'image/jpeg', 0),
(415, 1, '2009-09-24 16:50:17', '2009-09-24 20:50:17', 'From hot-deals:\r\n[feedsnap, 6]http://hot-deals.org/rss/xml[/feedsnap]\r\n\r\nFrom SlickDeals:\r\n\r\n[feedsnap,6]http://feeds.feedburner.com/SlickdealsnetFP[/feedsnap]', 'Deals', 0, '', 'publish', 'open', 'open', '', 'deals', '', '', '2009-09-24 17:01:40', '2009-09-24 21:01:40', '', 0, 'http://nynjbengali.com/?page_id=415', 0, 'page', '', 0),
(406, 1, '2009-09-09 17:29:01', '2009-09-09 21:29:01', '
The intelligentsia (as defined by Wikipedia) is a social class of people engaged in complex mental and creative labor directed to the development and dissemination of culture, encompassing intellectuals and social groups close to them. You can very well attribute this term to the Bengali society who fits this definition quite well. But what does a timid and herbivorous (although Bengalis think goats to be omnivorous - chhagole ki na khay) mammal like goat got to do with this elite group of people? The answer to this is well known to all of us - Bengalis love goat meat. Although in other parts of the World, goat milk and milk products (cheese) are also extremely popular, but we the Bengalis don''t care much about the milk. It is the meat that is most important to us - the ultimate food in any Bengali plate. Historically, goat meat is the only kind of meat that Bengalis (especially the Hindu Bengalis) ate. Goats were the most popular offerings to Goddess Kali and Durga - and the meat then cooked in a recipe void of any garlic or onions and hence termed as "vegetarian meat".\r\n\r\n\r\n\r\nBut Bengalis hardly ever use the term "goat meat". "Panthar Mangsho" or "Khashir mangsho" or the anglicized version "mutton" were the popular terms. In Bengal (West Bengal to be more specific) it is a sacrilege to slaughter a "she goat". Hence, the male goats or "Pantha" or the neutered male goat or "Khashi" were the unfortunate ones. If some inscrupulous butcher tried to sneak in a female goat and got caught by the "intelligentsia", he would be severely punished and his business would be ruined for ever.\r\n\r\nBengalis have invented several goat recipes and sometimes have cleverly adapted many other meat dishes. Although goat and lamb are sometimes used interchangeably in culinary circles, Bengalis detest lamb meat. Lamb meat, although treated as a delicacy in many parts of the world, is hardly sold in Bengal. When a Bengali serves goat meat, he/she makes it absolutely clear that the meat you eat is goat and goat only. In America, goat meat is not popular amongst mainstream Americans. Hence most Indian restaurants will not advertize goat on their menu. They''ll call it lamb - lamb curry, lamb biriyani etc.\r\n\r\nA Bengali’s love for goat meat is legendary. In Kolkata (or for that matter any town in West Bengal), Bengali babus queue up in front of their local meat shops. The traditional Sunday lunch of goat and potato stew with fine white rice followed by a nap is the highest point of luxury in a Bengali’s life. Just the words "Kosha Mangsho" (spicy fried goat meat) and "Parota" is like music to Bengali ears. No dinner party or celebration is complete without goat meat.\r\n\r\nIn this country (USA) we, the Bengalis, try hard to hold on to our culture and traditions. Hence goat meat is an integral part of that effort. Goat meat is not sold in most American butcher shops, but that is hardly an impediment. We travel miles to find a "Indo-Pak Halal" meat shop to get our quota of red meat. Goat meat is a must at any weekend party. Since cooking goat meat is kind of a long term project, we prefer if someone else cooks it for us. Hence the demand for invitations to goat meat parties is extremely high. A persons popularity in this community is judged by the number of goat meat parties he/she is invited to. Hence, no Bengali would sacrifice a goat meat party invitation. Attendance is a must at any cost. Another way to become popular is to invite folks to your goat meat party. Since you are assured of a high attendance, a few calculated parties can catapult your popularity poll numbers to ensure a seat at your local Bengali club committee. Goat meat parties dominate over any other events – be it a musical concert, or a theatrical show, or a literary gathering. Once a frustrated Bengali play director lamented during a rehearsal that was scheduled on a weekend evening, “I give up! I just cannot compete with goat!” The Bengali intelligentsia cannot function properly without goat. People seem to have a wrong notion that the Bengalis can kill for a meal of fish curry and rice! But they are wrong – goat rules the Bengali palate!\r\n\r\nDuring the upcoming Durga Puja festivals, Kallol will be staging a hilarious play titled “Ajo Kahini” or “The Goat Story”. The play, a satire on our social existence as a Bengali in this country, talks about our love affair with goat. It’s not the kind of affair that Albee talks about (The Goat or Who is Sylvia), but its an affair nonetheless - an affair that defines many a moment in our lives as Bengalis. Join the party and let’s have a big laugh on ourselves!', 'Goat and the Bengali Intelligentsia', 0, '', 'publish', 'open', 'closed', '', 'goat-and-the-bengali-intelligentsia-4', '', '', '2009-09-09 17:33:19', '2009-09-09 21:33:19', '', 0, 'http://nynjbengali.com/archives/406', 0, 'post', '', 3),
(407, 1, '2009-09-10 10:22:15', '2009-09-10 14:22:15', 'Kallol announces the celebration of New Jersey Durga Puja 2009 (NJDP''09) on Sep 25, 26 and 27, 2009 in the Ukranian Cultural Center, Somerset NJ.\r\n\r\n
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Finally the annual Durga Puja celebrations are over. I was mostly present at the Kallol pujo but also paid (no pun intended) short visits at the Bharat Sevashram Sangha and Anandamandir. Kallol, just like the previous year, had a full house and had to turn away several people. In one of my previous blogs I had requested, rather wished, that Kallol provide a daily ticket for people who would like to come in for a day. However, for whatever reasons, Kallol decided on the contrary and the result was that I had to listen to complaints from several disappointed friends and family. Well, rules are rules - that''s what I said.\r\n\r\nThis year I did something which I never did before. I dropped in on Thursday evening - and it was real fun. There was no pressure of showing the badge, no parking tags, no stress about reserving seats with shawls and jackets and no celebrities on stage to pay attention to. While the volunteers were busy setting up the idol and the kids busy rehearsing on the stage, I had a good time chatting with friends. For once, after a long time, I had the pleasure of pure Pujo adda - completly unadultered fun. I think we should, at least informally, start the festivities from Thursday - just to prolong the enjoyment for few more hours.\r\n\r\nThe formal festivities at the Kallol venue started on Friday afternoon. People started wheeling in their cars and under the strict vigilance of the security personnel who meticulously checked for parking tags and guided the cars to the parking lots. Inside, the doors were also well guarded with black uniformed and grim faced Caucasian security guards who were extremely mindful of their duties and didn''t allow a single fly without a plastic badge.\r\nOn the makeshift stage, the idol of Goddess Durga and her family was well decorated and our revered priest Bhavani Mukhopadhyay was well into his three day long process of worshipping Maa Durga on our behalf.\r\n
On Friday evening, the cultural events started after the community dinner that was served in tents outside the main building. The highlight of that evening was the Hindustani vocal concert by Pandit Jasraj. Earlier that afternoon, Panditji and his students came in to join the Puja celebrations, offered Pushpanjali and Panditji even played the drums (Dhak). I guess the environment helped build up Panditji''s mood that evening and he gave a spectacular performance that lasted more than two hours. Panditji started with compositions in Raga Puria, followed by Bageshree, Adana, and concluded with a rendition in Bhairavi. All his compositions were in praise of the Goddess Shakti and the dexterity and fluidity of his renditions was something that can only be experienced. He was accompanied on the tabla by Pandit Samir Chatterjee and Aditya Narayan Banerjee and on the harmonium by his student Suman Ghosh who also provided vocal support. The other members on stage providing vocal support were his disciples, Tripti Mukherjee and Marina Alam Khan. Earlier that evening, the members of Kalamandir of New Jersey presented few dance numbers that were highly appreciated by the audience, especially the contemporary fusion presentations set to the music of Zakir Hussain and others.\r\n
On Saturday evening, after a scrumptious dinner of spicy goat-meat and pulao, the audience settled in to their well preserved seats (with shawls, sweaters and jackets) for some scintillating performances which began with "Gupi Gayen Bagha Bayen" a musical play by the kids of Kallol directed by Aparajita Das. The play followed the well known story of Gupi and Bagha as told in the popular film by Satyajit Ray and also used music tracks from the same film. The kids (aged four to fourteen), in their colorful costumes and jazzy makeup, did an wonderful job in presenting the play despite few glitches in the audio system. Gupi, Bagha, Shundi and Halla Rajah, Montri-moshai, Jadukar Barfi, Senapati and others were excellent. For most of these kids, Bangla is something that they speak with some degree of difficulty. But for this play, they made a conscious effort to improve their Bengali diction and justify the message "Mora Bangla Desher theke elaam ..... Mora Sei Bhashatei kori gaan...". And this is where this play succeeds.\r\nThe next item was a dance recital by students of Mina Basu Nag that I missed, but have heard great praises about. Following this was the Kallol adults play "Ajo Kahini" (or the Goat Story). Since I was sort of involved with this production, I''ll refrain from commenting and wait for others to speak. However, from the audience reaction and the feedback I received later, it seems the play was well accepted - especially after the goat meat dinner.\r\nThe last item that night was the "dhamaka" vocal presentation by Ujjaini Mukherjee - the SaReGaMaPa sensation. Although she was able to make many to dance to her tunes, I was a bit disappointed by her performance. First of all, singing to pre-recorded track music robs off the spontaneity that one expects in a live performance. Secondly, if her SaReGaMaPa judges were present, her scores would have been quite dismal to say the least.\r\n\r\n
Sunday evening the stage lit up with fifty odd boys and girls of Kallol in a dance extravaganza titled "Ami Sei Meye". The show, choreographed by Sunrita Mitra, traced the life of a girl from her childhood to womanhood through a series of contemporary songs and dance. The kids were bubbling with energy as they romped through the stage in a riot of rhythm and color. The final program that evening was the vocal presentation by Debojit Dutta, another product of the SaRegamapa talent search contest. But Debojit was explosive on stage - he sang, he danced, he gyrated, he jumped into the audience - just like a rock star. Although he was also singing to pre-recorded tracks, but was helped on the keyboard with one of his musicians. His range of selections was also well appreciated by the audience who went berserk with the high octane music blared out by their favorite star. Debojit may not have pleased some of the seniors of Kallol, but he was surely a big hit with the younger crowd.\r\n\r\n
Durga Puja, the greatest Bengali festival, comes and goes. But what remains is the happy memories of our children''s performances on stage, those heated discussions in the lobby, those laughs and jokes in the dinner lines, and some flashes of wonderful moments on stage by some of the legendary performers like Pandit Jasraj. Let''s not destroy this by over commercialization and making the festival a collage of marketing banners as is done in Kolkata these days. Let''s try to keep the Puja our own. The other day, one of the Kallol volunteers told me how one of the attendees complained to him saying that he didn''t like anything at this festival - the cultural programs, the food, the arrangements - nothing! I told him that this festival is not a Broadway show or a restaurant. If the person wants to have the best food, he should go to a restaurant. If he wants to see a professional show in a comfortable auditorium, he should opt for a Broadway show or a similar event. Having said that, I would say the Durga Puja festival is a great bargain with three meals and top level performers ( a Pandit Jasraj concert would cost a minimum of $40.00 in any city in this country) giving their best on stage. There is room for improvement, but instead of complaining we should come up with constructive suggestions and help the organizers. I would like to invite the readers to post their comments (click the comments link at the top of this post) and provide their feedback.\r\n\r\nNOTE: Photos in this article are provided by Koushik Bhowal', 'New Jersey Durga Puja 2009 : A Review', 0, '', 'publish', 'open', 'open', '', 'new-jersey-durga-puja-2009-a-review', '', '', '2009-10-02 10:10:18', '2009-10-02 14:10:18', '', 0, 'http://nynjbengali.com/?p=417', 0, 'post', '', 7),
(420, 1, '2009-09-30 16:05:00', '2009-09-30 20:05:00', 'Durga Puja', 'Kallol Durga Protima', 0, 'Durga Protima Kallol of New Jersey', 'inherit', 'open', 'open', '', 'durga-protima', '', '', '2009-09-30 16:05:00', '2009-09-30 20:05:00', '', 417, 'http://nynjbengali.com/wp-content/uploads/2009/09/durga-protima.jpg', 0, 'attachment', 'image/jpeg', 0),
(418, 1, '2009-09-30 15:34:14', '2009-09-30 19:34:14', '
Ninety-year-old playback legend Manna Dey - who belted out evergreen songs like “Ae mere pyaare watan” and “Zindagi kaisi hai paheli” - is being honoured with the Dadasaheb Phalke award, the highest honour in Indian cinema, his family said Wednesday.\r\n\r\nBorn as Prabodh Chandra Dey May 1, 1919 to Purna Chandra and Mahamaya Dey, the singer was a name to reckon with in the Hindi film industry from the 1950s to the 1970s. He has recorded more than 3,500 songs over the course of his career.', 'Dadasaheb Phalke Award for Manna Dey', 0, '', 'publish', 'open', 'open', '', 'dadasaheb-phalke-award-for-manna-dey', '', '', '2009-09-30 15:34:14', '2009-09-30 19:34:14', '', 0, 'http://nynjbengali.com/?p=418', 0, 'post', '', 0),
(419, 1, '2009-09-30 15:32:53', '2009-09-30 19:32:53', 'Manna Dey', 'manna-dey', 0, 'Manna Dey', 'inherit', 'open', 'open', '', 'manna-dey', '', '', '2009-09-30 15:32:53', '2009-09-30 19:32:53', '', 418, 'http://nynjbengali.com/wp-content/uploads/2009/09/manna-dey.jpg', 0, 'attachment', 'image/jpeg', 0),
(421, 1, '2009-09-30 16:23:00', '2009-09-30 20:23:00', 'Pandit Jasraj at the Kallol Durga Puja', 'Pandit Jasraj at the Kallol Durga Puja', 0, 'Pandit Jasraj at the Kallol Durga Puja', 'inherit', 'open', 'open', '', 'pandit-jasraj-kallol', '', '', '2009-09-30 16:23:00', '2009-09-30 20:23:00', '', 417, 'http://nynjbengali.com/wp-content/uploads/2009/09/pandit-jasraj-kallol.jpg', 0, 'attachment', 'image/jpeg', 0),
(422, 1, '2009-09-30 16:24:24', '2009-09-30 20:24:24', 'Mili Dancing at the Kallol Pujo', 'Mili Dancing at the Kallol Pujo', 0, 'Mili Dancing at the Kallol Pujo', 'inherit', 'open', 'open', '', 'kallol-pujo-dance', '', '', '2009-09-30 16:24:24', '2009-09-30 20:24:24', '', 417, 'http://nynjbengali.com/wp-content/uploads/2009/09/kallol-pujo-dance.jpg', 0, 'attachment', 'image/jpeg', 0),
(423, 1, '2009-09-30 16:46:27', '2009-09-30 20:46:27', 'Debojit at Kallol Puja 2009', 'Debojit at Kallol Puja 2009', 0, 'Debojit at Kallol Puja 2009', 'inherit', 'open', 'open', '', 'debojit-kallol-2009', '', '', '2009-09-30 16:46:27', '2009-09-30 20:46:27', '', 417, 'http://nynjbengali.com/wp-content/uploads/2009/09/debojit-kallol-2009.jpg', 0, 'attachment', 'image/jpeg', 0),
(424, 1, '2009-09-30 16:48:06', '2009-09-30 20:48:06', 'Kallol Pujo Crowd', 'Kallol Pujo Crowd', 0, 'Kallol Pujo Crowd', 'inherit', 'open', 'open', '', 'kallol-crowd', '', '', '2009-09-30 16:48:06', '2009-09-30 20:48:06', '', 417, 'http://nynjbengali.com/wp-content/uploads/2009/09/kallol-crowd.jpg', 0, 'attachment', 'image/jpeg', 0),
(425, 1, '2009-10-01 10:09:25', '2009-10-01 14:09:25', 'NJPA cordially invites you to celebrate Kali Puja on October 10th at CrossRoads Middle School.Puja will start at 3:00 PM which will be followed by Prasad and Dinner. Nirmalya Roy of Zee-TV, Tara TV, ETV, Saregama fame will present semi-calssical and ghazals and Moumita Chatterjee of Calcutta Door Darshan, ETV, Tara Music and aAkash Bangla Fame and will present variety songs,. For more information, please visit http://njpa.net.', 'NJPA Kali Puja 2009', 0, '', 'publish', 'open', 'open', '', 'njpa-kali-puja-2009', '', '', '2009-10-01 10:09:25', '2009-10-01 14:09:25', '', 0, 'http://nynjbengali.com/?p=425', 0, 'post', '', 1),
(426, 1, '2009-10-01 10:26:59', '2009-10-01 14:26:59', 'If you like any article, please Digg it by clicking the Digg button on the top right corner. Digg, kind of, gives a popularity rating to an article and helps bring in more readers. You may also share the article to your friends on Facebook, email, Reddit or a bunch or other social bookmarking sites by clicking one of the buttons below the article.\r\n\r\nPlease support this blog!', 'Digg! Please Digg!', 0, '', 'publish', 'open', 'open', '', 'digg-please-digg', '', '', '2009-10-01 10:27:27', '2009-10-01 14:27:27', '', 0, 'http://nynjbengali.com/?p=426', 0, 'post', '', 0),
(427, 1, '2009-10-05 14:13:16', '2009-10-05 18:13:16', 'New Jersey based Que Zara Productions has announced that they are hosting a concert which will showcase the melodies of the 50s era down to the jingles of the 90s. The show is aptly called B2B Legends or Burman to Burman (S.D.Burman to R.D.Burman), which will be led by original yesteryear super musicians like Ajit Pachegaokar (electric and acoustic guitar) and Inder Singh (I.P.Singh) on the piano/keyboards. They will be supported by nine other famous musicians, including Sanjay Shah (keyboards and vocals), Kumar Majmudar (accordion), Atish Mitra (bass guitar), Sripad Jail (dholak, tabla), Deepak Gundani (rhythm), Pappoo (octopad), Harish B (mandolin), Kalpesh Patel (drums) and Ramesh Maraj (saxophone) of IndiaSax.\r\n\r\nThe show will focus on the genius instrumentation behind the melodies and will feature vocal renditions from Shweta Ranade and Abhijit Pachegaokar.\r\n\r\nCelebrated talent Dan Skye (formerly with Bon Jovi) will provide the sound engineering for the show. Additionally, it will feature melodies of other legendary music composers from Khaiyyam, Laxmikant - Pyarelal, Kalyanji Anandji to disco king Bappi Lahiri.\r\n\r\nSpeaking on the occasion Kousik Bhowal and Prabir Mitra, Board Advisors for Que Zara agreed, "It is like a Yanni show of Indian music, an Indian instrument-lead concert to savor and learn how the blockbuster hits were created, meet these great musicians in person, enjoy world class audio and go home humming your favorite tunes.”\r\n\r\nAparna Tandon, Prajee chief who will manage the event, said, "I am simply excited to be a part of all this. Five musical decades in one night, eleven expert musicians on one stage, what else can a music lover want?"\r\n\r\nQue Zara has plans to replicate the show in the tri-state area in future months.\r\n\r\nDolna Banerjee, Que Zara founder partner, said, "We chose this facility for the excellent acoustics and people capacity. We sincerely hope we can replicate this in other music-loving cities in the US. New Jersey will now experience this unique collage of musicians playing together."\r\n\r\nQue Zara has ambitious plans to bring other unique blockbuster shows to the tri-state area.\r\n\r\nTickets, Show Details are available from: http://cities.sulekha.com/new-jersey/events/Social/2009/09/b-to-b-legends.htm', 'B2B Legends : A Unique Concert from Que Zara Productions', 0, '', 'publish', 'open', 'open', '', 'b2b-legends-a-unique-concert-from-que-zara-productions', '', '', '2009-10-05 14:16:09', '2009-10-05 18:16:09', '', 0, 'http://nynjbengali.com/?p=427', 0, 'post', '', 0),
(429, 1, '2009-10-05 15:57:16', '2009-10-05 19:57:16', 'SUNDAY, OCTOBER 11\r\nALL SCREENINGS AT BUSCH CAMPUS CENTER\r\n604 Bartholomew Rd, Piscataway, NJ\r\n\r\n| Time | \r\nMPR | \r\n\r\n | Center Hall | \r\n||||||||||
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Once again an Indian (or person of Indian origin) wins the Nobel prize. Dr. Venkatraman Ramakrishnan was awarded the 2009 Nobel prize in chemistry for his research on ribosomes. It was in 1930, another Raman, Dr. Chandrashekhar Venkata Raman (popularly known as C. V. Raman) won the Nobel prize in Physics.\r\n\r\nDr. Venkataraman (of the MRC Laboratory of Molecular Biology in Cambridge, England) won the award along with Dr. Thomas A. Steitz of Yale University, and Dr. Ada E. Yonath of the Weizmann Institute of Science in Rehovot, Israel.\r\nDr. Venkatraman was born in Chidambaram, Tamil Nadu, India, in 1952 and obtained his Ph.D. at Ohio University, and holds American citizenship.\r\n\r\nFor further details, visit http://nobelprize.org/nobel_prizes/chemistry/laureates/2009/index.html', 'Another Raman Wins Nobel Prize in Chemistry', 0, '', 'publish', 'open', 'open', '', 'indian-wins-nobel-prize-in-chemistry', '', '', '2009-10-07 15:41:33', '2009-10-07 19:41:33', '', 0, 'http://nynjbengali.com/?p=430', 0, 'post', '', 0),
(431, 1, '2009-10-07 10:19:57', '2009-10-07 14:19:57', 'Dr. Venkatraman Ramakrishnan, winner of 2009 Nobel prize in chemistry.', 'Dr. Venkatraman Ramakrishnan', 0, 'Dr. Venkatraman Ramakrishnan', 'inherit', 'open', 'open', '', 'venkatraman-ramakrishnan', '', '', '2009-10-07 10:19:57', '2009-10-07 14:19:57', '', 430, 'http://nynjbengali.com/wp-content/uploads/2009/10/venkatraman-ramakrishnan.jpg', 0, 'attachment', 'image/jpeg', 0),
(432, 1, '2009-10-08 10:33:13', '2009-10-08 14:33:13', '
Herta Muller, "who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed" won the 2009 Nobel Prize in literature. Ms. Müller, 56, emigrated to Germany in 1987 after years of persecution and censorship in Romania. She is the first German writer to win the Nobel award since Günter Grass in 1999.\r\n\r\nHerta Müller was born on August 17, 1953 in the German-speaking town Nitzkydorf in Banat, Romania. Her parents were members of the German-speaking minority in Romania. Her father had served in the Waffen SS during World War II. Many German Romanians were deported to the Soviet Union in 1945, including Müller''s mother who spent five years in a work camp in present-day Ukraine. Many years later, in Atemschaukel (2009), Müller was to depict the exile of the German Romanians in the Soviet Union. From 1973 to 1976, Müller studied German and Romanian literature at the university in Timi?oara (Temeswar). During this period, she was associated with Aktionsgruppe Banat, a circle of young German-speaking authors who, in opposition to Ceau?escu’s dictatorship, sought freedom of speech. After completing her studies, she worked as a translator at a machine factory from 1977 to 1979. She was dismissed when she refused to be an informant for the secret police. After her dismissal, she was harassed by Securitate.\r\n\r\nMüller made her debut with the collection of short stories Niederungen (1982), which was censored in Romania. Two years later, she published the uncensored version in Germany and, in the same year, Drückender Tango in Romania. In these two works, Müller depicts life in a small, German-speaking village and the corruption, intolerance and repression to be found there. The Romanian national press was very critical of these works while, outside of Romania, the German press received them very positively. Because Müller had publicly criticized the dictatorship in Romania, she was prohibited from publishing in her own country. In 1987, Müller emigrated together with her husband, author Richard Wagner.\r\nThe novels Der Fuchs war damals schon der Jäger (1992), Herztier (1994; The Land of Green Plums, 1996) and Heute wär ich mir lieber nicht begegnet (1997; The Appointment, 2001) give, with chiselled details, a portrait of daily life in a stagnated dictatorship. Müller has given guest lectures at universities, colleges and other venues in Paderborn, Warwick, Hamburg, Swansea, Gainsville (Florida), Kassel, Göttingen, Tübingen and Zürich among other places. She lives in Berlin. Since 1995 she has served as a member of Deutsche Akademie für Sprache und Dichtung, in Darmstadt.\r\n\r\nWorks in German\r\nNiederungen. – Bukarest : Kriterion-Verlag, 1982 ; Berlin : Rotbuch-Verlag, 1984\r\nDrückender Tango : Erzählungen. – Bukarest : Kriterion-Verlag, 1984 ; Reinbek bei Hamburg : Rowohlt, 1996\r\nDer Mensch ist ein gro?er Fasan auf der Welt : Roman. – Berlin : Rotbuch-Verlag, 1986\r\nBarfü?iger Februar : Prosa. – Berlin : Rotbuch-Verlag, 1987\r\nReisende auf einem Bein. – Berlin : Rotbuch-Verlag, 1989\r\nDer Teufel sitzt im Spiegel. – Berlin : Rotbuch-Verlag, 1991\r\nDer Fuchs war damals schon der Jäger : Roman. – Reinbek bei Hamburg : Rowohlt, 1992\r\nEine warme Kartoffel ist ein warmes Bett. – Hamburg : Europäische Verlagsanstalt, 1992\r\nDer Wächter nimmt seinen Kamm : vom Weggehen und Ausscheren. – Reinbek bei Hamburg : Rowohlt, 1993\r\nHerztier : Roman. – Reinbek bei Hamburg : Rowohlt, 1994\r\nHunger und Seide : Essays. – Reinbek bei Hamburg : Rowohlt, 1995\r\nIn der Falle. – Göttingen : Wallstein-Verlag, 1996\r\nHeute wär ich mir lieber nicht begegnet. – Reinbek bei Hamburg : Rowohlt, 1997\r\nDer fremde Blick oder Das Leben ist ein Furz in der Laterne. – Göttingen : Wallstein-Verlag, 1999\r\nIm Haarknoten wohnt eine Dame. – Reinbek bei Hamburg : Rowohlt, 2000\r\nHeimat ist das, was gesprochen wird. – Blieskastel : Gollenstein, 2001\r\nDer König verneigt sich und tötet. – München : Hanser, 2003\r\nDie blassen Herren mit den Mokkatassen. – München : Hanser, 2005\r\nAtemschaukel : Roman. – München : Hanser, 2009\r\n\r\nWorks in English\r\n The Passport / translated by Martin Chalmers. – London : Serpent''s Tail, 1989. – Translation of Der Mensch ist ein großer Fasan auf der Welt\r\n The Land of Green Plums / translated by Michael Hofmann. – New York : Metropolitan Books, 1996. – Translation of Herztier\r\n Traveling on One Leg / translated from the German by Valentina Glajar and André Lefevere. – Evanston, Ill. : Northwestern University Press, 1998. – Translation of Reisende auf einem Bein\r\n The Appointment / translated by Michael Hulse and Philip Boehm. – New York : Metropolitan Books, 2001. – Translation of Heute wär ich mir lieber nicht begegnet', 'Herta Muller Awarded the 2009 Nobel Prize in Literature', 0, '', 'publish', 'open', 'open', '', 'herta-muller-awarded-the-2009-nobel-prize-in-literature', '', '', '2009-10-08 10:33:13', '2009-10-08 14:33:13', '', 0, 'http://nynjbengali.com/?p=432', 0, 'post', '', 0),
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(434, 1, '2009-10-08 16:23:55', '2009-10-08 20:23:55', 'Special Event:\r\n\r\nBansuri Concert by Steve Gorn with Dibyarka Chatterjee on Tabla\r\n\r\nShyama Sangeet', 'Anandamandir Celebrates Kali Puja 2009', 0, '', 'publish', 'open', 'open', '', 'anandamandir-celebrates-kali-puja-2009', '', '', '2009-10-08 16:23:55', '2009-10-08 20:23:55', '', 0, 'http://nynjbengali.com/?p=434', 0, 'post', '', 1);
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(505, 1, '2010-09-08 23:35:44', '2010-09-09 03:35:44', 'On August 10, 2010, at the Paschimbanga Bangla Academy, an interesting event took place along with my book launch ceremony. As a part of the book launch, Saptarshi Prakashan arranged for a discussion from a panel of contemporary playwrights which included Ujjal Chattopadhyay, Tirthankar Chanda, Sudipto Chatterjee and myself. The panel was moderated by Satya Bhaduri, the editor of the well known theater journal SAS. The topic of discussion was "Exchange of Ideas". Ujjal and Tirthankar being Kolkata residents and both Sudipto and me being expatriates, the moderator essentially wanted to get the panelists view point as to how contemporary Bengali playwrights, living all around the globe, can exchange their thoughts and ideas, discuss and debate their plays and finally produce plays that enrich Bengali theater on the whole. The panelists spoke about their own ideas and convictions which may not have found a perfect answer to Satya Bhaduri''s question, but it did raise some good issues that we the playwrights and theater lovers ought to ponder on. The following video clips from the panel discussion will give you a better understanding of the proceedings of that meeting. Enjoy and don''t forget to add your thoughts below as comments.\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n', 'A Panel of Bengali Playwrights', 0, '', 'publish', 'open', 'open', '', 'a-panel-of-bengali-playwrights', '', '', '2010-09-08 23:35:44', '2010-09-09 03:35:44', '', 0, 'http://nynjbengali.com/?p=505', 0, 'post', '', 0),
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(438, 1, '2009-10-14 18:02:08', '2009-10-14 22:02:08', '
The three day long 3rd Annual New Jersey Independent South Asian Cine Fest (NJISACF) concluded on Sunday, October 11, 2009 at the Rutgers Busch Campus Student Center. The festival does not have the clout that some of the other major films festivals around the World enjoy, but it is gradually gaining in momentum. The festival does not boast of stars and glitterati, but is more focused on quality films made by artists of South Asian descent. This year, the festival showcased around 25 films including full length features and shorts that highlighted the best works of some young and promising film makers as well as veterans like Adoor Gopalakrishnan. I, however, was able to watch only a handful of films and I’ll discuss those in this ‘attempt of a report’ of mine. I would like to welcome the readers who attended the festival to comment on the films they watched.\r\n\r\n\r\n\r\nThe festival opened on Friday, Oct 9th evening at the Westin Hotel in Princeton with the film “7 days in Slow Motion” by Umakanth Thumrugoti. Before the screening, as announced by the organizers, there was a small strip of red carpet on which some film makers might have walked while being photographed by the awaiting camera men. I must have missed it, cause while I was hanging out in the lobby I didn’t notice anybody on the carpet. The screening started a bit late, not because of any logistics related delay, but only to accommodate some more people who got stuck on a Friday evening traffic. The film maker, Umakanth was introduced before the screening and he also made a few comments about the film. We learnt that he is an art director at Disney films and has worked on many of Disney’s popular animated features. He took a sabbatical for one year to make this film in Hyderabad. The film starts off as a light hearted comedy about a young boy Ravi, who along with his friends ventures upon making a film using a “borrowed” camera. The film gradually takes on a more serious tone as the camera starts to capture stories that Ravi had never imagined. The film was well made, and had that professional polish that distinguishes it from an amateur art house film to a more Hollywoodish kind (not that there is anything wrong with that). The screenplay structure follows the typical three act flow as preached by Hollywood gurus, although the story kind of slacked during the second act. The film however, made a point of its own - that films are finally made on the editing table. The boy did not have a story to begin with, but the story he finally told through his film came about on his editing tool by mostly using footages captured accidentally on his Panasonic camera. Nonetheless, it was an enjoyable film and I brought along my 12 year old son (who dabbles with film making now and then) to watch the film the following day.\r\n\r\nThe film screening was followed by a short celebration where the famed film maker from India, Adoor Gopalakrishnan was felicitated. Adoor is one of the most respected film maker and has received numerous awards and acclaims for his films both in India and abroad. It was indeed a major achievement of the festival committee to bring him and his film at this festival. A nice dinner followed this event before wrapping up for the day.\r\n\r\nThe next day, the venue shifted to Rutgers University Cook-Douglas campus. I was able to watch only two films – “Loori” a film made by Afgan expats and “Barah Anah” a film made by Raja Menon from Mumbai.\r\n\r\n“Loori” (directed by Saeed Orokzai ) is a film about a young Afgan woman Meena. Meena was brought to USA as a child when her parents died during the Soviet invation. Later, after some troubling incidents in her life, Meena develops some serious emotional and mental problems. Finally she finds herself back after some help from an Afgan doctor, an Artist and a homeless boy. The story had a slow, soft lyrical quality to it and is loaded with symbolism. However the key problem of this film was its technical quality and the entire production can be regarded as amateurish at best. The acting performances for most was quite poor, so was the photography which got further skewed by an inadequate DVD projection system.\r\n\r\n“Barah Anah” (Short Changed) is directed by Raja Menon and is produced by an interesting team of people including an Italian (Giulia Achilli), an American (Raj Yerasi) and an Indian (Raja Menon). The film tells the tale of three migrant workers in Mumbai who got tired of the continuous indignity and disdain showered upon them by the rising middle class, and takes up crime to achieve their goals. They kidnap simple middle class people who, having no faith in law enforcement, prefers to pay the “micro” ransom demands instead of going to the police. The story, in itself, is nothing novel and has been told several times. However, the film gets its boost from the wonderful performances of its cast members which include none other than the great Nasiruddin Shah and Vijay Raj. The film seem contrived at times, with the ending clearly a patch work which is difficult to justify, even with a back story of Shukla’s (acted by Nasiruddin Shah) predicament at the beginning of the film. If a death certificate can get a person out of judicial claws, then all criminals would have carried a death certificate of their own. Raja Menon’s answer to this was that he took some artistic license and left it to the audience to figure it out, but I think that kind of an excuse is not even used by the regular song-and-dance kind of seventies style Bollywood movie.\r\n\r\nOn Sunday, the third and final day of the festival that happened at the Rutgers Busch Campus Students Center, I was able to see only one film and possibly the best of the lot I’ve seen so far. “Death on a Full Moon Day” (Pura Handa Kaluwara) a Sinhalese film directed by Prasanna Vithanage was made in 1997 and was banned by the Sri Lankan Govt. Prasanna fought against the ban and won the case in the Supreme Court who forced the Govt to lift the ban. The film is a wonderful treatise on the de-humanization of common people by war and the reigning authorities. Old Vannihamy, on a full moon day, receives the remains of his only son (a soldier in the Sri Lankan army) in a sealed coffin. But Vannihamy refuses to accept the death of his son and risking the compensation money from the Govt., he opens the casket to vindicate his belief. The loss of humanity and the general apathy of the people caused by a prolonged war is dealt with great sensitivity and beauty that only a master film maker can. I am inclined to see more of Prasanna’s films if they are available on DVD.\r\n\r\nNJISACF brings to us some of the gems of South Asian cinema and exposes us to the rich cultural variety of that region. I hope this modest festival develops into a major international event and helps build bridges between cultures. Kudos to the festival organizers.\r\n\r\nMy only request to the organizers would be to make sure that the projection systems do justice to the films being shown. The film makers take lot of care in composing their shots and arranging color schemes for each frame. But it really gets frustrating for the film makers as well as the audience when a less than adequate DVD player and projection system screws it up.', 'NJ Independent South Asian Cine Fest 2009: A Brief Report', 0, '', 'publish', 'open', 'open', '', 'nj-independent-south-asian-cine-fest-2009', '', '', '2009-10-14 18:08:13', '2009-10-14 22:08:13', '', 0, 'http://nynjbengali.com/archives/438', 0, 'post', '', 0),
(439, 1, '2009-10-21 17:21:01', '2009-10-21 21:21:01', 'Three months ago, when I lost my mother, I received the following email from a close friend:\r\n
Tonight at the Sahitya O Alochana meeting I heard the very sad news of your mother''s passing away.
The count down to NABC 2010 has started. In little more than seven months from now, Bengalis from all over USA and abroad will converge upon Atlantic City in New Jersey. Kallol of New Jersey, the host organization of NABC 2010, is working at a hectic pace to make it a great event. Most of the performers have been lined up, registrations pouring in and the committee members are busy working on the final details like scheduling and fund raising. On January 8th, 2010, a kickoff meeting/press-conference will be held in Kolkata in the presence of most of the artists and performers.\r\n\r\nLets take a look at some of the foreign performers who will grace the Atlantic City convention center stage. I''ll not be able to cover all of them in this article and plan to continue in future posts. At the 2010 NABC Kallol will be presenting some performers who are relatively unknown to the Bengali crowd in USA. One such group is Sapphire Creations Dance Workshop who will be performing at the opening ceremony. Sapphire Creations is a premier experimental dance company based in Kolkata and the only one of its kind in Eastern India performing regularly and popularly in festivals and arts events in India and abroad. Their objective is to integrate in its dance an awareness of tradition, a dimension of experimentation, an urge to entertain and a purpose to provoke consciousness to inspire us to reach brighter horizons. \r\n\r\nThe group was founded in 1992, but during its early days it had to face huge hurdles in the form of criticism
and abuse, accusations of sensationalism and ‘bad’ culture. However, over the years and after numerous acclaimed performances in most national dance festivals and important international tours, Sapphire has been regarded as pioneers of a radical innovative dance idiom. Sapphire delves into the body and its reservoir of movements, to discover a basic language of dance that can transgress race, color or religion and reach out to the global youth enabling them to find integrity in their otherwise racy, urban lives. Here are some of the recent criticisms in the press:\r\n\r\nTimes of India:\r\nKolkata’s dynamic dance troupe Sapphire Creations has broken all barriers of tradition with their very own dance statement. The lead female dancer of the group, Paramita epitomizes womanhood in all her portrayals. She is at one time, the Bharatiya nari and the modern woman emancipated, free and unfettered. Themes such as this or such bold depictions have rarely been witnessed on the Kolkata stage. But their audience has always loved their performance. Why else would their show at Rabindra Sadan draw a full house?\r\n\r\nThe Indian Express:\r\nThe ballet shows a more intellectual treatment of the subject… is based on extensive research charting Indian history in a new interpretative mode.\r\n\r\nThe Statesman:\r\nThe hard work and research gone in to the project is obvious when one sees the stage performance. The scintillating dance and the flawless steps are matched brilliantly with the sets, background voice and the lights. All credits go to Sudarshan Chakravorty for excellent conceptualization and choreography.\r\n…sheer professionalism was on display as the artists matched their rhythm with difficult body movements.\r\n\r\nArtistic-Director Sudarshan Chakraborty leads the group with a vast experience in a multitude of dance forms that include Bharatanatyam, Modern Dance, Jazz, Modern Vietnamese dance and Thangta to Kathakali. Along with Sudarshan, the team consists of talented dancers and choreographers like Paramita Saha (Co-Director), Dibyendu Nath, Subhojit Sarkar, Moumita Debnath and many others. The following YouTube clip gives a glimpse of one of Sapphire''s presentations.\r\n', 'Countdown to NABC 2010', 0, '', 'publish', 'open', 'open', '', 'countdown-to-nabc-2010', '', '', '2009-12-02 22:58:54', '2009-12-03 02:58:54', '', 0, 'http://nynjbengali.com/?p=447', 0, 'post', '', 4),
(448, 1, '2009-12-02 22:45:06', '2009-12-03 02:45:06', '', 'Sapphire Creations', 0, 'Sapphire Creations Dance Workshop', 'inherit', 'open', 'open', '', 'sapphire_sdt', '', '', '2009-12-02 22:45:06', '2009-12-03 02:45:06', '', 447, 'http://nynjbengali.com/wp-content/uploads/2009/12/sapphire_sdt.jpg', 0, 'attachment', 'image/jpeg', 0),
(449, 1, '2009-12-02 22:47:06', '2009-12-03 02:47:06', '', 'sapphire_sdt1', 0, '', 'inherit', 'open', 'open', '', 'sapphire_sdt1', '', '', '2009-12-02 22:47:06', '2009-12-03 02:47:06', '', 447, 'http://nynjbengali.com/wp-content/uploads/2009/12/sapphire_sdt1.jpg', 0, 'attachment', 'image/jpeg', 0),
(450, 1, '2009-12-02 22:48:44', '2009-12-03 02:48:44', '', 'Sapphire Creations Rituranga', 0, 'Sapphire Creations Rituranga', 'inherit', 'open', 'open', '', 'sapphire_rituranga', '', '', '2009-12-02 22:48:44', '2009-12-03 02:48:44', '', 447, 'http://nynjbengali.com/wp-content/uploads/2009/12/sapphire_rituranga.jpg', 0, 'attachment', 'image/jpeg', 0),
(504, 1, '2010-09-01 21:20:16', '2010-09-02 01:20:16', 'Few weeks ago I had written about the plight of domestic performers at the North America Bengali Conferences. I had also mentioned that the current CAB president Kajal Sarkar promised to look into this issue and try to resolve the matter in future NABC meets. He also asked the domestic performers to come up with a consolidated list of "10 most important things need to be implemented in future Banga Sammelan for performance related to local artists / groups". I volunteered to co-ordinate the effort and came up with a list based on inputs from several domestic performers at the NABC 2010. I would like to share the list with you all and maybe you can put in your comments too. I hope all Bengali organizations, who plan to host NABC in the future, would read this and take this as an important feedback from the local/domestic performers and groups.\r\n\r\n1. All domestic performers/groups should be invited just like the overseas performers. These days there is no dearth of talent in USA amongst first generation and second generation Bengali Americans. Many performers are either professionals or of professional quality. Scout for them (just the way you do for overseas talent), solicit proposals, and then select them with the help of a "culturally aware" group of people using a rigorous selection process using past credentials and recommendations. Focus on quality and not on quantity.\r\n\r\n2. The domestic performers/groups selected through the above process should be treated as invited performers and should not be charged any group registration fee. Professional performers/groups may also have to be paid some token honorarium. The domestic performers should also be offered food coupons for the day of their show as part of the hospitality and preferred hotel reservations.\r\nIndividual registrations may be charged to the domestic performers if the individual plans to attend the entire convention.\r\n\r\n3. The NABC organizer should publicize the local performers and their performances at the same level as they would for overseas performers in brochures, posters etc. Websites should highlight the selected local performers, their credentials etc. NABC has an obligation to promote the local performers.\r\n\r\n4. "Star" performers (overseas or domestic) should not be scheduled to perform in parallel to any other performer (domestic or overseas). Only another "Star" can perform in parallel to a "Star" or none at all. No stage should be given the status of the main stage with all the “Star” performers scheduled to perform on that stage only. Scheduling should be distributed such that the audience do not stick to one hall only.\r\n\r\n5. Encourage audience to watch domestic programs by scheduling at such a time that would allow viewers to watch domestic programs without sacrificing performers from Kolkata. This would include periodic announcement by the anchor during any program in any auditorium, which would remind people about which show is going on in other auditoriums.\r\n\r\n6. If multiple halls/auditoriums are used, the halls should be equipped and decorated at the same levels. Each hall entrance must display the current program and the upcoming programs to be performed in that hall as well as schedules for the other halls.\r\n\r\n7. The stage, light and sound should be adequate and appropriate for the shows to be performed. The groups should be allowed enough time to set up their light cues, check the sound, and at least have a feel for the stage if not a full stage rehearsal. Time slots should be scheduled for this purpose well in advance.\r\n\r\n8. Help should be provided to all performing groups to load/unload their sets/props/equipments (if any) and to setup stage and strike-down. This will minimize the time lost in setting up the stage. Also, NABC organizers should offer some level of support for sets and props (chairs, sofa, table, etc) such that the performers do not have bring those heavy stuff with them. This service is typically provided for overseas performers and should also be extended to domestic performers.\r\n\r\n9. All stages should be equipped with drinking water bottles, tea/coffee and a first aid kit. The dressing rooms should have adequate lights, and mirrors.\r\n\r\n10. Treat all performers and groups, domestic or overseas, with respect and honor they deserve. After all they are bringing value to the NABC and should not be treated like dirt.', 'Top Ten Requests from NABC Domestic Performers', 0, '', 'publish', 'open', 'open', '', 'top-ten-requests-from-nabc-domestic-performers', '', '', '2010-09-01 21:20:16', '2010-09-02 01:20:16', '', 0, 'http://nynjbengali.com/?p=504', 0, 'post', '', 0),
(452, 1, '2009-12-10 00:45:31', '2009-12-10 04:45:31', 'Few months ago, I wrote my wish list about the kind of performers I''d like to see at the 2010 NABC in Atlantic City, and the one artist I mentioned specifically was Sahaj-Ma. When NABC 2010 committee announced the name of their foreign performers, I was delighted to see Sahaj-Ma and Utpal-Faqir''s name on the list. I am not sure whether the committee members actually read my post and felt inspired to invite the duo, or whether it was a sheer co-incidence - I am glad and thankful to the decision makers for giving us a chance to watch these amazing performers on stage.\r\nI heard Sahaj-Ma first on ETV-Bangla on a show called "Baranday Roddur" conducted by the famous Bangla Band Bhoomi. It was kind of a mix of a musical and talk show, and Sahaj-Ma mostly talked about her musical journey. She mentioned about her early training in classical music from her mother and then from Pundit M.R. Gautam and Srimati Sunanda Pattanaik. And when she performed, it was mesmerizing. She has a unique style and tonal quality that is very rare in a female Bengali singer. The next time I listened to her music was in another ETV-Bangla show, "Dada Didir Ganer Lorai". In this show, whenever she went up to perform, it was almost magical. Although she mostly performs Baul and folk songs, but in this show she proved that she has mastery over all forms of Indian music.\r\nDuring her talk with Bhoomi, she mentioned about how she became Sahaj-Ma from Sharmistha. When she and her husband Utpal went to Sadan Das Bairagya to receive "Dikhsa" (spiritual initiation), he said the name Sharmistha doesn''t go well with the Baul traditions. He then named her Sahaj-Ma, saying that I am giving you a great responsibility - to become Sahaj or "Simple" in this complex world.\r\nSahaj Ma and Utpal Faqir are not only house hold names in Kolkata, but also getting popular amongst the music lovers around the world. Her music (a collaborative fusion album with Bikram Ghosh) now plays on MTV.\r\nThe attached video will give you a glimpse of Sahaj-Ma''s performance singing her famous number "Allah Meherban".\r\n', 'NABC 2010: Sahaj-Ma and Utpal Faqir', 0, '', 'publish', 'open', 'open', '', 'nabc-2010-sahaj-ma-and-utpal-faqir', '', '', '2009-12-10 00:50:10', '2009-12-10 04:50:10', '', 0, 'http://nynjbengali.com/?p=452', 0, 'post', '', 0),
(453, 1, '2010-01-14 01:03:32', '2010-01-14 05:03:32', 'After a gap of two years I was back again in Kolkata this winter and whenever I had some spare time, I utilized it watching a theater. Although most people in Kolkata were flocking the multiplexes for "3 Idiots" or "Avatar", I thought it would be prudent to capture as many Bengali plays as possible since I won''t be able to see them back in New Jersey. The day I landed in Kolkata also happened to be the opening ceremony of Nandikar''s National Theater Festival, and Satya-da (Satya Bhaduri, editor of the theater magazine SAS) invited me to attend the show with him. That evening, the festival opened with Bangladesh Dhaka Drama''s staging of Selim-al-Din''s "Dhabaman". "Dhabaman" is an allegorical folk tale of a young buffalo who wanted to be free. The play was presented in a traditional folk form with elaborate choreography and physical acting. This kind of play does not depend on traditional dialogues but on descriptive narratives which works almost like a commentary of the happenings on stage. It was a pleasant experience overall, especially when you get to watch a play in a form that is rarely used in Bengali theater these days.\r\n\r\nThe next play I saw (at the Aneek Theater Festival) was Natya Anan''s musical "Hirak Rajar Deshe" based on the popular film by Satyajit Ray. The play, directed by my good friend Chandan Sen, was well attended (Rabindra Sadan was almost full) and seemed to be well enjoyed by the young viewers. Musicals are a neglected genre in Bengali theater and I am glad that Chandan and his team showed the courage to stage something like this. However, remaking of a classic is always a challenge and Natya-Anan had to face an uphill task to stand up against a wonderful film that still lingers in the memories of every Bengali film goer. Besides, the current political situation in Bengal makes the content quite relevant. The music was different, but quite good. Although I would have preferred the songs to be performed live on stage rather than the loud pre-recorded playback. The actors did a decent job, however the choreography could have been more imaginative. The play used some special effects with lights and sound which looked nice (if you don''t try to compare with any Broadway production). Overall, I''d recommend the play to anybody, especially the kids.\r\n\r\nAt the same festival, the next play I saw was Bohurupi''s "Birja Sulka", a play based on the story of Shikandi of Mahabharata. Shikhandi''s tale has always fascinated me, but frankly speaking, this play disappointed me. The structure of the play was seriously flawed and failed to capture the attention of its audience. The director, Tulika Das, may have been motivated by the spirit of woman''s liberation but failed to deliver. The actors had serious problems with the dialogs (in verse) and the poor structure of the play added to their despair. I expected a better quality from a group like Bohurupi.\r\n\r\nOn 28th Dec, I saw the best play of this season - Theater Workshop''s latest production "Juddha Paristhiti". "Juddha Paristhiti" is adapted from Nabarun Bhattacharya''s novel by the veteran thespian Ashok Mukhopadhyay, who also directed the play. The play is about a middle aged institutionalized schizophrenic man who lost his mind due to police brutality during the political turmoil of the seventies. Often he escapes from his asylum and roams the streets of Kolkata searching for his hidden arms - his instruments of liberation. The play demonstrated how a well crafted play can keep the audience glued to their seats and how an imaginative director can transform a stage using simple structures. The actors did an excellent job in presenting the play, although the excessive use of the fourth wall could have been minimized (also true for many of the other plays I saw.) The playing of the "International" during the curtain call seemed to be too dramatic and overimposed.\r\n\r\nThis time I also happened to see the production of my play "Jadiyo Galpo" by Theater Workshop (directed by Ashok Mukhopadhyay) staged at the historic Minerva Theater. Since I have a personal attachment with this play, I''ll refrain from going into the details. The audience seemed to like the play and the two actors on stage (Ashok Mukhopadhyay and Krishnagati Chatterjee) were able to hold their attention even with an intermission break.\r\n\r\nAnother Bohurupi production that I happened to chance upon was "Mr. Kakatua" and was pleasantly surprised to see that this old play can still draw the crowds. The play, directed by Kumar Ray, is a comedy that not only entertains but also makes you think. Unlike "Brija Shulka", this play was firmly placed on a solid structure and the actors went all the way to enliven the stage under the brilliant direction of the veteran Kumar Ray.\r\n\r\nThe last play that I happened to watch was Bratyajan''s "Ruddha Sangeet", the celebrated and sensational play written an directed by Bratya Basu. It was a call show (organized by a bank) at the Mahajati Sadan and when I got the news I took my chances and showed up at the theater back stage. My good friend Bratya was kind enough to arrange a seat for me for a show that was for invited guests only. The play is kind of a biopic on the life of the popular singer Debabrata (or George) Biswas and is loosely based on his memoirs "Bratyajaner Ruddhasangeet". The play became an instant hit in Kolkata, especially at a time when the city intellectuals (artists, writers, actors) have been alienating themselves from the ruling left party and joining the ranks of the opposition. The play talks about a similar time in history, when the communist party in Bengal tried to stifle the voice of the free spirited artists and performers. The play brings on stage some of the most popular and famous Bengali personalities of the last century and some very dramatic moments. However, dramatic moments alone cannot make drama. The play was too anecdotal in nature and lacked any plot line. This might have been intentional but it fails to keep the audience interest going. This became quite evident when I heard people behind me getting restless and some of them leaving the auditorium early. The lack of a clear story line and definitive action on the part of the protagonist (except at the end when George Biswas fights against the ban on his songs) makes it a docu-drama at best but not a play. As a director, Bratya did a commendable job in managing a huge cast in a well choreographed manner on stage. The stage was sparse which was alright, however, a little more imagination might have helped to make it more pleasing visually. Debshankar Haldar as George Biswas was excellent, and so was Satrajit in the role of Ritwick Ghatak - but this kind of created a wide gap between the quality of characterization between them and the other actors.\r\n\r\nMy overall impression has been that despite all the rumors I hear, Kolkata theater is still thriving. People are going to the theaters, new plays are being produced. The quality of production (in all branches) has lot of room for improvement, but that can only happen when the theater goers demand for it. I wanted to see few more plays like "Patal Babu Filmstar" by Purba Pashcim, "Darjiparar Marjinara" by Swapno Sandhani (written by Bratya Basu), "Shonali Sarak" by Ganakrishti and many others, but my time was limited this year. Better luck next time.', 'Kolkata Theater : A Personal Snapshot', 0, '', 'publish', 'open', 'open', '', 'kolkata-theater-a-personal-snapshot', '', '', '2010-01-14 01:14:59', '2010-01-14 05:14:59', '', 0, 'http://nynjbengali.com/?p=453', 0, 'post', '', 1),
(454, 1, '2010-01-21 00:44:34', '2010-01-21 04:44:34', '
One of the guest performers at the upcoming NABC 2010 is Abdul Bari Siddiqui of Dhaka, Bangladesh. Although Bari is a relatively new name to the Bengali music lovers in this part of the world, he is a well known and sought after musician and composer in Bangladesh. Trained as a classical flutist, Bari finds his passion both in the classical ragas as well as the folk tunes and Baul music of Bengal and has created his own genre of folk fusion by fusing North Indian Classical Music with Baul music. Bari (born 15th November 1954) started his initial lessons in classical vocal music at the age of twelve under Gopal Dutta of Netrokona. Later, in 1981, he was taken under the wings of Ustad Aminur Rahman, a direct disciple of Pandit Panna Lal Ghosh, the famous flutist, and Beenkar Ustad Dabir Khan. Ustad Aminur Rahman spotted Bari during a concert, and offered to tutor him. For the next six years Bari trained under Rahman. Bari also received extensive training from Pandit V G Karnad in Pune. Since 2000, besides playing the flute, Bari started to perform vocal music and his first album "Srabon Megher Din" was an instant hit and won him several awards.\r\n\r\nWith this passion for around four decades, Bari reserves that the difference between the Indian and European music is that, "Indian music comes from silence whereas the European music comes from sound." Bari maintains that the Indian way is more melodious with the "Miir" and more natural with the typical natural bamboo flute. As of his Gurus, he believes in praying through his tunes and devotes all his creation to eternity.\r\n\r\nBari has performed in countries like India, Pakistan, Singapore, Indonesia, Thailand, Burma, USA, England, Switzerland, France and many other European countries. In 1999 at the World Flute Conference in Geneva, where representatives from seventy countries took part, Bari Siddiqui was the only representative from the Indian subcontinent. He received many awards for his performances at Fajar Music Festival award in Iran, World Flute Conference Award in Geneva, International Film Movement Association Award, and Bachshash Award.\r\n\r\nTo listen to some of his tunes visit Bari''s website at http://www.barisiddiqui.net/.', 'NABC 2010: Abdul Bari Siddiqui - The Flutist Baul', 0, '', 'publish', 'open', 'open', '', 'nabc-2010-abdul-bari-siddiqui-the-flutist-baul', '', '', '2010-01-25 15:42:47', '2010-01-25 19:42:47', '', 0, 'http://nynjbengali.com/?p=454', 0, 'post', '', 0),
(455, 1, '2010-01-21 00:42:54', '2010-01-21 04:42:54', '', 'bari_siddiqui', 0, 'Abdul Bari Siddiqui', 'inherit', 'open', 'open', '', 'bari_siddiqui', '', '', '2010-01-21 00:42:54', '2010-01-21 04:42:54', '', 454, 'http://nynjbengali.com/wp-content/uploads/2010/01/bari_siddiqui.jpg', 0, 'attachment', 'image/jpeg', 0),
(456, 1, '2010-01-27 17:00:46', '2010-01-27 21:00:46', '
Ask a Bengali what in his/her bookcase does he/she treasure most? And the answer will be - the sixteen volume set of Rabindra Rachanabali, that is, the complete works of Rabindranath Tagore. Over the years, the works of Tagore has been one of the key source of revenue for Bishwabharati. However, after the expiry of the extended copyright, publishers were free to reprint Tagore without having to pay any royalty to Bishwabharati. The Society for Natural Language Technology Research (SNLTR) grabbed this opportunity and made the entire published works of Tagore (Rabindra Rachanabali) available online through their website http://rabindra-rachanabali.nltr.org. No longer do you have to carry along with you the heavy volumes, neither do you have to spend money to buy them. Online Rabindra-Rachanabali is free. The website was released to the public on 27th January 2010, at the Kolkata Bookfair.\r\n\r\nAccording to Prof. Anupam Basu, the director of SNLTR who spearheaded this project, Rabindranath should be accessible to anybody and everybody who wants to read in Bangla. A professor at the department of Computer Science and Engineering of IIT Kharagpur, Anupam leads a series of projects to enable computing in Bangla. He and his team has developed Baishakhi, a unicode compliant keyboard that enables one to type in Bangla, and also enable web browsers to render Bangla in a clean and uncluttered manner. The entire Rabindra rachanabali project has been developed using Baishakhi and has been implemented by MAT3 Impex of Kolkata. The project had an initial seed funding from the Govt. of West Bengal, and had also received support from several organizations like IIT Kharagpur, ISI Kolkata, Jadavpur University, BESU, C-DAC, IBM and Microsoft Research, India.\r\n\r\nThe Rabindra-Rachanabali site organizes the works of Tagore several categories, like poetry, songs, novels, short stories, plays, essays etc. It also provides an alphabetical index to search for a specific article. However the best feature is the in-built Bangla search engine, named Anweshan. It allows the reader to search Tagores writings using Bangla keywords. Keywords can be entered either using the Baishakhi keyboard, if you have one installed on your Windows PC, or you can use the virtual keyboard provided along with the search engine. I tried it few times and it works like a charm. Click the link on the left side bar titled "Anushandhan" and you can search to your heart''s content. The font (Bangla Academy or Vidya) layout and the text is also very pleasing to read. If you don''t have the fonts, you may download and install them by clicking the button on the left sidebar. One can move from one page to the other using easy to use navigation buttons. The site also allows you to report any typographical mistakes or any other issues via web based email.\r\n\r\nThe site, however, does not allow you to print a whole story as a single file and you''ll have page one page after other. I''d like to request the developers to look into this useful feature. Another issue is that the articles (poems, stories) does not have the dates associated with them, like the way we see them on the printed volumes. Some links are not active yet (like "Prakalpa Sammandhe" or "Jogajog"), but I think they''ll be active soon.\r\n\r\nKudos to Anupam Basu and his team at SNLTR for giving us this wonderful gift in this new year. Next year being the 150th birth anniversary of Tagore, this is a very well timed offering to the Bengalis all over the world.', 'The Complete Works of Tagore Now Online', 0, '', 'publish', 'open', 'open', '', 'the-complete-works-of-tagore-now-online', '', '', '2010-01-27 18:16:07', '2010-01-27 22:16:07', '', 0, 'http://nynjbengali.com/?p=456', 0, 'post', '', 1);
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(457, 1, '2010-01-27 19:54:00', '2010-01-27 23:54:00', '\r\nPlease join Urhalpool Magazine''s 2nd Annual Award Ceremony on Wednesday. January 27th @6:30PM in Collaboration with: Rabindranath Tagore center, ICCR & American Center, Kolkata\r\n\r\nShakti Chattopadhyay Lifetime Bengali Literary Achievement Award (Rs25,000): Sunil Gangopadhyay\r\nNirmal Chandra Gangopadhyay Bengali Literary Award for an Young writer (Rs15,000): Mandakranta Sen\r\nDr. Sishir Kumar Das Award for research in Bengali Literature: (Rs,20,000): Dr. Sibaji Bandyopadhyay\r\nPushpa Little Magazine Award: (Rs10,000): Bibhab\r\n\r\nUrhalpool(www.urhalpool.com) January Issue, focusing on Mexican poets/writers has been released.\r\n
Kirana Gharana holds a very special place amongst the traditional styles of North Indian Classical vocal music. Widely recognized to be founded by Ustad Abdul Karim Khan (although opinions differ amongst the musicologists) from the village of Kirana (or Kairana) near Muzaffarnagar in Uttar Pradesh, Kirana gharana has given us several excellent performers of the Khayal style of singing including masters like Pandit Bhimshen Joshi, Pandit Rasiklal Andheria, Ustad Amir Khan, Ustad Mashkoor Ali Khan and many others. In July 2010 at the North America Bengali Conference (NABC 2010), Kallol of New Jersey will be presenting yet another exponent of the Kirana Gharana, Pandit Kaivalya Kumar Gurav.\r\n\r\nKaivalya Kumar''s grandfather Pt. Ganapatrao Gurav was a first batch disciple of Ustad Abdul Karim Khan. Kaivalyakumar''s father and guru Pt. Sangameshwar, trained by Pt. Ganpatrao, was well known for singing in the true Kirana tradition. And Pt. Sangameshwar in turn has groomed Pt.Kaivalyakumar into an outstanding vocalist of the current times.\r\nIronically, during the early part of his life, Kaivalya Kumar tried hard to avoid a career in music. Discouraged by his father''s moderate success in the profession, Kaivalya educated himself for a career in business, and engineering. When none of these gave him the satisfaction he was looking for, Kaivalya Kumar turned to his roots in classical music and surrendered himself to rigorous training under his father. And within a short period of time, Kaivalya established himself as a grade "A" artist of All India Radio and Doordarshan at an age of only 35. Now Kaivalya Kumar is one of the most sought after artists in India. A great singer of Khayal, Pt.Kaivalyakumar also renders Marathi Natya Sangeet and Abhang, Bhajans, Kannada Vachana and Dasara Pada with equal finesse and all of which has won him the acclaim of listeners and critics alike all over India and abroad.\r\nAttached is a small clip (performing Raga Shankara) from one of his concerts:\r\n', 'NABC 2010: Kaivalya Kumar Gurav, the Pride of Kirana Gharana', 0, '', 'publish', 'open', 'open', '', 'nabc-2010-kaivalya-kumar-gurav-the-pride-of-kirana-gharana', '', '', '2010-02-09 18:12:20', '2010-02-09 22:12:20', '', 0, 'http://nynjbengali.com/?p=462', 0, 'post', '', 1),
(463, 1, '2010-02-09 18:08:47', '2010-02-09 22:08:47', '', 'kaivalya_kumar_gurav', 0, 'Pt. Kaivalya Kumar Gurav', 'inherit', 'open', 'open', '', 'kaivalya_kumar_gurav', '', '', '2010-02-09 18:08:47', '2010-02-09 22:08:47', '', 462, 'http://nynjbengali.com/wp-content/uploads/2010/02/kaivalya_kumar_gurav.jpg', 0, 'attachment', 'image/jpeg', 0),
(503, 1, '2010-08-25 21:47:40', '2010-08-26 01:47:40', ' Plays are meant to be staged. At least that''s what a playwright expects when he or she writes a play. A play or drama finds its fullest expression through the interpretations of its director and the actors. So what good is it to publish a book of plays? Mostly people who produce, direct and act in plays are typically interested in the text of the play and hence would likely be interested in a book of plays. Although it is true that some non-theater people do love to read plays just as much as some like to read stories and novels, but isn''t such a group a minority? Is it worth publishing a book for such a limited audience? These were the questions I was grappling with before I decided to go for a publication of an anthology of my plays.\r\n\r\nFor quite some time, many of my friends and well wishers were pushing me to publish the collection. My mother was one of them. She thought that my plays would find a larger audience through this publication than they would from our limited number of productions. Several of my friends in different parts of the country also wanted to see my plays in print. I too thought that maybe I should offer my readers an unadulterated view of my plays. Whenever a play is staged, the audience is offered an interpretation of the text as made by the director and the actors. A play in print offers the reader to make his own interpretation - the reader becomes the director and the actor. The reader has the complete freedom to identify with the characters in his or her own way. As Edward Albee once said, it is better to read the play than to watch a bad production of it.\r\n\r\nThen my mentor, Ashok Mukhopadhyay, also insisted that it is time to publish a collection through a reputable publisher. Although some of my plays have been published in theater magazines in Kolkata, he felt that a printed collection is a better form to reach out to the drama readers. Sensing my inhibition as a newcomer to the Kolkata theater world, he assured me, "Don''t worry! Your name is well known in the theater circles. Your book will not go unnoticed." He then took me to his publisher Saptarshi Prakashan who in recent years have earned the distinction of one of the fastest growing publishers and have bagged quite a few awards like Sahitya Academy and Ananda Purashkar. And hence my first book of plays.\r\n\r\nOn 10th of August, 2010, the book was formally launched by Bibhas Chakraborty the noted theater personality at the Paschimbanga Bangla Academy in Kolkata (watch the attached video clip) in front of a large group of theater lovers of Kolkata. The book includes seven plays - Phera (The Return), Kaalsuddhi (The Redemption), Durghatana (Accident), Ron, Satyameva (Truth Only), Musical Chair and Taconic Parkway.\r\n\r\nNow that the book is out in the market, it needs readers. Those who have seen my plays, and liked them, you may want to have a copy to revisit the plays once more. For those who have not seen them, this may be your chance to enjoy them in print. If you like the book, please spread the word. Let your friends and family know that a book of plays is out in print that tells the stories of our existence as immigrant Indians in our adopted homeland. And don''t forget to give me your feedback.\r\n\r\nThe book is available in USA at most online book stores and at alibris.com (click on the cover picture on the right sidebar). In Kolkata, the book is available at Saptarshi Prakashan (69 Sitaram Ghosh St, Kolkata 9; ph: 9830371467), Dey''s, Dey Book Store, Book Friend, Chakraborty and Chatterjee, Adi Nath Brothers, Naba Grantha Kutir, Lokenath Brothers, Balaka. Also available at Subarnarekha in Santinekatan, Prantor in Durgapur, Annapurna Book House in Balurghat, Books and New Central Book House in Siliguri.', 'Why a Book of Plays?', 0, '', 'publish', 'open', 'open', '', 'why-a-book-of-plays', '', '', '2010-08-25 23:55:06', '2010-08-26 03:55:06', '', 0, 'http://nynjbengali.com/?p=503', 0, 'post', '', 2),
(465, 1, '2010-02-17 17:41:09', '2010-02-17 21:41:09', 'Sahitya O Alochana will be held on Friday, February 19, 2010, 8.00pm at Ananda Mandir. Topic for this session is "Barnomay Jibananda" featuring a discussion on Jibananda Das''s works including, poem, short stories, fictions, etc. Ms. Dhriti Bagchi will be the discussion leader for this session. Active participation from the attendees in the discussion including reading of Jibabananda''s poetry or prose is highly encouraged.\r\n \r\nPlease also note that the topics for the next two sessions (March and April) will likely be the following:\r\n \r\n1) Jhumpa Lahiri''s work - discussion leader (To Be Declared)\r\n2) Bengali Drama in North America - discussion leader Sudipta Bhawmik', 'Sahitya O Alochona : Barnomoy Jibanananda', 0, '', 'publish', 'open', 'open', '', 'sahitya-o-alochona-barnomoy-jibanananda', '', '', '2010-02-17 17:41:09', '2010-02-17 21:41:09', '', 0, 'http://nynjbengali.com/?p=465', 0, 'post', '', 0),
(466, 1, '2010-02-23 11:25:56', '2010-02-23 15:25:56', 'Bidhyak Bhattacharya''s classic play "Tahar Namti Ranjana" was made into a famous radio play by the legendary duo Sambhu Mitra and Tripti Mitra. Now Listen to this wonderful drama online at the following link:\r\n\r\nhttp://www.raaga.com/channels/bengali/moviedetail.asp?mid=B0000126\r\n\r\nIt is available in 3 parts.', 'Tahar Naamti Ranjana', 0, '', 'publish', 'open', 'open', '', 'tahar-naamti-ranjana', '', '', '2010-02-23 11:25:56', '2010-02-23 15:25:56', '', 0, 'http://nynjbengali.com/?p=466', 0, 'post', '', 1),
(467, 1, '2010-02-23 11:38:26', '2010-02-23 15:38:26', 'ECTA has launched the pre-production work on their new play "Ekti Ganye Thaki" (We Live in a Village). The name of the play has been borrowed from one of Rabindranath Tagore''s famous poems, "Ek Ganye". Currently the team is going through workshop sessions and theater games before delving into the rehearsal process that will start from March. The play will be staged during the months of June and July 2010. ', 'Ekti Ganye Thaki', 0, '', 'publish', 'open', 'open', '', 'ekti-ganye-thaki', '', '', '2010-02-23 11:38:26', '2010-02-23 15:38:26', '', 0, 'http://nynjbengali.com/?p=467', 0, 'post', '', 0),
(468, 1, '2010-02-23 16:30:12', '2010-02-23 20:30:12', 'Raag Rang Presents "Kal Ke Kalakar"\r\non 20th March, Saturday, 2010. \r\n\r\nTime 3-30 p.m. to 5-30 p.m.\r\nAriaki Dandawate on vocal, \r\nGetiara Zaidi on Sitar \r\nand \r\nBrinda Guha''s Kathak presentation.\r\n\r\nVenue: Universal Unitarian Congragation of Princeton\r\n(Fahs Theater)\r\n50 Cherry Hill Road, Princeton, NJ 08540\r\nAdmission: NonMembers:\r\n$12 (Kids below 10 Years: $7)\r\nRaagRang Members: $10 (Kids below 10 Years: $5)\r\nRSVP will be appreciated.\r\nFor details Contact: 908-429-1120,609-890-4890, 908-240-8289.\r\nEmail: bhawmikm@gmail.com, mayuresh.khare@gmail.com, devang42@yahoo.com\r\n', 'Kal Ke Kalakar', 0, '', 'publish', 'open', 'open', '', 'kal-ke-kalakar', '', '', '2010-02-23 16:30:12', '2010-02-23 20:30:12', '', 0, 'http://nynjbengali.com/?p=468', 0, 'post', '', 0),
(508, 1, '2010-09-20 23:21:09', '2010-09-21 03:21:09', 'She has already been tagged as the rising star of Indian playback and may hold the most expensive concert ticket next year. \r\nFolks who attended NABC 2010 and left dazed by her singing prowess but still desired that she had sung those magical Hindi renditions of Lata, Asha, Shreya and Sunidhi numbers - the wait is over.\r\n\r\nAnwesha will be back in NJ (only show in NY-NJ) to perform in a concert "Anwesha, Live in NJ" hosted by Que Zara Productions at the conveniently located North Brunswick School Auditorium (Exit 9 from NJ Turnpike and 40 minutes from NYC) on Oct 17, 4 ? 7 p.m.\r\nFrom Salil Chowdhury, R.D.Burman, Shankar Mahadevan to her latest hits, she will enchant in a 3 hour musical concert. The sound engineering will be done by Jack Lowrie of Strike Sound.\r\n \r\nShe is coming in with Zee Bangla fame Trijoy and soulful Bandita along with five top notch musicians from the Indian film industry. \r\n\r\nTickets and Show Promo video: www.quezara.com \r\n\r\nA special post concert elaborate dinner has been arranged by Moghul Caterers for the musical team. You may email Abhy - abhy_m@hotmail.com to purchase the VIP Dinner tickets or for any additional details.\r\n\r\nYou may like to get hold of your tickets which understandably are running fast.', 'Bijoya Celebrations in NJ with Anwesha', 0, '', 'publish', 'open', 'open', '', 'bijoya-celebrations-in-nj-with-anwesha', '', '', '2010-09-20 23:21:09', '2010-09-21 03:21:09', '', 0, 'http://nynjbengali.com/?p=508', 0, 'post', '', 0),
(470, 1, '2010-03-02 12:35:48', '2010-03-02 16:35:48', '', 'supriyo-samajdar.jpg', 0, '', 'inherit', 'open', 'open', '', 'supriyo-samajdarjpg', '', '', '2010-03-02 12:35:48', '2010-03-02 16:35:48', '', 474, 'http://nynjbengali.com/wp-content/uploads/2010/03/supriyo-samajdar.jpg', 0, 'attachment', 'image/jpeg', 0),
(471, 1, '2010-03-02 12:35:49', '2010-03-02 16:35:49', '', 'supriyo-samajdar-thumb.jpg', 0, '', 'inherit', 'open', 'open', '', 'supriyo-samajdar-thumbjpg', '', '', '2010-03-02 12:35:49', '2010-03-02 16:35:49', '', 474, 'http://nynjbengali.com/wp-content/uploads/2010/03/supriyo-samajdar-thumb.jpg', 0, 'attachment', 'image/jpeg', 0),
(472, 1, '2010-03-02 12:35:50', '2010-03-02 16:35:50', '', 'bibhaban.jpg', 0, '', 'inherit', 'open', 'open', '', 'bibhabanjpg', '', '', '2010-03-02 12:35:50', '2010-03-02 16:35:50', '', 474, 'http://nynjbengali.com/wp-content/uploads/2010/03/bibhaban.jpg', 0, 'attachment', 'image/jpeg', 0),
(473, 1, '2010-03-02 12:35:51', '2010-03-02 16:35:51', '', 'bibhaban-thumb.jpg', 0, '', 'inherit', 'open', 'open', '', 'bibhaban-thumbjpg', '', '', '2010-03-02 12:35:51', '2010-03-02 16:35:51', '', 474, 'http://nynjbengali.com/wp-content/uploads/2010/03/bibhaban-thumb.jpg', 0, 'attachment', 'image/jpeg', 0),
(474, 1, '2010-03-02 12:35:52', '2010-03-02 16:35:52', 'Supriyo Samajdar
Prologue
Let us start with me, my relationship with theatre, in general and with open theatre, in particular.
I might be digressing from the central issue when I discuss these additional and presumably “irrelevant” personal stories. I could have constructed this explanation like a theoretical manifesto or just made a compilation of various people’s experience of undergoing this process. But that doesn’t adequately answer the question of how and where, who first laid down the initial few precepts of open theatre. Under what socio-political and economic conditions did they say these things, what were their relations to their immediate environment while thinking about open theatre? I tried to structure this article to the best of my abilities, but eventually, I realized that open theatre can’t be defined under certain compartmentalized topics; rather I will try to reproduce the stream of consciousness that gave birth to them. In recounting my thoughts, I will talk about my group Bibhaban[1] but let me question why I ventured into theatre, in the first place.
\n\nAt the beginning of my tryst with theatre, I was confronted with this fundamental question, to which my answer was, out of a social responsibility to the times I exist in. Looking back into the distant past, I realize that the entire scenario (society wise) might have changed with time, but my reason still holds true. Experience makes us weary of the language we use; we tend to understand the various shades of a word and the meaning it connotes. Today, if I were to rephrase my fundamental query or the answer to it, I would think twice before talking about any social responsibility. What is my standing in the power structure, which we label as society? Back then, the logic might have been questioned but the emotion with which I uttered those words, are true to this day.
Now that we have tried to answer why and are moving onto the how, let us look into the origins of a thought process. A thought is said to be born out of a conflict, a dispute between what I see and what I can accept as the truth. When a disparity occurs between the two, an idea is born. Now the question remains, why am I thinking in the first place? What was the conflict I faced?
Private Investigations
In 1993, I started my conscious journey as a Theatre Activist, by acting in a Proscenium play, in the Malda district of North Bengal. Some more one act plays passed in between and I eventually joined the cosmopolitan stream of Kolkata. Out of a voluntary impulse, I started my researches in theatre, worked with different groups, and spawned my own, Bibhaban. Between 1993 and 1996, I gradually started receiving recognition for my work, all the while, developing a conscience, geographically removed from my loved ones. As I started coming to terms with my existential reality, a time came when I had to deal with the dismantling of the group that I worked with. Monetary concerns brought us to a premature halt. In an urban sphere, there are generally two types of actors in progress. One who work with financially well off groups in lavish productions, and the other only gets the opportunity to take part in minimal expenditure competitions. While this dichotomy wreaked havoc on my fragile mind, I managed to witness a staging of “Michil,” (The Procession), by the group Satabdi. It changed the way I conceived the absolute rules and glories of proscenium theatre. In the meantime, I received a letter from the Alternative Theatre group to take part in a workshop(in Madhyamgram) dealing with alternative theatre methodologies. Having attended that, I resumed my theatre studies at the Rabindrabharati University. Somewhere around this time, I formed Bibhaban along with a couple of close friends, primarily to take part in One Act play competitions. We had decided never to incur debts while running a theatre group. The two staging of Bikalpa(The Alternative), which we undertook in a proscenium setting, came to a stop when we failed to meet the expenses. Eventually, the open space in front of the Sangeet Bhavan of Rabindrabharati University (Jorasanka),Kolkata, Bibhaban staged its open air theatre, “Tarpor”(The Next), on April 12th 1997. Some months down the line, we staged “Swapno” (Dream) on 15th August, 1997. Due to natural calamities, we had to hold the staging in a closed space, and that was my first brush with Intimate Space Theatre. Later, when we had done it in an open air theatre, certain equations started being questioned. I saw how the audience-actor relationship dramatically changed in the two different venues. After all, theatre thrives on the heartland of interaction. Feedback procedures are so dynamic in an intimate space, that I started toying with the idea back then. I can’t exactly define how, but I felt I saw Open Theatre being born at that point of time.
Watching Open Theatre (Mukta Natya) in progress, and the target “audience”
I started rethinking the ways in which theatre serves its objective of communicating its message to an audience. Most groups fail to question these finer sensibilities of staging a production, why do people come to watch theatres and what do they take back with them? How do you transfer emotions and ideas seamlessly into their thought processes and attune them with your message?
Every genre has its takers, whether it is proscenium or street theatre. A friend once joked that, if instead of a street theatre, I put up a trivial game show like a monkey dance (a literal translation of the term bandor naach), people will crowd to witness it. Everybody loves to be entertained and if that form of entertainment comes for free, all the better. Human beings are a crazy breed; they tend to have widely disparate likings, things which even question their moral standings. Bengalis more so, are known for their multicultural habits. Finding an audience can’t be too difficult.
However, we can’t expect the entire human race to be conscious enough to try and create an artifact which lives beyond its time and which addresses the question of greater good. Generally, we tend to accept the conditions we have been thrown into, refusing to question those tenets which are imposed by our irrational beliefs and superstitions.
Our State boasts of millions of teeming theatre groups, each with its own targeted audience. How do we then create our own space and make ourselves heard?
Philosophical Deliberations
Who is a philosopher but a common man who confronts reality, asks questions regarding its validity and then establishes certain life guiding principles based on his experiences? If Philosophy is a way to reconcile with the incidences we encounter in a lifetime, Open Theatre is an amalgamation of this experience.
Just like every cooked food item has its recipe, similarly, theatre forms also have its own distinctive methodology. We are aware of the fact that theatre is a culmination of the various performing arts (music, dance, and acting) for a live audience. Arguably, one might surmise that theatre was born out of the need to appease the sovereign deities, and purge one’s self of his daily sins. We know that theatre evolved out of the hunting experiences of the first man, one who drew these scenes on the walls of caves.
In theatre, a person tries to channel his thoughts into a character and communicate it to a wider audience which is willing to accept these and question them before accepting. A process of mimesis is being talked about here, where we present to the audience a sequence of well accepted signifiers to drive home an idea. This is but one school of thought. On the other hand, there might be a process of theatre, where the duende[2] happens when the audience emotionally and intellectually engages with the existence of the character in performance. In that manner, a completely new dimension of theatre and its communicative strategies open up to us. Theatre deals with living beings and living beings are not immune to changes in philosophies nor do they remain inert to change.
Society functions by transforming one person’s weakness into the other’s strengths and cohabiting for the sake of common welfare. Anthropological studies show us that when a technologically progressive nation passes through a state of political upheaval, actors on stage try to bring out the times’ reflection by refining their abilities to portray their respective characters faithfully. However, Open Theatre, tries something different. It calls forth an integration of the actor’s emotional state with reality so that he comprehends it better. Open Theatre seeks a solitary refuge away from this machine driven society, a place for man’s own thoughts.
What does one live for? He can’t survive for his own well being, the implicit rules of society always bind him into an interminable contract of give and take. We are always surrounded by social, political and economic changes which relatively determine our life force. Every instant, I am forced to question my wants since it doesn’t depend on me alone, anymore. Advertising has ruined my ability to take a clear cut decision about my day-to-day life, leading to a suffocated sphere where man fails to develop his intellectual faculties. This is where the concept of Open Theatre had it roots.
Influences at the Germinal Stages
Stanislavski wrote his phenomenal treatise (An Actor Prepares) elaborating the key processes an actor undergoes and he stressed the importance of affective memory in it. He later revised his ideas to incorporate a method of Physical Actions, something which was furthered by Jerzy Grotowski in his seminal treatise on Para Theatre, Towards a Poor Theatre. Antonin Artaud’s “Theatre of Cruelty” , as enunciated in his book The Theater and its Double, remains an over arching presence on our ideologies. In India, theatrical procedures have been defined in the age old treatise called The Natyashastra, which again doesn’t talk further beyond the creation of the spectacle. We always wanted a psychological basis for the theatrical process we underwent and hence searched for a medium of enhanced public feedback response system. After dabbling in an intimate form of theatre with Swapno(Dream) in 1997,besides from our performance I started my conscious experiments with Open Theatre form since2002 with the concept “Journey” on which Bibhaban continues to build. Presently, through this research, we are now trying to develop a work, called “Approach to Silence” started in 2009. We are trying to evolve a space where we can redefine our daily existence in a more intimate manner, unaware of the presence of a removed audience. In trying to pay tribute to the work of Mr. Jerzy Grotowski, we have accommodated our own societal standings into our art.
Without you, I am not, am I?
There have been groups in the past which talked about open theatre or called themselves Open theatre groups. Unlike them, we aren’t a group, rather a concept. Here anyone and everyone can take part in the process, to develop his or her own line of action and thoughts.
We must first shed the notion of an actor-audience dichotomy existing in an open theatre space. The basic mantra/line of our work is -“Without you, I am not, am I?”
No one is an audience, no one is an actor, and everyone can be everything or nothing.
There are no fixed identities. Rather the term visitor seems more apt to describe a friend who has come to be a part of the process.
You have to free yourself from the notions of any kind of audience. You have to rethink the entire equation you have with people who come to witness you in performance.
The Process
Can you reveal a naked truth to them uninhibitedly, a truth which you hide even from your closest friends?
First of all you need a fairly large room, which is free from all kind of furniture and other cluttering. Those who will take part in it are requested to develop a common ground of thought or a common frame of reference along which they will align their respective bodies and minds. Once the common topic has been established, you are asked to analyze your experiences against it.
Once your common motif has been decided upon, you will exercise your individual artistic abilities (music, dance, art, and performance poetry) to elaborate it. You will try to accommodate the other participants into your respective spaces, allowing room for an interaction to take place, energy to flow through all members of the group.
Once everyone starts feeling comfortable with his or her own modes of expression and interaction, you will invite another new member to join in your process.
In this process of Open Theatre, you have to rethink the idea of a group. Will this be a daily affair, where the participants need to sit in every day, take part in physical or mental workshops to make themselves inhibition free? Or should you allow it to be a long standing, even a life long alliance, punctuated by momentary interludes of silence? It is in silence, that we organize ourselves to present “us” to society once again. Silence affords that necessary break, when we question the first principles.
Supriyo Samajdar
Born in 1969 in India. Theatre director and practitioner. Studied Directing at the Rabindra Bharati University in Kolkata. Founded Bibhaban, an experimental theatre company in 1996 and has been directing, writing plays and leading it since. Since 2002 Samajdar is running his research project on Mukta Natya (Open Theatre), exploring the communication between a spectator and a performer, Through this research work ‘Journey’ with Open Theatre presently he is working on a project called- Approach To Silence, participated in Regular contra Regulam, research project of Teatro La Madrugada, in Brzezinka (Poland) in 2008.His research paper" in search of a new form -open theatre was" selected for a international symposium-“Language(s) of Theatre”, organized by Jawaharlal Nehru University, New Delhi and the Indian Society for Theatre Research (ISTR). in January 2009, and "Grotowski - Alongside - Around - Ahead" at the University of Kent in Canterbury(England) in June 2009.
Bibhaban:
37Baguiati 4h lane, Kolkata-700028, India,
Email:bibhaban@hotmail.com, cell: +919830034978
(This article was originally written in Bengali and later translated into English by Samik Dasgupta)
[1] According to the Samsad Bengali-English Dictionary, the term Bibhaban literally means the process of exciting magnanimity, sorrow, surprise, resentment, terror, love, mirth, disgust or quietism in a person.
[2] El duende is the spirit of evocation. It comes from inside as physical/emotional response to music or dance. It is what gives you chills, makes you smile or cry as a bodily reaction to an artistic performance that is particularly expressive.
', 'Without you , I am not , am I?', 0, '', 'publish', 'open', 'open', '', 'without-you-i-am-not-am-i', '', '', '2010-03-02 12:35:52', '2010-03-02 16:35:52', '', 0, 'http://nynjbengali.com/archives/474', 0, 'post', '', 0), (475, 1, '2010-03-02 23:41:59', '2010-03-03 03:41:59', '
Last Sunday (Feb 28th 2010) the noted Bengali theater personality Kumar Roy died in Kolkata after a protracted heart ailment at the age of 84. Kumar-da was long associated with the theater group Bohurupee which he joined in 1949 and was a close associate of late Sambhu Mitra. He was a director, playwright and also an actor. He had done roles in several plays like ''Gallileo'', ''Rakta karabi'', ''Baki Itihas'', Bisarjan and ''Nabanna'' among others besides acting in films. He also worked as a professor at the Rabindra Bharati University. Kumar Roy also headed the Paschim Banga Natya Academy for quite some time. He had also penned many books. He was awarded the Sanget Natak Akademi award in 1983.\r\n\r\nAlthough I never had the opportunity of meeting him in person, but had the good fortune of speaking to him few times. It was he who published my play "Ron" in "Bohurupi" (of which Kumar-da was the editor) the well known theater journal of Kolkata. He said how much he liked the play and thought it was an important addition to the repertoire of plays that Bohurupi has published over the years. Later, he also published another play of mine, "Satyameva". He had asked me to meet him when I was in Kolkata. Unfortunately I never had the opportunity and I will repent it all my life. I hope and pray that his soul rests in peace.', 'Kumar Roy Passes Away', 0, '', 'publish', 'open', 'open', '', 'kumar-roy-passes-away', '', '', '2010-03-03 00:01:23', '2010-03-03 04:01:23', '', 0, 'http://nynjbengali.com/?p=475', 0, 'post', '', 0),
(476, 1, '2010-03-03 00:00:16', '2010-03-03 04:00:16', '', 'kumar_roy', 0, 'Kumar Roy', 'inherit', 'open', 'open', '', 'kumar_roy', '', '', '2010-03-03 00:00:16', '2010-03-03 04:00:16', '', 475, 'http://nynjbengali.com/wp-content/uploads/2010/03/kumar_roy.jpg', 0, 'attachment', 'image/jpeg', 0),
(478, 1, '2010-03-10 15:36:16', '2010-03-10 19:36:16', 'Sararattir - Play by Badal Sircar\r\n\r\nSaturday 8th May 3PM\r\nSaturday 8th May 6PM\r\nSunday 9th May 1PM\r\nSunday 9th May 4PM\r\n\r\nTicket Price - $25.00\r\n\r\nLOCATION\r\nLivingston Student Center\r\n84 Joyce Kilmer Avenue\r\nPiscataway, NJ, 08854\r\n\r\nhttp://www.sararattir.info', 'Sararattir - A Play by Badal Sircar', 0, '', 'publish', 'open', 'open', '', 'sararattir-a-play-by-badal-sircar', '', '', '2010-03-10 15:37:40', '2010-03-10 19:37:40', '', 0, 'http://nynjbengali.com/?p=478', 0, 'post', '', 0),
(479, 1, '2010-03-10 15:42:05', '2010-03-10 19:42:05', 'AN EVENING OF TAGORE SONGS\r\n \r\n \r\nWITH\r\n \r\nREZWANA CHOWDHURI BANNYA\r\n \r\n \r\nSunday MARCH 14, 2010\r\nAT 6PM\r\n \r\nAT HOME OF NUPUR LAHIRI\r\n4343 RT 27 PRINCETON NJ 08540\r\n \r\nORGANIZED BY SURER DHARA,\r\nNJ SCHOOL OF MUSIC\r\n \r\nSUGGESTED DONATION $15.00 PER PERSON''\r\nLIGHT DINNER WILL BE SERVED\r\n \r\nMUST RSVP, SPACE LIMITED\r\nNARAYAN ROY 908 561 9766\r\nBHASWATI BHADRA 732 821 2545\r\nNUPUR LAHIRI 732 821 3949\r\n \r\nFOR PARKING:\r\nPLEASE TRY TO CAR POOL\r\nLIMITED PARKING AT THE HOUSE FOR ABOUT 12 CARS.\r\nDRIVE DOWN RT 27 SOUTH., 1 MILE\r\nPARK ACROSS DURGA MONDIR IN PUBLIC LOT,\r\nCALL FOR RIDE OR CAR POOL', 'Bannya in Concert', 0, '', 'publish', 'open', 'open', '', 'bannya-in-concert', '', '', '2010-03-10 15:42:05', '2010-03-10 19:42:05', '', 0, 'http://nynjbengali.com/?p=479', 0, 'post', '', 0),
(480, 1, '2010-03-17 15:37:58', '2010-03-17 19:37:58', 'One of the greatest challenge of any NABC is to come up with events and programs that can attract and engage the the next generation of young Bengalis. Most of the cultural events that happen on the stages of NABC are of little interest to them. They need their own kind of entertainment and engagement, else they have nothing to do except hang out around the convention center with a long faces while their parents have all the fun. However, the trend seems to be changing over the last few years. The NABC organizing committees are making a conscious effort to come up with events that are targeted towards the young Bengalis of USA.\r\n\r\nThe youth committee of the 2010 North American Bengali Conference (NABC) has chosen the theme of "Fun, Culture and the Future!" to represent this year''s youth program. Conveners are working hard to make sure that the youth-oriented events are relevant, engaging and fun for our young people. The list of events include live stand-up comedy show by an up and coming comedian from the Indian community. A film and video show plans to encourage our young film makers to showcase their talent.\r\nDo you have an idea for a seminar, workshop or panel discussion that would be interesting? The Youth Committee formally invites you - anyone, regardless of age or background - to submit a proposal for a seminar session. Topic choices are wide open, from social (dating, social media, parental relationships) to cultural, educational, environmental and even job hunting and job resumes. Other topics are also invited. To read more and create a proposal for consideration, go to http://www.nabc2010.org/Youth Seminar Invitation v5.pdf .\r\n\r\nSeveral other events are being planned and worked on, including dance party, fashion and talent shows, games and many many more. For information on the broader Youth Program, go to http://www.nabc2010.org/youthactivities.html .\r\n\r\nThe future of Bengali culture in the North America is in the hands of our young people! So join in and make this event a memorable one.', 'NABC 2010: Youth Programs', 0, '', 'publish', 'open', 'open', '', 'nabc-2010-youth-programs', '', '', '2010-03-17 15:40:19', '2010-03-17 19:40:19', '', 0, 'http://nynjbengali.com/?p=480', 0, 'post', '', 0),
(481, 1, '2010-03-17 15:57:09', '2010-03-17 19:57:09', '\r\nby
On one of our earlier visits to Calcutta, we met her at a dinner party. She was sitting in a corner somewhat aloof. As we entered, the party was in full swing with whisky flowing freely. After we were duly introduced the party got back to its boisterous self and everybody went back to loudly vocalizing their opinion on all subjects under the sun and in the process ignoring everybody else’s, Bengali style. The forlorn looking lady in the corner unobtrusively got up and stood behind us. "Do you live outside the country?” She asked. She knew the answer; for that she did not have to be clairvoyant. We just arrived a few days ago, not long enough for the sun and dust to work on our faces. She pulled a chair and sat down next to us. First thing I noticed that she was not at ease with the environment, but not because of other people around her were not accepting her or were not friendly. The detachment appeared to be by choice on her part, but her marked openness with us also was hard not to be noticed. We talked about the amazing varieties of fish in Gariahat market , about sarees in Park Street, about a couple of common acquaintances we discovered we shared; subjects of America did not come up at all.
\n\nShe was waiting to tell us her story outside the earshot of others in the party, at the dinner time when we congregated in small groups. After having lived in the United States for twenty-seven years she and her husband returned to India with the intention of living here permanently, about six months ago. Both of them had their parents in Calcutta and they wanted to be closer to the family.
It didn’t work out quite that way.
The lady did not particularly miss the comfort and amenities of living in the United States, at least so she said. That was fine with her. What made her depressed was the company of the people she was made to keep. “I feel suffocated, can’t adjust and as a result I am resented and that in turn makes me nostalgic about my life back in America.” She got teary eyed. I inquired what was bothering her. Was it the traffic, the filth, the pollution, health care issues? “Not so much, only if I have had people to talk to. Sister-in laws suddenly arrive at the doorstep unannounced and when they come they walk right into my bedroom. And I do not know what to talk to them about in the intimate setting of the bedroom.” It appeared that she was living with relatives in Calcutta, she could not relate to; and it was amusing that she had been living among the people whose collective passion was to talk and argue endlessly but she had no one to talk to. With us she was behaving like at long last she found other humanoids in the planet Krypton.
We exchanged telephone numbers with a promise to keep in touch.
We, here in the United States and possibly in other Diasporas around the world have relationship between us, which defies the conventional definition of family, if not linguistically but emotively. But I will keep my narrative here confined to us, we Bengalees, because I am not sure, the people with different cultural and social disposition feel the same way.
It is interesting if not perplexing how we act with our friends and acquaintances in the new world and react with our relatives and old friends from our past. Family in a conventional sense is collection of set of relatives. “A person who is connected with another or others by blood or marriage” this is how the Random House dictionary defines the word “relative”. Samsad Bangla Abhidan and Chalantika (of Rajsekhar Bosu) define the Bengali word “Atmiya” (literally: relative) more broadly: “one’s own person or a person close to another-self (Atman).”
Etymologically, the English dictionary definition is too restrictive; the word relative is derived from the word relate, and should mean a person you can relate to. On the other hand, whatever the derivative definition of Atmiya is, use-wise, it means relation by birth or marriage. But the words in both languages have same connotation. By extension, we may choose to define family as a collection of a set of people who we can relate to and who are close to our “self” by birth, marriage, proximity or mentality.
My musings ceased to be an abstraction and hit home when a week later a friend from America called soon after he landed in Calcutta. “Come over or I can come.” We just saw each other a month ago in USA, indeed there we did not meet that often, so what was the rush and really what was the point? But curiously it dawned on me that I was eager to meet him too. To talk about what? Weather in New Jersey, Sarah Palin? Not really, indeed the subject of America may not come up in our talk when we meet.
I realized that it’s not the word; it’s the vibe that mattered. Communication is not only words, it has nuances too. I doubt that the bonding or relationship is solely a matter of love or blood. It is more to do with our personal comfort level and need to be understood in our daily lives.
Then, during our last visit, there was this woman one morning on Tara TV program where renowned singers were invited to sing and be interviewed. She was splendid, indeed equal or better than any of the locally famous singers I had watched on this daily morning show. My cousin who was sitting next to me was impressed and indeed surprised. “Does she really live in America?” That was how he expressed his amazement, “Of course she does. Her name is Mitali Bhawmik, a friend”, I gloated. . My claim of friendship was a little stretch; I hardly had ever spoken to her. She made me proud and I wanted to add a personal touch to it. But the feeling of kinship was genuine at that moment.
The lady in the party did not quite know why she had a feeling of closeness to us either and why she was feeling like an alien in her own home. She did not think it was the absence of the material stuff, but in a way it was, at least partly. It was not only her relatives and friends that got under her skin, I surmised; unbeknown to her, the traffic, the pollution, the decaying infrastructure and the uncertain health care were factors too contributing to her aversion towards life in India. But at the same time, for many returnees the cultural and family ties that draw them back may feel strained by local human dynamics that may feel foreign and may be frustrating. The general absence of ethical behavior and lack of openness in daily interaction do not help in establishing meaningful relationship, or even reviving the old ones.
Chandra Ghosh of London who I met in a record store was a case in point. “Do you feel people; your friends; your relatives are a little strange here?” Chandra Babu inquired at one point. “My brother has a big house. I put up with him for a couple of days. My brother and his family were very nice and quite caring. I had no complaint. But I felt I was intruding. More importantly we were uncomfortable, an uneasy and unfamiliar environment really. But now I find it more relaxing and enjoyable in Ramakrishna Mission Institute at Golpark. We have met a family from Manchester who are staying here and we are having fun time together.” It sounded like his brother had no problem; the problem was with Chandra Babu, the NRI. “So who is strange here?” I interjected “You or your brother?”
Is this alienation due to a long absence; has the attitude towards our relatives in India and our old friends changed for losing touch over a period of time? But that cannot explain the bond and fondness we feel for our Diaspora-friends and the affinity we have developed between us. The fact of the matter is that we have adopted the foreign land as our home and adapted ourselves to that society while we have been exiled from our birth country. We have chosen soul over blood, which surfaces in stark relief when we are back in our old country. We discover that we have a new family.
Indeed Chandra Babu had not known his new found friend back in England and the relationship I had with my friend who wanted to meet me promptly after his arrival could hardly be called close or Mitali Bhawmik was not a friend in a real sense of the word. What has brought us together is the backdrop of our “Desh”, a now- alien land and its now-alien culture.
P.S. Six months after we had met her, back home in USA, we received a call from Boston; the lady at the party and her husband were back, with no plans of returning to India to live there, in foreseeable future.
Amitava Sen
', 'FAMILY-REDUX', 0, '', 'publish', 'open', 'open', '', 'family-redux', '', '', '2010-03-24 14:39:58', '2010-03-24 18:39:58', '', 0, 'http://nynjbengali.com/archives/482', 0, 'post', '', 3), (483, 1, '2010-03-25 22:37:09', '2010-03-26 02:37:09', 'Kallol has done it again, a very successful and thoroughly enjoyable Banga Sammelan and Kallol deserves our gratitude. We needed it, a three days’ escape from humdrum of the life and for some of us from depressing economic uncertainty. Do not forget that this is a very difficult economic time in America, never encountered since thirties. It is never far from our minds. To venture into such a huge undertaking at this difficult time takes courage and boldness; Kallol accepted the challenge and succeeded under the very able leadership of Timir Hore, Sudhir Nag and Soumen Roy. Thank you.
\r\n\r\nIn contrast with all other places around the country space and accommodations are at a premium in this New York metropolitan neighborhood, holding a convention here is hugely costly proposition. Compared to other years the attendance was sparse. No surprise. Foresight and wisdom on the part of the organizers contained the event to a manageable and economically viable limit.
\r\n\r\nDiscipline and skill of management were noticeable even before the convention started. No e-mail was un-answered, no inquiry was un-responded. The hotel check-in and the registration were uneventful and flawless. All it required was the presentation of a letter issued by Kallol in advance to the reception at hotel desk. Chaotic check-in, lost registration has so far been the rule in most Banga Sammelans.
\r\n\r\nInnovative ideas were noticeable in many other areas; food service for example. Self-service was a new concept; it eliminated the vendor’s inclination to spoon out skimpy amount with the intention of limiting supply, saving money and leaving our stomach half full after paying full price. Morning program started late morning, giving the attendees time to sleep off their late night adda exhaustion. Very considerate on the part of the organizers. Selection of overseas performers was well thought of. Who knew about Sahaj Ma? Wasn’t she a breeze of fresh air? She carried the day on her own. Her unique stage presence, delightful personality, penetrating music have never been experienced by many or most of us before. Aneek Dhar is an established singer, we have heard before; but here he made it like a one to one connection with individual listener. His subtle intimacy with the audience touched our heart. It speaks well of the judgment and cultural taste of the organizers to get artist like Bari Siddique. The emcee Biswanath Basu was a disappointment though. He sounded more like a court jester with his dull commentary and tasteless, stale jokes.
\r\n\r\nUsually Banga Sammelan authorities in different states invite a drama group from Calcutta; they at times adopt out of touch scripts from ancient times, fifties, sixties or seventies or some times they choose relatively contemporary plays or shall I say, riddles the main purpose of which is to leave the audience confused and befuddled. That is what in Bengalee parlance is called “intellectual” stuff. General idea is unless the group is imported from Calcutta, Banga Sammelan crowd will not be attracted. The 2010 Banga Sammelan committee made a bold exception. They recognized that there was talents right here under our nose. More intelligent, more entertaining, more thought provoking plays are being produced locally. Our own Sudipta Bhawmik is one such talent. His production, We Live in a Village was well accepted and appreciated by all who saw it and if I may add, a much superior production to what I have seen in commercial stage of Calcutta.
\r\n\r\nThe movie section of the Sammelan was well organized under the leadership of Ajit Rakhit. The combination of movies and documentaries were selected thoughtfully. We had the opportunity to watch certain films, which we would not normally come across during our trips to Calcutta. The screenings were nicely and systematically organized without a glitch.
\r\n\r\nIn most Banga Sammelan distinguished award comes dime a dozen. Kallol authorities decided to make it worth its name. They awarded it to one single rightly deserving person. The rest were recognition for their services to the communities through Kallol or their services to Kallol. This I think is the right model.
\r\nTo give this award the prestige and dignity that it deserves Cultural Association’s central administration may ponder over it in their award choices. In all the CAB award plaques the operative word was “demonstrated” achievement. In the list of the recipients from CAB there were not too many demonstrated talents. The list in part sounded like a mutual appreciation vehicle. It is possible that their list contained potential achievers, but it is not the same as demonstrated.
\r\n\r\nWhenever I attend a Banga Sammelan one person is never far from my thought, the architect of Banga Sammelan, and still the force behind it, Prabir Roy. As a Bengalee I acknowledge the monumental task he has accomplished, building up a stable and continuing institution, which adds to the quality of life of the entire Bengali population of North America and has grown to be a part of their lives.
\r\nOn the financial side of the event, living in the United States, the richest country in the world and being a part of the most affluent Bengali Diaspora among all the other countries of the world, it is quite anomalous that we have to depend on economic assistance from Calcutta. Besides, this is not sustainable over long period of time. Response to vendors from Calcutta has been poor this time. Some of them complained loudly. I doubt many of them will keep coming back. Real estate demand from US residents of Bengali origin has peaked out. With gold at $1,100.00 it is hard to believe that jewelry sale is flourishing either.
\r\nWe have to pay our own way. Depending on the projected cost the registration fees can be raised and why not? Many of us pay $200.00 for three hours A.R. Rahman concert. The slogan “Bengali culture in the world court” of this Sammelan has somewhat been tarnished by the highlight of the event, Bollywood mega-music by Abhijeet. It is plausible that Bombay artists enhance the attendance. But do the authorities have a scientific study to prove that premise?
\r\n\r\nIndeed, it will be quite in order for the Banga Sammelan authority to appoint a blue-ribbon committee to study, survey and report on the basic ideas and values of the convention and its mechanics. A guideline can be laid out for the future meets as to why people come, to meet old acquaintances? How much weightage on Bollywood singer, how much on Calcutta artist? Do they come for a vacation with friends, for fun and frolics? How many attend literary seminars, how many for business forums and how many for art and crafts. Or how many people have read the literary journal that every Banga Sammelan brings out at a considerable cost? That will establish the cost effectiveness of each section. How far they are willing to travel and what amount they are willing to spend? Choices of food, Bengali food, Mughlai food, Chinese or American? There are many other issues. It is a job for a professional to design the survey and ask the right questions.
\r\n\r\nGod speed to Banga Sammelan.
\r\n\r\n
Amitava Sen
\r\n', 'Banga Sammelan 2010: A Review and Some Views', 0, '', 'publish', 'open', 'open', '', 'banga-sammelan-2010-a-review-and-some-views', '', '', '2010-07-20 21:18:26', '2010-07-21 01:18:26', '', 0, 'http://nynjbengali.com/?p=502', 0, 'post', '', 1), (485, 1, '2010-04-21 20:02:57', '2010-04-22 00:02:57', 'Mark your calendars for ECTA''s latest productions to be staged on June\r\n12 and June 13 2010 at Edison Valley Playhouse, Edison, NJ. Each\r\nevening you''ll see two plays of different flavors.\r\n\r\n"Musical Chair" - a short play by Sudipta Bhawmik\r\nDirected by Keka Sirkar\r\n"Five women of different ages and social backgrounds get into a game\r\nof Musical chair. They circle around the chairs with the sole\r\nobjective of winning their prize seats at any cost. But when the music\r\nstops, one has to lose and leave the game. But the game keeps going on\r\nand on....."\r\n\r\n"Ekti Gnaye Thaki"\r\nWritten and directed by Sudipta Bhawmik\r\nThe play tells the story about the eternal bond between a brother and\r\nsister that bridges all kinds of divisions, distances and conflicts.\r\nThe play highlights the fact that we all can live together in\r\nuniversal love and brotherhood irrespective of the differences between\r\nus, if we so desire. The name of the play is borrowed from the poem\r\n"Ek Ganye" by Rabindranath Tagore and was made famous by Sombhu Mitra\r\nand Tripti Mitra in Bidhayak Bhattacharya''s well known radio play\r\n"Tahar Naamti Ranjana".\r\n\r\nAs you know, Edison Valley Playhouse has limited seating. So please\r\nbook your tickets in advance. Tickets are $20.00 (for two plays) and\r\nas always, members get a 20% discount.', 'ECTA Presents Two Plays', 0, '', 'publish', 'open', 'open', '', 'ecta-presents-two-plays', '', '', '2010-04-21 20:03:34', '2010-04-22 00:03:34', '', 0, 'http://nynjbengali.com/?p=485', 0, 'post', '', 0), (486, 1, '2010-05-05 00:44:48', '2010-05-05 04:44:48', '
I wrote the play "Musical Chair" couple of years ago for a local magazine. That time I had no intention of staging the play, rather it was written more as a piece to be read rather than acted. The theatrical format did consider the staging related logistics, but the play demanded a lot from the actors and the director. Keka Sircar took up the challenge and we decided to stage the play along with "Ekti Gnaye Thaki". A women director can bring to a play a perspective that is unique and for a play like "Musical Chair" it is almost essential. Since all the speaking characters in this play are women, the actors too can present the material in a form that we are not accustomed to in a male dominated stage. The way the play gets interpreted and presented by the women actors can never be achieved from a male perspective.\r\n\r\n\r\n\r\nJayeeta Ganguly performs one of the key role in this play and this is what she had to say about the play.\r\n\r\n“Musical Chair” intricately weaves the lives of five women who are in the game for winning something more than the prize. Life has dished out a fair slice of unfairness to each one of them, and today they are prepared to get even with it. They are all very different- different when it comes to their age and their social, economic, and intellectual stature; however, one thing is common to all five- their battle with insecurities. So be it a gnawing fear of fading youth and degeneration, or the constant throttling of spririt by an overbearing husband, or the disloyalty and rejection by a fickle partner, they are all victims of circumstances beyond their control. And this despair and dejection lashes out in a passion to win the “chair”. The “chair” ofcourse means different things to each of them. While one sees in it the path to beat the young and to takeover, the other sees in it a medium to regain her lost self-esteem. Two of them even see the chair as their object of desire, as an answer to their power-struggle over one man. But the best part is that the picture of all these struggles and battles is painted hilariously, and that the characters are extremely real. One can identify a Konkona, Malini or a Suchismita in every social group. Coming back to the game and the chair, round and round the characters walk, eyeing the chair closely, and waiting for the music to stop. The chair is ruthless, just like Life. Only the fittest person will survive...\r\n\r\nIn the coming weeks, I wish to bring to you some more view points from the actors and the director.\r\n\r\nI am waiting eagerly to see the play during its staging at the Edison Valley Playhouse on the 12th and 13th of June. I hope you are waiting too.', 'Musical Chair : An Actor''s Perspective ', 0, '', 'publish', 'open', 'open', '', 'musical-chair-an-actors-perspective', '', '', '2010-05-05 00:44:48', '2010-05-05 04:44:48', '', 0, 'http://nynjbengali.com/?p=486', 0, 'post', '', 0),
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(489, 1, '2010-05-10 11:34:33', '2010-05-10 15:34:33', '', 'ektignaye-norm-thumb.jpg', 0, '', 'inherit', 'open', 'open', '', 'ektignaye-norm-thumbjpg', '', '', '2010-05-10 11:34:33', '2010-05-10 15:34:33', '', 490, 'http://nynjbengali.com/wp-content/uploads/2010/05/ektignaye-norm-thumb.jpg', 0, 'attachment', 'image/jpeg', 0),
(490, 1, '2010-05-10 11:34:34', '2010-05-10 15:34:34', '
Many of us will intuitively link the title of the play to Rabindranath Tagore’s well know poem, “Ek Gnaye” and correctly so. Sambhu Mitra and Tripti Mitra particularly immortalized the poem in their rendition of it in Bidhayak Bhattacharya’s celebrated radio play, “Tahar Naamti Ranjana”. “Ekti Gnaye Thaki”, written and directed by Sudipta Bhawmik, is the story of a sister, Ranjana and her brother, Rajat, reuniting after fourteen years. Rajat immigrates to the US with his family after Ranjana sponsors their green cards. The reunion is marked by its usual excitement followed by nostalgia for their “gnya” they left both behind. Rajat becomes a critical link for Ranjana to relive her past, while Ranjana helps him come to terms with his decision to abandon his familiar world in Gobindapur. Ranjana is also ill and Rajat’s presence offers a long-awaited emollient. As the brother and the sister often slip into the past, the rest of the characters are excited at the prospects of their future in the US, especially Rajat’s son, Rajib.\r\n\r\n\r\n\r\nLife gradually settles down and a quotidian harmony evolves. Yet from the beginning, the script occasionally and quite subliminally alludes to an underlying subplot that threatens the apparent calm between the two families. Eventually, through a set of related incidents, the undisclosed piece- a rather disconcerting one- is revealed. The disclosure, as one would expect tears the growing assurance of the families’ suburban life. It also and more importantly, sets in motion a drift into the past that interrogates those relationships that were deemed normal. Though this interrogation fractures a happy picture, however, it is through this fracture, we are invited to revisit something more important: the attachment between human beings. The play above all, irrespective of its specificities of time and place, is a commentary on what it means to be a human being in relation to those we hold dear in our lives. Sudipta Bhawmik, an auteurist playwright and director, has long dealt with issues that inflect our condition of parabaas in several modes. Like his other plays, this play too explores life our lives in this country as a muddle of time that simply refuses to leave the past behind even when we have crossed thousands of miles.\r\n\r\nMost of us, who live in the US, two continents and two oceans away from India, journey back and forth between the two counties. However, the journey is not necessarily always physical or has to be so. Rather, it is more often than not in our imagination as we brew the morning cup of tea or have machher jhol for dinner or pine for a phuchkawala while returning from work. Whether one has a temporary visa, a green card or even citizenship in the US, the journey never ceases. It is a drift: a going away to gather new things, but also treasuring what we had when we first began. In fact, the drift constitutes our parabaas. It is never complete. We inhabit this drift as a continual negotiation but we seldom reach a resolution, especially in the realm of values since we in effect reference two cultural systems.\r\n\r\nHowever, there comes a time when, like all drifts, we too pause to assess what we gathered over time. “Ekti Gnaye Thaki” is one such pause, one, which we may not have all experienced but will nonetheless, recognize. It is a pause that makes us realize that apparent differences and distances that seem insurmountable are in fact not so and neither should they be. As the script reveals, the refusal to let differences alone inform our values makes our parabaas more humane. It is possibly in this refusal, that we reinvent ourselves as human beings who cannot be limited territorially through our passports and green cards. The title of this play is a wonderful reminder that in belonging to the heritage of Tagore, in the end we belong to “Ek Gnaye” somewhere, which like his philosophy folds in the universe even in its contradictions.\r\n\r\nThe play will be staged on June 12 and 13, 2010 at the Edison Valley Playhouse, 2196 Oak Tree Road, Edison, NJ. Visit http://ectainc.org for details.', '“Ekti Gnaye Thaki” : A Preview', 0, '', 'publish', 'open', 'open', '', 'ekti-gnaye-thaki-a-preview', '', '', '2010-05-19 18:17:17', '2010-05-19 22:17:17', '', 0, 'http://nynjbengali.com/archives/490', 0, 'post', '', 0),
(491, 1, '2010-05-19 18:13:48', '2010-05-19 22:13:48', 'Harrice Miller Entertainment Presents\r\nA Hindustani Classical Jugalbandi\r\n\r\nFeaturing\r\n\r\nVocalist Mitali Banerjee Bhawmik\r\nand\r\nFlutist Steve Gorn\r\n\r\nPerforming together for the first time.\r\n\r\nTabla accompaniment by Dibyarka Chatterjee\r\n\r\nSunday June 6, 2010 7.00pm\r\nNadia Jinnah Gallery\r\n500 West 52nd Street at 10th Avenue\r\nNew York, NY 10019', 'Hindustani Vocal and Bansuri Jugalbandi', 0, '', 'publish', 'open', 'open', '', 'hindustani-vocal-and-bansuri-jugalbandi', '', '', '2010-05-19 18:13:48', '2010-05-19 22:13:48', '', 0, 'http://nynjbengali.com/?p=491', 0, 'post', '', 0),
(492, 1, '2010-05-26 18:15:35', '2010-05-26 22:15:35', 'Music and NABC go hand in hand together. Most of the events that happen at any NABC are related to music, and NABC 2010 is no exception either. A slew of musicians, like Abhijeet, Monomoy, Anik, Anwesha, Indrani Sen, Sahaj Ma, Utpal Fakir and many others will be performing at the 2010 NABC at the Atlantic City Convention center. Each performer will enchant the audiences with their solo performances on the grand stages of the convention center. However, this year the host organization Kallol of New Jersey is planning something special with these popular and talented musicians. Named as "Surer Ei Jhar Jhar Jharna", this program will bring on stage all the musicians together to perform some of the most popular songs over the last fifty years of Bengali music. Starting with the haunting melodies of the sixties to the band music of the contemporary Bengali youth, the program will take its audience through an audio-visual journey that has never been experienced before. \r\n\r\nPlanned and designed by Pinaki Datta, the program, for the first time, opens the choice of songs to the music loving Bengalis of the World by offering them an option to vote for their favorite tune through the internet. Visit the NABC 2010 website at http://www.nabc2010.org/anurodher-ashor.html and vote for your favorite song. The musicians will perform those which gets the highest vote. And if the song you vote becomes the most popular choice, you may even win a prize. The performers will include Indrani Sen, Monomoy, Anik Dhar, Anwesha, Sahaj Ma, Utpal Phakir and Nirmalya. This program will undoubtedly be one of the most popular attractions at the NABC 2010.\r\n| 2001- 2010 | \r\n||
| \r\n |  | \r\n | \r\n
| \r\n |  | \r\n | \r\n
| \r\n |  | \r\n | \r\n
| 1991- 2000 | \r\n||
| \r\n |  | \r\n | \r\n
| \r\n |  | \r\n | \r\n
| \r\n |  | \r\n | \r\n
| 1981- 1990 | \r\n||
| \r\n |  | \r\n | \r\n
| \r\n |  | \r\n | \r\n
| \r\n |  | \r\n | \r\n
| 1971- 1980 | \r\n||
| \r\n |  | \r\n | \r\n
| \r\n |  | \r\n | \r\n
| 1961- 1970 | \r\n||
| \r\n |  | \r\n | \r\n
| \r\n |  | \r\n | \r\n
Finally the 2010 NABC came to an end on Sunday July 11th at the Atlantic City convention center in New Jersey with a "blow out" performance by Abhijeet. Although his mockery of Bengali culture was not well appreciated by many Bengalees who slowly drifted away from the hall (which was not liked by the singer at all), his performance was just what was expected of a Bollywood performer - entertaining but nothing extraordinary. However, people who came to the conference went back with memories - some of which may not be very pleasant but I would think most of them would be happy memories. Memories of the wonderful performances by Sahaj-ma and Utpal Fakir, Kaivalya Kumar and few others, memories of meeting friends, those long adda sessions and the World Cup finals.\r\n\r\nBut the people who went back with a bad taste in their mouth (no, I am not talking about the food served by Shahnawaz) were the people who came all the way to showcase their talent through dance, drama and music. These people paid group registration for their show, paid individual registration fees for their entire troupe and spend big dollars to bring their show with the hope to share with their Bengali friends who came from around the country.\r\n\r\n''Really felt like nobody cared about our program, only about our registration dollars!" says Bharati Mitra, director of Tagore''s "Arupratan" a show that was presented in Hall A or Banga Mancha. And this is not only her feelings. Most of the performers, especially those who performed in Hall A echoed the sentiment, as noted by Keya Sen, "I echo the sentiments that those of us who were assigned to perform on Hall A felt irrelevant and inconsequential." Meena Basu Nag, an award winning choreographer, dancer and director of Nritya Creations says, "The most important take away for me is that NABC is no longer a place to showcase "domestic" rising talent in our own Bengali North American Community and a place for second generation and third generation Bengali choreographers/artists like myself to showcase their work and talent."\r\n\r\nThe concern primarily is against the hall assignment and scheduling of the programs. Most of the domestic performances in Hall A were pitted against the star performers in Hall C (Bishwa Mancha) the main stage of the conference. This caused the audience to stick to Hall C since none of the domestic performers had the star power to pull them off from their seats to Hall A. Even when Hall C had some dull and boring lectures going on stage, the audience hung on to their seats to ensure that they have a good view of their star who would be performing next.\r\n\r\nHall A was a secondary hall in all respects. It did not have adequate lights, the stage was ill-designed and built, it was located far from the action center, and there were no notices anywhere as to what is happening where (except for the program schedule printed in extremely small fonts). Meena Basu Nag complains, "Nritya Creations was allocated a time slot competing with Artists from India in a secondary hall where lighting was suboptimal." She goes on to add, "I spent over $4000 registering 25 of our best senior Indian, Bengali and non Indian students for this program expecting we will be given a fair platform based on our merits, past achievements and proven success. Instead we performed to a an audience of 300 in Hall A while Hall C sat over 6000 people at the same time for overseas artists such as Anwesha and Bikram Ghosh''s performances. The audience members who saw our program expressed deep concerns that why such a very high caliber and professionally executed show like ours was presented in a secondary hall and competing with Artists from India..." Mabhin Ghosh Datta from Canada had the same frustration, "We [9 performers] went to join NABC 2010 from Ottawa, Canada and most of my students are not Bengali. We spent all the money for artist''s registration/hotel,trip on top of group registration just to perform there. Our performance started late and was almost at the time of Aneek Dhar so no one there for our performances..."\r\n\r\nPrabir Das, who brought his drama team all the from Cincinnati, is more pragmatic. Although his play Sikhandi was competing against two major shows on stage C, Bikram Ghosh''s percussion band followed by a star studded "Surer Jharna", but that was not his primary complaint - "As far as I am concerned, I really don’t expect that 5000 people would attend my show. I really don’t. People have every right to pick and choose which program they would want to watch. However, that does not mean, purposely placing two or more auditoriums in such an unrealistic strategic locations that would confuse people and would not even want them to consider to come to the other auditorium." He too like many others was totally disappointed with the technical aspects of stage A, "Was that a stage for any kind of performance other than some band? Was that any kind of theatrical lighting? "\r\n\r\nAnd the list goes on and on. Some of the key organizers have been heard to say that it was the fault of domestic performers that they could not attract the audience. But the organizers fail to understand that unless people experience the domestic shows, they would never know the quality of their presentation. The handful of audiences who saw some to the good domestic shows have told explicitly that they were no inferior to many of the overseas productions they have seen. The domestic groups do not have stars to pull in the crowd in large numbers. How can they be expected to compete with Aneek, Anwesha, Monomoy or Indrani Sen. Even between the stars their exists a popularity hierarchy. If Aneek was pitted against Indrani Sen in Hall A, I can bet that she would have had only a handful of audience, just as it would have happened to Aneek if he was competing with Abhijeet.\r\n\r\nI have raised this issue with several of the organizers of NABC 2011 and based on the past record, the Baltimore organizers will hopefully handle these issues in a better way. The new president of CAB Kajal Sarkar has taken up this issue seriously and has ensured that in the future NABC events, he will make sure that such step-motherly treatment towards the domestic performers never happens. He has asked for suggestions and we all gave him our best ideas.\r\n\r\nDespite all the good intentions of CAB and the NABC organizing committee members, the fact remains that the domestic performers will have to struggle to get their audience, although it is not impossible. The first and foremost thing that we domestic performers should do is to improve our performances and raise it to the levels that an audience expects from a professional group. Secondly, we need to accumulate accolades, awards, reviews and all other appropriate and recognized credentials which a selection committee can use to decide which groups to invite. And yes, domestic groups should no longer pay money to participate at NABC. If you have to spend money, then spend it on your production, rent a theater space and show case your talent to your local audience. The cost of such a production will not be any more expensive than what you all spend to come to NABC to perform. I am not saying that you should not come to NABC. Please do come, enjoy the shows from overseas performers, have fun and adda with friends and go back happy. I think the time has passed for NABC to milk the domestic performers just to give them a slot on the stage for their money.', 'NABC 2010 : The Plight of the Domestic Performers', 0, '', 'publish', 'open', 'open', '', 'nabc-2010-the-plight-of-the-domestic-performers', '', '', '2010-07-17 14:02:03', '2010-07-17 18:02:03', '', 0, 'http://nynjbengali.com/?p=500', 0, 'post', '', 2),
(513, 1, '2010-10-13 20:55:34', '2010-10-14 00:55:34', 'Durga Pratima Bisarjan - IIT Kharagpur Campus during the seventies.', 'Durga Pratima Bisarjan', 0, 'Durga Pratima Bisarjan - IIT Kharagpur Campus during the seventies.', 'inherit', 'open', 'open', '', 'photo127', '', '', '2010-10-13 20:55:34', '2010-10-14 00:55:34', '', 512, 'http://nynjbengali.com/wp-content/uploads/2010/10/photo127.jpg', 0, 'attachment', 'image/jpeg', 0),
(514, 1, '2010-10-13 21:06:07', '2010-10-14 01:06:07', 'New Jersey Durga Puja Celebrations', 'New Jersey Durga Puja Celebrations', 0, 'New Jersey Durga Puja Celebrations', 'inherit', 'open', 'open', '', 'dsc_0316', '', '', '2010-10-13 21:06:07', '2010-10-14 01:06:07', '', 512, 'http://nynjbengali.com/wp-content/uploads/2010/10/dsc_0316.jpg', 0, 'attachment', 'image/jpeg', 0),
(515, 1, '2010-10-13 21:19:22', '2010-10-14 01:19:22', '\r\nNew Jersey Durga Puja Committee of Kallol
\r\n\r\n
Cordially invites you with your family and friends to participate in our 2010
\r\n\r\n
Durga Puja Celebration
\r\n\r\n
Durga Puja will be held on October 15, 16 & 17, 2010
\r\nAt the Ukranian Church and Cultural Center in Somerset, New Jersey
\r\n\r\n\r\n\r\n
Registration Information
\r\n\r\nOver the last several years we have had a large increase in the number of people attending Kallol’s Durga Puja which we are very happy about. Unfortunately, as you know, the Ukranian Center Hall has limited accommodation in the main hall. We have had to restrict entry in the main hall in the previous years in compliance with township rules and fire codes. So like the last few years we are introducing an online registration system to provide you with an opportunity for pre-registration which will guarantee entry. We may not be able to admit you without pre-registration if we reach capacity. Online registration will begin on September 20, 2010 at http://www.kallol.com
\r\n\r\n\r\nSuggested Donations
\r\n\r\n
Kallol Member’s: $60.00
\r\nNon- Member’s: $65.00
\r\nStudent with ID: $40.00
\r\nChildren [12-18 YRS]: $30.00
\r\nChildren [Below 12 YRS]: Free
\r\nPatrons: $200 includes 2 badges
\r\nSponsors: $500.00 includes family bagdes upto 4
\r\nGrand Sponsors: $1000.00 includes family bagdes upto 4 & complimentary 2 nights hotel room
\r\n(Reserved seating area for Patrons, Sponsors & Grand sponsors)
\r\n\r\n\r\n\r\nProgram Schedule
\r\n\r\nFriday, October 15, 2010
\r\nMahasasthi and Mahasaptami
\r\nPuja: 2:00 p.m. Anjali: 5:00 p.m.
\r\nDinner: 6:30 p.m. Cultural Program: 8:00 p.m.
\r\n\r\n
Saturday, October 16, 2010
\r\nMahaashtami & Sandhi
\r\nPuja: 10:30 a.m. Anjali: 2:00 p.m.
\r\nDinner: 5:00 p.m. Cultural Program: 6:00 p.m.
\r\n\r\n
Sunday, October 17, 2010
\r\nMahanabami & Mahadashami
\r\nPuja: 11:00 a.m. Anjali: 2:00 p.m.
\r\nDinner: 5:00 p.m. Cultural Program: 6:00 p.m.
\r\n\r\n
Saturday, October 23, 2010
\r\nKojagori Lakshmi Puja
\r\nPuja: 3:00 p.m.
\r\n\r\nAnjali : 4:00 p.m.
\r\n\r\nVijaya Sammelani & Cultural Program : 6:30 p.m.
\r\n\r\nDinner : 9:00 p.m.
\r\n\r\n
Cultural Program Highlights*
\r\n\r\n| \r\n Fri, Oct 15, 2010: \r\n | \r\n\r\n Parthasarathi Desikan ~ Classical Vocal \r\n | \r\n
| \r\n Sat, Oct 16, 2010: \r\n | \r\n\r\n Jolly Mukherjee from Bolloywood and Koel Mukherjee of Sa Re Ga Ma Pa Fame \r\n | \r\n
| \r\n Sun, Oct 17, 2010: \r\n | \r\n\r\n Anirban Dasgupta & Sasha Ghosal \r\n | \r\n
\r\n
*Subject to change
\r\n\r\n\r\n\r\n\r\nVenue & Directions
\r\n\r\nVenue
\r\nUkranian Cultural Center, 135, Davidson Avenue, Somerset, NJ 08873
\r\n\r\n
Directions
\r\n\r\n
From Interstate 287 North
\r\nTake exit 10 (Rt. 527 / Easton Avenue)
\r\nGo right towards Bound Brook and turn left at the first traffic light onto Davidson Avenue
\r\nThe Ukranian Cultural Center and parking will be to your right
\r\n\r\n
From Interstate 287 South
\r\nTake exit 10 for New Brunswick / Easton Avenue
\r\nTurn left onto Easton Avenue and go underneath the highway I-287
\r\nTurn left at the first light onto Davidson Avenue
\r\nThe Ukranian Cultural Center and parking will be to your right
\r\n\r\n
From Route 18
\r\nTake Route 18 from Rt 1 towards New Brunswick past the Raritan River and after the bridge, make a left at the first traffic light onto River Road
\r\nGo to the junction of I-287 and enter onto I-287 North
\r\nThen follow directions from above
\r\n\r\n\r\n\r\n\r\n\r\nHotel Information
\r\n\r\nKallol of NJ’s official partner for Durga Puja 2010 is Madison Suites Hotel. The hotel is located at about 5 minute driving distance from the venue and features spacious rooms with microwave and refrigerators in all rooms and the rate below also includes free continental breakfast. Follow details below to make your reservations with the hotel directly. In order to get Kallol’s discounted rate you will need to mention “Kallol DP 2010” during reservations and show them a copy of your registration during check in.
\r\n\r\n11 Cedar Grove Lane
\r\nSomerset, NJ 08873
\r\n\r\n\r\n
Official Hotel of Kallol’s New Jersey Durga Puja 2010
\r\n\r\n
For reservations please call (732) 563-1000. Be sure to mention “KALLOL DP 2010” in order to receive this discount. You can visit them on the web athttp://www.madisonsuitesnj.com
\r\n\r\n
Special Rates:
\r\n\r\n
Oct 15 & 16, 2010
\r\n\r\n
$60 + tax Standard rooms
\r\n$80 + tax Bi-Level Suites
\r\n\r\n
Oct 14 & 17, 2010
\r\n\r\n
$55 + tax Standard rooms
\r\n$75 + tax Bi-Level Suites
\r\n', 'Kallol Durga Puja 2010', 0, '', 'publish', 'open', 'open', '', 'kallol-durga-puja-2010', '', '', '2010-10-13 21:19:22', '2010-10-14 01:19:22', '', 0, 'http://nynjbengali.com/?p=515', 0, 'post', '', 1); INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_category`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (516, 1, '2010-10-13 21:25:38', '2010-10-14 01:25:38', 'Garden State Cultural Association\r\ninvites you, your family and friends to join in the celebration of\r\nDURGA PUJA\r\nat \r\nPlainfield High School,\r\n950 Park Avenue, Plainfield, NJ 07060\r\non \r\nSaturday, October 16, \r\n& Sunday, October 17, 2010\r\n
| \r\n | Program Details\r\n\r\n \r\n\r\n | \r\n
| \r\n | Saturday, October 16, 2010 | \r\n\r\n | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| \r\n | \r\n \r\n
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9 Women Filmmakers
\r\n16 Extraordinary Films
\r\nFrom 7 Countries
\r\n1 North America Premiere, 6 East Coast premieres, 4 NJ Premieres
\r\nOpening Night film MIRCH
\r\nA STAR-STUDDED MASTERWORK with Konkona Sen Sharma, Raima Sen, Boman Irani
\r\nNOT TO BE MISSED
\r\nWATCH IT FOR FREE ONLY AT NJISACF
\r\nFestival Centerpiece LIFE GOES ON
\r\nMemorable performances by Sharmila Tagore, Soha Ali Khan, Om Puri, Girish Karnad
\r\nWATCH IT FOR FREE ONLY AT NJISACF
\r\n\r\n
Closing Night film COOKING WITH STELLA
\r\nA Delicious Comedy written by DEEPA MEHTA
\r\nA BRAVURA PERFORMANCE BY SEEMA BISWAS OF THE BANDIT QUEEN FAME
\r\nWATCH IT FOR FREE ONLY AT NJISACF
\r\nYASMIN
\r\nAn award-winning performance by the Emmy award winner ARCHIE PANJABI (the primetime TV serial THE GOOD WIFE)
\r\nWATCH IT FOR FREE ONLY AT NJISACF
\r\n\r\n
New Jersey Independent South Asian Cine Fest (NJISACF), 2010, is all about women; their lives, journeys and achievements. This precocious spectacle presents South Asia’s most radical, crucial and underrepresented voices. The festival features a mélange of avant-garde documentaries, mindboggling shorts and a dynamic selection of feature films that evince exuberance, resilience and imperium of the South Asian cinema. NJISACF 2010 through its dynamic ensemble of movies wants to bring to the fore, a new perspective about South Asian women in cinema, who are breaking free from the shambles of culture, religion and sexuality; these women are challenging common perceptions and converging towards an affirmation of identity and rights.
\r\nQuote: Sakti Sengupta, Director, NJISACF: “There exists a body of recent films by women filmmakers and screenwriters working in the UK, Canada, and the US, and representing South Asian communities and subjectivity in the West. It is a culturally hybrid cinema, which actively locates itself between Hollywood and Bollywood. The diasporic South Asians are not merely assimilating to their host cultures but they are also actively reshaping them through their own, new voices bringing new definitions of identity.”
\r\nThis year NJISACF 2010 brings a cinematic extravaganza from nine women filmmakers, with 16 features, shorts and docs from seven countries on October 29 and 30 at Big Cinemas, 1655 OAK TREE ROAD, Edison, New Jersey. For more information visit: www.NJISACF.org.
\r\nOn Friday October 29, the festival opens with the New Jersey premiere of the new yet-to-be-released film “Mirch”, a masterwork and collage of four short stories about women''s empowerment and rights, and gender equality starring Indian heartthrobs Konkona Sen Sharma and Raima Sen.
\r\nCome join us also on Saturday October 30, as we showcase the New Jersey premiere of yet another unreleased film “Life Goes On” starring Sharmila Tagore (Satyajit Ray’s much-celebrated heroine from the Apu Trilogy), East Coast premiere of “Cooking with Stella” co-scripted by the Oscar-nominated (for her film “Water”) Canadian woman filmmaker Deepa Mehta, and “Yasmin”, where Archie Panjabi (Emmy Award winning actress from the primetime series The Good Wife) shows what it’s like being a Muslim and an Asian woman in a post 9/11 world, and documentaries like “Beyond Women’s Stereotypes” featuring Booker Prize winning author of GODS OF SMALLL THINGS Arundhati Roy, “Dishonored” the heart-rending story of the gang-raped Pakistani woman Mukhtar Mai (she won the Woman of the Year Glamour magazine award in 2005).
\r\nWhere thought leaders, filmmakers, film personalities and scholars meet, exchange of ground breaking discussions ensue. NJISACF 2010 will host two panel discussions; Changing Representations of Women in South Asian Cinema, and South Asian Women reshaping their identity: A discussion on South Asian diasporic women filmmakers, along with Q & A sessions after each film screening.
\r\nWomen filmmakers, and especially, South Asian women filmmakers, from South Asia and the South Asian Diaspora, are one of the most under-represented in the history of cinema, at film festivals and at all other exhibition venues. Women’s film festivals are only about 2% of more than 5,000 film festivals held in North America. And, how many South Asian Women’s film festivals are there in North America? We counted about 3 only!
\r\nThe NJISACF is presented by the Asian American Film and theater Project, a 501(c)(3) tax exempt non-profit arts organization. The organization promotes and recognizes the talents of the new, the established, the underrepresented, the best and the brightest Independent South Asian filmmakers from across the globe.
\r\nPls contact:
\r\nSakti Sengupta (Festival Director)
\r\n\r\n732-310-0236
\r\n\r\nOR\r\n\r\n
\r\nNeha Mahajan (Marketing Co-ordinator)
\r\n\r\n732-500-8844
\r\n\r\n', 'NJISACF 2010 : South Asian Women Filmmakers Reshaping Their Identities', 0, '', 'publish', 'open', 'open', '', 'njisacf-2010-south-asian-women-filmmakers-reshaping-their-identities', '', '', '2010-10-18 21:42:02', '2010-10-19 01:42:02', '', 0, 'http://nynjbengali.com/?p=517', 0, 'post', '', 1), (518, 1, '2010-10-20 14:22:30', '2010-10-20 18:22:30', '', 'gayatri-gamarsh-poet.jpg', 0, '', 'inherit', 'open', 'open', '', 'gayatri-gamarsh-poetjpg', '', '', '2010-10-20 14:22:30', '2010-10-20 18:22:30', '', 520, 'http://nynjbengali.com/wp-content/uploads/2010/10/gayatri-gamarsh-poet.jpg', 0, 'attachment', 'image/jpeg', 0), (519, 1, '2010-10-20 14:22:31', '2010-10-20 18:22:31', '', 'gayatri-gamarsh-poet-thumb.jpg', 0, '', 'inherit', 'open', 'open', '', 'gayatri-gamarsh-poet-thumbjpg', '', '', '2010-10-20 14:22:31', '2010-10-20 18:22:31', '', 520, 'http://nynjbengali.com/wp-content/uploads/2010/10/gayatri-gamarsh-poet-thumb.jpg', 0, 'attachment', 'image/jpeg', 0), (520, 1, '2010-10-20 14:22:33', '2010-10-20 18:22:33', 'by Pronoy Chatterjee
Gayatri Memorial Awards have been established by Ananda Mandir (Somerset, NJ) to recognize authors who have demonstrated excellence in writing through their published essays, poems, short stories or plays. The awards have been made possible through a significant contribution from Jerry GaMarsh, husband of late Gayatri GaMarsh. Gayatri was an accomplished author and artist – and a key member of the editorial team of Ananda Sangbad and Anandalipi, publications of Ananda Mandir. The Gayatri Award is administered through the Awards & Recognition Subcommittee of Ananda Mandir.
Two cash awards will be given each year to recognize outstanding works published in North America-based literary magazines within the last five years. One award will be given to an author of Bengali works, and another will be given to an author in English. Each award will consist of $400 in cash and a certificate.
\n\nAn author may nominate himself/herself -- or may be nominated by third parties (using the Nomination Form shown below). The nomination must be supported by photocopies of two (and only two) essays, poems, short stories or plays published in North America-based Bengali or English magazines. The two supporting publications can be of the same type or of different types (eg. one poem and one short story). Unpublished works of literature will not be accepted. Full publication references must be submitted for the articles submitted with each nomination. Articles published in magazines outside of North America will not be considered.
Nominated authors must be 18 years or older. Each of their published articles (prose or poems), submitted with their nominations, should be relatively short (no more than 5 or 6 printed pages in length).
Nominations should include short biographies of the authors. Judging, however, will be based primarily on the two supporting publications. Judges'' decisions will be final.
Members of the Awards & Recognition Subcommittee and the judges cannot submit nominations for themselves nor can they be nominated by third parties.
Deadline for nominations (with supporting documents) for the 2010 awards: March 31, 2011. Awards will be announced and presented in Fall, 2011.
Please send nominations (with supporting documents) to
Pronoy Chatterjee
6 Marcin Court
Spotswood, NJ 08884
In case of questions, contact Pronoy Chatterjee (pkc_usa@yahoo.com) or Debajyoti Chatterji (debsmee@comcast.net)
GAYATRI GAMARSH MEMORIAL AWARDS
2. Is the Nominated Author 18 Years of Age or Older? (If no, please do not submit the nomination) ______________________________________________________
_________________________________________________________________
_________________________________________________________________
_________________________________________________________________
_________________________________________________________________
This year Kallol celebrated Durga Pujo with a new committee and with a class structure. Unfortunately, some of the enforcers of this class system had none of their own. As one long time member expressed disappointedly, “Green tag gulo holo citizender jonno aar aamra bakira holam bratyo.” Life members, other members, and those who attend the Pujo celebrations at Kallol regularly, were treated with disdain and contempt, if they had not paid up for the venerable “green card.” One attendee asked, “Amaar $150er kono daam nei?” There was no answer.
In addition to this, several rows in the front were cordoned off with yellow “caution” tape - “caution” to the plebeians to stay away from the elite. One woman dared to cross over to wish a friend “Subho Bijoya” and was halted peremptorily, “Odike keno jachchen? Apnar odike jaorar katha na.” Interestingly, as this woman’s badge was in her purse, this volunteer only needed his perception of status (Or was this caused by gender?) to justify his insolence.
Interestingly, about 1/4 of these privileged rows, except for the very first row on the left, were mostly occupied by orange cardholders, not the color de rigueur! About 1/2 the seats in the orange section, bespoke of ownership with strewn shawls, bits of paper and brochures. An interesting note: most of the vacant seats in both the elite section and the orange section went unclaimed through the 3 days of celebration, despite the yellow tape and the visual claims of ownership!
The indignity of being tagged “orange,” was intensified by the fact that, in conjunction with the yellow cautionary tape, orange signified, “Danger! Be careful of these unimportant people!” In addition, the lighting system was placed in the midst of the outcasts, after the elite seats. Three chairs marked off the lighting system, three chairs that went unoccupied as the light man stood erect the entire time, fiddling with the various knobs as a child would with a new toy and aiming the lights at all and sundry, frequently missing the real subject. The fact that he was not transparent and clearly obstructed most of the people behind him did not seem to concern him as he obstreperously defied all requests to sit down.
The last night of celebration at Kallol has been, for the last few years, one of greeting, contemplation, and classical music. This year the penultimate program was one of songs and sarode. As the artists on the stage announced their last presentation, one of Kallol’s volunteers shooed them off the stage, dismissing requests and protests from the audience. Even the boos from the audience, both citizens and non, did not pause the proclamation, “We are running late and there’s another program.”
Several people complained about the rude, crude, and obnoxious behavior on display through out the festivities. Most of the complainants were either women or visiting parents. While the former group is not unexpected, as other women, in other contexts, have spoken about the misogyny that infests Kallol, the revelation from the latter came as a surprise. It is worthy to note at this point that it was Durga who was being celebrated, the Sacred Feminine, Shakti. To borrow loosely from a noted writer, oh, how the borders of our belief of a celebration shrank back in the hands of a few of Kallol’s officious officials! As someone remarked sadly, “Kollol’e beno jol dhuke geche onek, etai dukher byapar.”
The bottom line is some of us were deliberately slighted, insulted, and mistreated. What a nice way to mark bangalider shrestho celebration!
NOTE: OPINIONS EXPRESSED IN THIS ARTICLE ARE THOSE OF THE AUTHOR ONLY.
', 'Aamaader Durga Pujo', 0, '', 'publish', 'open', 'open', '', 'aamaader-durga-pujo', '', '', '2010-10-20 15:19:33', '2010-10-20 19:19:33', '', 0, 'http://nynjbengali.com/archives/523', 0, 'post', '', 1), (524, 1, '2010-10-20 17:33:50', '2010-10-20 21:33:50', 'Durga Puja is one of the most beloved times in our community - every year we get together, tempted to see all the people we haven''t seen in recent months, sometimes even years. I still remember coming to Puja since I was 4 and 5 years old, hoping to see all the Mashi''s and Kaku''s, finding every corner of the Ukrainian Center with friends to find the perfect place to play games. Then being rushed out by my parents to make sure I gave anjali, even though I had no clue what it was -- I knew it made my folks feel good to know that they were giving me their blessings for another prosperous year. It was by far the most exciting time for the entire Indian community that I called "my sphere".
Recently I had the opportunity to watch the play "Broken Images" written by Girish Karnad, directed by Alyque Padamsee and performed by the famous film and stage actor Ms. Shabana Azmi. Girish Karnad is one of the foremost playwrights of modern India, hence any play from him raises expectations. "Broken Images" is certainly not one of his best plays although it did make its point quite strongly. It tells the story of the confessions of a mediocre Hindi writer who has become an internationally acclaimed English language celebrity author through deceit. It also tells that the image we often create to impress the outer world gets shattered inside when it is not projected in the light of truth. The play being directed by the veteran theater persona Alyque Padamsee, adds another dimension to it. But the strongest attraction for most theater goers was to see Shabana Azmi on stage. The North Brunswick High School auditorium (in New Jersey) was packed with her cheerful fans, although they had to wait well past the show time in long lines outside the theater. And it seemed they were not disappointed. They got to see their favorite actress not only in person, but also on screen. It was Shabana acting on stage with Shabana on a big screen television mounted on stage. It was a bit tricky act to perform, especially when she had to synchronize not only the timing of her dialogues, but also her position on stage to match the eye movement of the character on screen. It kind of restricted her freedom on stage in many ways. But the major problem came not from the timing or blocking, but from the difference in the two media. Acting on television differs greatly from the the acting styles on stage. The big close up of Shabana on a big screen TV on stage carried subtle nuances and facial expressions which Shabana on stage had to compensate with her physical movements. This caused a discord in acting styles which was a bit discomforting to me. The technique looked more gimmicky rather than an absolute necessity. In many one person shows, the actor often has to play multiple roles and the audience accepts the illusion quite happily. If the play demands another character on stage, I''d think it is better to use another actor rather than use some convoluted technique like that used in this production. Ms. Azmi is a powerful actor and I am quite convinced that she could have handled both the characters on stage with equal ease. Maybe Mr. Padamsee can think of this play in a more conventional way and deal with the challenge without taking recourse to modern technology.', 'Shabana''s Broken Images ', 0, '', 'publish', 'open', 'open', '', 'shabanas-broken-images', '', '', '2010-12-01 19:22:05', '2010-12-01 23:22:05', '', 0, 'http://nynjbengali.com/?p=529', 0, 'post', '', 1),
(530, 1, '2010-12-01 19:18:48', '2010-12-01 23:18:48', 'Shabana Azmi in Broken Images', 'Shabana Azmi', 0, 'Shabana Azmi in Broken Images', 'inherit', 'open', 'open', '', 'shabana_azmi', '', '', '2010-12-01 19:18:48', '2010-12-01 23:18:48', '', 529, 'http://nynjbengali.com/wp-content/uploads/2010/12/shabana_azmi.jpg', 0, 'attachment', 'image/jpeg', 0),
(531, 1, '2010-12-08 19:55:34', '2010-12-08 23:55:34', '
Whenever I go to Kolkata, I make it a point to see as many theaters as possible within the short breaks that I can manage from the hectic schedule. This summer too I had the opportunity of watching two plays in Kolkata, “Kaachher Manush” by Gandhar and “Srinwantu Comrades” by Nandipat. \r\n\r\n“Kaachher Manush” is based on a Marathi play by Dr. Sirish Athwale (translated by Kamal Sanyal) and directed by Gautam Haldar. The play tells the story about how two people from different social backgrounds can come close together through a metaphoric process of healing. Dadaseheb (a Marathi Brahmin played by Debshankar Haldar) is suffering from a paralysis of his right side resulting from a head injury and needs physiotherapy and occupational therapy to recover. Savitribai, a senior dalit lady (performed by Bijoy Lakshmi Burman), has been appointed as a nurse to provide him with his daily therapy and help him during the day with his household chores. Dadasaheb initially opposed to this arrangement, especially to be under the constant supervision of a lower caste lady, but had to accept reluctantly. And predictably enough, Dadasaheb’s physical condition improves under the strict regimen of Savitribai and at one point the widower Dadasheb even proposes her hand in marriage. Dadasheb is finally cured within a week’s time when his NRI daughter threatens to come and take him with her to USA. The play is very well acted by Debshankar and Bijoy Lakshmi. Debshankar’s boisterous characterization of Dadasaheb has been well complemented by the cool and composed Savitribai of Bijoylakhsmi. Parthasarathi Mukhopadhyay as the son was just appropriate. However, the character of Dadasaheb’s NRI daughter Maitrayee has been made into a stereotypical non-resident haughty woman whose concern for her father was made into a comical farce. The director (and the playwright) should have paid some attention to modern physical and occupational therapy techniques for the elderly, where safety and fall prevention is one of the key objectives. The days of challenging the patient to walk on his own without any safety precautions is long gone with the days of black and while romantic films of Uttam and Suchitra. Scenes like these help the actor to show a good deal of physical acting and even helps build audience tension, but is not practical at all and should have come with the notice - “Don’t try this at home with your parents.” Incidentally, Kachher Manush was staged at the 2010 Bangamela held in Nashville, TN and then it toured some of the mid-west cities, although it did not come to the US east coast. \r\n\r\nThe other play “Srinwantu Comrades” (Comrades, Lend me your ears!) is directed by the veteran thespian, Bibhas Chakraborty. The play (originally written by the Russian playwright Satrov in 1977) tells the story about a day in the life of Vladimir I Lenin in 1920, when he was recuperating from an assassination attempt with two bullets in his body. As the day progresses, Lenin receives visitors from his party, the government, the bureaucrats, the labourers, the farmers and even the socialites. And gradually Lenin realizes how his thoughts and philosophy for creating a classless proletariat society is getting distorted. The party, the govt and the bureaucrats are bent upon forcing socialism down the throats of the people and choking their voice in the process. While watching the play, one would invariably draw parallels with the current left front govt of West Bengal and their actions in the name of Marxism, although at the very beginning of the play it was announced that the translator and director did not make any changes to the original text to make it sound more relevant. The play did not have any story line for that matter and was almost like a staged documentary. It requires a lot of attention on the audience’s part to stay focused on the play, as the play turns out to be talking heads for the most part. \r\n\r\nOne good thing I noticed was that on both days the audience turn out was quite good. The common complaint that I hear about the lack of audience was not evident at least for these two shows. I’d recommend both the plays to anybody who wants to watch good theater.\r\n\r\n(NOTE: This article was previously published in Ananda Sambad.)', 'Two Plays in Kolkata', 0, '', 'publish', 'open', 'open', '', 'two-plays-in-kolkata', '', '', '2010-12-08 19:55:34', '2010-12-08 23:55:34', '', 0, 'http://nynjbengali.com/?p=531', 0, 'post', '', 0),
(532, 1, '2010-12-08 19:51:53', '2010-12-08 23:51:53', 'Kaachher Manush featuring Debshankar Haldar and Bijoylaxmi Burman.', 'Kaachher Manush', 0, 'Kaachher Manush', 'inherit', 'open', 'open', '', 'kaachher-manush', '', '', '2010-12-08 19:51:53', '2010-12-08 23:51:53', '', 531, 'http://nynjbengali.com/wp-content/uploads/2010/12/kaachher-manush.jpg', 0, 'attachment', 'image/jpeg', 0),
(533, 1, '2010-12-13 23:42:12', '2010-12-14 03:42:12', 'The Naga Viper is the latest claimant to the world''s-hottest-pepper title, beating its predecessor, the Bhoot Jolokia by more than 300,000 Scoville units of tongue-scorching chili hotness. Researchers at Warwick University testing the Naga Viper found that it measures 1,359,000 on the Scoville scale, which rates heat by tracking the presence of a chemical compound. In comparison, most varieties of jalapeño peppers measure in the 2,500 to 5,000 range. Bhoot Jolokia scored 1,000,000 Scoville units. But Naga Viper is not a produce of Nagaland. The new pepper is actually a creation of Gerald Fowler, a British chili farmer and pub owner, who crossed three of the hottest peppers known to man, including the Bhoot Jolokia.', 'Naga Viper Beats Bhoot Jolokia', 0, '', 'publish', 'open', 'open', '', 'naga-viper-beats-bhoot-jolokia', '', '', '2010-12-13 23:42:12', '2010-12-14 03:42:12', '', 0, 'http://nynjbengali.com/?p=533', 0, 'post', '', 0),
(534, 1, '2010-12-16 00:58:32', '2010-12-16 04:58:32', 'I often have this dilemma, is it okay to criticize? Often people ask me, how did I like a book, or a play, or a movie - and I find it very difficult to answer. First of all, if it is my opinion they are asking for, I can possibly try to answer quite diplomatically. My answer would also depend on who is asking me, and about what my opinion is sought for. But expressing an opinion and making a criticism of some work are two entirely different ball games. Opinions are personal, but criticism should be based on a solid foundation of theoretical and practical understanding of the craft. We often tend to confuse between the two and sometimes give too much weight to personal opinions as valued commentary of a piece of artistic or literary work. And this is where I feel awkward to express my opinions because I fear that my opinions may be considered as criticisms and be given more value than it is worth. Secondly, being involved in some artistic pursuits myself, I feel it is not for me to judge the creation of a fellow artist. For, when I put myself in their shoes, I know how hard it is to create something - how much love, dedication, passion and hard work has gone into it. I can never trivialize someones work, whatever others may feel about it. Yes, I do often see half baked, immature, ill conceived pieces of work being presented by many of my colleagues and friends. But I still find it very difficult to comment on them. But as friends and colleagues, they do ask my comments, ask my feedback. I can offer my feedback only as a fellow artist and never as a critic. Similarly, when I write about a play that I have seen or a book that I have read recently, I express only my opinion and not criticism.\r\nThe art (and maybe science) of criticism has developed considerably over the ages. Several philosophers and literary theorists (and I''ll not drop any names) have worked on this subject and several frameworks for criticisms are now in place. A true critic should arm himself/herself with this knowledge, as well as knowledge about the craft in question before making their commentary. A critic has his/her place in the world of art and literature. They help us appreciate the art form better and gives us clues to look for in the work to find hidden treasures. They also help the creators detect their flaws and improve their work. But good critics are hard to find. Most of them only express their opinions and just put in their ranking in letter grades or stars and claim themselves as critics. But in this day of social media marketing, it is the opinions of the social influencers that matters the most. I have no complaints about that, but we need to appreciate that these are opinions only and not criticisms. Do not base your appreciation of any work or any artist based on these opinions. If you need help, find a good critic and read their criticisms. Else form your own opinion.', 'To Criticize or Not to Criticize, That is a Question!', 0, '', 'publish', 'open', 'open', '', 'to-criticize-or-not-to-criticize-that-is-a-question', '', '', '2010-12-16 01:01:02', '2010-12-16 05:01:02', '', 0, 'http://nynjbengali.com/?p=534', 0, 'post', '', 3),
(535, 1, '2010-12-22 21:41:43', '2010-12-23 01:41:43', '
Time magazine chose Mark Zuckerberg as the 2010 person of the year. A film on the life of Mark Zuckerberg is a strong contender for Oscars next February. He is twenty six years old and is worth 7 billion dollars. He drives an Acura TSX and rents a house. And he is the creator of the phenomenon called "Facebook".\r\n\r\nYes, Facebook is no longer a website, it is a phenomenon. Social networking sites are nothing new. People on the internet started to commune together since the early days through bulletin boards, news groups etc., long before MySpace, LinkedIn, Orkut and Facebook came into existence. Newsgroups were there (remember soc.cult.etc.etc?) even before web browsers and web servers were invented. People have always tried to use the internet to connect and to share. Social networking sites like Facebook has given the people the ideal vehicle to connect and share. And of all the social networking sites, Facebook has become the most popular platform primarily because of its ability to evolve continuously. People have been able to connect with their friends after ages, they share their thoughts, their likes and dislikes, their photos and memories. It allows many to get their moments of fame and recognition from their friends and peers that was never possible before. It has become such a powerful attraction to many that some psychiatrists are considering Facebook addition as a diagnosable ailment.\r\n\r\nBut Facebook addiction is only one of the complaints against this 21st century phenomenon. Many people complain that Facebook doesn''t care for their privacy. They feel shocked to learn that some apparently unknown person has been able to read their profiles, or when they see personal comments from some unknown people floating in on their walls. However, before making any such complaints, one should think that Facebook is not a place for private people. You join Facebook to share, to get others to know you. I do not mean that just because you are on Facebook, one has the right to know about all your secrets. All I mean to say is that, people only know what you want them to know. When you make someone your friend, there has to be an element of trust between you two. Also, you should note that when you comment on a post by your friend, it is most likely that his/her friends get to see your comment too. So the first principle in Facebook (or any such social network platform) is not to make a comment or statement that you wouldn''t want to share with many. If there is something that you''d like to share with your friend in private, there are several other vehicles to do it, including the messaging feature of Facebook.\r\n\r\nAnother common complaint, "Why do I have too see all the garbage that my friends and their friends keep on posting." Well, since you have accepted somebody as your friend, it is presumed that you''d like to read what they have to say. But if someone makes and excessive amount of postings, you have the option of politely hiding their posts such that they don''t appear on your news feed. Your friend does not even get to know that you have turned him off without rejecting him as a friend.\r\n\r\nFacebook is a powerful platform and it is transforming the way people use the internet. It is empowering the internet users in ways that was never thought to be possible. Marketing organizations are paying special attention to these platforms because this is where their customers are flocking. But Facebook allows not only the big corporations, but also the smaller organizations to reach out to the people for whatever cause they want their attention. Features like groups and pages allow people to create common areas of interest to work and share on. But when all this becomes easily available to everybody, lot of junk gets created too. One must be extremely careful in selecting the right groups and pages to join.\r\n\r\nFacebook is becoming an integral part of our online existence. Even if you are not on Facebook today, if you are a netizen, you''ll soon have to join because all your friends will expect you to be on Facebook. It is an enjoyable experience, but just like any other piece of technology, it must be used responsibly. Note that, Facebook is a public place hence treat it like you''d treat a regular public space. Do not litter, do not cause nuisance, do not exhibit your dirty laundry and do not abuse it.', 'Facebook - Not a Place to Hide Your Face', 0, '', 'publish', 'open', 'open', '', 'facebook-not-a-place-to-hide-your-face', '', '', '2010-12-22 21:42:34', '2010-12-23 01:42:34', '', 0, 'http://nynjbengali.com/?p=535', 0, 'post', '', 3),
(536, 1, '2010-12-22 21:39:28', '2010-12-23 01:39:28', 'Mark Zuckerberg of Facebook', 'Mark Zuckerberg of Facebook', 0, 'Mark Zuckerberg of Facebook', 'inherit', 'open', 'open', '', 'zuckerberg_facebook', '', '', '2010-12-22 21:39:28', '2010-12-23 01:39:28', '', 535, 'http://nynjbengali.com/wp-content/uploads/2010/12/zuckerberg_facebook.jpg', 0, 'attachment', 'image/jpeg', 0),
(537, 1, '2011-01-05 01:20:24', '2011-01-05 05:20:24', '
The other day, while rearranging the books in my tiny library, I chanced upon a tiny book titled "Thakur Barir Ranna" (Foods from the Tagore Kitchen) written by Purnima Tagore (daughter of Pramatha Choudhury and Nalini Devi). This year being the 150th birth anniversary of Rabindranath Tagore, anything related to Tagore generates special interest. Hence, after a long time, I started leafing through the book and was pleasantly surprised by the variety of cuisine and recipes listed in the book. In the preface, the author says that these recipes are collected from a recipe book handed down to her by her aunt, Indira Devi Choudhurani. Indira Devi, the favorite niece of Rabindranath Tagore, had never entered a kitchen or cooked on a regular basis. But whenever she liked a dish, she would make it a point to collect the detailed recipe from the cook and note it down in her book. Purnima Tagore has also included some of her own recipes in the book. Hence, it is not that all the recipes were from Jorsanko Thakurbari, but of course they are from the Tagore kitchens in general.\r\n\r\nThe book has been divided in multiple sections like vegetarian dishes, fish dishes, eggs, meat, desserts, and pickles. It''s not that the recipes are exciting but the book is a good read too. The book has no pictures but when you read through the pages you''ll clearly visualize the colorful and flavorful dishes in your minds eye. I picked some of the unusual recipes to share with you in the same style as written in the book.\r\n\r\nFish Stir-fry (Maach Chachchari): Fry the fish. You''ll need potatoes and onions. Heat oil to fry onions and then add the potatoes. When the potatoes turn brown, add turmeric and red chili paste. Add salt and green chili. You may add tomatoes if you''d like. After frying the spices, add water and cover. Add fish to the boiling sauce. Cook till the gravy thickens.\r\n\r\nMourala Fish (Anchovies?) Sour (Mourala Maacher Ambal) : Fry the fish in oil, then add turmeric. Add green tamarind puree. Add sugar and salte to taste and cook till the sauce thickens. Ripe tamarind puree can also be used.\r\n\r\nEgg Chao Chao: Eggs - 4; Onions - 6; Dry red chili whole - 4; Garlic - 4 cloves; A pinch of turmeric, little cumin seeds (jeera), salt and clarified butter (ghee). Make a paste of red chilies, garlic, turmeric, and cumin. Slice the onions into fine shred. Heat ghee on a pan and fry the onions. Add the spice paste and fry well. Break the eggs and mix it into spices. Cook in low heat. When the egg cooks and turn reddish, add a little water and salt. When the water dries off, the dish is done.\r\n\r\nKeema Dahi Vada (Fried meat balls in yogurt): Mix minced meat (lamb or goat), boiled potatoes, minced green chilies, onions, and salt. Add eggs and some garam masala and make a dough. If the dough is too soft, add bread to the mix. Make small balls and fry. Beat yogurt with a pinch of salt. Add roasted red chili and cumin powder to the yogurt and blend. Add the fried meat balls to the yogurt. Garnish with good quality ghee (clarified butter).\r\n\r\nThe list is quite long and I don''t want to rob off your fun in reading the book. But one disclaimer I should add is that I have not tried any of the recipes myself.\r\n\r\n
The book also reminded me that few months ago a friend of mine brought to my attention of a culinary extravaganza that was tried out in Kolkata at the Sobhabazar Rajbari. The event (which lasted from June 4 to 10, 2009) was titled "Thakurbarir Khaoa Daoa". It was not only a culinary experience, but it also included a fascinating performance by actors, musicians, artistes who transported their guests about hundred fifty years ago to the Thakur Bari in Jorasanko." With musicians singing Tappa, Rabindrasangeet or Khayals and Thumris, and even piano recitals, pankhawala''s pulling the pankha, the guests were seated in the long corridors and was served with food that included no less than 34 items. Drinks included different varieties of sherbets including Neem, fish dishes like Choi-koi, Dwarakanath Pulao, Kochu Saag, Bhapa Chingri, Lauyer Paesh and English pudding. The event was sponsored by Bharath University and the guest included celebrity intellectuals like Sankho Ghosh, Nabanita Debsen, Jogen Chaudhury, Usha Uthup and many others. There was a proposal from the sponsors last year to bring the event to the 2010 Banga Sammelan (NABC) held in New Jersey but the organizers declined. Maybe the 2011 NABC organizers would like to consider this as a special attraction, especially in the year of the 150th birthday celebration of Rabindranath Tagore.', 'From The Tagore Kitchen', 0, '', 'publish', 'open', 'open', '', 'from-the-tagore-kitchen', '', '', '2011-01-05 10:15:50', '2011-01-05 14:15:50', '', 0, 'http://nynjbengali.com/?p=537', 0, 'post', '', 0),
(538, 1, '2011-01-05 01:14:49', '2011-01-05 05:14:49', 'Thakur Barir Ranna by Purnima Thakur', 'thakur_barir_ranna', 0, 'Thakur Barir Ranna by Purnima Thakur', 'inherit', 'open', 'open', '', 'thakur_barir_ranna', '', '', '2011-01-05 01:14:49', '2011-01-05 05:14:49', '', 537, 'http://nynjbengali.com/wp-content/uploads/2011/01/thakur_barir_ranna.jpg', 0, 'attachment', 'image/jpeg', 0),
(539, 1, '2011-01-05 01:16:50', '2011-01-05 05:16:50', 'Bengali Food - Thakur Barir Khaoa Daoa', 'indian_bengali_food', 0, 'Bengali Food - Thakur Barir Khaoa Daoa', 'inherit', 'open', 'open', '', 'indian_bengali_food', '', '', '2011-01-05 01:16:50', '2011-01-05 05:16:50', '', 537, 'http://nynjbengali.com/wp-content/uploads/2011/01/indian_bengali_food.jpg', 0, 'attachment', 'image/jpeg', 0),
(540, 1, '2011-01-07 19:36:35', '2011-01-07 23:36:35', 'Sometime ago, I had made few Facebook related cartoons that I had posted on Facebook. Let me post them here for those readers who are not on my Facebook friends list. Enjoy!\r\n\r\nCartoon 1: I''m unfriendly? My friend, I have more than 2000 friends on facebook and they never complain about my trash!\r\n\r\n
\r\n\r\nCartoon 2: What can I say? This social media stuff has made him extremely unsocial.\r\n\r\n
\r\n\r\nCartoon 3:\r\n\r\n
\r\n\r\nCartoon 4:\r\n\r\n
', 'Facebook Related Cartoons', 0, '', 'publish', 'open', 'open', '', 'facebook-related-cartoons', '', '', '2011-01-07 19:36:35', '2011-01-07 23:36:35', '', 0, 'http://nynjbengali.com/?p=540', 0, 'post', '', 1),
(541, 1, '2011-01-07 19:22:13', '2011-01-07 23:22:13', 'I''m unfriendly? My friend, I have more than 2000 friends on facebook and they never complain about my trash!', 'Trash over my wall', 0, '', 'inherit', 'open', 'open', '', 'trash', '', '', '2011-01-07 19:22:13', '2011-01-07 23:22:13', '', 540, 'http://nynjbengali.com/wp-content/uploads/2011/01/trash.jpg', 0, 'attachment', 'image/jpeg', 0),
(542, 1, '2011-01-07 19:28:56', '2011-01-07 23:28:56', 'What can I say? This social media stuff has made him extremely unsocial.', 'What can I say? This social media stuff has made him extremely unsocial.', 0, 'What can I say? This social media stuff has made him extremely unsocial.', 'inherit', 'open', 'open', '', 'unsocial', '', '', '2011-01-07 19:28:56', '2011-01-07 23:28:56', '', 540, 'http://nynjbengali.com/wp-content/uploads/2011/01/unsocial.jpg', 0, 'attachment', 'image/jpeg', 0),
(543, 1, '2011-01-07 19:32:07', '2011-01-07 23:32:07', '', 'Election Commission', 0, 'Election Commission', 'inherit', 'open', 'open', '', 'election_comm', '', '', '2011-01-07 19:32:07', '2011-01-07 23:32:07', '', 540, 'http://nynjbengali.com/wp-content/uploads/2011/01/election_comm.jpg', 0, 'attachment', 'image/jpeg', 0),
(544, 1, '2011-01-07 19:34:37', '2011-01-07 23:34:37', 'Friend Shah-Rukh Khan', 'Friend Shah-Rukh Khan', 0, 'Friend Shah-Rukh Khan', 'inherit', 'open', 'open', '', 'srk', '', '', '2011-01-07 19:34:37', '2011-01-07 23:34:37', '', 540, 'http://nynjbengali.com/wp-content/uploads/2011/01/srk.jpg', 0, 'attachment', 'image/jpeg', 0),
(545, 1, '2011-01-13 00:37:34', '2011-01-13 04:37:34', '
Saraswati puja is a major Bengali religious and cultural festival, especially for the Bengali youth. Although Saraswati puja celebrates knowledge, learning and the fine arts, but it also had a romantic touch to it. The spring time weather, the mild warmth of sunshine, the red Krishnachura and Palash blooming all around - it is the perfect time for romance and Saraswati Puja. In this country (especially in the north east), Saraswati Puja is celebrated in the peak of winter - and just like the Goddess, the landscape around covers itself in white. We would have to cover our nice festive dresses in heavy winter clothing and trudge through snow, ice and slush to visit our revered Goddess of learning. But we the expatriates, many of whom are indebted to Maa Saraswati for her blessings, carry the warmth of spring in our heart. Just as we enter the Puja venue, we feel transported back to those days when we used to go around door to door to collect contributions for our club Puja, building and decorating the pandals, waking nights to decorate the venue and have a great time. We also had several rules that needed to be followed - like, we couldn''t eat "Kool" (the sweet and sour berry), no studying on the day of the Puja, and after the Puja write Saraswati''s name on the "Bel" leaves. No such restrictions need to be followed here, but sometimes we feel a small tinge when we see our kids missing out the fun. \r\n\r\nOn Garden State Cultural Association''s (GSCA) website, I read an interesting note by Guru Chakrabarty on the historical significance of Devi Saraswati. Mr Charkrabarty writes,\r\n\r\n"In historical significance, Mother Saraswati is associated with the ancient river Saraswati. We learn from the glory days of Vedic times that many “Rishis” acquired a vast amount of knowledge of the universe. This knowledge was passed on by the “Rishis” to other scholars in educational institutions, called “Ashrams”. Many such learning institutions were located on the banks of river Saraswati. White swans lived on the river and white lotus flowers blossomed. The sacredness of such an atmosphere created a Goddess of Learning – Mother Saraswati. The image of Mother’s body is white, representing purity and sanctity. She is sitting or standing on a white lotus flower holding a white musical instrument “Veena” in her hand. A white swan is considered her “Bahan” or carrier."\r\n\r\nIn New Jersey, Saraswati Puja is celebrated by several clubs and organizations. Since most clubs are celebrating the Puja on different dates, you can visit multiples of them and enjoy. To the best of my knowledge, the earliest celebration is by Garden State Cultural Association (GSCA) on Feb 5th, Saturday, at Woodrow Wilson Middle School, Edison. Besides variety cultural program and Puja (Anjali, Hate Khari), GSCA will also have various kids activities such as arts and crafts competition, essay competition, etc. And of course prasad and dinner would be served. Visit http://www.gsca.us/saraswati_11.html for more information.\r\n\r\nAnandamandir will celebrate Saraswati Puja on Feb 8th at 8.45 am. For hate khari timing, call Bisabhai at 732-873-9821.\r\n\r\nThe Somerset Bengali Association (SBA) will be celebrating their 4th annual Saraswati Puja on Saturday, Feb 12 at the Green Brook Middle School, 132 Jefferson Ave (Near Route 22), Green Brook, NJ 08812 . The SBA Puja is a relatively new and growing event and the goal of SBA is to offer a homely informal atmosphere and relaxed socialization at their event. SBA cultural program will feature dance, music, plays by local talents and also SaReGaMaPa USA finalist Rasika Shekhar. SBA not only offers its guests a great dinner, but also a full lunch to keep you engaged all through the day.\r\n\r\nICC celebrates their Saraswati Puja on Feb 13th, 2011 at the Ukrainian Cultural Center, Whippany from 2pm onwards. Besides a variety of program performed by ICC children, there will also be a musical performance by a well known local artist.\r\n\r\nNew Jersey Puja Association will be celebrating their Saraswati Puja on Feb 19th. However, they have not announced their venue as yet.', 'New Jersey Saraswati Puja ', 0, '', 'publish', 'open', 'open', '', 'new-jersey-saraswati-puja', '', '', '2011-01-13 00:37:34', '2011-01-13 04:37:34', '', 0, 'http://nynjbengali.com/?p=545', 0, 'post', '', 2),
(546, 1, '2011-01-13 00:35:52', '2011-01-13 04:35:52', '', 'Saraswati', 0, 'Devi Saraswati', 'inherit', 'open', 'open', '', 'saraswati', '', '', '2011-01-13 00:35:52', '2011-01-13 04:35:52', '', 545, 'http://nynjbengali.com/wp-content/uploads/2011/01/saraswati.jpg', 0, 'attachment', 'image/jpeg', 0),
(547, 1, '2011-01-20 01:19:23', '2011-01-20 05:19:23', '
Recently Amy Chua is in the news. Her book "Battle Hymn of the Tiger Mother" has raised a storm in American households. Although many may not have read her book, but the excerpt published by Wall Street Journal was enough to enrage many parents who challenged Amy in all forms possible. To us, Indian parents, Ms. Chua''s parenting style is nothing new at all. Rather the western parenting style of protecting the delicate and fragile self-esteem of our children seems more foreign to us. We remember how we trembled to bring in our report cards that had less than 80% scores in front of our parents (well during our times 80% was a great score - letter marks, as we used to say). But after we came to this country, we learned that we should never exhibit our dissatisfaction when our child fails to deliver their best. We should keep encouraging them, tell them that they are doing great, even when their grades keep slacking. Positive reinforcement, we learned, was the key to success. Before exams, we are told not to pressurize them to study. Rather the kids should relax, and have a good nights sleep, unlike us who used to study almost the whole night before the exams. At sports and games, the motto is everybody is a winner, and the kids are showered with trophies and accolades even when you clearly know that your child is not at all the athletic type. And then comes Amy Chua and tells the Americans the Chinese (read Asian) style of parenting. Her parenting policy is simple - do not give your kids false sense of success and security. If you do, you are lying to them and are doing a great disservice to them. The real world is a tough place - your boss is not going to say, keep up the good work, when you clearly have failed in your job. The strategy practiced by Amy on her daughters does sound shocking to most western parents. No sleepover party, no grades less than A, no drama clubs, no TV or video/computer games, no boy/girlfriends in school etc. etc. Well it is a bit harsh no doubt, but she does make a point. We know that in reality we don''t have to be that hard on our children, but I agree with her that our children needs to be told in a clear and unambiguous way - giving up or being complacent is not an option. And when our children don''t get this simple message, we may have to give them the message the hard way - the drill sergeant way. American education system has many good features, but Amy Chua has pointed us to its greatest weakness - complacency, lack of competitive spirit and underestimating the sense of self-esteem of our children. This weakness, if not fixed, can prove to be fatal for this country''s future.', 'Parenting Asian Style', 0, '', 'publish', 'open', 'open', '', 'parenting-asian-style', '', '', '2011-01-20 01:19:23', '2011-01-20 05:19:23', '', 0, 'http://nynjbengali.com/?p=547', 0, 'post', '', 1),
(548, 1, '2011-01-20 01:07:16', '2011-01-20 05:07:16', 'Amy CHua', 'Amy Chua', 0, 'Amy Chua', 'inherit', 'open', 'open', '', 'amy_chua', '', '', '2011-01-20 01:07:16', '2011-01-20 05:07:16', '', 547, 'http://nynjbengali.com/wp-content/uploads/2011/01/amy_chua.jpg', 0, 'attachment', 'image/jpeg', 0);
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(549, 1, '2011-01-24 23:30:37', '2011-01-25 03:30:37', 'This year we are celebrating the hundred fiftieth birth anniversary of Rabindranath Tagore. In America several organizations are busy in preparing for the celebrations around the year. In New York and New Jersey, Cultural Association of Bengal (CAB) is joining hands with multiple organizations to hold multiple events in New York, New Jersey and Maryland. Amidst all this excitement, I was trying to look at this myriad minded genius from a different perspective - from the perspective of an expatriate Bengali, more specifically a Bengali American. And when I say Bengali American, I do not imply any national significance, rather I mean a Bengali speaking person living in America. I have been looking into this subject for more than a year now, and during the course of my so called research I have been fascinated in knowing a great deal about the history of expatriate Indians in America and their relationship with Tagore. \r\n\r\nTagore had a special relationship with America, where he visited five times during his lifetime and spent the second highest number of days outside India after England. His visits also happened during some crucial junctures in his life and in the history of the world as well as India. He had developed some kind of a fondness for America and Americans that brought him again and again even after being sorely disappointed with his previous visit. It is true that his later trips to America were mostly to raise funds for his school (and later his university) in Shantinekatan, but some of his trips were made when he was very well informed about the potential outcome of this objective. But in this article I do not intend to get into the details of his trips or his relationships with Bengali Americans. Rather, I’ll try to highlight his feelings for America and that too the positive ones by quoting from some of his interviews, statements and letters. \r\n\r\nTagore had his first introduction to America when he was about twelve years old. With the help of his father Maharshi Debendranath Tagore, he read “The Autobiography of Benjamin Franklin.” Maharshi Debendranath thought this would be an instructive as well as entertaining book for young Rabindranath, but soon he discovered that Benjamin Franklin was too business-like a person. As Tagore later wrote in his autobiography (Reminiscences), “The narrowness of his calculated morality disgusted my father.” But the book must have also gave him a glimpse of the America that fought for her freedom from the British and championed freedom as a fundamental human right. During his youth, Tagore also studied American poets. “I love your Emerson. In his works one finds much that is of India.” he once told an American journalist. He also felt that Whitman’s poems were “deeply imbibed with Eastern ideas and feelings.”\r\n\r\nWhen he was forty-four, while playing a major role in the 1905 nationalist agitation against the partition of Bengal, he chose to send his son Rathindranath Tagore to America for higher studies instead of sending him to England as was customary with the rich parents of India in those days. Rathindranath returned to India in 1909. Later in 1912, he along with his wife Pratima Devi and his father Rabindranath Tagore came back to America via England after handing over the English translations of his Geetanjali poems for publication and for history to happen. Rabindranath’s initial reaction to America was not pleasant - “Though it is too early for me to pronounce any opinion on this country, I must say I do not like it. America, like an unripe fruit, has not got its proper flavor yet. It has sharp and acid taste.” But later as he moved westward from New York to Illinois, he wrote, “The country around is flat and open, which has a great attraction for me, reminding of my our own scenery.” Although he spent some of his most peaceful time in Urbana, Illinois, soon the news of his arrival spread and he had to spend many a hours lecturing at various venues. With his usual sense of humor, he wrote, “American people have an unhealthy appetite for sugar candy and for lectures on any subject and from anybody... I am afraid they have spotted me - I am being stalked.” \r\n\r\nDuring his next visit in 1916, Sir Rabindranath Tagore was well known to the American people as the first man of the orient to win the Nobel prize for literature. His poems, plays as well as his biographies were already in circulation. But during this trip, when the Great War (WW I) was raging in Europe, Tagore was extremely critical of the western nations as well as of America. But one of the primary reason of his criticism was because he felt that it was only in America where his appeal for humanity hold the best chance of being heard. He said, “This is a beautiful country. I believe it has a great future. America is unhampered and free to experiment for the progress of humanity. Of course, she will make mistakes, but out of these series of mistakes she will come to some higher synthesis of truth and be able to hold up the banner of Civilization. She is the best exponent of Western ideals of humanity.” He had high hopes for America. In New York he said, “America has the figure of youth and all that is best in Western civilization will eventually find lodgment here.” But his criticisms did not make him many friends in America, and the press lashed out at him on several occasions. He knew that he was being too harsh sometimes, and he said, “I am out of place here, I know, and I maybe judging you harshly. I felt I must come to bring the message of the East... This is my only happiness in America - the thought that this country can be the meeting place of the two (the East and the West).” Overall this trip was very successful for Tagore and he had high regards for President Woodrow Wilson. He wanted to dedicate his book “Nationalism” to President Wilson. However President Wilson''s office declined the offer on the advice of Sir William Wiseman, Britain’s special liaison agent in the United States, who reported that Tagore had “got tangled up in some way” with the Indian revolutionaries in America who were conspiring with Germany to overthrow British rule in India. \r\nLater in 1918, Rabindranath was falsely implicated in the famous Hindu German conspiracy trial. When Tagore came to know about this he was very upset and immediately sent a telegram to President Wilson protesting the allegation. Later he wrote Wilson a letter in which he stated, “I have received great kindness from the hands of your countrymen, and I entertain great admiration for yourself who is not afraid of incurring the charge of anachronism for introducing idealism in the domain of politics, and therefore I owe it to myself and to you and your people to make this avowal of my faith and to assure your countrymen that their hospitality was not bestowed upon one who was ready to accept it while wallowing in the sub-soil sewerage of treason.” President Wilson’s office never replied to this letter.\r\n\r\nTagore’s next trip to US during 1920-21 was a big disappointment for him. The Tagore craze was gone, and the post war America was not the same as in 1916. Besides, his renunciation of Knighthood in 1919 was not looked favorably in USA, a strong ally of the British. Tagore was advised not to make the trip and was warned that his financial expectations may not be met this time, but he made the trip anyway. He came with high hopes and expected that his message would be received with the same thirst as before - “I find in America a wonderful hunger and aspiration. The hunger is genuine and is, I believe, a reaction to the pursuit of wealth that has characterized your industrial life.” But at several occasions he was extremely critical of the Americans. The failure to raise enough funds for his university was also a cause for frustration. Tagore was also suffering from health problems and depression during this period. Rev. C. F. Andrews writes, “Gradually, as his health improved, his stay in America became brighter and he wrote more cheerfully.” Tagore wrote to him from Texas, “Since coming to Texas, I felt as it were a sudden coming of Spring into my life through a breach in the ice castle of Winter. It has come to me like a revelation that all these days my soul had been thirsting for the draught of sunshine poured from the beaker of infinite space. The sky has embraced me, and the warmth of its caress thrills me with joy.”\r\n\r\nTagore’s 1929 visit to America was very brief primarily due to an incident that took place in the US immigration office in Vancouver in Canada when he was trying to enter the country. Tagore was kept waiting at the immigration office for an unconscionable period of time and was handled in a rude and insulting manner during the interview. Among other things, it appears, the Nobel Laureate poet was asked if could read and write. Outraged and resentful, he cancelled almost all his lecture engagements and left the country after a brief stay in Los Angeles for twenty days. However he later calmed down considerably and said, “I cannot believe that their laws and regulations represent the spirit of the people, a truly great people... I had been received with kindness in the Eastern States, overrun with kindness. People have listened to me with respect and received my message sincerely. That is why it hurt so much this time...”\r\n\r\nTagore last trip to USA was in 1930 on his way back from Russia. This time the reception was not that cold as his previous two trips. Although he suffered a minor heart attack and was in ill health for a prolonged period, he managed to make some important engagements including a meeting with President Hoover at the White House. Most of his lectures were very well attended, but it was the time of the great depression in America, hence his fund raising was not successful as expected. Rather, he donated the entire proceedings from the farewell event held at the Broadway Theatre on December 14, 1930 to the relief fund of the New York City’s unemployed. The gesture was typical of the person who had tried all his life to call attention to the needs of the India’s millions and who, in bidding farewell to America’s millions thought first of helping those during their time of need. \r\n\r\nRabindranath Tagore has criticized the American’s like one criticizes his own brother. But he never lost his faith in America. He believed that it was America who can uphold the cause of humanity against the barbarism of western nationalism. The ultimate hope and trust he had on America was expressed in his telegram to President Franklin D. Roosevelt in June 1940 when the fire or World War II was raging in Europe.\r\n\r\n “Today we stand in awe before the fearfully destructive force that so suddenly has swept the world. Every moment I deplore the smallness of our means and the feebleness of our voice, for India is so utterly inadequate to stem the tide of evil that has menaced the permanence of civilization. All our individual political problems are merged today into one supreme world of politics which I believe is seeking help in the United States as the last refuge of spiritual man, and these few lines of mine merely convey my hope, even if unnecessary, that the United States will not fail in her mission to stand against the universal disaster that appears so imminent.” \r\n\r\nIn 1941, a few months after Tagore’s death at the age of eighty, the United States threw its weight into the war which destroyed the Axis powers.\r\n\r\nReferences:\r\n1. Tagore and America by J. L. Dees\r\n2. Rabindranath Tagore in America by Stephen N. Hay\r\n3. Passage to America by Sujit Mukherjee\r\n4. Tagore and USA by Dr. Panchanan Saha \r\n\r\nTHIS ARTICLE WAS PREVIOUSLY PUBLISHED IN ANANDASAMBAD, NEW JERSEY', 'Rabindranath Tagore and America', 0, '', 'publish', 'open', 'open', '', 'rabindranath-tagore-and-america', '', '', '2011-01-24 23:30:37', '2011-01-25 03:30:37', '', 0, 'http://nynjbengali.com/?p=549', 0, 'post', '', 2),
(550, 1, '2011-02-01 14:36:59', '2011-02-01 18:36:59', 'Watched this wonderful film "Goodbye Lenin" by Wolfgang Becker. It may be relevant for Benglees (WB) soon.\r\n\r\nNetflix link: http://movies.netflix.com/WiMovie/Good_Bye_Lenin/60034095?trkid=2431210#height1682', 'Goodbye Lenin', 0, '', 'publish', 'open', 'open', '', 'goodbye-lenin', '', '', '2011-02-01 14:36:59', '2011-02-01 18:36:59', '', 0, 'http://nynjbengali.com/?p=550', 0, 'post', '', 1),
(551, 1, '2011-02-01 23:05:31', '2011-02-02 03:05:31', 'A review of my collection of plays, "Natak Samagra" was recently published. Read them below.\r\n\r\n
\r\n
', 'Natak Samagra Review', 0, '', 'publish', 'open', 'open', '', 'natak-samagra-review', '', '', '2011-02-03 00:50:57', '2011-02-03 04:50:57', '', 0, 'http://nynjbengali.com/?p=551', 0, 'post', '', 0),
(552, 1, '2011-02-01 23:01:50', '2011-02-02 03:01:50', 'Natak Samagra Review', 'fire_dekha_001_web', 0, 'Natak Samagra Review 1 of 2', 'inherit', 'open', 'open', '', 'fire_dekha_001_web', '', '', '2011-02-01 23:01:50', '2011-02-02 03:01:50', '', 551, 'http://nynjbengali.com/wp-content/uploads/2011/02/fire_dekha_001_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(553, 1, '2011-02-01 23:04:34', '2011-02-02 03:04:34', 'Natak Samagra Review', 'fire_dekha_002_web', 0, 'Natak Samagra Review 2/2', 'inherit', 'open', 'open', '', 'fire_dekha_002_web', '', '', '2011-02-01 23:04:34', '2011-02-02 03:04:34', '', 551, 'http://nynjbengali.com/wp-content/uploads/2011/02/fire_dekha_002_web.jpg', 0, 'attachment', 'image/jpeg', 0),
(554, 1, '2011-02-09 00:30:36', '2011-02-09 04:30:36', '
If you are a book lover in Kolkata or any other part of West Bengal or India, your options for reading books are quite limited. The local books stores have a limited stock and they may take days to get you a copy of the book you are looking for. Your next option would be to go to the College Street book stores which is an uphill task during these hectic days and traffic congestion. Your local libraries can stock only a limited number of books constrained by their meager budget. ClickForBoi resolves all that problem by allowing you to get your favorite books online.\r\n\r\nImagine Netflix for books, and that''s what ClickForBoi does for you. Book lovers in Kolkata/West Bengal and India can now join this novel subscription service by clicking on ClickForBoi.in . Subscription starts from Rs 199.00 per month which includes as many books as you can read, including delivery and pick-up charges. Once you become a subscriber, you can select books and make your own queue. ClickForBoi will send you books from the queue and once you return it, they''ll send the next one. Unfortunately, this service is available only to readers in India.\r\n\r\nThe creators of Click For Boi also has an online book store named ClicktoBuyBoi.in . This store works in the same model as Amazon.com or any other online book store. ClicktoBuyBoi.in sells Bengali books of all genres and of all authors and their stock keeps on growing. They offer good discounts and their shipping charges are very nominal. For example, a book shipped to Bhubaneshwar from Kolkata was only charges Rs 20.00. However, their shipping is now limited only within India, with plans of expanding and reaching out to expatriate Bengali readers all over the world. But for now, Bangla book lovers living abroad can gift books to their loved ones in India using this site. The site accepts credit cards. And just to add a shameless plug, ClicktoBuyBoi.in also has my book (Natak Samagra) in their stock.\r\n\r\nImage courtsey - ClickForBoi.com', 'Click For Boi : Online Bangla Boi Subscription', 0, '', 'publish', 'open', 'open', '', 'click-for-boi-online-bangla-boi-subscription', '', '', '2011-02-23 23:07:07', '2011-02-24 03:07:07', '', 0, 'http://nynjbengali.com/?p=560', 0, 'post', '', 3),
(561, 1, '2011-02-23 12:08:42', '2011-02-23 16:08:42', 'Click For Boi', 'Click For Boi', 0, 'Click For Boi', 'inherit', 'open', 'open', '', 'click_for_boi', '', '', '2011-02-23 12:08:42', '2011-02-23 16:08:42', '', 560, 'http://nynjbengali.com/wp-content/uploads/2011/02/click_for_boi.jpg', 0, 'attachment', 'image/jpeg', 0),
(562, 1, '2011-02-23 12:33:20', '2011-02-23 16:33:20', 'Natak Samagra', 'Natak Samagra', 0, 'Natak Samagra', 'inherit', 'open', 'open', '', 'natak_samagra', '', '', '2011-02-23 12:33:20', '2011-02-23 16:33:20', '', 560, 'http://nynjbengali.com/wp-content/uploads/2011/02/natak_samagra.jpg', 0, 'attachment', 'image/jpeg', 0),
(563, 1, '2011-03-16 22:32:47', '2011-03-17 02:32:47', 'The Department of African, Middle Eastern and South Asian Languages and Literatures at Rutgers, the State University of New Jersey State (New Brunswick Campus) has an opening for a part-time Instructor of Bengali for 2011-2012 Academic year. Qualifications include: Native or near-native proficiency in Bengali, experience in teaching Bengali (preferably in a North American university) and competence in communicative, l earner-centered language pedagogy. \r\n\r\nPlease forward your CV, cover letter, and the names and contact information of three referees to Professor Alamin Mazrui, Department Chair, at amazrui@rci.rutgers.edu. ', 'Seeking a Bengali instructor for Fall 2011 - Rutgers, the State University of New Jersey', 0, '', 'publish', 'open', 'open', '', 'seeking-a-bengali-instructor-for-fall-2011-rutgers-the-state-university-of-new-jersey', '', '', '2011-03-16 22:32:47', '2011-03-17 02:32:47', '', 0, 'http://nynjbengali.com/?p=563', 0, 'post', '', 0),
(564, 1, '2011-04-11 14:22:13', '2011-04-11 18:22:13', 'Ethnomedia Music Studio presents an evening of instrumental Music by\r\nShree Sugato Nag on sitar and Anirban RoyChoudhury on tabla.\r\n\r\nDate: 8th May, 2011\r\nTime: 6 pm to 8 pm.\r\nDonation: $15.00 per person.\r\nRSVP will be appreciated\r\n\r\nVenue: Hills Club House\r\n75 Hansom Road\r\nBasking Ridge, NJ 07920\r\n\r\nGoogle maps provides good directions.\r\n\r\nContact information:\r\n\r\nAparna Khurjekar. (908)-234-0476.akhurjekar@hotmail.com or\r\n\r\nUrmila Palnitkar . (609)-443-0489.\r\nurmila_palnitkar@yahoo.com', 'Sitar Concert by Sugato Nag', 0, '', 'publish', 'open', 'open', '', 'sitar-concert-by-sugato-nag', '', '', '2011-04-11 14:22:13', '2011-04-11 18:22:13', '', 0, 'http://nynjbengali.com/?p=564', 0, 'post', '', 0),
(565, 1, '2011-04-11 14:50:26', '2011-04-11 18:50:26', 'Raag-Rang is proud to present a magical afternoon of Music and Dance.\r\nGanesh Vandana (dance presentation) by the students of Guru Divya Yelluri (Kuchipudi)\r\nTabla Duet by Amod Dandawate and Pratik Devasthale with Kedar Naphade on harmonium\r\nDarbari Ensemble by Pt Ramesh Mishra (Sarengi), Allyn Miner (Sitar),\r\nSteve Gorn(Flute) and Dibyarka Chatterjee (Tabla).\r\nDate-- 4th June 2011\r\nTime 4 pm Sharp.\r\nVenue--- Balaji Temple community center auditorium.\r\nDonation: Non-members--$20.00, $10.00 (Kids below 12 years)\r\nMembers--$15.00, $7.00(Kids).\r\n\r\nRSVP will be appreciated.\r\nContact: email: manritdev@yahoo.com, gpai03@gmail.com, devang42@yahoo.com\r\nContact numbers: (908)-429-1120, (609)-890-4890, (908)-240-8289.\r\nCall (908)-429-1120,', 'Raag-Rang Concert ', 0, '', 'publish', 'open', 'open', '', 'raag-rang-concert', '', '', '2011-04-11 14:50:26', '2011-04-11 18:50:26', '', 0, 'http://nynjbengali.com/?p=565', 0, 'post', '', 0),
(566, 1, '2011-04-11 18:55:58', '2011-04-11 22:55:58', 'By Amitava Sen\r\n\r\nHave you noticed that the City of Joy has turned out to actually be a City of Billboards? The skyline as viewed from the roads is plastered with huge hoardings. If only they were placed somewhat lower, they could hide the squalor directly below. The displays for luxury apartments hang directly over the shack dwellings; advertisements for purified drinking water cast a shadow over the polluted cesspools that are the byproduct of cleaning and washing by the shanty dwellers. Then there are displays for fancy snacks and beverages, frowning directly on the people down below who live on less that one dollar a day. But the advertisers have a point in placing their billboards here, for they are not meant for the pedestrian hoi polloi, you can only view these displays from a distance if you are riding an automobile. In addition to the billboards, Calcutta has a tradition of roadside walls and building facades covered with paper posters, to be on the eye level of the passers by. The billboards are gaining in prominence as the car population in Calcutta is climbing exponentially every day. The posters are still there, but for the benefit of the politicians seeking your votes and cheering you up to attend a huge rally for protesting something the government has done. They probably recognize that many people who can afford a car do not even vote at the election time or care for protesting all that is abysmal around. But if you think the protest is from the out of power opposition party only, you will be wrong. Unless you run down the establishment in a public platform you have a fat chance of being heard. So the ruling party protests their own action and denounce themselves in those huge rallies-everyone negating everyone else and sometimes the self also. There are also posters for low budget Bengali movies, which are not ones that car owning intellectual middle class of Calcutta watches. Bills for miracle herbal medicine and promises for the cure of all sexual dysfunction or offering a year of computer education with the assurance of a job, possibly followed by a placement in America are in abundance too for the eye level masses. Educations being a major, if not the only industry in Calcutta, revenues generated by education business are substantial. Not surprisingly, advertisements inviting enrollment in sprawling high priced private schools and ubiquitous professional business and technical colleges are subjects reserved for billboards.\r\n\r\nYet Calcutta billboards are quite fascinating and sometimes intriguing. For example, some advertising campaigns start with teasing questions aimed at generating curiosity in viewers’ minds. Assuming, the answers will be forthcoming shortly, people start speculating about what it could be and guess what would be the product being promoted. That certainly raises curiosity and interest as a marketing strategy. Recently, one such billboard introducing yet unknown merchandise was all over the city. The question posed was “Why are Bengali eyes tearing up?” with a likeness of the renowned writer Sunil Ganguly looming large. Mr. Ganguly wore a grim sorrowful look and slightly disheveled hair. What would be of such a concern for him and what panacea would Mr. Ganguly, a serious thinker and author, be coming up with? Is he referring to the Netai massacre of civilians by Marxist Communist cadre (cadre in Calcutta political parlance euphemistically means strong-armed goons)? Is he recommending throwing them out of power? Is this really a political advertisement? But not knowing his political inclination, I was not sure whether that was the correct answer. See, all writers, playwrights and artists have some political affiliation and patronage, which they do dare not to mess with.\r\n\r\nMr. Ganguly’s distress is surely not about the high cost of Moog Dal at eighty rupees or potatoes’ being sold at forty rupees a kilogram – the billboards are out of the line of sight of folks who are finding it hard to put food on their table because of out-of-reach prices. Could it be the blinding air pollution that was causing burning eyes? That was unlikely. Why should someone spend their own money just to empathize with the fellow citizens? After much thought I finally settled on the premise that Mr. Ganguly would soon be publishing a very tragic novel which would make the Bengalis cry. That would be quite welcome and something to look forward to, as Mr. Ganguly is indeed a very powerful writer, the most acclaimed among the current throng of Bengali authors.\r\n\r\n
The wait was not long before the answer was added in the billboards. It was really a brand of mustard oil that would surely make the Bengalis cry, Mr. Ganguly promised. Its pungent smell and its aroma, Mr. Ganguly claimed, will irritate the sinuses like never before done by any other brand of mustard oil. Enjoy cooking in mustard oil while shedding tears of joy at the same time. That would really be exciting, I conceded. Monounsaturated fatty acids with high uric acid in mustard oil are a minor distraction. Cholesterol is not good. Who says? We should not believe pharmaceutical companies. They have a vested interest; they only want to sell more of their statin drugs. Trust our own, especially if he happens to be a celebrity novelist. Who is most qualified to be a brand ambassador for something which makes people cry? A widely successful and much revered novelist indeed, whose business is to make people laugh and cry. (With only one exception: the one person who knew more about mustard oil was my mother – eternal peace be with her – who not only cooked in mustard oil all the time, but knew how to relieve congestion by rubbing warm mustard oil on your chest, or how much water to mix with mustard oil to use it as hair nourishment. Though, of course, never shed a tear over it.)\r\n\r\nNow, for the first time, a standard for judging the efficacy of cooking oil has been introduced – a Tear Index. Imagine how convenient it will be for Sarshe-Ilish loving Bengalis to compare a good cooking oil with not-so-good ones by reading the packaging only. If Ganesh brand claims two milliliters of tears per cooking for their product, not to be undone, Emami brand may post 3 milliliters in their packaging. It also reveals for the first time to his numerous fans and followers around the world that Mr. Ganguly also cooks an occasional meal or two enjoying first hand his sentimental mustard oil moments.\r\n\r\nThe trivialization of the Bengali ethos and evoking grave sentiments in a certain population, ironically with a banality like mustard oil, that too by a serious prolific writer who has otherwise done exactly the opposite with an astute socio-political representation in literature, to say the least, sounds inconsonant. But give him credit for what is his due; for his compassion and understanding for fellow Bengalis. With all the chaos, privations, killing and banditry around, perhaps Bengalis have no feelings and emotions left; only acceptance of what is ugly and cruel in life. We have stopped empathizing; our eyes have permanently dried up. A tear or two would be timely, even if prodding from a billboard brings it upon us.', 'Why are there Tears in Bengali Eyes?', 0, '', 'publish', 'open', 'open', '', 'why-are-there-tears-in-bengali-eyes', '', '', '2011-04-11 18:56:59', '2011-04-11 22:56:59', '', 0, 'http://nynjbengali.com/?p=566', 0, 'post', '', 0),
(567, 1, '2011-04-11 18:52:08', '2011-04-11 22:52:08', '', 'Sunil Ganguly', 0, 'Sunil Ganguly', 'inherit', 'open', 'open', '', 'sunil-ganguly', '', '', '2011-04-11 18:52:08', '2011-04-11 22:52:08', '', 566, 'http://nynjbengali.com/wp-content/uploads/2011/04/sunil-ganguly.jpg', 0, 'attachment', 'image/jpeg', 0);
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(568, 1, '2011-04-27 22:02:41', '2011-04-28 02:02:41', 'What:\r\nTagore’s
\r\n150th Birth Anniversary Celebration
\r\nOrganized by
\r\nCultural Association of Bengal
\r\nA two day Program
\r\nMay 14, 2011 Saturday at Rutgers university, NJ and
\r\nMay 15th, 2011 Sunday at Hindu Temple, Flushing, New York
\r\nFor more information, please visit http://www.cabusa.org/rabindranath
\r\n\r\nECTA Celebrates Rabindranath Tagore''s 150th Birth Anniversary with "Rajar Chithi"
\r\n \r\n\r\nECTA celebrates the great Indian Nobel laureate poet Rabindranath Tagore''s 150th birth anniversary with a new play "Rajar Chithi'' (Letter from the King - a play in Bengali with subtitles in English) at the Edison Valley Playhouse, 2196 Oak Tree Road, Edison NJ on June 11th (6.30pm), and 12th (5:00pm). Tickets are $20.00 and can be reserved by email to bhawmik@gmail.com or online at http://ecta.ticketleap.com/rajar-chithi. \r\n\r\nDuring Rabindranath Tagore’s visit to San Francisco in 1916, media reports claim that there was an attempt by Indian nationalists to assassinate Tagore. Fortunately the plan did not succeed and the poet was provided with high level security by the local administration. It was further reported that the primary cause for their failure was that the nationalists could not agree amongst themselves as to whether they should carry out the assassination. But was it really a failure that they couldn’t assassinate Tagore? Or was it the right thing to do? \r\n\r\nThe play “Rajar Chithi” is a fictional account of the moral, ideological and psychological conflicts these nationalist freedom fighters of India possibly had to experience to arrive at this decision. The play also offers a deep insight into the social, political and philosophical influence Tagore had on the people at a time when the entire World was going through a great turmoil.\r\n\r\nThe play is written and directed by Sudipta Bhawmik. The cast includes some very talented stage actors like Subhodev Das, Pinaki Datta and Piu Majumdar.', 'Rajar Chithi', 0, '', 'publish', 'open', 'open', '', 'rajar-chithi', '', '', '2011-05-16 19:19:01', '2011-05-16 23:19:01', '', 0, 'http://nynjbengali.com/?p=571', 0, 'post', '', 0), (572, 1, '2011-06-04 01:26:13', '2011-06-04 05:26:13', '
On 13th of May 2001, when the entire state of West Bengal was experiencing the euphoria of change, the landscape of Bengali theatre also changed forever. Badal Sircar, the maverick of Indian theatre, passed away almost unnoticed. But I am not going to write an obituary of Badal Sircar, neither I am going to write his biography. Rather I''d like to share with you my experiences with this theater personality through his work and from few of my personal interactions with him.\r\n\r\nMy first experience with Badal Sircar was when I was a child. In our campus (I grew up in IIT Kharagpur campus) the faculty, staff and students often staged plays and I think it was with "Boro Pishima" I first experienced theatre and it changed my life in many ways forever. Later I saw "Solution X" where my mother also participated in one of the lead characters. Few years later, when I was in high school, I went to see a student''s production (TDS _- Technology Dramatic Society) and was shaken to the core to see "Michhil" performed. It was an experience that I could never have expected. For the first time I realized that theater does not require a stage, does not require any expensive sets, any lights or any sophisticated sounds. All it needs are performers and an audience. And in most cases, the barrier between a performer and audience faded away - they became one whole theatrical entity. I also learned the term "Third Theatre". The apparent simplicity of these production made me think, can theatre be so easy? My friends and I started to produce Badal Sircar, "Michhil", "Bhoma" and others. We even started performing regular proscenium kind of plays in third theatre form.\r\n\r\nAfter I joined IIT as a student, my involvement with TDS became more strong. Badal Sircar was the rage those days. Several groups were performing Badal Sircar - "Spartacus", "Bhoma", "Sukhopathya Bharoter Itihas", "Hatta Malar Opare" and not to mention his proscenium plays like "Jodi Ar ek Baar", "Baaki Itihas", "Pagla Ghora", "Ballabhpurer Rupkatha", "Ebong Indrajit" - we couldn''t have enough of Badal Sircar. One of our seniors was a regular performer in Badal Sircar''s group Satabdi, and he often would bring fresh new plays to the campus.\r\n\r\nBadal-da himself often came to the campus. Sometimes with his group Satabdi to perform, sometimes to conduct workshops with the students. I still remember the experience of watching "Spartacus" performed by Satabdi on our Basketball court. It was then I realized how far our productions have been from their true potential. And then when I joined Badal-da''s workshop (conducted on our open air theatre stage), I realized how wrong I was in thinking that his productions were easy to perform. How much one needs to train himself, train his mind and body to not only perform, but also to become an integral part of theater. While working with us on some of the trust games during the workshop he mentioned, "The key aspect in theatre is to have complete trust on your co-performer. You should be able to take the greatest risk, either physical or emotional, fully trusting that your co-performers are there to support you. Until you develop that relationship with your team mates, you can never give your 100% to theatre." This lesson stuck with me all along. I realized, that this is not only true for theater, but also for each and every aspect of our life, our family, our work, our society. Some of the other workshop exercises taught me several aspects of using space, dynamic compositions - creating new stage pictures, breaking them instantly and then recreating them almost organically. It taught me, how versatile is this instrument of acting we have - our own body. How we can create not only human characters, but also physical objects and properties and infuse life in them with our body and mind. A desk and a chair created by human bodies, no longer exists only as a mere objects in space, but carries with them a deeper meaning that is truly human.\r\n\r\nLater, I have moved away from Badal-da''s form of theatre for many reasons. One of them was the fact that I didn''t feel we were doing justice by performing "Third Theatre" in a proscenium environment. Third theatre can never succeed on a stage within three walls with the audience sitting fifty meters away behind the fourth wall. We were cheating ourselves, and defeating Badal-da''s primary reason for developing this form. I''d rather not do such theater and stick to the conventional style. Maverick''s are rare in our society - not everybody can traverse the trailblazing path that people like Badal Sircar can tread. But the lessons I learned from this great master would always show me my path during the difficult times in my theater life.\r\n\r\nOn Saturday June 4th at 2.00pm, a memorial service for Badal Sircar has been organized by his protege, Subhashis Das at the Woodbridge Library, George Frederick Plaza, Woodbridge, NJ 07095. It is unfortunate that I won''t be able to make it due to my rehearsal commitments, but I hope Badal-da would pardon my absence for the sake of theatre.\r\n', 'Badal Sircar - The Maverick of Indian Theatre', 0, '', 'publish', 'open', 'open', '', 'badal-sircar-the-maverick-of-indian-theatre', '', '', '2011-06-04 01:26:48', '2011-06-04 05:26:48', '', 0, 'http://nynjbengali.com/?p=572', 0, 'post', '', 0),
(573, 1, '2011-06-04 01:10:28', '2011-06-04 05:10:28', 'Badal Sircar', 'Badal Sircar', 0, 'Badal Sircar', 'inherit', 'open', 'open', '', 'badal_sircar', '', '', '2011-06-04 01:10:28', '2011-06-04 05:10:28', '', 572, 'http://nynjbengali.com/wp-content/uploads/2011/06/badal_sircar.jpg', 0, 'attachment', 'image/jpeg', 0),
(574, 1, '2011-06-09 13:54:10', '2011-06-09 17:54:10', '
About a year and half ago, when I was researching on Rabindranath Tagore’s visits to the USA, an incident caught my attention. It said, that apparently there was an assassination attempt on Rabindranath by some Indians during his visit to San Francisco in October of 1916. This piece of information shocked me to say the least and I started to dig into the matter further. I looked into several books on Tagore by well regarded scholars and slowly an image started to take shape. I’ll refrain myself from getting into the details of the various accounts published in several books (you may look for them in the attached bibliography), but just to put matters in context I’ll quote some references:
o is our sister?\r\nWhat expectations do we have for our family? What are our demands?\r\nDo we all live in a village of strangers?\r\n\r\n...Villagers: Sankar, Lili, Subhodev, Aparajita, Dwaipayan, Sudipta, Abhijit\r\nMusic: Samya Goswami\r\n\r\n"Ekti Gnaye Thaki" is the story of Ranjana and her brother, Rajat, reuniting after fourteen years. Rajat immigrates to the US with his family after Ranjana sponsors their green cards. The reunion is marked by its usual excitement followed by nostal-gia for their hometown Gobindapur they both left behind. Rajat becomes a critical link for Ranjana to relive her past, while Ranjana helps him come to terms with his decision to abandon his familiar world in Gobindapur. Ranjana is also ill and Rajat''s presence offers a long awaited emollient. As the brother and the sister often slip into the past, the rest of the characters are excited at the prospects of their future in the US, especially Rajat''s son, Rajib. Life gradually settles down and a quotidian harmony evolves. Yet from the beginning, the play occasionally and quite subliminally alludes to an underlying subplot that threatens the apparent calm between the two families. Eventually, through a set of related incidents, the undisclosed piece - a rather disconcerting one - is revealed. The disclosure tears apart the growing assurance of the families'' suburban life, and more importantly, sets in motion a drift into the past that interrogates those relationships that were deemed normal. Though this interrogation fractures a happy picture, however, it is through this fracture, we are invited to revisit something more important - the attachment between human be-ings. The play above all, irrespective of its specificities of time and place, is a commentary on what it means to be a human being in relation to those we hold dear in our lives.\r\n\r\nTickets are $75.00, $40, $25, student with ID $15.00 Dinner is included. For more information, please call Ashram at 732-422-8880, email: bssnj@hotmail.com', 'Bharat Sevashram Sangha NJ to present "Ekti Gnaye Thaki"', 0, '', 'publish', 'open', 'open', '', 'bharat-sevashram-sangha-nj-to-present-ekti-gnaye-thaki', '', '', '2011-07-20 23:59:09', '2011-07-21 03:59:09', '', 0, 'http://nynjbengali.com/?p=576', 0, 'post', '', 0),
(577, 1, '2011-07-20 23:52:15', '2011-07-21 03:52:15', '', 'ektignaye', 0, '', 'inherit', 'open', 'open', '', 'ektignaye', '', '', '2011-07-20 23:52:15', '2011-07-21 03:52:15', '', 576, 'http://nynjbengali.com/wp-content/uploads/2011/07/ektignaye.jpg', 0, 'attachment', 'image/jpeg', 0),
(578, 1, '2011-07-26 14:19:47', '2011-07-26 18:19:47', 'The venue of the program by IIPA on the 7th August, Has been changed to CROSSROADS THEATRE, 7 Livingston Ave , New Brunswick, starting at 12 noon.The Artsuniversity auditorium has been shut down by fire marshal for safety hazard. . There will be launch available for a fee from 11am to 12. 30 pm. But seating should be complete by 12.30. for the start of the program. We have to vacate the auditorium by 6pm.\r\nWould like to apologise for any inconvenience.\r\nH.Guha. President. IIPA\r\n\r\nRabindranath: A Remembrance Participants:\r\n\r\nKrishna Dutta: Author/ Biographer “Rabindranath Tagore: The Myriad Minded Man” is the keynote\r\nspeaker of the event. Specializing in the cultural history of Bengal, her books include “Calcutta: A Cultural\r\nand Literary History” was published to critical acclaim.\r\n\r\nProfessor Mohan Singh (Khangura): Born into a cultural family of music lovers of Punjab, Mohan\r\nSingh was selected National Music Scholar by the Ministry of Education. At present he is the Head of\r\nthe department at Visva Bharati, Santiniketan. Mohan performs regularly on All India Radio as well as\r\nin major concerts all over the world.\r\n\r\nBiplab Mondal: Percussion virtuoso, Biplab is the most sought after accompanist in any Rabindra\r\nSangeet program. As a distinguished professor of Rabindra Bharati University, Kolkata he has perfectly\r\nepitomized the troves of theoretical knowledge and practical dexterity.\r\n\r\nDr. Subhasish Bhattacharya: A lecturer at Rabindra Bharati University, Subhasish is a well known face in\r\nthe performing arts circle for his excellent rendition of Classical dance style as well as Rabindrik Nritya.\r\n\r\nTapan Basu: With a strong musical background, Tapan has undertaken and executed several events\r\nfor Saregama, HMV, Chirag, ETV Bangla, Doordarshan, and many other private organizations. He has\r\ngraciously accepted our invitation to be the Event Coordinator for Rabindranath: A Remembrance.\r\n\r\nAniruddho Sanyal: Documentary filmmaker Aniruddho has won critical acclaim for his film on Raja\r\nRam Mohan Roy titled: “A Bristol Pilgrimage: In Search of Raja Ram Mohan Roy” & “Disconnected\r\nGenius: Dwarakanath and Rabindranath”. This year the documentary on Rabindranath was presented\r\nat the Tagore Festival in London. Aniruddho will be the anchor of a segment of our program where he\r\nwill show a very rare documentary on Tagore with testimonials from various luminaries.\r\n\r\nJoydeep Bhattacharya: A Rabindrasangeet enthusiast, Joydeep’s musical taste has been built on this\r\nparticular genre of music. As such Joydeep will illuminate the public with discussions on Rabindra\r\nSangeet.\r\n\r\nSuparna Guha: Director/ Coordinator Indian Institute of Performing Arts. Suparna was brought up in\r\nthe cultural environment of Visva Bharati, Santiniketan. Suparna continues to play an important role in\r\npopularizing Tagore’s works in the US.', 'RABINDRANATH: A REMEMBRANCE', 0, '', 'publish', 'open', 'open', '', 'rabindranath-a-remembrance', '', '', '2011-07-26 21:03:20', '2011-07-27 01:03:20', '', 0, 'http://nynjbengali.com/?p=578', 0, 'post', '', 0),
(579, 1, '2011-08-11 20:05:37', '2011-08-12 00:05:37', 'In commemoration of Tagore''s 150th Birth Celebration, Bengal Foundation of America is proud to present Tagore''s classic tale, Shesher Kobita as a play!!\r\n\r\nDirected and Dramatized by Nupur Gangopadhyay Lahiri\r\nProduced by Bengal Foundation Of America\r\n\r\nTo be held at George Street Playhouse, New Brunswick, New Jersey\r\n\r\nOther performances include:\r\n\r\nRhythms of Life\r\nFoorty\r\nManjari School of Performing Arts, NJ\r\n\r\nFollowed by a post performance seminar on Rabindranath Tagore''s drama.', 'Sesher Kobita ', 0, '', 'publish', 'open', 'open', '', 'sesher-kobita', '', '', '2011-08-21 22:43:06', '2011-08-22 02:43:06', '', 0, 'http://nynjbengali.com/?p=579', 0, 'post', '', 0),
(580, 1, '2011-08-21 22:40:28', '2011-08-22 02:40:28', 'by Amitava Sen\r\n\r\nA few years ago at the annual Durga Puja, the organizing club published a booklet for the benefit of the generation born and raised here, explaining the significance and meaning of the festival and its various events on different days. Rightly so, the narration started with Mahalaya, the new moon day preceding the Puja. Mahalaya is actually a day when Hindus, typically Bengali Hindus pay homage to the ancestors, culminating in Sharodiya Durga Puja six days later. Indeed, it is a Hindu practice to invoke the blessings of the ancestors before any solemn occasion, be it a wedding or an Annaprasan. But that was not what the author of the little booklet wrote in his explanation of Durga Puja for our children. Mahalaya, according to his narrative was the day on which Calcutta radio broadcast an audio musical, Mahishasurmardini. And that was all, what Mahalaya meant!\r\n\r\nIt was an ignorant and a weird way of explaining a significant Bengali institution to our children. It was like saying July fourth was all about fireworks. Hindu customs and religion are a little more involved and nuanced than of other major religions of the world. Its philosophies, theories and practices are not all explained and enunciated in a single book. Acquiring ultimate knowledge of our religion is just not memorizing one single book of scripture. As a result the Hindus, I think are a bit doubtful, if not confused about sources and meanings of our numerous and sometimes complex texts and edicts. So I do not accuse anyone of ignorance or lack of clarity about Mahalaya or Kali Puja or Kalpataru Utsav, a few amongst typical occasions very much confined to Bengalees. Many amongst us have no clue about historical and mythical background of even Durga puja, the mother of all Bengalee festivals. Of course you are guilty of no major crime either if you do not know all about our heritage, unless of course we desire to teach it to our “second generation.” Thus, we have to be very careful in the kind of epistemic inheritance we are providing for our next generation.\r\n\r\nIn our desire to make very “cultured” Bengalees out of our children, the word that is kicked around frequently is heritage. Heritage is something that we inherit by our birth and which flows from being born out of certain parameters and culture of our parents and society. The larger question here is-are we the so-called first generation quite aware of our heritage? We first need to educate us on our heritage if we want to pass it to our children. Unless you own it how can you bestow it on others?\r\n\r\nI suspect not many of us have read Rabindranath, Sarat Chandra or Bankim Chandra in any depth; not many of us are aware of the work and lives of Sri Chaitnya, Sri Ramakrishna or Ram Mohan Roy. What is Bengali heritage without their legacy? How can we be aware of our heritage without the knowledge of the Bengali Renaissance of the nineteenth century? Let’s ask an honest question: how much do we know about the period of great awakening and reform which is unique in the history of all regional Indian cultures.\r\n\r\nI want to emphasize that this is not an all embracing assessment of or an expression of general disappointment about us that is the first generation here in the United States. There are members in our community who can really teach us about our culture and our heritage. Yet, I want to stress on the critical learning of our generation (the first generation) which may be a more universal concern.\r\n\r\nLet’s get to know our literature, our culture and our religion, in other words our total heritage before we exert big effort and throw in big money for the expressed goal of bringing our heritage to the second generation.\r\n\r\nLet’s start with the meaning of Mahalaya.', 'Learning About Our Heritage: A Task For The First Generation', 0, '', 'publish', 'open', 'open', '', 'learning-about-our-heritage-a-task-for-the-first-generation', '', '', '2011-08-21 22:40:28', '2011-08-22 02:40:28', '', 0, 'http://nynjbengali.com/?p=580', 0, 'post', '', 1),
(583, 1, '2011-08-31 19:41:58', '2011-08-31 23:41:58', 'Kallol of New Jersey Celebrates Durga Puja on Sept 30, Oct 1 and 2, 2011\r\n\r\nat the Ukranian Church and Cultural Center, 135 Davidson Ave, Somerset, NJ 08873\r\n\r\nCultural Program Highlights:\r\n\r\nFriday, Sept 30 : \r\n“Duhshomoy” – Direction and narration by Dr Faruqe Azam\r\n"Durga Stotra" - Mili Bhattacharya\r\n''String Struck'' - Purbayan Chatterjee (Sitar) Anindyo Chatterjee (Tabla) \r\n\r\nSaturday, Oct 1: \r\n"Kabar" - a play by Munir Choudhury, directed by Taarun Chatterjee\r\n\r\n"A Wonderful World" Children''s play directed by Aparajita Das\r\n\r\n''Nritya Creation'': by Mina Basu Nag & Sanjeeb Bhattacharya\r\n\r\nNachiketa Chakraborty "Tumei Sesh Porjonto"\r\n\r\nSunday, Oct 2: "Troyee" choreographed by Sunrita Mitra\r\n"Banchaar Jonyo Gaan" by Aakash Deep\r\nAparna Sen with ''You & I'' presents ''Your''s Truely'' (USA premiere of a famous 2011 show)\r\n\r\nVisit Kallol.com for registration information.', 'New Jersey Durga Puja of Kallol', 0, '', 'publish', 'open', 'open', '', 'new-jersey-durga-puja-of-kallol', '', '', '2011-09-25 23:24:18', '2011-09-26 03:24:18', '', 0, 'http://nynjbengali.com/?p=583', 0, 'post', '', 1),
(584, 1, '2011-09-13 21:45:24', '2011-09-14 01:45:24', 'Garden State Cultural Association (GSCA) Celebrates Durga Puja\r\nat\r\nPlainfield High School\r\n\r\nOctober 1 and 2, 2012\r\n\r\nSat, Oct 1\r\nGSCA Chairman''s speech 6:15-6:20 PM \r\n Speech by Chief Guest: Deputy Speaker of New Jersey Assembly, Hon. Upendra Chivukula 6:20-6:30 PM \r\n Dance recital by Mitra Purkayastha''s troupe 6:30-7:00 PM \r\n Bengali play "Eta Byaktigoto": directed by Soumendu Bhattacharya. 7:10-8:00 PM \r\n Songs by Pratibha Singh & Soumen Nandi (Sa Re Ga Ma Pa Challenge 2009 finalists)\r\n\r\nPrize distribution (Arts & Craft) 5:30 - 6:00 pm \r\n Surer Biswayane Rabindranath, a GSCA production 6:00 - 6:30 pm \r\n Quiz show 6:30 - 7:00 pm \r\n Songs by Monomoy Bhattacharya (Kolkata) 7:00 - 9:00 pm \r\n', 'GSCA Durga Puja', 0, '', 'publish', 'open', 'open', '', 'gsca-durga-puja', '', '', '2011-09-13 21:45:24', '2011-09-14 01:45:24', '', 0, 'http://nynjbengali.com/?p=584', 0, 'post', '', 0),
(585, 1, '2011-09-13 23:32:08', '2011-09-14 03:32:08', 'We Bengalis have a special characteristic. We tend to setup familial relationships with almost any person we get acquainted with, especially when they are older than us. We cannot just address them by their names. We always want them to be our brothers, sisters, uncles, aunts, grandparents etc.\r\n\r\nWe do it with good intentions. We feel that it would be irreverent of us to address the middle aged gentleman we just met as "Arunabho" or "Satyen". Addressing them by their first name is next to impossible. So we need to make a quick judgment call and decide what relationship we would like to establish with this new friend. Based on the looks, if the gentleman or lady seem to be close to our age, we try to make them our elder brother (Dada) or sister (Didi). If they seem to be middle aged, then "Kaku" or (Uncle) seems to be appropriate for men, and "Mashi" (Aunt) for women. For women, a subtle transition from "Mashi" to "Mashi-ma" can occur but one needs to be quite careful with that judgement. Often it so happens, that if it is a couple we meet, we call the husband "Kaku" (paternal uncle) and the wife "Mashi" (maternal aunt) - an almost absurd (although not impossible) relationship. When we meet a couple, "Kaku/Kakima" or "Mashima/Meshomoshai" is a better bet. It is odd though that the relations, "Mama" (maternal uncle) or "Pishi" (paternal aunt) are not used very often for such acquaintances. If you are ever doubtful about your social status in this relationship scale, I suggest you walk down the pavement in Gariahat Kolkata. The hawkers and roadside vendors will give you a perfect judgment about your age. Many ladies have experienced their development from "Didi" to "Boudi" to "Mashi" to Mashi-ma" to "Thakuma" from these experts. \r\n\r\nWhen I was younger, I too used these relational attributes to show my respect to my seniors. But as I am growing older, I have realized that it may no longer be appropriate to assume anybody as my "Kaku" or "Mashi", maybe not even "Dada" or "Didi". The realization becomes stronger when someone whom I know to be my contemporary, or even older than me, addresses me as "Dada". Some people just cannot see themselves as older than anybody else and this often cause a lot of heartache for many. Few days ago a young lady at my place was visibly upset when a middle aged friend of mine called her "Aunty"!\r\n\r\nPersonally, I have tried to keep myself detached from such trivial issues claiming it really doesn''t matter to me how someone addresses me. But recently when some twenty something was struggling to decide whether to call me "Kaku", "Jethu" or "Mesho-moshai", I had strong feeling that it is high time we change this system.\r\n\r\nI agree, we may not feel comfortable to address our seniors by their first names. We may also feel a bit awkward to listen to a young boy half my age, calling me by my first name. Although it is quite common in this country to use first names, but we still feel uncomfortable to use them within our community. Hindi speaking people have resolved this issue by adding a suffix "ji" to any name - Sudipta-ji, Sutapa-ji etc. It is almost like using Mr. or Mrs. to ones name to show your respect, although Mr. and Mrs. works with last names only. Not too long ago, Bengalis too used the suffix (sometimes even as a prefix) "Babu" with male names and "Debi" with female names, to show their respect. Sudipta-babu, or Mrinalini-debi was used amongst the urban elites. But somehow, over the years, "Babu" and "Debi" has lost their gravity and today many feel insulted if they are addressed as a Babu or Debi. So, what can be the solution?\r\n\r\nThe best solution would be to use our names - just as they are. Names are given to identify a person, to address a person. We all have names. So lets use them. Why do we have to make somebody my "Dada" when I am not sure if he is older than me? Why should I accept someone calling me "Mesho-moshai" when I know that I never had a "Shyalika" or sister-in-law? Let''s drop this pretense of being a nephew or a niece and call Subhashis as Subhashis, Ajit as Ajit, Shanti as Shanti.\r\n\r\nBut if this sounds too radical, I am willing to accept a compromise. Just like the suffix "-ji", lets use "-da" for men and "-di" for women as a sign of respect, irrespective of their age. You may call Subhashis as Subhashis-da, Ajit as Ajit-da, Krishna as Krishna-di. Remember, this "-da" or "-di" is not the same as "Dada" or "Didi" and they imply no familial relationship. Besides we have been using these suffixes for quite some time and it maybe easier for us to adopt. It will resolve many complicated issues and awkward situations that Bengali naming conventions have put us into. No longer will young Sucharita feel guilty in calling her boy friend Subir as Subir-da. Now Subir can also call her Sucharita-di, until they cross the boundaries of Bengali social formalities.', 'We All Have Names! Let''s Use Them!', 0, '', 'publish', 'open', 'open', '', 'we-all-have-names-lets-use-them', '', '', '2011-09-14 12:26:26', '2011-09-14 16:26:26', '', 0, 'http://nynjbengali.com/?p=585', 0, 'post', '', 3),
(586, 1, '2011-09-15 21:30:18', '2011-09-16 01:30:18', '
When we celebrate Durga Puja in this adopted homeland of ours, one thought keeps on playing in our minds - how much does our children enjoy this festival? Do they feel the same as we did when we were kids in our homeland? Many of us had the idea that our children really don''t care much about this favorite festival of ours. Often we have seen bored kids playing hand held video games in the hallways of our festival venue while their parents enjoyed inside. We sometimes debated, whether we are forcing our kids to come to the festival just because we want to, or it is our duty as a parent to introduce them to our culture and traditions? Is it working? Can they feel the spirit of the best festival of our community?\r\nTo get a more definitive answer, I asked my fourteen year old son Omkar and his friends a simple question. What does Durga Puja mean to them? And here are their responses.\r\n\r\nSouvik Ganguly, a freshman at Bridgewater Raritan High School said - "For me, Durga Pujo is one of my favorite times of the year because I get to see all my friends and forget about school for a weekend."\r\n\r\nAishik Mukherjee, a Montgomery High School junior, responds - "During Durga Puja, I have more freedom to do the things I loved as a kid, such as running around outside. I also enjoy some of the performances during the Pujo. Last year, I was watching this one short film that my brother was in about learning how to read and write Bengali, and I was the tech man when it was being shown. I was surprised at how interesting the film was."\r\n\r\nRishav Ghosh, a seventh grader says, "My favorite parts of Durga are being able to hang out with my friends for a few days as well as participating in some plays with them."\r\n\r\nAnd finally Omkar, a Bridgewater Raritan High School Sophomore, says - "My favorite part of Durga Pujo is definitely seeing my close friends and hanging out with them for a full weekend. I also enjoy some of the kids'' performances, as they can be fun to watch. The festive ambiance of the whole event just ties everything together and makes it a bit more enjoyable."\r\n\r\nSo if we take these four kids to be a random sample of our community children, then it seems their view of Durga Puja is not entirely different from that of ours. The religious part of the festival may not excite them a lot (neither does it excite all the adults), but I think they got the real essence of the Puja festival - to meet friends and have a good time together.', 'Durga Puja and Our Teenagers', 0, '', 'publish', 'open', 'open', '', 'durga-puja-and-our-teenagers', '', '', '2011-09-28 23:25:53', '2011-09-29 03:25:53', '', 0, 'http://nynjbengali.com/?p=590', 0, 'post', '', 2),
(591, 1, '2011-09-28 23:20:09', '2011-09-29 03:20:09', '', 'Omkar and Souvik', 0, 'Omkar and Souvik', 'inherit', 'open', 'open', '', 'omkar_souvik', '', '', '2011-09-28 23:20:09', '2011-09-29 03:20:09', '', 590, 'http://nynjbengali.com/wp-content/uploads/2011/09/omkar_souvik.jpg', 0, 'attachment', 'image/jpeg', 0),
(592, 1, '2011-10-06 00:43:35', '2011-10-06 04:43:35', '
Yet another Durga Puja festival concluded with great pomp and fan fare. And each year we see the festival transforming itself in different ways. Some people hate change. They feel that tradition is something that should be protected with great care. Others feel, nothing should be cast in stone - rules and traditions should be broken to herald in fresh views and thoughts. I am okay with either school of thought, although I tend to lean towards the latter philosophy. Organizing an event like Durga Puja is not a trivial task, and not all things work according to plan. Besides it is not easy to satisfy everybody. However, I can speak about my experience and what I felt about the festival this year, especially the one celebrated by Kallol of New Jersey. \r\n\r\nThe process of pre-registration, that caused lot of heart burns few years ago, seems to be well accepted by now. The process is also quite streamlined if you are internet savvy. This year Kallol formally introduced pre-registration of daily passes. I have been asking about this for quite some time, and I am happy to see the committee members introduce this feature. The system of retaining reserved seats for the high-paying registrants (read donors, patrons etc) with white tags, still seem to cause quite a bit of dissatisfaction amongst the traditionalists. One cause for concern is, that in this hall, even with the best audio system, only the first few rows can listen to the sound with some degree of clarity. The rows in the back can only hear a cacophony of reverberations mixed with constant chattering of the socialites. Hence anybody who wants to seriously listen to what''s being performed on stage, need to stay within the first few rows - a large portion of which were reserved for the white tag holders. Hence it was no surprise when artistes like Anindyo Chatterjee and Purbayan Chatterjee found the rows in front sparsely populated and had to request the audience to move up to those exclusive seats. I understand that those who contribute more financially, need to be given some incentives or rewards. But the Kallol execs should also understand that there are many who may not be contributing as much financially but are giving a lot of physical effort and their time voluntarily for the success of this event. They also deserve to be treated in better ways. I have heard complaints that some such people were rudely asked to get off the white tag seats just because they wanted to seriously watch a program they love but were wearing an orange tag badge.\r\n\r\n
Kallol also tried, to some limited degree, to enforce the policy of no seat blocking with shawls and other objects. It has been an old practice of throwing a shawl or some other object on the seats early in the day and stake a claim during the high profile programs. Some times they do not even come back during the show while people who would like to watch it are prevented from sitting on those seats. Kallol committee members this year were quite strict about this and have fought quite a few nasty battles to recover those protected seats for their guests. But until we try to co-operate with them and try to understand that this is a community event and every body deserves a seat , we cannot get rid of this menace.\r\n\r\nThe food service was excellent and I haven''t heard much complaints. The lines were well managed and the food quality was very good.\r\n\r\nThe entertainment program was quite good, especially the local artistes (kids and adults) did a fantastic job. Of the visiting artistes, Pt. Anindyo Chatterjee and Purbayan Chatterjee were excellent. Nachiketa disappointed us by singing fewer songs than expected. He should have sung few more songs and waste less time in breaks. Tarun Chatterjee''s play "Kabar", although a very powerful play, was certainly not appropriate for the venue. The play also seemed to be not very well prepared, although Tarun Chatterjee''s performance was above par. Aparna Sen and "You and I" program was one of the key attractions of this event, but it failed to impress me. Ms. Sen is an excellent screen actor and a superb film maker, but her reading did not do justice to those love letters and their writers. To bring a letter to life on stage just through reading demands a different kind of skill which very few posses. The music by Soumyajit and Sourendra had no synergy with the letters except for the theme "love". Soumyajit and Sourendra are both well trained and talented musicians, but I don''t know why they had to mix multiple songs for no reason. For example, I have no clue why he felt compelled to switch to Manna Dey''s "Lolita" from the famous Mand rendering of "Kesaria Balama..." ! Why couldn''t they perform each song as they were meant to be performed. Gimmicks can potentially impress some people, but for many it can be a source of annoyance.\r\n\r\nOverall, the festival was quite enjoyable and I thank all the organizing committee members and volunteers for giving us a very pleasant weekend of Durga Puja celebrations.', 'New Jersey Durga Puja 2011: A Personal Perspective', 0, '', 'publish', 'open', 'open', '', 'new-jersey-durga-puja-2011-a-personal-perspective', '', '', '2011-10-06 11:31:47', '2011-10-06 15:31:47', '', 0, 'http://nynjbengali.com/?p=592', 0, 'post', '', 1),
(593, 1, '2011-10-06 00:39:09', '2011-10-06 04:39:09', '', 'Orange Tag', 0, 'Believe me, it was white until it fell in your mutton curry.', 'inherit', 'open', 'open', '', 'orange_tag', '', '', '2011-10-06 00:39:09', '2011-10-06 04:39:09', '', 592, 'http://nynjbengali.com/wp-content/uploads/2011/10/orange_tag.jpg', 0, 'attachment', 'image/jpeg', 0),
(594, 1, '2011-10-06 00:41:56', '2011-10-06 04:41:56', '', 'Shuye Poro', 0, '', 'inherit', 'open', 'open', '', 'shue_poro', '', '', '2011-10-06 00:41:56', '2011-10-06 04:41:56', '', 592, 'http://nynjbengali.com/wp-content/uploads/2011/10/shue_poro.jpg', 0, 'attachment', 'image/jpeg', 0),
(595, 1, '2011-11-10 00:22:45', '2011-11-10 04:22:45', 'By Amitava Sen\r\n\r\nWhy do we buy things?\r\nSome for immediate consumption, like food, which we need for survival or mere delight of palate.\r\nWe buy theatre tickets, for enjoyment and entertainment.\r\nOr, books and arts, to meet our intellectual needs.\r\nWe spend money on investment, with expectation for a return in cash or kind.\r\nAlso, for long term uses, like houses for shelter. The range of items like homes and cars are not always based on a minimum need; often times they exceed the rational limit. But their uses remain utilitarian nevertheless.\r\nAmongst many others, clothing is an important area we spend our money on, so that we maintain a societal decorum and do not bare us to the world; and for sartorial splendor, of course.\r\nGenerally, we acquire thing to meet some kind of needs or perceived needs, material, physical or intellectual.\r\nBut there are a few items we get out of sheer obsession of the moments with complete disregard for need or return on investment and we make irrational judgment about the value of the acquisition. Consider for example, saree-buying frenzy of an India born women in our Bengalee community.\r\nA mirror view is satisfying, but principally nice attire helps us look good in others’ eyes. At least that is a reasonable assumption. But observing some Bengalee women here, saree possession seems to have crossed the threshold of reasonableness; it looks like an uncontrollable mania.\r\n\r\nAs a dress, a saree does have certain uniqueness. It is the only garment in the world which fits one size all! Even Dishdasha for Arab men , Abaya worn by Arab women or Burqua of South Asian Muslim women, all basically shapeless coveralls resembling a drape more than a clothing, have to be tailored to size. A saree on the other hand does not require cutting, formatting, not a stitch of a single thread. A saree is also the greatest and most effective camouflage ever, especially for laterally challenged.\r\nOnce when I invited my friend Richie and his wife to a dinner, he declined because his wife Doris had been on a diet and slimming down regime for two weeks so that she can shape up and fit in a nice dress to attend an impending wedding. Tongue in cheek, I suggested that Doris could wear a saree for the wedding that would save her from starvation for two weeks. Throw an unmanageably long wrap around you and then other appurtenances of female beauty, which is your body, are effectively hidden from public eyes.\r\nBut you pay a price; your vanity and your pride are undermined. Your beauty, your grace and your elegance that either the nature has endowed you with or you have cultivated so assiduously over the years are taken out of view for anyone to see and appreciate. The piece of fabric around you gets all the attention. You feel good when other women come to you and express their admiration for your saree. Not a word about how nice you look in that saree and or how elegant you are. The admiring woman may even break your heart if and when she adds “I have an exact similar piece which I am yet to wear.” That effectively deflates whatever ego you have had satisfied when the saree was praised.\r\nOf course there are other reasons for why you are ignored and the dress you are wearing gets all the attention instead; appreciating another woman may not come naturally to a woman in our self-conscious Bengali society. Compliments generally come from a woman and almost never from a man. The concept may sound like contrary to evolutionary common sense which conjectures that the purpose women strive to look good is to attract potential mates of the opposite sex. The truth in our Bengali diasporas is that women dress to impress each other. That often is partly a result of environment in which we socialize and the way we are. Whether in a party or a social event or in a Puja the women folks congregate in a close cluster and men are segregated which gives the men scant opportunity to look at the women, get friendly and say a word of appreciation.\r\nBringing men into the picture can add some sense and sensibility to the mad world of saree acquisition. If men were the target for getting noticed there would not be the need for buying so many of them. Men have shorter sartorial memories. It is unlikely for a man to remember if that piece of apparel has already been worn once before. It is close to a blasphemy to a Bengalee saree wearing woman to be told that a saree has already been worn once before albeit by the same person. Women can and will easily point out the repeat use of your dress, length of the intervening period regardless. Even if they do not tell you in that many words, wearer will instantly know from the knowing look of the observers that she has been caught red-handed. Men may also have a nice word for you, and that is likely to be honest. Truth is men have a discerning eye for compatibility of the dress and the person putting it on. The women surprisingly have a strange skill of only looking at the saree without even noticing the person wearing it and an incredibly long memory span for sarees. Unfortunately you meet the same and repeat bunch of people wherever you go dressed up, in our close-knit Bengali society. And there is always someone to remember your saree, even if it is not so remarkable a piece.\r\nThe fallout from the addiction is wider. Expenses on saree account have a profound impact on the cost of our social lives. In our burgeoning society we have a closeness in order to function and flourish socially and we do have vigorous and frequent interactions with our friends and acquaintances, which we cannot do without. Formal occasions like wedding, birthdays and casual ones like a weekend dinners, demand gifts. Cost for two persons attending, works out to $200-$300.00 (unless of course you are close to the host) in a wedding; $100.00 for a birthday (For a Sunday lunch at Akbar or similar not so lustrous places, $60.00 should do for two guests) and there are anniversaries, annaprasans, you name it. In a routine dinner party you can get away with a $16-20.00 bottle of wine. Now comes the collateral cost. Add to each of the above the cost of single-wear saree (between $200-250,) a blouse (guessing the value of a blouse is tricky. A blouse may be pricey, but sometimes, judging from the amount of cloth material that are used in a blouse in modern fashion, it is not unrealistic to appraise that it may cost little or nothing) and occasional matching costume jewelry (between $50 and $100.00.) Attending Puja is not cheap either these days; organizers will shut the door on you unless you pay a high entry fee in advance and do not forget to account for the fresh purchase of one or two sarees from those luring saree stalls at the Puja place.\r\nNow, please do the math!\r\nOne has to wonder, even considering the single wear scenario, when and where all the sarees are actually worn. Admittedly, our community here has more get-togethers, more occasions than others on a yearly basis but the sarees most likely outnumber the opportunities to wear them. In practice it is just impossible to wear all of them within a reasonable period of time before it becomes old and out of fashion. The momentary infatuation, bordering insanity that overtook the buyers senses had passed or in hold till another irresistible piece overwhelms. The pieces in storage left unused would probably be not worth wearing and showing off. One has to suspect that quite a few of them stay in closet unused, ultimately finding their way to the storage in the garage.\r\nOf course I am not proposing this as a generalized truth dictum for all the saree wearing women all over the world, I am focusing on the behavior of a certain class of Bengalee women in our midst, who in their obsessive saree fetish have lost somewhere a sense of proportion.', 'A Discourse on the Saree Fetish', 0, '', 'publish', 'open', 'open', '', 'a-discourse-on-the-saree-fetish', '', '', '2011-11-10 00:23:46', '2011-11-10 04:23:46', '', 0, 'http://nynjbengali.com/?p=595', 0, 'post', '', 1),
(596, 1, '2011-11-23 11:23:08', '2011-11-23 15:23:08', '
Raag-Rang presents its last concert of the year in memory of Late Dr Bhupen Hazarika.\r\n\r\nDate & Time: 3rd December from 3 pm to 6 pm.\r\nVenue: Sophia Fahs Theater (Unitarian Universalist Congregation Of Princeton)\r\n50 Cherry Hill Drive,\r\nPrinceton- 08540.\r\nConcert will start with Dashavatar, an Odissi dance presentation by students of Smt Mitra Purakayastha\r\nfollowed by a bouquet of nostalgic melodies composed by Dr Hazarika. The focus of the concert will beon his musical career, his philosophy on music and his compositions based on ragas. Participating musicians are Shree Parthasarathi Mukhapadhyay, Smt Mitali Banerjee Bhawmik, Smt Gayatri Sharma & Smt Indrani Chakrabarty Khare. Shree Anirban Roychoudhury will accompany on tabla.\r\n\r\nAdmission: $15.00 per person for non-members.\r\n$10.00 per person for members.\r\n\r\nRSVP is requested as seats are limited.\r\nContact: raagrang07@gmail.com\r\nOr call (908)-429-1120, (732)-377-9362', 'Bhupen Hazarika Memorial Concert', 0, '', 'publish', 'open', 'open', '', 'bhupen-hazarika-memorial-concert', '', '', '2011-11-23 11:27:47', '2011-11-23 15:27:47', '', 0, 'http://nynjbengali.com/?p=596', 0, 'post', '', 0),
(597, 1, '2011-11-23 11:21:13', '2011-11-23 15:21:13', '', 'bhupen-hazarika', 0, 'Dr. Bhupen Hazarika', 'inherit', 'open', 'open', '', 'bhupen-hazarika', '', '', '2011-11-23 11:21:13', '2011-11-23 15:21:13', '', 596, 'http://nynjbengali.com/wp-content/uploads/2011/11/bhupen-hazarika.jpg', 0, 'attachment', 'image/jpeg', 0),
(598, 1, '2011-12-01 00:34:37', '2011-12-01 04:34:37', 'New Jersey Independent South Asian Cinefest (www.NJISACF.org), 2011 that recently concluded at the Big Cinemas in Edison New Jersey announced the award winners at a special event. The 2011 award winners are:\r\n \r\nBest Student Film: Aadmi Ki Aurat Aur Anya Kahaniya (Directed by Amit Dutta and produced by FTII, Pune)\r\nBest Production by a Woman: Sunanda Shetty for Desire Of a Woman\r\nBest Background Score: Pt. Vishwa Mohan Bhatt (Desire of a Woman)\r\nBest Documentary (feature length): Inshallah Football directed by Ashvin Kumar\r\nCritic''s Choice Award (for a film): Flying Fish directed by Sanjeewa Pushapkumara\r\nOutstanding Debut Feature ( both male & female): Meherjaan directed by Rubaiyat Hossain, produced by Ashique Mustafa\r\nBest Actor (Male): Rajat Kapoor (I am 24) and Adil Hussain (GANGOR)\r\nBest Actor (Female): Priyanka Bose (Gangor) and Humaima Malik (Bol)\r\nBest Directorial Debut By a Woman: Anjali Menon for Lucky Red Seeds\r\nBest Director (feature): Shoaib Mansoor (Bol), Italo Spinelli (Gangor)\r\nBest Director (Female): Rubaiyat Hossain (Meherjaan)\r\nBest Feature: Gangor directed by Italo Spinelli, produced by Niravana Entertainments and Bibi Films (Italy)', 'New Jersey Independent South Asian Cinefest 2011 ', 0, '', 'publish', 'open', 'open', '', 'new-jersey-independent-south-asian-cinefest-2011', '', '', '2011-12-01 00:34:37', '2011-12-01 04:34:37', '', 0, 'http://nynjbengali.com/?p=598', 0, 'post', '', 0),
(599, 1, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 'Presentation Ceremony: December 3, 2012\n\nAGENDA\n\n1:30 – 1:45 Set-up and Preparation\n1:45 – 2:00 Meet and Greet\n\n2:00 – 2:05 Welcome and Introduction\n2:05 – 2:15 Gayatri’s Literary Contribution to the Community\n2:15 – 2:25 Thoughts behind the Literary Award\n2:25 – 2:30 Ananda Mandir and Cultural Promotion\n2:30 – 2:45 Award Presentation to the Winners\n\n2:45 – 3:00 Break for Refreshment\n\n3:00 – 4:00\n\nAmitabha Bagchi & Team\nAll\n\nPronoy Chatterjee\n\nDebajyoti Chatterji\nJerry GaMarsh\nDipak Sarkar\nPronoy, Jerry and Dipak\n\nStage Setting for Literary Readings\nShort Reading of Original Work\nShort Reading of Original Work\nShort Reading of Original Work\nShort Reading of Original Work\nThree Short Readings of Poems\n\n4:00 – 4:10 Literary Pursuit in a Foreign Land\n4:10 – 4:20 Literary Pursuit in a Foreign Land\n\nAmitabha Bagchi\nTathagata Ghosh (English)\nGouri Datta (Bengali)\nNupur Lahiri (English)\nSudipta Bhawmik (Bengali)\nSubrata Bhaumik (English)\nSushmita Dutt (Bengali)\nVishnupriya De (English)\n\nAlolika Mukherjee (Bengali)\nAmitabha Bagchi (English)', '', 0, '', 'draft', 'open', 'open', '', '', '', '', '2011-12-01 00:42:55', '2011-12-01 04:42:55', '', 0, 'http://nynjbengali.com/?p=599', 0, 'post', '', 0),
(600, 1, '2011-12-01 00:54:08', '2011-12-01 04:54:08', 'Gayatri GaMarsh Memorial Award for Literary Excellence\r\nPresentation Ceremony: December 3, 2012\r\nEast Brusnwick Library\r\n2 Civic Center Drive\r\nEast Brunswick, NJ 08816\r\n\r\nAGENDA\r\n\r\n1:30 – 1:45 Set-up and Preparation Amitabha Bagchi & Team\r\n1:45 – 2:00 Meet and Greet All\r\n\r\n2:00 – 2:05 Welcome and Introduction Pronoy Chatterjee\r\n2:05 – 2:15 Gayatri’s Literary Contribution to \r\n the Community Debajyoti Chatterji\r\n2:15 – 2:25 Thoughts behind the Literary Award Jerry GaMarsh\r\n2:25 – 2:30 Ananda Mandir and Cultural Promotion Dipak Sarkar\r\n2:30 – 2:45 Award Presentation to the Winners Pronoy, Jerry and Dipak\r\n\r\n2:45 – 3:00 Break for Refreshment\r\n\r\n3:00 – 3:05 Stage Setting for Literary Readings Amitabha Bagchi\r\n3:05 – 3:15 Short Reading of Original Work Tathagata Ghosh (English)\r\n3:15 – 3:25 Short Reading of Original Work Gouri Datta (Bengali)\r\n3:25 – 3:35 Short Reading of Original Work Nupur Lahiri (English)\r\n3:35 – 3:45 Short Reading of Original Work Sudipta Bhawmik (Bengali)\r\n3:45 – 4:00 Three Short Readings of Poems Subrata Bhaumik (English)\r\n Sushmita Dutt (Bengali)\r\n Vishnupriya De (English)\r\n\r\n4:00 – 4:10 Literary Pursuit in a Foreign Land Alolika Mukherjee (Bengali)\r\n4:10 – 4:20 Literary Pursuit in a Foreign Land Amitabha Bagchi (English)\r\n\r\n', 'Gayatri Gamarsh Literary Award Presentation Ceremony', 0, '', 'publish', 'open', 'open', '', 'gayatri-gamarsh-literary-award-presentation-ceremony', '', '', '2011-12-01 20:59:44', '2011-12-02 00:59:44', '', 0, 'http://nynjbengali.com/?p=600', 0, 'post', '', 0),
(601, 1, '2012-01-08 01:43:41', '2012-01-08 05:43:41', 'NJPA Cordially Invites you and your family and friends to the:\r\nNJPA Saraswati Puja 2012 Celebration\r\nKiddie Keep Well Camp\r\n35 Roosevelt Drive\r\nEdison, NJ 08902\r\n\r\nSaturday, January 14, 2012\r\nPuja: 2.00pm\r\nDinner: 5:00pm\r\nCultural Program: 6:30pm\r\nSpecial performances by local artistes.', 'NJPA Saraswati Puja 2012', 0, '', 'publish', 'open', 'open', '', 'njpa-saraswati-puja-2012', '', '', '2012-01-08 01:43:41', '2012-01-08 05:43:41', '', 0, 'http://nynjbengali.com/?p=601', 0, 'post', '', 0),
(602, 1, '2012-01-08 01:45:28', '2012-01-08 05:45:28', 'ICC warmly welcomes you to attend Saraswati Puja to be held on Sunday, January 29, 2012 at the Ukrainian Cultural Center, Whippany. Besides a variety of programs presented by our very own ICC children, there will also be a musical performance by well-known local artist.\r\n\r\nHere are the details of ICC Saraswati Puja 2012:\r\n\r\nOn: Sunday January 29\r\n\r\nPuja: 2:00 PM\r\n\r\nPushpanjali: 2:30PM\r\n\r\nPrasad: 3:00PM\r\n\r\nCultural Program: 4:00 PM\r\n\r\nDinner: 6:30PM\r\n\r\nVenue:\r\n\r\nUkrainian American Cultural Center of New Jersey\r\n\r\n60 North Jefferson Road, Whippany, NJ 07981 ', 'ICC Saraswati Puja, 2012', 0, '', 'publish', 'open', 'open', '', 'icc-saraswati-puja-2012', '', '', '2012-01-08 01:45:28', '2012-01-08 05:45:28', '', 0, 'http://nynjbengali.com/?p=602', 0, 'post', '', 0),
(603, 1, '2012-01-08 01:49:54', '2012-01-08 05:49:54', ' Dear GSCA Patrons and Members\r\nBoard of Trustees, Garden State Cultural Association, would like to take this opportunity to thank you for your continued commitment and patronage. A very Happy New Year to you and your family.\r\n\r\nWe also would like to invite you and your family at the Saraswati Puja festival to be celebrated on Saturday Jan 28 at Woodrow Wilson Middle School, Edison, NJ. We will have Puja, Pushpanjali, Prasad, Dinner, Variety Cultural Programs, Children Arts and Crafts competition for your entertainment. Don''t miss it! Details below -\r\n\r\nPuja 12 noon to 2 p.m.\r\nPushpanjali 2 p.m. to 3 p.m.\r\nHate Khari 2:30 p.m. to 3:30 p.m.\r\nPrasad 2:30 p.m. to 3:30 p.m.\r\nArts and Crafts 3 p.m. to 4 p.m.\r\nDinner 4 p.m. to 5 p.m.\r\nCultural Program 5 p.m. to 9 p.m.\r\n\r\nCultural Program Highlights:\r\n# Drama : "Banijye Basate Laksmi" - a play by Sudipta Bhawmik\r\n# Tabla Recital by 8 kids\r\n# Vocal Music\r\n# Kids Dance Drama Presentation\r\n# Possible surprise guest with Bollywood Music\r\n\r\nFor further details and online registration, please visit www.gsca.us. Again, please note that the online registration is available until Sunday Jan 22. Rates at the gate will be higher. We encourage you to help us estimate attendance better by registering online. The email you receive from PayPal at the end of the registration serves as your receipt. Please bring a copy of that email with you at the Puja and show it at the reception desk.\r\n\r\nBest wishes,\r\n\r\nBoard of Trustees\r\nGarden State Cultural Association, New Jersey, USA ', 'GSCA Saraswati Puja, 2012', 0, '', 'publish', 'open', 'open', '', 'gsca-saraswati-puja-2012', '', '', '2012-01-08 01:49:54', '2012-01-08 05:49:54', '', 0, 'http://nynjbengali.com/?p=603', 0, 'post', '', 0),
(604, 1, '2012-01-08 01:52:09', '2012-01-08 05:52:09', 'You and Your Friends and Family are cordially invited to\r\n2011 Swaraswati Puja \r\norganized by\r\nSREESHTI of New Jersey\r\n\r\nJanuary 28, 2012\r\n10:00 AM to 8:00 PM\r\n\r\nFREE ADMISSION FOR ALL\r\n\r\nSpecial Attraction Event: Akashdeep\r\n\r\nAlso, Pushpanjali, Hathe Khari, Lunch, Kids program, cultural programs will be there. \r\n\r\nWhere:\r\nLivingston Park Elementary School\r\n1128 Livingston Avenue, North Brunswick Township, NJ 08902-1886\r\n \r\nwww.sreeshti.com\r\n\r\nEvents:\r\nPuja 10:00 AM\r\nAnjali 12:00 PM\r\nHathe Khari 12:30 PM\r\nKids Arts and Crafts 1:00 PM\r\nProsad & Lunch 2:00 PM\r\nEthnic Dress Parade 3:00 PM\r\nCultural Program 5:00 PM', 'Sreeshti Saraswati Puja 2012', 0, '', 'publish', 'open', 'open', '', 'sreeshti-saraswati-puja-2012', '', '', '2012-01-08 01:52:09', '2012-01-08 05:52:09', '', 0, 'http://nynjbengali.com/?p=604', 0, 'post', '', 0),
(605, 1, '2012-01-08 01:57:25', '2012-01-08 05:57:25', 'Saraswati Puja 2012\r\nSOMERSET BENGALI ASSOCIATION\r\nSaturday, January 21, 2012\r\nBridgewater Raritan Middle School\r\n425 Foothill Road, Bridgewater, NJ 08807\r\n\r\nREGISTRATION WILL CLOSE ON JANUARY 4, 2012\r\nRegistration is currently at 90% of permitted capacity. Please register to ensure your participation.\r\n\r\nPUJA SCHEDULE: 11:00 am – Puja & Anjali \r\n 1.00 pm – Bhog Prasad & Lunch - Khichuri, Labra & Mishti\r\n 3.00 pm - Kids Snacks - Chips, Brownies & Juice \r\n 4.00 pm – Cultural Program\r\n 8.30 pm - Kids Dinner - Hakka Noodles, General Tso''s & Pizza\r\n 8.40 pm - Adult Dinner - Goat Curry, Fish Curry, Kofta, Sandesh etc.\r\n\r\nCULTURAL SHOW: \r\nFeaturing Darshana Menon - Winner Zee Saregama USA 2008\r\nBaad Protibad - A Hilarious Play by Sudipta Bhawmik & Tushar Mukherjee\r\nRhythms of Life - Sunrita Mitra\r\nRhythms of Dance & Music - Mitra Purkayastha\r\nFusion Orchestra - Amit Ray\r\nChildren''s Songs - Soma Choudhury\r\n \r\nDONATION: Family (2 Adults + 2 Children) - $80,\r\n Extra Child - $10, Senior Parent - $25, Couple (2 Adults) - $65,\r\n Single - $40, Student - $25, Grand Patron Family - $125\r\n\r\n REGISTRATION: Please register online at www.somersetbengalis.org\r\n\r\n\r\n\r\n\r\n', 'SBA Saraswati Puja 2012', 0, '', 'publish', 'open', 'open', '', 'sba-saraswati-puja-2012', '', '', '2012-01-08 01:57:25', '2012-01-08 05:57:25', '', 0, 'http://nynjbengali.com/?p=605', 0, 'post', '', 0),
(606, 1, '2012-01-08 02:00:26', '2012-01-08 06:00:26', 'Sararattir Presents "Pakhir Moton Sokaal"\r\nat Edison Valley Playhouse (EVP http://www.evplayhouse.com/ )\r\non 21st and 22nd January 2012\r\n\r\nDesigned and Directed by Subhashis Das \r\nTheme Music and Ambience by Partha Sarathi Mukhopadhyay \r\nLight, Photography and Illusion by Sunanda Mitra \r\nMarketing by Gargi Mukherjee\r\n\r\nProduced by SARARATTIR\r\n\r\nActors are \r\nKeka Sircar\r\nSoumendu Bhattacharya\r\nArpana (Bubu) Bhattacharya\r\nIndranil Mukherjee\r\n\r\n\r\nShow times\r\nSaturday 21st two shows @3pm and @6pm\r\nSaturday 22nd two shows @2pm and @5pm\r\n', 'Sararattir Presents - Pakhir Moton Sokal', 0, '', 'publish', 'open', 'open', '', 'sararattir-presents-pakhir-moton-sokal', '', '', '2012-01-08 02:00:26', '2012-01-08 06:00:26', '', 0, 'http://nynjbengali.com/?p=606', 0, 'post', '', 1),
(607, 1, '2012-02-20 12:49:05', '2012-02-20 16:49:05', '\r\n\r\nRecently I watched this wonderful TED talk by Alain de Botton. He was talking about atheism, but unlike many other more radical atheists, he did not reject religion altogether. His philosophy is that, there is a class of people who do not really believe in the existence of god or gods, but they like the other aspects of religion like the rituals, the music, the literature, the art, the myths. Alain says that these aspects of religion, the more popular aspects which enrich us in many positive ways, we don''t have to reject them. I don''t want to go into the details of his talk, you can watch the video and listen for yourself, but this concept which Alain calls Atheism 2.0 rang a bell in me. \r\nI love to attend our Durga Puja festivals, love to hear the mythological stories associated with Durga and Mahishasur although I don''t believe they really exist. I love to listen to the sonorous chanting of the "Chandi" or listen to the ecstatic Kirtan music and feel elated. I love Shyama Sangeet, I like to watch plays and listen to stories of Hindu mythology and the epics, although I don''t feel compelled to believe them as historical truth. And I believe, I am not alone. Many of us who have been sitting on the fence of religion, wondering which side to land on, now have this third option - Atheism 2.0. We refuse to be indoctrinated by religion, refuse to believe that ours is the best and for that matter any religion to be better than any other. But we gladly accept the goodies that these religions offers us and thus enrich ourselves with those aspects. \r\nI would like to know what others think about this.', 'Atheism 2.0', 0, '', 'publish', 'open', 'open', '', 'atheism-20', '', '', '2012-02-20 13:48:46', '2012-02-20 17:48:46', '', 0, 'http://nynjbengali.com/?p=607', 0, 'post', '', 1),
(608, 1, '2012-02-20 17:21:13', '2012-02-20 21:21:13', '\r\n\r\nRecently ECTA presented a one man show, "Banijye Basate Lakshmi", a play written and performed by Sudipta Bhawmik, and directed by Sankar Ghoshal. Gagan Goswami, a motivational speaker, talks to his audience and inspires them to be successful in business. In a ninety minute long speech, Gagan chronicles his colorful journey as a Bengali entrepreneur seeking the answer to the most important question of one''s life - Why?\r\n ', 'Banijye Basate Lakshmi : Trailer', 0, '', 'publish', 'open', 'open', '', 'banijye-basate-lakshmi-trailer', '', '', '2012-02-20 17:21:13', '2012-02-20 21:21:13', '', 0, 'http://nynjbengali.com/?p=608', 0, 'post', '', 0),
(609, 1, '2012-03-01 01:43:39', '2012-03-01 05:43:39', '
Recently I watched Woody Allen''s latest film "Midnight in Paris" in which the central character (Gil Pender), during his visit to Paris with his fiance'', manages to slip back in time to the Paris of the early 1920s. There Gil meets the greatest of the worlds literati during the period like F. Scott Fitzgerald, Ernest Hemingway, Gertrude Stein, Pablo Picasso, Salvador Dali and many others. Gil always thought that the 1920s was the golden age of literature and art and Paris was the center of this world. It was Gil''s dream come true. There in the 1920s Gil falls in love with the beautiful Adriana, Pablo Picasso''s lover. But to Adriana of the twenties, the golden age was "la Belle Epoque", the European revival during the late 19th century. By a twist in the tale, Gil and Adriana travel back to the "belle Epoque" era to Maxim''s and meet Edward Degas, Toulouse Lautrec and Paul Gauguin, the great artists of the period. But when asked, these great artists say that to them the golden age was the period of Renaissance!\r\nSo it seems, that to each generation the golden age belongs to the past. We often think that our past was much better than what we have today. Is it because that only the good things of the past remains in our memory, as the Bengali proverb says - Smriti Satatoi Sukher? Is it that we always tend to forget the miseries of the past? In the film at one point, when Adriana refuses to return to the future, Gils tells her, they have no antibiotics.\r\nOr is it, that we are so backed up in our knowledge that we tend to overlook the great things that are happening around us. We fail to recognize the beauty of the wonderful creations that keep on happening all around us. We always tend to belittle modernity in favor of the past. Nostalgia is good, but it should not blind us from enjoying the beauty of our period. All ages are golden ages, in their own right. So let''s enjoy what we have right now. Let''s appreciate the creators of our times. Let''s not hold back our creativity just because some other genius has created something similar in the past. Let the past be our inspiration and not a deterrent to our creative motivations.', 'The Golden Age', 0, '', 'publish', 'open', 'open', '', 'the-golden-age', '', '', '2012-03-01 01:46:41', '2012-03-01 05:46:41', '', 0, 'http://nynjbengali.com/?p=609', 0, 'post', '', 0),
(610, 1, '2012-03-01 01:42:03', '2012-03-01 05:42:03', '', 'midnight_in_paris_poster', 0, 'Midnight in Paris', 'inherit', 'open', 'open', '', 'midnight_in_paris_poster', '', '', '2012-03-01 01:42:03', '2012-03-01 05:42:03', '', 609, 'http://nynjbengali.com/wp-content/uploads/2012/03/midnight_in_paris_poster.jpg', 0, 'attachment', 'image/jpeg', 0),
(611, 1, '2012-03-01 14:43:12', '2012-03-01 18:43:12', 'Raag-Rang presents first concert of the year Kal Ke Kalakar featuring\r\nfour forms of Dance by young dancers under the guidance of their\r\nGurus. Bharat Natyam presentation under the guidance of Guru Smt Sudha\r\nShekhar Devulapalli, Kuchipudi by Guru Smt Divya Yelluri, Odissi by\r\nGuru Smt Mitra Purkayastha and Folk by Gurus Shree Pratik Devasthali\r\nand Madhavi Devasthali.\r\n\r\nDate-11th March.\r\nTime 4 P.M. sharp.\r\nVenue: Balaji Temple\r\nAuditorium (HTCS)\r\n1075 Route 202/206\r\nBridgewater, NJ 08807\r\nFor Directions Visit:\r\nwww.venkateswara.org\r\n\r\nAdmission\r\nNonMembers:\r\n$15 (Kids $10)\r\nMembers: $10 (Kids $7)\r\nFor Details Contact: 908-429-1120\r\n(RSVP appreciated)\r\nraagrang07@gmail.com\r\nVisit www.raagrang.org', 'Kal Ke Kalakar : Four Indian Classical Dance Forms', 0, '', 'publish', 'open', 'open', '', 'kal-ke-kalakar-four-indian-classical-dance-forms', '', '', '2012-03-01 14:43:12', '2012-03-01 18:43:12', '', 0, 'http://nynjbengali.com/?p=611', 0, 'post', '', 0);
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(612, 1, '2012-03-05 15:02:33', '2012-03-05 19:02:33', 'ECTA Presents\r\n\r\n"The Last Flames"\r\n\r\nApril 15, 2012; 3:00pm and 5:30pm\r\n\r\nFahs Theater,\r\nUnitarian Universalist Congregation of Princeton\r\n50 Cherry Hill Road, Princeton, NJ 08540\r\nWritten and directed by Sudipta Bhawmik \r\nCast: Sankar Ghoshal, Keka Sirkar, Abhijit Neogy\r\n Music: Akaash Deep; \r\nSound: Dwaipayan Mukherjee, Lights: Subhodev Das \r\nAdmission: $15.00\r\n(The event is free for active ECTA Members )\r\n\r\nSynopsis: Basanta Koomar Roy, an expatriate journalist from India, has been credited by Tagore researchers as a key person (besides W. B Yeats and Ezra Pound) responsible for popularizing Rabindranath Tagore in USA. But Roy fell from his idol''s grace for reasons that torment many a biographer and journalist even today. "The Last Flames" attempts to re-examine the relationship between Roy and Tagore through a fictional encounter and gives us a peek at the human side of the great Poet''s personality. Samar, a young trainee journalist, comes to interview Basanta Koomar Roy at his apartment in New York city, sometime in 1948. Basanta is excited to share his experience as an Indian nationalist freedom fighter in USA. But Samar tells him that he is interested in knowing about his experience with Rabindranath Tagore, since he was the first to write Tagore''s biography in English for the American people. Basanta refuses to talk about his Gurudev until Samar uses his ultimate weapon that opens the flood gates of memories and emotions of this old admirer of Tagore. The following obituary of Basanta Koomar Roy was published in The New York Times on June 8, 1949: Basanta Koomar Roy, Indian author and free-lance journalist, who had lived in this country for many years, died on Sunday in St. Luke’s Hospital after a brief illness. His home was at 116 West Eightieth Sreet. Born in Orissa Province, India, and a member of the Brahmin caste, Mr. Roy came to the United States around 1910 and studied at the University of Wisconsin, from which he was graduated and where he was later an extension lecturer. He was instrumental in arranging a lecture at the university in 1916 by the great Indian poet, the late Rabindranath Tagore. Mr. Roy was long a writer and speaker for Indian freedom and has been active in the Friends of Freedom for India. He was the author of a biography of Mr. Tagore and of “Dawn over India”, a book telling of the Indian underground movement against British rule.\r\n\r\nAdmission: $15.00\r\n\r\nContact: kaudata@yahoo.com\r\n\r\n(The event is free for active ECTA Members )', 'ECTA Presents: "The Last Flames"', 0, '', 'publish', 'open', 'open', '', 'ecta-presents-the-last-flames', '', '', '2012-03-05 15:05:28', '2012-03-05 19:05:28', '', 0, 'http://nynjbengali.com/?p=612', 0, 'post', '', 0);
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(352, 0, 'RAAG-RANG PRESENTS : MUSIC OF INDIA Cine- music Ghazals Bhajans Taranas Tillanas Folk Thumris Dhrupad Khayal Kirtans and more. Our journey will take us across India ’s landscape stopping at points of interest from the Himalayan Highlands to the backwaters of Kerala from the havelis of Rajasthan to the flowing waters of Bengal as distinguished artists perform the music of their heritage. Mohan Deshpande Mitali Banerjee-Bhawmik Astha Shukla Kamala Ramamurthy Arun Ramamurthy Trupti Parikh Bhupendra Gadhavi Kedar Naphade Pratik Devasthale Amod Dandawate Introducing young artiste Rahul Palnitkar Arsha Bodha Center 84 Cortelyous Lane Somerset NJ 08873 287 Exit 10 Rt. On Cedar Grove Lt. on Amwell Rt. On South Middlebush 2.5 mi Lt. on Cortelyous 1mi on left Tel: 908 429-1120 609 890-4890 201 447-6936 973 539-5534 bhawmikm@gmail.com mayuresh.khare@gmail.com Donations : Adult: 15 non-members / 10 members Under 12 : 7 non-members / 5 members Limited seating RSVP. Convenient parking at the Venue. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value RAAG-RANG PRESENTS : MUSIC OF INDIA size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(353, 0, 'I am watching the devastation caused by hurricane Aila on ETV Bangla news. It looks really bad. Although the local adminstration has ramped up the rescue operation quite efficiently the wide spread destruction is very difficult to handle. The recent election seems to have been responsible for this quick response from the Left Front State Govt who wants to prove that they have not lost contact with the people. The Trinamool leaders on the other hand is using this disaster to prove themselves as the viable alternative in the state. The White House Chief of Staff Rahm Emanuel had once said “… a crisis like this cannot go to waste.” The West Bengal politicians do not want this opportunity thrown to them by Aila to be wasted either. This is an excellent opportunity to prove themselves. Whatever may be the reason if the state politicians for a change work in favor of the people it would serve them as well as the people. 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(57, 1761, 'Percocet aspirin. Percocet 93-490 10 mg…. Percocet…. http://www.kaboodle.com/percocet1k', NULL),
(354, 0, 'The classical Indian dance form Kathak is now quite well known amongst the dance connoisseurs of America. Americans who have some familiarity with classical music and dance of India know about Kathak - a dance form that truly blends together the various components of Indian music - melody rhythm and the beauty of the physical form. It is true that many stalwarts of the Kathak dance form like Pandit Birju Maharaj and others have graced the American stage with their amazing performances but the primary reason for its popularity and sustenance in this country is due to the tremendous efforts put in by several Kathak dance schools and academies run by the immigrant dancers from India who wanted to spread their passion for this art form amongst the next generation. Once such school is Kalamandir of New Jersey led by its director Malabika Guha. For the last twenty three years Malabika Guha and the students of Kalamandir have been working relentlessly to nurture and promote this traditional dance form of north India in USA. Malabika herself received training from illustrious gurus like Bela Arnab Guru Bipin Singh Amala Shankar and many others. She felt that it would be a crime to keep this art form within herself or to let it die like many other dreams once we land into this country. The passion for dance that her gurus have imbibed in her found its release through her students and the journey that started twenty three years ago still continues. Kalamandir and Malabika has performed more than two hundred shows all across America Europe and India. She has proven to the world that classical Indian music and dance not only transcends time but also space - it can shatter all barriers - social geographical political “Art for art’s sake” - that’s what my teachers taught me says Malabika. But Malabika’s greatest success story is her daughter - Brinda. Like many other second generation Indian American girls she started taking lessons in Kathak from her mother - but then she fell passionately in love with dance - with rhythm. Now she is one of the prime drivers of Kalamandir taking up the mantle from her mother and promising to take Kalamandir and Kathak to new heights. Always eager to explore eager to push the boundary Brinda blends Kathak with Flameco Ballet and other modern dance forms to create new compositions that are classical and modern at the same time. She is what every dance and music teacher dream about for their students - someone who can carry on their legacy - a legacy that has been handed over to us through the generations. Organizations like Kalamandir and people like Malabika and Brinda are what makes us feel proud of our heritage today. We should all come forward and support them in whatever way we can to make their mission a grand success. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Kathak in America - The Story of Kalamandir size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(356, 0, 'A Taiwanese Idol contestant is singing a Hindi film song. It is amazing to see how Indian films are being accepted all across the world. Globalization is great Jay Ho Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Taiwanese Idol Contestant Sings Bollywood Song size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(516, 0, 'Garden State Cultural Association invites you your family and friends to join in the celebration of DURGA PUJA at Plainfield High School 950 Park Avenue Plainfield NJ 07060 on Saturday October 16 Sunday October 17 2010 Program Details Saturday October 16 2010 Puja Arati 11:00 am to 2:00 pm Pushpanjali 2:00 pm to 3:00 pm Prasad 2:30 pm to 4:00 pm Chandipath 3:00 pm to 3:30 pm Dhunuchi Dance 3:30 pm to 4:00 pm Dinner 4:00 pm to 6:00 pm Sandhi Puja 4:30 pm to 5:00 pm Magic Show 5:00 pm to 6:00 pm Cultural Program 6:00 pm to 11:00 pm Cultural Program Line-up Time Chairman’s Speech and Introduction to Board Members 6:00 PM Opening Songs by Gayatree Sharma 6:15 PM HEAT A Fusion Ensemble Dance Presentation by Kalamandir NJ 6:30 PM Celebration of Tagore’s 150th. Birth Anniversary – Recitations by Partha Ghosh Gouri Ghosh and Songs by Sounak Chattopadhyay of Kolkata. 7:00 PM Jhinook Mukherjee of Kolkata - Classical Dance Recital 8:30 PM Chandreyee Bombay and Team of Musicians - Ghazals Bengali and Hindi Songs 9:00 PM ……………………………………………………………………………………………. Sunday October 17 2010 Puja Arati 11:00 am to 2:00 pm Pushpanjali 2:00 pm to 3:00 pm Chandipath 3:00 pm to 3:30 pm Prasad 2:30 pm to 3:30 pm Arts Crafts Competition 3:00 pm Sharp Dinner 4:00 pm to 6:00 pm Baran / Bisarjan 4:00 pm to 5:00 pm Arts Craft Competition Awards 5:30 pm to 6:00 pm Cultural Program 6:00 pm to 10:00 pm Cultural Program Line-up Time Soumyen Adhikari of Kolkata - nostalgic Bengali and Hindi songs of Hemanta Mukhopadhyay 6:00 PM Amra Sabai Raja - A GSCA Production 7:00 PM Suchismita Das Bombay and Team of Musicians - Hindi and Bengali songs. 7:30 PM Drama - “Ajo Kahini” - A Hilarious Play by Sudipta Bhawmik Ethnomedia Group NJ Directed by Pinaki Datta. 9 PM Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Garden State Cultural Association Durga Puja 2010 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(358, 0, 'I’d like to express my sincere thanks to all those of you who came to watch our play “Banaprastha” The Retirement . We had full houses on all the four days and it was a testament to the fact that New Jersey Bengalis like to watch quality theatre if we can offer them. However it was not only Jerseyans who came to our show people came from Pennsylvania Delaware New York city and even Buffalo New York. The overall feedback has been extremely positive and people are asking for more shows. Such encouragement is what makes all this hard work worth it and drives us to our next venture. We hope that with your good wishes we’ll be able to keep up with your expectations and put New Jersey on the map of serious and quality Bengali theatre for time to come. Thank you once again for supporting us. 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(360, 0, 'New Jersey Independent South Asian Cine Fest GALA OPENING NIGHT CELEBRATION at the Westin Princeton at Forrestal Village 201 Village Boulevard Princeton NJ Friday October 9 | 6:30 pm to 12:00 am 50.00 ALL ADMISSIONS includes Red Carpet film screening cocktail and dinner http://njisacf.com/09/ Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NJISACF 2009: Opening Night size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(361, 0, 'Tauryatrika 2009 Annual Cultural Event of Bharatiya Kala Kendra New Jersey with Bappi Lahiri on June 27th 2009 At : North Brunswick High School 98 Raider Road North Brunswick NJ - 08902 For detail information – check www.bharatiyakalakendra.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Tauryatrika 2009 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(362, 0, 'Very few theatre personalities in India have become legends in their life time. Habib Tanvir was one of them. Born as Habib Ahmed Khan on September 1 1923 in Raipur Chattisgarh Habib Tanvir has reinvented Indian folk theater and brought it out on the world stage in its full glory. I still remember the evening in Calcutta when I watched his brilliant creation “Charandas Chor”. The presentation of the play in a traditional folk form looked so modern so fresh that I couldn’t think of anything comparable in contemporary theatre. Habib through is work has left a legacy that is difficult to carry on - because it demands a level of dedication that many of our modern theatre workers will fail to match. The sensitivity with which he nurtured the folk forms experimented with content and presented them with such grace and simplicity - only a true genius can achieve such excellence. Habib Tanvir passed away on June 8th 2009 but the lengend he became still lives on and inspires theatre workers all around the globe. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Habib Tanvir : The Legend Lives On size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(186, 2278, 'Rohon Forgot to mention one more site SRISTISukh http://www.sristisukh.com . You may find this interesting. http://www.rohonkuddus.com', NULL),
(186, 2277, 'Rohon There is a webmag SRISTI http://www.sristi.co.in . And you can find some other under the tab ‘Onyora’ of that webmag. You may find some mag to worth mentioning in your esteemed blog. http://www.rohonkuddus.com', NULL);
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(364, 0, 'A Review by Amitava Sen As I entered the theatre the house was full and audibly expectant as the play ended crowd was visibly appreciative and a few even ecstatic which was quite an achievement and cause for satisfaction for the group of people who presented Banaprastha at Edison Valley Playhouse on May 31 2009. The play was generally well produced. A full house helps to create an environment of connectivity between the performers and audience. Perception of a full house and ambience that it helps create encourage the players to be their best. Selection of this adequately equipped arena small in size reflects producers’ sensibility about the importance of interaction between the players and the viewers and economic prudence at the same time. The play was about a returning Bengali doctor with the expectation that he would spend his retirement amongst his own people. Instead he found himself in an unlikely family situation and in a native city which was different than what he left behind decades ago. But in these days of cheap airlines tickets and cheaper communication cost can anyone be so unaware and acting so taken aback of the changes going on particularly for a person having purchased a place of residence there during the intervening years Where has he been The play apparently and seemingly has a statement to make with a hint of somewhat half-understood intellectualism that Bengalis so proudly flaunt and which sometimes veers towards sentimentalism. The play whether intended or not attempts to convey a message. Message is not clear though at times it looks like telling us that it is all right even laudable to acquire HIV virus provided the cause is right. But unfortunately there is no saintly or romantic way to get afflicted with HIV virus. That brings us to another question. Was the character Suranjana necessary at all She appeared in two scenes. A quasi-erotic introduction a hint at potential virus transmission and one in the middle of the play the intent of which was unclear except that it stemmed the flow towards building up the narrative. The time setting of the story was not clear. The doctor expert on AIDS treatment uttered not so much of a word about anti-retroviral drug. What did he want to fight was not clear was it the disease or the societal stigma that went with it So is it pre-David Ho inventor of cocktail regimen and pre-Bill Gates initiative That was a long time ago the ignorance of HIV virus was universal at that time. Even now the ignorance about and apathy towards HIV virus is not typical of Calcutta or India it is still a fact of life in more advanced societies as well. On this subject at least India is not far out of step with the rest of the world and this is a wrong issue to depict the primitiveness and heartlessness of our people which appears to be the subtext of the story. That is not to say in any way that India is not far behind in treating the disease and in the area of accessibility to the treatment. In the role of the father/ brother Sudipta Bhawmik as always was superb though at times he might have been a little overwhelming but that proved quite effective in a stage setting. As his wife Keka Sirkar was natural as a mother swept away by the turn of events. Her mature but fragile demeanor brought out the pathos that the story was about. But her high-heeled shoes in all circumstance were somewhat incongruous and distracting. Gargi Mukherjee the actor getting the top billing with lengthiest resume in the role of Suranjana did not quite get it. A woman afflicted with HIV did not need to be speaking under her breath sometimes out of breath but always shrill. Her interpretation of the character was undefined. Lily Majumdar Nabanita did not come out quite as urbane as a do-gooder NGO person. She appeared uncomfortable in that character flubbing her lines a few times confusing between counseling and counciling sic . It is not all her faults her dialogue gets unwieldy and haranguing making it difficult to deliver on stage. Shubhodev as the older brother was impressive especially in the first part of the play. Stagecraft lighting and sound were professional under the circumstances. Stage discipline followed by the players was excellent. The credit is due the director Indranil Mukherjee who is also a fine stage actor in the role of Alakendu. His attention to small details was noticeable. But his handling of the denouement that is the final resolution of the intricacies of the plot was rushed and uncharacteristically melodramatic for the ethos of the story. In the end add I must the play was thoroughly engrossing and enjoyable. Amitava Sen The views expressed in this article are solely those of its author. 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(364, 2279, 'sudipta Amitava-da Thank you for the review. You have said whatever you felt after the watching the play and I appreciate it. However I feel that I need to respond to some of your comments not as a member of the production team but as a playwright. 1. You commented - “But in these days of cheap airlines tickets and cheaper communication cost can anyone be so unaware and acting so taken aback of the changes going on particularly for a person having purchased a place of residence there during the intervening years Where has he been ” Do you think all of us visit our home in India every year Here is an email comment from one of our audience: “….I appreciated it more because I went to India in May after 11 years.” Parijat went back home after 8 years. But even when I visit India every year or every other year the social changes keeps on amazing me. Yes we are aware of the changes but when it starts affecting you personally it hits home. I am sure you feel it too. If not I’d say that you are in denial. Some of us do try to pretend that they are abreast of what’s going on back home they even appear to appreciate some of the social changes to prove their liberal mindset - but deep within it hurts them too - it hurts when you find your home is no more. One of our western audience member told me his mother used to say - “there is no home ” I was almost in tears. 2. “Message is not clear though at times it looks like telling us that it is all right even laudable to acquire HIV virus provided the cause is right.” How could you get this distorted message that the play is trying to say that it is “laudable to acquire HIV” The only message if any one could conclude is that HIV can attack us from any front - one need not visit brothels or use infected needles or get transfused with contaminated blood. Just to let you know that the Suranjana character is not entirely fictitious. It is based on real life character. Careless saintly behavior like some health care workers or unprotected romance can cause this virus to infect - because the virus does not care whether the body they are attacking is that of a saint or a romantic lover or a criminal rapist. But each such case can be a story - a story in its own right. Suranjana and Pallab’s story is also a story - please don’t humiliate it by saying that it seemed it is laudable to acquire HIV for the right cause. I felt that without the presence of the character Suranjana Pallab’s story would have been incomplete and it would have been unfair to Pallab and many other young men and women. Pallab never tried to give any excuse for his predicament but that should not be misinterpreted in anyway. The story may draw some sympathy for Pallab and Suranjana - but I don’t know how it can be interpreted as being an effort to glorify the acquisition of this deadly disease 3. “The doctor expert on AIDS treatment uttered not so much of a word about anti-retroviral drug. ” Dr. Parijat Sen did mention - “HIV is no longer a death sentence” and also mentioned several times that drugs are now available that can hold of HIV for long periods. Although he did not mention David Ho or Bill Gates or go into the details of anti-retroviral cocktail or HAART therapy - it was not the treatment of HIV/AIDS the issue here - at least to him or his brothers family. It was well established in the play that access to treatment is not the key problem in India or Calcutta - although not all hospitals would admit an HIV patient even today. As per the recent reports many HIV patients do not seek medical treatment because they are afraid that doing so would expose their HIV status and they would be social outcasts. Also you must be aware that anti-retrovirals are not cures - they just happen to hold it off for some time and the time varies from person to person and the quality of care he/she is receiving. One of the key problems in India is that the patients do not continue their treatment and thus develop resistance to the medications. 4. “On this subject at least India is not far out of step with the rest of the world and this is a wrong issue to depict the primitiveness and heartlessness of our people which appears to be the subtext of the story. ” Although HIV is still considered a stigma in some western countries but it is not the same as it was during the seventies or the eighties. The HIV stigma in the west is associated with homosexuality I’d recommend Tony Kushner’s “Angels in America” and the west’s homophobia. With the wider acceptance of homosexuals in this country the stigma associated with HIV has lost its sting in many ways. However in India the HIV stigma is associated more with sexual morality - besides the undue fear of infection. Before writing this play and even before staging this play I have read countless episodes of social cruelty in India towards HIV patients. Even a current running serial novel in “Desh” patrika was writing about this issue. After watching the play another audience member pointed me to this article - http://timesofindia.indiatimes.com/Cities/Kolkata-/Neighbours-thrash-HIV-patient/articleshow/4626142.cms A recent August 2008 report said that a bill of rights for HIV patients that was presented to the govt in August 2006 is yet to reach the parliament. Amitava-da denial is not going to help us. Yes “the apathy towards HIV is not typical of Calcutta or India” - but I am an Indian and that is what I can write about. I cannot write about what happens in Indonesia. We had several non-Indian audience and they did extract the universality of the issue. I am sorry that you felt that I was unfairly critical of India. I just wanted to tell a story through this play - a large part of which are based on facts and my own feelings. http://nynjbengali.com http://timesofindia.indiatimes.com/Cities/Kolkata-/Neighbours-thrash-HIV-patient/articleshow/4626142.cms', NULL),
(351, 0, 'ECTA’s latest production “Banaprastha” premiered at the Edison Valley Playhouse on May 16th in front of a full house. The play was very well received by the audience as you can see in the accompanying video. The second show was held on May 17th. Besides the video comments here are some of the comments sent over the email. “ We thoroughly enjoyed Banaprasta. This is a very timely production. I wish this drama can be viewed by millions Indians in India in view of the fact that India is crazy about Bollywood. Once again congratulations for presenting a great drama. ” - Aurobindo Mukherjee “ I saw your play yesterday and I must say it was outstanding. The theme was very contemporary and acting was great Looking forward to many more ” - Gargi Gupta “ I want to encourage everyone to see the play Banaprastha. Mary and I saw it yesterday and we both loved it. The play entitled “Banaprastha ” is about an Indian-born physician who spends is professional career in Manhattan and retires to his childhood home in India. It is performed in Bengali and English with English subtitles. The acting and story was superb and the cast comprised several actor’s from the Jumpha Lahiri movie “The Namesake.” If you go I’m sure that you’ll enjoy it as much as we did. ” - Jason Paul DeMont “ I especially liked the topic that was addressed. I am one of those that believe if your spouse at old age is no longer by your side for whatever reason one should find another companion. Perhaps my work leads me to believe that I work with the Geriatric society in this country. Of course the crazy lifestyle which is imitated not really realized by Indians in India will cause a generation to suffer enormously. Globilization is fantastic but it does have its repercussion to the ones that are not mature. ” - Sashwati Chatterjee Bengali Webzine Urhalpool Released After the smashing success of the first edition the 2 nd edition of online bilingual Bengali English magazine URHALPOOL www.urhalpool.com is out. The 2 nd edition is even bigger better and has contents covering more variety. Following are the highlights – - Urhalpool Reader Ruchira Mondal’s short story Indranil Bakshi’s poem - Series novel from Sunil Gangopadhyay - Series poetry-novel from Tasleema Nasreen - Collection of short stories including a translated one from 2008 Pulitzer Prize winner Juno Diaz - Interview from India’s most successful cricket captain Sourav “dada” Ganguly - Special section on Feluda with interviews from Sandip Ray Soumitra Chatterjee Sabyasachi Chakroborty and a f ull script of unpublished one-act play on Felu-da - Interviews from film-star Prosenjit and multi-percussionist Bickram Ghosh member of the Grammy award winning team for the album “Full Circle” - Special write-up from Nabaneeta Deb Sen Sarat Kumar Mukhopadhyay Sunil Gangopadhyay - Poetry from Nobel Laureate Roald Hoffman - Remaining part of the interview of Prof. Noam Chomsky - Poetry from Carolyn Forché Yousef Komunyakaa - Goutam Ghoshe’s multimedia interview introducing his latest movie “KaalBela” ..and many more Also for the literary minded in Kolkata and vicinity URHALPOOL printed version is available in circulation printed and marketed by “Punoscho Prokashoni” Kolkata Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Community News Bites: Banaprastha and Urhalpool size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(349, 0, 'The reality TV show “American Idol” has triggered a new trend - Idol search TV channels all over the world are searching for idols - or talents. This search is not only limited to the television screen but it has also proliferated onto the stage in various forms. Although the primary objective of this kind of shows is to screen for talent in reality excuse the pun it is nothing but an entertainment show. The excitement the drama and the occasional emotional outbursts are all part of the show. Undoubtedly such shows do bring many talented men women and children to the limelight but is this the right way to do explore talent In many cases the exploration turns to exploitation - especially for the young participants. They have to go through a grueling screening process sustain a tremendous pressure to perform and then handle a barrage of criticism from the celebrity judges. I know in one dance show a young girl couldn’t take the judges criticism anymore and had a nervous breakdown resulting in a paralytic fit. In several instances the young competitors sacrifice their education to continue the show. But the tragedy is in most cases the winner is not judged by the celebrity panel whose criticism these young participants have to encounter but rather by the audience through cell/mobile phone text messages SMS . And in this process the wireless carrier mints money. I am sure the show also gets their share of this income too. I remember in one such show on ETV Bangla one of the judge a famous musician was so frustrated with this gaming system that he almost stormed out of the show. His argument was that these shows undermine the hard work and perseverance most musicians and performing artists have to go through in order to make it in this difficult world. He pointed out that these shows are unfairly biased to popular cheap performances because that’s what the masses like rather than music that requires years of professional training and practice. Well he may have a point but he should have known that before agreeing to become a judge. Lately these shows are also held on live stage. Recently CAB Cultural Association of Bengal has announced NABC Idol a show to select musical talent from this region to perform at the final to be held in San Jose in July. Arranging such a show is not trivial and I hope this show will be successful in finding the real talent. The advertisement says that the judges will be all from overseas. I don’t know if this show will use SMS to collect audience voting to select the winners - that will be a major logistic and technical challenge. However if this turns out to be the typical music competition that we used to have back home it will undoubtedly lose some of its entertainment punch. I am not sure if the intention of the organizers is to make it a true talent search or a mere entertainment show but I hope we’ll know that soon. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Search for Idols size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(25, 2, 'sudipta Sudipta Fantastic I think you wanted us to comment on the RSS but I had problems in registering so I am leaving my comments here with trepidation that I’ll bore some of you. I have used the two tips - 1 Jim Beaver’s suggestion of memorize a para memorize next para connect add a para connect - thats my primary method often used. There are two major pitfalls - 1 sometimes in our zeal to get the lines absolutely correct we spend too much time perfecting and can’t get very far. This is specially hazardous for large sections or poetry or monologues. My suggetsion is to yank yourself out of repeating the same para when you have got 80 done. Since during the connect phase you are going to repeat the paras anyway the remaining 20 get done automatically. 2 In monolgues read Eersha some paras are disjointed. They dont flow one to other and is hard to connect. In those places it helps to think where did the character wanted to from here what did he/she felt at this point and so on. Write a little note like sigh with remembrance disdain for walking out on me etc. . Then an amazing thing happens. I am blessed with many of you are probably are more gifted a bit of visual memory. When I recite I could visualize the script roughly where this part is and what my note was for and that jots the memory for the next para even if disconnected. Generally I stop there but if things are not going well the next thing I do is checking my memorization similar to what Ven Hawkins said about using a cassette recorder taping the whole play and repeating my lines. At this point one can actually add body movements pauses vocal/emotional crutches we use to time them. Its the “Sing with Bernie” part. One thing I did not see in the blogs. That is any good scriptwriter will write connected thoughts and lines or phrases I call them triggers . If one can find these it makes it easier to memorize the next line. This is a must for action and conversation-oriented dramas where each actor needs to react with visual and vocal clues and triggers from others as well as his/her own. It could be as simple as “Kothai boshi” “eikhane Boshun” or connected triggers in a monologue that are 4 lines apart. K. P. Basu Das', NULL),
(34, 3, 'sudipta NABC 2005 organizers: I hope we all learn from Chitra Divakaruni’s letter how wrong and demeaning it is for an organization like NABC when they start differentiating among artists on whatever basis. I am not denouncing every single organizer here as I am sure that many of you are conscientious and worked long and hard to make this Bango Sammelan a success but I deeply resonate with Ms. Divakaruni’s hurt feelings and as an organization you made some really unjust decisions. The meal area on the 7th floor of Manhattan center had big warnings posted something like - only for non-US artists. So for a cup of tea one of our Kolkata-based artists sneaked in 6 cups of tea in styrofoam cups for us the US-based members participating in the same drama The Kolkata artists felt bad to drink tea without us and we felt cheap. I tried to make it light saying “it’s the reverse NRI effect. We are making special arrangements for non-locals.” In reality I am disgusted to receive or to provide class-based priviledges. At the registration area special arrangements were made for non-US artists. In dollars and cents did it make any difference Surely such treatments made a big dent to NABC’s prestige. NABC should do a post-mortem assessment of what they did well and what they did wrong by some unbiased people and asking for comments from people who attended. We should not let cheap stupid and ugly decisions of a few however bigwigs mar the long arduous and sincere efforts of many dedicated ones who gave their time voluntarily days in and out nights in and out taking time from their work and family. From another person who was made to feel like a “bhikhiri in a biyebari” quoting from Chitra Divakaruni Bashu Das Ph: 732-949-9175 office 732-735-1748 Mobile kdas@lucent.com mailto:kdas@lucent.com', NULL),
(39, 5, 'sudipta I had a sneak peek and the webzine looks great It is about time we had a forum where creative artists and authors from all across the globe can share their thoughts and ideas freely without any prejudice or incombrance of any kind. Wish you all the best. Sudipta Bhawmik', NULL),
(45, 6, 'sudipta From Dipak Chaudhuri: My association with Durga puja is from the first puja at Columbia university 1970.The donation expected at that time 5.Some people were reluctant to pay 5 at that time.Now suggested donation is 75 to 100.Some people still feel the pinched to pay that amount for family of two three four etc.With inflation cost of every thing is now ten fold and bringing professional artists from India it is competition now for entertainment cost has increased 100 since old days we did not pay our local artists. My suggestion will be as we pay for every good and service in our real life we should pay similarly during puja.The suggested price tag shall be for basic puja.Rest shall be for what you cosume.For dinner entertainment charge seperately.This is what is done during Banga Sanmillan.Puja committee can make some money from the vendors and use that for renting halls and cleanup operation. Dipak Choudhuri', NULL),
(45, 7, 'baskarm This is an issue which has been much debated in the past. There will always be people who would like to piggy back on the honest payer of the Chandaa and also boast about it later. I have a suggestion to make going forward. There should be some discount for the Kallol Members. This year the Chandaa was 50.00 per person. I suggest next year let us have 40.00 per person for Members and 60.00 per person for non-members. This will either get everyone to become members or give the commitee enough funds from non members to meet the expenses. Members should be given ID along with their annual subscription. Baskar Menon', NULL),
(45, 8, 'amitavasen What is astronomical In the realm of prices and inflation everything is out of reach today by yesterday’s standard. Look at the bright side today’s astronomical cost will be rock-bottom tomorrow. Like the cost of any other goods and services there is no comfortable level for “chandaa”. Market forces will decide it rule of supply and demand. The commodity was scarce and the demand was so high that a large number of subscribers willing to pay high prices had to be turned back at a local Puja. In order to bring “Chandaa’ down increase the supply have more Pujas more the merrier and cheaper. Competition will improve the quality one hopes. Officials will not take the market for granted and will build a better outdoor tent making it unnecessary for us to wade through the mud for three days of deluge will find local artists who can sing in tune get Calcutta artists who can cater to the majority of the attendees. But for now don’t blame the provider of the service they are selling at a price what the market bears and we are buying ungrudgingly from all evidence gladly. After all by today’s standard 100 or 200 dollars for three days of food adda Calcutta artists and above all an opportunty to show off wardrobe of new sarees is not a bad deal. It is definitely a better bargain than spending 25 to 50.00 and sitting through two to three torturous hours of inane and poorly produced dramas post post modern poetry reading by not so gifted poets or the absurdity of listening to the English translation of Sukumar Ray poems in front of 100 Bengalee speaking audience . To their credit the Puja organizers do not force it down our throat as the local retail performers do. The cost of Goat meat or Calcutta artists are not the only culprits. The organizers have aged. In spite of all the clamor about younger people to take charge the bulk of the heavy lifting behind the scene is still done by one or two older persons and the need to subcontract the work almost all physical work except singing and dancing on the stage is understandable. Sub-contracting raises cost. The much heralded second generation has never arrived. The Pujas are still an affair of Indian born Bengalees young and old with the rare and pleasant exception of White American “Jamaais”. Amitava Sen', NULL),
(45, 9, 'tathagataghosh Let me be one of the protesting voices. I also made my concerns known to the Kallol Puja Committee. I was in this email discussion with Amitabha-da Bagchi where we were wondering as to the cost of the Puja from which we can argue whether the price was too high or adequate. I would start from an argument that because this is a non-profit organization the price should not/need not be what the market will bear. The price of attending Kallol Durga Puja should not be like the price of oil- ie it should not be market driven it should be cost-based . What does everybody else feel Let me lay down a very simplistic calculation and then have people tell me that I am completely wrong. Let me estimate that Kallol plans a 50000 puja and raises about 10000 through vendors and the souvenir ads. That means 40000 needs to be funded through chaanda. If we have 400 paying families paying 100 each then we are covered. Let say we have only 300 paying families then cut out the ‘pork’ and try to save a 10000 there. We obviously do not need to be having ‘goat curry’ if it inflates the price. This line of logic can be continued by somebody who has the real numbers but I will not go further than this. If market forces do come into the picture then it is obvious there is a market/need for a less high-priced Puja within this area. Tathagata', NULL),
(46, 10, 'sudipta Dear Amitava-da I failed to comprehend the point of your article. Pardon my naivete’ but I did not understand what it is that you really like as entertainment. It seems you neither like classical music nor pop/modern music like the type presented by Raghab . You surely do not like local artistes neither you are sure that you like the Kolkata artistes like Raghab or Jojo . You kind of indicated that the people who paid most did not get what they wanted implying that the “relatively young” crowd who danced to the beats of Raghab although I did see few not-too-young folks stomping their feet and swaying their … did not pay enough and hence do not deserve to be entertained. I don’t know if Kallol collects any statistics regarding age and contribution amount but don’t you think that you are a bit presumptuous on this issue You mentioned that the younger generation has taken over the control of the backstage. But isn’t this what the “elders” of Kallol has been asking for. all along If you want the younger population to participate actively you need to give them the some authority and independence too. They should have some say in what needs to be done. They should be allowed to express their cultural views too. You ofcourse have your rights to express your opinion but so does the younger crowd. I agree that we need to express to the organizers what we want. But first of all we need to decide what character should our Kallol Pujo be Should we mold our Pujo as a homely “Gharoa” kind or make it a money making commercial venture. If we’d like it to be the “Gharoa” kind I think we need to be more tolerant and encouaging to our local artistes. Yes their presentations may not be of professional quality but they may be our memories for life. Those videos that we record of our kids reciting Sukumar Roy in English or one of our friends singing Hindi Rabindrasangeet in off tune may help us spend few lonely evenings in our later days with few laughs. But if we like the Pujo to be a commercial venture so be it. Bring on Bollywood and Tollywood. Let’s dance to the tunes of Miss Jojo or Alka Yagnik. Make it a gala extravaganza. Find a bigger place charge big bucks make it a great show. But then I do have a choice as to whether I want to buy the product or not. I for sure will try to seek out a more warm and homely Pujo where I can share my heart with my friends and with Maa Durga. With best wishes of Subho Bijoya Sudipta', NULL),
(45, 11, 'Purna Bhattacharya Puja Contribution First I want to congratulate Sudipta for providing us with a very useful public forum to discuss our community affairs. As past Chairman of Durga Puja committee and president of Kallol I must emphasize the Durga Puja expenses are ever increasing and becoming very difficult to budget in accordance with the expected attendance. The variable expenses such as facility rent tent rental and goat meet dinner is getting difficult to estimate because of either increasing cost or unforeseen township enforcement for fire code and or other code requirements. I am not going to pass any judgment on what our patron should pay to enjoy the three- day festival in terms of their donation. The spirit of Durga Puja should not be compared with service provided to our community but the cost of the puja should be met with appropriate revenue collection and managing controllable expenses. Let’s us see the Puja cost vs. revenue: Revenue Let’s say the average 500 families attend Kallol Durga Puja celebration. If we estimate 2.5 persons per family then the total attendance are 1250 people. If we appeal 75 donation per family we raise 37 500 as gate collection. Please note beginning 2002 the committee was successful in collecting brochure advertisement in excess of 17 000 and average 5 500 from vendors. This gives us a total collection of approximately 60 000. Expenses Hall rental for 3 days with tent 22 000 variable Food for 500 family 15 000 variable Entertainment 10 000 controllable Printing and mailing 2 000 controllable Stage light 3000 controllable Puja exp 3 000 variable Contingent 5 000 Total 60 000 Above calculation are based on past experience. Please note if the gate collection fall or advertisement revenue does not meet projected amount Kallol has to sustained losses. This is why pressure always mounts on the executive committee. There are no specific solutions but effort should be made to raise sufficient revenue so that Kallol does not sustained any losses. In my opinion 75 donation per family is fair and reasonable. http://ethnomediallc.com/wpress/?pp_album=1&pp_image=creditchaanda_wt_web.jpg creditchaanda wt web creditchaanda wt web', NULL),
(46, 12, 'Alok NJ I found the blogs from Amitava and Sudipta quite interesting. I preferred to skip Raghab’s show @ Kallol over Chandrabindoo but heard him singing the following weekend @ NY.He performed very well inspite of the poor sound system. He sang a wide variety of songs from bengali folk films recent hindi hits etc By and large the audience enjoyed his show. . I have more questions and few answers when talking about our Bengali entertainment scene in NJ. Some of my thoughts: Catering to and satisfying a wide cross section of public is not an easy task. We need tolerance and acceptance of programs designed for a section of the populace different from which we may belong. Maybe Raghab could have entertained the Kallol audience better if he had known about the type of songs we would like. This applies to any performer for any show. We need ideas from all to enrich our entertainment scene and that includes our nextGen. One of the reasons we could not get the Bengali-NextGen BNG participate more wholeheartedly in our cultural events is because we are not receptive enough to listen to them. Have we tried enough to encourage them on topics of their interest Why not provide them with a program slot to present their ideas For the past many years we have taken pride in always ‘importing’ cultural icons from Desh and presenting them …its high time that we start presenting our home grown talent. This year’s natak @ kallol Puja was a great example of how given an opportunity and guidance the BNG can entertain us with quality presentations. Kudos to Sudipta and his team for leading the way. I believe we will be better off having a policy of inclusion over exclusion. Some appreciation tolerance and patience is called for from the audience. Culture is not about ‘commodotizing’ a product. There cannot be a perfect ‘cultural product’ to sell in a market. Culture is a way of life a perception that has to be felt and experienced by those who are inclined towards that experience. I think the ‘value’ factor for entertainment cannot be weighed in terms of ‘ ’ terms only.', NULL),
(45, 13, 'Alok NJ If organizers really want to democratize the celebration and cater to the majority then along with the brochures it may be a good idea to publish the projected expenses and a poll form to solicit feedback from participants on issues that are important to them. Some poll questions could be: Are you OK with buying food rather than having it served free if that curtails the puja budget and chandaa by 25 If goat curry eats up more than 50 of the food budget should we persist with it What type of entertainment do you prefer: Rank 1-5 in order of preference Local artistes/ Imported icons/ Classical music/Dance/etc/ ..etc. Otherwise it does not matter what the public says you have a group that celebrates Puja either join them and play by their rules or stay away. The organizers work very hard towards making the Puja a success and I am afraid that critical comments on chandaa might undermine their efforts and motivation. From Purnada’s budget it seems that 75 is the threshold for break-even. Being a non-profit organization the general public should understand that Kallol contributes towards many of our cultural activities outside the realm of Durga Puja. like Ananda Mandir etc . The surplus chandaa should be invested towards promoting other cultural activities like drama ldevelopment of local talent Bengali movies language development etc which happen throughout the year. With knowledge of such utilization of funds I believe the paying public would refrain from being skeptical about the 100 chandaa. Without a proper understanding of all the activities and the budget many are inclined to think that 100 as chandaa for Puja is debatable. However the organizers should be cognizant of the fact that Durga Puja is meant to bring the community together for celebration on a common platform. You do not want to exclude the average family from enjoying the Puja ambience due to the price tag of the celebration. Can an average family be part of the Puja ambience dhak adda chaa etc .. without participating in the inflationary items like goat meat and other non-essential items that come as accessories with the Pujas Should some gatekeepers be vested the authority of control of ‘ Pratima Darshan’ I believe that ‘Pratima Darshan’ is a birthright of every Bengali and it is unfair to link it to a statutory contribution. We have to find a means to ensure that that there is a way to participate in the religious side of the Pujas without having to participate in the accessories. http://ethnomediallc.com/wpress/?pp_album=1&pp_image=baarite_chaanda_web.jpg baarite chaanda web baarite chaanda web', NULL),
(45, 14, 'Aditi Sen As an attendee to the Pujo I have always felt the entire Puja operation highlights the lack of proper organization at all levels If an event costs me about 100 to attend with my family it better be good. I mean ‘good’. You cannot expect that people will pay that money when all the ‘Pujo’ organizers have to show is complete chaos at the dinner place entertainment with poor acoustics and noisy audience. For one thing the ‘pujo’ itself doesn’t feel like ‘pujo’ at all. The atmosphere is completely chaotic. From the suggestion box: One needs to distinguish between different kind of attendees. Not everybody wants to see the entertainment show. Give them a viable option to opt out. For those who want to see the entertainment give them the best experience their money can buy under similar ticket prices. Here you are catering to essetially a savvy consumer only on the basis of ‘ back-home sentiment’ That cannot work in the long run. Here is my suggestion. 1. For basic pujo attendance charge as little as you can: about 5 per person . That should cover pujo and prosad not dinner with goat meat . For that money you owe the attendees a good decoration of the Pujo pandel pujo anjali dhunuchi naach aarati shindoor khela — every thing that is associated with proper event of Durga puja. This way you attract and satisfy those people who are trying to enjoy ‘puja’ only. 2. For the nightly entertainments and dinner along with basic pujo package: charge whatever you desire because they are the commited lot. This way you can attract and retain those who are interested in the complete pujo package: entertainment and all. Have an entirely separate ticketing system. And “inform’ the people of their choices before the event. Categorizing your target market/customers in a clear and concise way will stop ‘piggy back rides’ and yet bring more donations in the long run. To achieve this goal I would create two entirely separate sub committees to oversee the functions. The pujo sub committee should be responsible for making “the core pujo experience the best ever”. While the entertainment subcommitee should be responsible for the entertainment and dinner only. But whatever you do please do it well Compare your organizational performance with other American events and don’t give that ‘better than other Indian’ analogy. You are in America', NULL),
(55, 15, 'sudipta Amitava-da Thank you for your well thought article on Bengali Blog. Your points are well taken. The primary reason why I opened up this site for any of our community members to contribute is because I think that this can serve as a vehicle to express our opinions on our society as well as share any ideas or information that can be used to enrich our lives. We the Bengalees of this area do not have a common platform to express ourselves. There has been some attempt to publish some newsletters and newspapers in print but they have several limits incuding the high cost of producing them. This blog site is not a literary venture you do not have to be an excellent writer to publish your thoughts and opinions. All you need is an opinion. As Charles McAbe once said “Any clod can have the facts but having opinions is an Art.” And I am sure you will agree that Bengalees are never short of opinions. We tend to complain a lot at weekend parties or some social gatherings about how things are not going right how things should be done etc. etc. Why not share them with a broader audience Maybe someone will care and can initiate a chain reaction of changes. Yes we know that we are here to make a living. But I’d like to broaden the scope of the term “living”. Living is not only making money. Living is a process that is much more than making money. The hunter gatherers too drew pictures in the dark cave walls. They wanted to express too express their living experiences. So why not us The internet and the web is our cave walls. Let’s light up the torches of our minds and draw those lines of our lives. Sudipta', NULL),
(64, 16, 'sunno.theke.suru I did not spend much time with him but that much to justify a salute from a like-minded worker. Wherever you are may you cherish the life of lives as always with burnt lips barraging with humors uncanny t-shirts proclaiming yourself deep voice backed with deeper thoughts and floating eyes sailing in heritage. Salute.', NULL),
(65, 17, 'nandita sen Sudipto You’ve echoed the thoughts of so many of us ‘baby boomers’. My husband Santanu and I recently returned from a trip to Kolkata where we spent a hectic but wonderful holiday with frineds and family. Kolkata has certainly changed with the looming malls and the looping flyovers but so have the people we left behind many years ago. Our jethus kakas mamas still welcome us with the warmth we cherished but their greying heads and wrinkles foretell of an uncertain future the next time we visit. Like the earlier generation of Bengalis who regularly follow the migratory pattern of winters in India we too would love to someday enjoy the luxury of over four weeks of stay in Kolkata without having to worry about jobs or the responsibility of young children awaiting us when we return. But beyond it all we need to develop a passion or a zest for living in our ‘golden years’. The magazine sounds like a wonderful idea to pen ones thoughts and experiences. Perhaps these articles and anecdotes will also serve as a bridge between our generation and the next. Anandamandir has already earned a place in the hearts of Bangalis as a cultural and social center. I am sure with some ’serious thought’ we can all work together securing long term and stimulating goals towards our futures. Nandita Sen', NULL),
(71, 18, 'sudipta Amitava-da You have asked some fundamental questions in your article. First of all why do we still want to go back to Kolkata even when we do not have a place to stay there Secondly why do we seek recognition from the people whom we have deserted in search of a better life And finally what is happiness. I’ll try to share my thoughts on these issues and maybe we can attempt to search for a common answer. Roots have an uncanny power to attract. We may try hard to uproot ourselves from our land people traditions culture but it still keeps on pulling us back. West Bengal and Kolkata is our roots this is where our social and cultural being took its form. We will cease to exist as we are if Kolkata and Bengal leaves us. We need to go back again and again to replenish ourselves to justify and vindicate our existence. And that is why we search for recognition from our roots - maybe just to check are we still Bengali enough Is our cultural being still intact and hasn’t lost its purity and integrity It is their approval which matters to us the most it is their recognition which makes us feel that we have not lost everything. Hence it is not the ticket sales in USA that we look forward to when we have those press conferences and shows. It is our attempt to cry out and plead “Brothers please do not forget us. We still exist and we keep on our stuggle to exist as a Bengali in different parts of the World.” As for your question on happiness it is a question of perspective. Yudhisthir one of the most unhappy man of Mahabharata had his point of view. So did Duryodhan “Sukh chaai naai Maharaaj Joy Joy cheyechhinu - Joyee aami aaj”. We in this country follow the Charbaak doctrine “Rinan Kritwa Ghritang Pibet” or something like that . Drinking ghee may have its ill effects but who cares as long as you keep on enjoying', NULL),
(74, 105, 'titosarkar This movie was set in 1930’s and it just seemed odd that there was just one mention of the Widow Remarriage Act passed in 1857 . There was a lot of emphasis on Gandhiji’s opinion on this issue even though Gandhiji mentioned this issuse very rarely. The complete absence of Ishawarchandra Vidyasagar’s mention in the entire movie was also pretty shocking.', NULL),
(72, 106, 'titosarkar Also telecommuting helps.', NULL),
(71, 107, 'titosarkar The falling US Dollar and rising inflation in India may change this dynamics. On another note the discussion on the exotic saree was interesting. I just cannot understand the tremendous urge to acquire something that has no practical usage in the US for work or casual wear except for once every 10 years in some occasion where everyone is busy admiring their own costumes and with practically no salvage value as a collectable loses 99 of the value after single usage . I don’t know of any legal poduct that can be compared to this.', NULL),
(110, 388, 'amitavasen I got a little confused about what in the Kallol Pujo cultural program exactly met writer’s expectation. Did he know something which we didn’t to set his expectations on lowest common denominator Admittedly he argued Friday was disappointing Saturday was a disaster and Sunday had to be awkwardly stagemanged by a child it still surpassed or met his expectations. Interesting observation. Even discounting the sound malfunction the play production was nothing to write home about. The selection of the play was ill-considered for the occasion. Moreover the director the actors and stagehands all seemed to have seen their prime. As a rule in this country the singers in their concerts perform only their published and already popular numbers and sometimes cover songs. The reason is obvious live perfomance lets the audience participate and be involved. Selecting only her own songs might have given Suvomita a distinction and a point to make as she expressedly did in fact. Some of her song numbers may have been heard before by a handful of recent H1B’s but not by the the vast majority of the audience here. She overlooked that she was not performing on a Calcutta podium. Her performance was technically superb but dull and lifeless. Not tuning to the audience is a failing on the part of the performer greatest she may have been. The ultimate responsibility for the lapse of judgment of course rests on the shoulders of the program organizers. http://', NULL),
(110, 390, 'sudipta Well I did mention the events that were disappointing but the others were quite good. The good ones were good enough to make me enjoy the overall celebrations. After all I do not expect to see best-in-class performances on a Puja stage where the performers have to accept to umpteen compromises. We need to realize that one cannot produce quality shows in a godown like hall with the worst acoustics and technical support. A Durga Puja cultural event is almost like a background entertainment that helps us to participate in our “adda” sessions as loud as possible. To watch and enjoy quality theater or music I would go to the proper venues. It is unfortunate that you found Subhomita’s music lifeless and dull. She obviously did not sing the golden oldies and that may have been the reason why she failed to connect to many. When we hear something new it deserves some extra attention which again is not possible in a Durga Puja environment and at a venue where nothing can be heard after the fourth row. I still applaud the organizers for having the courage to bring in the new generation of musicians and making us aware of the kind of music being created now in India and Bengal. http://', NULL),
(121, 398, 'sujoy There is always 2 sides to a story. Mr. Moore in his effort to sensationalize his movie after all is said and done he is but an entertainer and a good business person has left out the other side or has presented a biased version of the other side. Please be careful not to fall prey to such propaganda. As far as the candidates are concerned they will say anything to get your votes. The only thing that I will ask is - when has ANYHTING run by the govt. been successful .Sujoy http://', NULL),
(121, 399, 'sudipta I agree that Mr. Moore did not get the providers side of the story. However it should be noted that this documentary is not against the doctors or hospitals it is against the way health care is managed in this country by insurance companies and HMOs. These organizations do things in the name of the doctors that the doctor’s themselves deny remember the scene where the doctor admits that he has not even seen those denials which bore his signature stamps . Secondly a universal or national health care system does not have to be managed by the govt. it can still be managed by a non-profit single payer organization like Medicare. Medicare is quite successful as far as providing care to the patients. Finally if you check out the “Physicians for National Health Plan” website you’ll find that the reason more than 14 000 physicians like this plan is because a plan like HR 676 can save tons of money wasted due to paperwork required by multiple insurance companies. It is quite easy to brand Moore’s documentary as a propaganda but nobody has been able to counter the facts presented in the film. Even the famed Dr. Sanjay Gupta had to retract his statements against the documentary. We have fallen prey to the propaganda’s of the health management industry. Why not try out the Moore way and HR 676 I am sure it cannot be worse. Rather it can help reduce the burden on the US companies and help improve the overall economy of the country besides providing everybody the care they need. http://', NULL),
(121, 402, 'sujoy I am no Dr. Sanjay Gupta ….’YET’ but I would like to point out 3 things. I have gone over the “Physicians for National Health Plan” site and their actual manifesto document. It does ask for a SINGLE payer system. There absolutely CANNOT be a system to take this on besides the govt. The Medicare system is a govt.-sponsored system that is on the brink of failure and there are no assurances that when I retire I will get the same benefits as do retirees currently. Also there are more that 600k physicians in the country hence a fringe of 14k physicians do not voice the opinions of doctors by any means. P.S. In my opinion trying the “Moore way” can only be worse. I might obviously be entirely wrong. Why don’t we organize a discussion forum so that we see what the community thinks. Sujoy http://', NULL);
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(121, 403, 'sudipta I am not sure where did you read that the PNHP does not call for a single payer system. The opening page of of their website talks about it. Also here is an excerpt from the Physicians proposal intro: “The Physicians’ Proposal for National Health Insurance establishes the vision and principles of a single-payer health system for the United States. The document was composed by a distinguished group of physician leaders* and secured the endorsement of 8 000 physicians by the time of its publication in the August 13 2003 JAMA.” http://www.pnhp.org/single payer resources/physicians proposal intro.php This may not constitute the majority of the physicians of this country but at least a large chunk that feels something needs to be done and possibly single payer system is the best way. Till date I have not met a single doctor who is happy with the insurance companies and HMOs. They have to accept whatever negotiated rates these companies set with them. Then why not have a single such company and cut all the other red tape Medicare being an offshoot of the social security system is under a huge financial burden and we all know about it. Social Security needs to be fixed anyway but Medicare as a health care management system has been largely successful in providing care to its target group so far. I agree that when we retire things may be even worse - no Medicare and no health insurance company or HMO willing to provide us with the insurance we would need. Hence the system needs to be fixed and the solution does not likely to be the current way of profit motivated HMO type system. Health care should be a right. It cannot be subjected to the capitalist market system - since when a patient needs care - he just needs it. He has no other option. Health care is not a consumer commodity that one can possibly live without. But that’s what the current system is making us do - to choose between a index finger or a ring finger as the film shows or to make a trip to India or Cuba for “Medical Tourism”. I would very much like our community’s feedback on this issue and welcome your suggestion to have an open discussion forum. http://', NULL),
(121, 404, 'sujoy Not sure what you mean by ‘PNHP does not call for a single payer system.’ when you quote “The Physicians’ Proposal for National Health Insurance establishes the vision and principles of a single-payer health system for the United States.”. I am sure I am missing smthing. Besides this I guess I have fundamental difference in opinion with you I do NOT think healthcare -as we know it here in the US- is a right it most cetainly is a priviledge. Yes emergent and life saving care is most obviously a right as will be deemed in any civilized society. this is true in this country as well. Getting 4 MRIs for a tennis injury that has left a nagging pain in smones’ elbow is not a right by any stretch. I too have not met any doctor who likes that insurance companies rather high school trained telephone operatorsmanage claim requests . I fully agree with you on that and the fact that the current payment sytstem is just plain bad. I am just not with you in that a SOCIALIZED sytem is better. What next then free food for all work for all equality in society……etc etc etc….does sound familiar though. More on this. Why not get together in book store Borders or B N or even the EB library on a week end. Sujoy http://', NULL),
(121, 405, 'sudipta I was only quoting your comment when I mentioned that “PNHP does not call….”. That intrigued me since clearly their web site indicates to the contrary. I agree that getting four MRIs for a tennis injury cannot be a right. But having a doctor check it out do the minimum diagnostics required and provide the appropriate medications and care - is it unjustified and too much to ask for An ER visit for such an injury will result in a bill of few thousand dollars and can cause serious financial burden on anybody without adequate health insurance. When I say “health care should be a right” it implies care needed for a non emergency illness should be a right. If a patient has cancer or any other disease respiratory heart disease kidney disorder or any other he/she should be treated when it is most appropriate - and not wait for the condition to get worse to be rushed into ER for care just to be stabilized temporarily . I do not understand why do people get paranoid when they hear the term “socialized” service. All I am trying to imply is that certain services cannot and should not be a privilege for the rich only. Can you think of police service or defense services to be completely privatized Only the rich who can afford private security agencies will be protected and not others You mention “free food for all” - but interestingly US and state govt do have some program to provide food food stamps for the needy. They have made shelters for the homeless they try to provide “equal opportunity” for all in the workplace. But it is only in the case of healthcare no tangible attempt has been made to make it accessible to the people who need them most. There has to be a balance struck somewhere. Most countries of the developed world has successfully but not without flaws implemented universal health care in some form. It is a tragedy that the richest country in the world cannot provide health care to its own citizens. I am willing to get together at any suitable place. Let me know how you’d like to organize this. http://', NULL),
(121, 406, 'sujoy I don’t think that you read what I wrote and that’s why I stood a bit confused. Just for the record I said and I quote “It does ask for a SINGLE payer system.” I never said anything to the contrary. Your comment ” If a patient has cancer or any other disease respiratory heart disease ….- and not wait for the condition to get worse to be rushed into ER for care just to be stabilized temporarily ” stands as the underlying principle of Medicine and is what is practiced today. It is really not true that healthcare in the US is for the rich only. In fact the poor and the homeless have access to the best surgeons at Harvard so much so that you and I will have to go through a lot of hoops to get that kind of care. To add to this almost every large academic healthcare inst. where you get the best care has a free clinics in every department starting from general medicine to orthopedics. So this would be your food stamp equivalent. This is of course apart from the Medicaid system. See the bottom line is the US has the best healthcare in the world available to the majority of its citizens. The number that I have heard thrown around ranges form 20 - 50 million people who are not insured. Take into account the fact that there are about 25 million people are also illegals in this country who are being supported on a daily basis by our healthcare system . Hence if you talk about citizens as you did we have a lot of them covered. That is not the problem. The problem is underinsurance and not non-insurance. It is when you need a particular procedure and is denied by some high school dropout on the other end of the phone. Also when you say that the other developed countries have it all figured out I don’t agree. Take it with a grain of salt when Sweden or Cuba says that their infant mortality rate is the lowest in the world. The fact is a large majority of the complicated cases come to this country CHOP Boston childrens etc handle by far the MOST complicated cases in the WORLD and by the hundreds. This brings me to my point that I am trying to make. Please understand that the US subsidizes the entire world as far as innovations in healthcare are concerned. Pharmaceuticals instrumentation surgeries technologies techniques and much more. This all has a cost. Now you can argue that maybe we should scale back on the research and development to save money. I am not sure that is the solution. I will end by saying fundamentally you might be correct in your sentiment that healthcare should be accessed at all times free top quality and for all. Please believe me in that doctors in this country and others I am sure all strive for that inspite of the hurdles put forward to them by insurance companies. http://', NULL),
(135, 418, 'Parvati Mookherjee Congratulations to Pronoy-kaku on the new novel. My blessings to you.', NULL),
(173, 539, 'sudipta Watch Natyamela photos at http://www.chhandosik.com/NatyaMela/image-gallery/index.php page list-image album 4 http:// http://www.chhandosik.com/NatyaMela/image-gallery/index.php?page=list-image&album=4', NULL),
(207, 569, 'pranojit This is not fair for everyone. Why couldn’t kallol and GSCA organize pujo in different weekends. They should think about other who would like to have a extended pujo atomosphere. One weekend is a very short time to enjoy. http://', NULL),
(229, 570, 'Arunansu Dasgupta May I take this opportunity to thank you for the illuminating article. No organizer would like to tell their patrons” Please do not come to our event S ”. Under the circumstances of different place different country and different rules of the land GSCA Kallol Dallas and many other place s are compelled to restrict the number attendee. It is very unfortunate but until we can find a better solution organizations will have no other choice. Hopefully with the time angry arguments will be replaced by logical thinking and constructive proposal .', NULL),
(229, 571, 'Sushmita Dutta In this chaos of disappointments and angry outbursts I am getting a tremendous sense of solidarity realizing the fact that the Bengali community in New Jersey has really grown into a voluminous and economically strong body. It’s a great feeling. Let’s live it up guys May be we can now think of some exclusively Bengali outfits like “Oh Calcutta” and “Ganguram” or “Banchharam”. Yes it’s time for Kallol to look for a bigger place. The Ukranion church has been the venue for Kallol’s Durga Puja for past several years and even after realizing the accommodation problem faced last year it was unresolved this year. http://www.novel-ebiz.com', NULL),
(229, 572, 'Amal Paul One correction: We had warning posted on Kallol.com two days ahead of closing that said “registration will be closed soon”.', NULL),
(229, 573, 'pranojit This is a very unfortunate thing as many people were looking forward to celebrate the durga puja through Kallol or GSCA. It would have been nice if they thought about it before considering similar things happened last year. http://', NULL),
(207, 574, 'sonai chatterjee This is ludicrous… even to see Durga Maa once a year organizations such as these have made it impossible for people to visit. What is exactly the underlying purpose of all you people', NULL),
(230, 576, 'Abhishek Is this the pujo at Plainfield Ave location', NULL),
(230, 577, 'sudipta The address is: Plainfield High School 950 Park Avenue Plainfield NJ 07060 http://', NULL),
(229, 578, 'Surajit Mitra Sudiptoda Thanks for the article …puja registration being closed . I am associated with the GSPC Jersey City Durga Puja - we’re expecting a large crowd too this year. We may have to turn back people because our infrastructure hall/parking would not support more than 550 people. We’re getting a lot of calls too. You might remember me - I am from IIT KGP 1983 ECE batch - Bhusi’s class. You had directed our fresher’s natok - but I’m not a natok person. But I was involved in TMS - represented IIT many times Regards Surajit http://www.gardenstatepuja.org', NULL),
(229, 579, 'Subhasis Das Thanks for sharing the information. its really sad for all Bengali’s who will miss the Durga Puja including me - specially the Adda — Just a thought …. kollol is a big organization with the strength of organizing big event - is it possible to find another place near by where all the “dukhi bengali” can meet and refresh themselves with adda and Kollol can project the live event happening at main place on some “Big screen”. may be its too late .. but “Jago bangali” .. do something we cannot miss adda food with a cultural boost up. regards Subhasis', NULL),
(229, 581, 'Subal Sarkar Beacuse of a large number of telephone requests Durga Puja pre-registration was extended till midnight today Oct 1 2008 at http://www.gsca.us . As all of you know after 9/11 all facilities are under very strict supervision and surveillance. We must adhere to fire life and safety regulations and therefore cannot admit more than the allowable capacity of our facility. We have a larger facility and will allow on site registration until the capacity is reached. Last year this happened around late afternoon and we had to disappoint many who came from far away places. We directed them to Ananda Mandir and Bharat Sevashram. However this year their Puja will not start until Monday the eve of Saptami. We therefore strongly urge all to pre-register. http://www.gsca.us', NULL),
(229, 582, 'RD Instead of complaining and throwing blames at each other what is needed is smart planning. I think what is needed is to decouple the Puja/anjali/bhog activities from cultural function. The limit is basically set by the auditorium capacity which gets crowded and becomes a safety issue during evening cultural functions. Just like the food which is now provided in a huge tent outside I think Puja/anjali could be arranged in another big tent outside. The tickets should be sold for either just Puja/anjali/bhog ~ 35 or for combined Puja/anjali/bhog/function ~ 65 . This way a lot of bengalis can participate in Puja and may not mind terribly if they miss the cultural function one year. RD', NULL),
(207, 583, 'Jayanta why is puja organized on 3-4th when the actual puja date starts from 6th today to 9th', NULL),
(229, 590, 'sarah fay Catch 22 :- Bengalis are famous of buying “air time” without having any concrete solutions. It is needless to say that space is a problem to accomodate all the bong’s to enjoy durga puja. So what can be done Kallol like other organisation has tried to put some discipline and to stop people so called sophisticated Bengalis who likes to enjoy three days puja nice entertainment and food without spending dime. As we all know economic situtation in the country is very day prices have gone up significantly and that requires increase in Budget even to do the same puja for three days with decent entertainment and food at the same place. It is very easy to say that kallol needs a bigger place which may be true but who is going to pay for it Where is the money going to come to rent bigger place which will cost more money and that requires increase in subscription. I even heard some people saying that Kallol should bear the cost of renting bigger place. My question to them is who is Kallol All the 9 donkey’s executive committee or you me all the kallol members It seems like “Catch 22″ situation.', NULL),
(243, 613, 'subhashis ghosh “Pooja related Cartoons are really funny enjoyable and exposes fact N.J.Kallol Pooja report are quite descriptive and informative particularly qurious MainLand India people like us.But one thing I failed to understand the absence of any Pooja celebration Photographs without that I presume a report or documentation is incomplete in todays standard Congratulation and thanx to N.J.Kalol Pooja comitee for another successful Durgotsav.All the best. s.ghosh. Kolkata', NULL),
(249, 704, 'Indranil Mukherjee This is so true … Amitava Da pinned us really … time is even getting bore on this cross-cultural dogmas. Do we have to really show-off our culture and care for one’s to get in habbit with We need to ask ourselves do we get into cultural dialogues everytime there is a new entity around us Is our culture so vulnerable to another culture Or is it the question that we are used to live in a way and cannot get out of it', NULL),
(249, 734, 'Biman Bhatta So are we to suppose to presume that we all Indians especially the first generation of immigrants abhor our own dark skin color and are ready to do anything to become white Well I have a solution for that: Just follow what Michael Jackson did – bleach your skin and then learn to speak English as the Americans do. This isn’t about Barak Obama it is about our craze to become a white Anglo Saxon. The parents who are obsessed about their children marrying a darker color mate would show their condemnation no matter wherever they would be India or Overseas. And the only reason for it is that they want their grandchildren to be whiter than what they or their children are. Anyway this behavior is part of our inheritance. Indian have lived a long time under white people’s rule and started learning to worship the whites as if they were Angels. But this Presidential Election is not about color of skin. It is also not about expecting that Obama with a magic wand would dispel overnight all the desolation that Bush Administration has bestowed on this land. It is about Obama showing us the ray of hope that might be waiting at the end of this dark tunnel. Go ask the young people. Obama is the leader they want because to them he carries the vision of better future world. http://ethhnomediallc.com/wpress', NULL),
(181, 746, 'Sujoy “Barack Obama laid out his foreign policy strategy in very clear and specific terms.” No he did not He just repeated a bunch of played out terms. But I am sure my definition of spesific is not just platitudes. Although I am not sure it matters a cause we are in for a typical “big goverment can solve everything” and “I am entitiled to everything without any accountability” policies for at least the next 4 years. I just wonder where will the money come from for all the freebies….oh wait there are always the biggest suckers…..tax payers….us.', NULL),
(249, 747, 'Sujoy thats interesting I do NOT think so at all…and I think I am still young…', NULL),
(345, 1624, 'sudipta That is strange indeed. Alexa is a highly reputed site. Go to Alexa.com and try to download the tool bar for there directly. Else maybe your ISP has been compromised. http://', NULL),
(347, 0, 'Do you write in Bengali or any other Indian languages Try quillpad Its a great new online wordprocessor for Indian languages. The cool thing about this tool is its flexibility in transliteration. One does not need to follow any specific set of rules. The tool automatically tries to guess the word that you want to type in and also offers multiple alternatives. This is an excellent feature because it can take care of several Bangla spelling issues. The documentation says that it works better on Internet Explorer however I tried it on Firefox and Chrome and it works fine. One issue I encountered was the limitation of Bangla font availablility. Currently the font used is “Vrinda” and it’s not the best Bangla font available. The other issue is that this tool seems to have limited formatting capability. I am concerned about how effectively can this tool be used to write Bengali documents besides emails and small messages. I plan to check this tool out in more details and write a regular article some time later. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Quillpad.in: A New Tool to Write in Bengali size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(341, 1615, 'sudipta Following is the response from ETV. Dear Customer We regret for the inconvenience caused to you. Right now we are facing some issues with time delay. The process is in and it’ll take a day or two to set the things right back. Please bear with us. Thank you for your cooperation and we look forward to serve you better. Regards ETV Team http://', NULL),
(345, 0, 'Alexa ranking is now the defacto standard for determining web popularity - the less the rank number the higher is your popularity. For example Google has the highest rank - 1. Most online advertisers use Alexa rank as the key metric to decide whether to spend their precious advertising dollars on a site. However the way Alexa computes a sites rank is by measring how many visitors are viewing your site using a browser that has an Alexa tool bar installed. In other words if a visitor do not have the Alexa tool bar installed that visit does not count at all. Well apparently there are are other variables used in computing the rank but most webmasters and SEO pundits agree that the Alexa tool bar is the key instrumentation used in computing this elusive number. One of the best ways of improving a web sites Alexa rank is to convince your visitors to download and install the Alexa tool bar quite an unobtrusive element though on their browser. So if you are reading this now download and install the toolbar and help improve my rank. However if you are using one of the less popular web browsers like Google Chrome then you and me are out of luck. The other less effective ways are things like installing Alexa widgets on your site increasing the number of incoming links use techniques like posting on Asian forums apparently Alexa is more popular in Asia etc. Google the term “how to improve Alexa rank” and you’ll find tons of advice. But I think the only way to make it work for you is to get tons of traffic to your site. 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(133, 887, 'sudipta Sorry - it should have been millions. I stand corrected. http://', NULL),
(273, 908, 'sudipta Slumdog wins 5 Critcs Choice Awards: Winners at Thursday’s 14th annual Critics’ Choice Awards: • Picture: “Slumdog Millionaire” • Director: Danny Boyle “Slumdog Millionaire” • Writer: Simon Beaufoy “Slumdog Millionaire” . Young actor/actress: Dev Patel “Slumdog Millionaire” • Composer: A.R. Rahman “Slumdog Millionaire” http://', NULL),
(273, 911, 'sudipta Slumdog won 4 Golden Globes: Best Picture Best Director Best Screenplay and Best Original score. http://', NULL),
(273, 925, 'sudipta Now 10 Oscar nominations Go for it http://', NULL);
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(343, 0, 'After a long preparation phase the end is now in sight. In two weeks time ECTA will be launching their latest production “Banaprastha” or “The Retirement”. ECTA’s play have always generated interest amongst the theater lover audience of this area and “Banaprastha” is no exception. People are eagerly waiting for the new play with lot of expectation. We hope this play will live up to that. “Banaprastha” will feature some of the regular performers of ECTA along with few new faces. Shamyo Goswami a newcomer to New Jersey will be appearing for the first time on NJ stage. Although Shamyo’s primary interest is in film direction he has directed and produced a Banga Tele-serial featuring some of the top actors of Bengali screen he is also an excellent actor. Subhodev Das after a long hiatus will be performing the role of the protagonist character - Dr. Parijat Sen. Another newcomer is Pradeep Ramdas. Although not a native Bengali speaker his love for Bengali theater is no less than any Bengali. In India Pradeep was involved with the street theater movement. Pradeep plays the role of Ashok Diwan a young business man of Kolkata. Kaninika Dutta’s debut in New Jersey theater was with Pratham Alo where she acted in the key role of Bhumisuta. Kaninika after a long break returns to the stage as Sudeshna. Gargi Mukherjee the well known actress you cannot miss her in Mira Nair’s film - The Namesake also returns to an ECTA production after a long time. She performed in ECTA’s first production “Phera” The Return in 2004 as a guest artist. In Banaprastha she performs in the role of Suranjana - a character that will touch the hearts of many. Kaushik Dutta who won the hearts of many with his role of Nando in “Ron” will also feature in an important character role. The play also features the veteran performers like Lilabati Majumdar Keka Sirkar Indranil Mukherjee. I’ll also join the team on stage as Parikhit Sen. This will be the third directorial venture of Indranil Mukherjee with ECTA. Alibaba and Satyameva were his first two ventures for which he has earned accolades from the audience. The music is composed by Partha Sarathi Mukherjee. Many of ECTA’s past actors like Pinaki Dutta Nandita Ghosh Tapas Ghosh Aparajita Das and others will be performing behind the stage. ECTA believes that theater does not only belong to the actors and the director - but it also belongs to the entire crew who works hard to make the production a success. I hope you will all join us on May 16 17 30 31st to celebrate this momentous event. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Banaprastha Rehearsals in Final Phase size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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[Bloglines] [BlogMarks] [Blogsvine] [del.icio.us] [Digg] [Facebook] [Google] [LinkedIn] [Mister Wong] [Mixx] [Reddit] [StumbleUpon] [Technorati] [Twitter] [Windows Live] [Yahoo!] [Email] Parijat and Pallab Use these links to share this page with others Save to Ask Save to backflip Save to blinklist Save to BlogBookmark Save to Bloglines Save to BlogMarks Save to Blogsvine BuddyMark It Save to BUMPzee! Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! Bookmarks Copy this HTML to create a link to this page Save to Ask Save to blinklist Save to Bloglines Save to BlogMarks Save to Blogsvine Save to del.icio.us Digg It! Save to Facebook Save to Google Bookmarks Share on LinkedIn Save to Mister Wong Save to Mixx Reddit Stumble It! Add to my Technorati Favorites Save to Twitter Save to Windows Live Save to Yahoo! Bookmarks Email this to a friend See more bookmark and sharing options...', 'Banaprastha Rehearsals in Final Phase Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(273, 931, 'sudipta 8 Oscars - Including best picture best director best screenplay and best original score Way to go Rahman http://', NULL),
(342, 0, 'Want to search the web in Bengali for websites in Bengali Visit google.co.in and select the language Bengali from the menu below the search window. Now type in your search keyword using your keyboard. Google uses a transliteration scheme to form the word in Bangla. It will also offer multiple options as you type in. Select your option and voila’ - several Bangla websites will splash on your screen. Give it a shot right away - if you haven’t done so. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Use Google to Search in Bengali size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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Blogsvine BuddyMark It Save to BUMPzee! Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! Bookmarks Copy this HTML to create a link to this page Save to Ask Save to blinklist Save to Bloglines Save to BlogMarks Save to Blogsvine Save to del.icio.us Digg It! Save to Facebook Save to Google Bookmarks Share on LinkedIn Save to Mister Wong Save to Mixx Reddit Stumble It! Add to my Technorati Favorites Save to Twitter Save to Windows Live Save to Yahoo! Bookmarks Email this to a friend See more bookmark and sharing options...', 'Use Google to Search in Bengali Nuggets http://nynjbengali.com/archives/category/nuggets View all posts in Nuggets'),
(271, 987, 'sudipta Abhrajit Chakraborty is performing as Parashar Pathak. His acting skills need to improve considerably before one can think him as Feluda. http://', NULL),
(326, 0, 'Rush Limbaugh once again pushed the limit of political correctness - this time referring to workers handling outsourced jobs in India as “slumdogs”. Responding to a listener’s call about flight of jobs Limbaugh referred to President Obama’s statement that the jobs aren’t coming back to US. He said “They’re outsourced for a reason an economic reason and they’re not coming back. If you’re sitting out waiting for a job that’s now being done by a slumdog in India and you’re waiting for that job to be cancelled for the slumdog to be thrown out of work and you to get the job it ain’t going to happen.” The news has been widely published by the Indian media and has raised a storm of protests. Limbaugh is not new to controversy. He has mocked Obama on his program including playing a parody song titled ‘Barack the Magic Negro’. This is a free country and Rush has the right to say whatever he wants. But we the listeners are also free to tune off from Limbuagh’s show boycott the merchants who advertise on his show as well as raise our voice. 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(335, 0, 'I think it was in 2004 when I met Pranay Dutta an AIDS activist from Calcutta who was on a world tour attending several AIDS conferences in Europe Asia and America. Pranay Dutta was then and I understand he still is the secretary of Sonata Foundation an NGO in Calcutta who was trying to spread AIDS awareness in West Bengal and India through music documentaries and performing arts. His theory was that HIV/AIDS awareness through print media was bound to be a failure in India where the majority of the affected people are illiterate. He thought that if this message can be spread out using music and performing arts then it could have the greatest impact. During my discussions with Pranay he told me numerous incidents of how HIV and AIDS are affecting the poor Indian population. But what struck me most was the fact that how this disease was surreptitiously spreading amongst the educated urban middle class. He told me several incidents of well-to-do middle class families affected with HIV and their attempts to hush it up just like the way people used to do in the early half of the twentieth century when people got infected with TB or Leprosy or something similar. The fear of social back lash was more than the disease itself. Anybody infected with HIV is immediately branded as an immoral social outcast - some one who does not have the right to exist amongst the social elite. Most middle class family consider themselves immune to HIV and think that this is only a poor man’s disease. As Pranay says in one of his interviews with Voice of America people in our society doesn’t care about HIV until someone in their family is infected. It is difficult to make someone aware when he or she doesn’t want to be. When Pranay learned that I write plays he requested me to write a play on this issue. I thought about it for a while started delving into some research and even contacted couple of medical practitioners who deal with HIV/AIDS. However I had no intention of writing a play that only deals with the issue of HIV/AIDS. I wanted a bigger canvas a canvas where our lives as immigrants in the country are intertwined with those of our friends and family in India. If we look back to the history of HIV/AIDS in USA the story was not any different from what it is in India now. Films like “Philadelphia” and plays like “Angels in America” depict the social apathy during the 80’s and 90’s towards HIV and AIDS victims quite vividly. Hence for a person who has encountered that situation in USA from close proximity - another encounter at a different time and space would be quite painful to say the least. And from this evolved the play Banaprastha The Retirement . The play Banaprastha tells the story of a senior virologist Dr. Parijat Sen who returns to India after retiring from his medical practice of 35 years to find peace tranquility and solace amongst his family and old friends. But soon he discovers that his nemesis has followed him and he has nowhere to hide. The play on multiple levels depicts the rapid change in the economic social and cultural life that is happening in India today due to the effects of globalization. The changes are too drastic for a person like Parijat Sen whose perception of his native land is nearly unchanged from the time he left for the U.S. But when he arrives in the city of his youth he finds that there is hardly any difference between the middle-class life in New York and that in Kolkata. And in the process of his rude awakening he encounters his old nemesis - the Human Immunodeficiency Virus or HIV. He finds that the virus has climbed its way through the social ranks and is now infiltrating the middle class. Dreadfully he also finds that this so-called educated and enlightened society is in a state of denial and refuses to deal with the disease - just the way he saw it happen during the early days of his career in the States. The play was first written during the 2004-2005 time frame. It was again thoroughly revised during 2008 and 2009 when it reached its current form. The rapid changes in dealing with this disease in India were one of the main reasons for the revision. In 2004/2005 Bula-di was an unknown entity in Calcutta. Now Buladi the cute little doll is everywhere spreading AIDS awareness in the most gentle way possible. AIDS awareness has gone a long way in these 4/5 years but lot more needs to be done to make a lasting impact. Please join me along with the cast and crew of “Banaprastha” on May 16/17 and 30/31st at the Edison Valley Playhouse Edison NJ to show our solidarity with the people around the globe who are fighting this epidemic of our times. 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(304, 1578, 'Reaction to swine flu vaccine. 1976 swine flu…. Swine flu. 1976 swine flu. 1976 swine flu scare…. http://www.spike.com/blog/swine-flu-compare/77525', NULL),
(340, 1563, 'Raja How does one register for the summer camp Will the concert be open to the public or does one need to pre-register Thanks so much. Raja', NULL),
(175, 0, 'Last week I wrote about our new radio play “Baad Protibad” that was broadcast on EBC Radio 1170AM during the Sunday morning Bengali program “Probaho” conducted by Abhijit Sanyal. The play received quite a bit of positive feedback and I thought that for the benefit of the people who could not listen to the radio that morning I’d upload this play as a podcast. You can listen to this play by clicking the player above or download it into your iPod or similar digital players. The credits are given below. “Baad Protibad” A Hilarious Play in Bengali by Sudipta Bhawmik Produced by ECTA Inc. Directed by Indranil Mukherjee Cast: Subhodev Das as Ashok Aparajita Das as Kakoli Indranil Mukherjee as Soumen Anisha Das as Jhimli Recorded and mixed at the Bharatiya Kala Kendra NJ Studio by Partha Sarathi Mukherjee Edited by Partha Sarathi Mukherjee and Indranil Mukherjee Music and effects by Partha Sarathi Mukherjee. Song “Need some cash to fill up my gas” by Vikram Kumar Please let me know how you liked the play. We may do more plays like this in the future. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Podcast: “Baad Protibad” A Hilarious Play in Bengali size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(340, 1599, 'sudipta Check the following link for more info: http://www.masongross.rutgers.edu/extension/summer.html http:// http://www.masongross.rutgers.edu/extension/summer.html', NULL),
(341, 0, 'ETV Bangla has changed its broadcast schedule in USA. They claim that the schedule is now follows the current Kolkata broadcast schedule only with the time shifted. In other words a show at 8.00pm in Kolkata will be broadcast at 8.00pm Eastern in USA. Although now we have the privilge of watching the current shows instead of a huge lag the popular serials have now fast forwarded quite a bit with lot of story being lost in the process. The scheduling also doesn’t seem to be stabilzed - we often have to experience erratic programming. The second issue is that the advertisements seem to have increased quite a bit. A short segment of broadcast is followed by a prolonged advertisement most of which are irrelevant for US market I don’t think we are interested in Baygon Spray or Glucon-D . The third issue is that ETV does not bother to update their listings with Direct-TV database and hence it makes DVR aka Tivo PVR recording a major problem. I had once sent an email to ETV and they did update it once. But that’s it. Let’s hope ETV gets their act together soon and make our subscription worth it. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value ETV Bangla New Schedule for USA size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(340, 0, 'The Mason Gross School of Arts at the Rutgers University in New Jersey is opening up a whole new department of Indian Dance and Music. The program is being introduced with a concert of Indian music and dance on Sunday June 28th from 2 to 3.45 p.m. at Nicolas Center Cook Douglass Campus Rutgers University NJ featuring most of the faculty. The concert will be followed by a summer camp from Monday June 29th through Friday July 3rd with a daily schedule covering 9 a.m. to 5 p.m. The program is headed by Samir Chatterjee. The faculty includes: Faculty: Archana Joglekar Muley Kathak Arun Ramamurthy Violin Bani Roy Odissi Dibyarka Chatterjee Percussion Hidayat Khan Sitar Kalyani Ramani Carnatic vocal Kedar Naphade Harmonium Mitali Banerjee Bhawmik Hindustani vocal Samir Chatterjee Tabla Sanghamitra Chatterjee Popular vocal Steve Gorn Bansuri Sudha Devulapalli Bharatanatyam Suresh Ramachandram Mridangam Samir Chatterjee will teach rhythm and yoga in addition to leading the audio-visual and discussion sessions. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Rutgers University Offers Training in Indian Music and Dance size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(339, 0, 'On Thursday April 30th Jhumpa Lahiri the internationally renowned writer will have a book signing ceremony at the Barnes Nobles book store at Menlo Park New Jersey at 7 P.M. Sushmita Dutta a co-editor of our Ananda Sangbad will be covering a special report of this event with a possible interview. Tickets for Banaprastha ECTA’s new play are now available on-line at http://ectainc.org Urhalpool the online Bengali webzine’s second edition is delayed due to some technical difficulties. It will be published soon. Raj Basu’s film “Piyalir Password” had a successful premiere in New Jersey. The producers of the film are looking for more screening opportunities in New York and New Jersey. ECTA is staging a “members only” event - “Putuler Chithi” a one woman show by Abanti Chakraborty from Kolkata. The script is by Bibhas Chakraborty and is based on Nora of Ibsen’s Doll’s House. The play will be staged on May 3rd. NJISACF had a successful Spring Film Festival. The hightlight of the festival was the screening of “Kaalbela” a film by Gautam Ghosh based on the novel by Samaresh Majumdar. The director was present to answer questions from a full house. Subhashis Das and Tandra Das will perform Badal Sircar’s “Bhool Rasta” on May 2nd at the South Brunswick Senior center. They are also looking to perform this theatrical storytelling show at different venues and festivals. All proceeds will go to the benefit of Badal Sircar and his group Satabdi. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Community News Bites : Jhumpa Lahiri Urhalpool and Bhool Rasta size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(93, 0, 'Kallol of NJ will be celebrating Durga Puja at the Ukranian Community Center off Davidson Avenue in Somerset NJ. A broad range of cultural programs have been arranged. The key programs include: Friday 19th Oct 2007 Mahashashti and Maha Saptami Puja : 3.00pm Anjali 6.00pm Dinner: 6.30pm Cultural Program: 8.30pm Opening Piano - Nayan Basu Song - Ruma Palit Bangla Band KAYA from Kolkata Saturday 20th Oct 2007 Mahashtami and Sandhi Puja: 11.00am Anjali 2.00pm Dinner 5.00pm Cultural Program: 6.00pm Dance - Nritya Creations Academy of Dance Jatra - “Shahjahan” Kallol of NJ - directed by Arunansu Dasgupta Dance - Pia Bhattacharya Modern Song - Subhomita Banerjee - the celebrity singer from Kolkata Sunday 21st Oct 2007 Mahanabami and Mahadashami Puja: 11.00am Anjali: 2.00pm Dinner: 5.00pm Cultural Program 6.30pm “Emperors New Groove” - a play by Kallol Children Dnace - Rythms of Dance and Music Recitation - Satinath Mukhopadhyay from Kolkata Tejendra Naryan Majumdar - Sarod with Samir Chatterjee on Table and many others', 'Kallol Durga Puja 2007 sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(94, 0, 'Dear ICC Members It’s our most favorite time of the year again………… Ladies get your ” Tussars Balucharis Jamdanis Bomkais” and Gentlemen be ready with your ”Kurtas Dhotis Sherwanis” for the 2007 Durga Puja. We are happy to let you know that ICC will be celebrating this year’s Durga Puja on Oct 12 th 7pm-10pm Oct 13th 11am – 10pm Oct 14th 11am -10pm at EISENHOWER MIDDLE SCHOOL 47 Eyland Avenue Succasunna NJ 07876 973 584 – 2973 EC members have put together a very entertaining cultural program for this year’s puja…. Saturday’s “Prime Time Attraction” includes: Tanushree Shankar’s Dance Troupe Antara Chowdhury daughter of Salil Chowdhury Please invite your friends and family to make this year’s puja a memorable experience. More details to follow…. On behalf of EC Prithwiraj Maitra 908-421-3418 For more information: http://www.icc-gs.org', 'ICC Durga Puja 2007 sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(95, 0, 'Due to the unreliability and restrictions imposed by my web hosting service I am using a new email newsletter service provider FeedBlitz . You will now receive an email every week with the list of recent postings on the blog site. If you were in my earlier email list you do not need to do anything. If you would like to contribute your articles comments and thoughts you need to register click the register link on the right column . As always spread the word and let us all share our thoughts and experiences through this new medium. http://feedblitz.com', 'New Email Service sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(96, 0, 'ANANDA MANDIR will present its annual marquee program “LIVE” MAHALAYA on October 14th at 5 AM at Ananda Mandir. This event is so close to every one’s heart who celebrates Durga Puja or Dashera. Well known local artists such as Mitali Bhawmik Parthasarathi Mukhopadhya Zafar Billa and many more will participate in this event. Space is limited. Please come early. For more info call Arun Bhowmik @ 908-672-1452.', 'MAHALAYA - LIVE sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(97, 0, 'After a long time the Indian Cricket team has done something wonderful. They brought home the ICC 20/20 World Cup. Kudos to Dhoni and his team. Many people including former Pakistan captain Rashid Latif have attributed this success to the recent film “ Chak De India “. I have not seen the film yet but the media has made me aware of the story line. Shah-Rukh Khan plays the coach of the Indian womens hockey team and leads them to World Cup victory. It is a story of courage perseverance and overall team spirit. We see several sports films coming out of the Hollywood film factory but this genre is quite rare in Bollywood. “Chak De” is a welcome change. And if one film can motivate our cricket “Team India” to win the 20/20 World Cup I hope films like this can influence and improve the overall sports scenario in our country. “Chak De” reminds me of a long lost film that came out of Tollywood - “Koni”. Based on a wonderful novel by Mati Nandi who also wrote some exceptional sports novels like Striker and Stopper and directed by Saroj De “Koni” is a heart warming film about the struggles of a swimming coach “Khidda” played by Soumitra Chatterjee and his trainee Koni played by Sriparna Banerjee . Khidda for Khitish -da picked up Koni from the slums of Calcutta and groomed her to be a team member of the Bengal swim team at the national swimming championship. Extreme poverty social stigma petty sports politics - nothing could beat the indomitable spirit of “Khidda” and her protege Koni. Kihidda’s encouraging words “Fight Koni Fight ” still ring in my ears. May be it is time for the big budget film makers of Bollywood to think about remaking “Koni” with the technical finesse that todays films are built with. With advanced sports photography techniques like underwater shots smart editing and a stellar cast Koni is a sure winner. I am sure that under the right hands “Koni” will become another great motivational movie that can snap out our sports authorities from their deep slumber and lead our athletes to some medals at the Olympics and other international events. I was lucky to find the entire Koni film on Youtube in 13 parts and I have enclosed the playlist with this post. Watch this film and say out loud “Chak de Koni”. http://www.yashrajfilms.com/microsites/cdi/cdi.html', '“Chak De” and Koni sudipta Arts-Culture Generic Social http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Arts-Culture View all posts in Generic View all posts in Social'),
(99, 0, 'Ganakrishti a leading theater group of Kolkata has just completed twenty-five years of its journey that began in 1981 by a handful of theater enthusiasts. Over these years the group has grown both in size and stature to one of those very few organizations that can help guide the group theater movement in Kolkata through the troubled socio-economic waters. It was one of those groups who did not feel that producing plays is the only activity they should concentrate on. Ganakrishti wanted to be inclusive wanted to do theater with everybody. They were not one of those elitist groups that bask on the glory of a limited few “stars”. They started to build ground up bringing together all the like minded people train the young through workshops and through stage productions where everybody can be a part of on-stage or off-stage. I have been fortunate enough to see three productions of Ganakrishti. “Sateroi July” July the 17th a play written and directed by Bratya Basu was an intensely gripping drama with a huge cast. “Megh Manabi” a musical developed though the workshop process of Ganakrishti directed by Jahar Das is a kind of production that is very difficult to find in any Kolkata stage. The play involved the youngest of the group members who have been groomed through the annual workshop process conducted by the senior performers. “Tashkar Brittanto” one of the recent productions is a hilarious satirical drama directed by Amitava Dutta and wonderfully acted by the more experienced members of the group. Ganakrishti’s latest production “Jhora Somoyer Kabya” Verse of Whithering Time is winning great critical acclaim as well as audience appreciation. The play chronicles the life of Mirza Asad-ul-llah khan Ghalib who was not only a poet and musician but also a great philosopher. The play depicts through the eyes of Ghalib a changing time of Indian history when the people started to feel the growing power of the British empire gradually spreading its wings of oppression across India. This is a must see play in Kolkata at this moment. So next time you are in Kolkata do not miss this play. Ganakrishti’s annual theater festival is another unique event that demonstrates their inclusiveness their eagerness to do theater with everybody who loves to do theater. It was an honor for us to be a part of Ganakrishti’s annual theater festival in 2006 with our play “ Ron “. The festival did not have the pomp and grandeur of some of the other famous festivals and fairs of Kolkata but it had that magic that creates a bond of friendship and camaraderie that is the key objective of any festival of this nature. The festival invites theater groups from all over India and abroad. One of the key features of this festival is a special segment of children’s plays. Besides plays the festival also features exhibitions seminars as well as felicitation of artists writers and performers. A festival of this magnitude demands lot of dedication hard work and funds. Government grants alone cannot bear the expenses. Private and corporate contributions constitute a significant portion of the budget. I hope that the patrons and donors of this wonderful festival continue to sponsor this event in the coming years too and make it a major monsoon festival of Kolkata. I’d also like to request my expatriate Bengali friends who visit Kolkata during the summer moths July/August to make it a point to attend this festival and be a part of this wonderful cultural experience. http://ethnomediallc.com/wpress/wp-content/uploads/2007/10/jhorasomoy.jpg http://ganakrishti.org http://www.ethnomediallc.com Jhara Samayer Kavya Jhara Samayer Kavya', 'Ganakrishti: A Beacon for the Group Theater Movement in Kolkata sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(100, 0, 'ETHNOMEDIA MUSIC STUDIO Presents An Evening of Hindustani Classical and Semi-Classical Music SATURDAY NOVEMBER 3RD AT 6.30 P.M. Indrani Chakrabarty Vocal Kedar Naphade Harmonium Solo Accompanied by Amod Dandawate Tabla Mitali Banerjee Bhawmik Vocal Accompanied by Samir Chatterjee Tabla Kedar Naphade Harmonium Special Event Debut CD Album Release of Kedar Naphade Exhibition in Water Colors by Poorva Pant Venue FAH THEATER Unitarian Universalist Congregation of Princeton 50 Cherry Hill Rd Princeton NJ 0854 www.uuprinceton.org Admission: 15.00 Contact: 908 429-1120 Visit http://www.mitali.org http://ethnomediallc.com/music studio', 'Hindustani Classical Vocal Concert sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(84, 0, 'Finally our team Ethnomedia concluded their four day run of “Satyameva” at the Sujata Sadan hall in Kolkata. It was an emotional roller coaster ride for me but for Indranil and Sankar Ghoshal it was both emotional as well as physical. The city weather was brutal this time. Rains floods and sweltering heat sapped off all energy and enthusiasm that they had carried on with themselves. The weather not only was unfavorable to the actors but also to the audience who wanted to come to the show. Still the show had quite a few of the top theater personalities and media critics on their seats. The celebrities included people like Madhavi Mukherjee Bibhas Chakraborty Ashok Mukherjee Chandan Sen Ishita Mukherjee and few others. And it seems they liked the play as did the other audience members. Bibhas-da in his email said “Ek kothay Bhalo Legechhe”. Ashok Mukherjee commented “Hats off to you A wonderful play executed wonderfully”. Anandalal wrote in a short review in “The Telegraph” The Bengali-American group Ethnomedia from New Jersey which stunned Calcutta last year with Ron returned for the world premiere of dramatist-director Sudipta Bhawmik’s Satyameva. A senior executive body-shopping software engineers fires his incompetent new recruit who pleads that he should not be sent back to India. By a remarkable plot of twists and turns perhaps too many of them Bhawmik conveys older Bengalis’ nostalgia for their birthplace and younger Bengalis’ desire to emigrate to America. Sankar Ghoshal and Indranil Mukherjee respectively give realistic portrayals of these parts but the playwright’s craftsmanship tends to get the better of heartfelt emotions which we had found in Ron. Also you’ll find attached a review from “Sangbad Pratidin”. Overall the show was quite successful. Thanks to the wonderful support by Ganakrishti who presented our show in Kolkata members. Without them it was quite impossible for us to stage the show. Now we need to plan for a local staging here in New Jersey. Stay tuned. http://ethnomediallc.com/wpress/wp-content/uploads/2007/08/img_6449.JPG http://ethnomediallc.com/wpress/wp-content/uploads/2007/10/pratidin_stayameva_review_bw.jpg Satyameva Scene Pratidin Review Satyameva Scene Pratidin Review', 'Satyameva in Kolkata sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(85, 0, 'BHARATIYA KALA KENDRA An institution of authentic Indian Music and Dance presents “Tauryatrika” September 23rd 2007 Sunday 4:00 - 7:00 PM Rap Around Ragas An unforgettable blending of musical fragrances. Essence of Indian Classical Music with vibes of Rap music. Bharatiya Kala Kendra Members join hands with Rap singer Anee accompanied by Dibyarka on Tabla Krikeya on Drums. Melody Mando The one and only Snehashis Mozumder on Mandolin with his electrifying talent and stunning knowledge. Accompanied by Dibyarka Chatterjee on Table. Allusion Sukalyan Bhattacharya on contemporary dance with his inimitable creativity. Parthasarathi Muykhopadhyay with his composition on songs of Kabeer. Insight A message of eternity flowing from the holy verses of Shwetashwatah Upnishad - with a humble offering of our own self to the eternity through song of Rabindranath Tagore. A presentation by members of BKK family. Rhythm and Theme A variety entertainment event with a thoughtful collection of songs and dances presented by members of Bharatiya Kala Kendra family. Endless Streaming melody of Indian Classical Music with the divine posture of Indian Dance. An endless musical journey - with members of Bharatiya Kala Kendra. George Street Playhouse 9 Livingstone Ave New Brunswick', 'BHARATIYA KALA KENDRA presents “Tauryatrika” sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(86, 0, 'SATURDAY SEPTEMBER 22 7 PM DISCOVER ARTISTIC INDIA program AT NJ State Theatre Featuring Legends of Indian Classical Music and Dance Location: State Theatre 15 Livingston Avenue New Brunswick New Jersey Tickets: P 48.00 A 33.00 B 23.00 C 23.00 Presented by New Jersey State Theatre in association with Indo American Cultural Religious Foundation IACRF and One World Entertainment. Jugalbandi between Carnatic and Hindustani music maestros– Dr. Bala Murali Krishna and Pandit Ajoy Chakrabarty. This is the first time ever that music aficionados of New Jersey will be treated to a concert featuring these two stalwarts performing on the same stage. Also: stunning performances in Indian classical dance by a group of visually challenged dancers from India. 13 Tickets for Seniors Students * Valid ID required maximum 1 ticket per ID . Discounts valid for the last 2 rows of A1 and all of B C seating box office window orders only. Discounts are not retroactive and cannot be combined. Subject to availability. Ticket Fees There will be a 2 per ticket facility fee applied to each ticket. Additional fees apply. Tickets on sale Friday August 3 at 10am to the GENERAL PUBLIC. To become a STATE THEATRE MEMBER and get the BEST SEATS call 732-247-7200 ext. 512. STATE THEATRE MEMBER presale is limited to 4 tickets per order. Phone 732-246-SHOW and window orders only.', 'DISCOVER ARTISTIC INDIA program at NJ State Theatre sudipta Events http://nynjbengali.com/archives/category/events View all posts in Events'),
(88, 0, 'A magazine devoted to poetry only is not what you can find on regular news stands or magazine stalls. The limited readership scares away the publishers from venturing into such an enterprise. They’d rather get into a safer business of publishing prose with some esoteric ones plugging in few poems in between. But Krittibas is an exception. A 100 poetry magazine published by poets for the poetry lovers of Bengal. Such magazines typically branded as “Little magazines” have a limited life span. They die as soon as their founders either go broke trying to fund the magazine or find something better to do with their time. However that was not the case with Krittibas . The founders of the magazine which included Sunil Ganguly and some of his friends made it possible to keep the magazine going for more than fifty years now with Sunil still at its helm although being an extremely busy celebrity writer himself. Kriitibas had some ups and downs during this long period but it kept on reviving and surviving. The poetry loving Bengalis all over the world kept it going for their own cultural survival. Thanks to Gautam Dutta Krittibas is now available in USA allowing us not only to enjoy the finest of Bengali poetry but also to contribute towards the continued survival of this prized Bengali cultural icon. To subscribe to Krittibas 25/annum for four issues mailed to you contact Gautam Dutta at bpstinc@aol.com . In the following podcast I read two poems from the latest issue of Krittibas. One by Gautam Dutta and the other by late Tarapada Ray. Read more about Krittibas from its website http://krittibas.com . A magazine devoted to poetry only is not what you can find on regular news stands or magazine stalls. The limited readership scares away the publishers from venturing into such an enterprise. They’d rather get into a safer business of publishing prose with some esoteric ones plugging in few poems in between. But Krittibas is an exception. http://krittibas.com', 'Krittibas: A Poetry Magazine That Created History sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic');
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(91, 0, 'What do Robert Duvall John Voight Sydney Pollack Tony Randall Gregory Peck Jeff Goldblum James Caan and Tom Cruise have in common They all trained under the master acting coach Sanford Meisner. Famous playwrights like Arthur Miller and David Mamet were also his students. His teaching technique known as the Meisner Technique is regarded as one of the most effective tool to master the art of acting. The goal of the Meisner technique has often been described as getting actors to “live truthfully under imaginary circumstances.” The technique emphasizes carrying out an action truthfully on stage and letting emotion and subtext build based on the truth of the action and on the other characters around them rather than simply playing an action or emotion. In 1931 a fervent group of young actors including Meisner Stella Adler Lee Strasberg and Harold Clurman among others joined together in New York to establish the Group Theatre. It was the first permanent theatre company that brought “Method” acting rooted in the methods of Konstantin Stanislavsky to practice and prominence in America. In 1933 Meisner became disenchanted with pure “Method” acting. He wrote “Actors are not guinea pigs to be manipulated dissected let alone in a purely negative way. Our approach was not organic that is to say not healthy.” Meisner had ongoing discussions about technique with Adler who worked with Stanislavsky in Paris and Clurman who took a deep interest in the American character. Eventually Meisner realized that if American actors were ever going to achieve the goal of “living truthfully under imaginary circumstances ” an American approach was needed. The Neighborhood Playhouse provided him with a venue to develop that approach on his own. Meisner has been regarded as one of the most important acting theorists of the 20th Century. Arthur Miller once said of Meisner “He has been the most principled teacher of acting in this country for decades now and every time I am reading actors I can pretty well tell which ones have studied with Meisner. It is because they are honest and simple and don’t lay on complications that aren’t necessary.” The attached seven part Video A PBS production now available on YouTube gives us a glimpse of his genius. Some of his students have also recorded his acting classes that is now available as an eight hour DVD pack Sanford Meisner Master Class and is regarded as a must have for any aspiring actor. Several books on his acting technique are also available. They include Sanford Meisner on Acting The Sanford Meisner Approach: An Actors Workbook A Career Development Book The Sanford Meisner Approach: Workbook IV Playing the Part The Sanford Meisner Approach and others. The Sanford Meisner center in Los Angeles is the only acting school founded 1995 by the master himself that specializes in his technique. http://en.wikipedia.org/wiki/Meisner_technique http://www.amazon.com/gp/product/B000LCF4OY?ie=UTF8&tag=nnb-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B000LCF4OY http://www.amazon.com/gp/product/0394750594?ie=UTF8&tag=nnb-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0394750594 http://www.amazon.com/gp/product/1880399776?ie=UTF8&tag=nnb-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1880399776 http://www.amazon.com/gp/product/1575252120?ie=UTF8&tag=nnb-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1575252120 http://www.themeisnercenter.com/', 'Sanford Meisner: The Guru of Acting sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(74, 0, 'Recently I had the opportunity to watch Deepa Mehta’s film “Waterâ€on DVD . Most of you may have already seen this movie as well as its predecessors “Fire†and “Earthâ€. “Water†is the third segment of Deepa’s elemental trilogy. I am not a film critic by any measure. However the reason for me to write about this film is because it deals with an issue which has always been a controversial and sensitive one in our culture and religion. For the benefit of those of you who have not seen the film “Water†deals about the plight of the Hindu widows during 1930s who were banished from the society to live a secluded life in the “Bidhava Ashrams†or Widow Homes of Varanasi. These widows ranging from eight years to eighty years of age live a life deprived of all pleasures and wait earnestly to die in the sacred ghats of Kashi an extremely fortunate fate that guarantees a spot in the heaven. Although some of them like Shakuntala Seema Biswas earn not for the heavens but rather to be born again as a man. Some like Kalyani Lisa Ray do not even wait rather they sacrifice themselves to the holy waters of to escape from their exile. Many will argue that this story is not relevant anymore. Hindu widows these days do not have to lead such a deprived life. They no longer have to wear whites shave their heads and eat vegetarian and fast on every eleventh lunar day. But is it true Granted that in the urban middle class and upper middle class families widows have a relatively better life now. But the huge majority still has to succumb to the societal pressures and pick up the white garb. Widow homes or Bidhava Ashrams still exist in and the lives of their residents are not that different from those shown in the film. Even the widows of the urban elites have to tolerate the “different†attitude thrown towards them by the more fortunate members of their “Hindu†society. The film asks some pertinent questions that are relevant even today. These days a young widow may not have to live her life as an ascetic in an Ashram but she is no longer welcome in a man’s life either as his lawful wedded wife. She still has to tolerate the greedy eyes of men who consider them as easily available. And if any one tries to raise her voice in protest she has to face the wrath of the Hindu fundamentalists as did Deepa Mehta herself. The story of the film happens in the background of the holy city of Benaras a city that has appeared several times in films of stalwarts like Satyajit Ray Raghu Rai and others. Unfortunately Deepa Mehta did not have the luxury of capturing this picturesque city on her film. Rather she had to be content with a poor imitation constructed in Sri Lanka. Deepa Mehta was not allowed to shoot her film in the holy city. The right wing Hindu extremists destroyed her sets and threatened her and her crew. She was forced to stop filming and return to her home in Canada. But I guess this incident only strengthened her resolve. After two years she went back to the sub-continent to Sri Lanka to make her film with an entirely new cast. It’s not that the film is perfect and free of all short comings. The script lacked the depth that a film dealing with such an issue deserves. Lisa Ray was miscast in the role of Kalyani. Despite her best efforts she could not free herself of her western accent and sophistication. But most of the other cast members did proper justice to their roles. Special mention needs to be made for Sarala who performed the role of the child widow Chhuiya and of course Seema Biswas who carried the film to a great extent. John Abraham’s character Narayan felt a little under developed – so were most of the male characters in a primarily female dominated movie. Raghuvir Yadav as the eunuch Gulabi did an excellent job as usual. The most exquisite feature of this film is its cinematography Giles Nuttgens . The framing color schemes and compositions were breath taking at times. I wonder what impact the film would have made if it could have been shot at its original locale The film has surfaced once again a shame of our society and religion a shame that had tormented people like Raja Rammohan Roy and Iswar Chandra Vidyasagar but it still manages to sink and hide itself in the depths of our conscience. Deepa Mehta has made another attempt to bring it up and challenged us to deal with it. I deeply thank her for her heroic efforts. Recently I had the opportunity to watch Deepa Mehta’s film “Waterâ€on DVD . Most of you may have already seen this movie as well as its predecessors “Fire†and “Earthâ€. “Water†is the third segment of Deepa’s elemental trilogy.', 'Water: A Film That Surfaces our Shame sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(75, 0, '“Satyameva Jayate” - a phrase from the Mundaka Upanishad is the national motto of India and all Indians. Literally it means “truth alone prevails” - implying that truth is all that we should strive for since truth only can lead us to success and happiness. But this hypothesis has been proven wrong time and again. Through bitter life experiences we all discover that “truth” hardly leads us anywhere - it is the “untruth” the “false” and “deceit” that we need to master in order to attain our goals and objectives. Or is it that our goals and objectives need to be re-examined Are we chasing the right goals Goals for which we do not have to rely on the “false” - goals that can truly be achieved by truth alone “Satyameva” a play written by Sudipta Bhawmik tries to explore this age old question in a setting in North America where the immigrant Indian population tries to deal with this issue in their everyday lives. Sanjoy a young software professional has arrived in the “land of opportunity” for just over six months and works for a software body shopping company “InterSoft” owned and operated by Bill a Bengali American living in the States for over thirty years. On the day of the play Bill fires Sanjoy and asks him to go back to India. Sanjoy however is not happy with this decision and refuses to oblige. He informs Bill that he is not going to return to India under any circumstances. He states that returning to India is synonymous to signing a death warrant. He cannot subject himself to such a grave risk. And to justify himself and to win his ultimate motive he has to make a choice between truth or deceit. Cast: Bill : Sankar Ghoshal Sanjoy : Indranil Mukherjee Written and Directed by Sudipta Bhawmik Produced by Ethnomedia Center for Theater Arts ECTA Presented by Ganakrishti Kolkata 6.00pm August 20 21 22 23 2007 Sujata Sadan 7 Hazra Road Kolkata - 700 026. Phone- 2476-6131 Please inform your friends and family in India to come and watch this play that tells our story. http://picasaweb.google.com/indymukh/Satyameba http://ethnomediallc.com/wpress/wp-content/uploads/2007/08/img_6449.JPG Satyameva Scene Satyameva Scene', 'Satyameva: A New Play to Premiere in Kolkata sudipta Arts-Culture Events Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/events http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Events View all posts in Generic'),
(77, 0, 'Please fill this form to subscribe to this blog. You will receive emails about recent posts and events on a weekly basis. Thanks. Enter your Email Preview | Powered by FeedBlitz If you’d like to receive an email notification whenever an article is posted one email per day then fill up the following form to Subscribe through Feedburner : Enter your email address: Delivered by FeedBurner http://www.feedblitz.com/f?previewfeed=260124 http://www.feedblitz.com http://feedburner.google.com', 'Subscribe sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(81, 0, 'Sudipta Bhawmik Previously published in Anandasangbad On 7th of March 2007 I had the opportunity of watching Mira Nair’s latest film The Namesake” . The film had officially premiered the earlier evening which unfortunately I was not able to attend. However the producers of the film were kind enough to arrange couple of seats for me for the special screening for the Museum of Moving Images which included a Q A session with the director Mira Nair and surprise guests Tabu and Irfan Khan . Being a participant in the filming process in a very limited way in the role of Subroto Mesho I was especially curious to see the final result – the big picture as you may call it. At the end of the screening when Mira asked me how I liked the film I was sort of speechless. I did answer something like “great” or “wonderful” but that was only a gut reaction – I was still trying to figure out my feelings towards the film. I was not able to give Mira the right answer. I figured maybe if I try to jot down my thoughts I’ll be able to come up with a better answer. So how did I feel watching the film Have you ever in a lonely rainy afternoon sat down and leafed through the pages of your family photo album An album that spans three generations your parents yourselves and your children captured in those 4×6 frames With each turn of page you see the glimpses of your life that went past you see how your image changed over the years. Fleeting memories hit you like a hail storm and you feel lost – for few moments. That’s exactly how I had felt watching “The Namesake” . The film is a family album a photo album of the Ganguli’s but you feel as if it is your own. The only difference is that the subjects in those photos are not still they become alive they talk they move they laugh they cry – and you join them. And when you are done watching it you just want to sit silently hugging the album close to your heart with your eyes closed. You try to remember those pictures that were not captured by any camera on any film. Just as Ashoke tells his son Gogol when he realizes that he has forgotten his camera to shoot the end of his journey “We will just have to remember this…… all our life” - Mira’s film inspires us to remember our journey and “follow our bliss”. Mira herself admitted that the style of this film was inspired by still photographs by masters like Raghu Rai Raghubir Singh Mich Epstein Dayanita Singh and it showed. I guess to capture a period spanning three generations this was the best form available to her. We jump from period to period from city to city with extreme ease just like turning a page of our album. We see the characters change but not always how they change. But we have no trouble in filling the gaps because it is our story. There are no surprises no suspense no thrill no profound philosophy – only the solitude and quietness of a deeply felt sorrow and ….bliss. The film starts as Ashoke’s story then switches to become Ashima’s story and then again transforms to become Gogol’s story with no jitters as if it is the natural progression. Not too many Hollywood filmmakers would dare to undertake such an unconventional screenplay structure. But Mira herself is unconventional. She pays homage to Satyajit Ray and Ritwick Ghatak through this film. She imbibed in this film the lyricism of Ray and the visual exuberance of Ghatak that is rare in this part of the world. Some of the scenes strongly remind you of Ray’s works like “Apur Sansar” or Ritwick’s “Meghe Dhaka Tara”. She even cast Supriya Choudhuri the unforgettable Nita of “Meghe Dhaka Tara” in a special role and made her utter the unforgettable line “Embrace the new but do not forget your past”. She shoots the two great cities of the world Kolkata and New York with the same sensitivity and care as did Ray in “Mahanagar” or “Jana Aranya” kudos to Fred Elmes. The film is not free from imperfections but let that not distract you in anyway. Sometimes you may feel that the time limit of two hours was too much of an imposition on a film of this kind. Some issues could have been explored a bit more some characters developed some more. But I guess some compromises need to be made anyway. I am not sure what the verdict of the film Pundits of the world would be or even what criticisms would the “argumentative Indians” and Bengalees bring to their tea “adda” table but to me “The Namesake” will be one of my dearest films to date. http://ethnomediallc.com/wpress/wp-content/uploads/2007/08/nsake_web.jpg http://www.amazon.com/gp/product/1557047413?ie=UTF8&tag=nnb-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1557047413 http://www.amazon.com/gp/product/1557047413?ie=UTF8&tag=nnb-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1557047413 On the set On the set', '“The Namesake”: A Personal Experience sudipta Arts-Culture Reviews http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/reviews View all posts in Arts-Culture View all posts in Reviews'),
(71, 0, 'Trip to Calcutta: A Chiaroscuro Amitava Sen I could hardly see her behind the pile of sarees stacked on the shop counter nevertheless I recognized her and was pleasantly surprised to see Gouri of New Jersey at the Gariahat ladies tailoring shop. I confess that although not a customer I am a frequent visitor to this place during my not so long stays in Calcutta. My wife always carries a big order of blouses from her friends during our annual trip to Calcutta and then she has her own stuff. That calls for more than a few visits. From logistical considerations we found that we save time and gasoline if we could drop-in at the tailor shop on our way to other destinations. I inquired about Gouri’s stay and travel plans. She is in India for a total of three weeks she discloses she has already been one week in Calcutta and three days each in Bombay and Bangalore. She does not have many relatives her both parents are deceased and she has a sister in Bangalore and a first cousin in Bombay. She informed that she was at the tailoring shop for hemming attaching fall and netting of the 25 sarees she purchased not to mention stitching 25 blouses matching each of them. I could see where the pile of sarees on the counter came from. On our way back from the shop I was wondering aloud how could she manage to buy 25 sarees during her one week’s stay in Calcutta My wife explained that these sarees had been purchased from three cities all resplendent with saree shops. I conjectured how could she not buy 8 and one third sarees per city especially when each of the sarees was unique one of a kind and at dirt cheap price of not more than100-150 dollars each My wife was clearly indignant at my insensitivity. Sure I immediately relented I should have understood the obvious reason behind the purchase of 25 sarees. Pleased with my remorse my wife confided Gouri bought five more which were not at the tailoring shop. Gouri did not like them after she brought them home. But never mind she will take them back to America and sell them to her friends at cost which will most likely include a reasonably hefty profit for herself call it service charge. And she can rightly recover her marketing and selling expenses which will include a dinner at her place. I made a mental note to excuse us from any dinner invitation from Gouri when we return. What brought Gouri to India Why do we keep on coming back Ostensively to see relatives or buy sarees more than Gouri can conceivably wear in a year or two. That could not be the major reason for many of us. It was not true for Gouri either and only partly true for the rest of us. I know of many amongst us who take the grueling 20 hours trip to Calcutta and stay in a hotel or a guest house or are sequestered in Ramkrishna Mission Institute of Culture at Golpark. They do not even have a place to stay with friends or relatives. A stay in Calcutta is arguably unpleasant. The place is polluted pot-holed noisy and not a pristine tourist attraction by any stretch of imagination. But don’t we feel good Feel good about what Feel good about ourselves our inflated selves our larger than life selves. It seems like a power trip to establish and proclaim our new found power and self esteem for our old country to see. We grew up in a place where money muscle and connection mattered. Unless you were rich or Daoud Ibrahim’s brother or Jyoti Babu’s son you had no chance and you had no power. We have now found a way to the power we have adequate money adequacy measured by Indian yardstick. We expect that people at least back in our old country will be awestruck and will respect us for that. So why not flaunt our money or our power here in the United States where we live in our Diaspora But it is difficult to get noticed here by our compatriots who look at the mirror and only like what they see. It is easier in India where there is an aura of ‘American mystique’ around you. From being a no body when we have left our country we are somebody now and we want our old country to take note. Why otherwise do we call press conferences in Calcutta to announce upcoming events staged solely for the audience in the United States It could as well be held in Baghdad or Timbuktu cultural aficionados or the drama reviewers in Calcutta could not care less. It hardly will attract an audience or sell a ticket or even engender a mention in Calcutta press. I suspect lurking in our minds’ shadows is the urge to claim fifteen minutes of glory back in our homeland from which we are voluntarily severed yet we want to impose our glorified and often unreal images desperately seeking to be noticed. On another thought do we revisit our old country in search of happiness Are we unhappy here We ought to be by “Mahabharatian†definition. When Dharma asked Judhistir as to who were considered happy in life Judhistir answered that a happy person was the one who did not live away from home and who was not indebted. Think about our huge mortgage and credit card debts . By that yardstick we are probably unhappy. In the end some would relate to me when I say that I always feel happy as soon as the aircraft touches down at DumDum and I walk in to the dirty dusty and chaotic immigration hallway. I look around and discover that I am amongst my own people they look like me and act like me. It is not even a feeling which reflects looking forward to meeting many relatives or friends. Neither do I have plans to buy a saree or a punjabi. Why do I feel so much at home Is it all about getting touchy-feely I ask myself. Do I feel slight or less of a person in the midst of white folks back “Home†Am I happy to leave it all behind Suddenly I am very comfortable fitting-in I am completely home. http://ethnomediallc.com/wpress/?pp_album=1&pp_image=pujor_saari_web.jpg pujor saari web pujor saari web', 'Trip To Calcutta: A Chiaroscuro amitavasen Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(72, 0, 'One of the key advantages of living in the United States was cheap gasoline and the joy of driving. But it seems that it will soon become a luxury of the past. Gas prices are going through the roof and we are all suffering. The trouble is the fundamental requirement to live in the suburbs is to be able to drive a car. We do not have a rickshaw stand nearby where we can walk to and hop into a human driven absolutely green vehicle and merrily coast to the local grocery store. It will be a major human rights issue if someone even dreams of such an entrepreneurial venture. Hence we have no other option other than trying to save on gasoline costs. This sort of motivated me to do some research on the web and I have come up with some interesting gas saving tips that are not always obvious. I hope you find them useful. They are not necessary in any specific order or category. If you have any such tips please share them with us all. 1. Drive fewer cars: In this country our freedom has taken us to the extremes. We all need to drive our own gas guzzlers. However with a little compromise we may be able to share rides. I participate in a carpool myself and that saves me quite a bit for 82 miles of round trip commute every day . Sometimes within a family husband and wife use separate cars to the same destination since they cannot compromise on a schedule. “Can’t we all get along” and save some gas think money 2. If you are an aggressive driver and have the sudden urges to beat everybody on the road to dust chances are that your gas bills are quite astronomical. Avoid flooring the gas pedal that often. Take the long view of the road and brake slow and easy. Tests conducted by Edmunds have shown an average of 31 savings by following this tip alone. If you slowed your 0-to-60-mph acceleration time down from your current 10 seconds to a more normal pace of 15 seconds you’ll feel the savings immediately. 3. Edmunds website also suggests that slowing down your speed from 75-90mph to 60-65mph on highways can save you 12 on the average. 55mph is still the most economical speed limit. 4. It has been a common belief that turning off the air conditioner saves gas. It turns out that is not the case as per Edmunds’ tests. Apparently the modern day climate control systems of cars are highly efficient and do not consume any alarming amount of extra gas. So stay cool in your slightly longer rides. 5. Use cruise control whenever possible. Tests suggest that you may save up to 14 percent with an average savings of 7 . 6. Do not idle excessively it can save up to 19 . The recommendation is that if your stop is over a minute turn off the engine. 7. Avoid long warm-up periods 30 seconds should be enough even on cold mornings. 8. Buy gasoline during coolest time of day - early morning or late evening is best. During these times gasoline is densest. Gas pumps measure volumes of gasoline not densities of fuel concentration. You are charged according to “volume of measurement”. 9. Carefully choose your brand better quality gas gives better mileage. It is not necessary to use higher octane gas unless your car manual specifically asks for it. After filling up be sure the gas cap clicks 3 times. Improperly seated gas caps allow 147 million gallons of fuel to vaporize every year in the U.S. 6. Finally buy gasoline from the station offering the lowest price. Several websites now offers gas prices of gas stations in your local area. One such website is http://www.automotive.com/gas-prices.', 'Saving Gas sudipta Generic Social http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Generic View all posts in Social'),
(73, 0, 'Kolkata has been always acknowledged as the theatre capital of India. The rich tradition of modern Bengali theatre that started more than two hundred years ago is still revered by the cultural elite of the country. Hence an invitation from Ganakrishti one of the top tier theatre groups of Kolkata to perform at their seventh annual theatre festival came to me as a major challenge. It was during the 2005 Bangasammelan in New York when Bratya Basu the then champion of Ganakrishti made me the offer. And I accepted without thinking too much about the consequences. It has been a dream for me as well as all serious Bengali theatre workers in this country to be able to showcase our work in front of the Kolkata audience. But we all know that when the rubber actually meets the road not too many rises up to the occasion especially when it meant taking leave from work and then travel to India spending your own money. Ganakrishti admitted that they will not be able to pay our air fares but they will take care of us and cover all our production related expenses the moment we arrive in Kolkata. I had some faith in my core group members and I knew that they will not pass this opportunity under any circumstances. I did not even have any play in mind that we can take to Kolkata. Although our repertory had couple of good short plays ready at hand Ganakrishti preffered a full length play. I had a full length play script ready and waiting to be produced but I thought I’d like to take something to Kolkata that is contemporary and truely reflects some of the fundamental conflicts that we encounter as immigrants to this country. The basic idea of “Ron” was in my mind for sometime and I thought why not develop this idea into a full length play I started working on it which involved quite a bit of research about the US Armed forces the Iraq war etc and by the end of 2005 I had the first draft ready. We had the first reading and Indranil is one of our key group members living room with most of our team members eagerly listening. The key decision we had to make that evening was to decide if we’d like to produce “Ron” it wasn”t even named then or to produce “Baanaprastha” the script that I had written earlier . The team chose “Ron” primarily because of its relevance in todays world. I asked the group to find a good title for the play and several suggestions started pouring in. It was only after few weeks when I read the play to Tarun Chatterjee the accomplished actor and director and he suggested finding a short name the name “Ron” struck upon me. Not only is my central character named “Ron” or Ronobir/Ranveer but also because “Ron” means war and that is what the play is about. The next challenge was casting for the characters. We had one primary requirement for any actor accepting our offer was that he or she has to travel to India during peak summer season spending his/her own money. Although most of the key group members had no problem with this many have been planning to go to India during that period anyway casting some of the characters became an issue namely those of “Nando” and “Bidisha”. We started looking for Nando and few interested fellows showed up. One Biswajit Das came all the way from Poughkeepsie New York to try for the role. Being from Bangladesh he was a perfect fit for the role. He was willing to come to the rehearsals all the way from Poughkeepsie although I was a bit sceptical. But soon he informed that he has a conflict in July and won’t be able to do the play. The search continued and after few disappointing auditions I reluctantly planned to take up the role myself. It was not the best option at all since directing and acting in the same play is a very difficult task. Then I met Kaushik Datta at Lili Majumdar’s house. Kaushik had some early acting experience and was planning to go to Kolkata during July for a family vacation anyway. After a quick and surrepticious audition I selected Kaushik for the role of “Nando”. The next task was to find Bidisha. To be continued…….', 'Staging Ron in Kolkata : Part 1 sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(70, 0, 'On 26th of March Kallol of NJ one of the major Bengali social and cultural clubs of this area will be holding their annual general body meeting. On this day the current executive committee will hand over the reigns of the club to the new committee who will be looking after the club activities for the next two years. In the larger scheme of things this may not seem to be a matter of any significance. But if we think a bit deeply few issues may surface and tickle your thoughts. If you come to the Kallol AGM on the 26th most likely you’ll see the following. 1. Poor attendance despite the promise of good food by the committee. Only few veteran members will be asking any questions and making any suggestions. 2. The new committee will consist of mostly members from the old committee with no election taking place. This clearly shows that not many of us are interested in participating in the club activities. A handful of members have to carry on the brunt of the responsibilities and activities all along. I am not singling out Kallol most of the Bengali clubs and organizations face the same situation. If we try to analyze this situation the first question we need to answer is do we need these clubs Do they add any value to our lives in this country Most of these clubs were founded to serve some very basic needs of ours - to get together and do some activities together for our social cultural and spiritual nourishment be it staging a play or be it holding a Puja. The problem however is that any such activity requires few people to work on the activity and few people to participate and enjoy. This creates two parties one who works and delivers and one who receives and enjoys. The people on the receiving end do contribute their dues in the form of subscriptions etc. but they do not fail to criticize the slightest inconvenience in any form. The workers on the other hand serve solely for the love of the activity and entirely on a volunteering basis. They too after a while get tired. But hardly do we see new people from the receiving end come up to join the serving end. We take it for granted that we will always be served and served to the best of our expectations. But we do not think that if the service providers give up we will no longer have the pleasure of enjoying such great events. One complaint I sometimes hear is that people are not given any opportunity to serve in these clubs that the committee members are not inclusive enough and they tend to keep out anybody who has the slightest interest in serving along with them. The allegation sometimes turn out to be true since in many cases these small club positions seem to become some kind of thrones of power that many fear to lose. The decision makers tend to fantasize that it is their sole right to decide on what who when and how But I think that this allegation is overrated. If one genuinely believes in a cause and is willing to work for it most of our organizations will give it a fair hearing. Please try to understand that they too have limitations both in terms of resources and free time. So if we think that these organizations do add value to our lives then we need to participate. We need to make ourselves heard at formal forums like AGMs and other meetings. Let the organizers know what we like and what we don’t. I am positive that we will be pleasantly surprised. 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(57, 0, 'Sudipta Bhawmik The phenomenon of job outsourcing has been the topic of discussion in all circles these days. The high tech and IT sectors are specially affected by the outflow of high paying jobs to India and China. Initially it was only the relatively low paying jobs like call centers medical transcription services were moving to India. But now highly skilled jobs like IT semiconductor chip design accounting and financial analysis jobs are also moving to India. But we all know that this is a natural phenomenon. High cost jobs will move to low cost areas. The laws of physics are equally applicable to economics and finance at least in this case. It is fruitless to try to resist this flow. My question is how we the so-called non-resident Indians are or NRIs are reacting this phenomenon Are we happy that after all these years the Indian economy and high technology sector is booming After all many of us have stayed back in this country with the excuse that India did not have the opportunities and challenges to justify our education and training. Many of us believed that our intellectual and professional capabilities were too superior to be wasted in India. But those excuses do not hold water any more. So shouldn’t we be happy that after all these years we can now think about going back to our homeland Or are we feeling a bit threatened Maybe we are feeling that the comfortable and luxurious life that we have built for ourselves in this land of opportunity is suddenly under an ominous threat. Any day our employers may decide to outsource our jobs to India to be done efficiently at one fifth the cost. We may have to give up our high paying jobs for some low paying alternative. Besides the improving economy in India is also depriving us of our financial edge. The Indian professionals now earn enough to make them at par on purchasing power with any US employed professional. Moreover they enjoy many other amenities like house keeper cook chauffer etc. Do we sometimes feel a tinge of jealousy But neither can we go back so easily. Our roots have started to grow in this country. Our children are used to the American life. We have built our social lives here. Can we uproot ourselves once again I guess we are in a strange dilemma. How do you feel about this issue Send in your comments.', 'Outsourcing and Us sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic');
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(63, 0, 'Amitava Sen What does the word Biswa-kobi mean Poet laureate of the world World-class poet Universal poet Bengalees use this honorific or title in referring to Rabindranath Thakur. I have always wondered about it as I have as to why the championship of baseball is called World Series. How does a tournament of game played by less than 5 of the world population even after keeping other baseball playing nations such as Japan or Cuba out claim to be a world event Likewise the “World†cup for the game of cricket played mostly by a few third world countries raises the same question. Americans are prone to use hyperbole in describing whatever comes their way and they get away with it because coming from the most overpowering nation the rest of the world accepts it with awe. Neither can their claim to the world title be dismissed as the arrogance of the novaeu rich for record the winner of the game played between just two teams as back as in 1884 was crowned as the “Champion of the worldâ€. And it continues to the day . For Americans the world stops at their shore and what the humanity beyond their world think does not count and realistically speaking does not matter. On the other hand a game of cricket can claim the distinction of most man-hours spent by the viewing public in days’ long game. Man-hours in this instance mean number of people multiplied by the number of hours spent watching a game . And I can understand that this number is unsurpassed by any other game in the world. The most countries playing cricket have an inexhaustible supply of unemployed and bored flocks attending the games lasting ten to forty hours. But should not the cricket championship be more appropriately called Third-World Cup But for me Biswa-Kobi still continues to be a riddle. Rabindranath have written profoundly of upper and middle class Bengalee society with deep Hindu spirituality and mysticism but universal he is not by any measure. His sonorous lyrics and songs are hugely popular in Bengal both east and west. But universally he has failed the test of time. He is largely forgotten in the west and the rest of the world. During Tagore’s life time Graham Greene famously wrote “As for Rabindranath Tagore I can not believe that anyone but Mr. Yeats can still take his poems very seriously.†I wonder how many amongst the erudite lot in Bengalee Diaspora know Rabindranath beyond his songs and dances. However evaluating Rabindranath and his works is not the point of this piece easily carried-away and irrationally exuberant Bengali emotion is. In order to call someone our own great we tend to canonize the person we turn them into icons more to be garlanded and worshipped than understood. English speaking world did not call Shakespeare the “World-playwright. Someone at some point of time must have bestowed on Rabindranath the title of “Biswa-Kobi†or anointed him to the position of Poet Laureate of the world. Recognizing Rabindranath’s proclivity for self-aggrandizement it is not inconceivable that he himself may have done so. He was not shy about heralding his birth as a momentous event for the human kind Hey Nutan Dekhadik Arbar Janmero Prothomo Subhakhan or proclaiming his super-human stature Oi Mahamanaba Ashe and then staking his claim for a place among the greats Ami Jodi Janma Nitem Kalidasher Kale Hotem Tobe Dasham Ratna Naba Ratna Male . It would be interesting to find out where and when did Rabindranath referred to himself as Biswa-kobi. If he did not who did Amitava Sen', 'What is Biswa-Kobi amitavasen Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(64, 0, 'Sudipta Bhawmik This week one of our very close friends Siddharta Dutta passed away. Siddharta-da popularly known as Ashi-da was one of the most culturally and socially active Bengalees of this region. Many of us have seen him perform on stage sometimes as an actor sometimes as a singer and sometimes both. His performances in plays like Chhutir-Phande Byapika Biday Antony Phiringi Tulkalam Kenaram Becharam will be remembered by many theater lovers. He was a multi-talented person who besides acting and singing was also an excellent writer of short stories essays and plays. His wide knowledge base and refined taste in the arts was always reflected in his work. My acquaintance with Ashi-da was primarily through theater. We did several plays together plays like Ferari Fouz Tul-Kalam Kenaram Becharam and few others. He was one of the most sincere actors that I have worked with in this country. He always arrived on time at the rehearsals and he was always the first to memorize his lines when we all were struggling. A great team player Ashi-da never grudged to work under the direction of his juniors and gave his best for the success of the project. And his wit and sense of humour was something to be experienced. It was people like Ashi-da from whom I derived the inspiration to survive culturally in this country. He demonstrated that creative people can find their stage anywhere in the world all you need is few like minded friends. We all will be missing Ashi-da. On behalf of all of us I’d like to extend our deepest condolences to Banani-di and the rest of Ashi-da’s family. I pray that his soul rests in peace.', 'Goodbye Ashi-da sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(65, 0, 'Sudipta Bhawmik Originally published in AnandaSangbad January 2006 issue. We are getting old We maybe in denial but the fact remain true. Those of us who belong to the so called baby boomer generation that is born between 1946 and 1964 are quickly approaching the age about which we need to think and plan about. Yes financial planning like IRAs and 401 k s are important but I am talking about social and cultural planning. What are we going to do in our “golden years†Did we ever think about it Moving to Florida is out of the question admit it we won’t be able to move to an adult community in Florida and spent the rest of our lives with complete strangers. Some of us do dream about returning back to our homeland to India. Several times we have contemplated the thought that with our retirement benefits and social security paycheck we will live like kings in India more specifically in Kolkata. But is it true First of all when we return to India most likely many of our relatives like parents uncles aunts may no longer be there. Our relationships with our cousins and other friends will likely become too loose to re-establish. The India we left behind during our youth does not exist any more. We will be once again moving to a foreign land. The cost of living in India is growing too and it is doubtful how long we will be able to leverage our dollar advantage. Finally with our children and grandchildren in this country will we be able to live happily in India So if we rule out the above two we are left with the only alternative of living where we are. Maybe we will downsize our homes and move to smaller condos townhouses or maybe even to adult housing but what are we going to do We can however opt to blend in more with the mainstream and spend time at local senior centers playing Bingo and Pool. There is no harm in that but those of us who have been actively engaged in Bengali social and cultural activities it will be difficult to adjust to Bingo and Atlantic City tours. So I think it is high time we think about our future. We need to do something that will not only keep us happily engaged but will also be intellectually stimulating and satisfying. My uncle in India after he retired from his Government job started to edit and publish a unique magazine. Titled “Phire Dekha†Looking Back it is a magazine for the retired people and by the retired people. Currently in its twelfth year the magazine has grown a loyal following of hundreds of retired people from all around India. They write their own stories from their experiences some professionals like doctors lawyers accountants share their expertise some engage in social debates. The magazine has grown into a movement of sorts. The subscriber-members meet often just to discuss chat and have a good time. This is the type of activity that I’d like to be involved when I retire. But can we do it here in this adopted homeland of ours Anandamandir can effectively support such a movement and serve as the vehicle which can help us sustain in our old age. We need to get engaged more with the Anandamandir committee and help them develop a cultural center that can not only serve us now but can be our social and cultural retreat during our golden years. Let’s give it a serious thought. P.S. Please send your comments to bhawmik@gmail.com We are getting old We maybe in denial but the fact remain true. Those of us who belong to the so called baby boomer generation that is born between 1946 and 1964 are quickly approaching the age about which we need to think and plan about. Yes financial planning like IRAs and 401 k s are important but I am talking about social and cultural planning. What are we going to do in our “golden yearsâ€', 'Our Golden Years sudipta Generic Social http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Generic View all posts in Social'),
(46, 0, 'Amitava Sen No one can say that Raghav Chatterjee does not sing well. He does. He is an extremely talented and skilled singer and performer. But he came up short in delivering for the major and I stress major part of his audience at Kallol Puja. He was too loud and sometimes painfully screaming. His repertoire was too post modern and convoluted for our liking. He possibly was targetting relatively young Calcutta born crowd present but he definitely did not cater to the people who paid most for hiring him. The fault does not lie with him. The so called younger group of Kallol is ostensibly in control of the stage and what goes on there. Programs are chosen and directed by them with a trace of arrogance and a little bias. We heard Raghav at Banga Sammelan in New York and really liked his not so hip performance on the sober side. But his program at Kallol was disappointing to many and I dare say most of us. 50 people who danced with his singing at Durga Puja are not the final arbiters I am afraid. This is neither new nor an isolated instance. Larger question is: are we being culturally manipulated by a few Have we always been By we I mean people who have been here for two or three decades or longer. In the beginning we had amongst us a self proclaimed intellectual coterie the “better than thou” crowd. They fed us with all sorts of revolutionary cliche’d theatrical performances and obscure plays. We the intellectually challenged masses sat through them approvingly lest we were branded un-intellectual. Then there were literary seminars and classical musical soirees. We also suffered through them silently. While we prided ourselves of being in elite intellectual company they really needed an audience and mostly our money. Now there are friends and close acquaitances who consider themselves artistically gifted eager to present their wares in public at a price of course. Saying no to their entreaties to buy a ticket or two will not take you far. What is a friend in need if the most expensive tickets are not bought They also badly need a crowd. So attenedence is a must if you do not want to flush your relationship down the drain. I say where the culture is doled out wholesale as in Durga Puja we have to excercise our collective power in letting the organizers know what we want. In retail performance area we have to excercise our individual buying power in choosing what we like. Sitting through poorly presented and histrionically deficient plays listening to Rabindra Sangeet in Hindi or Sukumar Roy in English translation is ultimate undermining of our cultural sensitivity. We are not doing any favor either to our friends by encouraging them to hold on to their delusional views of their thespian and musical talents. Amitava Sen http://ethnomediallc.com/wpress/?pp_album=1&pp_image=aastegaan_web.jpg Pujor Gaaner Ashor Pujor Gaaner Ashor', 'Entertainment Scene amitavasen Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(52, 0, 'Sudipta Bhawmik We Bengalis are fond of bargains. We feel insulted to shop at any store which do not allow bargaining. We are paranoid that the store owners and businesses are always on the lookout for ways to rip us off. And we would like to be on top of them. “Start your negotiation at one third the asking price” advised our elders who claim to be the greatest negotiators of all time “and be prepared to walk away but slowly. The shopkeeper is going to call you back with a better offer ” You need to be thick skinned too. Some of the savvy sales people will attack your pride and self confidence without any mercy. They will make you feel like a lowlife for having the audacity to make such an outrageous offer. Some will keep on playing with you your own game and finally both of you will agree on a deal which will appear like a big win for you and a big loss for the sales person. He will whine and cry and ask you for the last two bits that you can spare like “Dada aar duto taka diye din bounir somoy ” and you will gracefully oblige. After all you are the big winner You will walk away with your winning smile and the sales person will start dealing with his next customer hiding his own laughter. Many of us the hard bargainers snobbishly avoid those stores who conspicuously display the “Fixed Price” sign. What is the fun in shopping if we can’t get to play the bargaining game The online shopping scene has thrown a wrench to the traditional bargaining game. You no longer have to deal with a real person. You visit your favorite online store search through the catalog pick your product and pay for it. No more haggling. No more walking away with the hope that someone is going to call you back. But we all knew that no shopping can ever exist without bargaining and that too in America the bargain hunter’s paradise. So soon we saw the arrival of eBay Priceline Hotwire and many others. Ebay is now a phenomenon it started out at as an online auction site but soon it has evolved into a major bargaining site where you can name your price. Priceline and Hotwire concentrate primarily on the travel business but I won’t be surprised if they diversify into other markets soon. But Ebay Priceline all have their caveats. You have to make some sort of a commitment and if the seller accepts your offer you cannot walk away. But if you make too small a bid you may not have a deal at all. This kind of turns me off. Rather I use the other form of bargain hunting coupons and rebates. If you can find the right combination of coupons and rebates you can manage to get great deals or at least you can have a feeling of a great deal . There are several websites that can help you find such bargains. They will tell you which manufacturer or seller is offering what kind of discounts in the form of rebates coupons special promotions etc. Companies like Dell Staples OfficeMax often offer great deals through rebates and coupons. Check out websites like hot-deals.org techbargains.com or deals2buy.com. I particularly like hot-deals.org for its simple interface and no nonsense deals. It will only list those deals that are “hot†and not the regular discounts. I confess that it is one site that I visit once daily. Techbargains.com is a good site if you are looking for technical gadgets and stuff. These days I find it foolish to buy a product without any discounts of any kind. Even when I find a seemingly good deal I often feel cheated since soon enough someone will inform me that they found a better deal. It’s a lousy feeling even though the difference may be only a few dollars. It’s not the money but our pride that gets hurt the most. Let’s admit we the bargain hunters have special tools and techniques that we guard as our greatest secrets. These are the skills that we have mastered over the years that make the difference between a winner and a loser. But again there are those amongst us who are more generous. They feel good to share a good tip with their friends. They feel happy when their friends are happy. I am sure you are one of those great souls. So please share a tip with us. Tell us how you made that great deal I am sure the readers of this site will bless you and wish you well. Best regards. http://ethnomediallc.com/wpress/?pp_album=1&pp_image=baloon_travel_web.jpg http://ethnomediallc.com/wpress/?pp_album=1&pp_image=joraburger_web.jpg The Great Bargain joraburger web The Great Bargain joraburger web', 'Bargains Bargains sudipta Generic Social http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Generic View all posts in Social'),
(55, 0, 'Amitava Sen If you are not reading or writing in Blogs you are completely out of touch you are totally un-cool you are ouside the intellectual landscape plainly speaking you have forfeited your claim to the membership of “Antel-dom”. Today blogs wield enormous power and influence over politics society and even literature and publishing rivalling network news and newspapers. The Blog derives its name from the word Web logs. The word Blog was coined in 1997 where you can post daily scribbings mostly critiquing anything and expressing any well formulated or stray thoughts. The idea caught on with lightning speed so much so that according to Technorati the blog tracking site 70 000 blogs are being launched every day worldwide. Technorati tracks over 20 million active blogs in real time. Most blogs turn out to be servicing specific subjects specific interests and specific groups specific may always not be in their contents but in their souls. So what is baring Bengali souls in North America But are Bengalees ready for entry into the Blogosphere Or for that matter any group of immigrants from a third world country Most people of current generation came here for making a better living period. Making money in this country is not difficult still easier is to look in to the mirror and see your larger than life image At that point most among us get somewhat delusional and forget reality self-check. We hanker for recognition by the peers some in art area as actors singers some in social domain as club presidents and secretaries. But let’s face it those skills can not be bought. So we end up performing out of tune songs as singers or delivering forgettable speeches as presidents. Most almost all of us left our country for acquiring worldly things we are the material types. We have not transcended hunter gatherer mode not yet. We are not ready for the stage. We are not ready for letters either. I remember a disastrous effort in Banga Sammelan of the year 2000 publishing an English magazine . So let’s get back to what we do well make more money. And occasionally get on to the stage for doing what we do not so well. Do not feel bad this is the way the country has been. Remember none of the founding fathers was a first generation immigrant. Blogs are modern day vehicle for thoughtful expressions. We specially the first generation immigrants have not had much time to think and still don’t. Then there is a problem with language that also is natural and expected. We are naturally shy putting our thoughts if we have any down on paper in an alien language. So expressing through writing in blog is not what Bengalees feel comfortable with. That may explain why you are having such a poor support in your admirable endeavor Sudipta.', 'Are Bengalees ready for a Blog Site of their own amitavasen Generic Social http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Generic View all posts in Social'),
(30, 0, 'img onmouseup hl2l event src http://ethnomediallc.com/wpress/wp-content/bratya.jpg alt Bratya Basu style padding:10px background: black border: 2px class right width 100 / Bratya Basu is currently one of the brightest young playwright and director of the Bengali stage in Kolkata. He is in USA now rehearsing and preparing his latest directorial venture covering the post independence era of modern Bengali theatre. The play will be staged at the 25th North America Bengali Conference on July 3rd at the Hammerstein Ballroom in Manhattan New York. I asked him few questions on how he conceived of this project and the challenges he faced in directing this show. Sudipta : NABC 2005 is celebrating 200 years of Bengali theatre through three plays covering the period. You have written the script and directing one of the segments. What part of this vast canvas are you covering in your segment Bratya : I have tried to cover the post independence era of modern Bengali theatre from 1950 to 2000. The play presents snippets from several plays covering this period including a play from Bangladesh. The plays are “Raktakarabi” “Raja Oedipous” “Tiner Talowar” “Sarater Megh” “Chak Bhanga Modhu” “Ebong Indrajit” “Winkle Twinkle” and “Eersha”. Sudipta : What was your criteria in selecting the play segments Bratya : I primarily used three criteria to select my play segments a Plays that were important as contemporary theatre during its time b it has a significant literary value c and is still relevant to our society in its fundamental message. Sudipta : What was your thought process in developing your segment Bratya : It was particularly challenging for me to figure out a method to develop the entire play such that it comes out as a whole entity even when the segments themselves stand out as an individual theatrical unit. Of all the three plays I am the only director who is working with actors from India as well as USA. I had to take special care to ensure that there exists proper synergy and balance between the segments acted by the different groups of actors and also to develop a relationship as a team. To work as a team they need to get familiarized with the acting style and patterns of each other build the mutual trust that is absolutely essential in producting a theatre. Since many of the actors whom I am working with in this play are new to me I was not sure whether I’ll be able to get what I want from them and stage a show where the proper balance is maintained. I am glad to say that I was able to achieve that. Sudipta : What can the audience expect to see in this segment Bratya : Primarily I expect the audience to experience the development and evolution of modern Bengali theatre. They will also exprience a modern theatrical approach and acting style that is rooted in Bengal but international in every sense. Sudipta : Is this your first visit to North America Bengali Conference If so what is your expectation Bratya : Yes this is my first NABC. My expectation is that I’d like to see that true cultural relationship and cultural exchange happen through this conference. I’d like to see that this conference bring to life the true international spirit of Bengali culture in all its glory. Bratya Basu is one of the brightest young playwright and director on the Bengali stage in Kolkata now. He is in USA now rehearsing and preparing his latest directorial venture covering the post independence era of modern Bengali theatre. The play will be staged at the 25th North America Bengali Conference on July 3rd at the Hammerstein Ballroom in Manhattan New York. I asked him few questions on how he conceived of this project and the challenges he faced in directing this show. Bratya Basu', 'An Interview with Bratya Basu sudipta Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(34, 0, 'Many things have gone right and many things have gone wrong during our last NABC2005. The following letter from Chitra Divakaruni exemplifies one of the things that went really wrong. We understand that managing such an event of this scale is not trivial and especially for the volunteers I repeat volunteers it was indeed an arduous task to do their job and also keep their cool. However I only hope that this letter from Chitra helps us in improving our festival rather than turn out into a finger pointing exercise. Thank you. ————————————————————————————————————————– Dear NABC 2005 organizers: Thank you very much for inviting me to be a speaker/performer at NABC 2005. It was a huge event I cannot even imagine how you managed to organize such a large scale convention so successfully. Congratulations I enjoyed all the events I could go to and of course I particularly enjoyed the literary events. I could see there was a lot of interest esp. in the main stage events we did and I want to thank Goutam Dutta for working very hard to make all of these happen. The literary seminar discussions with the audience was very high quality as well. My thanks also for your care and hospitality in terms of my airport car rides hotel timely honorarium etc. I know how hard this is to arrange when so much is going on. I do want to share with you one negative experience I had–and I write this only because my hope is that if it is pointed out to the organizers perhaps it will not happen again to someone else. As part of my welcome packet I was given a letter from the hospitality committee saying that I was to take my meals on the 7th floor of the Manhattan Center. After my Saturday morning event at Hammerstein Goutam Dutta told us the speakers to go there for lunch. However when I went there I was treated very rudely by the 2 women in charge and told I should not be coming there for meals. They also referred very rudely to Goutam when I mentioned that he had sent me there. This event was very embarrassing for all of the speakers. I was made to feel as though I had sneaked in there to get a free meal to which I was not entitled. I would have left right away to buy myself a meal outside the hotel but the other speakers and Mohua one of the literary organizers requested me not to go as our next program was about to start in 15 minutes. She managed to get some food for me putting up with many insults herself to do that. I ate it But as you may imagine I felt very bad kind of like a bhikhiri in a biyebari. In my 15 plus years of doing events in this country and abroad I have never been treated like this. It will be unfortunately something I will remember for a long time. I know many NABC volunteers and organizers worked tirelessly behind the scenes to make things happen just right for the hundreds of performers and speakers that came to your event. Unfortunately most of them did not interact directly with us so we could not experience their warmth and sincerity. The volunteers/organizers who have the most impact on us guests are the ones who deal with us directly one on one such as the women in the meal room. Perhaps you could remind them of the importance of what they do–and the effect it can have on a guest’s overall memories of an otherwise wonderful NABC. thank you Chitra Divakaruni Many things have gone well and many things have gone wrong during our last NABC2005. The following letter from Chitra Divakaruni exemplifies one of the things that went really wrong. We understand that managing such an event of this scale is not trivial and especially for the volunteers I repeat volunteers it was indeed an arduous task to do their job and also keep their cool. However I only hope that this letter from Chitra helps us in improving our festival rather than turn out into a finger pointing exercise. Thank you.', 'An Open Letter from Chitra Divakaruni sudipta Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(36, 0, 'What makes a Banga Sammelan successful Advancing the cause of Bengali culture literature and business sheer fun of meeting friends and late night Adda showing off of collection of Sarees and for a few basking in the reflected glory of Calcutta luminaries The answer is all of the above except anything to do with the advancement of Bengali culture literature and business. To claim that it is will be pretentious. By that yardstick the Banga Sammelan in New york has definitely been a success. Yarning for the lime light apart one has to recognize and admire the effort and hard labor of the organizers. It is no mean achievement that Banga Sammelan has come to being an institution serving the community in general. The name that comes in mind who is the undisputed leader is Prabir Roy. He not only deserves recognition and praise but our gratitude as well. In a way this meet was innovative in certain areas like involving the local talents recognizing the second generation young talents and in choosing the topics in the commemorative journal published on this occasion These are long due steps needed for establishing an identity for the Sammelan. It is also time to reflect on the charecter and nature of Banga Sammelan. Start with compilation of data as to: 1. What is the demography of the people coming to the Banga Sammelan their homes age income brackets etc. 2. At what point of the year they decided to come. 3. What kind of arena do they prefer as the venue. 4. How much they spend in all for the entire weekend. 5. What are the sources of fund for sponsors registration advertizement. 6. How much do the organizers spend under individual headings rent advertizement Calcutta artists. Calcutta writers their air fare hotel expenses their fees. 7. How many people attend literary seminars business seminars. 8. Why do people come Cultural performances of Calcutta artists talk to famous writers connecting to Calcutta for business. 9. How many people will like to see Bombay stars and at what cost. The questions above are not necessarily in order of importance These are sample questions I am sure there are many more relevant and revealing questions. Records of say last five Sammelans can be compiled and released. Now on every local organizer may be required to submit a report at the conclusion of the event. Of course there were lapses and glitches. I noticed some and I am sure others can point out to more. At the entrance of the arena a big banner with a wrong spelling was an eyesore. The word is OIKOTAN and not OIKYATAN. And then the national anthems both of them by a Bengalee poet of India and Bangladesh were disasters. Out of tune and pitch and even wrong words. Bangladeshi anthem was not even performed as an anthem. One of the most ballyhooed items the anthology of Bengalee dramas was poorly play written poorly directed poorly presented and poorly acted. It all could be due to the fact that the idea was ill conceived and from the start was designed to go no where. Bottom line: we enjoyed the meet like we do every year no more no less.', 'Banga Sammelan amitavasen Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(39, 0, 'Cerebration a quarterly electronic journal is calling for submissions for its forthcoming issues. Cerebration is a trans-cultural magazine operating from NJ and Delhi and attempts at bridging academic and non-academic circles Cerebration strives to provide a space for critical discussions and creative expression across cultures and is sponsored by Drew University NJ. The editorial advisory board consists of eminent academics critics journalists and filmmakers from US and India including Gayatri Chakraborty Spivak Bapsi Sidhwa Barkha Dutt Subrata Sen amongst other well-renowned academics from US www.cerebration.org/board.html . Cerebration is currently accepting submissions in the categories of essays fiction columns poetry photography and art work. Please visit Cerebration at www.cerebration.org http://www.cerebration.org', 'Call for Submissions Amrita Ghosh Arts-Culture Generic Social http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic http://nynjbengali.com/archives/category/social View all posts in Arts-Culture View all posts in Generic View all posts in Social'),
(45, 0, 'Sudipta Bhawmik Finally 2005 Pujo is here. In this Garden State of ours Kallol has started their celebration yesterday Friday evening and GSCA will start theirs from today. Are you all ready to hit the doors of Ukrainian Community Center or Plainfield High School As you attempt to enter the doors you’ll encounter few somber looking gentlemen sitting behind a linen covered desk with few preprinted stationary and scattered ball point pens. Yes you now need to pull out your check book and be ready to shell out few dollars from your savings. The question is how much The gentleman behind the desk will point you to a preprinted piece of paper with a heading which reads something like “Suggested Donation”. For few moments you will struggle with the word “suggested”. It may occur to you that the shocking amounts below those lines are mere suggestions only. No one is forcing you to pay that amount. However after some deep contemplation and few tacit exchanges finally you will succumb to both internal and external pressures and write that check for the full amount that was asked for. For the next few minutes this episode will keep on pinching you. Soon enough you’ll forget the unpleasant feeling and get involved in the festivities until next year when this issue will again surface at the parties and get-togethers. The debate undoubtedly will be that why these Pujo organizers can charge such astronomical amounts After all what do they offer Let’s think about this issue for a moment. Is it justified for the organizers to demand the contribution they are asking for For the past few years these two major Pujos of NJ are celebrating their festivals on the same weekend breaking a long tradition of having them on separate weekends primarily to manage the logistics. First of all reservation of these venues on specific targeted weekends is a difficult task. Secondly this simultaneous celebration divides the crowd which has grown over the years to such an extent that the fire marshals of the respective towns would be forced to shut down the event if the crowd skews to any particular direction. However this division of crowd has caused some financial strains on the organizers. The cost of organizing these festivals is also shooting through the roof. The venues are demanding higher rent every year. To accommodate the increase in crowd we need to set up tents outdoors. Only few years ago we remained quite satisfied with the entertainment programs presented by our local artists and performers. Now we demand the top performers from Kolkata maybe even Mumbai. This translates to increased expense. Then comes the question of food. Goat curry seems to be consistent debate. Just check out the price of a pound of goat meat in your local halal meat store. Now you do the math. Think about it just to attend a show of these performers that we get to watch during the Pujo will cost much more than what we pay as chandaa. Then factor in the food and fun I think you’ll find that you are coming out much ahead. Please join in the debate. Send me your comments and your thoughts on this issue. Wish you a great Pujo. Sudipta Bhawmik http://ethnomediallc.com/wpress/?pp_album=1&pp_image=niramishasi_web.jpg http://ethnomediallc.com/wpress/?pp_album=1&pp_image=goatmeat_web.jpg niramishasi web goatmeat web Niramishasi goatmeat web', 'Pujor Chandaa sudipta Arts-Culture Generic http://nynjbengali.com/archives/category/arts-culture http://nynjbengali.com/archives/category/generic View all posts in Arts-Culture View all posts in Generic'),
(25, 0, 'Learning lines All 9 messages in topic - view as tree loobyloo May 24 9:47 am show options Newsgroups: rec.arts.theatre.plays From: loobyloo - Find messages by this author Date: Tue 24 May 2005 14:47:15 0100 Local: Tues May 24 2005 9:47 am Subject: Learning lines Reply | Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse Hello everybody I’m an almost complete newbie to all this and I wanted to ask your advcie about learning lines. This summer I’ll be performing a one man show in Edinburgh and I need to learn a script that with pauses and so on will last about 40 minutes. I know it’s not Hamlet but it’s quite a lot for someone who hasn’t tackled something like this before. I wonder if anyone knows how more experienced actors go about doing this and what methods have proven effective for learning big chunks of text – Cliff Laine The Old Lard Factory Lancaster http://www.loobynet.com * remove any trace of rudeness before you reply * —————————————————————————————- Reply Jim Beaver May 24 1:06 pm show options Newsgroups: rec.arts.theatre.plays From: “Jim Beaver” - Find messages by this author Date: Tue 24 May 2005 17:06:59 GMT Local: Tues May 24 2005 1:06 pm Subject: Re: Learning lines Reply | Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse “loobyloo” wrote in message I’ve done several one-man shows of this length or longer. I just learn them paragraph by paragraph: learn a line learn the next one learn them together add the next line till you’ve got the first paragraph down cold. Then start the next paragraph. Once you’ve got it down go back and do both paragraphs together when you’ve got those two paragraphs down solid start paragraph three. Then you can either just keep adding paragraphs or learn each new one in conjunction with the previous one. Either method makes sure that you learn each new paragraph as a connected part to the previous paragraph which helps you maintain the flow of thought. But at least once or twice a day run through the whole thing as far as you’ve learned it and then read aloud the remainder. I’ve never had a very hard time learning a long one-man show this way. Of course the better the material the easier to memorize. Jim Beaver Reply Christopher Jahn May 24 6:50 pm show options Also it’s better to work on your lines while on your feet than sitting down. You will be SPEAKING them while you’re moving around after all. It also keeps your blood pumping and prevents you from sloooowly fading out. A trick I have used for really difficult patches or when I have only a short time to learn them I transcribe the words from the script onto a pad of paper in my own handwriting this forces my brain to process the words on a slightly deeper than simply reading them. Then copying the transcription in your own hand forces you to translate your own handwriting and re-process it as you write it out again. This can be extremely effective. This is how I learned a 5 page monologue in five hours for a production in KEELY AND DU when I was picked to be the understudy after the actor injured himself during the matinee. – :- Christopher Jahn :- http://home.comcast.net/~xjahn/Main.html Ven Hawkins May 25 3:17 pm show options Newsgroups: rec.arts.theatre.plays From: “Ven Hawkins” - Find messages by this author Date: 25 May 2005 12:17:12 -0700 Local: Wed May 25 2005 3:17 pm Subject: Re: Learning lines Reply | Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse I’ve used three methods: Method One: Record all the lines on tape. Use a small recorder with a pause button. When it comes your time to deliver a line hit the pause button say the line then listen. Of course since you’re doing a one man show it will always be your turn to talk so just take a chunk of dialog at a time. Method Two: Backwards. Memorize the last line. Then the previous line then the one before that. One each iteration go all the way to the last line. This way the lines you’re least familiar with are the first ones you say. Do it in managable chucks. I don’t use this method alone I still use the tape when I’m driving or some other activity that won’t allow me to use the script. I used this method when I had two weeks to memorize lines for a 2 1/2 hour show in which I played the lead character who was on stage the whole show. Method Three: I don’t try to memorize them at all. This actually works for me in some shows. We”ll have a week or two of blocking with scripts in hand to take notes. I’ve found that quite often I’ll have memorized the script without trying. It’s still a good idea to use the tape method to reinforce your lines to avoid paraphrasing. Good Luck Ven Hawkins Reply Cassiusw90s May 25 9:19 pm show options Newsgroups: rec.arts.theatre.plays From: “Cassiusw90s” - Find messages by this author Date: Thu 26 May 2005 01:19:57 GMT Local: Wed May 25 2005 9:19 pm Subject: Re: Learning lines Reply | Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse Cliff: One suggestion by which you can kill two birds with one stone is this: Go through your scenes a couple of times and break up the “lines” into units of intention…that is “What does the character want ” “How is he trying to get it ” “What obstacles are in his way ”. Afterwards take an hour a day..or more if possible.. and work through each scene with an index card covering all your lines except the one you’re currently on. As a result of the work above you’ll have memorized stuff without knowing it. And you’ll be memorizing the lines as part of understanding ways in which your character is moving moment to moment through the play.. It may sound pretentious but honestly it works brilliantly. Regards CassiusW90s Jim Beaver May 25 9:34 pm show options I’ve found this method to work very well myself. And not just for monologues. Jim Beaver Reply Mark Cipra May 26 6:50 am show options Newsgroups: rec.arts.theatre.plays From: “Mark Cipra” - Find messages by this author Date: Thu 26 May 2005 06:50:26 -0400 Local: Thurs May 26 2005 6:50 am Subject: Re: Learning lines Reply | Reply to Author | Forward | Print | Individual Message | Show original | Report Abuse “Cassiusw90s” wrote in message news:1v9le.14501 IX4.2961@twister.nyc.rr.com… Cliff: One suggestion by which you can kill two birds with one stone is this: Go through your scenes a couple of times and break up the “lines” into units of intention…that is “What does the character want ” “How is he trying to get it ” “What obstacles are in his way ”. I wouldn’t say this to a veteran but since you say you’re a newbie … This is very important advice. You’re not memorizing the multiplication tables you’re learning a role. The words arise out of wants actions etc. It’s more akin to learning how to rebuild a carburator than memorizing the phone book. - Hide quoted text - - Show quoted text - loobyloo May 28 4:07 pm show options Newsgroups: rec.arts.theatre.plays From: loobyloo - Find messages by this author Date: Sat 28 May 2005 21:07:54 0100 Local: Sat May 28 2005 4:07 pm Reply', 'Learning Lines sudipta Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(28, 0, 'RSS Feed is a great way to receive news and information from a variety of websites directly on your desktop without having to search for them or visit their websites. News and information can be delivered through email or web sites as plugins to your web browser as well as stand-alone news readers and feed aggregators. This article will give you a brief overview of how to avail of this great piece of technology. You must have seen those small orange ‘XML’ or ‘RSS’ buttons beginning to spread across some of your favourite web sites. Perhaps you have clicked on one out of curiosity only to be faced with a barrage of angle brackets and undecipherable code. But once you click on that button - what do you do then This article will show you exactly what to do. RSS It’s actually “Really Simple Stupid” or “Rich Site Summary” or “Really Simple Syndication.” But no matter what it’s called RSS is a new way to publish information online. The first thing to do of course is click that button. It may be an orange button with ‘XML’ or ‘RSS’ written across it or you could see the word ‘Atom’ or less commonly it could be blue with maybe the initials ‘RDF’ or it could be a simple link with something like ‘Grab My Feed’ or just ‘RSS Feed’. Gets confusing doesn’t it But what the acronyms like XML and RSS actually stand for is less than important - what to do after clicking the button is the important bit. After clicking the button you will see all that code - if you have ever viewed the source code to a web page it looks a little similar. RSS is just another language of the web but you can actually completely ignore the code itself and only care about the end product. In the case of RSS that end product is up to date news on the topics you are interested in. For example if you want to keep up to date with the latest information on financial markets or growing marigolds or your favourite “NY NJ Newsletter” and you see a feed on that particular topic you can ’subscribe’ to it and receive messages via the feed each time the publisher of the feed updates it. So how do you ’subscribe’ to an RSS feed The important bit is what is in the browser address or location bar after clicking the feed button i.e. the bit at the top of your browser window that usually starts with ‘http://…’ and tells you the web address of the page you are visiting. For this newsletter it is - http://ethnomediallc.com/wpress/index.php/feed/ After clicking the RSS or XML etc. button you need to copy that address - it’s that address that you need to ‘plug’ into what is generally known as a ‘news reader’. News readers allow you to keep updated with the feeds that you are subscribed to. There are several to choose from - some involve downloading some software some involve visiting a web site some are free and some require a small investment. Once you have chosen a particular news reader you simply take that address that you have copied and following the instructions provided with the news reader to subscribe to or add a new feed simply paste it in - the reader will take care of the rest and keep you updated with your new feed. Once you have done it once you will see just how simple it really is. Here are some news readers you can choose from in approximate order of recommendation under each category: Browser-Based: My Yahoo BlogLines http://www.bloglines.com AmphetaDesk http://www.disobey.com/amphetadesk/ NewsIsFree http://www.newsisfree.com/ Software For Windows: NewsGator http://www.newsgator.com/ - integrates into Microsoft Outlook FeedDemon http://www.bradsoft.com/feeddemon/ Awasu http://www.awasu.com/ SharpReader http://www.sharpreader.net/ FeedReader http://www.feedreader.com/ NewsWatcher http://www.newswatcher.com/ NewsRanker http://egofile.com/newsranker/ - claims to learn from your news reading to prioritize the feed items you receive Novobot http://www.proggle.com/novobot/ - extracts headlines from feeds and also web sites that you are interested in Radio Userland http://radio.userland.com/ - blogging tool with an integrated news aggregator For FireFox browser you may use the active bookmark click orange button on lower righthand corner or download SAGE plugin. Thunderbird email client can also receive RSS feeds. It’s useful to spend a few minutes researching some appropriate choices - once you’ve decided on one that you believe to be suitable you can start picking up new feeds straight away. It’s Really So Simple you won’t look back. RSS Feed is a great way to receive news and information from a variety of websites directly on your desktop without having to search for them or visit their websites. News and information can be delivered through email or web sites as plugins to your web browser as well as stand-alone news readers and feed aggregators. This article will give you a brief overview of how to avail of this great piece of technology.', 'How to Receive RSS Feeds sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic');
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(29, 0, 'Ashok Mukhopadhyay an eminent theatre personality from Kolkata is visiting the United States to direct a play at the 25th North America Bengali Conference to be held in New York during July 1 -4 2005. I asked few questions to Askok-da as I fondly call him on how he approached towards developing this play. Sudipta : NABC 2005 is celebrating 200 years of Bengali theatre through three plays covering the period. You have written the script and directing one of the segments. What part of this vast canvas are you covering in your segment Ashok : I have not actually written any script for my part of the production. I have selected scenes from some of the great plays written during the time-span and I am trying to link them with song-and-dance sequences to produce a theatrical collage. I am covering the period 1870 to 1944. Sudipta : What was your criteria in selecting the play segments Ashok : I selected scenes from some of the major plays by some of the major playwrights of the time. I wanted them to be various in appeal and approach ranging from the high satire of Buro Saliker Ghare Roa Modhusudan to the solemnly tragic note of Balidan Girishchandra from the comedic romanticism of Chirakumar Sabha Rabindranath to the musical rhythm of Alibaba Khirodeprasad and thus to the historicity of Chandragupta Dwijendralal to the garbed mythology of Karagar Manmotho Roy and finally reaching the agony and protest of Nabanna 1944 . Sudipta : What was your thought process in developing your segment Ashok : The basic thought grinding the selection of plays concerns the belief that theater provides the finest documentation of time and its flow. Theater intrinsically projects the truth about social transition placing human beings and their values against the correct perspective. I hope our production of the play-pieces will provide a commentary on the theater of the time as also on the social milieu producing the theater. Sudipta : Is this your first visit to North America Bengali Conference If so what is your expectation Ashok : This is my first visit to North America Bengali Conference. I am looking forward to a great week-end when Bengali culture will shine proudly in America projecting the multi-dimensional character of this dear and glorious tradition of ours. Ashok Mukhopadhyay an eminent theatre personality from Kolkata is visiting the United States to direct a play at the 25th North America Bengali Conference to be held in New York during July 1 -4 2005. I asked few questions to Askok-da as I fondly call him on how he approached towards developing this play. Ashoke Mukhopadhyay', 'An Interview with Ashok Mukhopadhyay sudipta Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(21, 0, 'NY NJ Bengali Newsletter June 3 2005 Dear Friends As we move towards summer all eyes I mean Bengali eyes are looking towards Manhattan New York with great expectations. The 25th North America Bengali Conference is gearing up to greet Bengalis from all parts of the world. Are you joining them Today’s events list includes two very specific events to be held at the NABC 2005 the classical music sessions and the literary seminars. Classical music and Literature are two very fond subjects of any Bengali intellectual. This year however the NABC committee has opened up the classical music event to non-regsitrants also who may be interested to listen to these wonderful musicians without having to register for the full conference. See you all in Manhattan on July 2nd to July 3rd. Many of you have been sending me event listings as long attachments even pdf files . It is vey difficult for me to extract the text info from those files.So here are your two options: 1. Send me a text file similar to my email listing give who what why when where and howmuch information. I’ll cut and paste it to my email. OR 2. Visit http://ethnomediallc.com/wpress register yourself log in and write in your announcement and mark it as a event category. You can post to other categories too like classified reviews etc. All my emails will refer to this site and my email will contain a summary of this entry too. Please help me out. Wish you all a very happy weekend. Regards Sudipta Bhawmik', 'NY/NJ Bengali Newsletter June 03 2005 sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(2, 0, 'Well this question has been answered several times by many experts. My intentions are perfectly clear. I would like to use this channel to express my thoughts and to let people know what’s happing in the e-media field especially the ethnic fields. So please stay tuned. 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Bookmarks Copy this HTML to create a link to this page Save to Ask Save to blinklist Save to Bloglines Save to BlogMarks Save to Blogsvine Save to del.icio.us Digg It! Save to Facebook Save to Google Bookmarks Share on LinkedIn Reddit Stumble It! Add to my Technorati Favorites Save to Twitter Save to Windows Live Save to Yahoo! Bookmarks Email this to a friend See more bookmark and sharing options...', 'Why Blog sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(5, 0, 'From Pamina Bagchi In Edison New Jersey a Korean American is running for mayor in an upcoming primary race. An April 25th article in the New Jersey Star Ledger reported that both the Korean American candidate and his opponent are hoping to receive votes from the Asian American community. On April 25th the “Jersey Guys” show broadcast on 101.5FM reacted to the article. In doing so the deejays used racial and ethnic stereotypes to characterize Asians in New Jersey as “un-American.” The broadcast also implied that Asian ethnic groups have taken over businesses and neighborhoods in New Jersey and have contributed to the region’s economic failings. For a copy of the letter that has been sent by organizations please email saalt@saalt.org and visit saalt.org for more info. Please call email and/or write the manager and parent company of the station to protest against this irresponsible broadcast. In addition you could also send a message to the station’s sponsors. - First introduce yourself and your connection to the community if you are a NJ resident make sure that is clear - Express your feelings about the broadcast in a respectful manner - Ask the station to meet the following demands from the community Whom do I contact Send a copy of your correspondence to saalt@saalt.org Eric Johnson Station Manager New Jersey 101.5 FM Radio P.O. Box 5698 Trenton NJ 08638 Ej1015@nj1015.com 609 771-8181 Xenophobic comments on New Jersey Radio Show Warrant Response from South Asian Community MAY 2 2005 - From Pamina Bagchi', 'NJ 101.5 Comments on Asian Americans sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(14, 0, 'Dear Friends In my last week’s newsletter I had mentioned about “Radio Bangla” the Internet radio station. Did anyone of you get a chance to listen to it I’d like to hear your comments and suggestions. Today I’d like to introduce you to “NY/NJ Bengali” Blog site http://www.ethnomediallc.com/wpress . I have set up this site where I can post our blogs i.e. blogs from any registered user . Blogs can be anything on any subject you’d like to share your thoughts on. Just register log in and post your writings. However your blogs/articles will be posted only after I approve them. This is just to prevent spam and offensive postings if any. Blogs can be posted on few different categories. Following are few of them. Please don’t forget to check the appropriate category box when you write and post your article. Categories: Social : Articles pertaining to social/political issues Arts-Culture : Article on arts and culture Reviews : Reviews of shows books films etc. Classified: If you’d like to give away donate sell or announce any service or product you may post it in this category. Note that this category postings does not show up on front page. This is FREE. Need Help: If you or someone you know needs any help from any community member you may feel free to post it here. You never know who can help you when you need it the most. Posts on this category does not show up on front page. Generic: All other categories Note that neither I nor Ethnomedia LLC has any means of verifying the authenticity of any posts and hence bears no responsibility for any consequences that may result from their usage. This is offered only as a public service. Please use responsibly and at your own risk. Note that you can set up the RSS feed from this site to be fed to your RSS news reader like yahoo or others . Next time I’ll discuss about RSS news feed in more details. I wish you a happy and enjoyable long weekend. Regards Sudipta', 'Issue: May 26 2005 sudipta Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(366, 0, 'North America Bengali Conference NABC 2009 kicks off at the San Jose Convention Center on July 2nd. The biggest Bengali event of the year will run till July 4th and will feature some of the best performers from India Bangladesh and USA. Urhalpool editor Goutam Datta will be awarded the “Distinguished Service Award” at NABC 2009 on Friday July 3rd at 6:45PM in “Banga Mancha”. The award is given by the Cultural Association of Bengal the umbrella organization of NABC for helping the cause of propagating and nurturing Bengali culture in North America. URHALPOOL www.urhalpool.com had been chosen by NABC2009 as their internet media partner. URHALPOOL in association with NABC2009 will be presenting extensive coverage of the event for all 4 days from July 1st to July 4th. Catch up with all the NABC excitement at URHALPOOL www.urhalpool.com . On June 26th Anandamandir hosted their monthly “Sahitya-o-Alochona” meetings where the attendees discussed the celebrated Bengali poet Joy Goswami. The attendees read Joy Goswami’s poems discussed the artistry of his work and shared their personal experiences with the poet. Tauryatrika 2009 the annual cultural program of Bharatiya Kala Kendra - BKK was a mega success. The event started with an excellent and highly interactive seminar followed by screening of a movie on Ustad Bismillah Khan directed by Goutam Ghosh . In the cultural program students of BKK put an excellent presentation. At the end Bappi Lahiri was on top of his form. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Community News Bites: NABC 2009 and Urhalpool size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(515, 0, 'New Jersey Durga Puja Committee of Kallol Cordially invites you with your family and friends to participate in our 2010 Durga Puja Celebration Durga Puja will be held on October 15 16 17 2010 At the Ukranian Church and Cultural Center in Somerset New Jersey Registration Information Over the last several years we have had a large increase in the number of people attending Kallol’s Durga Puja which we are very happy about. Unfortunately as you know the Ukranian Center Hall has limited accommodation in the main hall. We have had to restrict entry in the main hall in the previous years in compliance with township rules and fire codes. So like the last few years we are introducing an online registration system to provide you with an opportunity for pre-registration which will guarantee entry. We may not be able to admit you without pre-registration if we reach capacity. Online registration will begin on September 20 2010 at http://www.kallol.com Suggested Donations Kallol Member’s: 60.00 Non- Member’s: 65.00 Student with ID: 40.00 Children 12-18 YRS : 30.00 Children Below 12 YRS : Free Patrons: 200 includes 2 badges Sponsors: 500.00 includes family bagdes upto 4 Grand Sponsors: 1000.00 includes family bagdes upto 4 complimentary 2 nights hotel room Reserved seating area for Patrons Sponsors Grand sponsors Program Schedule Friday October 15 2010 Mahasasthi and Mahasaptami Puja: 2:00 p.m. Anjali: 5:00 p.m. Dinner: 6:30 p.m. Cultural Program: 8:00 p.m. Saturday October 16 2010 Mahaashtami Sandhi Puja: 10:30 a.m. Anjali: 2:00 p.m. Dinner: 5:00 p.m. Cultural Program: 6:00 p.m. Sunday October 17 2010 Mahanabami Mahadashami Puja: 11:00 a.m. Anjali: 2:00 p.m. Dinner: 5:00 p.m. Cultural Program: 6:00 p.m. Saturday October 23 2010 Kojagori Lakshmi Puja Puja: 3:00 p.m. Anjali : 4:00 p.m. Vijaya Sammelani Cultural Program : 6:30 p.m. Dinner : 9:00 p.m. Cultural Program Highlights* Fri Oct 15 2010: Parthasarathi Desikan ~ Classical Vocal Sat Oct 16 2010: Jolly Mukherjee from Bolloywood and Koel Mukherjee of Sa Re Ga Ma Pa Fame Sun Oct 17 2010: Anirban Dasgupta Sasha Ghosal *Subject to change Venue Directions Venue Ukranian Cultural Center 135 Davidson Avenue Somerset NJ 08873 Directions From Interstate 287 North Take exit 10 Rt. 527 / Easton Avenue Go right towards Bound Brook and turn left at the first traffic light onto Davidson Avenue The Ukranian Cultural Center and parking will be to your right From Interstate 287 South Take exit 10 for New Brunswick / Easton Avenue Turn left onto Easton Avenue and go underneath the highway I-287 Turn left at the first light onto Davidson Avenue The Ukranian Cultural Center and parking will be to your right From Route 18 Take Route 18 from Rt 1 towards New Brunswick past the Raritan River and after the bridge make a left at the first traffic light onto River Road Go to the junction of I-287 and enter onto I-287 North Then follow directions from above Hotel Information Kallol of NJ’s official partner for Durga Puja 2010 is Madison Suites Hotel. The hotel is located at about 5 minute driving distance from the venue and features spacious rooms with microwave and refrigerators in all rooms and the rate below also includes free continental breakfast. Follow details below to make your reservations with the hotel directly. In order to get Kallol’s discounted rate you will need to mention “Kallol DP 2010” during reservations and show them a copy of your registration during check in. Madison Suites Somerset NJ 11 Cedar Grove Lane Somerset NJ 08873 www.madisonsuitesnj.com Official Hotel of Kallol’s New Jersey Durga Puja 2010 For reservations please call 732 563-1000. Be sure to mention “KALLOL DP 2010” in order to receive this discount. You can visit them on the web at http://www.madisonsuitesnj.com Special Rates: Oct 15 16 2010 60 tax Standard rooms 80 tax Bi-Level Suites Oct 14 17 2010 55 tax Standard rooms 75 tax Bi-Level Suites Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Kallol Durga Puja 2010 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(511, 0, 'Ananda Mandir for the seventh year in a row will present “MAHISHASURA MARDINI” the famous musical show live on October 10th at 4.30am. This show has become synonymous with the celebration of “MAHALAYA” in Bengal and around the world for decades. Written by Bani Kumar and produced by All India Radio includes some of the most popular Bengali songs composed by Pankaj Kumar Mallik. On 10th October morning some of our most talented local musicians will present Mahishasura Mardini in its full glory. PLEASE COME AND ENJOY THE SHOW. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Ananda Prabhat at Ananda Mandir size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(226, 2926, 'Durga Puja 2010 Bengali SMS Good ones http://www.bhalobasa.in', NULL),
(506, 2920, 'Bonani Dutta Thanks aton fo all the info about the Pujo 2010 and the events associated…truly a Good effort to link all the bengalies in Jersey and surrounding who look forward all year long for to celebrate these 4 days….:', NULL),
(512, 0, 'Few minutes ago an old friend of mine called to wish me for the upcoming Durga Puja festivals. He said “It’s Mahasasthi in Kolkata today ” I wished him back but it occurred to me that it’s Mahasashti everywhere not only in Kolkata. When I reminded him he laughed and said “Yes indeed. But our Sasthi starts on coming Friday ” And he is absolutely right. Our Pujo in New Jersey I am referring to the Kallol Durga Pujo which we both attend starts on October 15th Friday evening and that’s our Mahasasthi. The thought does give me some consolation that Pujo is yet to start and we have few more days to look forward too. But my friends and family in Kolkata have started enjoying their Pujo. They have started posting photos of their favorite idols on Facebook and Orkut sending Pujo greetings through emails and expressing their joy and merriment. ETV Bangla is taking us through the streets of Kolkata and the online newspapers and magazines giving us day by day commentary of the Pujo happenings. And we cannot deny that this does cause a bit of a tinge in our hearts. I did not grow up in Kolkata hence I don’t miss the city festivities. In fact the few times I have been to Kolkata during the Pujo I didn’t enjoy the crowd the hustle and bustle and the inconveniences of daily civic life. The only excitement was drifting from Puja Pandal to Pandal and watching the Pratima and the other pleasant visuals especially of the opposite sex around. I grew up in Hijli Kharagpur IIT Campus where we had only three very homely Puja’s. We spent all four days of Puja hanging around the Pandals tasting savory snacks at the make shift food stalls participated in various events. During the evenings we gathered around the Pratima where the priest performed the arati while the dhakis and the dhunuchi dancers danced to the intoxicating beats and the perfumed smoke from the dhunuchis. I still remember our favorite “Dari Kaku” you can see him standing on the right side in the picture above the bearded compounder from our campus hospital drumming to his hearts glee and once in a while pulling in one of us kids to play the “kashar ghonta” And at the end of the arati came the prasad that we all waited for. Later in the evening cultural programs plays music and dance livened up the pandal. Our favorite of course were the movie shows old black and white Bengali movies like Dhuli Ashite Ashiona or Neel Akasher Niche with frequent breaks due to changing on the film spools on a singe projector. Late night when the movie concluded the grounds looked like a battled field strewn with bodies of children and grown ups sleeping happily under the open sky. Another attraction of the campus puja was the burning of the Ravan effigy or Ravan Dahan. During the Puja afternoons me and my friends were assigned the task of building the Ravan using huge bamboo baskets and colored papers. On Dashami afternoon the 25 feet high Ravan effigy was installed on the island in our campus lake. The pyro-technicians from Kharagpur town came and installed the bombs and other fire works inside each of the ten heads and the torso. During the evening the idol was put up on a truck and taken around the campus before the immersion ceremony. Dari-kaku would pull us up onto the truck and we accompanied Maa Durga while dancing to the drum beats and yelling “Bolo bolo Maa Durga ki Joy Ashchhe bochhor aabaar hobe ”. After the immersion of the Durga idol in the lake and some glorious display of fireworks an arrow mounted on a wire-guided missile was launched from the banks of the lake. The arrow flew across and hit right on target - the heart of Ravan and a series of controlled explosions soon brought down the effigy into a pile of ashes. But the fun did not end with the Pujas. The Bijoya celebration was another great attraction especially to us the kids who went from door to door touched the elders feet and waited for the plates to appear from the kitchen filled with sweet and salty treats. This continued till Kali Puja came knocking at the doors. For me the Puja’s here more resemble the campus days - a meeting place with friends to share a laugh and some happiness to enjoy our kids running around to appreciate the beautiful ladies around in their wonderful saris enjoy those not-too-perfect presentations on stage and just reminisce of the good old days. Happy Puja to all of you my friends. May Maa Durga fill your lives with happiness and joy Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Durga Puja - Here and There size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(378, 0, 'On July 4th Saturday night the curtains came down upon the NABC 2009 at the San Jose McEnery Convention Center. But as the NABC lights faded out in the West Coast Kallol of New Jersey got into full gear to herald in the NABC of 2010 to be held at the Atlantic City Convention center from July 9th to 11th 2010. Although I was not able to attend the San Jose NABC but judging from the excellent coverage on Urhalpool it seemed that it was a successful one from an overall perspective. It seemed that the shows ran on time which was unthinkable even a few years ago NABC seems to have fixed that vexing problem and made this cartoon irrelevant they were entertaining and dazzling food was good as were the long adda sessions. The second generation kids also seemed to have enjoyed themselves some made new friends and some met old ones they met at previous NABCs. However the editor of Urhalpool Gautam Dutta who also has received an award from the Cultural Asso. of Bengal at the NABC 2009 for his contribution to Bengali literature wrote an editorial on the NABC proceedings which echoed some of the frustrations of the past. Gautam’s grievances about the treatment of domestic artists and performers neglect of literary guests and their seminars lack of care for Bengali literature as a major component of Bengali culture has been voiced time and again but to most of the organizers those are of lower priority. After all Shantanu Shan from Mumbai can pull in more registrants than Sunil from Kolkata. Although I wrote about some of these issues in a past article I think I’ll re-iterate some of them once again. Since the 2010 NABC will be held in our home turf organized by our club “Kallol” I can hope that our hopes and wishes will find some compassionate ears. So here goes my wish list: 1. Cut down the number of artistes from India Kolkata Mumbai . Inviting a large number of artistes and performers from India is counter productive. It not only boosts the NABC budget but to the audience members it becomes a major hassle to co-ordinate between other shows social meetings literary seminars films theater etc. etc. I have nothing against the professional performers from India. My point is to give some room to the audience members to enjoy and appreciate the other programs. How can we expect audience at a literary seminar when it runs parallel to “Shan” “Shreya” or “Srikanto” And hence during the local performances they take their breaks for meals addas and shopping. Please give them a break. 2. Introduce new and upcoming talents from India. Aren’t we tired of watching and listening to the same performers again and again Srikanto Acharya is a great singer but think how many times we have heard him in the last five years. We wouldn’t have attended his concert this many times even if we had lived in Kolkata. Same goes for many of the other artistes whom we see at each and every NABC gathering. Why not introduce some of the new and upcoming artistes at NABC With the proliferation of Indian and Bengali TV channels in USA we are now familiar with many of these artists. One name comes to my mind is “Sahaj Maa” – her renderings of Sufi and folk music is simply mind boggling. Stand up comedians like “ Mir ” or “Kanchan” can be an excellent addition to the usual repertoire and they can double up as anchors/emcees. 3. Special events for second generation. Although this sounds like a cliché but the fact remains that we mostly ignore our next generation at the NABC festivities and get too involved with ourselves. Mind you when we talk about second generation we are talking about a wide range of age groups. “Speed Dating” introduced at NABC 2009 I presume is nice for the youths but may not be that attractive for the younger kids. We need to be innovative about getting them engaged – be it quiz contests or spelling bees Bengali Idol NABC idol was introduced in 2009 music contest children’s drama competition dance competition – anything that can engage them. How about mini-workshops on arts and crafts music acting or film making And let our second generation kids organize manage and run them. I have more wishes and I’ll list them in the coming weeks. I also welcome comments and suggestions from the readers and listen to their wishlist. However the bottom line is that we need to rethink the objectives of Bango-Sammelon aka NABC and act accordingly. 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(379, 0, 'A unique concert of Tagore songs with the accompaniment of Indian and Western musical instruments is planned for Saturday July the 18th 2009 at 6-30 P.M. at the fabulous sanctuary of the futuristic Saint Peters Church in the heart of New York City at 619 Lexington Avenue corner of 54th Street New York City. Rezwana Choudhury Bannya the famed Tagore singer will be the solo vocalist. Among the instruments will be Piano Violin Saxophone Harp Cello Veena Sitar Flute Tabla Mandira etc. The musicians who will play these instruments are all accomplished artistes in their respective areas. This is the first time that such a concert is being offered where so many Western instruments will be played with Tagore songs or any other Bengali song genre for that matter at the same session. As planned Ms. Bannya will sing an average of two songs with each instrument individually. At the end two or more songs are expected to be offered with all the instruments playing together. Suggested donations for the concert has been set at 100 50 and 25 to defray the costs for the concert. Guests are requested to arrive on time and take their seats by 6-30 pm so that the session may start on time. The entrance is through the 54th Street south side doors less than 50 feet from Lexington Avenue while walking towards Third Avenue. Discount parking is available at Metropolitan 51 Parking 569 Lexington Avenue south side of 51st Street between Lexington and 3rd Avenue 15 for upto five hours .. For getting the discount the tickets have to be endorsed by a seal at the reception desk at the church entrance. Those interested to attend the concert and collect tickets are requested to ontact: 347-570-7787 917-770-0146 718-414-9743 or send email at following adresses: email: smullah41@yahoo.com sarwarharun@gmail.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Bannya Concert in New York size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(380, 0, 'On the Occasion of its 20 th Anniversary Celebration Mrittika Inc. of New Jersey-A South Asian Language and Heritage Center formerly known as Bengali Learning center Cordially Invites You to Attend the First “South Asian Heritage Day” Celebrating “Unity in Diversity through the Arts” Co-Sponsored by Monmouth County Library Headquarters On August 1 2009 Between 11:00 AM 3:30 PM at Monmouth County Library Headquarters 125 Symmes Drive Manalapan NJ 07726-3249 The day-long cultural program includes Exhibition Performing Arts Documentaries Author Presentations Art Workshops The Exhibition “My Roots” contains three areas of display which includes: Desire within boundaries: The Earth friendly handed down ritualistic traditional painting art form by women from Three generations of the Bengali Community features Alpana works “Vanishing Earth”: A special display of miniature clay art form of Bengal “South View”: An assorted display of folk artworks articles and jewellaries from South Asia The Performing Arts will include Music and Dance programs by community artists “Enchanting tunes of South Asia”: A multimedia musical composition featuring flags and costumes of South Asia: Research Compiling and composition by Alumni and other Mrittika members from the community. The live section will be presented by community celebrities “Mother Earth-Father sky”: A performance of Indian Lyrics and tunes written and composed by world famous writers poets and composers Co-ordinated / directed and sung by: Arundhati Mullick with a group of local community celebrities along with a specal dance segment by “Rhythms of dance and Music Artistic Director: Mitra Purkayastha performed by Mitra Purkayastha and Orchi Dutta “East meets West”- A performance of classical Indian Kathak Bharata Natyam and Western Dance Ballet Flamenco by “Kalamandir” of New Jersey Artistic Director: Malabika Guha performed by Brinda Guha and Ariana Dasgupta The Documentaries contain “The treasure hunt from the past”: Learn about the disappearing clay art form of Bengal Bengali with English Subtitles Directed by: Sanjiban Guha and produced by Mrittika “A Journey”-Glimpses of Mrittika’s twenty years Art workshops include “Building the bridges”: Guest Artists share techniques in South Asian Art Forms in the prticipatory programs for children and adults which includes Face art and Mehendi and there will be a Author presentation Two Books: Two authors Mothers for Sale: Women in Kolkata’s Sex Trade by Indrani Sinha Shamita Das Dasgupta. Author Shamita Das Dasgupta shares this sharply intelligent and compassionate exploration of an East Indian social reality. Red Oleanders Raktakarabi by Rabindranath Tagore 1861 – 1941 . A new translation and adaptation of the renowned Nobel Laureate Tagore’s drama by Nupur Lahiri. Dr. Lahiri will present. The program co ordinator: Dhriti Bagchi on behalf of Mrittika Co-Sponsor: Monmouth County Library Headquarters Light refreshment will be served This program has been made possible in part by the Monmouth county Arts Council through funding from the Monmouth County Board of Chosen Freeholders through the County Historical Commission and the New Jersey State Council of the Arts/Department of State A Partmer Agency of the National Endowment for the Arts For further information pleae visit : www.mrittika.org For Library direction: phone number: 732-431-7220 Website: www.monmouthcountylib.org Address: 125 Symmes Drive Manalapan NJ 07726 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value 20th Anniversary Celebration Mrittika Inc. size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(373, 0, 'By Amitava Sen The derivative meaning of the word “Jayanti” in Bengali is an occasion to acclaim and praise linguistically speaking. But the word really means a Jubilee celebration of certain anniversaries. More often it means celebration of birthdays of famous persons usually dead than alive. In our case the dates of these anniversaries could be an amalgam of many calendars. Saints and spiritual gurus are observed according to lunar calendar Sri Ramakrishna is celebrated on the second day of the new moon on the eleventh month Falgun of the Bengali era. Poets and littérateurs have their assigned days in accordance with the dates of Bengali calendar as in 25 th of the first month Baisakh of the calendar for the poet Rabindra Nath Thakur and for some the ones dealing with science politics sports etc. as per the Christian calendar January 23 rd for Subhas Chandra Bose for example. Bengalis worship their heroes. The modality of hero branding has changed somewhat. Now a foreign recognition is deemed necessary for getting up there. There was a dry period after Satyajit Ray till Amartya Sen arrived. Both are internationally recognized. Though Bengalis made Mother Teresa a hero she was not really their kind. Then there was Saurav Ganguly whose virtual beatification for a period of time seemed destined to make him a candidate for Jayanti of his own. That he is still alive should not be a problem. We have precedents. Biggest of all our Jayantis one for the poet Tagore had been happening long before he died. Indeed he was an enthusiastic and willing participant. In addition he saw to it that celebrators did not run out of songs and poetries for his anniversaries for longest time to come after he was gone thousands of them compare this with only 154 sonnets that Shakespeare wrote. As we like to live in our past present is dreary and the future is bleak we need anniversaries lots of them. The ways of celebrations differ. That was January twenty-third a taxi traveling in a side street in Calcutta was stopped at the entry by a group of youngsters. In the middle of the street a portrait of Bose was installed in a makeshift platform duly garlanded. They objected to the taxi proceeding. The passenger reasoned that this was the only way the taxi could reach its destination but that pleading fell in deaf ears. He was accused of being unpatriotic. The taxi driver got involved but he soon came to the conclusion that discretion was better part of valor and promptly retreated when some one threw a stone aiming at the windshield of the taxi causing a small crack realizing that the violent outburst was probably the way the young fellows in the street intended to uphold Subhas Bose’s valiant legacy of armed resistance to the intruders. Saints and gurus have a peaceful way. Their affairs are usually confined in the temple and other places indoor except for when Bharat Sevasram Sangha and the likes decide to bring out a big procession blaring loud music stopping traffic for hours. But disrupting traffic back in West Bengal is everyone’s revolutionary right. Almost everyday can be called an anniversary of some sort. Poets and writers especially ones with songs to their credit usually do better because their anniversaries have a monetary potential as it can attract a fare paying crowd of aficionados of their songs and poetries performed by celebrity artists and movie stars. Closer to home here in New Jersey we love our Jayantis too as long as it has a cover of culture. We consider only the poets and writers for the honor. On a recent evening there were three portraits somewhat worn out from many years of use two of them were instantly recognizable the third though a familiar name the face still remained a little unknown to the crowd who gathered there. Anyway the display of three pictures was all we needed for their Jayanti celebrations. What followed had nothing to do with the subject poets and their contribution to the Bengali literature. They are dead anyway who will care how they feel. Turning in the grave does not pose a threat of any consequence. One of the organizers made an announcement that the Jayanti celebration was the major annual cultural program of the club. Demonstration that followed the announcement did not appear to promise a very bright future for the state of Bengali culture or for that matter even for the three Kobis adorning the arena. The poor Kobis could not even get up on the stage their pictures looking forlorn were planted below the main podium while some variation of go as you like was going on up on the stage. There is plenty supply of Kobis in Bengali. There is no reason that we have to have Jayanti for same three of them year after year after year. Could it be because we have no other framed portraits available readily But we can act as Romans while in Rome. . Here in America we have a day earmarked for President George Washington but it really is a Presidents’ Day for all 40 dead presidents. It is closer to the first president’s birthday in February that’s all. In the same vein we can have a Kobi day for all the dead Kobis. Assigning a day closer to the most famous of them will be fitting. We can do away with the three faded pictures and celebrate Jayanti for all of them. As they are too many in number we will not be expected to sing and dance for any particular one. We will celebrate our culture in whatever shape and form we want. That will be liberating. 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(381, 0, 'A translation company specializing in voice-overs and subtitling are looking for native speakers of Bengali for lip-sync/dubbing of a video series for the City of New York We are New York . They need approximately 10 –12 speakers teenager to senior male and female. Is this something you’d like to get involved in Experience is preferred by not necessary. Contact: Lindsey InterNation Inc. 299 Broadway Suite 1400 New York NY 10007 toll free: 800.222.8799 phone: 212.619.5545 fax: 212.619.5887 info@internation.com www.internation.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Bengali Speakers Needed size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(510, 0, 'SKN Foundation Proudly Presents: “Sangeet Sandhya” “An Evening of Classical and Semi-Classical Songs” “A fundraiser for the preservation of Hindustani Classical Music” Date – Oct. 2 nd 2010 – Time – 4 PM to 8 PM Venue – Stonecrest Community Church Auditorium 1 1 Technology Drive North Warren NJ – 07059 Hindustani Vocal Classical by – ANASUA ROY And Semi-Classical Vocal and with a touch of Fusion by – NIRMALYA ROY From Kolkata Semi-classical music with touch of fusion: Vocal by Nirmalya Roy Kolkata a scholar in classical music from SRA and disciple of Pt. Arun Bhaduri is equally talented in light classical Ghazal and Filmi songs. He has released number of CDs and has been performing in TV Radio and abroad. Performed with Ravi Shankar-ji. Currently involved with Z-TV Bangla SaReGaMa show as composer. www.nirmalyaroy.com. Sitar By Abhisek Mallick disciple of Pt. Shyamal Chatterjee and Pt. Manilal Nag is a recipient of President Award for first position in AIR music competition 2003. He has been performing in TV Radio and abroad. Tabla By Shivalik Ghoshal disciple of Pt. Swapan Chaudhuri. Resonance Band Satyajit Bhattacharya on Keyboard Atish Mitra on Guitar and Anil Das on Percussion For More details pl. visit www.sknfoundation.org or call 732-310-3617 Cell. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Sangeet Sandhya size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(383, 0, 'Subrata Ghosh an emiment theater critic from Kolkata recently reviewed Theater Workshop’s production “Jadiyo Galpo” in Desh patrika. The play is directed by Ashok Mukhopadhyay. “Jadiyo Galpo” is the play that we had staged last year as “Satyameva”. Check out this review and tell your friends and family in Kolkata to watch this play at their latest opportunity. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Jadiyo Galpo - A Review size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(509, 0, 'Raag-Rang presents for the first time an Informative interactive and intimate session on different styles Gharana in Hindustani Music. A Lecture-Demonstration by Dr Mohan Deshpande. Dr Deshpande a musician and musicologist will talk about different styles of Indian music and how it is in use in today’s context. Date– 3rd October Sunday. Time– 3 pm. Donation– 5.00 for members and 10.00 for non-members. RSVP will be appreciated. Contact– 732 -296-1865 908 -429-1120. Email –raagrang07@gmail.com Venue–At Sunil Nair’s residence 36 Pine Ridge Drive East Brunswick NJ 08816. From New Jersey Turnpike -Take Exit 9 - Exit left after tolls to Route 18 South towards East Bruswick - After you pass Eggers St make the next U-Turn to get on 18 North - Immediately get to the right most lane on 18 North - Turn right on S Woodland Ave - Turn right at Serviss Ave - Turn left at Messler - Take the 2nd right onto Pine Ridge Dr Destination will be on the right 0.3 mi 36 Pine Ridge DrEast Brunswick NJ 08816 From Route 1 Take Exit to Route 18 South and follow signs above. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Raag Rang Presents Lecture Demonstration by Dr. Mohan Deshpande size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(388, 0, 'Recently I was in the market to buy a used car for my son. It has been quite a long time since I bought a used or should I say “preowned” vehicle. Even when I had bought couple of “pre-owned” cars during my early days in this country I bought them through my colleagues and friends. The first car I bought was a Dodge Aries wagon that was sold to me by a colleague of mine when I was desperate to get a car that had four wheels and could take me from my home to work and maybe some shopping. Hence I ignored several of its “minor” blemishes - like the rear passenger door which was disabled permanently. A previous accident had bent it awkwardly and my colleague warned me that if I attempt to open the door from inside it may swing out violently and injure a bystander. I never opened the door. But the car served me very well. It was the time when minivans were just appearing in the market and station wagons were in high demand to haul luggage to the airports. My friends loved the car. It could sit six people quite comfortably and the huge trunk could pack in a whole apartment. My second car was a Nissan Sentra - a cute little car with very low mileage. A friend of mine who was a grad student at Rutgers helped me find this car while I was searching through local newspapers. Since then lot of things have changed - the internet revolution happened - social networks and blog sites came about and people stopped reading newspapers - old relations faded and new ones formed. I too avoided getting into the hassles of used car shopping and stuck to buying new cars just to avoid the stress. When my son became eligible to drive pressure started to mount on me. He wanted a car of his own. I tried to hold off for a while but finally gave in and started looking for a “pre-owned” vehicle - a reasonably reliable vehicle that would have reasonable number of miles on it and would have a reasonable read low very low price tag. The problem with used vehicles is that you typically do not have a model in mind rather you move with a dollar amount in mind. Maybe you can also setup a mileage target and age of the vehicle too - but my primary objective was to find a good deal The next problem was where do I start my search My friends and colleagues suggested I should look up CraigsList and I did just that. Soon I identified few cars in my area central Jersey that I liked and contacted the sellers. The cars were very attractively priced and I was eager to close a great deal. The sellers soon responded with tales of their own. Some were going through a nasty divorce some lost their jobs some had to leave the country but the common theme was that everybody wanted to ship their car to me. Most wanted to transact through eBay or similar service and ensured that if I am not satisfied with the car I can return the car and the money will be returned to me promptly. I was literally thrown aback - I never heard of used car salesman shipping cars via UPS or FEDEX and that too for free I smelled a rat and sure enough I discovered the warning posted on craigslist - any offer to ship a car is fraud I found some genuine sellers too and checked out couple of them but none were satisfactory. In the meantime I discovered CARFAX and AutoCheck . Both these services provide you with a detailed history of the car as to whether it had any reported accidents whether the car was salvaged or whether the odometer was tampered. It also contains reports of each and every title change and registration renewals and in some cases inspection and service records. Autocheck by Experian even provides a Autocheck score which helps you tally the car against similar cars in the same category. For example for the same model year a car with less mileage would have a higher score than one with higher mileage. Both companies offer buy back guarantees if the car later is proven to be a salvage or have title or odometer discrepancies that were not reported. Hence I subscribed to CARFAX and Autocheck to arm myself with enough information before negotiating a deal. I was always hesitant to go to a used car dealer mainly because of the stigma associated with this class of businessmen. I heard so many horror stories I thought that the moment I step into a used car dealership I’ll me coerced into buying a junk. But with CARFAX and AutoCheck I felt that maybe I can outsmart them in their game. But soon I discovered that the used car sales people have changed their strategy. I met three sales people and none of them were pushy. They showed such a calm and disinterested demeanor that at times I felt that they must be in the wrong business. They all have their websites with the details about their inventory and even before I could mention CARFAX they pulled out a report for me. Maybe the current state of our economy has been good to the used car business and hence they really didn’t mind losing a customer or too but it kind of turned me off. Maybe my ego was hurt since they were not begging me to sell their cars. As I was getting tired of searching for that great used car and even contemplated the idea of buying a cheap new compact from Japan or Korea a friend of mine pointed me to Sulekha classifieds. And it was indeed a gold mine. Almost all sellers are of Indian origin and most cars posted are the Indian favourites - Toyotas Hondas and Nissans. Very few American cars. I started shortlisting them and contacted the sellers for their VIN numbers ran them through CARFAX and AutoCheck and soon I was able to find my car - a ‘98 Nissan Altima with low mileage and good AutoCheck score Now let’s see how long it lasts. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Buying a Used Car size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(389, 0, 'August 22 at the Woodlot Park in Kendall Park NJ. Contact Nilotpal Paul at nkpaul@gmail.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Jadavpur University Alumni Picnic size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(390, 0, 'IIT KGP Alumni – East Coast Summer Picnic 2009 Hi Alumnus – Our 12 th annual picnic is scheduled for Saturday September 12 2009 rain or shine at the same park as last year but different pavilion . Please join us and bring your family/significant other. Invite your group of friends and bhaat play and chill. When: Sat Sept 12 2009 11am-4pm Where: Oak Grove Pavilion within Duke Island Park Old York Road Bridgewater NJ Park Contact: 908-722-7779 http://www.somersetcountyparks.org Cost: 20/adult 16yrs and above 5 6-15 yrs Cost goes up after Sept 1 Catered Indian lunch will be served at 12:30pm. Please bring along any games or sports equipment e.g. soccer volleyball cricket baddy . To register and pay by credit card please click on paypal links below you don’t need to be paypal members : 1 Adult 20 : IIT KGP Picnic - Early Registration - Single 20 2 Adults 40 : IIT KGP Picnic - Early Registration - Double 40 1 Child 5 : IIT KGP Picnic - Early Registration - 1 Child 5 2 Children 10 : IIT KGP Picnic - Early Registration - 2 Children 10 If you prefer to send a check please send to: Ajit K Agrawal 315 West End Avenue 8B New York NY 10023. KGP ka tempo HIGH hai See you on Saturday Sept 12. Ajit Agrawal ajit k agrawal@yahoo.com Subhodev Das subhodev@att.net Websites: http://iitkgpny.community.officelive.com/ http://www.iitfoundation.org/chapters/ Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value IIT KGP Alumni – East Coast Summer Picnic 2009 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(392, 0, 'Join the OFA Health Care Forum with the President on August 20th at 2.30pm. http://my.barackobama.com/page/s/aug20web Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Health Care Forum With The President size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(393, 0, 'Bengali Associations of NJ are gearing up for the biggest festival of the year - Durga Puja. This year the festival starts quite early around 25th-26th of September. Kallol GSCA and Anandamandir will be celebrating their Durga Puja during that weekend. And just like last year we should expect that the registration to start soon. GSCA has already opened their online registration and Kallol is expected to open theirs in early September. Last year 2008 was the first time when Kallol of NJ started their online pre-registration process and it caused quite a bit of furor amongst the Kallol regulars who failed to register early. The registration window was closed as soon as the guest count limit was reached and that left many people with a bad taste. Some people were able to get in at the last moment I don’t know how but several people had to go back. I think Kallol needs to do something about this. I suggest that Kallol retain a limited number approx 200 to 300 of reasonably priced daily tickets. These tickets should be released only on the day for which they are designated. For example a Saturday tickets should be sold on Saturday only and not earlier. The price of these daily admission tickets when totalled should be higher than the combined 3-day registration fees and they can have different rates based on the key attractions of that evening. This process has several advantages: 1. People who want to attend only on a specific day at Kallol can do so. They do not have to be tied to Kallol puja for all three days. 2. Many people including non Bengali speaking would like to come to the Puja to watch their children or other family members perform in a show on a particular day. It would be unfair to charge the full 3 day registration from them. Even if they purchase the 3 day package and come only for one evening Kallol will lose out a spot for the other three days. 3. The daily tickets which from our past experience can be expected to be sold out will fetch more revenue for Kallol than 3-day registrations. This is a win-win situation. These are my humble suggestions to the committee for consideration. However other organizations can also follow this process. I hope the 2009 Puja festivals will bring in joy and happiness for all. I am looking forward to it just like any other Bengali. 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(394, 0, 'Indian Community Center of Garden State ICC-GS cordially invites you to the Durga Puja celebration on 19th and 20th September Saturday and Sunday at Roxbury High School located at One Bryant Drive Succasunna NJ 07876. The biggest attraction is the cultural program with an exciting line-up featuring famous artists from Kolkata . Amit Paul the India Idol Runner-up will perform on Saturday Sep 19th. Jagannath and Urmimala Bose from Kolkata are the pioneers of ‘Shruti-Natak’ or talk theater. They will perform on Sunday Sep 20th. There will be special Bengali community dinner both the days. For further details please visit www.icc-gs.org Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value ICC GS Durga Puja size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(409, 0, 'I have been trying to avoid writing about the current health care issue on this blog. The key reason being that if I start writing I won’t be able to stop. I have been discussing this issue with my friends on my facebook page and the discussions often became quite passionate and sometimes quite heated too. The rumors hear-says myths and speculations on the healthcare bill have risen to a level that I doubt if ever happened before in American social and political life. Multiple bills have been floating in the Capitol and today Senator Baucus unveiled the so-called bipartisan bill which apparently only one Republican Sen. Olympia Snowe is likely to support which has no option for a public-option requires families to contribute 13 of their income for health insurance premiums and imposes fines 3800 per family on those who do not purchase insurance. The bill does however impose some restrictions on insurance companies to prevent them from rejecting people with pre-existing conditions or from increasing the rates for people with serious illnesses. This bill if accepted would cost 856 billion over 10 year time. I would say that this bill is kind of a disappointment at least for me. Thirteen percent of one’s income as health insurance premium is far from what we call affordable. Secondly the bill does little to encourage competition. Without any public option the insurance companies will have a field time to set their own rates. The so called exchange or market place can do little when each state has only a handful of insurance companies to select from. Health co-operatives as proposed in the bill can hardly compete with the insurance companies. In New Jersey the state imposes some regulatory measures for individual and small business health coverage. The standard plans for individuals are community rated. From late 1993 through 2008 this has meant that a carrier must offer a standard individual health benefits plans to everyone at the same rate regardless of the applicants’ age gender profession health status or geographical location in the State. In 2009 carriers may offer standard individual health benefits plans using community rating that considers age. The ratio of the highest rates for a standard individual health benefits plan to the lowest rates for the same standard individual health benefits plan cannot be more than 3.5:1. Although this is far from being perfect but at least it ensures one aspect of health coverage is that the premium rate cannot be adjusted based on health status. And this is one of the aspects of the Baucus bill – something which is already available in NJ and I am sure in many other states. This bill seems to me as a huge compromise with just a light slap on the insurance companies palms which I presume was worked out as a deal. What I fail to understand is what does this bill and similar bills like this can do to reduce or contain the health care cost Insuring everybody or almost everybody can only reduce the risk for the insurance companies and possibly improve their profits which unless the insurance companies share with their policy holders will do little to reduce the premiums. But premiums are only part of the story. What about deductibles and out of pocket expenses What about insurance companies policing the doctor’s decisions What about inflated hospital bills What about doctor’s and hospitals practicing defensive medicine to shield themselves from potential malpractice suits Without public participation I don’t think any reform can help control healthcare costs. People should not go bankrupt or lose their homes or die just because they cannot afford medical insurance. One suggestion I have is for the Government to provide a supplementary insurance for major medical costs like chemotherapy or other expensive treatments or surgeries that insurance companies are reluctant to cover. Currently Medicare does pay for patients requiring dialysis for kidney failures even if they have not reached the Medicare qualifying age. Why not expand this coverage for other life saving expensive treatments like chemotherapy or transplant surgeries or similar conditions This may require a minor adjustment of social security taxes or other taxes but it would significantly reduce the cost of general health insurance and hence the potential savings in premium can cover for the increase in taxes if any. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value The Health Care Debate size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(395, 0, 'I mean Vishal Varadwaj’s latest film “Kaminey”. I liked it a lot I was pleasantly surprised when I saw his previous film “Omkara”. So I went to the theater with high hopes. And Kaminey exceeded my expectations. I can say that it is the best Bollywood gangsta movie ever made. It is a treat to watch how this talented film maker has blended in violence with humor The story telling style the high paced and intelligent editing the mood photohraphy and lighting the music and the exemplary acting by the cast members reminds us that Bollywood film making has evolved a lot from the days of Ajit Pran and Prem Chopra Vishal Varadwaj is the Quentin Tarantino of Mumbai - he can create visual poetry with violence he can create characters that get tattooed in your brain and he can create wonderful music with Gulzar’s lyrics If you have seen the movie let us know how you liked it. And if you haven’t seen the movie - don’t sit there Go to the nearest theater that’s screening “Kaminey” Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Did You Like Kaminey size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(506, 2898, 'Bengali SMS Good efforts Keep up the good work http://www.bhalobasa.in', NULL);
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(507, 0, 'PLEASE JOIN US FOR A COMMUNITY FORUM DISCUSSION ON WORKING TOGETHER TO SECURE AND STRENGTHEN OUR COMMUNITIES Date: Saturday September 25 2010 Time: 10:15am – 12:45pm Where: George Bush Senior Citizen Center 1 Old Bridge Plaza Old Bridge NJ 08857 Directions: www.oldbridge.com Ph: 732-721-5600 PART I Bias Incidents and Hate Crimes: How to identify and address them as a community PART II Bridging the Gap: How can community members collaborate with local law enforcement agencies to enhance public safety RSVP preferred by Saturday September18th 2010 to CitizensofOldBridge@gmail.com Please indicate whether you would like an interpreter. Refreshments provided. THIS EVENT IS ORGANIZED BY THE CITIZENS OF OLD BRIDGE COBNJ SOUTH ASIAN AMERICANS LEADING TOGETHER SAALT AND THE U.S. DEPARTMENT OF JUSTICE COMMUNITY RELATIONS SERVICE IN COLLABORATION WITH OLD BRIDGE TOWNSHIP MIDDLESEX COUNTY PROSECUTOR’S OFFICE OLD BRIDGE POLICE DEPARTMENT SOUTH ASIAN BAR ASSOCIATION NEW JERSEY SABA-NJ ASIAN AMERICAN LEGAL DEFENSE AND EDUCATION FUND AALDEF MANAVI THE SIKH COALITION AND INDIAN AMERICAN DEFENSE LEAGUE Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Divyendu Sinha Murder Followup: Community Forum and Discussion size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(397, 0, 'For folks who follow the Weight Watchers diet system of points the following table illustrates some of the popular Indian food items found in restaurants. However note that this is not what we eat at home on a daily basis. Now how do we calculate points for Maachher Jhol Begun Bhaja Mung-dal Posto-bata Wise Choices POINTS Value Raita 1/2 cup 1 Chapati bread 1 piece 2 Puri bread 1 piece 2 Nan bread 7 x 8-inch piece 4 Tandoori chicken without skin 1 piece 4 Chicken tikka 4 oz 5 Bean and lentil stew 1 cup dal maharani 6 Not-So-Wise Choices POINTS Value Samosa fried vegetable or meat patties 3 Lamb korma spicy curry 1 cup 15 Chicken curry 1 cup 10 Vegetable fritters 1 cup 10 Lamb biryani 1 cup 14 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Indian Food and Weight Watchers size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(441, 0, 'The October issue of the bilingual Bengali/English webzine Urhalpool is now online. The latest issue includes stories by Mandakranta Sen Samaresh Majumdar Nabanita Deb Sen Alolika Mukherjee Abul Bashar and others. Serials by Sunil Ganguly and Taslima Nasreen are still ongoing. Special attraction would be the interview of Baichung Bhutia and a memoir by Srikanta Acharya. I am sure you’ll enjoy this issue like the previous ones. 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(442, 0, 'I have been an ardent reader of “Desh” the premier Bengali literary magazine since my childhood days. As I moved to the US I continued my subscription through the “House of Ananda” a New York based agency of ABP Ananda Bazar Publications . I could pay my subscription dues using a credit card or via Paypal through their website. I used to get the magazine regularly and in time. However recently due to some mysterious reasons the US based distribution ceased to exist and the magazine is now mailed directly from Kolkata. This resulted in two issues. First the magazine delivery became irregular and I missed few issues which I guess was lost in the mail. The delivery is also delayed. Secondly the subscription process has become really complicated and ABP now demands the payment to be sent to their Kolkata office in the form of DD. This is totally unacceptable in current times. Technology has evolved and the days of demand drafts and money orders are long gone in the global market. I recently purchased a book from an Indian distributor who accepted credit card payment through their website and mailed me the book in less than two weeks. Why can’t a huge publication house like ABP do this Bengalis now live all over the world and publishers and book sellers like ABP should cater to their international clientele using modern technology. An email sent to the ABP office had no positive effect. Publishers like ABP should learn a lesson or two from their international counter parts. Magazine publishers in USA use all kinds of methods to hold on to their subscribers. They try to make the subscription renewal process as painless as possible. Where as publishers like ABP seem to be happy to lose a few customers. To manage the loss of readership all they can do is reduce the frequency of publication to monthly and then maybe to quarterly. That’s what they did when the reduced the frequency from weekly to fortnightly. I hope ABP comes to their senses and reinstates their foreign distribution centers and try to expand their business to the Bengalis living abroad. 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(407, 0, 'Kallol announces the celebration of New Jersey Durga Puja 2009 NJDP’09 on Sep 25 26 and 27 2009 in the Ukranian Cultural Center Somerset NJ. Friday September 25 2009 Mahasasthi and Mahasaptami Puja: 2:00 p.m. Anjali: 5:00 p.m. Dinner: 6:30 p.m. Cultural Program: 8:00 p.m. Saturday September 26 2009 Mahaasthami and Sandhi Puja: 10:30 a.m. Anjali: 2:00 p.m. Dinner: 5:00 p.m. Cultural Program: 6:00 p.m. Sunday September 27 2009 Mahanabami and Mahadashami Puja: 11:00 a.m. Anjali: 2:00 p.m. Dinner: 5:00 p.m. Cultural Program: 6.00 p.m. Saturday October 03 2009 Kojagari Lakshmipuja Puja: 3:00 p.m. Anjali: 4:00 p.m. Vijaya Sammelani Cultural Program: 6:30 p.m. Dinner: 9:00 p.m. Cultural Program Highlights* Friday September 25 2009 : Pt. Jasraj Saturday September 26 2009: Ujjaini from Kolkata Childrens play “Gupi Gayen Bagha Bayen” - based on Satyajit Ray’s film. Directed by Aparajita Das Kallol play “Ajo Kahini” - written by Sudipta Bhawmik directed by Pinaki Dutta Sunday September 27 2009: Debojit from Mumbai *Subject to change For questions regarding registration at NJDP 09 please send an email to njdp09@kallol.com . If your questions are not answered via email within 2 working days you may contact the following at evening hours EDT ONLY. Amal Paul: 908 255-4047 Arunansu Dasgupta: 732 572-0391 For questions regarding member login and passwords please send an email to membership@kallol.com . 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(408, 0, 'Ananda Mandir will feature “Live” Mahalaya with local artists. Admission Free. Date: Sunday 20th September 2009. Time: 4:30 A.M. Address: 269 Cedar Grove Lane Somerset NJ 08873-5212. Phone: 732-873-9821. Get directions: http://anandamandir.org/Contact.html Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Mahalaya Live at Anandamandir size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(410, 0, 'Mahalaya in Bengal is synonymous to the seventy year old radio musical “Mahisashur Mardini” written by Bani Kumar and composed by Pankaj Mallik. Over the years this has become a Bengali tradition to wake up at 4.30am on Majalaya day and listen to this wonderful program that has not lost its charm till date. In fact in Bengal the demand for new radios spike during this period. The inspiring narration and “Chandi Path” by Birendra Krishna Bhadra the wonderful songs by the great musicians like Supriti Ghosh Manabendra Mukherjee and many others cast a spell on the listeners and put them into the Puja mood. Once there was an attempt to change the program and make it more contemporary using stars like Uttam Kumar but severe protests from the listeners forced All India Radio to scrap it and go back to the traditional format. In New Jersey we have developed a tradition of our own. At the Anandamandir at 4.30pm local musicians gather in front of a packed audience and perform the famous “Mahishashur Mardini” under the guidance of Arun Bhowmik. The musicians most of whom are accomplished in their own right devote their time to usher in the Durga Puja festival in front of the idols of Goddess Durga and Kali and create a magical moment for the audience some of whom travel all the way from Philadelphia Long Island and other distant cities. I have attached two clips of this event recorded on my cell phone for you to get a glimpse of this event. The audio quality is not too good but you’ll still feel the electrifying atmosphere that charges us up for the upcoming festivals. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Mahalaya in New Jersey - A Tradition of Our Own size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(406, 0, 'The intelligentsia as defined by Wikipedia is a social class of people engaged in complex mental and creative labor directed to the development and dissemination of culture encompassing intellectuals and social groups close to them. You can very well attribute this term to the Bengali society who fits this definition quite well. But what does a timid and herbivorous although Bengalis think goats to be omnivorous - chhagole ki na khay mammal like goat got to do with this elite group of people The answer to this is well known to all of us - Bengalis love goat meat. Although in other parts of the World goat milk and milk products cheese are also extremely popular but we the Bengalis don’t care much about the milk. It is the meat that is most important to us - the ultimate food in any Bengali plate. Historically goat meat is the only kind of meat that Bengalis especially the Hindu Bengalis ate. Goats were the most popular offerings to Goddess Kali and Durga - and the meat then cooked in a recipe void of any garlic or onions and hence termed as “vegetarian meat”. But Bengalis hardly ever use the term “goat meat”. “Panthar Mangsho” or “Khashir mangsho” or the anglicized version “mutton” were the popular terms. In Bengal West Bengal to be more specific it is a sacrilege to slaughter a “she goat”. Hence the male goats or “Pantha” or the neutered male goat or “Khashi” were the unfortunate ones. If some inscrupulous butcher tried to sneak in a female goat and got caught by the “intelligentsia” he would be severely punished and his business would be ruined for ever. Bengalis have invented several goat recipes and sometimes have cleverly adapted many other meat dishes. Although goat and lamb are sometimes used interchangeably in culinary circles Bengalis detest lamb meat. Lamb meat although treated as a delicacy in many parts of the world is hardly sold in Bengal. When a Bengali serves goat meat he/she makes it absolutely clear that the meat you eat is goat and goat only. In America goat meat is not popular amongst mainstream Americans. Hence most Indian restaurants will not advertize goat on their menu. They’ll call it lamb - lamb curry lamb biriyani etc. A Bengali’s love for goat meat is legendary. In Kolkata or for that matter any town in West Bengal Bengali babus queue up in front of their local meat shops. The traditional Sunday lunch of goat and potato stew with fine white rice followed by a nap is the highest point of luxury in a Bengali’s life. Just the words “Kosha Mangsho” spicy fried goat meat and “Parota” is like music to Bengali ears. No dinner party or celebration is complete without goat meat. In this country USA we the Bengalis try hard to hold on to our culture and traditions. Hence goat meat is an integral part of that effort. Goat meat is not sold in most American butcher shops but that is hardly an impediment. We travel miles to find a “Indo-Pak Halal” meat shop to get our quota of red meat. Goat meat is a must at any weekend party. Since cooking goat meat is kind of a long term project we prefer if someone else cooks it for us. Hence the demand for invitations to goat meat parties is extremely high. A persons popularity in this community is judged by the number of goat meat parties he/she is invited to. Hence no Bengali would sacrifice a goat meat party invitation. Attendance is a must at any cost. Another way to become popular is to invite folks to your goat meat party. Since you are assured of a high attendance a few calculated parties can catapult your popularity poll numbers to ensure a seat at your local Bengali club committee. Goat meat parties dominate over any other events – be it a musical concert or a theatrical show or a literary gathering. Once a frustrated Bengali play director lamented during a rehearsal that was scheduled on a weekend evening “I give up I just cannot compete with goat ” The Bengali intelligentsia cannot function properly without goat. People seem to have a wrong notion that the Bengalis can kill for a meal of fish curry and rice But they are wrong – goat rules the Bengali palate During the upcoming Durga Puja festivals Kallol will be staging a hilarious play titled “Ajo Kahini” or “The Goat Story”. The play a satire on our social existence as a Bengali in this country talks about our love affair with goat. It’s not the kind of affair that Albee talks about The Goat or Who is Sylvia but its an affair nonetheless - an affair that defines many a moment in our lives as Bengalis. Join the party and let’s have a big laugh on ourselves Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Goat and the Bengali Intelligentsia size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(411, 0, 'For the first time Raag-Rang presents Kal Ke Kalakar Budding Artists of Future providing a platform to promising young talents featuring Rohan Prabhudesai Harmonium Solo Tejas Tope Tabla Solo Rohan Misra Sarangi solo Charmie Mehta Hindustani Vocal Veena Bhagavathi Shiv Nadkarni Ruchita Zaparde Kathak T rio . Date: Sunday October 11th 2009 Time: 3:00 to 5:30 Sharp Venue: Universal Unitarian Congregation of Princeton Fahs Theater . 50 Cherry Hill Road Princeton NJ 08540. Admission: Non-Members: 12.00 kids below 10 years: 7.00 Raag-Rang Members: 10.00 Kids below 10 years: 5.00 . Contact: 908-429-1120 609-890-4890 908-240-8289. RSVP appreciated due to limited seating. Email: bhawmikm@gmail.com mayuresh.khare@gmail.com dhu92@optonline.net Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Raag-Rang presents - Kal Ke Kalakar size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(412, 0, 'In New Jersey Durga Puja is a special time when the festive mood brings with it a flurry of entertainment and cultural programs across the state. This year too the line up looks very promising although the spirits have dampened a bit due to the tough economic times and with the rejection of visas of few of the performers. Still the combination of local talents and professionals from India is bound to enthrall the Puja attendees on the coming weekends. I’ll try to briefly summarize the lineup this year although the organizers have in many cases conveniently omitted the details about the local performers from their web sites. I tried to collect as much information I could manage. If any of you have more information then please feel free to add them to this post as comments. Kallol of New Jersey starts their celebrations with a bang featuring Sangit Martyanda Pandit Jasraj’s Hindustani classical vocal on Friday the 25th evening. Although this a deviation from Kallol’s tradition of presenting a classical musician on Sunday Bijoya night but when you try to get an artist of the caliber of Pandit Jasraj you have to go by the availability of the artist and not by your choice of date and time. Friday night will also feature dance presentations by Kalamandir of New Jersey under the guidance of Malabika Guha. The presentations will include a Kathak style Jugalbandi titled “Conversations” and a creative composition “Heat” which is billed as the debut performance of the newly founded Kalamandir Dance Company. The dancers include talented performers like Donia Salem Nadia Nalini Singh Ria Dasgupta Jamuna Dasi Natasha Mehra and Brinda Guha with vocal accompaniment by Jayeeta Ghosh Zafar Billah and Arunava Chakraborty. On Saturday evening Kallol’s stage will lighten up with close to forty kids of our community who under the direction of Aparajita Das will present the evergreen anti-war musical play - “Gupi Gayen Bagha Bayen”. Based on Upendrakishor Roychoudhury’s story and Satyajit Ray’s film this play tells the story of the adventures of Gupi and Bagha in a colorful presentation that will surely win the hearts of adults and children alike. This will be followed by the Kallol adults play “Ajo Kahini” written by yours truly and directed by the talented young actor director Pinaki Dutta. This hilarious play will feature some well known actors of our community like Subhodev Das Dhriti Bagchi Piu Majumdar Debi Prasad Palit Sankar Ghoshal Nandita Ghosh Kaushik Dutta Kaushik Bhowal Roni Bose and Gautam Ghosh. I wrote more about this play in a previous post . I only hope that Kallol makes sure that the sound system works properly this time. The featured artist this evening will be Ujjaini Mukherjee from Kolkata. Ujjaini a talented young singer was a finalist on Sa Re Ga Ma Pa Challenge 2005 achieving 7th place and subsequently a winner on Sa Re Ga Ma Pa Ek Main Aur Ek Tu with Aishwarya. I have never heard her live concerts before but the few numbers that I listened to on YouTube were excellent and I have high hopes for this concert. On the same evening a dance fusion extravaganza by Nritya Creations and choreographed by Mina Basu Nag will keep the audience tapping their shoes. On Sunday the last day of Kallol’s durgapuja 2009 Sunrita Mitra will present a dance ensemble called ‘Amei Sei Meye’. She has used her ‘neo-fusion’ dance style to create a story about a free-spirited girl’s journey from girlhood into womanhood. Fortynine kids will play different roles in the ensemble. Dr Arunansu Dasgupta has written the script while Samya Goswami has created the back ground score. Bhaswati Bhadra will be the narrator. This will be followed by another Sa Re Ga Ma Pa champion Debojit from Mumbai and Assam. Few miles away from the Kallol stage Garden State Cultural Association will be celebrating their Puja on Saturday Sept 26 and Sunday Sept 27. On Saturday their star attraction is Subhomita from Kolkata. Couple of years ago Subhomita performed on Kallol stage. She is undoubtedly one of the best female singers in Bengal today. That evening GSCA will also present a dance show by Nrityanjali group from New York vocal recital by Ahin Das and guitar by Sekhar Das. On Sunday Arnab Chakraborty from Mumbai will entertain the audience with a medley of popular Hindi and Bengali songs. Jagannath Bose and Urmimala Bose the famous radio play and recitation duo from Kolkata will present an audio play. The local New Jersey organization IIPA led by Suparna Guha will present a unique Rabindrasangeet based show - Sakhi Sambad. Anandamandir has also lined up an impressive cultural program during their Durga Puja celebrations on Friday evening well known singers of the community will present “Bangla Ganer Jolsha” with tabla accompaniment by Pandit Samar Saha. On Saturday evening Anandamandir will present two classical music concerts. Dr. Shubhada Shiralkar a Sangeet Visharad and Sangeet Acharya will perform Hindusthani classical vocal. This will be followed by a “Jugalbandi” by Pandit Snehashish Majumdar on Mandolin and Sri Kedar Naphade on Harmonium with Sri Samrat Kakkeri on tabla. Bharat Sevashram Sangha will also be celebrating Durga Puja this weekend. However I do not have any details regarding their cultural events except that Kalamandir of New Jersey will present “Tagore Around The World” directed by Malabika Guha which includes Hindi Bengali and English translations to Rabindranath Tagore’s world renowned music and songs As I said this is by no means a complete list. So please let us know if you know of any other events. These days it is difficult to attend multiple Puja’s on the same weekend. But wherever you go I am sure you’ll have a great time with your friends and family. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Durga Puja and Cultural Events: The 2009 New Jersey Lineup size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! 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(415, 0, 'From hot-deals: Win741.com - Windows 7 Upgrade for Students Faculty 30 - Thu 24 Sep 2009 Requires a an email address ending in .edu to get an upgrade to Windows 7 32bit or 64bit for 30 .\nJust click the middle-left Buy or 29.99 box.\nDelivery is by download or add 13 to have a DVD shipped.\nWindows 7 upgrades normally cost over 100. Newegg.com - 750GB Hard Drive for 56 - Thu 24 Sep 2009 7.5 cents per GB Dell.com - deals today - Wed 23 Sep 2009 Panasonic 42 720p Plasma HDTV for 480 .\nA great price for a 42 Plasma. Panasonic 37 1080p LCD HDTV for 570 Dell 24 LCD Monitor for 199 . Samsung P2570 24 LCD Monitor for 246 with code RRTD22F3BMB9T9 .\nDVI and HDMI inputs and 2ms screen response time. Zune HD 16GB Portable Media Player for 187 with code RRTD22F3BMB9T9 Zune HD 32GB Portable Media Player for 247 with code RRTD22F3BMB9T9 Z-Line Nero Glass Computer Desk and Bookcase for 111 with code RRTD22F3BMB9T9 Z-Line Delano L-Shaped Glass Computer Desk for 124 with code RRTD22F3BMB9T9 Z-Line Ellison Bay TV Stand for up to 50 HDTVs for 196 with code RRTD22F3BMB9T9 .\nA great deal especially with free shipping. Z-Line Escalante TV Stand for up to 50 HDTVs for 196 with code RRTD22F3BMB9T9 Z-Line Portland TV Stand with Integrated Mount for up to 60 HDTVs for 289 with code RRTD22F3BMB9T9 .\nSells elsewhere for 400 . Free shipping. Amazon.com - Polaroid Mobile Printer for 30 - Wed 23 Sep 2009 Polaroid CZA-10011B Pogo Mobile Color Photo Printer is on sale today for 30 in either Black or Red .\nIt is designed to print 2x3 photos directly from a Bluetooth device or directly from a digital camera via USB interface.\nComes with 10 sheets of their proprietary Zink Photo Paper additional sheets cost about 15 for a pack of 50.\nBecause it costs about 0.30 per sheet this is more expensive to operate than a home inkjet photo printer which are designed for digital prints from quality cameras but this requires no computer uses no ink and seems like a convenient way to print pictures directly from a Bluetooth-capable mobile phone.\nWeighs about 0.5 lbs without paper includes a battery and A/C adapter.\nIt has a USB-A plug the same flat wide plug used on computers so hooking up to a computer requires a USB A-to-A cable such as this or hook it directly to a camera using its USB cable. Most other stores sell the printer for around 70 . Dell.com - deals today - Tue 22 Sep 2009 Vostro A860 15 Laptop for 424 after shipping fee.\nCore 2 Duo T5870 processor 2GB memory 250GB hard drive CD/DVD Burner 6-cell battery and Windows Vista Basic.\nProbably so cheap because it does not include a free upgrade to Windows 7. Dell Poweredge T105 Server for 264 after shipping fee and coupon code 96PP3J540MWBR .\nIt is designed to be a simple server where the second hard drive can be used for extra storage or for backups of the first drive.\nSpecs are Dual Core AMD Athlon 2.3GHz processor 2GB memory two 160GB hard drives DVD-ROM drive and a 1 year warranty.\nDoes not include keyboard mouse and monitor.\nNo operating system is included so you are on your own to install Windows or Linux.\nIf you already have a spare Windows license keyboard mouse and monitor this can turn into a pretty inexpensive desktop PC for 264.\nAn upgrade from 2GB to 4GB of memory is available for 32 more. 15 off refurbished Inspiron 14-1440 or Studio 14z Laptops code: C9ZC52J480KJLR 15 off refurbished Inspiron 537 545 546 Desktops code: Z58DM8PV8GTGS Dell 21.5 LCD Monitor for 134 with coupon RRTD22F3BMB9T9 Samsung 22 LCD Monitor for 143 with coupon RRTD22F3BMB9T9 Zune HD 16GB for 198 with coupon RRTD22F3BMB9T9 .\nMost stores sell it for 220 . Zune HD 32GB for 261 with coupon RRTD22F3BMB9T9 Shop4Tech.com - 2.5 Serial-ATA to USB Interface for 5 - Tue 22 Sep 2009 Aluminum Enclosure for 2.5 Serial-ATA Hard Drives for 5.88 with free shipping and coupon SC15 gives 15 off during checkout. From SlickDeals: Texas Instruments Graphing Calculators: TI-83 Plus 59 after 10MIR TI-84 Plus 63 after 20MIR TI-84 Plus Silver Edition 70 after 20MIR TI-89 Titanium 93 after 20MIR TI Nspire 90 after 20MIR - Thu 24 Sep 2009 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Deals size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(417, 0, 'Finally the annual Durga Puja celebrations are over. I was mostly present at the Kallol pujo but also paid no pun intended short visits at the Bharat Sevashram Sangha and Anandamandir. Kallol just like the previous year had a full house and had to turn away several people. In one of my previous blogs I had requested rather wished that Kallol provide a daily ticket for people who would like to come in for a day. However for whatever reasons Kallol decided on the contrary and the result was that I had to listen to complaints from several disappointed friends and family. Well rules are rules - that’s what I said. This year I did something which I never did before. I dropped in on Thursday evening - and it was real fun. There was no pressure of showing the badge no parking tags no stress about reserving seats with shawls and jackets and no celebrities on stage to pay attention to. While the volunteers were busy setting up the idol and the kids busy rehearsing on the stage I had a good time chatting with friends. For once after a long time I had the pleasure of pure Pujo adda - completly unadultered fun. I think we should at least informally start the festivities from Thursday - just to prolong the enjoyment for few more hours. The formal festivities at the Kallol venue started on Friday afternoon. People started wheeling in their cars and under the strict vigilance of the security personnel who meticulously checked for parking tags and guided the cars to the parking lots. Inside the doors were also well guarded with black uniformed and grim faced Caucasian security guards who were extremely mindful of their duties and didn’t allow a single fly without a plastic badge. On the makeshift stage the idol of Goddess Durga and her family was well decorated and our revered priest Bhavani Mukhopadhyay was well into his three day long process of worshipping Maa Durga on our behalf. On Friday evening the cultural events started after the community dinner that was served in tents outside the main building. The highlight of that evening was the Hindustani vocal concert by Pandit Jasraj. Earlier that afternoon Panditji and his students came in to join the Puja celebrations offered Pushpanjali and Panditji even played the drums Dhak . I guess the environment helped build up Panditji’s mood that evening and he gave a spectacular performance that lasted more than two hours. Panditji started with compositions in Raga Puria followed by Bageshree Adana and concluded with a rendition in Bhairavi. All his compositions were in praise of the Goddess Shakti and the dexterity and fluidity of his renditions was something that can only be experienced. He was accompanied on the tabla by Pandit Samir Chatterjee and Aditya Narayan Banerjee and on the harmonium by his student Suman Ghosh who also provided vocal support. The other members on stage providing vocal support were his disciples Tripti Mukherjee and Marina Alam Khan. Earlier that evening the members of Kalamandir of New Jersey presented few dance numbers that were highly appreciated by the audience especially the contemporary fusion presentations set to the music of Zakir Hussain and others. On Saturday evening after a scrumptious dinner of spicy goat-meat and pulao the audience settled in to their well preserved seats with shawls sweaters and jackets for some scintillating performances which began with “Gupi Gayen Bagha Bayen” a musical play by the kids of Kallol directed by Aparajita Das. The play followed the well known story of Gupi and Bagha as told in the popular film by Satyajit Ray and also used music tracks from the same film. The kids aged four to fourteen in their colorful costumes and jazzy makeup did an wonderful job in presenting the play despite few glitches in the audio system. Gupi Bagha Shundi and Halla Rajah Montri-moshai Jadukar Barfi Senapati and others were excellent. For most of these kids Bangla is something that they speak with some degree of difficulty. But for this play they made a conscious effort to improve their Bengali diction and justify the message “Mora Bangla Desher theke elaam ….. Mora Sei Bhashatei kori gaan…”. And this is where this play succeeds. The next item was a dance recital by students of Mina Basu Nag that I missed but have heard great praises about. Following this was the Kallol adults play “Ajo Kahini” or the Goat Story . Since I was sort of involved with this production I’ll refrain from commenting and wait for others to speak. However from the audience reaction and the feedback I received later it seems the play was well accepted - especially after the goat meat dinner. The last item that night was the “dhamaka” vocal presentation by Ujjaini Mukherjee - the SaReGaMaPa sensation. Although she was able to make many to dance to her tunes I was a bit disappointed by her performance. First of all singing to pre-recorded track music robs off the spontaneity that one expects in a live performance. Secondly if her SaReGaMaPa judges were present her scores would have been quite dismal to say the least. Sunday evening the stage lit up with fifty odd boys and girls of Kallol in a dance extravaganza titled “Ami Sei Meye”. The show choreographed by Sunrita Mitra traced the life of a girl from her childhood to womanhood through a series of contemporary songs and dance. The kids were bubbling with energy as they romped through the stage in a riot of rhythm and color. The final program that evening was the vocal presentation by Debojit Dutta another product of the SaRegamapa talent search contest. But Debojit was explosive on stage - he sang he danced he gyrated he jumped into the audience - just like a rock star. Although he was also singing to pre-recorded tracks but was helped on the keyboard with one of his musicians. His range of selections was also well appreciated by the audience who went berserk with the high octane music blared out by their favorite star. Debojit may not have pleased some of the seniors of Kallol but he was surely a big hit with the younger crowd. Durga Puja the greatest Bengali festival comes and goes. But what remains is the happy memories of our children’s performances on stage those heated discussions in the lobby those laughs and jokes in the dinner lines and some flashes of wonderful moments on stage by some of the legendary performers like Pandit Jasraj. Let’s not destroy this by over commercialization and making the festival a collage of marketing banners as is done in Kolkata these days. Let’s try to keep the Puja our own. The other day one of the Kallol volunteers told me how one of the attendees complained to him saying that he didn’t like anything at this festival - the cultural programs the food the arrangements - nothing I told him that this festival is not a Broadway show or a restaurant. If the person wants to have the best food he should go to a restaurant. If he wants to see a professional show in a comfortable auditorium he should opt for a Broadway show or a similar event. Having said that I would say the Durga Puja festival is a great bargain with three meals and top level performers a Pandit Jasraj concert would cost a minimum of 40.00 in any city in this country giving their best on stage. There is room for improvement but instead of complaining we should come up with constructive suggestions and help the organizers. I would like to invite the readers to post their comments click the comments link at the top of this post and provide their feedback. 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(418, 0, 'Ninety-year-old playback legend Manna Dey - who belted out evergreen songs like “Ae mere pyaare watan” and “Zindagi kaisi hai paheli” - is being honoured with the Dadasaheb Phalke award the highest honour in Indian cinema his family said Wednesday. Born as Prabodh Chandra Dey May 1 1919 to Purna Chandra and Mahamaya Dey the singer was a name to reckon with in the Hindi film industry from the 1950s to the 1970s. He has recorded more than 3 500 songs over the course of his career. 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(425, 0, 'NJPA cordially invites you to celebrate Kali Puja on October 10 th at CrossRoads Middle School.Puja will start at 3:00 PM which will be followed by Prasad and Dinner. Nirmalya Roy of Zee-TV Tara TV ETV Saregama fame will present semi-calssical and ghazals and Moumita Chatterjee of Calcutta Door Darshan ETV Tara Music and aAkash Bangla Fame and will present variety songs . For more information please visit http://njpa.net . 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(427, 0, 'New Jersey based Que Zara Productions has announced that they are hosting a concert which will showcase the melodies of the 50s era down to the jingles of the 90s. The show is aptly called B2B Legends or Burman to Burman S.D.Burman to R.D.Burman which will be led by original yesteryear super musicians like Ajit Pachegaokar electric and acoustic guitar and Inder Singh I.P.Singh on the piano/keyboards. They will be supported by nine other famous musicians including Sanjay Shah keyboards and vocals Kumar Majmudar accordion Atish Mitra bass guitar Sripad Jail dholak tabla Deepak Gundani rhythm Pappoo octopad Harish B mandolin Kalpesh Patel drums and Ramesh Maraj saxophone of IndiaSax. The show will focus on the genius instrumentation behind the melodies and will feature vocal renditions from Shweta Ranade and Abhijit Pachegaokar. Celebrated talent Dan Skye formerly with Bon Jovi will provide the sound engineering for the show. Additionally it will feature melodies of other legendary music composers from Khaiyyam Laxmikant - Pyarelal Kalyanji Anandji to disco king Bappi Lahiri. Speaking on the occasion Kousik Bhowal and Prabir Mitra Board Advisors for Que Zara agreed “It is like a Yanni show of Indian music an Indian instrument-lead concert to savor and learn how the blockbuster hits were created meet these great musicians in person enjoy world class audio and go home humming your favorite tunes.” Aparna Tandon Prajee chief who will manage the event said “I am simply excited to be a part of all this. Five musical decades in one night eleven expert musicians on one stage what else can a music lover want ” Que Zara has plans to replicate the show in the tri-state area in future months. Dolna Banerjee Que Zara founder partner said “We chose this facility for the excellent acoustics and people capacity. We sincerely hope we can replicate this in other music-loving cities in the US. New Jersey will now experience this unique collage of musicians playing together.” Que Zara has ambitious plans to bring other unique blockbuster shows to the tri-state area. Tickets Show Details are available from: http://cities.sulekha.com/new-jersey/events/Social/2009/09/b-to-b-legends.htm Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value B2B Legends : A Unique Concert from Que Zara Productions size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(428, 0, 'SATURDAY OCTOBER 10 ALL SCREENINGS AT LOREE IN DOUGLASS COLLEGE 72 Lipman Dr. New Brunswick New Jersey 08901 Time LOR 022 LOR 024 LOR 020 12:00 PM Boomerang Narrative Short/USA/ 2009/ 12min/ English See Film Details BUY TICKETS Karma Calling Narrative Feature/India/ 2008/ 90min/ English-Hindi Sponsored by Sukh Sagar Cuisine of Piscataway See Film Details BUY TICKETS Certain Chapters Narrative Short/Singapore/ 2008/28min/ Tamil-Hokkien-Malay See Film Details BUY TICKETS Dinner for Four Narrative Short/Germany/ 2008/ 14min/ English See Film Details BUY TICKETS Malaamee / Funeral Narrative Short/France-Nepal/ 2008/ 20min/ Nepali See Film Details BUY TICKETS Small Voices Narrative Short/Pakistan/ 2008/16min/ Urdu-English See Film Details BUY TICKETS Who Am I Ek Zindagi Narrative Short/India/ 2009/20min/ Hindi See Film Details BUY TICKETS Banshi Narrative Feature/Bangladesh/ 2007/ 76min/ Bengali See Film Details BUY TICKETS Chinese Whispers Narrative Silent Short/India/ 2007/ 28min/ English-Hindi See Film Details BUY TICKETS 2:15 PM Sarpanaah / Shelter Animated Short/Afghanistan/ 2007/ 6min/ Silent See Film Details BUY TICKETS Loori Narrative Feature/USA/ 2008/ 90min/ Dari-English See Film Details BUY TICKETS 7 Days in Slow Motion Narrative Feature/India/ 2009/ 101min/ English-Hindi Sponsored by The Indian Institute of Performing Arts IIPA See Film Details BUY TICKETS 4:30 PM Barah Aana / Short-changed Narrative Feature/India/ 2009/ 97min/ English-Hindi See Film Details BUY TICKETS THE DAMNED RAIN Gabhricha Paus Narrative Feature/India/ 2008/ 100min/ Marathi See Film Details BUY TICKETS 7:15 PM Akasa Kusum / Flowers of the Sky Narrative Feature/Sri Lanka/ 2008/ 90min/ Sinhala See Film Details BUY TICKETS Gulabi Talkies Narrative Feature/India/ 2008/ 122min/ Kannada See Film Details BUY TICKETS 9:30 PM Swapnodanay / On the Wings of Dreams Narrative FeatureIBangladesh/ 2008/ 88min/ Bengali See Film Details BUY TICKETS Ghosht Story Narrative Short/USA/ 2009/ 19min/ English-Marathi-Hindi See Film Details BUY TICKETS Kala Pul / The Black Bridge Narrative Short/US-Pakistan/ 2008/ 42min/ Urdu-English See Film Details BUY TICKETS Hungry God Narrative Short/India/ 2009/ 8min/ Marathi See Film Details BUY TICKETS Pura Handa Kaluwara / Death on a Full Moon Day Narrative Feature/Sri Lanka/ 1999/ 74min/ Sinhala See Film Details BUY TICKETS Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NJISACF 2009: Day 2 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(429, 0, 'SUNDAY OCTOBER 11 ALL SCREENINGS AT BUSCH CAMPUS CENTER 604 Bartholomew Rd Piscataway NJ Time MPR Center Hall 12:00 PM Pura Handa Kaluwara / Death on a Full Moon Day Narrative Feature/Sri Lanka/ 1999/ 74min/ Sinhala See Film Details BUY TICKETS Barah Aana / Short-changed Narrative Feature/India/ 2009/ 97min/ English-Hindi See Film Details BUY TICKETS 2:15 PM A Bristol Pilgrimage Docu Feature/UK-USA-INDIA/ 2008/ 60min/ English See Film Details BUY TICKETS Shared Look - Theatre Life in Kabul Docu Short/Germany-Afghanistan/ 2006/ 43min/ Dari-English See Film Details BUY TICKETS Oru Pennum Randaanum / Climate for Crime Narrative Feature/India/ 2008/ 115min/ Malayalam See Film Details BUY TICKETS Shared Look - Theatre Life in Kabul Docu Short/Germany-Afghanistan/ 2006/ 43min/ Dari-English See Film Details BUY TICKETS 5:15 PM Mohandas Narrative Feature/India/ 2008/ 117min/ Hindi-English See Film Details BUY TICKETS Chaturanga / 4 Chapters Narrative Feature/India/ 2008/ 125min/ Bengali-English Sponsored by Mrittika of New Jersey See Film Details BUY TICKETS Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NJISACF 2009: Day 3 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(417, 2623, 'sudipta The idol made of fiber-glass is brought all the way from Kolkata - and our priest chants the mantras in pure Sanskrit. http://nynjbengali.com', NULL),
(430, 0, 'Once again an Indian or person of Indian origin wins the Nobel prize. Dr. Venkatraman Ramakrishnan was awarded the 2009 Nobel prize in chemistry for his research on ribosomes. It was in 1930 another Raman Dr. Chandrashekhar Venkata Raman popularly known as C. V. Raman won the Nobel prize in Physics. Dr. Venkataraman of the MRC Laboratory of Molecular Biology in Cambridge England won the award along with Dr. Thomas A. Steitz of Yale University and Dr. Ada E. Yonath of the Weizmann Institute of Science in Rehovot Israel. Dr. Venkatraman was born in Chidambaram Tamil Nadu India in 1952 and obtained his Ph.D. at Ohio University and holds American citizenship. For further details visit http://nobelprize.org/nobel prizes/chemistry/laureates/2009/index.html Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Another Raman Wins Nobel Prize in Chemistry size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(432, 0, 'Herta Muller “who with the concentration of poetry and the frankness of prose depicts the landscape of the dispossessed” won the 2009 Nobel Prize in literature. Ms. Müller 56 emigrated to Germany in 1987 after years of persecution and censorship in Romania. She is the first German writer to win the Nobel award since Günter Grass in 1999. Herta Müller was born on August 17 1953 in the German-speaking town Nitzkydorf in Banat Romania. Her parents were members of the German-speaking minority in Romania. Her father had served in the Waffen SS during World War II. Many German Romanians were deported to the Soviet Union in 1945 including Müller’s mother who spent five years in a work camp in present-day Ukraine. Many years later in Atemschaukel 2009 Müller was to depict the exile of the German Romanians in the Soviet Union. From 1973 to 1976 Müller studied German and Romanian literature at the university in Timi oara Temeswar . During this period she was associated with Aktionsgruppe Banat a circle of young German-speaking authors who in opposition to Ceau escu’s dictatorship sought freedom of speech. After completing her studies she worked as a translator at a machine factory from 1977 to 1979. She was dismissed when she refused to be an informant for the secret police. After her dismissal she was harassed by Securitate. Müller made her debut with the collection of short stories Niederungen 1982 which was censored in Romania. Two years later she published the uncensored version in Germany and in the same year Drückender Tango in Romania. In these two works Müller depicts life in a small German-speaking village and the corruption intolerance and repression to be found there. The Romanian national press was very critical of these works while outside of Romania the German press received them very positively. Because Müller had publicly criticized the dictatorship in Romania she was prohibited from publishing in her own country. In 1987 Müller emigrated together with her husband author Richard Wagner. The novels Der Fuchs war damals schon der Jäger 1992 Herztier 1994 The Land of Green Plums 1996 and Heute wär ich mir lieber nicht begegnet 1997 The Appointment 2001 give with chiselled details a portrait of daily life in a stagnated dictatorship. Müller has given guest lectures at universities colleges and other venues in Paderborn Warwick Hamburg Swansea Gainsville Florida Kassel Göttingen Tübingen and Zürich among other places. She lives in Berlin. Since 1995 she has served as a member of Deutsche Akademie für Sprache und Dichtung in Darmstadt. Works in German Niederungen. – Bukarest : Kriterion-Verlag 1982 Berlin : Rotbuch-Verlag 1984 Drückender Tango : Erzählungen. – Bukarest : Kriterion-Verlag 1984 Reinbek bei Hamburg : Rowohlt 1996 Der Mensch ist ein gro er Fasan auf der Welt : Roman. – Berlin : Rotbuch-Verlag 1986 Barfü iger Februar : Prosa. – Berlin : Rotbuch-Verlag 1987 Reisende auf einem Bein. – Berlin : Rotbuch-Verlag 1989 Der Teufel sitzt im Spiegel. – Berlin : Rotbuch-Verlag 1991 Der Fuchs war damals schon der Jäger : Roman. – Reinbek bei Hamburg : Rowohlt 1992 Eine warme Kartoffel ist ein warmes Bett. – Hamburg : Europäische Verlagsanstalt 1992 Der Wächter nimmt seinen Kamm : vom Weggehen und Ausscheren. – Reinbek bei Hamburg : Rowohlt 1993 Herztier : Roman. – Reinbek bei Hamburg : Rowohlt 1994 Hunger und Seide : Essays. – Reinbek bei Hamburg : Rowohlt 1995 In der Falle. – Göttingen : Wallstein-Verlag 1996 Heute wär ich mir lieber nicht begegnet. – Reinbek bei Hamburg : Rowohlt 1997 Der fremde Blick oder Das Leben ist ein Furz in der Laterne. – Göttingen : Wallstein-Verlag 1999 Im Haarknoten wohnt eine Dame. – Reinbek bei Hamburg : Rowohlt 2000 Heimat ist das was gesprochen wird. – Blieskastel : Gollenstein 2001 Der König verneigt sich und tötet. – München : Hanser 2003 Die blassen Herren mit den Mokkatassen. – München : Hanser 2005 Atemschaukel : Roman. – München : Hanser 2009 Works in English The Passport / translated by Martin Chalmers. – London : Serpent’s Tail 1989. – Translation of Der Mensch ist ein großer Fasan auf der Welt The Land of Green Plums / translated by Michael Hofmann. – New York : Metropolitan Books 1996. – Translation of Herztier Traveling on One Leg / translated from the German by Valentina Glajar and André Lefevere. – Evanston Ill. : Northwestern University Press 1998. – Translation of Reisende auf einem Bein The Appointment / translated by Michael Hulse and Philip Boehm. – New York : Metropolitan Books 2001. – Translation of Heute wär ich mir lieber nicht begegnet Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Herta Muller Awarded the 2009 Nobel Prize in Literature size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(434, 0, 'Special Event: Bansuri Concert by Steve Gorn with Dibyarka Chatterjee on Tabla Shyama Sangeet Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Anandamandir Celebrates Kali Puja 2009 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(503, 2894, 'Munia Datta Sudipto: Congratulations on getting your book published You make us all so proud - look forward to reading your book. All the best for all your future publications and productions. Munia', NULL),
(226, 2896, 'Yogesh Goel Hi I am Yogesh Goel one from the Amar Durga Puja team. I am here to invite you to participate in the most unique initiative ever on the net on Ma Durga. We have a website AmarDurgaPuja.com and its totally user driven website. We want to bring Ma Durga to everyone’s home. Even to people who can’t be here during pujas. We want to make everyone feel at home and thats why this website. Amar Durga Puja ADP is an attempt by FOURDY Group to take Durga Puja to the world by sharing information and photos to help everyone in experiencing the thrill of Durga Puja. To make this happen we started http://www.amardurgapuja.com in 2009 as a photography competition which received an overwhelming response from the user of various countries like India Bangladesh United States Australia United Kingdom and many more who showed their love for the festival by submitting 1 000 photographs within a span of 6 days – making it the largest Durga Puja gallery online. Later this year we were also recognized by Spanish Magazine – Global Voices www.globalvoices.org . This is a pictorial and video website where users can submit their entire collection and make it seen to the world and also share them. we want to make it a hub which everyone can cherish for life. Do visit and make urself a part of this greatest initiative ever. our website address is- http://www.amardurgapuja.com/ And our facebook page address is- http://www.facebook.com/amardurgapuja Hope to see u participating contributing soon. Do not forget to tell about this to your friends too. Take Care Be well Yogesh Goel For Amar Durga Puja team FOURDY Group http://www.ygoel.com http://www.amardurgapuja.com http://www.amardurgapuja.com/ http://www.facebook.com/amardurgapuja', NULL),
(503, 2891, 'college scholarships Keep posting stuff like this i really like it http://www.collegescholarships-tips.org', NULL),
(506, 0, 'The time of the year is here again. The sky is blue with patches of white clouds floating lazily and the weather is cooling down. Durga Puja is here again in New Jersey. The local Bengali associations are gearing up to welcome Ma Durga with the usual pomp and cultural extravaganza and let me share with you some information about the festivities that has come to my notice. Like previous years Durga Puja festival in New Jersey will be heralded in by the live Mahishashura Mardini Mahalaya performance at the Ananda Mandir on October 10th at 5.00am in the morning. I have been a regular attendee at this event and I can promise you that if you can take that bold step of getting up from bed that early and drive down to Ananda Mandir you’ll have an experience that you will never regret. This year however Puja starts even earlier in New Jersey with Indian Community Center ICC of Garden State having their Puja on Oct 9th and 10th at the Eisenhower Middle School 47 Eyland Avenue Succasunna. ICC’s cultural program this year will feature the famous Bangla Band KAYA who promises to rock the audience with their folk inspired melodies. Pranab Biswas a noted classical vocalist will be presenting a medley of Bengali and Hindi songs. The program will also present a bunch or events by local artists including an audio play sruti natok “Baad Protibad” written by yours truly. Kallol of New Jersey will be celebrating Durga Puja on Oct 15th 16th and 17th at their usual venue - Ukranian Community Center in Somerset NJ. The cultural events at the Kallol Puja has not been well publicized as yet but the invitation card says that the program will include classical vocal performance by Parthasarathi Desikan disciple and son-in-law of Pt. Ajoy Chakraborty Jolly Mukherjee from Bollywood and Koel Mukherjee of Sa Re Ga Ma Pa fame. The list also includes sarod recital by Anirban Dasgupta son and disciple of Pt. Buddhadev Dasgupta Rabindrasangeet by Sasha Ghoshal and modern songs by Shamit Tyagi and Sumona Banerjee from Kolkata. This year Kallol is introducing few new events : - Chess championship all ages - Bridge championship adults - Quiz show conducted by Dr. Nupur Lahiri. To participate in any of these events contact Sunanda Mitra sunandamitra@yahoo.com or Poushali Sengupta poushali123@yahoo.com . And no Kallol Pujo is complete without drama performances by the adult and children members of Kallol. The Kallol seniors will present the play “Sorry Wrong Number” directed by Debiprosad Palit and the Kallol juniors will present “Khirer Putul” the all time favorite Bengali fairy tale. There will also be dance recitals by Sunrita Mitra’s young dancers Brinda Guha’s Kalamandir Dance Company and Mitra Purakaysatha’s Rhythms of Dance music. So get ready. Kallol website mentions that online registration will open on Sept 20 2010. Garden State Cultural Association GSCA will be celebrating their Puja on Oct 16 and 17. This year GSCA’s entertainment program includes recitation by Partha Ghosh and Gauri Ghosh Bharatnatyam dance recital by Jhinook Mukherjee from Kolkata vocal music performances by Shounak Chattopadhyay Soumen Adhikari Suchismita Chandrayee Bhattacharya and Gayatri Sharma. Kalamandir Dance Company will present their acclaimed composition Heat. The highlight of GSCA’s presentation this year will be “Ajo Kahini” a hilarious play written by Sudipta Bhawmik and directed by Pinaki Datta produced by ECTA. For further details visit their website. Ananda Mandir and Bharat Sevashram Sangha will also be celebrating Durga Puja from October 13 to 17 2010 as per the Bengali calender. People who are interested in attending a more traditional Pujo Ananda Mandir and Bharat Sevashram Sangha may be the place for them. I hope like all the previous years Durga Puja this year too will be an enjoyable experience for all of us and pray that the Puja brings in peace and prosperity for all. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Durga Puja 2010 : New Jersey Style size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(438, 0, 'The three day long 3rd Annual New Jersey Independent South Asian Cine Fest NJISACF concluded on Sunday October 11 2009 at the Rutgers Busch Campus Student Center. The festival does not have the clout that some of the other major films festivals around the World enjoy but it is gradually gaining in momentum. The festival does not boast of stars and glitterati but is more focused on quality films made by artists of South Asian descent. This year the festival showcased around 25 films including full length features and shorts that highlighted the best works of some young and promising film makers as well as veterans like Adoor Gopalakrishnan. I however was able to watch only a handful of films and I’ll discuss those in this ‘attempt of a report’ of mine. I would like to welcome the readers who attended the festival to comment on the films they watched. The festival opened on Friday Oct 9th evening at the Westin Hotel in Princeton with the film “7 days in Slow Motion” by Umakanth Thumrugoti. Before the screening as announced by the organizers there was a small strip of red carpet on which some film makers might have walked while being photographed by the awaiting camera men. I must have missed it cause while I was hanging out in the lobby I didn’t notice anybody on the carpet. The screening started a bit late not because of any logistics related delay but only to accommodate some more people who got stuck on a Friday evening traffic. The film maker Umakanth was introduced before the screening and he also made a few comments about the film. We learnt that he is an art director at Disney films and has worked on many of Disney’s popular animated features. He took a sabbatical for one year to make this film in Hyderabad. The film starts off as a light hearted comedy about a young boy Ravi who along with his friends ventures upon making a film using a “borrowed” camera. The film gradually takes on a more serious tone as the camera starts to capture stories that Ravi had never imagined. The film was well made and had that professional polish that distinguishes it from an amateur art house film to a more Hollywoodish kind not that there is anything wrong with that . The screenplay structure follows the typical three act flow as preached by Hollywood gurus although the story kind of slacked during the second act. The film however made a point of its own - that films are finally made on the editing table. The boy did not have a story to begin with but the story he finally told through his film came about on his editing tool by mostly using footages captured accidentally on his Panasonic camera. Nonetheless it was an enjoyable film and I brought along my 12 year old son who dabbles with film making now and then to watch the film the following day. The film screening was followed by a short celebration where the famed film maker from India Adoor Gopalakrishnan was felicitated. Adoor is one of the most respected film maker and has received numerous awards and acclaims for his films both in India and abroad. It was indeed a major achievement of the festival committee to bring him and his film at this festival. A nice dinner followed this event before wrapping up for the day. The next day the venue shifted to Rutgers University Cook-Douglas campus. I was able to watch only two films – “Loori” a film made by Afgan expats and “Barah Anah” a film made by Raja Menon from Mumbai. “Loori” directed by Saeed Orokzai is a film about a young Afgan woman Meena. Meena was brought to USA as a child when her parents died during the Soviet invation. Later after some troubling incidents in her life Meena develops some serious emotional and mental problems. Finally she finds herself back after some help from an Afgan doctor an Artist and a homeless boy. The story had a slow soft lyrical quality to it and is loaded with symbolism. However the key problem of this film was its technical quality and the entire production can be regarded as amateurish at best. The acting performances for most was quite poor so was the photography which got further skewed by an inadequate DVD projection system. “Barah Anah” Short Changed is directed by Raja Menon and is produced by an interesting team of people including an Italian Giulia Achilli an American Raj Yerasi and an Indian Raja Menon . The film tells the tale of three migrant workers in Mumbai who got tired of the continuous indignity and disdain showered upon them by the rising middle class and takes up crime to achieve their goals. They kidnap simple middle class people who having no faith in law enforcement prefers to pay the “micro” ransom demands instead of going to the police. The story in itself is nothing novel and has been told several times. However the film gets its boost from the wonderful performances of its cast members which include none other than the great Nasiruddin Shah and Vijay Raj. The film seem contrived at times with the ending clearly a patch work which is difficult to justify even with a back story of Shukla’s acted by Nasiruddin Shah predicament at the beginning of the film. If a death certificate can get a person out of judicial claws then all criminals would have carried a death certificate of their own. Raja Menon’s answer to this was that he took some artistic license and left it to the audience to figure it out but I think that kind of an excuse is not even used by the regular song-and-dance kind of seventies style Bollywood movie. On Sunday the third and final day of the festival that happened at the Rutgers Busch Campus Students Center I was able to see only one film and possibly the best of the lot I’ve seen so far. “Death on a Full Moon Day” Pura Handa Kaluwara a Sinhalese film directed by Prasanna Vithanage was made in 1997 and was banned by the Sri Lankan Govt. Prasanna fought against the ban and won the case in the Supreme Court who forced the Govt to lift the ban. The film is a wonderful treatise on the de-humanization of common people by war and the reigning authorities. Old Vannihamy on a full moon day receives the remains of his only son a soldier in the Sri Lankan army in a sealed coffin. But Vannihamy refuses to accept the death of his son and risking the compensation money from the Govt. he opens the casket to vindicate his belief. The loss of humanity and the general apathy of the people caused by a prolonged war is dealt with great sensitivity and beauty that only a master film maker can. I am inclined to see more of Prasanna’s films if they are available on DVD. NJISACF brings to us some of the gems of South Asian cinema and exposes us to the rich cultural variety of that region. I hope this modest festival develops into a major international event and helps build bridges between cultures. Kudos to the festival organizers. My only request to the organizers would be to make sure that the projection systems do justice to the films being shown. The film makers take lot of care in composing their shots and arranging color schemes for each frame. But it really gets frustrating for the film makers as well as the audience when a less than adequate DVD player and projection system screws it up. 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(425, 2637, 'Patrizia Mookherjee I was at the NJPA Kali Puja and I was very happy with the results. My brother Anup Mitra did a magnificent job and he made sure that me and my daughter were well taken care of. The food was delicious and as always I was charmed by all the children especially Mili and I charmed them.', NULL),
(234, 2636, 'Patrizia Mookherjee The Idol did look like as if the Puja was happening in Kolkata. I’m not Bengali but it sure did made me feel like home. i have photographs in which I recieved a dozen comments saying the it looked like Kolkata.', NULL),
(434, 2635, 'Patrizia Mookherjee This is an important celebration/event where everyone looks forward to go and can not be missed.', NULL),
(439, 0, 'Three months ago when I lost my mother I received the following email from a close friend: Tonight at the Sahitya O Alochana meeting I heard the very sad news of your mother’s passing away. I offer my heart-felt condolences to you. I have suffered some losses in my own life and I know first hand the sorrow of having to say good bye to a loved one. I also know that during this time and all through your life you’ll know that she is with you and watching over you because you can feel her presence in your heart. I feel deeply moved by this change from life to after-life that your mom has gone through and I felt compelled to tell you that she is still with you and will always be just as I feel that my son is always with me no matter where I am. With my love and blessings to you and your family The email was from Gayatri Gamarsh who allowed me to call her as Gayatri-di and it really helped me cope with my pain. Little did I know that three months later Gayatri-di herself will move on to “her after-life” leaving us behind mourning her loss. I came to know Gayatri-di mainly through her literary works and her love for anything artistic. She used to love coming to our plays and appreciated them very much. Several times she has written about our plays in Anandasambad and other magazines. Her appreciation and encouragement meant a lot to me and my team mates. It is for people like Gayatri-di that makes all the hard work in writing and staging a play worth it. In September she had participated in a workshop on creative Bengali writing conducted by Sunil Gangopadhyay. She had rescheduled her heart surgery just to attend this workshop online. That was the last time I had heard her voice on the phone. Later after her surgery she had sent me an email asking for an article or cartoon for the “Sambad Bichitra” English section. But I never had the chance to hand it to her. As mentioned by Gayatri-di in her email I’ll believe that she is always with us and will be watching any play we put up or read any article I write or any cartoon I draw. Goodbye Gayatri-di and thank you for all your encouragement and blessings for those will be my source of inspiration for whatever I do in the future. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Loss of a Friend size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(443, 0, 'On November 24th 2009 President Barack Obama hosted the first state dinner since his inauguration in honor of Dr. Manmohan Singh the honorable Prime Minister of India and his wife Mrs. Gursharan Kaur. State dinners honoring foreign head of states are huge events and are attended by members of the top echelon of the society. The official White House fact sheet says: The first State Dinner for a foreign head of state was held by President and Mrs. Ulysses S. Grant on December 12 1874 for King David Kalakaua of Hawaii. Since that first dinner many traditions have been added to State and Official Visits – yet the common theme of forging friendships exchanging knowledge and building bridges that last for years to come remain unchanged. As the world’s two largest democracies India and the United States share common ideals and strengths and the United States and India are working together to address a number of global challenges of the 21st Century—from security to the economy to climate change to the health and education of our people. Previous State Dinners at the White House in honor of India include those hosted by the following Presidents and First Ladies: • President George W. Bush and Mrs. Laura Bush in 2005 • President William J. Clinton and Mrs. Hillary Clinton in 2000 • President Ronald Reagan and Mrs. Nancy Reagan in 1985 and 1982 • President Lyndon B. Johnson and Mrs. Lady Bird Johnson in 1966 • President John F. Kennedy and Mrs. Jacqueline Kennedy in 1963 The state dinner for Dr. Singh was held held under a tent on the South Lawn of the White House. The décor reflected the Obamas’ dedication to green and sustainable elements and featured a garden theme. Tables will be covered in apple green linens. Deep purple flower arrangements at each table pay homage to the state bird of India the Indian Peacock. The centerpiece bouquets were composed of flowers that are evocative of the classic American garden: hydrangea garden roses and sweet peas in a rich palette of deep plum purple and fuchsia. Arrangements of magnolia branches will surround the walls of the tent. Magnolias are native to both India and the United States. The magnolia ivy and nandina foliage used for the occasion were locally grown and sustainably harvested. The tables were set with the following china from the White House’s historic collection. Service Plates - Eisenhower : Porcelain 1955 New Castle Pennsylvania Castleton China Inc. U.S. Government purchase 1955. Service Plates - Clinton State China Service : China 2000 Trenton New Jersey Lenox Inc. Gift of the White House Historical Association 2000. Commissioned to commemorate the 200th anniversary of the White House. Dinner Plates - George W. Bush State China Service : China 2008-2009 Kinston North Carolina Lenox Inc. Gift of the White House Acquisition Trust 2009. The dinner was prepared by the award winning guest chef Marcus Samuelsson. Mrs. Obama worked with Guest Chef Marcus Samuelsson and White House Executive Chef Cristeta Comerford and her team to create a menu that reflects the best of American cuisine continues this White House’s commitment to serving fresh sustainable and regional food and honors the culinary excellence and flavors that are present in Indian cuisine. Herbs and lettuces were harvested from the White House Kitchen Garden. White House Executive Pastry Chef William Yosses and his team created the desserts. The pears were poached in honey from the White House Beehive. Desserts were garnished with mint and lemon verbena grown in the White House Kitchen Garden. I have attached the dinner menu at the bottom of this article. The dinner entertainment included two Academy Award winning musicians Jennifer Hudson and our own A.R. Rehman. The other performers included eight time Grammy nominee Kurt Elling the National Symphony Orchestra conducted by Marvin Hamlisch and the United States Marine Band. The star studded guest list included celebrities like Steven Spielberg Blair Underwood M. Knight Shyamalan Dr. Sanjay Gupta Kal Penn Bobby Jindal and many others. State Dinner Menu Photo Courtsey: AFP and AP Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value The Green State Dinner size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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Obama at the White House state dinner. The White House State Dinner in Honor of Dr. Manmohan Singh. [Ask] [blinklist] [Bloglines] [BlogMarks] [Blogsvine] [del.icio.us] [Digg] [Facebook] [Google] [LinkedIn] [Mister Wong] [Mixx] [Reddit] [StumbleUpon] [Technorati] [Twitter] [Windows Live] [Yahoo!] [Email] Dr. Manmohan Singh and Pres. Obama. The White House State Dinner in Honor of Dr. Manmohan Singh. View State Dinner Menu on Scribd View State Dinner Menu on Scribd Use these links to share this page with others Save to Ask Save to backflip Save to blinklist Save to BlogBookmark Save to Bloglines Save to BlogMarks Save to Blogsvine BuddyMark It Save to BUMPzee! Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! 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(446, 0, 'Date : 5th December Saturday. Time: 4 p.m. to 6 p.m. Raag-Rang is presenting a lecture-Demonstration by Arun Rammurthy Violin and Suresh Ramachandran Mrudangam . Suchishmita Dutta is going to start the afternoon with her short rendition of hindustani vocal. Amod Dandawate And Indrani Chakraborty Khare is going to accompany her on Tabla Harmonium. Venue: Upadhyay Residence. 42 Walter Brook Drive Bridgewater NJ 08807. Donation: 5.00 for members and 7.00 for non-members. RSVP will be appreciated as seats are limited. Contact: 908 -429-1120. 908 -707-8582 609 -890-4890. email: bhawmikm@gmail.com mayuresh.khare@gmail.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Raag-Rang Presents Violin Lec-Dem size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(447, 0, 'The count down to NABC 2010 has started. In little more than seven months from now Bengalis from all over USA and abroad will converge upon Atlantic City in New Jersey. Kallol of New Jersey the host organization of NABC 2010 is working at a hectic pace to make it a great event. Most of the performers have been lined up registrations pouring in and the committee members are busy working on the final details like scheduling and fund raising. On January 8th 2010 a kickoff meeting/press-conference will be held in Kolkata in the presence of most of the artists and performers. Lets take a look at some of the foreign performers who will grace the Atlantic City convention center stage. I’ll not be able to cover all of them in this article and plan to continue in future posts. At the 2010 NABC Kallol will be presenting some performers who are relatively unknown to the Bengali crowd in USA. One such group is Sapphire Creations Dance Workshop who will be performing at the opening ceremony. Sapphire Creations is a premier experimental dance company based in Kolkata and the only one of its kind in Eastern India performing regularly and popularly in festivals and arts events in India and abroad. Their objective is to integrate in its dance an awareness of tradition a dimension of experimentation an urge to entertain and a purpose to provoke consciousness to inspire us to reach brighter horizons. The group was founded in 1992 but during its early days it had to face huge hurdles in the form of criticism and abuse accusations of sensationalism and ‘bad’ culture. However over the years and after numerous acclaimed performances in most national dance festivals and important international tours Sapphire has been regarded as pioneers of a radical innovative dance idiom. Sapphire delves into the body and its reservoir of movements to discover a basic language of dance that can transgress race color or religion and reach out to the global youth enabling them to find integrity in their otherwise racy urban lives. Here are some of the recent criticisms in the press: Times of India: Kolkata’s dynamic dance troupe Sapphire Creations has broken all barriers of tradition with their very own dance statement. The lead female dancer of the group Paramita epitomizes womanhood in all her portrayals. She is at one time the Bharatiya nari and the modern woman emancipated free and unfettered. Themes such as this or such bold depictions have rarely been witnessed on the Kolkata stage. But their audience has always loved their performance. Why else would their show at Rabindra Sadan draw a full house The Indian Express: The ballet shows a more intellectual treatment of the subject… is based on extensive research charting Indian history in a new interpretative mode. The Statesman: The hard work and research gone in to the project is obvious when one sees the stage performance. The scintillating dance and the flawless steps are matched brilliantly with the sets background voice and the lights. All credits go to Sudarshan Chakravorty for excellent conceptualization and choreography. …sheer professionalism was on display as the artists matched their rhythm with difficult body movements. Artistic-Director Sudarshan Chakraborty leads the group with a vast experience in a multitude of dance forms that include Bharatanatyam Modern Dance Jazz Modern Vietnamese dance and Thangta to Kathakali. Along with Sudarshan the team consists of talented dancers and choreographers like Paramita Saha Co-Director Dibyendu Nath Subhojit Sarkar Moumita Debnath and many others. The following YouTube clip gives a glimpse of one of Sapphire’s presentations. 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(505, 0, 'On August 10 2010 at the Paschimbanga Bangla Academy an interesting event took place along with my book launch ceremony. As a part of the book launch Saptarshi Prakashan arranged for a discussion from a panel of contemporary playwrights which included Ujjal Chattopadhyay Tirthankar Chanda Sudipto Chatterjee and myself. The panel was moderated by Satya Bhaduri the editor of the well known theater journal SAS. The topic of discussion was “Exchange of Ideas”. Ujjal and Tirthankar being Kolkata residents and both Sudipto and me being expatriates the moderator essentially wanted to get the panelists view point as to how contemporary Bengali playwrights living all around the globe can exchange their thoughts and ideas discuss and debate their plays and finally produce plays that enrich Bengali theater on the whole. The panelists spoke about their own ideas and convictions which may not have found a perfect answer to Satya Bhaduri’s question but it did raise some good issues that we the playwrights and theater lovers ought to ponder on. The following video clips from the panel discussion will give you a better understanding of the proceedings of that meeting. Enjoy and don’t forget to add your thoughts below as comments. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value A Panel of Bengali Playwrights size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(452, 0, 'Few months ago I wrote my wish list about the kind of performers I’d like to see at the 2010 NABC in Atlantic City and the one artist I mentioned specifically was Sahaj-Ma. When NABC 2010 committee announced the name of their foreign performers I was delighted to see Sahaj-Ma and Utpal-Faqir’s name on the list. I am not sure whether the committee members actually read my post and felt inspired to invite the duo or whether it was a sheer co-incidence - I am glad and thankful to the decision makers for giving us a chance to watch these amazing performers on stage. I heard Sahaj-Ma first on ETV-Bangla on a show called “Baranday Roddur” conducted by the famous Bangla Band Bhoomi. It was kind of a mix of a musical and talk show and Sahaj-Ma mostly talked about her musical journey. She mentioned about her early training in classical music from her mother and then from Pundit M.R. Gautam and Srimati Sunanda Pattanaik. And when she performed it was mesmerizing. She has a unique style and tonal quality that is very rare in a female Bengali singer. The next time I listened to her music was in another ETV-Bangla show “Dada Didir Ganer Lorai”. In this show whenever she went up to perform it was almost magical. Although she mostly performs Baul and folk songs but in this show she proved that she has mastery over all forms of Indian music. During her talk with Bhoomi she mentioned about how she became Sahaj-Ma from Sharmistha. When she and her husband Utpal went to Sadan Das Bairagya to receive “Dikhsa” spiritual initiation he said the name Sharmistha doesn’t go well with the Baul traditions. He then named her Sahaj-Ma saying that I am giving you a great responsibility - to become Sahaj or “Simple” in this complex world. Sahaj Ma and Utpal Faqir are not only house hold names in Kolkata but also getting popular amongst the music lovers around the world. Her music a collaborative fusion album with Bikram Ghosh now plays on MTV. The attached video will give you a glimpse of Sahaj-Ma’s performance singing her famous number “Allah Meherban”. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NABC 2010: Sahaj-Ma and Utpal Faqir size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(453, 0, 'After a gap of two years I was back again in Kolkata this winter and whenever I had some spare time I utilized it watching a theater. Although most people in Kolkata were flocking the multiplexes for “3 Idiots” or “Avatar” I thought it would be prudent to capture as many Bengali plays as possible since I won’t be able to see them back in New Jersey. The day I landed in Kolkata also happened to be the opening ceremony of Nandikar’s National Theater Festival and Satya-da Satya Bhaduri editor of the theater magazine SAS invited me to attend the show with him. That evening the festival opened with Bangladesh Dhaka Drama’s staging of Selim-al-Din’s “Dhabaman”. “Dhabaman” is an allegorical folk tale of a young buffalo who wanted to be free. The play was presented in a traditional folk form with elaborate choreography and physical acting. This kind of play does not depend on traditional dialogues but on descriptive narratives which works almost like a commentary of the happenings on stage. It was a pleasant experience overall especially when you get to watch a play in a form that is rarely used in Bengali theater these days. The next play I saw at the Aneek Theater Festival was Natya Anan’s musical “Hirak Rajar Deshe” based on the popular film by Satyajit Ray. The play directed by my good friend Chandan Sen was well attended Rabindra Sadan was almost full and seemed to be well enjoyed by the young viewers. Musicals are a neglected genre in Bengali theater and I am glad that Chandan and his team showed the courage to stage something like this. However remaking of a classic is always a challenge and Natya-Anan had to face an uphill task to stand up against a wonderful film that still lingers in the memories of every Bengali film goer. Besides the current political situation in Bengal makes the content quite relevant. The music was different but quite good. Although I would have preferred the songs to be performed live on stage rather than the loud pre-recorded playback. The actors did a decent job however the choreography could have been more imaginative. The play used some special effects with lights and sound which looked nice if you don’t try to compare with any Broadway production . Overall I’d recommend the play to anybody especially the kids. At the same festival the next play I saw was Bohurupi’s “Birja Sulka” a play based on the story of Shikandi of Mahabharata. Shikhandi’s tale has always fascinated me but frankly speaking this play disappointed me. The structure of the play was seriously flawed and failed to capture the attention of its audience. The director Tulika Das may have been motivated by the spirit of woman’s liberation but failed to deliver. The actors had serious problems with the dialogs in verse and the poor structure of the play added to their despair. I expected a better quality from a group like Bohurupi. On 28th Dec I saw the best play of this season - Theater Workshop’s latest production “Juddha Paristhiti”. “Juddha Paristhiti” is adapted from Nabarun Bhattacharya’s novel by the veteran thespian Ashok Mukhopadhyay who also directed the play. The play is about a middle aged institutionalized schizophrenic man who lost his mind due to police brutality during the political turmoil of the seventies. Often he escapes from his asylum and roams the streets of Kolkata searching for his hidden arms - his instruments of liberation. The play demonstrated how a well crafted play can keep the audience glued to their seats and how an imaginative director can transform a stage using simple structures. The actors did an excellent job in presenting the play although the excessive use of the fourth wall could have been minimized also true for many of the other plays I saw. The playing of the “International” during the curtain call seemed to be too dramatic and overimposed. This time I also happened to see the production of my play “Jadiyo Galpo” by Theater Workshop directed by Ashok Mukhopadhyay staged at the historic Minerva Theater. Since I have a personal attachment with this play I’ll refrain from going into the details. The audience seemed to like the play and the two actors on stage Ashok Mukhopadhyay and Krishnagati Chatterjee were able to hold their attention even with an intermission break. Another Bohurupi production that I happened to chance upon was “Mr. Kakatua” and was pleasantly surprised to see that this old play can still draw the crowds. The play directed by Kumar Ray is a comedy that not only entertains but also makes you think. Unlike “Brija Shulka” this play was firmly placed on a solid structure and the actors went all the way to enliven the stage under the brilliant direction of the veteran Kumar Ray. The last play that I happened to watch was Bratyajan’s “Ruddha Sangeet” the celebrated and sensational play written an directed by Bratya Basu. It was a call show organized by a bank at the Mahajati Sadan and when I got the news I took my chances and showed up at the theater back stage. My good friend Bratya was kind enough to arrange a seat for me for a show that was for invited guests only. The play is kind of a biopic on the life of the popular singer Debabrata or George Biswas and is loosely based on his memoirs “Bratyajaner Ruddhasangeet”. The play became an instant hit in Kolkata especially at a time when the city intellectuals artists writers actors have been alienating themselves from the ruling left party and joining the ranks of the opposition. The play talks about a similar time in history when the communist party in Bengal tried to stifle the voice of the free spirited artists and performers. The play brings on stage some of the most popular and famous Bengali personalities of the last century and some very dramatic moments. However dramatic moments alone cannot make drama. The play was too anecdotal in nature and lacked any plot line. This might have been intentional but it fails to keep the audience interest going. This became quite evident when I heard people behind me getting restless and some of them leaving the auditorium early. The lack of a clear story line and definitive action on the part of the protagonist except at the end when George Biswas fights against the ban on his songs makes it a docu-drama at best but not a play. As a director Bratya did a commendable job in managing a huge cast in a well choreographed manner on stage. The stage was sparse which was alright however a little more imagination might have helped to make it more pleasing visually. Debshankar Haldar as George Biswas was excellent and so was Satrajit in the role of Ritwick Ghatak - but this kind of created a wide gap between the quality of characterization between them and the other actors. My overall impression has been that despite all the rumors I hear Kolkata theater is still thriving. People are going to the theaters new plays are being produced. The quality of production in all branches has lot of room for improvement but that can only happen when the theater goers demand for it. I wanted to see few more plays like “Patal Babu Filmstar” by Purba Pashcim “Darjiparar Marjinara” by Swapno Sandhani written by Bratya Basu “Shonali Sarak” by Ganakrishti and many others but my time was limited this year. Better luck next time. 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(454, 0, 'One of the guest performers at the upcoming NABC 2010 is Abdul Bari Siddiqui of Dhaka Bangladesh. Although Bari is a relatively new name to the Bengali music lovers in this part of the world he is a well known and sought after musician and composer in Bangladesh. Trained as a classical flutist Bari finds his passion both in the classical ragas as well as the folk tunes and Baul music of Bengal and has created his own genre of folk fusion by fusing North Indian Classical Music with Baul music. Bari born 15th November 1954 started his initial lessons in classical vocal music at the age of twelve under Gopal Dutta of Netrokona. Later in 1981 he was taken under the wings of Ustad Aminur Rahman a direct disciple of Pandit Panna Lal Ghosh the famous flutist and Beenkar Ustad Dabir Khan. Ustad Aminur Rahman spotted Bari during a concert and offered to tutor him. For the next six years Bari trained under Rahman. Bari also received extensive training from Pandit V G Karnad in Pune. Since 2000 besides playing the flute Bari started to perform vocal music and his first album “Srabon Megher Din” was an instant hit and won him several awards. With this passion for around four decades Bari reserves that the difference between the Indian and European music is that “Indian music comes from silence whereas the European music comes from sound.” Bari maintains that the Indian way is more melodious with the “Miir” and more natural with the typical natural bamboo flute. As of his Gurus he believes in praying through his tunes and devotes all his creation to eternity. Bari has performed in countries like India Pakistan Singapore Indonesia Thailand Burma USA England Switzerland France and many other European countries. In 1999 at the World Flute Conference in Geneva where representatives from seventy countries took part Bari Siddiqui was the only representative from the Indian subcontinent. He received many awards for his performances at Fajar Music Festival award in Iran World Flute Conference Award in Geneva International Film Movement Association Award and Bachshash Award. To listen to some of his tunes visit Bari’s website at http://www.barisiddiqui.net/ . 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(177, 0, 'These are some of the feeds from various sources that I read often: Times of India Bar criminals from fighting polls: Sonia Gandhi - Mon 25 Jan 2010 The Election Commission s diamond jubilee celebrations saw a rare convergence among political parties over checking criminalisation of politics with Congress chief Sonia Gandhi calling for a consensus on barring candidates with criminal backgrounds. Kabul Pakistan ready to talk with Taliban - Mon 25 Jan 2010 A plan to reach out to Taliban insurgents is likely to dominate talks between Afghan president Hamid Karzai and Pakistani president Asif Ali Zardari ahead of a London conference. No hint by govt to shun Pak players: Chidambaram - Mon 25 Jan 2010 Home minister P Chidambaram on Monday strongly refuted suggestions that there had been a hint or a nudge from the government to keep the Pakistani cricketers out of the T20 tourney. Special Coverage: Indian Republic Soaring@60 - Fri 22 Jan 2010 The Indian Republic is a shining exception in a turbulent neighbourhood. But what is the alchemy that has enabled democracy to thrive here even as it struggles to survive in our vicinity Shane Warne to help ease Australia-India tension - Mon 25 Jan 2010 The Cricket legend has been recruited to try and help soothe tensions between Australia and India over a series of violent attacks on Indian students in Melbourne. Venkat Aamir among 130 Padma awardees - Mon 25 Jan 2010 The government has however not found anyone for the highest civilian award Bharat Ratna. Hindustan Times House panel slams Air India merger Marathi must for cab drivers Indian Premier League surrenders on Line of Control 641 babus squat on prime property End of a long march Airport radar crash: 60 mins on brink of disaster India Today Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Feeds size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . Powered by Bookmarkify™ More » http://timesofindia.indiatimes.com/india/Bar-criminals-from-fighting-polls-Sonia-Gandhi/articleshow/5500537.cms http://timesofindia.indiatimes.com/world/south-asia/Kabul-Pakistan-ready-to-talk-with-Taliban/articleshow/5500591.cms http://timesofindia.indiatimes.com/india/No-hint-by-govt-to-shun-Pak-players-Chidambaram/articleshow/5500541.cms http://timesofindia.indiatimes.com/specialcoverage/5487899.cms http://timesofindia.indiatimes.com/world/rest-of-world/Shane-Warne-to-help-ease-Australia-India-tension/articleshow/5500217.cms http://timesofindia.indiatimes.com/india/Venkat-Aamir-among-130-Padma-awardees/articleshow/5500598.cms http://epaper.hindustantimes.com/blog/2010/01/house-panel-slams-air-india-merger.html http://epaper.hindustantimes.com/blog/2010/01/marathi-must-for-cab-drivers.html http://epaper.hindustantimes.com/blog/2010/01/indian-premier-league-surrenders-on.html 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(456, 0, 'Ask a Bengali what in his/her bookcase does he/she treasure most And the answer will be - the sixteen volume set of Rabindra Rachanabali that is the complete works of Rabindranath Tagore. Over the years the works of Tagore has been one of the key source of revenue for Bishwabharati. However after the expiry of the extended copyright publishers were free to reprint Tagore without having to pay any royalty to Bishwabharati. The Society for Natural Language Technology Research SNLTR grabbed this opportunity and made the entire published works of Tagore Rabindra Rachanabali available online through their website http://rabindra-rachanabali.nltr.org . No longer do you have to carry along with you the heavy volumes neither do you have to spend money to buy them. Online Rabindra-Rachanabali is free. The website was released to the public on 27th January 2010 at the Kolkata Bookfair. According to Prof. Anupam Basu the director of SNLTR who spearheaded this project Rabindranath should be accessible to anybody and everybody who wants to read in Bangla. A professor at the department of Computer Science and Engineering of IIT Kharagpur Anupam leads a series of projects to enable computing in Bangla. He and his team has developed Baishakhi a unicode compliant keyboard that enables one to type in Bangla and also enable web browsers to render Bangla in a clean and uncluttered manner. The entire Rabindra rachanabali project has been developed using Baishakhi and has been implemented by MAT3 Impex of Kolkata. The project had an initial seed funding from the Govt. of West Bengal and had also received support from several organizations like IIT Kharagpur ISI Kolkata Jadavpur University BESU C-DAC IBM and Microsoft Research India. The Rabindra-Rachanabali site organizes the works of Tagore several categories like poetry songs novels short stories plays essays etc. It also provides an alphabetical index to search for a specific article. However the best feature is the in-built Bangla search engine named Anweshan. It allows the reader to search Tagores writings using Bangla keywords. Keywords can be entered either using the Baishakhi keyboard if you have one installed on your Windows PC or you can use the virtual keyboard provided along with the search engine. I tried it few times and it works like a charm. Click the link on the left side bar titled “Anushandhan” and you can search to your heart’s content. The font Bangla Academy or Vidya layout and the text is also very pleasing to read. If you don’t have the fonts you may download and install them by clicking the button on the left sidebar. One can move from one page to the other using easy to use navigation buttons. The site also allows you to report any typographical mistakes or any other issues via web based email. The site however does not allow you to print a whole story as a single file and you’ll have page one page after other. I’d like to request the developers to look into this useful feature. Another issue is that the articles poems stories does not have the dates associated with them like the way we see them on the printed volumes. Some links are not active yet like “Prakalpa Sammandhe” or “Jogajog” but I think they’ll be active soon. Kudos to Anupam Basu and his team at SNLTR for giving us this wonderful gift in this new year. Next year being the 150th birth anniversary of Tagore this is a very well timed offering to the Bengalis all over the world. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value The Complete Works of Tagore Now Online size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(457, 0, 'Please join Urhalpool Magazine’s 2nd Annual Award Ceremony on Wednesday. January 27th @6:30PM in Collaboration with: Rabindranath Tagore center ICCR American Center Kolkata Shakti Chattopadhyay Lifetime Bengali Literary Achievement Award Rs25 000 : Sunil Gangopadhyay Nirmal Chandra Gangopadhyay Bengali Literary Award for an Young writer Rs15 000 : Mandakranta Sen Dr. Sishir Kumar Das Award for research in Bengali Literature: Rs 20 000 : Dr. Sibaji Bandyopadhyay Pushpa Little Magazine Award: Rs10 000 : Bibhab Urhalpool www. urhalpool .com January Issue focusing on Mexican poets/writers has been released. Bengali section: Poems-Sankha Ghosh Sunil Gangopadhyay many others/ Golpo- Yashodhara Roychoudhury Mexican writer Liliana Blum Ivy Chatterjee Tridib Chatterjee and others Special Article on Translation by Goutam Datta English Section: 2010 Kolkata Book Fair visiting poets Anne Waldman Meena Alexander’s essays Many Mexican writers poets. Special article by Father of Contemporary American Poetry Jerome Rothenberg: POETS TRICKSTERS: INNOVATION DISRUPTION IN RITUAL MYTH Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value 2010 Urhalpool Awards size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(456, 2725, 'sudipta | http://', NULL),
(458, 0, 'Are you looking for the right Bengali meaning for a English word Do you often hunt for Bengali words and their spellings when you know the exact English equivalents. Look no further. Try out http://doroja.com . The developers of this site has taken an ingenious approach. They have scanned an entire English to Bengali dictionary broken it up into pieces for each word and created a searchable database which links up the words you type in with the appropriate snippet. Thanks to Raishul Islam Russell for developing this useful site. Give it a try when you can. The Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Online English to Bengali Dictionary size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(459, 0, 'Once again we are looking for Bengali speaking male actors for ECTA’s upcoming new play to be staged in June and July of 2010. The character is that of a middle aged man. Previous acting experience is desirable but not a must. Must be willing to commit to ECTA’s rehearsal schedule. Rehearsals will be held in central New Jersey. Interested people must contact me at the earliest. To know more about ECTA and its productions please visit http://ectainc.org . Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Looking for Actors size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(460, 0, 'Natyabharati presents “RON” in Hindi and English a play by Sudipta Bhawmik Hindi translation by Kaushik Datta and Stuti Banerjee Directed by Suma Muralidhar April 3 2010 at F. Scott Fitzgerald Auditorium Rockville Civic Center Rockville MD. Cast: Jay Tipnis Suresh Kodolikar Meera Narasimhan Rajiv Paul Madhuri Subramaniam Subhojit Sen Pranav Pandya and Chetna Gola Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value RON to be Staged by Natyabharati of Maryland size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(461, 0, 'Want to write in Bengali Google now offers transliteration service from several Indian languages including Bengali. Visit http://google.com/transliterate and set up the language to Bengali using the drop down menu on the upper left corner. Then start typing in Bangla using your roman keyboard. For example type in “manush” and hit space button and the transliteration software will convert it to its corresponding Bangla in a unicode compliant font. To switch from Bangle to English or vice versa just press Ctrl G in Windows or Cmd G in Mac OS . If the transliteration engine does not generate the word you want just press the “back” or “delete” button and it will provide you with multiple choices. The tool also offers you a dictionary that can provide you Bangla word equivalents for most English words. You can select the correct word and insert in the document. However this system is still in its infancy and has several limitations. For example you cannot save the documents you create using this system. Currently Google transliteration is offered only in Gmail Blogger Knol and Bookmarklet. Even Google docs is not supported let alone Microsoft Word or any other word processor. Choice of fonts is also limited. I hope Google is working on these issues and make transliteration a truly useful system. Till then we’ll have to work within these limitations. Thanks Google Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Google Bengali Transliteration size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(462, 0, 'Kirana Gharana holds a very special place amongst the traditional styles of North Indian Classical vocal music. Widely recognized to be founded by Ustad Abdul Karim Khan although opinions differ amongst the musicologists from the village of Kirana or Kairana near Muzaffarnagar in Uttar Pradesh Kirana gharana has given us several excellent performers of the Khayal style of singing including masters like Pandit Bhimshen Joshi Pandit Rasiklal Andheria Ustad Amir Khan Ustad Mashkoor Ali Khan and many others. In July 2010 at the North America Bengali Conference NABC 2010 Kallol of New Jersey will be presenting yet another exponent of the Kirana Gharana Pandit Kaivalya Kumar Gurav. Kaivalya Kumar’s grandfather Pt. Ganapatrao Gurav was a first batch disciple of Ustad Abdul Karim Khan. Kaivalyakumar’s father and guru Pt. Sangameshwar trained by Pt. Ganpatrao was well known for singing in the true Kirana tradition. And Pt. Sangameshwar in turn has groomed Pt.Kaivalyakumar into an outstanding vocalist of the current times. Ironically during the early part of his life Kaivalya Kumar tried hard to avoid a career in music. Discouraged by his father’s moderate success in the profession Kaivalya educated himself for a career in business and engineering. When none of these gave him the satisfaction he was looking for Kaivalya Kumar turned to his roots in classical music and surrendered himself to rigorous training under his father. And within a short period of time Kaivalya established himself as a grade “A” artist of All India Radio and Doordarshan at an age of only 35. Now Kaivalya Kumar is one of the most sought after artists in India. A great singer of Khayal Pt.Kaivalyakumar also renders Marathi Natya Sangeet and Abhang Bhajans Kannada Vachana and Dasara Pada with equal finesse and all of which has won him the acclaim of listeners and critics alike all over India and abroad. Attached is a small clip performing Raga Shankara from one of his concerts: Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NABC 2010: Kaivalya Kumar Gurav the Pride of Kirana Gharana size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(500, 2884, 'Arunabha Guha i completely agree with the observations. i had a chance to talk to a few baltimore organizers about this. maybe they will be able to come up with ways to do better. but if the trend continues we will be slowly losing the next generation’s participation i am already beginning to see that in my kids.', NULL);
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(504, 0, 'Few weeks ago I had written about the plight of domestic performers at the North America Bengali Conferences. I had also mentioned that the current CAB president Kajal Sarkar promised to look into this issue and try to resolve the matter in future NABC meets. He also asked the domestic performers to come up with a consolidated list of “10 most important things need to be implemented in future Banga Sammelan for performance related to local artists / groups”. I volunteered to co-ordinate the effort and came up with a list based on inputs from several domestic performers at the NABC 2010. I would like to share the list with you all and maybe you can put in your comments too. I hope all Bengali organizations who plan to host NABC in the future would read this and take this as an important feedback from the local/domestic performers and groups. 1. All domestic performers/groups should be invited just like the overseas performers. These days there is no dearth of talent in USA amongst first generation and second generation Bengali Americans. Many performers are either professionals or of professional quality. Scout for them just the way you do for overseas talent solicit proposals and then select them with the help of a “culturally aware” group of people using a rigorous selection process using past credentials and recommendations. Focus on quality and not on quantity. 2. The domestic performers/groups selected through the above process should be treated as invited performers and should not be charged any group registration fee. Professional performers/groups may also have to be paid some token honorarium. The domestic performers should also be offered food coupons for the day of their show as part of the hospitality and preferred hotel reservations. Individual registrations may be charged to the domestic performers if the individual plans to attend the entire convention. 3. The NABC organizer should publicize the local performers and their performances at the same level as they would for overseas performers in brochures posters etc. Websites should highlight the selected local performers their credentials etc. NABC has an obligation to promote the local performers. 4. “Star” performers overseas or domestic should not be scheduled to perform in parallel to any other performer domestic or overseas . Only another “Star” can perform in parallel to a “Star” or none at all. No stage should be given the status of the main stage with all the “Star” performers scheduled to perform on that stage only. Scheduling should be distributed such that the audience do not stick to one hall only. 5. Encourage audience to watch domestic programs by scheduling at such a time that would allow viewers to watch domestic programs without sacrificing performers from Kolkata. This would include periodic announcement by the anchor during any program in any auditorium which would remind people about which show is going on in other auditoriums. 6. If multiple halls/auditoriums are used the halls should be equipped and decorated at the same levels. Each hall entrance must display the current program and the upcoming programs to be performed in that hall as well as schedules for the other halls. 7. The stage light and sound should be adequate and appropriate for the shows to be performed. The groups should be allowed enough time to set up their light cues check the sound and at least have a feel for the stage if not a full stage rehearsal. Time slots should be scheduled for this purpose well in advance. 8. Help should be provided to all performing groups to load/unload their sets/props/equipments if any and to setup stage and strike-down. This will minimize the time lost in setting up the stage. Also NABC organizers should offer some level of support for sets and props chairs sofa table etc such that the performers do not have bring those heavy stuff with them. This service is typically provided for overseas performers and should also be extended to domestic performers. 9. All stages should be equipped with drinking water bottles tea/coffee and a first aid kit. The dressing rooms should have adequate lights and mirrors. 10. Treat all performers and groups domestic or overseas with respect and honor they deserve. After all they are bringing value to the NABC and should not be treated like dirt. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Top Ten Requests from NABC Domestic Performers size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(465, 0, 'Sahitya O Alochana will be held on Friday February 19 2010 8.00pm at Ananda Mandir. Topic for this session is “Barnomay Jibananda” featuring a discussion on Jibananda Das’s works including poem short stories fictions etc. Ms. Dhriti Bagchi will be the discussion leader for this session. Active participation from the attendees in the discussion including reading of Jibabananda’s poetry or prose is highly encouraged. Please also note that the topics for the next two sessions March and April will likely be the following: 1 Jhumpa Lahiri’s work - discussion leader To Be Declared 2 Bengali Drama in North America - discussion leader Sudipta Bhawmik Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Sahitya O Alochona : Barnomoy Jibanananda size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(466, 0, 'Bidhyak Bhattacharya’s classic play “Tahar Namti Ranjana” was made into a famous radio play by the legendary duo Sambhu Mitra and Tripti Mitra. Now Listen to this wonderful drama online at the following link: http://www.raaga.com/channels/bengali/moviedetail.asp mid B0000126 It is available in 3 parts. 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(467, 0, 'ECTA has launched the pre-production work on their new play “Ekti Ganye Thaki” We Live in a Village . The name of the play has been borrowed from one of Rabindranath Tagore’s famous poems “Ek Ganye”. Currently the team is going through workshop sessions and theater games before delving into the rehearsal process that will start from March. The play will be staged during the months of June and July 2010. 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(468, 0, 'Raag Rang Presents “Kal Ke Kalakar” on 20th March Saturday 2010. Time 3-30 p.m. to 5-30 p.m. Ariaki Dandawate on vocal Getiara Zaidi on Sitar and Brinda Guha’s Kathak presentation. Venue: Universal Unitarian Congragation of Princeton Fahs Theater 50 Cherry Hill Road Princeton NJ 08540 Admission: NonMembers: 12 Kids below 10 Years: 7 RaagRang Members: 10 Kids below 10 Years: 5 RSVP will be appreciated. For details Contact: 908-429-1120 609-890-4890 908-240-8289. Email: bhawmikm@gmail.com mayuresh.khare@gmail.com devang42@yahoo.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Kal Ke Kalakar size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(508, 0, 'She has already been tagged as the rising star of Indian playback and may hold the most expensive concert ticket next year. Folks who attended NABC 2010 and left dazed by her singing prowess but still desired that she had sung those magical Hindi renditions of Lata Asha Shreya and Sunidhi numbers - the wait is over. Anwesha will be back in NJ only show in NY-NJ to perform in a concert “Anwesha Live in NJ” hosted by Que Zara Productions at the conveniently located North Brunswick School Auditorium Exit 9 from NJ Turnpike and 40 minutes from NYC on Oct 17 4 7 p.m. From Salil Chowdhury R.D.Burman Shankar Mahadevan to her latest hits she will enchant in a 3 hour musical concert. The sound engineering will be done by Jack Lowrie of Strike Sound. She is coming in with Zee Bangla fame Trijoy and soulful Bandita along with five top notch musicians from the Indian film industry. Tickets and Show Promo video: www.quezara.com A special post concert elaborate dinner has been arranged by Moghul Caterers for the musical team. You may email Abhy - abhy m@hotmail.com to purchase the VIP Dinner tickets or for any additional details. You may like to get hold of your tickets which understandably are running fast. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Bijoya Celebrations in NJ with Anwesha size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(474, 0, 'Supriyo Samajdar Prologue Let us start with me my relationship with theatre in general and with open theatre in particular. I might be digressing from the central issue when I discuss these additional and presumably “irrelevant” personal stories. I could have constructed this explanation like a theoretical manifesto or just made a compilation of various people’s experience of undergoing this process. But that doesn’t adequately answer the question of how and where who first laid down the initial few precepts of open theatre. Under what socio-political and economic conditions did they say these things what were their relations to their immediate environment while thinking about open theatre I tried to structure this article to the best of my abilities but eventually I realized that open theatre can’t be defined under certain compartmentalized topics rather I will try to reproduce the stream of consciousness that gave birth to them. In recounting my thoughts I will talk about my group Bibhaban 1 but let me question why I ventured into theatre in the first place. At the beginning of my tryst with theatre I was confronted with this fundamental question to which my answer was out of a social responsibility to the times I exist in. Looking back into the distant past I realize that the entire scenario society wise might have changed with time but my reason still holds true. Experience makes us weary of the language we use we tend to understand the various shades of a word and the meaning it connotes. Today if I were to rephrase my fundamental query or the answer to it I would think twice before talking about any social responsibility. What is my standing in the power structure which we label as society Back then the logic might have been questioned but the emotion with which I uttered those words are true to this day. Now that we have tried to answer why and are moving onto the how let us look into the origins of a thought process. A thought is said to be born out of a conflict a dispute between what I see and what I can accept as the truth. When a disparity occurs between the two an idea is born. Now the question remains why am I thinking in the first place What was the conflict I faced Private Investigations In 1993 I started my conscious journey as a Theatre Activist by acting in a Proscenium play in the Malda district of North Bengal. Some more one act plays passed in between and I eventually joined the cosmopolitan stream of Kolkata. Out of a voluntary impulse I started my researches in theatre worked with different groups and spawned my own Bibhaban. Between 1993 and 1996 I gradually started receiving recognition for my work all the while developing a conscience geographically removed from my loved ones. As I started coming to terms with my existential reality a time came when I had to deal with the dismantling of the group that I worked with. Monetary concerns brought us to a premature halt. In an urban sphere there are generally two types of actors in progress. One who work with financially well off groups in lavish productions and the other only gets the opportunity to take part in minimal expenditure competitions. While this dichotomy wreaked havoc on my fragile mind I managed to witness a staging of “Michil ” The Procession by the group Satabdi. It changed the way I conceived the absolute rules and glories of proscenium theatre. In the meantime I received a letter from the Alternative Theatre group to take part in a workshop in Madhyamgram dealing with alternative theatre methodologies. Having attended that I resumed my theatre studies at the Rabindrabharati University. Somewhere around this time I formed Bibhaban along with a couple of close friends primarily to take part in One Act play competitions. We had decided never to incur debts while running a theatre group. The two staging of Bikalpa The Alternative which we undertook in a proscenium setting came to a stop when we failed to meet the expenses. Eventually the open space in front of the Sangeet Bhavan of Rabindrabharati University Jorasanka Kolkata Bibhaban staged its open air theatre “Tarpor” The Next on April 12 th 1997. Some months down the line we staged “Swapno” Dream on 15 th August 1997. Due to natural calamities we had to hold the staging in a closed space and that was my first brush with Intimate Space Theatre. Later when we had done it in an open air theatre certain equations started being questioned. I saw how the audience-actor relationship dramatically changed in the two different venues. After all theatre thrives on the heartland of interaction. Feedback procedures are so dynamic in an intimate space that I started toying with the idea back then. I can’t exactly define how but I felt I saw Open Theatre being born at that point of time. Watching Open Theatre Mukta Natya in progress and the target “audience” I started rethinking the ways in which theatre serves its objective of communicating its message to an audience. Most groups fail to question these finer sensibilities of staging a production why do people come to watch theatres and what do they take back with them How do you transfer emotions and ideas seamlessly into their thought processes and attune them with your message Every genre has its takers whether it is proscenium or street theatre. A friend once joked that if instead of a street theatre I put up a trivial game show like a monkey dance a literal translation of the term bandor naach people will crowd to witness it. Everybody loves to be entertained and if that form of entertainment comes for free all the better. Human beings are a crazy breed they tend to have widely disparate likings things which even question their moral standings. Bengalis more so are known for their multicultural habits. Finding an audience can’t be too difficult. However we can’t expect the entire human race to be conscious enough to try and create an artifact which lives beyond its time and which addresses the question of greater good. Generally we tend to accept the conditions we have been thrown into refusing to question those tenets which are imposed by our irrational beliefs and superstitions. Our State boasts of millions of teeming theatre groups each with its own targeted audience. How do we then create our own space and make ourselves heard Philosophical Deliberations Who is a philosopher but a common man who confronts reality asks questions regarding its validity and then establishes certain life guiding principles based on his experiences If Philosophy is a way to reconcile with the incidences we encounter in a lifetime Open Theatre is an amalgamation of this experience. Just like every cooked food item has its recipe similarly theatre forms also have its own distinctive methodology. We are aware of the fact that theatre is a culmination of the various performing arts music dance and acting for a live audience. Arguably one might surmise that theatre was born out of the need to appease the sovereign deities and purge one’s self of his daily sins. We know that theatre evolved out of the hunting experiences of the first man one who drew these scenes on the walls of caves. In theatre a person tries to channel his thoughts into a character and communicate it to a wider audience which is willing to accept these and question them before accepting. A process of mimesis is being talked about here where we present to the audience a sequence of well accepted signifiers to drive home an idea. This is but one school of thought. On the other hand there might be a process of theatre where the duende 2 happens when the audience emotionally and intellectually engages with the existence of the character in performance. In that manner a completely new dimension of theatre and its communicative strategies open up to us. Theatre deals with living beings and living beings are not immune to changes in philosophies nor do they remain inert to change. Society functions by transforming one person’s weakness into the other’s strengths and cohabiting for the sake of common welfare. Anthropological studies show us that when a technologically progressive nation passes through a state of political upheaval actors on stage try to bring out the times’ reflection by refining their abilities to portray their respective characters faithfully. However Open Theatre tries something different. It calls forth an integration of the actor’s emotional state with reality so that he comprehends it better. Open Theatre seeks a solitary refuge away from this machine driven society a place for man’s own thoughts. What does one live for He can’t survive for his own well being the implicit rules of society always bind him into an interminable contract of give and take. We are always surrounded by social political and economic changes which relatively determine our life force. Every instant I am forced to question my wants since it doesn’t depend on me alone anymore. Advertising has ruined my ability to take a clear cut decision about my day-to-day life leading to a suffocated sphere where man fails to develop his intellectual faculties. This is where the concept of Open Theatre had it roots. Influences at the Germinal Stages Stanislavski wrote his phenomenal treatise An Actor Prepares elaborating the key processes an actor undergoes and he stressed the importance of affective memory in it. He later revised his ideas to incorporate a method of Physical Actions something which was furthered by Jerzy Grotowski in his seminal treatise on Para Theatre Towards a Poor Theatre . Antonin Artaud’s “Theatre of Cruelty” as enunciated in his book The Theater and its Double remains an over arching presence on our ideologies. In India theatrical procedures have been defined in the age old treatise called The Natyashastra which again doesn’t talk further beyond the creation of the spectacle. We always wanted a psychological basis for the theatrical process we underwent and hence searched for a medium of enhanced public feedback response system. After dabbling in an intimate form of theatre with Swapno Dream in 1997 besides from our performance I started my conscious experiments with Open Theatre form since2002 with the concept “Journey” on which Bibhaban continues to build. Presently through this research we are now trying to develop a work called “Approach to Silence” started in 2009. We are trying to evolve a space where we can redefine our daily existence in a more intimate manner unaware of the presence of a removed audience. In trying to pay tribute to the work of Mr. Jerzy Grotowski we have accommodated our own societal standings into our art. Without you I am not am I There have been groups in the past which talked about open theatre or called themselves Open theatre groups. Unlike them we aren’t a group rather a concept. Here anyone and everyone can take part in the process to develop his or her own line of action and thoughts. We must first shed the notion of an actor-audience dichotomy existing in an open theatre space. The basic mantra/line of our work is -“Without you I am not am I ” No one is an audience no one is an actor and everyone can be everything or nothing. There are no fixed identities. Rather the term visitor seems more apt to describe a friend who has come to be a part of the process. You have to free yourself from the notions of any kind of audience. You have to rethink the entire equation you have with people who come to witness you in performance. The Process Can you reveal a naked truth to them uninhibitedly a truth which you hide even from your closest friends First of all you need a fairly large room which is free from all kind of furniture and other cluttering. Those who will take part in it are requested to develop a common ground of thought or a common frame of reference along which they will align their respective bodies and minds. Once the common topic has been established you are asked to analyze your experiences against it. Once your common motif has been decided upon you will exercise your individual artistic abilities music dance art and performance poetry to elaborate it. You will try to accommodate the other participants into your respective spaces allowing room for an interaction to take place energy to flow through all members of the group. Once everyone starts feeling comfortable with his or her own modes of expression and interaction you will invite another new member to join in your process. In this process of Open Theatre you have to rethink the idea of a group. Will this be a daily affair where the participants need to sit in every day take part in physical or mental workshops to make themselves inhibition free Or should you allow it to be a long standing even a life long alliance punctuated by momentary interludes of silence It is in silence that we organize ourselves to present “us” to society once again. Silence affords that necessary break when we question the first principles. Supriyo Samajdar Born in 1969 in India. Theatre director and practitioner. Studied Directing at the Rabindra Bharati University in Kolkata. Founded Bibhaban an experimental theatre company in 1996 and has been directing writing plays and leading it since. Since 2002 Samajdar is running his research project on Mukta Natya Open Theatre exploring the communication between a spectator and a performer Through this research work ‘Journey’ with Open Theatre presently he is working on a project called- Approach To Silence participated in Regular contra Regulam research project of Teatro La Madrugada in Brzezinka Poland in 2008.His research paper in search of a new form -open theatre was selected for a international symposium-“Language s of Theatre” organized by Jawaharlal Nehru University New Delhi and the Indian Society for Theatre Research ISTR . in January 2009 and Grotowski - Alongside - Around - Ahead at the University of Kent in Canterbury England in June 2009. Bibhaban: 37Baguiati 4h lane Kolkata-700028 India Email:bibhaban@hotmail.com cell: 919830034978 This article was originally written in Bengali and later translated into English by Samik Dasgupta 1 According to the Samsad Bengali-English Dictionary the term Bibhaban literally means the process of exciting magnanimity sorrow surprise resentment terror love mirth disgust or quietism in a person. 2 El duende is the spirit of evocation. It comes from inside as physical/emotional response to music or dance. It is what gives you chills makes you smile or cry as a bodily reaction to an artistic performance that is particularly expressive. 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(475, 0, 'Last Sunday Feb 28th 2010 the noted Bengali theater personality Kumar Roy died in Kolkata after a protracted heart ailment at the age of 84. Kumar-da was long associated with the theater group Bohurupee which he joined in 1949 and was a close associate of late Sambhu Mitra. He was a director playwright and also an actor. He had done roles in several plays like ‘Gallileo’ ‘Rakta karabi’ ‘Baki Itihas’ Bisarjan and ‘Nabanna’ among others besides acting in films. He also worked as a professor at the Rabindra Bharati University. Kumar Roy also headed the Paschim Banga Natya Academy for quite some time. He had also penned many books. He was awarded the Sanget Natak Akademi award in 1983. Although I never had the opportunity of meeting him in person but had the good fortune of speaking to him few times. It was he who published my play “Ron” in “Bohurupi” of which Kumar-da was the editor the well known theater journal of Kolkata. He said how much he liked the play and thought it was an important addition to the repertoire of plays that Bohurupi has published over the years. Later he also published another play of mine “Satyameva”. He had asked me to meet him when I was in Kolkata. Unfortunately I never had the opportunity and I will repent it all my life. I hope and pray that his soul rests in peace. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Kumar Roy Passes Away size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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Bookmarks Copy this HTML to create a link to this page Save to Ask Save to blinklist Save to Bloglines Save to BlogMarks Save to Blogsvine Save to del.icio.us Digg It! Save to Facebook Save to Google Bookmarks Share on LinkedIn Save to Mister Wong Save to Mixx Reddit Stumble It! Add to my Technorati Favorites Save to Twitter Save to Windows Live Save to Yahoo! Bookmarks Email this to a friend See more bookmark and sharing options...', 'Kumar Roy Passes Away Arts-Culture http://nynjbengali.com/archives/category/arts-culture View all posts in Arts-Culture'),
(500, 2862, 'A C I have never understood the need by these local performers to pay to perform. There are a few dance or music “teachers” who use this opportunity to advertise their names. In any event they make their students pick up the tab. But the rest specially the drama groups who are doing this for the love of the art should not bother.', NULL),
(502, 2861, 'Brinda Guha I agree I definitely thought Kallol paid more attention to the local talent this year than they do in any Durga Puja or past Bongo Sammelon experiences. Comparatively we did a lot better with highlighting all the groups we have around us and for that I am very happy since that was my biggest complaint since 2005 . The only thing that I thought needed work was the Youth program and Youth talent show. Who is going to run this Bongo Sammelon thing in 50-60 years WE ARE. If not run the program at least hope to play a part in it. There has to be a way to keep my generation interested and stuffing a youth talent show in a small meeting room with no stage and a bad sound system is not going to hold anyone’s interested. Hall A was the perfect place to hold a proper community kids talent show where the participants would have a proper stage the scope of a bigger audience and higher quality acts. But in a small room like the one we were given No one is going to care about which talented teenager is doing what. Great review -Brinda Guha Kalamandir Dance Company kalamandirdanceco.webs.com Kalamandir of NJ njkalamandir.webs.com http://www.brinda.cjb.net', NULL);
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(503, 0, 'Plays are meant to be staged. At least that’s what a playwright expects when he or she writes a play. A play or drama finds its fullest expression through the interpretations of its director and the actors. So what good is it to publish a book of plays Mostly people who produce direct and act in plays are typically interested in the text of the play and hence would likely be interested in a book of plays. Although it is true that some non-theater people do love to read plays just as much as some like to read stories and novels but isn’t such a group a minority Is it worth publishing a book for such a limited audience These were the questions I was grappling with before I decided to go for a publication of an anthology of my plays. For quite some time many of my friends and well wishers were pushing me to publish the collection. My mother was one of them. She thought that my plays would find a larger audience through this publication than they would from our limited number of productions. Several of my friends in different parts of the country also wanted to see my plays in print. I too thought that maybe I should offer my readers an unadulterated view of my plays. Whenever a play is staged the audience is offered an interpretation of the text as made by the director and the actors. A play in print offers the reader to make his own interpretation - the reader becomes the director and the actor. The reader has the complete freedom to identify with the characters in his or her own way. As Edward Albee once said it is better to read the play than to watch a bad production of it. Then my mentor Ashok Mukhopadhyay also insisted that it is time to publish a collection through a reputable publisher. Although some of my plays have been published in theater magazines in Kolkata he felt that a printed collection is a better form to reach out to the drama readers. Sensing my inhibition as a newcomer to the Kolkata theater world he assured me “Don’t worry Your name is well known in the theater circles. Your book will not go unnoticed.” He then took me to his publisher Saptarshi Prakashan who in recent years have earned the distinction of one of the fastest growing publishers and have bagged quite a few awards like Sahitya Academy and Ananda Purashkar. And hence my first book of plays. On 10th of August 2010 the book was formally launched by Bibhas Chakraborty the noted theater personality at the Paschimbanga Bangla Academy in Kolkata watch the attached video clip in front of a large group of theater lovers of Kolkata. The book includes seven plays - Phera The Return Kaalsuddhi The Redemption Durghatana Accident Ron Satyameva Truth Only Musical Chair and Taconic Parkway. Now that the book is out in the market it needs readers. Those who have seen my plays and liked them you may want to have a copy to revisit the plays once more. For those who have not seen them this may be your chance to enjoy them in print. If you like the book please spread the word. Let your friends and family know that a book of plays is out in print that tells the stories of our existence as immigrant Indians in our adopted homeland. And don’t forget to give me your feedback. The book is available in USA at most online book stores and at alibris.com click on the cover picture on the right sidebar . In Kolkata the book is available at Saptarshi Prakashan 69 Sitaram Ghosh St Kolkata 9 ph: 9830371467 Dey’s Dey Book Store Book Friend Chakraborty and Chatterjee Adi Nath Brothers Naba Grantha Kutir Lokenath Brothers Balaka. Also available at Subarnarekha in Santinekatan Prantor in Durgapur Annapurna Book House in Balurghat Books and New Central Book House in Siliguri. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Why a Book of Plays size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(478, 0, 'Sararattir - Play by Badal Sircar Saturday 8th May 3PM Saturday 8th May 6PM Sunday 9th May 1PM Sunday 9th May 4PM Ticket Price - 25.00 LOCATION Livingston Student Center 84 Joyce Kilmer Avenue Piscataway NJ 08854 http://www.sararattir.info Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Sararattir - A Play by Badal Sircar size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(479, 0, 'AN EVENING OF TAGORE SONGS WITH REZWANA CHOWDHURI BANNYA Sunday MARCH 14 2010 AT 6PM AT HOME OF NUPUR LAHIRI 4343 RT 27 PRINCETON NJ 08540 ORGANIZED BY SURER DHARA NJ SCHOOL OF MUSIC SUGGESTED DONATION 15.00 PER PERSON’ LIGHT DINNER WILL BE SERVED MUST RSVP SPACE LIMITED NARAYAN ROY 908 561 9766 BHASWATI BHADRA 732 821 2545 NUPUR LAHIRI 732 821 3949 FOR PARKING: PLEASE TRY TO CAR POOL LIMITED PARKING AT THE HOUSE FOR ABOUT 12 CARS. 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(480, 0, 'One of the greatest challenge of any NABC is to come up with events and programs that can attract and engage the the next generation of young Bengalis. Most of the cultural events that happen on the stages of NABC are of little interest to them. They need their own kind of entertainment and engagement else they have nothing to do except hang out around the convention center with a long faces while their parents have all the fun. However the trend seems to be changing over the last few years. The NABC organizing committees are making a conscious effort to come up with events that are targeted towards the young Bengalis of USA. The youth committee of the 2010 North American Bengali Conference NABC has chosen the theme of “Fun Culture and the Future ” to represent this year’s youth program. Conveners are working hard to make sure that the youth-oriented events are relevant engaging and fun for our young people. The list of events include live stand-up comedy show by an up and coming comedian from the Indian community. A film and video show plans to encourage our young film makers to showcase their talent. Do you have an idea for a seminar workshop or panel discussion that would be interesting The Youth Committee formally invites you - anyone regardless of age or background - to submit a proposal for a seminar session. Topic choices are wide open from social dating social media parental relationships to cultural educational environmental and even job hunting and job resumes. Other topics are also invited. To read more and create a proposal for consideration go to http://www.nabc2010.org/Youth Seminar Invitation v5.pdf . Several other events are being planned and worked on including dance party fashion and talent shows games and many many more. For information on the broader Youth Program go to http://www.nabc2010.org/youthactivities.html . The future of Bengali culture in the North America is in the hands of our young people So join in and make this event a memorable one. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NABC 2010: Youth Programs size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(481, 0, 'New York ’s distinguished and dynamic theater group Dhaka Drama is celebrating the World Theater Day this year on Sunday March 28 2010 at ‘club Sanm ’ in Astoria New York. To commemorate the occasion Dhaka Drama has arranged an interesting and exciting line of events such as a panel discussion a talent competition for our young actors and a showcasing of one-act plays by different theater groups from the tri-state area. A panel of prominent theater practitioners from the Indian sub-continent would share their thoughts and reflections on Bangla Theater and its form practice and the role of directors in the Bengali diaspora. A number of noteworthy theater groups and performers have accepted invitations to present their work on this day. As a fitting finale to the occasion Dhaka Drama will be staging their latest production “Etao Thik Otao Thik” This is Right and That Too written and directed by Golam Sarwar Harun. The grand sponsor of the event is Club Sanm. 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(482, 0, 'by Amitava Sen On one of our earlier visits to Calcutta we met her at a dinner party. She was sitting in a corner somewhat aloof. As we entered the party was in full swing with whisky flowing freely. After we were duly introduced the party got back to its boisterous self and everybody went back to loudly vocalizing their opinion on all subjects under the sun and in the process ignoring everybody else’s Bengali style. The forlorn looking lady in the corner unobtrusively got up and stood behind us. Do you live outside the country ” She asked. She knew the answer for that she did not have to be clairvoyant. We just arrived a few days ago not long enough for the sun and dust to work on our faces. She pulled a chair and sat down next to us. First thing I noticed that she was not at ease with the environment but not because of other people around her were not accepting her or were not friendly. The detachment appeared to be by choice on her part but her marked openness with us also was hard not to be noticed. We talked about the amazing varieties of fish in Gariahat market about sarees in Park Street about a couple of common acquaintances we discovered we shared subjects of America did not come up at all. She was waiting to tell us her story outside the earshot of others in the party at the dinner time when we congregated in small groups. After having lived in the United States for twenty-seven years she and her husband returned to India with the intention of living here permanently about six months ago. Both of them had their parents in Calcutta and they wanted to be closer to the family. It didn’t work out quite that way. The lady did not particularly miss the comfort and amenities of living in the United States at least so she said. That was fine with her. What made her depressed was the company of the people she was made to keep. “I feel suffocated can’t adjust and as a result I am resented and that in turn makes me nostalgic about my life back in America.” She got teary eyed. I inquired what was bothering her. Was it the traffic the filth the pollution health care issues “Not so much only if I have had people to talk to. Sister-in laws suddenly arrive at the doorstep unannounced and when they come they walk right into my bedroom. And I do not know what to talk to them about in the intimate setting of the bedroom.” It appeared that she was living with relatives in Calcutta she could not relate to and it was amusing that she had been living among the people whose collective passion was to talk and argue endlessly but she had no one to talk to. With us she was behaving like at long last she found other humanoids in the planet Krypton. We exchanged telephone numbers with a promise to keep in touch. We here in the United States and possibly in other Diasporas around the world have relationship between us which defies the conventional definition of family if not linguistically but emotively. But I will keep my narrative here confined to us we Bengalees because I am not sure the people with different cultural and social disposition feel the same way. It is interesting if not perplexing how we act with our friends and acquaintances in the new world and react with our relatives and old friends from our past. Family in a conventional sense is collection of set of relatives. “A person who is connected with another or others by blood or marriage” this is how the Random House dictionary defines the word “relative”. Samsad Bangla Abhidan and Chalantika of Rajsekhar Bosu define the Bengali word “Atmiya” literally: relative more broadly: “one’s own person or a person close to another-self Atman .” Etymologically the English dictionary definition is too restrictive the word relative is derived from the word relate and should mean a person you can relate to. On the other hand whatever the derivative definition of Atmiya is use-wise it means relation by birth or marriage. But the words in both languages have same connotation. By extension we may choose to define family as a collection of a set of people who we can relate to and who are close to our “self” by birth marriage proximity or mentality. My musings ceased to be an abstraction and hit home when a week later a friend from America called soon after he landed in Calcutta. “Come over or I can come.” We just saw each other a month ago in USA indeed there we did not meet that often so what was the rush and really what was the point But curiously it dawned on me that I was eager to meet him too. To talk about what Weather in New Jersey Sarah Palin Not really indeed the subject of America may not come up in our talk when we meet. I realized that it’s not the word it’s the vibe that mattered. Communication is not only words it has nuances too. I doubt that the bonding or relationship is solely a matter of love or blood. It is more to do with our personal comfort level and need to be understood in our daily lives. Then during our last visit there was this woman one morning on Tara TV program where renowned singers were invited to sing and be interviewed. She was splendid indeed equal or better than any of the locally famous singers I had watched on this daily morning show. My cousin who was sitting next to me was impressed and indeed surprised. “Does she really live in America ” That was how he expressed his amazement “Of course she does. Her name is Mitali Bhawmik a friend” I gloated. . My claim of friendship was a little stretch I hardly had ever spoken to her. She made me proud and I wanted to add a personal touch to it. But the feeling of kinship was genuine at that moment. The lady in the party did not quite know why she had a feeling of closeness to us either and why she was feeling like an alien in her own home. She did not think it was the absence of the material stuff but in a way it was at least partly. It was not only her relatives and friends that got under her skin I surmised unbeknown to her the traffic the pollution the decaying infrastructure and the uncertain health care were factors too contributing to her aversion towards life in India. But at the same time for many returnees the cultural and family ties that draw them back may feel strained by local human dynamics that may feel foreign and may be frustrating. The general absence of ethical behavior and lack of openness in daily interaction do not help in establishing meaningful relationship or even reviving the old ones. Chandra Ghosh of London who I met in a record store was a case in point. “Do you feel people your friends your relatives are a little strange here ” Chandra Babu inquired at one point. “My brother has a big house. I put up with him for a couple of days. My brother and his family were very nice and quite caring. I had no complaint. But I felt I was intruding. More importantly we were uncomfortable an uneasy and unfamiliar environment really. But now I find it more relaxing and enjoyable in Ramakrishna Mission Institute at Golpark. We have met a family from Manchester who are staying here and we are having fun time together.” It sounded like his brother had no problem the problem was with Chandra Babu the NRI. “So who is strange here ” I interjected “You or your brother ” Is this alienation due to a long absence has the attitude towards our relatives in India and our old friends changed for losing touch over a period of time But that cannot explain the bond and fondness we feel for our Diaspora-friends and the affinity we have developed between us. The fact of the matter is that we have adopted the foreign land as our home and adapted ourselves to that society while we have been exiled from our birth country. We have chosen soul over blood which surfaces in stark relief when we are back in our old country. We discover that we have a new family. Indeed Chandra Babu had not known his new found friend back in England and the relationship I had with my friend who wanted to meet me promptly after his arrival could hardly be called close or Mitali Bhawmik was not a friend in a real sense of the word. What has brought us together is the backdrop of our “Desh” a now- alien land and its now-alien culture. P.S. Six months after we had met her back home in USA we received a call from Boston the lady at the party and her husband were back with no plans of returning to India to live there in foreseeable future. Amitava Sen Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value FAMILY-REDUX size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(483, 0, 'GAUHATI India AP - The Indian military has a new weapon against terrorism: the world’s hottest chili. After conducting tests the military has decided to use the thumb-sized “bhut jolokia ” or “ghost chili ” to make tear gas-like hand grenades to immobilize suspects defense officials said Tuesday. The bhut jolokia was accepted by Guinness World Records in 2007 as the world’s spiciest chili. It is grown and eaten in India’s northeast for its taste as a cure for stomach troubles and a way to fight the crippling summer heat. It has more than 1 000 000 Scoville units the scientific measurement of a chili’s spiciness. Classic Tabasco sauce ranges from 2 500 to 5 000 Scoville units while jalapeno peppers measure anywhere from 2 500 to 8 000. “The chili grenade has been found fit for use after trials in Indian defense laboratories a fact confirmed by scientists at the Defense Research and Development Organization ” Col. R. Kalia a defense spokesman in the northeastern state of Assam told The Associated Press. “This is definitely going to be an effective nontoxic weapon because its pungent smell can choke terrorists and force them out of their hide-outs ” R. B. Srivastava the director of the Life Sciences Department at the New Delhi headquarters of the DRDO said. Srivastava who led a defense research laboratory in Assam said trials are also on to produce bhut jolokia-based aerosol sprays to be used by women against attackers and for the police to control and disperse mobs Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Bhoot Jolokia - World’s Hottest Chili Pepper size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(482, 2768, 'Anindyo Sarkar Wow What a painful writeup That lady who came back would not acknowledge the actual reasons why she came back…. “sister in law walking in..” absolutely hilarious What do you expect That is the culture we all grew up in and she should have had that expectation when she went back. She changed here. Why will the world change just for her As far as close relationships are concerned expats worldwide form close relationships. Lot of people develop close bonds by living in a prison cell for a bunch of years too But that does not make it something great or unique. Ask that lady to stop blaming India and focus on herself. Let her stay and vegetate here than over there.', NULL),
(482, 2767, 'Aditi Sen It is somewhat unfortunate that this lady couldn’t establish her social circle in Calcutta and had to come back to Boston. It is somewhat selfish to expect that one will go back to India and expect everyone else to adopt to their norms instead of the other way round. I wonder what age bracket she belongs to Mr. Amitava Sen doesn’t allude to that in the article. But I have several friends who have made the transition very well and are actually glad that they went back home. They have a much fuller life with all the good things that Indian affluent societies have to offer. They travel lot more than us they party lot more than us they work lot less than us. I have to mention that we all grew up in Calcutta and are in their mid 40’s and are professionals. They are all involved in multiple social causes. It is not the contrast between ‘new world’ and ‘familiar world’ it is about ‘creating my world’. Somewhere that got lost with Ms. Boston.', NULL),
(482, 2765, 'Jennifer Lancey I’ve been reading along for a while now. I just wanted to drop you a comment to say keep up the good work. http://www.why-outsource.com', NULL),
(378, 2764, 'shipra somani I enjoy attending NABC conference. The organizers put lot of hard work and sacrifice but it is always well done and enjoyable to the attendees. I am looking forward to attend it in July at Atlantic City NJ. Shipra Somani', NULL),
(502, 0, 'by Amitava Sen Kallol has done it again a very successful and thoroughly enjoyable Banga Sammelan and Kallol deserves our gratitude. We needed it a three days’ escape from humdrum of the life and for some of us from depressing economic uncertainty. Do not forget that this is a very difficult economic time in America never encountered since thirties. It is never far from our minds. To venture into such a huge undertaking at this difficult time takes courage and boldness Kallol accepted the challenge and succeeded under the very able leadership of Timir Hore Sudhir Nag and Soumen Roy. Thank you. In contrast with all other places around the country space and accommodations are at a premium in this New York metropolitan neighborhood holding a convention here is hugely costly proposition. Compared to other years the attendance was sparse. No surprise. Foresight and wisdom on the part of the organizers contained the event to a manageable and economically viable limit. Discipline and skill of management were noticeable even before the convention started. No e-mail was un-answered no inquiry was un-responded. The hotel check-in and the registration were uneventful and flawless. All it required was the presentation of a letter issued by Kallol in advance to the reception at hotel desk. Chaotic check-in lost registration has so far been the rule in most Banga Sammelans. Innovative ideas were noticeable in many other areas food service for example. Self-service was a new concept it eliminated the vendor’s inclination to spoon out skimpy amount with the intention of limiting supply saving money and leaving our stomach half full after paying full price. Morning program started late morning giving the attendees time to sleep off their late night adda exhaustion. Very considerate on the part of the organizers. Selection of overseas performers was well thought of. Who knew about Sahaj Ma Wasn’t she a breeze of fresh air She carried the day on her own. Her unique stage presence delightful personality penetrating music have never been experienced by many or most of us before. Aneek Dhar is an established singer we have heard before but here he made it like a one to one connection with individual listener. His subtle intimacy with the audience touched our heart. It speaks well of the judgment and cultural taste of the organizers to get artist like Bari Siddique. The emcee Biswanath Basu was a disappointment though. He sounded more like a court jester with his dull commentary and tasteless stale jokes. Usually Banga Sammelan authorities in different states invite a drama group from Calcutta they at times adopt out of touch scripts from ancient times fifties sixties or seventies or some times they choose relatively contemporary plays or shall I say riddles the main purpose of which is to leave the audience confused and befuddled. That is what in Bengalee parlance is called “intellectual” stuff. General idea is unless the group is imported from Calcutta Banga Sammelan crowd will not be attracted. The 2010 Banga Sammelan committee made a bold exception. They recognized that there was talents right here under our nose. More intelligent more entertaining more thought provoking plays are being produced locally. Our own Sudipta Bhawmik is one such talent. His production We Live in a Village was well accepted and appreciated by all who saw it and if I may add a much superior production to what I have seen in commercial stage of Calcutta. The movie section of the Sammelan was well organized under the leadership of Ajit Rakhit. The combination of movies and documentaries were selected thoughtfully. We had the opportunity to watch certain films which we would not normally come across during our trips to Calcutta. The screenings were nicely and systematically organized without a glitch. In most Banga Sammelan distinguished award comes dime a dozen. Kallol authorities decided to make it worth its name. They awarded it to one single rightly deserving person. The rest were recognition for their services to the communities through Kallol or their services to Kallol. This I think is the right model. To give this award the prestige and dignity that it deserves Cultural Association’s central administration may ponder over it in their award choices. In all the CAB award plaques the operative word was “demonstrated” achievement. In the list of the recipients from CAB there were not too many demonstrated talents. The list in part sounded like a mutual appreciation vehicle. It is possible that their list contained potential achievers but it is not the same as demonstrated. Whenever I attend a Banga Sammelan one person is never far from my thought the architect of Banga Sammelan and still the force behind it Prabir Roy. As a Bengalee I acknowledge the monumental task he has accomplished building up a stable and continuing institution which adds to the quality of life of the entire Bengali population of North America and has grown to be a part of their lives. On the financial side of the event living in the United States the richest country in the world and being a part of the most affluent Bengali Diaspora among all the other countries of the world it is quite anomalous that we have to depend on economic assistance from Calcutta. Besides this is not sustainable over long period of time. Response to vendors from Calcutta has been poor this time. Some of them complained loudly. I doubt many of them will keep coming back. Real estate demand from US residents of Bengali origin has peaked out. With gold at 1 100.00 it is hard to believe that jewelry sale is flourishing either. We have to pay our own way. Depending on the projected cost the registration fees can be raised and why not Many of us pay 200.00 for three hours A.R. Rahman concert. The slogan “Bengali culture in the world court” of this Sammelan has somewhat been tarnished by the highlight of the event Bollywood mega-music by Abhijeet. It is plausible that Bombay artists enhance the attendance. But do the authorities have a scientific study to prove that premise Indeed it will be quite in order for the Banga Sammelan authority to appoint a blue-ribbon committee to study survey and report on the basic ideas and values of the convention and its mechanics. A guideline can be laid out for the future meets as to why people come to meet old acquaintances How much weightage on Bollywood singer how much on Calcutta artist Do they come for a vacation with friends for fun and frolics How many attend literary seminars how many for business forums and how many for art and crafts. Or how many people have read the literary journal that every Banga Sammelan brings out at a considerable cost That will establish the cost effectiveness of each section. How far they are willing to travel and what amount they are willing to spend Choices of food Bengali food Mughlai food Chinese or American There are many other issues. It is a job for a professional to design the survey and ask the right questions. God speed to Banga Sammelan. Amitava Sen Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Banga Sammelan 2010: A Review and Some Views size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(485, 0, 'Mark your calendars for ECTA’s latest productions to be staged on June 12 and June 13 2010 at Edison Valley Playhouse Edison NJ. Each evening you’ll see two plays of different flavors. “Musical Chair” - a short play by Sudipta Bhawmik Directed by Keka Sirkar “Five women of different ages and social backgrounds get into a game of Musical chair. They circle around the chairs with the sole objective of winning their prize seats at any cost. But when the music stops one has to lose and leave the game. But the game keeps going on and on…..” “Ekti Gnaye Thaki” Written and directed by Sudipta Bhawmik The play tells the story about the eternal bond between a brother and sister that bridges all kinds of divisions distances and conflicts. The play highlights the fact that we all can live together in universal love and brotherhood irrespective of the differences between us if we so desire. The name of the play is borrowed from the poem “Ek Ganye” by Rabindranath Tagore and was made famous by Sombhu Mitra and Tripti Mitra in Bidhayak Bhattacharya’s well known radio play “Tahar Naamti Ranjana”. As you know Edison Valley Playhouse has limited seating. So please book your tickets in advance. Tickets are 20.00 for two plays and as always members get a 20 discount. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value ECTA Presents Two Plays size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(486, 0, 'I wrote the play “Musical Chair” couple of years ago for a local magazine. That time I had no intention of staging the play rather it was written more as a piece to be read rather than acted. The theatrical format did consider the staging related logistics but the play demanded a lot from the actors and the director. Keka Sircar took up the challenge and we decided to stage the play along with “Ekti Gnaye Thaki”. A women director can bring to a play a perspective that is unique and for a play like “Musical Chair” it is almost essential. Since all the speaking characters in this play are women the actors too can present the material in a form that we are not accustomed to in a male dominated stage. The way the play gets interpreted and presented by the women actors can never be achieved from a male perspective. Jayeeta Ganguly performs one of the key role in this play and this is what she had to say about the play. “Musical Chair” intricately weaves the lives of five women who are in the game for winning something more than the prize. Life has dished out a fair slice of unfairness to each one of them and today they are prepared to get even with it. They are all very different- different when it comes to their age and their social economic and intellectual stature however one thing is common to all five- their battle with insecurities. So be it a gnawing fear of fading youth and degeneration or the constant throttling of spririt by an overbearing husband or the disloyalty and rejection by a fickle partner they are all victims of circumstances beyond their control. And this despair and dejection lashes out in a passion to win the “chair”. The “chair” ofcourse means different things to each of them. While one sees in it the path to beat the young and to takeover the other sees in it a medium to regain her lost self-esteem. Two of them even see the chair as their object of desire as an answer to their power-struggle over one man. But the best part is that the picture of all these struggles and battles is painted hilariously and that the characters are extremely real. One can identify a Konkona Malini or a Suchismita in every social group. Coming back to the game and the chair round and round the characters walk eyeing the chair closely and waiting for the music to stop. The chair is ruthless just like Life. Only the fittest person will survive… In the coming weeks I wish to bring to you some more view points from the actors and the director. I am waiting eagerly to see the play during its staging at the Edison Valley Playhouse on the 12th and 13th of June. I hope you are waiting too. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Musical Chair : An Actor’s Perspective size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(490, 0, 'Simanti Dasgupta Many of us will intuitively link the title of the play to Rabindranath Tagore’s well know poem “Ek Gnaye” and correctly so. Sambhu Mitra and Tripti Mitra particularly immortalized the poem in their rendition of it in Bidhayak Bhattacharya’s celebrated radio play “Tahar Naamti Ranjana”. “Ekti Gnaye Thaki” written and directed by Sudipta Bhawmik is the story of a sister Ranjana and her brother Rajat reuniting after fourteen years. Rajat immigrates to the US with his family after Ranjana sponsors their green cards. The reunion is marked by its usual excitement followed by nostalgia for their “gnya” they left both behind. Rajat becomes a critical link for Ranjana to relive her past while Ranjana helps him come to terms with his decision to abandon his familiar world in Gobindapur. Ranjana is also ill and Rajat’s presence offers a long-awaited emollient. As the brother and the sister often slip into the past the rest of the characters are excited at the prospects of their future in the US especially Rajat’s son Rajib. Life gradually settles down and a quotidian harmony evolves. Yet from the beginning the script occasionally and quite subliminally alludes to an underlying subplot that threatens the apparent calm between the two families. Eventually through a set of related incidents the undisclosed piece- a rather disconcerting one- is revealed. The disclosure as one would expect tears the growing assurance of the families’ suburban life. It also and more importantly sets in motion a drift into the past that interrogates those relationships that were deemed normal. Though this interrogation fractures a happy picture however it is through this fracture we are invited to revisit something more important: the attachment between human beings. The play above all irrespective of its specificities of time and place is a commentary on what it means to be a human being in relation to those we hold dear in our lives. Sudipta Bhawmik an auteurist playwright and director has long dealt with issues that inflect our condition of parabaas in several modes. Like his other plays this play too explores life our lives in this country as a muddle of time that simply refuses to leave the past behind even when we have crossed thousands of miles. Most of us who live in the US two continents and two oceans away from India journey back and forth between the two counties. However the journey is not necessarily always physical or has to be so. Rather it is more often than not in our imagination as we brew the morning cup of tea or have machher jhol for dinner or pine for a phuchkawala while returning from work. Whether one has a temporary visa a green card or even citizenship in the US the journey never ceases. It is a drift: a going away to gather new things but also treasuring what we had when we first began. In fact the drift constitutes our parabaas . It is never complete. We inhabit this drift as a continual negotiation but we seldom reach a resolution especially in the realm of values since we in effect reference two cultural systems. However there comes a time when like all drifts we too pause to assess what we gathered over time. “Ekti Gnaye Thaki” is one such pause one which we may not have all experienced but will nonetheless recognize. It is a pause that makes us realize that apparent differences and distances that seem insurmountable are in fact not so and neither should they be. As the script reveals the refusal to let differences alone inform our values makes our parabaas more humane. It is possibly in this refusal that we reinvent ourselves as human beings who cannot be limited territorially through our passports and green cards. The title of this play is a wonderful reminder that in belonging to the heritage of Tagore in the end we belong to “Ek Gnaye” somewhere which like his philosophy folds in the universe even in its contradictions. The play will be staged on June 12 and 13 2010 at the Edison Valley Playhouse 2196 Oak Tree Road Edison NJ. Visit http://ectainc.org for details. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value “Ekti Gnaye Thaki” : A Preview size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(491, 0, 'Harrice Miller Entertainment Presents A Hindustani Classical Jugalbandi Featuring Vocalist Mitali Banerjee Bhawmik and Flutist Steve Gorn Performing together for the first time. Tabla accompaniment by Dibyarka Chatterjee Sunday June 6 2010 7.00pm Nadia Jinnah Gallery 500 West 52nd Street at 10th Avenue New York NY 10019 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Hindustani Vocal and Bansuri Jugalbandi size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(492, 0, 'Music and NABC go hand in hand together. Most of the events that happen at any NABC are related to music and NABC 2010 is no exception either. A slew of musicians like Abhijeet Monomoy Anik Anwesha Indrani Sen Sahaj Ma Utpal Fakir and many others will be performing at the 2010 NABC at the Atlantic City Convention center. Each performer will enchant the audiences with their solo performances on the grand stages of the convention center. However this year the host organization Kallol of New Jersey is planning something special with these popular and talented musicians. Named as “Surer Ei Jhar Jhar Jharna” this program will bring on stage all the musicians together to perform some of the most popular songs over the last fifty years of Bengali music. Starting with the haunting melodies of the sixties to the band music of the contemporary Bengali youth the program will take its audience through an audio-visual journey that has never been experienced before. Planned and designed by Pinaki Datta the program for the first time opens the choice of songs to the music loving Bengalis of the World by offering them an option to vote for their favorite tune through the internet. Visit the NABC 2010 website at http://www.nabc2010.org/anurodher-ashor.html and vote for your favorite song. The musicians will perform those which gets the highest vote. And if the song you vote becomes the most popular choice you may even win a prize. The performers will include Indrani Sen Monomoy Anik Dhar Anwesha Sahaj Ma Utpal Phakir and Nirmalya. This program will undoubtedly be one of the most popular attractions at the NABC 2010. The songs on the list are: 2001- 2010 1991- 2000 1981- 1990 1971- 1980 1961- 1970 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NABC 2010: A Novel Musical Program size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(494, 0, 'Since 1989 I have been involved with Bangla Theater in USA. Over the years I have worked with several groups several associations and have been involved with several theater productions. My theater journey in this country started with the theater group Sansaptak with their production “Sabda Moho Bandhane”. The play was directed by Sakti Sengupta. Being involved with theater since my childhood I was a bit skeptic about the theater scenario in USA when I first arrived in this country. But my first experience was not only a pleasant surprise but an extremely enjoyable one. All the stereo typical notions of expatriate Bengali theater were shattered with that production. Sakti-da took us through a complete production development process of a new play. The script was developed based on Shirshendu Mukherjee’s short stories Sunil Ganguly and Sakti Chattopadhyay’s poems. It was not a simple narrative but rather a complex collage of character’s their relationships their dreams and disillusionment. The play was not an easy one and we had to struggle to develop the characters. Sakti-da worked hard with us tried to help us understand the characters and their motivations. Since the play was continuously evolving the characters too were evolving and that made the task more difficult. The show was well appreciated by the audience but for many it was quite tough nut to crack. The play was staged at the Parish Player’s theater in Plainfield and we staged three shows. The cast included Dhriti Bagchi Omkar Goswami Kasturi Dasgupta Sadhan Mondol Soumendu Bhattacharya and myself. Unfortunately after this play Sakti Sengupta stopped doing Bengali plays for a while and his theater group Sansaptak became kind of defunct. Many of the cast members are still involved with theater. Omkar Goswami went back to India. Sakti-da came back to Bengali theater after many years but unfortunately I did not have the pleasure of working with him again. I hope someday we’ll be able to collaborate on a new play together. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Bengali Theater in North America : My First Experience size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(493, 0, 'Raag - Rang presents an afternoon of Hindustani Classical vocal music by Ustad Mashkoor Ali Khan. Shree Dibyarka Chatterjee will accompany him on tabla and Shree Madhu Vora will accompany him on Harmonium. Concert will start with a short vocal rendition by Smt Anindita Sikidar Venue: Balaji Temple Bridgewater. Donation : 15.00 for non-members 12.00 for members. 10.00 for the kids non-member 7.00 for members. RSVP will be appreciated. Contact details: 908 -429-1120 609 -890-4890 908 -707-8582. Or email at bhawmikm@gmail.com mayuresh.khare@gmail.com devang42@yahoo.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Raag-Rang Presents Ustad Mashkoor Ali Khan size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(497, 0, 'On the Occasion of NABC2010 Kallol of NJ presents “EKTI GNAYE THAKI” We Live in a Village A Play by Sudipta Bhawmik Cast: Abhijit Neogy Sankar Ghoshal Lilabati Majumdar Indranil Mukherjee Aparajita Das Raja Roy Debiprosad Palit Music: Samya Goswami Lights: Subhodev Das Chandan Sen Synopsis: “Ekti Gnaye Thaki” is the story of Ranjana and her brother Rajat reuniting after fourteen years. Rajat immigrates to the US with his family after Ranjana sponsors their green cards. The reunion is marked by its usual excitement followed by nostalgia for their hometown Gobindapur they both left behind. Rajat becomes a critical link for Ranjana to relive her past while Ranjana helps him come to terms with his decision to abandon his familiar world in Gobindapur. Ranjana is also ill and Rajat’s presence offers a long-awaited emollient. As the brother and the sister often slip into the past the rest of the characters are excited at the prospects of their future in the US especially Rajat’s son Rajib. Life gradually settles down and a quotidian harmony evolves. Yet from the beginning the play occasionally and quite subliminally alludes to an underlying subplot that threatens the apparent calm between the two families. Eventually through a set of related incidents the undisclosed piece - a rather disconcerting one - is revealed. The disclosure tears apart the growing assurance of the families’ suburban life and more importantly sets in motion a drift into the past that interrogates those relationships that were deemed normal. Though this interrogation fractures a happy picture however it is through this fracture we areinvited to revisit something more important - the attachment betweenhuman beings. The play above all irrespective of its specificities of time and place is a commentary on what it means to be a human being in relation to those we hold dear in our lives. Hall A - Banga Mancha Atlantic City Convention Center 6.00pm Saturday July 10 2010 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NABC 2010: “Ekti Gnaye Thaki” size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(498, 0, 'Last Friday night a horrific incident took place in an otherwise decent neighborhood in Old Bridge New Jersey. Dr. Divyendu Sinha a forty nine year old Computer scientist was having a walk outside his house with his wife and two sons when five teenagers came out of their car and started beating Dr. Sinha for no apparent reason. Dr. Sinha was severely injured and was later taken to the hospital where he died on Sunday morning. The brutality of this incident shocked not only the entire Indian American community but also the society at large. The local law enforcement have arrested all the five perpetrators and have charged them with murder although their names have been withheld due to their age between 16 and 17 . Early reports classified this as a random incident but according to recent statements from the County Prosecutor Bruce Kaplan bias crime charges will not be ruled out. In a recent meeting with the township officials the Asian Indian community members have expressed that they have been harassed regularly by the local teenagers and this is not a random incident at all. The township officials have instructed the community members that they should inform the police whenever they experience such behavior. I hope that the legal process takes due action and the criminals pay the highest price for their dastardly act. But this will not bring back the father of two young boys who had to undergo the trauma of watching their father being brutally assaulted by five thugs. Nor it will bring back the husband of a woman who saw how her entire life was shattered by some cruel and mindless criminals. My heart goes out to them. Divyendu was one of us. He was a graduate from IIT Kharagpur 1982 Computer Science Nehru Hall the college where I graduated from and I must have crossed paths with him several times in the campus. My sons are of the same age as his. It could have happened to me or to anybody for that matter. What kind of hatred and rage was burning within these five kids who could kill a man with their bare hands What’s happening to this society Are we losing all civility What are our schools teaching to our kids It is true that all schools have few rotten apples but how could they muster so much courage as to beat up and murder any man on the street they like We should all wake up now and realize that we can no longer afford to stay isolated and mind our own business. We should get involved in our communities school boards and local administration and policy making bodies. We must make a conscious attempt to inculcate our values and ideals within our community and make a positive impact to the society. Let’s make sure that we don’t lose any other Divyendu in the future. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Divyendu Sinha : A Life Lost to Teenage Brutality size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(498, 2851, 'Vinny I hope the punks are given the punishment they deserve.', NULL),
(498, 2850, 'Concerned citizen Dear Author I am a mother of a teen age daughter living in Princeton. As an Indian I am horrified by the incident and am trying to understand what could have possibly motivated such young kids at least to me they are kids because they are my child’s age to commit such a terrible crime. Like you mention how can we allow this to happen in our so called civilized society. Shouldnt schools do a screening for youngs thugs and watch out for disturbing behavior and take some action It looks like OB residents have put up with a lot and what has the township done about it How did things come to such a terrible trajic situation Losing one Sinha is one too much already. Yes these criminals should be brought to justice but we absolutely need to have the system catch these disturbed minds much earlier.', NULL),
(498, 2852, 'Dave Makkar Attorney General should investigate Sinha Murder The brutal murder of Dr Sinha out side his own home by few teenagers of his own town has shaken the Indian Community all over America . The sense of security among the community members has vanished over night. Then reports of racial bias towards Indian community members as narrated during the meeting with Mayor Philips on 6-29-10 has further compounded the fear factor. All investigations related to the brutal murder of Dr Sinha must be handled by AG office. Parents of the teenagers for bad parenting school teachers principle for not reporting abnormal behavior of these teenagers to law enforcement and above all 104 Police Officers of Old Bridge must be investigated to find out what went wrong in enforcing law order. Impartial investigations by AG office will send right message on the street that there is accountability for crimes committed against minorities and it is safe for minorities to raise their families in NJ BRUCE KAPLAN IS A KNOWN INDIAN HATER Rajnikant was brutally beaten under Racial Bias by Michael Dotro in front of 30-40 Indians. Kaplan refused to take their testimony by saying they are not credible witnesses because every body is saying same thing. Later on Parikh was deported in violation of US laws human rights. State ICE spent more than 100 000.00 kept Parikh in Jail for over 8 months and still denied him Fair Open Trail just to save a WHITE cop Dotro whom Paikh accused of Police Brutality under Racial Bias. http://www.profilingrace.blogspot.com Schwartz led Police Union members supporters family members called “Indians are cockroaches animals illiterates and illegal go home.” These are the worst ever called Racial Slurs for any community in over 200 years history of America . Police Dept Mayor Twp of Edison has yet to give verbal or written apology because community leaders like Upendra Chivukula feels these Slurs are Compliments for the community http://www.citizensfordemocracynj.org http://www.profilingrace.blogspot.com', NULL),
(498, 2857, 'Dave Makkar Dear Every one: Please send letters to Gov. Christie by going directly on his official web site to Attorney General Paula Dow after making required changes for State investigation into the brutal murder of Mr. Sinha in racial attack on 6-25-10 as per the attached letter sent to Gov. Christie. Please do not send information about Middlesex County Prosecutor Bruce Kaplan. Local authorities are trying to cover up this incident as stray incident. It is more than 1 week they have yet to release the names of the attackers of Dr Sinha who happens to be the residents of same town as Dr Sinha. Gov. Chris Christie http://www.state.nj.us/governor/ AG Paula Dow http://www.nj.gov/oag/dcj/obccr/contact.htm OBCCR@njdcj.org JUSTICE FOR DIVYENDU FAMILY http:// justicefordivyendufamily. wordpress.com/ PLEASE SIGN A PETITION http://www.petitiononline . com/divyendu/petition.html Via Facsimile E-mail Regular Mail July 6 2010 Gov. Chris Christie State Of New Jersey Fax: 609 292 3454 Re: Brutal Murder of Dr. Divyendu Sinha due to a racial attack on June 25 2010 Hon. Chris Christie: The brutal murder of 49 yrs old eminent professor Dr Diveyndu Sinha out side his own home in Old Bridge by few teenagers of the town has shaken the Indian Community all over America with revived fear for their safety. The sense of security among the community members has vanished over night. Then the report of racial bias towards the Old Bridge Indian community as narrated by the members during the meeting with Mayor Philips on 6-29-10 has further compounded the fear factor along with outrage. We request your honor that all investigations related to the brutal murder of Dr Sinha under racial bias must be handled by Bias Crime Unit of Attorney General’s Office. The sham investigations by Old Bridge Police under a known Indian Hater Middlesex County Prosecutor Bruce Kaplan is an insult to the victims Late Dr Sinha his 2 children age 12 16 wife entire community of Indian origin living in New Jersey and America. There should be prosecution of the parents of the teenagers for bad parenting school teachers principle for not reporting abnormal behavior of these teenagers involved in the murder to law enforcement agencies. Above all 104 Police Officers of Old Bridge Twp must be investigated and interrogated separately to find out what went wrong in ensuring law order including neighborhood patrolling to prevent such crimes. All of them can not take a stand that they were unaware what the teenagers were doing in the town. The Police Chief of Old Bridge must be fired immediately and charged with failure to perform his fiduciary duties. Those found guilty out of the 104 Officers must be discharged from the force and prosecuted for failure to perform their duties and for aiding the brutal murder of Dr Sinha in a racial attack due to their negligence. This incident has brought so many India American families of NJ like my family under constant fear especially when they are aware of the fact that majority in their town’s Police departments treat Indians with contempt and racial bias. Impartial investigations by Attorney General’s office will send the right message on the street that there is accountability for crimes committed against minorities and it is safe for the minorities to raise their families in New Jersey. Further residents of New Jersey must be assured that the Police Departments of the towns are for Law Enforcement and prevention of crimes only. Police Departments in conjunction with corrupt Municipal Courts are not merely revenue generating entities for the townships to implement traffic summons quota designed by the Politicians to generate revenues. These Traffic Summons Quota are primarily being used against minorities and diverting the Police Force from their primary job of Law Enforcement and Prevention of serious crimes. Sincerely Devendra ‘Dave’ Makkar http://www.citizensfordemocracynj.org http://www.state.nj.us/governor/ http://www.nj.gov/oag/dcj/obccr/contact.htm mailto:OBCCR@njdcj.org http:// http://www.petitiononline', NULL),
(157, 2855, 'Dev Kar My comment unfortunately is a negative one. The most important thing on this website is the PROGRAM. It’s extremely difficult to find. That should not be the case. Please note the other topics are not that important. The convention’s program should be the most prominent and easiest to find. This website is very badly designed.', NULL),
(498, 2853, 'Aditi Sen My condolences to the Sinha family. This is a tragedy that can happen to any one of us. I agree that we should get involved in the local community and get to the know the people who run the towns. The best way to fight bigotry and hatred is to be inclusive and open up our hearts and minds to the local people. Our kids can be a good place to start. Elementary and middle schools are usually ideal places to get involved. They appreciate any help the parents can give during the countless events during the school year.', NULL);
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(500, 0, 'Finally the 2010 NABC came to an end on Sunday July 11th at the Atlantic City convention center in New Jersey with a “blow out” performance by Abhijeet. Although his mockery of Bengali culture was not well appreciated by many Bengalees who slowly drifted away from the hall which was not liked by the singer at all his performance was just what was expected of a Bollywood performer - entertaining but nothing extraordinary. However people who came to the conference went back with memories - some of which may not be very pleasant but I would think most of them would be happy memories. Memories of the wonderful performances by Sahaj-ma and Utpal Fakir Kaivalya Kumar and few others memories of meeting friends those long adda sessions and the World Cup finals. But the people who went back with a bad taste in their mouth no I am not talking about the food served by Shahnawaz were the people who came all the way to showcase their talent through dance drama and music. These people paid group registration for their show paid individual registration fees for their entire troupe and spend big dollars to bring their show with the hope to share with their Bengali friends who came from around the country. ‘Really felt like nobody cared about our program only about our registration dollars ” says Bharati Mitra director of Tagore’s “Arupratan” a show that was presented in Hall A or Banga Mancha. And this is not only her feelings. Most of the performers especially those who performed in Hall A echoed the sentiment as noted by Keya Sen “I echo the sentiments that those of us who were assigned to perform on Hall A felt irrelevant and inconsequential.” Meena Basu Nag an award winning choreographer dancer and director of Nritya Creations says ”The most important take away for me is that NABC is no longer a place to showcase “domestic” rising talent in our own Bengali North American Community and a place for second generation and third generation Bengali choreographers/artists like myself to showcase their work and talent.” The concern primarily is against the hall assignment and scheduling of the programs. Most of the domestic performances in Hall A were pitted against the star performers in Hall C Bishwa Mancha the main stage of the conference. This caused the audience to stick to Hall C since none of the domestic performers had the star power to pull them off from their seats to Hall A. Even when Hall C had some dull and boring lectures going on stage the audience hung on to their seats to ensure that they have a good view of their star who would be performing next. Hall A was a secondary hall in all respects. It did not have adequate lights the stage was ill-designed and built it was located far from the action center and there were no notices anywhere as to what is happening where except for the program schedule printed in extremely small fonts . Meena Basu Nag complains “Nritya Creations was allocated a time slot competing with Artists from India in a secondary hall where lighting was suboptimal.” She goes on to add “I spent over 4000 registering 25 of our best senior Indian Bengali and non Indian students for this program expecting we will be given a fair platform based on our merits past achievements and proven success. Instead we performed to a an audience of 300 in Hall A while Hall C sat over 6000 people at the same time for overseas artists such as Anwesha and Bikram Ghosh’s performances. The audience members who saw our program expressed deep concerns that why such a very high caliber and professionally executed show like ours was presented in a secondary hall and competing with Artists from India…” Mabhin Ghosh Datta from Canada had the same frustration “We 9 performers went to join NABC 2010 from Ottawa Canada and most of my students are not Bengali. We spent all the money for artist’s registration/hotel trip on top of group registration just to perform there. Our performance started late and was almost at the time of Aneek Dhar so no one there for our performances…” Prabir Das who brought his drama team all the from Cincinnati is more pragmatic. Although his play Sikhandi was competing against two major shows on stage C Bikram Ghosh’s percussion band followed by a star studded “Surer Jharna” but that was not his primary complaint - “As far as I am concerned I really don’t expect that 5000 people would attend my show. I really don’t. People have every right to pick and choose which program they would want to watch. However that does not mean purposely placing two or more auditoriums in such an unrealistic strategic locations that would confuse people and would not even want them to consider to come to the other auditorium.” He too like many others was totally disappointed with the technical aspects of stage A “Was that a stage for any kind of performance other than some band Was that any kind of theatrical lighting ” And the list goes on and on. Some of the key organizers have been heard to say that it was the fault of domestic performers that they could not attract the audience. But the organizers fail to understand that unless people experience the domestic shows they would never know the quality of their presentation. The handful of audiences who saw some to the good domestic shows have told explicitly that they were no inferior to many of the overseas productions they have seen. The domestic groups do not have stars to pull in the crowd in large numbers. How can they be expected to compete with Aneek Anwesha Monomoy or Indrani Sen. Even between the stars their exists a popularity hierarchy. If Aneek was pitted against Indrani Sen in Hall A I can bet that she would have had only a handful of audience just as it would have happened to Aneek if he was competing with Abhijeet. I have raised this issue with several of the organizers of NABC 2011 and based on the past record the Baltimore organizers will hopefully handle these issues in a better way. The new president of CAB Kajal Sarkar has taken up this issue seriously and has ensured that in the future NABC events he will make sure that such step-motherly treatment towards the domestic performers never happens. He has asked for suggestions and we all gave him our best ideas. Despite all the good intentions of CAB and the NABC organizing committee members the fact remains that the domestic performers will have to struggle to get their audience although it is not impossible. The first and foremost thing that we domestic performers should do is to improve our performances and raise it to the levels that an audience expects from a professional group. Secondly we need to accumulate accolades awards reviews and all other appropriate and recognized credentials which a selection committee can use to decide which groups to invite. And yes domestic groups should no longer pay money to participate at NABC. If you have to spend money then spend it on your production rent a theater space and show case your talent to your local audience. The cost of such a production will not be any more expensive than what you all spend to come to NABC to perform. I am not saying that you should not come to NABC. Please do come enjoy the shows from overseas performers have fun and adda with friends and go back happy. I think the time has passed for NABC to milk the domestic performers just to give them a slot on the stage for their money. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NABC 2010 : The Plight of the Domestic Performers size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(517, 0, 'South Asian Women Filmmakers Reshaping Their Identities 9 Women Filmmakers 16 Extraordinary Films From 7 Countries 1 North America Premiere 6 East Coast premieres 4 NJ Premieres Opening Night film MIRCH A STAR-STUDDED MASTERWORK with Konkona Sen Sharma Raima Sen Boman Irani NOT TO BE MISSED WATCH IT FOR FREE ONLY AT NJISACF Festival Centerpiece LIFE GOES ON Memorable performances by Sharmila Tagore Soha Ali Khan Om Puri Girish Karnad WATCH IT FOR FREE ONLY AT NJISACF Closing Night film COOKING WITH STELLA A Delicious Comedy written by DE EPA MEHTA A BRAVURA PERFORMANCE BY SEEMA BISWAS OF THE BANDIT QUEEN FAME WATCH IT FOR FREE ONLY AT NJISACF YASMIN An award-winning performance by the Emmy award winner ARCHIE PANJABI the primetime TV serial THE GOOD WIFE WATCH IT FOR FREE ONLY AT NJISACF New Jersey Independent South Asian Cine Fest NJISACF 2010 is all about women their lives journeys and achievements. This precocious spectacle presents South Asia’s most radical crucial and underrepresented voices. The festival features a mélange of avant-garde documentaries mindboggling shorts and a dynamic selection of feature films that evince exuberance resilience and imperium of the South Asian cinema. NJISACF 2010 through its dynamic ensemble of movies wants to bring to the fore a new perspective about South Asian women in cinema who are breaking free from the shambles of culture religion and sexuality these women are challenging common perceptions and converging towards an affirmation of identity and rights. Quote : Sakti Sengupta Director NJISACF : “There exists a body of recent films by women filmmakers and screenwriters working in the UK Canada and the US and representing South Asian communities and subjectivity in the West. It is a culturally hybrid cinema which actively locates itself between Hollywood and Bollywood. The diasporic South Asians are not merely assimilating to their host cultures but they are also actively reshaping them through their own new voices bringing new definitions of identity.” This year NJISACF 2010 brings a cinematic extravaganza from nine women filmmakers with 16 features shorts and docs from seven countries on October 29 and 30 at Big Cinemas 1655 OAK TREE ROAD Edison New Jersey . For more information visit: www.NJISACF.org . On Friday October 29 the festival opens with the New Jersey premiere of the new yet-to-be-released film “Mirch” a masterwork and collage of four short stories about women’s empowerment and rights and gender equality starring Indian heartthrobs Konkona Sen Sharma and Raima Sen . Come join us also on Saturday October 30 as we showcase the New Jersey premiere of yet another unreleased film “Life Goes On” starring Sharmila Tagore Satyajit Ray’s much-celebrated heroine from the Apu Trilogy East Coast premiere of “Cooking with Stella” co-scripted by the Oscar-nominated for her film “Water” Canadian woman filmmaker Deepa Mehta and “Yasmin” where Archie Panjabi Emmy Award winning actress from the primetime series The Good Wife shows what it’s like being a Muslim and an Asian woman in a post 9/11 world and documentaries like “Beyond Women’s Stereotypes” featuring Booker Prize winning author of GODS OF SMALLL THINGS Arundhati Roy “Dishonored” the heart-rending story of the gang-raped Pakistani woman Mukhtar Mai she won the Woman of the Year Glamour magazine award in 2005 . Where thought leaders filmmakers film personalities and scholars meet exchange of ground breaking discussions ensue. NJISACF 2010 will host two panel discussions Changing Representations of Women in South Asian Cinema and South Asian Women reshaping their identity: A discussion on South Asian diasporic women filmmakers along with Q A sessions after each film screening. Women filmmakers and especially South Asian women filmmakers from South Asia and the South Asian Diaspora are one of the most under-represented in the history of cinema at film festivals and at all other exhibition venues. Women’s film festivals are only about 2 of more than 5 000 film festivals held in North America. And how many South Asian Women’s film festivals are there in North America We counted about 3 only The NJISACF is presented by the Asian American Film and theater Project a 501 c 3 tax exempt non-profit arts organization. The organization promotes and recognizes the talents of the new the established the underrepresented the best and the brightest Independent South Asian filmmakers from across the globe. Pls contact: Sakti Sengupta Festival Director asamfilmtheater@yahoo.com 732-310-0236 OR Neha Mahajan Marketing Co-ordinator nehamaha@gmail.com 732-500-8844 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NJISACF 2010 : South Asian Women Filmmakers Reshaping Their Identities size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(520, 0, 'by Pronoy Chatterjee Gayatri Memorial Awards have been established by Ananda Mandir Somerset NJ to recognize authors who have demonstrated excellence in writing through their published essays poems short stories or plays. The awards have been made possible through a significant contribution from Jerry GaMarsh husband of late Gayatri GaMarsh. Gayatri was an accomplished author and artist – and a key member of the editorial team of Ananda Sangbad and Anandalipi publications of Ananda Mandir. The Gayatri Award is administered through the Awards Recognition Subcommittee of Ananda Mandir. Two cash awards will be given each year to recognize outstanding works published in North America-based literary magazines within the last five years. One award will be given to an author of Bengali works and another will be given to an author in English. Each award will consist of 400 in cash and a certificate. An author may nominate himself/herself — or may be nominated by third parties using the Nomination Form shown below . The nomination must be supported by photocopies of two and only two essays poems short stories or plays published in North America-based Bengali or English magazines. The two supporting publications can be of the same type or of different types eg. one poem and one short story . Unpublished works of literature will not be accepted. Full publication references must be submitted for the articles submitted with each nomination. Articles published in magazines outside of North America will not be considered. Nominated authors must be 18 years or older. Each of their published articles prose or poems submitted with their nominations should be relatively short no more than 5 or 6 printed pages in length . Nominations should include short biographies of the authors. Judging however will be based primarily on the two supporting publications. Judges’ decisions will be final. Members of the Awards Recognition Subcommittee and the judges cannot submit nominations for themselves nor can they be nominated by third parties. Deadline for nominations with supporting documents for the 2010 awards: March 31 2011. Awards will be announced and presented in Fall 2011. Please send nominations with supporting documents to Pronoy Chatterjee 6 Marcin Court Spotswood NJ 08884 In case of questions contact Pronoy Chatterjee pkc usa@yahoo.com or Debajyoti Chatterji debsmee@comcast.net NOMINATION FORM FOR GAYATRI GAMARSH MEMORIAL AWARDS Full Name of Author Being Nominated: 2. Is the Nominated Author 18 Years of Age or Older If no please do not submit the nomination Full Address of the Nominated Author: Phone Number of the Nominated Author: Email Address of the Nominated Author: If the nomination is being submitted by a third party please provide the full name and contact details of the third party. Also please confirm that you have the author’s approval to submit the nomination on his behalf. Please attach a short one page maximum biography of the author highlighting the author’s literary interests and accomplishments. Please attach PHOTOCOPIES of TWO AND ONLY TWO of the author’s works of literature. For each work PROVIDE FULL PUBLICATION DETAILS name of magazine publisher’s name/address and date/year of publication . Nominating Person’s Statement: “I have read the terms and conditions of the Gayatri Award and agree to abide by them.” Signature of the Author/Nominating Party: Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Gayatri GaMarsh Memorial Awards For Literary Excellence size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(523, 0, 'by Sharmila Sen This year Kallol celebrated Durga Pujo with a new committee and with a class structure. Unfortunately some of the enforcers of this class system had none of their own. As one long time member expressed disappointedly “Green tag gulo holo citizender jonno aar aamra bakira holam bratyo.” Life members other members and those who attend the Pujo celebrations at Kallol regularly were treated with disdain and contempt if they had not paid up for the venerable “green card.” One attendee asked “Amaar 150er kono daam nei ” There was no answer. In addition to this several rows in the front were cordoned off with yellow “caution” tape - “caution” to the plebeians to stay away from the elite. One woman dared to cross over to wish a friend “Subho Bijoya” and was halted peremptorily “Odike keno jachchen Apnar odike jaorar katha na.” Interestingly as this woman’s badge was in her purse this volunteer only needed his perception of status Or was this caused by gender to justify his insolence. Interestingly about 1/4 of these privileged rows except for the very first row on the left were mostly occupied by orange cardholders not the color de rigueur About 1/2 the seats in the orange section bespoke of ownership with strewn shawls bits of paper and brochures. An interesting note: most of the vacant seats in both the elite section and the orange section went unclaimed through the 3 days of celebration despite the yellow tape and the visual claims of ownership The indignity of being tagged “orange ” was intensified by the fact that in conjunction with the yellow cautionary tape orange signified “Danger Be careful of these unimportant people ” In addition the lighting system was placed in the midst of the outcasts after the elite seats. Three chairs marked off the lighting system three chairs that went unoccupied as the light man stood erect the entire time fiddling with the various knobs as a child would with a new toy and aiming the lights at all and sundry frequently missing the real subject. The fact that he was not transparent and clearly obstructed most of the people behind him did not seem to concern him as he obstreperously defied all requests to sit down. The last night of celebration at Kallol has been for the last few years one of greeting contemplation and classical music. This year the penultimate program was one of songs and sarode. As the artists on the stage announced their last presentation one of Kallol’s volunteers shooed them off the stage dismissing requests and protests from the audience. Even the boos from the audience both citizens and non did not pause the proclamation “We are running late and there’s another program.” Several people complained about the rude crude and obnoxious behavior on display through out the festivities. Most of the complainants were either women or visiting parents. While the former group is not unexpected as other women in other contexts have spoken about the misogyny that infests Kallol the revelation from the latter came as a surprise. It is worthy to note at this point that it was Durga who was being celebrated the Sacred Feminine Shakti. To borrow loosely from a noted writer oh how the borders of our belief of a celebration shrank back in the hands of a few of Kallol’s officious officials As someone remarked sadly “Kollol’e beno jol dhuke geche onek etai dukher byapar.” The bottom line is some of us were deliberately slighted insulted and mistreated. What a nice way to mark bangalider shrestho celebration NOTE: OPINIONS EXPRESSED IN THIS ARTICLE ARE THOSE OF THE AUTHOR ONLY. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Aamaader Durga Pujo size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(524, 0, 'by Brinda Guha Durga Puja is one of the most beloved times in our community - every year we get together tempted to see all the people we haven’t seen in recent months sometimes even years. I still remember coming to Puja since I was 4 and 5 years old hoping to see all the Mashi’s and Kaku’s finding every corner of the Ukrainian Center with friends to find the perfect place to play games. Then being rushed out by my parents to make sure I gave anjali even though I had no clue what it was — I knew it made my folks feel good to know that they were giving me their blessings for another prosperous year. It was by far the most exciting time for the entire Indian community that I called “my sphere”. Over the years it’s slowly been slipping away. As a young dance student in the community I always looked forward to dancing at Kallol Durga Puja. I still enjoy it. We performed on Friday of Durga Puja this year with my new dance company KALAMANDIR and our fellow dancers and our director couldn’t be more grateful and happy about the opportunity. We were invited to perform a few selections from our most current repertoire. However I can’t say the feelings were the same for all of the community-inspired groups at Kallol Durga Puja 2010. I was thoroughly and completely disgusted by the behavior of the cultural committee with one specific evening Sunday evening and I’d be cheating myself if I didn’t bring this situation to the light at least to make my feelings heard however accepted or not accepted . The people I was with including MANY other people in the audience were hoping to see Zafar Billah’s musical program come to its intended finish until the Kallol representatives entered the stage mid-narration by the singers and hurried them to get off for the next program. The excuse that was given was that the Ukrainian Center had to be vacated before 11pm — nevermind the fact that a commercial act finished the evening off at 11:40pm as per the time on the clock when people were ready to leave. Zafar Billah Renee Dutta Purba Mukherjee Anirban Dasgupta and Dibarkya Chatterjee were performing and coming to the conclusion of their performance with Dutta even saying “This will be our last number” and still there were on-stage representatives shooing them off. It was unprofessional extremely rude and completely uncalled for. Not only are Dasgupta and Chatterjee professional musicians who put in a lot of time traveled from a far distance and delivered an excellent performance but our very own extremely talented community artists - Billah Dutta and Mukherjee - put in the same amount of time to bring their program together. As a dancer and eternal student of the arts I am frankly appalled. Every show that we as art-lovers commit to involves traveling rehearsal space rental and time away from our friends and family. Each show that is performed involves a certain thought process a certain agenda to speak to the audience in a personal way in our way. I mean isn’t that what performing for the community is about Its how we cultivate the special attention love and support from the years into our performance that we present and it made me completely sick to see our very own someone I consider my inspirational “didi” Renee Dutta be cut off in the middle of her sentence in the middle of her show Especially considering the fact that it wasn’t their program that was running late but it was Kallol’s lineup that was pushed back. A much classier way to deal with the situation because I do believe that it was pressing and understandbly hard to manage would have been to come speak to one of the artists BETWEEN songs and ask them nicely to wrap it up because they were running short of time. Personally I know that the artists involved in that program were traveling from central Jersey to Manhattan multiple times a week to rent studio time in Midtown Manhattan for the successful collaboration and it’s so strange that the people who are in charge of putting on a cultural lineup are not sensitive the amount of commitment shown by the artists. I am by no means saying that Kallol Durga Puja wasn’t successful. I am extremely happy with the tender care given towards our dance company by the cultural committee themselves to perform in a prime slot of the lineup on Friday evening. I thought there were many aspects of Durga Puja that were even better this year than previous years because of the organizing capabilities of the new administrators. And most of all I will always be grateful on a personal level for all the love and support shown by my community for my new endeavors and dreams. But I cannot stay quiet to such insensitivity to our fellow artists. When Kallol members and non-members pay a hefty amount to celebrate Puja with their family and friends we expect the intended lineup not a complete disregard of the work put in to making the best show possible. I noticed that there may be a few things Kallol could think about when running the next big Durga Puja celebration at least in my opinion. When performing the following night Saturday at Garden State Cultural Association I noticed many aspects of their program that made it easier for the artists and the audience to enjoy the artistic lineup of performances. The main aspect was the venue: it was in a school where there was an isolated auditorium for people to enjoy the performances. The kids were running around playing but outside of the performance space not disturbing audience members. The food and idols were set up in a separate spot for people to engage in proper “adda” the good stuff we all look forward to when going to Durga Puja. There was a magic show for all the kids to participate in right before the cultural show for the evening giving the children an opportunity to spend some of their pent-up energy. Maybe we can all learn from that and find a way to improve the setting for Kallol Durga Puja for years to come. The only reason I’m writing is because Kallol is my home and has always been so. If it wasn’t for Kallol I might not have been able to take dance as seriously as I take it now. I am grateful for that. But if we cannot learn from these past mistakes we cannot improve and we will lose people’s loyalty and appreciation slowly but surely. I hope it doesn’t come to that. NOTE: OPINIONS EXPRESSED IN THIS ARTICLE ARE THOSE OF THE AUTHOR ONLY. 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(524, 3027, 'AMITAVA SEN If the piece by Brinda is indicative of the extent of interest and involvement of our children in our culture it is definitely encouraging. But unfortunately such can not be generally said our so called second generation is not into Durga Puja and sundry other Bengali cultural stuff. I am pleasantly surprised and indeed gratified that one of the members of that generation keeps track of the Bengali socio-cultural scene and takes part in it. Her opinion and her article articulate lucid thoughtful and most of all respectful deserves attention and should engender steps to address her concerns. If we mean what we profess about the second generation’s participation we better not ignore her. But I recognize that there may be a cultural communication problem too. The standard of decency and decorum of the likes of Renee and Brida who have grown up in thia country may be in clash with the one and a half generational internet crowd’s. The perceived rudeness and the lack of propriety may quite be acceptable and common place with the environment they grew up in. Brinda you are an excellent dancer and performer we all have taken notice of you since you’re a child. But you know what You write well too you should do it more often about Bengaliness of your generation and your views about our heritage. Sudipta Bhowmik offers a great vehicle for expressing yourself. http://nynjbengali.com', NULL),
(524, 3026, 'sunanda mitra This account of the Anirban - Jaffar Billah incident is not completely true. Before the start of the show Anirban was requested to conclude in 50 minutes. 27 minutes before the curtain down one of the cultural committee members walked on stage to request Anirban to wrap up in 15 minutes.', NULL),
(524, 3031, 'Sujoy Menon Although not a privileged “second generation” and hence at the risk of not been taken seriously I too congratulate the organizers of the 2010 Durga puja for an awesome event. But then again I am not a ” second generation” who cares what I think. Our inherent bengaliness precludes us from taking anything seriously from someone who does not have a “foreign accent”. All hail the “second generation” who contributed sooooooo much to the event or did we get taken for a ride for some stage time……..', NULL),
(524, 3039, 'Brinda Guha There is no need to be sarcastic about how much the “second generation” does or does not participate in community activities. I can name approximately 100 off the top of my head maybe not in this Durga Puja but in other major community functions and events that do a lot to participate myself included. And also yes we are privileged for living a life in this country as a result of my parent’s hard work through education and immigration but that doesn’t mean we sit around and don’t care. The question that I have is why isn’t our generation interested in Durga Puja anymore on a general level We have to ask ourselves why just a few years ago a large amount of people who came to Durga Puja fell within the 10-25 year old age group and now that has slowly been slinking away. The program that I mentioned above in my take on Sunday’s lineup included two “privileged second generation” artists who worked very hard to put a program together and were rudely interrupted AND kicked off stage. As a “privileged second generation” member myself I can say that we definitely could take a step in towards producing events ourselves but it is also very hard to relate to ‘our inherent bengaliness’ as we are American children as well as Indian ones. For the many people in my age group and my older brother’s age group who participate in community functions it takes a lot including parental support but also inner curiosity to perform in classical/creative dance numbers bengali plays hindi theater vocals etc. That needs to be recognized. And by most people who have children who are involved in the community it is recognized which makes it easier for the children to continue in those kinds of activities. Anyway enough rambling. What do we privileged second generation kids know anyway right http://www.kalamandirdanceco.com', NULL),
(524, 3034, 'badmash I just signed up to your blogs rss feed. Will you post more on this subject', NULL);
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(525, 0, 'All Free Screenings Seats are available Meet Seema Biswas in person Details at www.NJISACF.org Watch 16 films from 7 countries by 9 women filmmakers Opening night film MIRCH starring Konkona Sen Sharma Raima Sen Boman Irani on October 29th at 8:00 PM Festival Centerpiece LIFE GOES ON starring Sharmila Tagore Soha Ali Khan Om Puri and Girish Karnad on October 30th at 2:15 PM Closing night film COOKING WITH STELLA starring Seema Biswas co-written by Deepa Mehta on October 30th at 8:20 PM. YASMIN starring Emmy award-winning Archie Panjabi on October 30th at Noon Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value NJISACF 2010 Seats Available size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(341, 3052, 'Dipak Bagchi Does etv Bangla Team have any expertise to fix the problem of Program Schedule we are experiencing for a long time The program shown does not match the program list shown by direcTV in the USA. Or is it that the etv Bangla team does not care about its subscribers. Bagchi', NULL),
(512, 3051, 'Arindam Chakraborty Thank you so much for posting this… you have brought back so many old sweet memories…', NULL),
(526, 0, 'Raag-Rang presents a magical afternoon of instrumental music by Shree Anirban Dasgupta Sarod son disciple of renowned Sarod maestro Pt Buddhadev Dasgupta. Shree Amod Dandawate will accompany him on tabla. There will be a short vocal recital by a talented young artist Shree Chinmay Paranjape. Date-4th December. Time- 3:30pm –6pm. Venue: Universal Unitarian Congregation of Princeton Fahs Theater 50 Cherry Hill Road Princeton NJ 08540 Admission: Non Members: 20 Kids between 5 to10 Years 10 RaagRang Members: 15 Kids between 5 to 10 Years 7 For details Contact: 908-429-1120 609-890-4890 908-240-8289. RSVP will be appreciated. Email: bhawmikm@gmail.com mayuresh.khare@gmail.com devang42@yahoo.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Raag-Rang Presents Anirban Dasgupta on Sarod size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(527, 0, 'Friday Nov 19 2010 8.00pm Sahitya - o - Alochona at Ananda Mandir to feature “Probashe Natoker Boshe” A discussion on Bengali Diaspora Theatre. The discussion will be led by Sudipta Bhawmik and will delve into the issues of why how and what of Bengali theatre in USA. We will trace the history and talk about the latest trends of our theatre. All are welcome. 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(528, 0, 'by Amitava Sen My Sales Manager came running to my office. “What’s my Good Name ” he asked urgently. I did not understand his question. Indeed I liked his name. I did not think it was a bad name and how was I supposed to know whether he had a better name Honestly I did not care what his name was. Did Shakespeare not write somewhere that a rose smells the same despite the name you call it by Richard Schwartz my sales manager explained that there was a call from an Indian company who was interested in our filtration product. Richard was loath to give an incorrect answer and lose the prospect of an order for the product simply because his parents neglected to give him a better name. Suddenly it dawned on me that this man from India was asking for his Subh Naam which translated to Good Name. “Go and tell him your name is Richard Schwartz and I will explain the whole thing to you later.” I advised my sales manager. We Bengalees usually do not use this term “Subh Naam ” literally translated it means Auspicious Name. In some parts of India it is considered rude to ask anyone the names in his face to sound polite people ask for “Good Name.” That was decades ago. I had almost forgotten the term Good Name. So I was somewhat taken aback when I heard some one calling me from behind one day as I was taking a stroll in the neighborhood. “What’s your Good Name Sir I am Sam.” As I turned around I saw him. It was rather difficult for me to accept an Indian man long past his prime years just as Sam it sounded incongruous. The name did not fit him at all. I introduced myself and asked “So what’s YOUR good name ” “I am B.K. Somasundaram Allepei Chellum.” I chose not to ask him to elaborate on B.K. I was a little embarrassed that I myself did not even have one middle name. “Glad to know you Mr.Chellum” I said. It turns out that Chellum is not his last name either he is really Mr.Chettier Chettier is his family name. “My son does not want me to tell people my real name he kind of rechristened me. He thinks Sam is more acceptable in this country” “I have no problem calling you Somasundaram if you let me.” “So you’re a Bengali my daughter-in-law is also a Bengali. Won’t you come inside Please do.” He almost begged. I have not known this man but I have seen him walking in the neighborhood with a woman who I assume is his wife and a dog on a leash. Even with my limited knowledge of dogs this dog was unmistakably a Rottweiler or some such frightening species. I was not particularly keen on going close to a person with a Rottweiler and the dog did not appear to be overly friendly. But the couple looked at me every time I saw them from my driveway while they were walking the street in front of my house expecting to introduce them to me. I ignored them. But finally I am trapped I have no choice now. This man was insisting that I should come in and now that he has announced that his daughter in law is a Bengali he feels I have an obligation to befriend him. Inside the house his wife was feeding his infant grandson and was genuinely happy to see me. I looked around and asked with trepidation “Your dog ” “Sundays my son and his wife take the dog to the park in the afternoon for walk and play” he replied and then added that they would be back soon. “I have to leave sooner ” I told myself. A few days later the doorbell rang and I instantly knew who it would be. Sure enough Mr. and Mrs. Chettier were there with a distressed look writ large over their faces. After sitting down on my couch they got straight to the point. Can I help them to purchase two tickets to India They have been here for the past seven years when their first grandchild a son was born. After he grew up his son and the daughter-in-law decided to have another baby and they insisted that their parents stay longer. They were stuck. Meanwhile they have only been to India once two years ago. Any time they had expressed their desire to go back to India his son became depressed and begged them to stay another year. If they go back it will be the end of the daughter in law’s career and their American dream would fall by the wayside. His wife does not trust day care or a baby sitter and besides his son argues he is the only child of Mr. and Mrs. Chettier they should stay with their son at least for some time. The father explained that without their son’s acquiescence and cooperation they could not return to India. Furthermore Mr. Chettier would not want to hurt his son’s feelings. It was in fact Mrs. Chettier’s insistence that brought them to me. Mrs. Chettier became hysterical and started crying. She never cooked or washed dishes while she lived in India. Here in America she cleans cooks does dishes and laundry and baby-sits all day. “That’s not really true ” the husband protested “My son tells you repeatedly to leave all household chores for them ” Only asks that his parents walk the dog and look after the children. “How can I do that It is easily said than done Being a woman I cannot stand to see all the work piling up and left for the weekend. After all my son will end up doing most of the chores.” Mrs. Chettier said between her tears. “And I can not live my life in my own way here my daughter in law even objects to my using water after going to the bathroom” She is ashamed of the sight of a water jug in the bathroom that her friends may visit sometime. Mr. Chettier assured me that he does not need any monetary help from me they have saved enough money for their passage. Having lived here for seven years they have green cards they receive Medicaid and SSI money from the government. His son does not let them spend any of their savings. Mr. Chettier would stay longer if he had a choice but he was afraid that his wife would breakdown soon emotionally. After listening to them I realized that I was quite familiar with this very situation I heard it all before. One of my friend’s mother in law similarly escaped with the help of a neighbor. I heard that she died shortly after reaching Calcutta. I really had sympathy for Mrs.Chettier’s situation but I declined I was afraid of any legal situation arising out of my action. I explained it to them and Mr. Chettier readily understood. Since this time we became quite friendly and we would talk whenever we passed each other in the neighborhood. Two or three months passed and I realized that I did not see them for a week may be two. I stopped by their house the following weekend and rang the bell. The son whom I had seen a few times but was never introduced to answered the door. His parents departed for India a few weeks earlier. I did not ask how or why. The news relieved my conscience and made my day. I kept thinking about how commonplace this situation is for so many of my Bengali friends whose parents particularly for the widowed mother who lived with them. To put it harshly many of them are virtually prisoners in this country in their children’s home where in most situations husband and wife both work outside of the homes during the day. It is true that in most cases they are not really treated badly by their children or the children’s spouses. The grand mother is left behind to take care of children all day or at least for the time after the children come back from school. During the school hours the lives for the grandparents are more depressing and lonely. When the grandma is home her children expect their food will be ready when they return from work so she cooks washes dishes and does laundry. It is not that her children impose the chores on her she does it voluntarily and at least that is what she would like to think. If she is the wife’s mother she talks to her daughter when the daughter comes back from work but refrains from talking too much as she is afraid of intruding into the time between her daughter and her husband. If she happens to be son’s mother the communication is not as open with the daughter in law and her son is usually on computer doing his stuff. The grandparents do not drive they look forward to the weekends when they may be lucky to see the outside world for a while. But their children’s dinner invitations or a necessary visit to Home Depot interferes with the plan of taking grandparents out or limits it to a supermarket visit. Parents are often invited to the weekend dinners but they do not always fit in amongst their children’s friends. When they join the parties they look for another set of parents if they can find one. Curiously the age is not a factor in this class divide. Being the parents of the first generation and having come here at late age they are just considered seniors to be called Kakus and Meshomasais while some among us who are their contemporary or even older are addressed as Dadas. Sometimes it is obvious from their demeanor that either the husband or the wife is not quite pleased with the situation where they have to carry each other’s in laws as an appendage to every party. And that makes the parents feel uneasy if not unwelcome. Shorter stay limited to a few months by a grandmother during a childbirth is not a breeze either. In addition to caring for the newborn there is the cooking and all the other daily chores and of course there are sleepless nights. With helps galore most of these grandmothers are accustomed to an easy and comfortable if not lazy life back home in India for many years. In an existential world the mothers from India have no option they just can not say no to their children’s call for help. But it turns out to be a torturous adjustment to make at this stage of life. There is a difference between circumstances of the mothers who are here for a single child birth and plight of many other women who are compelled by circumstances or have made a choice of moving to and living with their children in America. For the former there is light at the end of the tunnel with a looming escape in sight. Sometimes though it may turn out to be a temporary parole till the next child is due. 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(529, 0, 'Recently I had the opportunity to watch the play “Broken Images” written by Girish Karnad directed by Alyque Padamsee and performed by the famous film and stage actor Ms. Shabana Azmi. Girish Karnad is one of the foremost playwrights of modern India hence any play from him raises expectations. “Broken Images” is certainly not one of his best plays although it did make its point quite strongly. It tells the story of the confessions of a mediocre Hindi writer who has become an internationally acclaimed English language celebrity author through deceit. It also tells that the image we often create to impress the outer world gets shattered inside when it is not projected in the light of truth. The play being directed by the veteran theater persona Alyque Padamsee adds another dimension to it. But the strongest attraction for most theater goers was to see Shabana Azmi on stage. The North Brunswick High School auditorium in New Jersey was packed with her cheerful fans although they had to wait well past the show time in long lines outside the theater. And it seemed they were not disappointed. They got to see their favorite actress not only in person but also on screen. It was Shabana acting on stage with Shabana on a big screen television mounted on stage. It was a bit tricky act to perform especially when she had to synchronize not only the timing of her dialogues but also her position on stage to match the eye movement of the character on screen. It kind of restricted her freedom on stage in many ways. But the major problem came not from the timing or blocking but from the difference in the two media. Acting on television differs greatly from the the acting styles on stage. The big close up of Shabana on a big screen TV on stage carried subtle nuances and facial expressions which Shabana on stage had to compensate with her physical movements. This caused a discord in acting styles which was a bit discomforting to me. The technique looked more gimmicky rather than an absolute necessity. In many one person shows the actor often has to play multiple roles and the audience accepts the illusion quite happily. If the play demands another character on stage I’d think it is better to use another actor rather than use some convoluted technique like that used in this production. Ms. Azmi is a powerful actor and I am quite convinced that she could have handled both the characters on stage with equal ease. Maybe Mr. Padamsee can think of this play in a more conventional way and deal with the challenge without taking recourse to modern technology. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Shabana’s Broken Images size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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Images&uri=http://nynjbengali.com/archives/529&loc=en_US http://nynjbengali.com/archives/529#bookmarkify Shabana Azmi in Broken Images [Ask] [blinklist] [Bloglines] [BlogMarks] [Blogsvine] [del.icio.us] [Digg] [Facebook] [Google] [LinkedIn] [Mister Wong] [Mixx] [Reddit] [StumbleUpon] [Technorati] [Twitter] [Windows Live] [Yahoo!] [Email] Shabana Azmi Use these links to share this page with others Save to Ask Save to backflip Save to blinklist Save to BlogBookmark Save to Bloglines Save to BlogMarks Save to Blogsvine BuddyMark It Save to BUMPzee! 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(529, 3067, 'Sushmita Dutta Sudipta Thanks for this lovely review on Broken Images. I am completely in agreement with you that -The technique looked more gimmicky rather than an absolute necessity… Reflecting on theater productions today that incorporate modern communication technologies I wonder if the trend is purposeful or just an attempt to break away from the 2 dimensional monotony of theater that we have lived through for years and now seek a variation. Alyque Padamsee’s one of the early commercial shows I had seen Evita also had very strikingly different useage of lights and stage crafts to create an illusionary effect. It didn’t appear gimmicky in fact the effects blended well with the play and also retained the purity of theater experience. In this production he could have had two levels of platforms a higher level for the larger than life character and Shabana could have acted both roles live on stage. But Alyque proffered a technological device though he is an absolutely dedicated theater person. I wonder why. Any other comments Best Sushmita http://www.novel-ebiz.com', NULL),
(523, 3065, 'K. Purohit Nothing to be concerned or worth writing home. This is Bongo berathar.', NULL),
(506, 3070, 'Patrizia Mookherjee As always big kudos to Kallol. I loved the Bombay Spice food stall which was located to the left side as entering the building: it was so convenient by selling jasmin flowers for the women to wear and bengali sweets for Bijoya. It was as if that stall was giving aid to make the puja as if in Kolkata. i hope they will be back next year. http://none', NULL);
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(531, 0, 'Whenever I go to Kolkata I make it a point to see as many theaters as possible within the short breaks that I can manage from the hectic schedule. This summer too I had the opportunity of watching two plays in Kolkata “Kaachher Manush” by Gandhar and “Srinwantu Comrades” by Nandipat. “Kaachher Manush” is based on a Marathi play by Dr. Sirish Athwale translated by Kamal Sanyal and directed by Gautam Haldar. The play tells the story about how two people from different social backgrounds can come close together through a metaphoric process of healing. Dadaseheb a Marathi Brahmin played by Debshankar Haldar is suffering from a paralysis of his right side resulting from a head injury and needs physiotherapy and occupational therapy to recover. Savitribai a senior dalit lady performed by Bijoy Lakshmi Burman has been appointed as a nurse to provide him with his daily therapy and help him during the day with his household chores. Dadasaheb initially opposed to this arrangement especially to be under the constant supervision of a lower caste lady but had to accept reluctantly. And predictably enough Dadasaheb’s physical condition improves under the strict regimen of Savitribai and at one point the widower Dadasheb even proposes her hand in marriage. Dadasheb is finally cured within a week’s time when his NRI daughter threatens to come and take him with her to USA. The play is very well acted by Debshankar and Bijoy Lakshmi. Debshankar’s boisterous characterization of Dadasaheb has been well complemented by the cool and composed Savitribai of Bijoylakhsmi. Parthasarathi Mukhopadhyay as the son was just appropriate. However the character of Dadasaheb’s NRI daughter Maitrayee has been made into a stereotypical non-resident haughty woman whose concern for her father was made into a comical farce. The director and the playwright should have paid some attention to modern physical and occupational therapy techniques for the elderly where safety and fall prevention is one of the key objectives. The days of challenging the patient to walk on his own without any safety precautions is long gone with the days of black and while romantic films of Uttam and Suchitra. Scenes like these help the actor to show a good deal of physical acting and even helps build audience tension but is not practical at all and should have come with the notice - “Don’t try this at home with your parents.” Incidentally Kachher Manush was staged at the 2010 Bangamela held in Nashville TN and then it toured some of the mid-west cities although it did not come to the US east coast. The other play “Srinwantu Comrades” Comrades Lend me your ears is directed by the veteran thespian Bibhas Chakraborty. The play originally written by the Russian playwright Satrov in 1977 tells the story about a day in the life of Vladimir I Lenin in 1920 when he was recuperating from an assassination attempt with two bullets in his body. As the day progresses Lenin receives visitors from his party the government the bureaucrats the labourers the farmers and even the socialites. And gradually Lenin realizes how his thoughts and philosophy for creating a classless proletariat society is getting distorted. The party the govt and the bureaucrats are bent upon forcing socialism down the throats of the people and choking their voice in the process. While watching the play one would invariably draw parallels with the current left front govt of West Bengal and their actions in the name of Marxism although at the very beginning of the play it was announced that the translator and director did not make any changes to the original text to make it sound more relevant. The play did not have any story line for that matter and was almost like a staged documentary. It requires a lot of attention on the audience’s part to stay focused on the play as the play turns out to be talking heads for the most part. One good thing I noticed was that on both days the audience turn out was quite good. The common complaint that I hear about the lack of audience was not evident at least for these two shows. I’d recommend both the plays to anybody who wants to watch good theater. NOTE: This article was previously published in Ananda Sambad. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Two Plays in Kolkata size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(533, 0, 'The Naga Viper is the latest claimant to the world’s-hottest-pepper title beating its predecessor the Bhoot Jolokia by more than 300 000 Scoville units of tongue-scorching chili hotness. Researchers at Warwick University testing the Naga Viper found that it measures 1 359 000 on the Scoville scale which rates heat by tracking the presence of a chemical compound. In comparison most varieties of jalapeño peppers measure in the 2 500 to 5 000 range. Bhoot Jolokia scored 1 000 000 Scoville units. But Naga Viper is not a produce of Nagaland. The new pepper is actually a creation of Gerald Fowler a British chili farmer and pub owner who crossed three of the hottest peppers known to man including the Bhoot Jolokia. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Naga Viper Beats Bhoot Jolokia size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(506, 3076, 'ananya hello all i wud leave a request to the family of late sri braja dulal mookherjee to kindly contact me…he was the eldest brother of my father ashokankur mookherjee and my late uncle regards ananya', NULL),
(534, 0, 'I often have this dilemma is it okay to criticize Often people ask me how did I like a book or a play or a movie - and I find it very difficult to answer. First of all if it is my opinion they are asking for I can possibly try to answer quite diplomatically. My answer would also depend on who is asking me and about what my opinion is sought for. But expressing an opinion and making a criticism of some work are two entirely different ball games. Opinions are personal but criticism should be based on a solid foundation of theoretical and practical understanding of the craft. We often tend to confuse between the two and sometimes give too much weight to personal opinions as valued commentary of a piece of artistic or literary work. And this is where I feel awkward to express my opinions because I fear that my opinions may be considered as criticisms and be given more value than it is worth. Secondly being involved in some artistic pursuits myself I feel it is not for me to judge the creation of a fellow artist. For when I put myself in their shoes I know how hard it is to create something - how much love dedication passion and hard work has gone into it. I can never trivialize someones work whatever others may feel about it. Yes I do often see half baked immature ill conceived pieces of work being presented by many of my colleagues and friends. But I still find it very difficult to comment on them. But as friends and colleagues they do ask my comments ask my feedback. I can offer my feedback only as a fellow artist and never as a critic. Similarly when I write about a play that I have seen or a book that I have read recently I express only my opinion and not criticism. The art and maybe science of criticism has developed considerably over the ages. Several philosophers and literary theorists and I’ll not drop any names have worked on this subject and several frameworks for criticisms are now in place. A true critic should arm himself/herself with this knowledge as well as knowledge about the craft in question before making their commentary. A critic has his/her place in the world of art and literature. They help us appreciate the art form better and gives us clues to look for in the work to find hidden treasures. They also help the creators detect their flaws and improve their work. But good critics are hard to find. Most of them only express their opinions and just put in their ranking in letter grades or stars and claim themselves as critics. But in this day of social media marketing it is the opinions of the social influencers that matters the most. I have no complaints about that but we need to appreciate that these are opinions only and not criticisms. Do not base your appreciation of any work or any artist based on these opinions. If you need help find a good critic and read their criticisms. Else form your own opinion. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value To Criticize or Not to Criticize That is a Question size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(534, 3080, 'Best Indian Bloggers posts for weekend read ... : Sudipta Bhawmik What : To Criticize or Not to Criticize That is a Question Spicy: Criticism is one thing which pricks everyone but also helps you grow at the same time. ... http://blog.blogadda.com/2010/12/18/best-indian-bloggers-saiyona-lakshmi-sudipta-vibhuti-smita', NULL),
(534, 3083, 'Vibhuti B This is a wonderful piece here. Thanks to BlogAdda I discovered a good writer too. As a writer I have always longed for a free and frank blogger dost to guide me if Im slipping up in my writing some where. There are a few fellowbloggers who have the guts to come forth and express their opinions their choices and I respect and look forward to their comments. But yes a critic here has to stick to a bit of diplomacy too so as not to break hearts..:D Thanks for sharing Sudipta.. Cheers http://klishmaklaver.blogspot.com', NULL);
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(535, 0, 'Time magazine chose Mark Zuckerberg as the 2010 person of the year. A film on the life of Mark Zuckerberg is a strong contender for Oscars next February. He is twenty six years old and is worth 7 billion dollars. He drives an Acura TSX and rents a house. And he is the creator of the phenomenon called “Facebook”. Yes Facebook is no longer a website it is a phenomenon. Social networking sites are nothing new. People on the internet started to commune together since the early days through bulletin boards news groups etc. long before MySpace LinkedIn Orkut and Facebook came into existence. Newsgroups were there remember soc.cult.etc.etc even before web browsers and web servers were invented. People have always tried to use the internet to connect and to share. Social networking sites like Facebook has given the people the ideal vehicle to connect and share. And of all the social networking sites Facebook has become the most popular platform primarily because of its ability to evolve continuously. People have been able to connect with their friends after ages they share their thoughts their likes and dislikes their photos and memories. It allows many to get their moments of fame and recognition from their friends and peers that was never possible before. It has become such a powerful attraction to many that some psychiatrists are considering Facebook addition as a diagnosable ailment. But Facebook addiction is only one of the complaints against this 21st century phenomenon. Many people complain that Facebook doesn’t care for their privacy. They feel shocked to learn that some apparently unknown person has been able to read their profiles or when they see personal comments from some unknown people floating in on their walls. However before making any such complaints one should think that Facebook is not a place for private people. You join Facebook to share to get others to know you. I do not mean that just because you are on Facebook one has the right to know about all your secrets. All I mean to say is that people only know what you want them to know. When you make someone your friend there has to be an element of trust between you two. Also you should note that when you comment on a post by your friend it is most likely that his/her friends get to see your comment too. So the first principle in Facebook or any such social network platform is not to make a comment or statement that you wouldn’t want to share with many. If there is something that you’d like to share with your friend in private there are several other vehicles to do it including the messaging feature of Facebook. Another common complaint “Why do I have too see all the garbage that my friends and their friends keep on posting.” Well since you have accepted somebody as your friend it is presumed that you’d like to read what they have to say. But if someone makes and excessive amount of postings you have the option of politely hiding their posts such that they don’t appear on your news feed. Your friend does not even get to know that you have turned him off without rejecting him as a friend. Facebook is a powerful platform and it is transforming the way people use the internet. It is empowering the internet users in ways that was never thought to be possible. Marketing organizations are paying special attention to these platforms because this is where their customers are flocking. But Facebook allows not only the big corporations but also the smaller organizations to reach out to the people for whatever cause they want their attention. Features like groups and pages allow people to create common areas of interest to work and share on. But when all this becomes easily available to everybody lot of junk gets created too. One must be extremely careful in selecting the right groups and pages to join. Facebook is becoming an integral part of our online existence. Even if you are not on Facebook today if you are a netizen you’ll soon have to join because all your friends will expect you to be on Facebook. It is an enjoyable experience but just like any other piece of technology it must be used responsibly. Note that Facebook is a public place hence treat it like you’d treat a regular public space. Do not litter do not cause nuisance do not exhibit your dirty laundry and do not abuse it. 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(534, 3088, 'technician jobs Pretty nice post. I just stumbled upon your blog and wanted to say that I have really enjoyed browsing your blog posts. In any case I’ll be subscribing to your feed and I hope you write again soon http://www.laboratorytechnicianweb.com', NULL),
(535, 3086, 'Indranil And …. you cannot “un-friend” excellent chaining tactics … “Freinds for ever” tag :', NULL),
(535, 3089, 'sudipta Yes you can “Un-Friend” if you want. Go to the Account pull-down menu and click Edit Friends. Then “Remove” any friend you want. Simple. http://', NULL),
(535, 3091, 'Indranil I meant in another way I already had a lesson from Purba on FB. Thanks for the info anyway. :)', NULL),
(512, 3111, 'medical transcription jobs Wow this is a great resource.. I’m enjoying it.. good article http://www.medicaltranscriptionblog.com', NULL),
(333, 3108, 'emt training Keep posting stuff like this i really like it http://www.emttrainingcourse.com/', NULL),
(333, 3107, 'aerospace engineer This is such a great resource that you are providing and you give it away for free. I enjoy seeing websites that understand the value of providing a prime resource for free. I truly loved reading your post. Thanks http://www.aerospaceengineeringnow.com', NULL),
(537, 0, 'The other day while rearranging the books in my tiny library I chanced upon a tiny book titled “Thakur Barir Ranna” Foods from the Tagore Kitchen written by Purnima Tagore daughter of Pramatha Choudhury and Nalini Devi . This year being the 150th birth anniversary of Rabindranath Tagore anything related to Tagore generates special interest. Hence after a long time I started leafing through the book and was pleasantly surprised by the variety of cuisine and recipes listed in the book. In the preface the author says that these recipes are collected from a recipe book handed down to her by her aunt Indira Devi Choudhurani. Indira Devi the favorite niece of Rabindranath Tagore had never entered a kitchen or cooked on a regular basis. But whenever she liked a dish she would make it a point to collect the detailed recipe from the cook and note it down in her book. Purnima Tagore has also included some of her own recipes in the book. Hence it is not that all the recipes were from Jorsanko Thakurbari but of course they are from the Tagore kitchens in general. The book has been divided in multiple sections like vegetarian dishes fish dishes eggs meat desserts and pickles. It’s not that the recipes are exciting but the book is a good read too. The book has no pictures but when you read through the pages you’ll clearly visualize the colorful and flavorful dishes in your minds eye. I picked some of the unusual recipes to share with you in the same style as written in the book. Fish Stir-fry Maach Chachchari : Fry the fish. You’ll need potatoes and onions. Heat oil to fry onions and then add the potatoes. When the potatoes turn brown add turmeric and red chili paste. Add salt and green chili. You may add tomatoes if you’d like. After frying the spices add water and cover. Add fish to the boiling sauce. Cook till the gravy thickens. Mourala Fish Anchovies Sour Mourala Maacher Ambal : Fry the fish in oil then add turmeric. Add green tamarind puree. Add sugar and salte to taste and cook till the sauce thickens. Ripe tamarind puree can also be used. Egg Chao Chao : Eggs - 4 Onions - 6 Dry red chili whole - 4 Garlic - 4 cloves A pinch of turmeric little cumin seeds jeera salt and clarified butter ghee . Make a paste of red chilies garlic turmeric and cumin. Slice the onions into fine shred. Heat ghee on a pan and fry the onions. Add the spice paste and fry well. Break the eggs and mix it into spices. Cook in low heat. When the egg cooks and turn reddish add a little water and salt. When the water dries off the dish is done. Keema Dahi Vada Fried meat balls in yogurt : Mix minced meat lamb or goat boiled potatoes minced green chilies onions and salt. Add eggs and some garam masala and make a dough. If the dough is too soft add bread to the mix. Make small balls and fry. Beat yogurt with a pinch of salt. Add roasted red chili and cumin powder to the yogurt and blend. Add the fried meat balls to the yogurt. Garnish with good quality ghee clarified butter . The list is quite long and I don’t want to rob off your fun in reading the book. But one disclaimer I should add is that I have not tried any of the recipes myself. The book also reminded me that few months ago a friend of mine brought to my attention of a culinary extravaganza that was tried out in Kolkata at the Sobhabazar Rajbari. The event which lasted from June 4 to 10 2009 was titled “Thakurbarir Khaoa Daoa”. It was not only a culinary experience but it also included a fascinating performance by actors musicians artistes who transported their guests about hundred fifty years ago to the Thakur Bari in Jorasanko.” With musicians singing Tappa Rabindrasangeet or Khayals and Thumris and even piano recitals pankhawala’s pulling the pankha the guests were seated in the long corridors and was served with food that included no less than 34 items. Drinks included different varieties of sherbets including Neem fish dishes like Choi-koi Dwarakanath Pulao Kochu Saag Bhapa Chingri Lauyer Paesh and English pudding. The event was sponsored by Bharath University and the guest included celebrity intellectuals like Sankho Ghosh Nabanita Debsen Jogen Chaudhury Usha Uthup and many others. There was a proposal from the sponsors last year to bring the event to the 2010 Banga Sammelan NABC held in New Jersey but the organizers declined. Maybe the 2011 NABC organizers would like to consider this as a special attraction especially in the year of the 150th birthday celebration of Rabindranath Tagore. 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Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! 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(540, 0, 'Sometime ago I had made few Facebook related cartoons that I had posted on Facebook. Let me post them here for those readers who are not on my Facebook friends list. Enjoy Cartoon 1: I’m unfriendly My friend I have more than 2000 friends on facebook and they never complain about my trash Cartoon 2: What can I say This social media stuff has made him extremely unsocial. Cartoon 3: Cartoon 4: Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Facebook Related Cartoons size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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This social media stuff has made him extremely unsocial. Election Commission Friend Shah-Rukh Khan [Ask] [blinklist] [Bloglines] [BlogMarks] [Blogsvine] [del.icio.us] [Digg] [Facebook] [Google] [LinkedIn] [Mister Wong] [Mixx] [Reddit] [StumbleUpon] [Technorati] [Twitter] [Windows Live] [Yahoo!] [Email] Trash over my wall What can I say? This social media stuff has made him extremely unsocial. Election Commission Friend Shah-Rukh Khan Use these links to share this page with others Save to Ask Save to backflip Save to blinklist Save to BlogBookmark Save to Bloglines Save to BlogMarks Save to Blogsvine BuddyMark It Save to BUMPzee! Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! Bookmarks Copy this HTML to create a link to this page Save to Ask Save to blinklist Save to Bloglines Save to BlogMarks Save to Blogsvine Save to del.icio.us Digg It! Save to Facebook Save to Google Bookmarks Share on LinkedIn Save to Mister Wong Save to Mixx Reddit Stumble It! Add to my Technorati Favorites Save to Twitter Save to Windows Live Save to Yahoo! Bookmarks Email this to a friend See more bookmark and sharing options...', 'Facebook Related Cartoons Nuggets http://nynjbengali.com/archives/category/nuggets View all posts in Nuggets'),
(462, 3117, 'mvsurender Help is needed for establishing the precise identity and obtaining a picture of music director Pt Ganpatrao who composed songs rendered by K.L. Saigal for film Kurukshetra 1945 in the context of a reference to Pt. Ganapatrao Gurav a classical hindustani vocalist. http://www.kundanlalsaigal.com', NULL),
(517, 3123, 'grants for women Valuable info. Lucky me I found your site by accident I bookmarked it. http://www.findgrantsforwomen.com', NULL);
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(545, 0, 'Saraswati puja is a major Bengali religious and cultural festival especially for the Bengali youth. Although Saraswati puja celebrates knowledge learning and the fine arts but it also had a romantic touch to it. The spring time weather the mild warmth of sunshine the red Krishnachura and Palash blooming all around - it is the perfect time for romance and Saraswati Puja. In this country especially in the north east Saraswati Puja is celebrated in the peak of winter - and just like the Goddess the landscape around covers itself in white. We would have to cover our nice festive dresses in heavy winter clothing and trudge through snow ice and slush to visit our revered Goddess of learning. But we the expatriates many of whom are indebted to Maa Saraswati for her blessings carry the warmth of spring in our heart. Just as we enter the Puja venue we feel transported back to those days when we used to go around door to door to collect contributions for our club Puja building and decorating the pandals waking nights to decorate the venue and have a great time. We also had several rules that needed to be followed - like we couldn’t eat “Kool” the sweet and sour berry no studying on the day of the Puja and after the Puja write Saraswati’s name on the “Bel” leaves. No such restrictions need to be followed here but sometimes we feel a small tinge when we see our kids missing out the fun. On Garden State Cultural Association’s GSCA website I read an interesting note by Guru Chakrabarty on the historical significance of Devi Saraswati. Mr Charkrabarty writes “ In historical significance Mother Saraswati is associated with the ancient river Saraswati. We learn from the glory days of Vedic times that many “Rishis” acquired a vast amount of knowledge of the universe. This knowledge was passed on by the “Rishis” to other scholars in educational institutions called “Ashrams”. Many such learning institutions were located on the banks of river Saraswati. White swans lived on the river and white lotus flowers blossomed. The sacredness of such an atmosphere created a Goddess of Learning – Mother Saraswati. The image of Mother’s body is white representing purity and sanctity. She is sitting or standing on a white lotus flower holding a white musical instrument “Veena” in her hand. A white swan is considered her “Bahan” or carrier. ” In New Jersey Saraswati Puja is celebrated by several clubs and organizations. Since most clubs are celebrating the Puja on different dates you can visit multiples of them and enjoy. To the best of my knowledge the earliest celebration is by Garden State Cultural Association GSCA on Feb 5th Saturday at Woodrow Wilson Middle School Edison. Besides variety cultural program and Puja Anjali Hate Khari GSCA will also have various kids activities such as arts and crafts competition essay competition etc. And of course prasad and dinner would be served. Visit http://www.gsca.us/saraswati 11.html for more information. Anandamandir will celebrate Saraswati Puja on Feb 8th at 8.45 am. For hate khari timing call Bisabhai at 732-873-9821. The Somerset Bengali Association SBA will be celebrating their 4th annual Saraswati Puja on Saturday Feb 12 at the Green Brook Middle School 132 Jefferson Ave Near Route 22 Green Brook NJ 08812 . The SBA Puja is a relatively new and growing event and the goal of SBA is to offer a homely informal atmosphere and relaxed socialization at their event. SBA cultural program will feature dance music plays by local talents and also SaReGaMaPa USA finalist Rasika Shekhar. SBA not only offers its guests a great dinner but also a full lunch to keep you engaged all through the day. ICC celebrates their Saraswati Puja on Feb 13th 2011 at the Ukrainian Cultural Center Whippany from 2pm onwards. Besides a variety of program performed by ICC children there will also be a musical performance by a well known local artist. New Jersey Puja Association will be celebrating their Saraswati Puja on Feb 19th. However they have not announced their venue as yet. 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(547, 0, 'Recently Amy Chua is in the news. Her book “Battle Hymn of the Tiger Mother” has raised a storm in American households. Although many may not have read her book but the excerpt published by Wall Street Journal was enough to enrage many parents who challenged Amy in all forms possible. To us Indian parents Ms. Chua’s parenting style is nothing new at all. Rather the western parenting style of protecting the delicate and fragile self-esteem of our children seems more foreign to us. We remember how we trembled to bring in our report cards that had less than 80 scores in front of our parents well during our times 80 was a great score - letter marks as we used to say . But after we came to this country we learned that we should never exhibit our dissatisfaction when our child fails to deliver their best. We should keep encouraging them tell them that they are doing great even when their grades keep slacking. Positive reinforcement we learned was the key to success. Before exams we are told not to pressurize them to study. Rather the kids should relax and have a good nights sleep unlike us who used to study almost the whole night before the exams. At sports and games the motto is everybody is a winner and the kids are showered with trophies and accolades even when you clearly know that your child is not at all the athletic type. And then comes Amy Chua and tells the Americans the Chinese read Asian style of parenting. Her parenting policy is simple - do not give your kids false sense of success and security. If you do you are lying to them and are doing a great disservice to them. The real world is a tough place - your boss is not going to say keep up the good work when you clearly have failed in your job. The strategy practiced by Amy on her daughters does sound shocking to most western parents. No sleepover party no grades less than A no drama clubs no TV or video/computer games no boy/girlfriends in school etc. etc. Well it is a bit harsh no doubt but she does make a point. We know that in reality we don’t have to be that hard on our children but I agree with her that our children needs to be told in a clear and unambiguous way - giving up or being complacent is not an option. And when our children don’t get this simple message we may have to give them the message the hard way - the drill sergeant way. American education system has many good features but Amy Chua has pointed us to its greatest weakness - complacency lack of competitive spirit and underestimating the sense of self-esteem of our children. This weakness if not fixed can prove to be fatal for this country’s future. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Parenting Asian Style size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(549, 0, 'This year we are celebrating the hundred fiftieth birth anniversary of Rabindranath Tagore. In America several organizations are busy in preparing for the celebrations around the year. In New York and New Jersey Cultural Association of Bengal CAB is joining hands with multiple organizations to hold multiple events in New York New Jersey and Maryland. Amidst all this excitement I was trying to look at this myriad minded genius from a different perspective - from the perspective of an expatriate Bengali more specifically a Bengali American. And when I say Bengali American I do not imply any national significance rather I mean a Bengali speaking person living in America. I have been looking into this subject for more than a year now and during the course of my so called research I have been fascinated in knowing a great deal about the history of expatriate Indians in America and their relationship with Tagore. Tagore had a special relationship with America where he visited five times during his lifetime and spent the second highest number of days outside India after England. His visits also happened during some crucial junctures in his life and in the history of the world as well as India. He had developed some kind of a fondness for America and Americans that brought him again and again even after being sorely disappointed with his previous visit. It is true that his later trips to America were mostly to raise funds for his school and later his university in Shantinekatan but some of his trips were made when he was very well informed about the potential outcome of this objective. But in this article I do not intend to get into the details of his trips or his relationships with Bengali Americans. Rather I’ll try to highlight his feelings for America and that too the positive ones by quoting from some of his interviews statements and letters. Tagore had his first introduction to America when he was about twelve years old. With the help of his father Maharshi Debendranath Tagore he read “The Autobiography of Benjamin Franklin.” Maharshi Debendranath thought this would be an instructive as well as entertaining book for young Rabindranath but soon he discovered that Benjamin Franklin was too business-like a person. As Tagore later wrote in his autobiography Reminiscences “The narrowness of his calculated morality disgusted my father.” But the book must have also gave him a glimpse of the America that fought for her freedom from the British and championed freedom as a fundamental human right. During his youth Tagore also studied American poets. “I love your Emerson. In his works one finds much that is of India.” he once told an American journalist. He also felt that Whitman’s poems were “deeply imbibed with Eastern ideas and feelings.” When he was forty-four while playing a major role in the 1905 nationalist agitation against the partition of Bengal he chose to send his son Rathindranath Tagore to America for higher studies instead of sending him to England as was customary with the rich parents of India in those days. Rathindranath returned to India in 1909. Later in 1912 he along with his wife Pratima Devi and his father Rabindranath Tagore came back to America via England after handing over the English translations of his Geetanjali poems for publication and for history to happen. Rabindranath’s initial reaction to America was not pleasant - “Though it is too early for me to pronounce any opinion on this country I must say I do not like it. America like an unripe fruit has not got its proper flavor yet. It has sharp and acid taste.” But later as he moved westward from New York to Illinois he wrote “The country around is flat and open which has a great attraction for me reminding of my our own scenery.” Although he spent some of his most peaceful time in Urbana Illinois soon the news of his arrival spread and he had to spend many a hours lecturing at various venues. With his usual sense of humor he wrote “American people have an unhealthy appetite for sugar candy and for lectures on any subject and from anybody… I am afraid they have spotted me - I am being stalked.” During his next visit in 1916 Sir Rabindranath Tagore was well known to the American people as the first man of the orient to win the Nobel prize for literature. His poems plays as well as his biographies were already in circulation. But during this trip when the Great War WW I was raging in Europe Tagore was extremely critical of the western nations as well as of America. But one of the primary reason of his criticism was because he felt that it was only in America where his appeal for humanity hold the best chance of being heard. He said “This is a beautiful country. I believe it has a great future. America is unhampered and free to experiment for the progress of humanity. Of course she will make mistakes but out of these series of mistakes she will come to some higher synthesis of truth and be able to hold up the banner of Civilization. She is the best exponent of Western ideals of humanity.” He had high hopes for America. In New York he said “America has the figure of youth and all that is best in Western civilization will eventually find lodgment here.” But his criticisms did not make him many friends in America and the press lashed out at him on several occasions. He knew that he was being too harsh sometimes and he said “I am out of place here I know and I maybe judging you harshly. I felt I must come to bring the message of the East… This is my only happiness in America - the thought that this country can be the meeting place of the two the East and the West .” Overall this trip was very successful for Tagore and he had high regards for President Woodrow Wilson. He wanted to dedicate his book “Nationalism” to President Wilson. However President Wilson’s office declined the offer on the advice of Sir William Wiseman Britain’s special liaison agent in the United States who reported that Tagore had “got tangled up in some way” with the Indian revolutionaries in America who were conspiring with Germany to overthrow British rule in India. Later in 1918 Rabindranath was falsely implicated in the famous Hindu German conspiracy trial. When Tagore came to know about this he was very upset and immediately sent a telegram to President Wilson protesting the allegation. Later he wrote Wilson a letter in which he stated “I have received great kindness from the hands of your countrymen and I entertain great admiration for yourself who is not afraid of incurring the charge of anachronism for introducing idealism in the domain of politics and therefore I owe it to myself and to you and your people to make this avowal of my faith and to assure your countrymen that their hospitality was not bestowed upon one who was ready to accept it while wallowing in the sub-soil sewerage of treason.” President Wilson’s office never replied to this letter. Tagore’s next trip to US during 1920-21 was a big disappointment for him. The Tagore craze was gone and the post war America was not the same as in 1916. Besides his renunciation of Knighthood in 1919 was not looked favorably in USA a strong ally of the British. Tagore was advised not to make the trip and was warned that his financial expectations may not be met this time but he made the trip anyway. He came with high hopes and expected that his message would be received with the same thirst as before - “I find in America a wonderful hunger and aspiration. The hunger is genuine and is I believe a reaction to the pursuit of wealth that has characterized your industrial life.” But at several occasions he was extremely critical of the Americans. The failure to raise enough funds for his university was also a cause for frustration. Tagore was also suffering from health problems and depression during this period. Rev. C. F. Andrews writes “Gradually as his health improved his stay in America became brighter and he wrote more cheerfully.” Tagore wrote to him from Texas “Since coming to Texas I felt as it were a sudden coming of Spring into my life through a breach in the ice castle of Winter. It has come to me like a revelation that all these days my soul had been thirsting for the draught of sunshine poured from the beaker of infinite space. The sky has embraced me and the warmth of its caress thrills me with joy.” Tagore’s 1929 visit to America was very brief primarily due to an incident that took place in the US immigration office in Vancouver in Canada when he was trying to enter the country. Tagore was kept waiting at the immigration office for an unconscionable period of time and was handled in a rude and insulting manner during the interview. Among other things it appears the Nobel Laureate poet was asked if could read and write. Outraged and resentful he cancelled almost all his lecture engagements and left the country after a brief stay in Los Angeles for twenty days. However he later calmed down considerably and said “I cannot believe that their laws and regulations represent the spirit of the people a truly great people… I had been received with kindness in the Eastern States overrun with kindness. People have listened to me with respect and received my message sincerely. That is why it hurt so much this time…” Tagore last trip to USA was in 1930 on his way back from Russia. This time the reception was not that cold as his previous two trips. Although he suffered a minor heart attack and was in ill health for a prolonged period he managed to make some important engagements including a meeting with President Hoover at the White House. Most of his lectures were very well attended but it was the time of the great depression in America hence his fund raising was not successful as expected. Rather he donated the entire proceedings from the farewell event held at the Broadway Theatre on December 14 1930 to the relief fund of the New York City’s unemployed. The gesture was typical of the person who had tried all his life to call attention to the needs of the India’s millions and who in bidding farewell to America’s millions thought first of helping those during their time of need. Rabindranath Tagore has criticized the American’s like one criticizes his own brother. But he never lost his faith in America. He believed that it was America who can uphold the cause of humanity against the barbarism of western nationalism. The ultimate hope and trust he had on America was expressed in his telegram to President Franklin D. Roosevelt in June 1940 when the fire or World War II was raging in Europe. “Today we stand in awe before the fearfully destructive force that so suddenly has swept the world. Every moment I deplore the smallness of our means and the feebleness of our voice for India is so utterly inadequate to stem the tide of evil that has menaced the permanence of civilization. All our individual political problems are merged today into one supreme world of politics which I believe is seeking help in the United States as the last refuge of spiritual man and these few lines of mine merely convey my hope even if unnecessary that the United States will not fail in her mission to stand against the universal disaster that appears so imminent.” In 1941 a few months after Tagore’s death at the age of eighty the United States threw its weight into the war which destroyed the Axis powers. References: 1. Tagore and America by J. L. Dees 2. Rabindranath Tagore in America by Stephen N. Hay 3. Passage to America by Sujit Mukherjee 4. Tagore and USA by Dr. Panchanan Saha THIS ARTICLE WAS PREVIOUSLY PUBLISHED IN ANANDASAMBAD NEW JERSEY Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Rabindranath Tagore and America size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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http://technorati.com/faves?add=http://nynjbengali.com/archives/549 http://twitter.com/home/?status=Rabindranath Tagore and America+http://nynjbengali.com/archives/549 https://favorites.live.com/quickadd.aspx?mkt=en-us&url=http://nynjbengali.com/archives/549&title=Rabindranath Tagore and America http://bookmarks.yahoo.com/toolbar/savebm?opener=tb&u=http://nynjbengali.com/archives/549&t=Rabindranath Tagore and America http://www.feedburner.com/fb/a/emailFlare?itemTitle=Rabindranath Tagore and America&uri=http://nynjbengali.com/archives/549&loc=en_US http://nynjbengali.com/archives/549#bookmarkify Rabindranath Tagore [Ask] [blinklist] [Bloglines] [BlogMarks] [Blogsvine] [del.icio.us] [Digg] [Facebook] [Google] [LinkedIn] [Mister Wong] [Mixx] [Reddit] [StumbleUpon] [Technorati] [Twitter] [Windows Live] [Yahoo!] [Email] Rabindranath Tagore Use these links to share this page with others Save to Ask Save to backflip Save to blinklist Save to BlogBookmark Save to Bloglines Save to BlogMarks Save to Blogsvine BuddyMark It Save to BUMPzee! Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! Bookmarks Copy this HTML to create a link to this page Save to Ask Save to blinklist Save to Bloglines Save to BlogMarks Save to Blogsvine Save to del.icio.us Digg It! Save to Facebook Save to Google Bookmarks Share on LinkedIn Save to Mister Wong Save to Mixx Reddit Stumble It! Add to my Technorati Favorites Save to Twitter Save to Windows Live Save to Yahoo! Bookmarks Email this to a friend See more bookmark and sharing options...', 'Rabindranath Tagore and America Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(545, 3137, 'Kankana Sengupta NJPA’s Saraswati puja will be held at Kiddie Keep Well Camp in Edison this year on Feb 19th. An exciting cultural program featuring local talents is in store for all as well.', NULL),
(331, 3139, 'Gregory A King Just watched the movie for a second time and was moved to comment. To all the students that attended her class..Your all blessed to be part of something that shows no matter where we come from we can over come anything a racist United States School system can try to stop…God bless America', NULL),
(549, 3140, 'Aditi Sen Thanks for sharing a brief history of Tagore in America. It is surprising how little the topic of Tagore’s visits to America was a part of the Tagore narrative that I grew around in Calcutta and believe me being from Patha Bhavan school I was around a lot of Tagore loving people I look forward to reading more on this topic.', NULL),
(549, 3142, 'sudipta Two new plays on related topics are coming up soon. Stay tuned. http://', NULL),
(547, 3148, 'Gargi Mukherjee Recently I too like many others came across Amy Chua’s article in the WSJ and had to smile and ponder. Not that I am a parenting expert because I don’t think anybody is. It’s a game of trial and error but I do think we as parents are torn between two extremes. And since I abhor anything extreme in life and always prefer to look at other options and weigh the pros and cons I think we need to aim for a happy medium. While as a parent I lean a bit more on Amy’s side I couldn’t ever NOT send my child to a sleepover or NOT be thrilled because he wants to take part in the school play. In fact when there was an option to choose a middle school in our town with a concentration on the arts or the sciences we chose the one that focused on the arts. Then how do I lean more on Amy’s side For the last couple of weeks our home has been in a constant state of disarray with books study guides papers notebooks pens and pencils strewn all over our living room. And I have had a splitting headache for the 2 weeks—all because my 8th grader is taking his midterms. Every evening if you were one of our neighbors you would hear screams yells and tantrums galore. Why Because I have incessant battles with my 13-year old about studying and not studying enough for his midterm exams. While he thinks I am expecting him to study as a college student I feel his studying skills do not match his capabilities and will only fetch him grades between 79 and 82 and not 90 and above. After working all day in the demanding pharma advertising industry I will admit that when I get home my tolerance level is probably zero. And hence the battle begins—hours of reviewing quizzing and studying—all in an atmosphere of tired red eyes and yawns and the slouching gait and the constant resistance to anything I suggest that might help him. I often raise my voice ok maybe I scream and allude to his “western” friends and their mothers and rhetorically ask if they are doing the same. And consequently if so why does he NOT appreciate the fact that I have given up my relaxation time my time to watch the Idol or House or what have you and instead have been a martyr evening after evening only for him Why does he not care In fact ever since he turned 12 we have been battling over most things—from brushing his teeth in the clinically accurate manner to not picking up the clothes he has thrown all over the floor of his room to not practicing the tabla or the saxophone or to not staying on top of his school work. I had to literally sit him down one day and explain to him that in life he will be battling with me on major issues and he should learn to pick his battles and let go of the silly ones like brushing his teeth It did seem to sink in a bit. My sister a mother of a son older than mine once advised me to calm down because she warned this was only the beginning that I would have to endure this struggle for another 4 years before he turns out semi-responsible I choked because I seriously could not fathom doing this for years to come. One of his teachers once told me to take a step back because he was a good boy and I should let him take on the onus of his actions and face the consequences himself if he fails. But I could never do that How could I let my son’s grades slip or allow his performance to not be up to the mark I wouldn’t be a true Indian or “Asian” mother then But all those things aside on most nights after my son has gone to sleep when I go to his room and look at that soft warm moon-like face I forget that earlier in the evening this was the same smarty pants who was challenging me on everything I was suggesting he do for his own good I sit on his bed and run my fingers through his hair very gently. He barely looks at me but smiles and turns around mumbling “creepy crawlies on my back please.” And then I promise to never again lose my patience never to be too harsh on him just let him be a 13-year old and enjoy life But then again the next evening the promises are forgotten and the rigors of raising a 13-year old the Indian way begins. Oh there has to be a middle ground. I am searching. Let me know if you find one.', NULL),
(550, 0, 'Watched this wonderful film “Goodbye Lenin” by Wolfgang Becker. It may be relevant for Benglees WB soon. Netflix link: http://movies.netflix.com/WiMovie/Good Bye Lenin/60034095 trkid 2431210 height1682 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Goodbye Lenin size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(551, 0, 'A review of my collection of plays “Natak Samagra” was recently published. Read them below. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Natak Samagra Review size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(550, 3153, 'Anindyo Sarkar Pretty amazing movie. And yes. It will take some time to get “Boorjua” “Pratikriyasheel shakti” “Sreni shangram” out of the system of lot of people.', NULL),
(554, 0, 'Raag -Rang presents Kal Ke Kalakar Budding artists of future on 20th March. Artists are Meena Mallela Dipti Venkatraman on Bharatnatyam student of Ramya Rmnarayan Vijay Narayan on Carnatic Vocal student of Ashwin Bhogendra Debanjan Saha on tabla solo student of Pt samir Chatterjee Ria Sabnis on Hindustani vocal student of Mitali Bhawmik Shailaja Medicherla on Kuchipudi student of Divya Yelluri Time 4 pm to 6-30 pm sharp. Venue: Universal Unitarian Congragation of Princeton Fahs Theater 50 Cherry Hill Road Princeton NJ 08540 Admission: NonMembers: 15 Kids below 10 Years: 7 RaagRang Members: 10 Kids below 10 Years: 5 For details Contact: 9084291120 609-890-4890 RSVP will be appreciated. Email: bhawmikm@gmail.com mayuresh.khare@gmail.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Raag-Rang presents Kal Ke Kalakar size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(555, 0, 'New York City has always been the launch place for successful American plays. Plays by newcomer playwrights launch their life from off-off Broadway and gradually filter to Off Broadway and then the lucky few goes to the Broadway. However recent trends have shown that many new plays now premiere at Regional Theaters around the country and gradually make their way to the glitz and fame of Broadway if they get noticed. Recently I had the opportunity of watching the premier of Sarah Treem’s new play “The How and the why” at the McCarter theater in Princeton New Jersey. The play was directed by Emily Mann and performed by Mercedes Ruehl the Oscar winning actress and Bess Rous. Revivals of successful old plays can never match the thrill and spontaneity of a brand new drama. The producer and the director has to take on a huge risk to make the play work. The playwright too goes through a period of nail biting and hair raising experience as she watches the audience reactions and critical reviews. “The How and the Why” has been quite a challenge and I commend McCarter Theater and Emily Mann for investing in this venture. This was not an easy play. Two women sparring on stage with scientific jargon and long expository speeches is not the kind of play common people would like to watch unless the playwright has the capability to weave a story that the audience gets hooked on to from the beginning to the end and unless the play is performed by a cast and crew who knew their craft so well that they can keep the audience mesmerized for the entire duration. Let me get into the details of each of the above aspects I mention. Sarah Treem a graduate of Yale School of Drama is a relatively new playwright although her bio in the playbill says that she has quite a few plays and television dramas to her credit. Sarah has chosen a topic that many of us are not aware of the evolutionary biology of the human female. Two contending scientific theories “the grandmother hypothesis” and “menstruation as defense” - each trying to explain the “Why” aspect of female menstruation and menopause are brought into direct confrontation on stage along with two contending generations of females - both scientists specializing in evolutionary biology. The two women are not only of different generations but as the play progresses we find that they also have a genetic link as the mother and daughter who try to discover the “how” and “why” of their life. The interplay between science and life is what makes this play so poignant and different from being a “feminist” play. To justify the science the playwright had to resort to lot of exposition but she always resorted to the bare minimum that was required to make the characters and their story believable. The actors Mercedes Ruehl and Bess Rous also belong to the two generations as the characters in the play. They too share a common profession as the characters do. Hence they both look extremely natural on stage. Two person plays demand a lot from the actors and both Ruehl and Rous meet them exceeding all expectations. To watch Mercedes Ruehl on stage is a learning experience for any student of the art. How she uses space and time how she controls her emotions and delivers her often long speeches with ease is something to be experienced. Bess Rous worked extremely hard to keep up with her veteran co-actor and she did an extremely good job. The confusion the high strung attitude and the passionate approach to science that the character possess was well portrayed by Bess. Emily Mann and her production team does deserve our thanks for putting this up on Princeton stage. The superb stage design was a treat to watch. The attention to details and the creation of space was very well thought. Although it was not clear why the highly emotional and loud second act took place in a restaurant where there were no other customers and no waiters to attend the tables. For if they were I am sure the characters could not behave the way the did. Another issue which struck me was the awkward blocking which made the actors expressions hidden from audience view on few occasions which could have been avoided. I hope McCarter Theater brings more such plays from new playwrights to Princeton stage. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value The How and The Why - A New Play by Sarah Treem size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(556, 0, 'If you are interested you may read a review of my collection of plays Natak Samagra in Parabaas.com 47th issue. The link is given below. http://parabaas.com/PB47/LEKHA/brRajat47.html Please note that your browser should be able to render dynamic font. Here is what Parabaas suggests if you cannot see Bangla fonts. What you can do if the dynamic Bengali font is not rendered 1. If the URL shows as “http://parabaas.com/…” try first by inserting a “www.” before “parabaas”–i.e. “http://www.parabaas.com/…”. 2. Download the itxbeng.ttf font and save it in the font directory of your computer. To do that a first download the font and save it say on the Desktop. b Click ‘Start’ - ‘Control Panel’ - ‘Fonts’ c “Drag and drop” or “Copy and Paste” the downloaded font from the “Desktop” or wherever you have saved it into the Fonts directory. 3. From the Menubar in Microsoft Explorer choose ‘View’ - ‘Encoding’ - ‘User Defined’. 3a. If using Firefox browser from the Menubar choose ‘View’ - ‘Character Encoding’ - one of the ‘Western Windows ’ fonts displayed in the list. 4. On Netscape choose ‘Edit’ - ‘Preferences’ - ‘Appearence’ - ‘Fonts’ - ‘Use document specified fonts including dynamic fonts’. 5. Browsers older that Explorer 5.0 or Netscape 4.5 may not be able to render dynamic fonts. Netscape 6.2 is also unable to render dynamic fonts. If your browser is unable to render the Bengali font because of the above reasons or due to a setting that intereferes with dynamic fonts the easiest remedy is to download the font ‘ItxBeng’ from this page and load it in your computer. 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(545, 3161, 'Sandip Das Sreeshti - Sarawasti Puja 2011 will be held on Feb 12th 2011. For more info visit http://www.sreeshti.com . http://www.sreeshti.com http://www.sreeshti.com', NULL),
(557, 0, 'Anandabazar Patrika is Bengali’s most favorite daily newspaper. However until recently reading Anandabazaar Patrika online was severely restricted due the technology it used to render the Bangla fonts. Only Internet Explorer supported the technology but that too crashed frequently. But recently Anandabazar is available in Unicode and can be enjoyed in any Unicode compliant browser. Just click on the following link: http://anandabazar-unicode.appspot.com/proxy Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Anandabazar in Unicode size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(558, 0, 'My play “The Redemption” the English version of “KaalSuddhi” is now available for viewing on YouTube. This recording was done from our show at the Dixon Place in Manhattan during the 2005 New York International Fringe Festival. Here is a small synopsis of the play: This play is about Subimal who once an active naxalite had to flee his own country and come to America in search of a new life. Although Subimal did find a new life for himself his past always haunted him a past which he had always kept a deep secret. Suddenly one day this secret starts to reveal itself to his son Somu from a long lost diary. Somu a Harvard junior is extremely curious to know the details of his father’s past wants to know more about the Naxalite movement. But he never could have guessed the kind of murky and deep waters he is getting into. Subimal tried to prevent the inevitable but his failure to do so ultimately leads him to his redemption. Cast: Sankar Ghoshal Amitabh Roy Mayuresh Khare Keka Sircar Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Watch “The Redemption” size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(133, 3170, 'RajuK In the blog it says about theatre “it is not fake as in the movies.” I would not call movies as fake. Movies are perform once and watch over and over again by many many people. Theatre is watched only by the live audience unless it is videotaped. Movies give you a much much bigger canvas. You can shoot at different locales but in theatre you are retricted to the stage. The advantage of theatre is the possibility of a live discussion by the actors with the audience after the show which unfortunately very few theatre companies do. Hence theatre is an excellent medium for controversial topics. Another advanage of theatre is low-cost of production but with today’s digital cameras movie production costs have dropped drastically. I sometimes want to go to the theatre to be surprised. Movies because of their ease of availabilty can have too much hype around them which could bias me towards the movie even before I see it. And theatre gives voice to the small budget man who not necessarily has small ideas to present. Because of live actors theatre is expected to be more cohesive. Movies are shot over days or weeks or years and directors like Woody Allen do not even give the script to the actors. They just ask the actor to say a dialogue in a happy/sad/angry/etc. tone. So if the director/editor screw up the actors won’t even know about it till it is too late. Also because of interspersed shooting schedules in movie it could be very difficult to get the exact emotion out of the actors specially if the actor is working on multiple movies at a time. Hence usually good actors come out of the theatre. Also many famous actors return to theatre just to do some “real” acting.', NULL);
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(559, 0, 'On August 6th 2011 Kalamandir Dance Company will be hosting a Festival of South Asian Dance in a beautiful theater in New Brunswick NJ. We are searching for individuals and groups who perform classical or contemporary South Asian dance or whose style is influenced by elements of South Asian culture. The following are required to apply: -A clip of your proposed performance piece Links to YouTube Facebook or uploads to MediaFire are great -The festival application download here All materials should be emailed to kalamandirdanceco@gmail.com Please Note: Pieces should be about 8-12 minutes in length. A 100 performance fee will be required from each group if they are chosen to participate in the festival. There is no application fee. If you have any questions please do not hesitate to email or call us Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Festival of South Asian Dance size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! 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(560, 0, 'If you are a book lover in Kolkata or any other part of West Bengal or India your options for reading books are quite limited. The local books stores have a limited stock and they may take days to get you a copy of the book you are looking for. Your next option would be to go to the College Street book stores which is an uphill task during these hectic days and traffic congestion. Your local libraries can stock only a limited number of books constrained by their meager budget. ClickForBoi resolves all that problem by allowing you to get your favorite books online. Imagine Netflix for books and that’s what ClickForBoi does for you. Book lovers in Kolkata/West Bengal and India can now join this novel subscription service by clicking on ClickForBoi.in . Subscription starts from Rs 199.00 per month which includes as many books as you can read including delivery and pick-up charges. Once you become a subscriber you can select books and make your own queue. ClickForBoi will send you books from the queue and once you return it they’ll send the next one. Unfortunately this service is available only to readers in India. The creators of Click For Boi also has an online book store named ClicktoBuyBoi.in . This store works in the same model as Amazon.com or any other online book store. ClicktoBuyBoi.in sells Bengali books of all genres and of all authors and their stock keeps on growing. They offer good discounts and their shipping charges are very nominal. For example a book shipped to Bhubaneshwar from Kolkata was only charges Rs 20.00. However their shipping is now limited only within India with plans of expanding and reaching out to expatriate Bengali readers all over the world. But for now Bangla book lovers living abroad can gift books to their loved ones in India using this site. The site accepts credit cards. And just to add a shameless plug ClicktoBuyBoi.in also has my book Natak Samagra in their stock. Image courtsey - ClickForBoi.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Click For Boi : Online Bangla Boi Subscription size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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[Twitter] [Windows Live] [Yahoo!] [Email] Click For Boi Use these links to share this page with others Save to Ask Save to backflip Save to blinklist Save to BlogBookmark Save to Bloglines Save to BlogMarks Save to Blogsvine BuddyMark It Save to BUMPzee! Save to CiteULike Save to co.mments.com Save to Connotea Save to del.icio.us Digg It! Save to diigo Save to DotNetKicks Save to DropJack Save to dzone Save to Facebook FarkIt! Save to Faves Save to Feed Me Links Save to Friendsite Save to folkd.com Save to Furl Save to Google Bookmarks Save to Hugg Spot It! Save to Jeqq Save to Kaboodle Save to kirtsy Save to linkaGoGo Share on LinkedIn Save to LinksMarker Save to Ma.gnolia Save to Mister Wong Save to Mixx Save to MySpace Save to My Web Save to Netvouz Seed Newsvine Save to oneview Save to OnlyWire Promote on PlugIM Submit to Propeller Reddit Save to Rojo Save to Segnalo Shout It! Save to Simpy Slashdot It! Sphere It Sphinn Save to Spurl Save to Squidoo Stumble It! Add to my Technorati Favorites Save to ThisNext Save to Twitter Discuss on Webride Save to Windows Live Save to Worlds Movies Save to Yahoo! Bookmarks Copy this HTML to create a link to this page Save to Ask Save to blinklist Save to Bloglines Save to BlogMarks Save to Blogsvine Save to del.icio.us Digg It! Save to Facebook Save to Google Bookmarks Share on LinkedIn Save to Mister Wong Save to Mixx Reddit Stumble It! Add to my Technorati Favorites Save to Twitter Save to Windows Live Save to Yahoo! Bookmarks Email this to a friend See more bookmark and sharing options...', 'Click For Boi : Online Bangla Boi Subscription Generic http://nynjbengali.com/archives/category/generic View all posts in Generic'),
(345, 3197, 'JackMore Hello people. I’m a bit new to this Alexa ranking stuff but I managed to achieve something very very good at least this is how i feel. This is what happened with my team’s website after I designed it. A few people recommended http://www.alexage.com to improve Alexa ranking. They worked great for us and our site’s Alexa rank is now in Alexa’s top 100K. Hope this helps http://www.alexage.com', NULL),
(560, 3198, 'Santanu Chowdhury Thank you for spreading the word about Clickforboi.in by writing in your blog. We at Clickforboi has started this initiative with a single goal to make available Bengali books in an innovative way to all Bengali readers starting with India.. and create a community of Bengali book lovers who would not only read / buy books but also share their perspective opinion about books. Also wanted to add couple of points to your post about the site ~ the monthly subscription at Clickforboi.in allows reading either 2 books/month or 4 books/month based on the plan reader selects. We do not have unlimited delivery plan yet but would certainly explore this as we grow the membership. Next we have very recently launched the Free Home Delivery service at our bookstore www.clicktobuyboi.in anywhere in India So there are no more shipping charges to be borne buy the reader over and above the book price. We would run Special offers periodically to provide additional discount on certain books as well. We earnestly hope with this feature book lovers will be benefited more and Bengali books will have wider reach. Happy Reading http://www.clickforboi.in', NULL),
(560, 3199, 'sudipta Does this mean with the 2 books/month plan a subscriber can 2 books only a month or he can keep two books at a time like the way Netflix does for movies ALthough reading two books a month is an ardent task but for some fast readers they can read more. If 2 books/month is a hard limit what happens if I read 1 book a month Do I get an extra book the following month http://', NULL),
(563, 0, 'The Department of African Middle Eastern and South Asian Languages and Literatures at Rutgers the State University of New Jersey State New Brunswick Campus has an opening for a part-time Instructor of Bengali for 2011-2012 Academic year. Qualifications include: Native or near-native proficiency in Bengali experience in teaching Bengali preferably in a North American university and competence in communicative l earner-centered language pedagogy. Please forward your CV cover letter and the names and contact information of three referees to Professor Alamin Mazrui Department Chair at amazrui@rci.rutgers.edu. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Seeking a Bengali instructor for Fall 2011 - Rutgers the State University of New Jersey size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(560, 3213, 'Santanu Ghosal An excillent website though I wonder if the clickforboi initiative will be benificial.While reading the plan is good but could suffer drastically becauese of long keeping time hence the availability chain might be disrupted. Once again buying the book might be a better idea altogether.Now coming to the part of buying there is also another site http://www.boimela.in which is also offering similar service but is in market for a longer period of time.I myself have ordered from the site and was really surprised at the delivery timings. Finally its the consumers who will make the call but its always better to have more than one option at hand http://wastelandersdiary.blogsopt.com http://www.boimela.in', NULL);
INSERT INTO `wp_search` (`post_id`, `comment_id`, `content`, `priority`) VALUES
(564, 0, 'Ethnomedia Music Studio presents an evening of instrumental Music by Shree Sugato Nag on sitar and Anirban RoyChoudhury on tabla. Date: 8th May 2011 Time: 6 pm to 8 pm. Donation: 15.00 per person. RSVP will be appreciated Venue: Hills Club House 75 Hansom Road Basking Ridge NJ 07920 Google maps provides good directions. Contact information: Aparna Khurjekar. 908 -234-0476 . akhurjekar@hotmail.com or Urmila Palnitkar . 609 -443-0489 . urmila palnitkar@yahoo.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Sitar Concert by Sugato Nag size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(565, 0, 'Raag-Rang is proud to present a magical afternoon of Music and Dance. Ganesh Vandana dance presentation by the students of Guru Divya Yelluri Kuchipudi Tabla Duet by Amod Dandawate and Pratik Devasthale with Kedar Naphade on harmonium Darbari Ensemble by Pt Ramesh Mishra Sarengi Allyn Miner Sitar Steve Gorn Flute and Dibyarka Chatterjee Tabla . Date– 4th June 2011 Time 4 pm Sharp. Venue— Balaji Temple community center auditorium. Donation: Non-members– 20.00 10.00 Kids below 12 years Members– 15.00 7.00 Kids . RSVP will be appreciated. Contact: email: manritdev@yahoo.com gpai03@gmail.com devang42@yahoo.com Contact numbers: 908 -429-1120 609 -890-4890 908 -240-8289 . 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(566, 0, 'By Amitava Sen Have you noticed that the City of Joy has turned out to actually be a City of Billboards The skyline as viewed from the roads is plastered with huge hoardings. If only they were placed somewhat lower they could hide the squalor directly below. The displays for luxury apartments hang directly over the shack dwellings advertisements for purified drinking water cast a shadow over the polluted cesspools that are the byproduct of cleaning and washing by the shanty dwellers. Then there are displays for fancy snacks and beverages frowning directly on the people down below who live on less that one dollar a day. But the advertisers have a point in placing their billboards here for they are not meant for the pedestrian hoi polloi you can only view these displays from a distance if you are riding an automobile. In addition to the billboards Calcutta has a tradition of roadside walls and building facades covered with paper posters to be on the eye level of the passers by. The billboards are gaining in prominence as the car population in Calcutta is climbing exponentially every day. The posters are still there but for the benefit of the politicians seeking your votes and cheering you up to attend a huge rally for protesting something the government has done. They probably recognize that many people who can afford a car do not even vote at the election time or care for protesting all that is abysmal around. But if you think the protest is from the out of power opposition party only you will be wrong. Unless you run down the establishment in a public platform you have a fat chance of being heard. So the ruling party protests their own action and denounce themselves in those huge rallies-everyone negating everyone else and sometimes the self also. There are also posters for low budget Bengali movies which are not ones that car owning intellectual middle class of Calcutta watches. Bills for miracle herbal medicine and promises for the cure of all sexual dysfunction or offering a year of computer education with the assurance of a job possibly followed by a placement in America are in abundance too for the eye level masses. Educations being a major if not the only industry in Calcutta revenues generated by education business are substantial. Not surprisingly advertisements inviting enrollment in sprawling high priced private schools and ubiquitous professional business and technical colleges are subjects reserved for billboards. Yet Calcutta billboards are quite fascinating and sometimes intriguing. For example some advertising campaigns start with teasing questions aimed at generating curiosity in viewers’ minds. Assuming the answers will be forthcoming shortly people start speculating about what it could be and guess what would be the product being promoted. That certainly raises curiosity and interest as a marketing strategy. Recently one such billboard introducing yet unknown merchandise was all over the city. The question posed was “Why are Bengali eyes tearing up ” with a likeness of the renowned writer Sunil Ganguly looming large. Mr. Ganguly wore a grim sorrowful look and slightly disheveled hair. What would be of such a concern for him and what panacea would Mr. Ganguly a serious thinker and author be coming up with Is he referring to the Netai massacre of civilians by Marxist Communist cadre cadre in Calcutta political parlance euphemistically means strong-armed goons Is he recommending throwing them out of power Is this really a political advertisement But not knowing his political inclination I was not sure whether that was the correct answer. See all writers playwrights and artists have some political affiliation and patronage which they do dare not to mess with. Mr. Ganguly’s distress is surely not about the high cost of Moog Dal at eighty rupees or potatoes’ being sold at forty rupees a kilogram – the billboards are out of the line of sight of folks who are finding it hard to put food on their table because of out-of-reach prices. Could it be the blinding air pollution that was causing burning eyes That was unlikely. Why should someone spend their own money just to empathize with the fellow citizens After much thought I finally settled on the premise that Mr. Ganguly would soon be publishing a very tragic novel which would make the Bengalis cry. That would be quite welcome and something to look forward to as Mr. Ganguly is indeed a very powerful writer the most acclaimed among the current throng of Bengali authors. The wait was not long before the answer was added in the billboards. It was really a brand of mustard oil that would surely make the Bengalis cry Mr. Ganguly promised. Its pungent smell and its aroma Mr. Ganguly claimed will irritate the sinuses like never before done by any other brand of mustard oil. Enjoy cooking in mustard oil while shedding tears of joy at the same time. That would really be exciting I conceded. Monounsaturated fatty acids with high uric acid in mustard oil are a minor distraction. Cholesterol is not good. Who says We should not believe pharmaceutical companies. They have a vested interest they only want to sell more of their statin drugs. Trust our own especially if he happens to be a celebrity novelist. Who is most qualified to be a brand ambassador for something which makes people cry A widely successful and much revered novelist indeed whose business is to make people laugh and cry. With only one exception: the one person who knew more about mustard oil was my mother – eternal peace be with her – who not only cooked in mustard oil all the time but knew how to relieve congestion by rubbing warm mustard oil on your chest or how much water to mix with mustard oil to use it as hair nourishment. Though of course never shed a tear over it. Now for the first time a standard for judging the efficacy of cooking oil has been introduced – a Tear Index. Imagine how convenient it will be for Sarshe-Ilish loving Bengalis to compare a good cooking oil with not-so-good ones by reading the packaging only. If Ganesh brand claims two milliliters of tears per cooking for their product not to be undone Emami brand may post 3 milliliters in their packaging. It also reveals for the first time to his numerous fans and followers around the world that Mr. Ganguly also cooks an occasional meal or two enjoying first hand his sentimental mustard oil moments. The trivialization of the Bengali ethos and evoking grave sentiments in a certain population ironically with a banality like mustard oil that too by a serious prolific writer who has otherwise done exactly the opposite with an astute socio-political representation in literature to say the least sounds inconsonant. But give him credit for what is his due for his compassion and understanding for fellow Bengalis. With all the chaos privations killing and banditry around perhaps Bengalis have no feelings and emotions left only acceptance of what is ugly and cruel in life. We have stopped empathizing our eyes have permanently dried up. A tear or two would be timely even if prodding from a billboard brings it upon us. 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(568, 0, 'What: The Mosaic Dance Festival An exchange on Indian culture with international movement featuring incredible companies schools and soloists from the tri-state area Where: The Funktion Dance Complex 4260 US HWY 1 Suite 6 Monmouth Junction NJ When: Saturday August 6th 2011 2pm 8pm shows Tickets: Soon to be available at www.kalamandirdanceco.com Event RSVP: kalamandirdanceco@gmail.com or http://www.facebook.com/event.php eid 202483249771775 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value The Mosaic Dance Festival size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(569, 0, 'Chhandayan Presents “Rabindra Natak” - plays inspired by Rabindranath Tagore in celebration of his 150th Birth Anniversary “ The Last Flames ” an ECTA production Written and directed by Sudipta Bhawmik Basanta Koomar Roy an expatriate journalist from India is credited by many as one of the key persons responsible in popularizing the Nobel laureate poet Rabindranath Tagore in USA. But Roy fell from his idol’s grace for reasons that torment many a biographer and journalist even today. “The Last Flames” attempts to re-examine the relationship between Roy and Tagore and provides a peek at the human side of the great Poet’s personality. “Mrinal’s Letter” an Epic Actors Workshop production Concept and execution by Gargi Mukherjee Based on Rabindranath Tagore’s Streer Patra May 28 4pm and 8pm Actor Theater Workshop 145 West 28th Street New York NY 3rd Floor Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Chhandayan Presents “Rabindra Natak” size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(570, 0, 'Tagore’s 150 th Birth Anniversary Celebration Organized by Cultural Association of Bengal A two day Program May 14 2011 Saturday at Rutgers university NJ and May 15 th 2011 Sunday at Hindu Temple Flushing New York For more information please visit http://www.cabusa.org/rabindranath Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value CAB Celebrates Tagore’s 150th Birth Anniversary size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(571, 0, 'ECTA Celebrates Rabindranath Tagore’s 150th Birth Anniversary with “Rajar Chithi” ECTA celebrates the great Indian Nobel laureate poet Rabindranath Tagore’s 150th birth anniversary with a new play “Rajar Chithi’ Letter from the King - a play in Bengali with subtitles in English at the Edison Valley Playhouse 2196 Oak Tree Road Edison NJ on June 11th 6.30pm and 12th 5:00pm . Tickets are 20.00 and can be reserved by email to bhawmik@gmail.com or online at http://ecta.ticketleap.com/rajar-chithi . During Rabindranath Tagore’s visit to San Francisco in 1916 media reports claim that there was an attempt by Indian nationalists to assassinate Tagore. Fortunately the plan did not succeed and the poet was provided with high level security by the local administration. It was further reported that the primary cause for their failure was that the nationalists could not agree amongst themselves as to whether they should carry out the assassination. But was it really a failure that they couldn’t assassinate Tagore Or was it the right thing to do The play “Rajar Chithi” is a fictional account of the moral ideological and psychological conflicts these nationalist freedom fighters of India possibly had to experience to arrive at this decision. The play also offers a deep insight into the social political and philosophical influence Tagore had on the people at a time when the entire World was going through a great turmoil. The play is written and directed by Sudipta Bhawmik. The cast includes some very talented stage actors like Subhodev Das Pinaki Datta and Piu Majumdar. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Rajar Chithi size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(517, 3246, 'Asianfemale nj | Pixspics ... NJISACF 2010 : South Asian Women Filmmakers Reshaping TheirOctober 29 2010 … 1 North America Premiere 6 East Coast premieres 4 NJ Premieres … Subscribe to NY/NJ Bengali… ... http://pixspics.co.cc/2011/05/31/asianfemale-nj/', NULL),
(572, 0, 'On 13th of May 2001 when the entire state of West Bengal was experiencing the euphoria of change the landscape of Bengali theatre also changed forever. Badal Sircar the maverick of Indian theatre passed away almost unnoticed. But I am not going to write an obituary of Badal Sircar neither I am going to write his biography. Rather I’d like to share with you my experiences with this theater personality through his work and from few of my personal interactions with him. My first experience with Badal Sircar was when I was a child. In our campus I grew up in IIT Kharagpur campus the faculty staff and students often staged plays and I think it was with “Boro Pishima” I first experienced theatre and it changed my life in many ways forever. Later I saw “Solution X” where my mother also participated in one of the lead characters. Few years later when I was in high school I went to see a student’s production TDS - Technology Dramatic Society and was shaken to the core to see “Michhil” performed. It was an experience that I could never have expected. For the first time I realized that theater does not require a stage does not require any expensive sets any lights or any sophisticated sounds. All it needs are performers and an audience. And in most cases the barrier between a performer and audience faded away - they became one whole theatrical entity. I also learned the term “Third Theatre”. The apparent simplicity of these production made me think can theatre be so easy My friends and I started to produce Badal Sircar “Michhil” “Bhoma” and others. We even started performing regular proscenium kind of plays in third theatre form. After I joined IIT as a student my involvement with TDS became more strong. Badal Sircar was the rage those days. Several groups were performing Badal Sircar - “Spartacus” “Bhoma” “Sukhopathya Bharoter Itihas” “Hatta Malar Opare” and not to mention his proscenium plays like “Jodi Ar ek Baar” “Baaki Itihas” “Pagla Ghora” “Ballabhpurer Rupkatha” “Ebong Indrajit” - we couldn’t have enough of Badal Sircar. One of our seniors was a regular performer in Badal Sircar’s group Satabdi and he often would bring fresh new plays to the campus. Badal-da himself often came to the campus. Sometimes with his group Satabdi to perform sometimes to conduct workshops with the students. I still remember the experience of watching “Spartacus” performed by Satabdi on our Basketball court. It was then I realized how far our productions have been from their true potential. And then when I joined Badal-da’s workshop conducted on our open air theatre stage I realized how wrong I was in thinking that his productions were easy to perform. How much one needs to train himself train his mind and body to not only perform but also to become an integral part of theater. While working with us on some of the trust games during the workshop he mentioned “The key aspect in theatre is to have complete trust on your co-performer. You should be able to take the greatest risk either physical or emotional fully trusting that your co-performers are there to support you. Until you develop that relationship with your team mates you can never give your 100 to theatre.” This lesson stuck with me all along. I realized that this is not only true for theater but also for each and every aspect of our life our family our work our society. Some of the other workshop exercises taught me several aspects of using space dynamic compositions - creating new stage pictures breaking them instantly and then recreating them almost organically. It taught me how versatile is this instrument of acting we have - our own body. How we can create not only human characters but also physical objects and properties and infuse life in them with our body and mind. A desk and a chair created by human bodies no longer exists only as a mere objects in space but carries with them a deeper meaning that is truly human. Later I have moved away from Badal-da’s form of theatre for many reasons. One of them was the fact that I didn’t feel we were doing justice by performing “Third Theatre” in a proscenium environment. Third theatre can never succeed on a stage within three walls with the audience sitting fifty meters away behind the fourth wall. We were cheating ourselves and defeating Badal-da’s primary reason for developing this form. I’d rather not do such theater and stick to the conventional style. Maverick’s are rare in our society - not everybody can traverse the trailblazing path that people like Badal Sircar can tread. But the lessons I learned from this great master would always show me my path during the difficult times in my theater life. On Saturday June 4th at 2.00pm a memorial service for Badal Sircar has been organized by his protege Subhashis Das at the Woodbridge Library George Frederick Plaza Woodbridge NJ 07095. It is unfortunate that I won’t be able to make it due to my rehearsal commitments but I hope Badal-da would pardon my absence for the sake of theatre. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Badal Sircar - The Maverick of Indian Theatre size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(574, 0, 'About a year and half ago when I was researching on Rabindranath Tagore’s visits to the USA an incident caught my attention. It said that apparently there was an assassination attempt on Rabindranath by some Indians during his visit to San Francisco in October of 1916. This piece of information shocked me to say the least and I started to dig into the matter further. I looked into several books on Tagore by well regarded scholars and slowly an image started to take shape. I’ll refrain myself from getting into the details of the various accounts published in several books you may look for them in the attached bibliography but just to put matters in context I’ll quote some references: San Francisco Examiner of 6th October 1916 reported “ Word of a plot to assasinate Sir Rabindranath Tagore Hindu poet and Nobel Prize winner reached the police yesterday and let to extraordinary precautions to guard him in his apartment at the Palace Hotel and at the Columbia Theatre where he lectured in the afternoon. ” Several other newspapers also carried the story. Allegations were pointing towards the Indian revolutionary organization Ghadar then operating in the USA primarily based on the writings of the then Ghadar leader Ramchandra. Ramchandra however denied the allegation. Rabindranath himself did not believe that his countrymen could even think of doing something like this. He did not cancel any of his assignments and sent a signed statement to the Los Angeles Examiner on 7th October 1916 saying “ I have cancelled no engagements and I came to Santa Barabara by the train which had been arranged for me by my manager. As for a plot to assassinate me I have the fullest confidence in the sanity of my countrymen and shall fulfill my engagements without the help of police protection. I take this opportunity to emphatically assert that I do not believe there was a plot to assassinate me though I had to submit to the farce of being guarded by the police from which I hope to be relieved for the rest of my visit to this country .” In 1933 the Calcutta Statesman published a report from an anonymous ex Ghadar party activist who had returned after living in USA for many years and it said “When Dr. Tagore visited the United States during the war the party actually deputed two of its members to murder the poet at the hotel in San Francisco where he was staying. The two men fell out in the lobby of the hotel as there was a difference of opinion between them as to whether Dr. Tagore should be murdered and thus the plot was disclosed. The motive for the attempted murder was that the party regarded Dr. Tagore as an agent of the British Government. ” Responding to a query by Ramananda Chattopadhyay on this news article Rabindranath gave a more detailed account regarding how he was protected by the police during those few days but he reiterated his trust on his countrymen. But this time he did mention that his speeches on Nationalism were not well received by some Indians in the audience and he did feel a strong sense of antagonism towards him. However the fact remains that it can never be said for certain as to whether such a heinous plot was ever conceived or not. The story that is told in the play “Rajar Chithi” is based on the above incident but it should not be considered as history in any way. It is a work of pure fiction based on historical references. The characters are fictitious but they are inspired by real characters of the period who were involved in the Nationalist movement. The inspiration for the character of Mary comes from several American woman of that time who actively helped the Indian freedom struggle. The play may seem to be a departure from the kind of plays we produce in ECTA that is “to tell our stories through theater.” But to me it is still “our story” - it is the story of our predecessors in this country who struggled not only for their survival but also for the freedom of their homeland. The play does not try to pass any judgement on the policies and beliefs of the nationalist freedom fighters of India or on the philosophy of Rabindranath Tagore regarding nationalism and universal humanism. The play only tries to depict the eternal conflict between indoctrinated dogma and conscience between organized beliefs and common sense between our brain and our heart - a conflict that is as relevant today as it was during the early part of the twentieth century or even earlier. And in this process the play makes us think once again about the great genius that was Rabindranath Tagore in a new light. Bibliography: 1. Sikhs Swamis Students and Spies - The India Lobby in the United States 1900-1946 : Harold A Gould 2. Tagore and USA : Dr. Panchanan Saha 3. Rabindranath Tagore - The Myriad Minded Man : Krishna Dutta and Andrew Robinson 4. Life and Letters of A Revolutionary in Exile : Tapan K Mukherjee 5. Rabindranath Tagore in America : Stephen N Hay 6. A Passage to America : Sujit Mukherjee 7. Nationalism - Rabindranath Tagore 8. Cast and Outcast - Dhan Gopal Mukherjee 9. Daughter of the Earth - Agnes Smedley 10. Letters to a Friend: Rabindranath Tagore’s Letters to C.F. Andrews - Rabindranath Tagore 11. http://gadar.homestead.com/GadarHist.html - Gadar Heritage Foundation 12. Selected Letters of Rabindranath Tagore - Krishna Dutta and Andrew Robinson Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Rajar Chithi : A Playwright’s Note size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(576, 0, 'Bharat Sevashram Sangha presents the following events on July 24th as part of their Fund Raising Event: Hindustani Classical Vocal by Mitali Banerjee Bhawmik with Pandit Sameer Chatterjee on Tabla and Kedar Naphade on Harmonium ablaphilia: A Presentation of the four stages of life through vocal and instrumental music composed and conducted by Pandit Sameer Chatterjee and “Ekti Gnaye Thaki” a play in Bengali with English supertitles written and directed by Sudipta Bhawmik and produced by ECTA What makes a family Who are our family members Who is our brother and wh o is our sister What expectations do we have for our family What are our demands Do we all live in a village of strangers … Villagers: Sankar Lili Subhodev Aparajita Dwaipayan Sudipta Abhijit Music: Samya Goswami “Ekti Gnaye Thaki” is the story of Ranjana and her brother Rajat reuniting after fourteen years. Rajat immigrates to the US with his family after Ranjana sponsors their green cards. The reunion is marked by its usual excitement followed by nostal-gia for their hometown Gobindapur they both left behind. Rajat becomes a critical link for Ranjana to relive her past while Ranjana helps him come to terms with his decision to abandon his familiar world in Gobindapur. Ranjana is also ill and Rajat’s presence offers a long awaited emollient. As the brother and the sister often slip into the past the rest of the characters are excited at the prospects of their future in the US especially Rajat’s son Rajib. Life gradually settles down and a quotidian harmony evolves. Yet from the beginning the play occasionally and quite subliminally alludes to an underlying subplot that threatens the apparent calm between the two families. Eventually through a set of related incidents the undisclosed piece - a rather disconcerting one - is revealed. The disclosure tears apart the growing assurance of the families’ suburban life and more importantly sets in motion a drift into the past that interrogates those relationships that were deemed normal. Though this interrogation fractures a happy picture however it is through this fracture we are invited to revisit something more important - the attachment between human be-ings. The play above all irrespective of its specificities of time and place is a commentary on what it means to be a human being in relation to those we hold dear in our lives. Tickets are 75.00 40 25 student with ID 15.00 Dinner is included. For more information please call Ashram at 732-422-8880 email: bssnj@hotmail.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Bharat Sevashram Sangha NJ to present “Ekti Gnaye Thaki” size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(578, 0, 'The venue of the program by IIPA on the 7th August Has been changed to CROSSROADS THEATRE 7 Livingston Ave New Brunswick starting at 12 noon.The Artsuniversity auditorium has been shut down by fire marshal for safety hazard. . There will be launch available for a fee from 11am to 12. 30 pm. But seating should be complete by 12.30. for the start of the program. We have to vacate the auditorium by 6pm. Would like to apologise for any inconvenience. H.Guha. President. IIPA Rabindranath: A Remembrance Participants: Krishna Dutta: Author/ Biographer “Rabindranath Tagore: The Myriad Minded Man” is the keynote speaker of the event. Specializing in the cultural history of Bengal her books include “Calcutta: A Cultural and Literary History” was published to critical acclaim. Professor Mohan Singh Khangura : Born into a cultural family of music lovers of Punjab Mohan Singh was selected National Music Scholar by the Ministry of Education. At present he is the Head of the department at Visva Bharati Santiniketan. Mohan performs regularly on All India Radio as well as in major concerts all over the world. Biplab Mondal: Percussion virtuoso Biplab is the most sought after accompanist in any Rabindra Sangeet program. As a distinguished professor of Rabindra Bharati University Kolkata he has perfectly epitomized the troves of theoretical knowledge and practical dexterity. Dr. Subhasish Bhattacharya: A lecturer at Rabindra Bharati University Subhasish is a well known face in the performing arts circle for his excellent rendition of Classical dance style as well as Rabindrik Nritya. Tapan Basu: With a strong musical background Tapan has undertaken and executed several events for Saregama HMV Chirag ETV Bangla Doordarshan and many other private organizations. He has graciously accepted our invitation to be the Event Coordinator for Rabindranath: A Remembrance. Aniruddho Sanyal: Documentary filmmaker Aniruddho has won critical acclaim for his film on Raja Ram Mohan Roy titled: “A Bristol Pilgrimage: In Search of Raja Ram Mohan Roy” “Disconnected Genius: Dwarakanath and Rabindranath”. This year the documentary on Rabindranath was presented at the Tagore Festival in London. Aniruddho will be the anchor of a segment of our program where he will show a very rare documentary on Tagore with testimonials from various luminaries. Joydeep Bhattacharya: A Rabindrasangeet enthusiast Joydeep’s musical taste has been built on this particular genre of music. As such Joydeep will illuminate the public with discussions on Rabindra Sangeet. Suparna Guha: Director/ Coordinator Indian Institute of Performing Arts. Suparna was brought up in the cultural environment of Visva Bharati Santiniketan. Suparna continues to play an important role in popularizing Tagore’s works in the US. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value RABINDRANATH: A REMEMBRANCE size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(579, 0, 'In commemoration of Tagore’s 150th Birth Celebration Bengal Foundation of America is proud to present Tagore’s classic tale Shesher Kobita as a play Directed and Dramatized by Nupur Gangopadhyay Lahiri Produced by Bengal Foundation Of America To be held at George Street Playhouse New Brunswick New Jersey Other performances include: Rhythms of Life Foorty Manjari School of Performing Arts NJ Followed by a post performance seminar on Rabindranath Tagore’s drama. 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(580, 0, 'by Amitava Sen A few years ago at the annual Durga Puja the organizing club published a booklet for the benefit of the generation born and raised here explaining the significance and meaning of the festival and its various events on different days. Rightly so the narration started with Mahalaya the new moon day preceding the Puja. Mahalaya is actually a day when Hindus typically Bengali Hindus pay homage to the ancestors culminating in Sharodiya Durga Puja six days later. Indeed it is a Hindu practice to invoke the blessings of the ancestors before any solemn occasion be it a wedding or an Annaprasan. But that was not what the author of the little booklet wrote in his explanation of Durga Puja for our children. Mahalaya according to his narrative was the day on which Calcutta radio broadcast an audio musical Mahishasurmardini. And that was all what Mahalaya meant It was an ignorant and a weird way of explaining a significant Bengali institution to our children. It was like saying July fourth was all about fireworks. Hindu customs and religion are a little more involved and nuanced than of other major religions of the world. Its philosophies theories and practices are not all explained and enunciated in a single book. Acquiring ultimate knowledge of our religion is just not memorizing one single book of scripture. As a result the Hindus I think are a bit doubtful if not confused about sources and meanings of our numerous and sometimes complex texts and edicts. So I do not accuse anyone of ignorance or lack of clarity about Mahalaya or Kali Puja or Kalpataru Utsav a few amongst typical occasions very much confined to Bengalees. Many amongst us have no clue about historical and mythical background of even Durga puja the mother of all Bengalee festivals. Of course you are guilty of no major crime either if you do not know all about our heritage unless of course we desire to teach it to our “second generation.” Thus we have to be very careful in the kind of epistemic inheritance we are providing for our next generation. In our desire to make very “cultured” Bengalees out of our children the word that is kicked around frequently is heritage. Heritage is something that we inherit by our birth and which flows from being born out of certain parameters and culture of our parents and society. The larger question here is-are we the so-called first generation quite aware of our heritage We first need to educate us on our heritage if we want to pass it to our children. Unless you own it how can you bestow it on others I suspect not many of us have read Rabindranath Sarat Chandra or Bankim Chandra in any depth not many of us are aware of the work and lives of Sri Chaitnya Sri Ramakrishna or Ram Mohan Roy. What is Bengali heritage without their legacy How can we be aware of our heritage without the knowledge of the Bengali Renaissance of the nineteenth century Let’s ask an honest question: how much do we know about the period of great awakening and reform which is unique in the history of all regional Indian cultures. I want to emphasize that this is not an all embracing assessment of or an expression of general disappointment about us that is the first generation here in the United States. There are members in our community who can really teach us about our culture and our heritage. Yet I want to stress on the critical learning of our generation the first generation which may be a more universal concern. Let’s get to know our literature our culture and our religion in other words our total heritage before we exert big effort and throw in big money for the expressed goal of bringing our heritage to the second generation. Let’s start with the meaning of Mahalaya. 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(580, 3335, 'sudipta Comment from Jayeeta Ganguly on Facebook: I found your article to be echoing my thoughts. How often we are guilty of preaching not only what we don’t profess but also what we don’t know. Totally loved the part where you talked about Bengal’s Renaissance and the legacy of Sri Chaitanya and Sri Ramkrishna. http://', NULL),
(583, 3362, 'ecard4all Durga puja is a festive occasion for widespread celebration for people in Kolkata and the rest of West Bengal. You can celebrate the occasion by sending free online Durga puja ecards from http://www.ecard4all.com . Sending an ecard from http://www.ecard4all.com is as simple as the click of a mouse. http://www.ecard4all.com http://www.ecard4all.com http://www.ecard4all.com http://www.ecard4all.com', NULL),
(588, 0, 'It is said that you can take a Bengali out of Bengal but you cannot take Bengal out of a Bengali. I’d rather rephrase it by saying that you can never take Durga Puja out of a Bengali. The greatest Bengali festival is once again knocking on our doors and the New Jersey Bengalis are gearing up to greet their Mother Durga with utmost fervor. Although according to the Bengali calender the puja starts Maha Shasthi on Sunday October 2 the enthusiastic New Jersey Bengalis are not willing to wait that long. ICC of Garden State will start their festival on Saturday 24th September and continue till Sunday the 25th. The Puja will be held at the Mt Olive High School 18 Corey Rd Flanders NJ 07836. They have also lined up an impressive cultural program featuring the famous Bengali singer Nachiketa more on Nachiketa later a Bengali play from Toronto and Soumen Adhikari another singer from Kolkata. Several other local programs and great food also awaits the attendees. Note: I just learnt that ICC has canceled Nachiketa’s program due to lack of timely confirmation from the artist’s agent. Instead they will be presenting Nirmalya Ray a well known artist to the NJ music lovers. On 25th early morning Ananda Mandir will be invoking Devi Durga with their live annual Mahalaya Mahishasura Mardini presentation. Over the years this program has developed a great following with overflowing crowd all coming in from far and near at 4.00am in the morning. Good words of this event has spread far and beyond the US shores. So if you want to attend this event then arrive at the Mandir by 4.00am to secure a seat. The event is generally followed by a traditional Bengali breakfast of Luchi Aloor dom and Jilipi although I am not sure if this tradition is to continue this year. Kallol of New Jersey will be celebrating their Puja starting on Friday Sept 30 and continue till Sunday October 2nd. Kallol’’s cultural program has always been a mix of local and guest performers of excellent quality. This year on Kallol’s stage Purbayan Chatterjee Sitar along with Pandit Anindyo Chatterjee Tabla will be presenting “String Struck” on Friday evening a classical musical program including Sitar and vocal music. The famous singer Nachiketa will be presenting his concert “Tumi Sesh Parjonto” on Saturday evening. Sunday evening will feature Aparna Sen readings along with Soumajit Das vocals and Sourendra Mallik piano to present “You and I… Lovingly Yours”. The other events that promise to enthrall the audience include “Bisarjan” a program of dance and recitation directed by Faroque Azam and “Durga Stotra” a dance recital by Mili Bhattacharya both on Friday. On Saturday the Kallol children will perform “A Wonderful World” a musical play written and directed by Aparajita Das. This futuristic play brings a group of friends into an endangered world wrought by global warming resource depletion and life form extinction. Their journey creates an open window into the dangers of what life can become for our children and the future of the planet. The ex-New Jerseyan Tarun Chatterjee will stage “Kabar” a play by Minir Choudhury with his team from Columbus Ohio. Mina Basu Nag Nritya Creations Sanjeeb Bhattacharya will also present a dance recital. On Sunday Kallol’s choreographer and director Sunrita Mitra pays homage to Rabindranath Tagore by presenting highlights of three immortal creations “Taasher Desh” “Chitrangada” and “Chandalika” in a single musical and dance presentation titled “Troyee”. Garden State Cultural Association GSCA will be celebrating their Puja on Oct 1 and 2 at the Plainfield High School. Theit cultural events include dance recital by Mitra Purkayastha’s troupe and a hilarious Bengali play “Eta Byaktigoto” written and directed by Soumendu Bhattacharya along with Songs by Pratibha Singh Soumen Nandi Sa Re Ga Ma Pa Challenge 2009 finalists on Saturday evening. On Sunday the events include “Surer Biswayane Rabindranath a GSCA musical production followed by Monomoy Bhattacharya Kolkata concert of modern Bengali Songs. Anandamandir will be celabrating their Durga Puja from October 2 to 6 as per the Bengali calendar and so will Bharat Sevashram Sangha. However at this time I do not have any information regarding their cultural programs. Like cultural programs food is an integral part of any Durga Puja celebration in New Jersey. All the organizers promise to have scrumptious dinner on all evenings during the Pujas. “Panthar Mansho” goat meat will be the key attraction at all the community Puja’s except at the Anandamandir and Bharat Sevashram Sangha temples. I hope that you all will have a great Durga Puja and enjoy the festival to the fullest. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Durga Puja 2011 : New Jersey Style size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(582, 0, 'ICC Durga Pujo 2011 Please mark your calendar ICC of Garden State is pleased to announce the dates for Durga Pujo 2011: · Saturday September 24 and Sunday September 25 . Main attractions: subject to change · Nachiketa renowned singer from Kolkata for Saturday September 24. · Natok group from Toronto Canada for Saturday September 24. · Soumyen Adhikari singer also from Kolkata with a voice of Hemanta Mukherjee will perform on Sunday September 25 Food and Prasad: Both the days Prasad and Dinner will be served. Saturday dinner highlights are Goat Curry Rice . Sunday dinner highlights are Khichoori and Labra . Venue: In Morris County NJ Mt Olive High School 18 Corey Rd FLanders NJ 07836 . 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(583, 0, 'Kallol of New Jersey Celebrates Durga Puja on Sept 30 Oct 1 and 2 2011 at the Ukranian Church and Cultural Center 135 Davidson Ave Somerset NJ 08873 Cultural Program Highlights: Friday Sept 30 : “Duhshomoy” – Direction and narration by Dr Faruqe Azam “Durga Stotra” - Mili Bhattacharya ‘String Struck’ - Purbayan Chatterjee Sitar Anindyo Chatterjee Tabla Saturday Oct 1: “Kabar” - a play by Munir Choudhury directed by Taarun Chatterjee “A Wonderful World” Children’s play directed by Aparajita Das ‘Nritya Creation’: by Mina Basu Nag Sanjeeb Bhattacharya Nachiketa Chakraborty “Tumei Sesh Porjonto” Sunday Oct 2: “Troyee” choreographed by Sunrita Mitra “Banchaar Jonyo Gaan” by Aakash Deep Aparna Sen with ‘You I’ presents ‘Your’s Truely’ USA premiere of a famous 2011 show Visit Kallol.com for registration information. 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(584, 0, 'Garden State Cultural Association GSCA Celebrates Durga Puja at Plainfield High School October 1 and 2 2012 Sat Oct 1 GSCA Chairman’s speech 6:15-6:20 PM Speech by Chief Guest: Deputy Speaker of New Jersey Assembly Hon. Upendra Chivukula 6:20-6:30 PM Dance recital by Mitra Purkayastha’s troupe 6:30-7:00 PM Bengali play “Eta Byaktigoto”: directed by Soumendu Bhattacharya. 7:10-8:00 PM Songs by Pratibha Singh Soumen Nandi Sa Re Ga Ma Pa Challenge 2009 finalists Prize distribution Arts Craft 5:30 - 6:00 pm Surer Biswayane Rabindranath a GSCA production 6:00 - 6:30 pm Quiz show 6:30 - 7:00 pm Songs by Monomoy Bhattacharya Kolkata 7:00 - 9:00 pm Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value GSCA Durga Puja size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(585, 0, 'We Bengalis have a special characteristic. We tend to setup familial relationships with almost any person we get acquainted with especially when they are older than us. We cannot just address them by their names. We always want them to be our brothers sisters uncles aunts grandparents etc. We do it with good intentions. We feel that it would be irreverent of us to address the middle aged gentleman we just met as “Arunabho” or “Satyen”. Addressing them by their first name is next to impossible. So we need to make a quick judgment call and decide what relationship we would like to establish with this new friend. Based on the looks if the gentleman or lady seem to be close to our age we try to make them our elder brother Dada or sister Didi . If they seem to be middle aged then “Kaku” or Uncle seems to be appropriate for men and “Mashi” Aunt for women. For women a subtle transition from “Mashi” to “Mashi-ma” can occur but one needs to be quite careful with that judgement. Often it so happens that if it is a couple we meet we call the husband “Kaku” paternal uncle and the wife “Mashi” maternal aunt - an almost absurd although not impossible relationship. When we meet a couple “Kaku/Kakima” or “Mashima/Meshomoshai” is a better bet. It is odd though that the relations “Mama” maternal uncle or “Pishi” paternal aunt are not used very often for such acquaintances. If you are ever doubtful about your social status in this relationship scale I suggest you walk down the pavement in Gariahat Kolkata. The hawkers and roadside vendors will give you a perfect judgment about your age. Many ladies have experienced their development from “Didi” to “Boudi” to “Mashi” to Mashi-ma” to “Thakuma” from these experts. When I was younger I too used these relational attributes to show my respect to my seniors. But as I am growing older I have realized that it may no longer be appropriate to assume anybody as my “Kaku” or “Mashi” maybe not even “Dada” or “Didi”. The realization becomes stronger when someone whom I know to be my contemporary or even older than me addresses me as “Dada”. Some people just cannot see themselves as older than anybody else and this often cause a lot of heartache for many. Few days ago a young lady at my place was visibly upset when a middle aged friend of mine called her “Aunty” Personally I have tried to keep myself detached from such trivial issues claiming it really doesn’t matter to me how someone addresses me. But recently when some twenty something was struggling to decide whether to call me “Kaku” “Jethu” or “Mesho-moshai” I had strong feeling that it is high time we change this system. I agree we may not feel comfortable to address our seniors by their first names. We may also feel a bit awkward to listen to a young boy half my age calling me by my first name. Although it is quite common in this country to use first names but we still feel uncomfortable to use them within our community. Hindi speaking people have resolved this issue by adding a suffix “ji” to any name - Sudipta-ji Sutapa-ji etc. It is almost like using Mr. or Mrs. to ones name to show your respect although Mr. and Mrs. works with last names only. Not too long ago Bengalis too used the suffix sometimes even as a prefix “Babu” with male names and “Debi” with female names to show their respect. Sudipta-babu or Mrinalini-debi was used amongst the urban elites. But somehow over the years “Babu” and “Debi” has lost their gravity and today many feel insulted if they are addressed as a Babu or Debi. So what can be the solution The best solution would be to use our names - just as they are. Names are given to identify a person to address a person. We all have names. So lets use them. Why do we have to make somebody my “Dada” when I am not sure if he is older than me Why should I accept someone calling me “Mesho-moshai” when I know that I never had a “Shyalika” or sister-in-law Let’s drop this pretense of being a nephew or a niece and call Subhashis as Subhashis Ajit as Ajit Shanti as Shanti. But if this sounds too radical I am willing to accept a compromise. Just like the suffix “-ji” lets use “-da” for men and “-di” for women as a sign of respect irrespective of their age. You may call Subhashis as Subhashis-da Ajit as Ajit-da Krishna as Krishna-di. Remember this “-da” or “-di” is not the same as “Dada” or “Didi” and they imply no familial relationship. Besides we have been using these suffixes for quite some time and it maybe easier for us to adopt. It will resolve many complicated issues and awkward situations that Bengali naming conventions have put us into. No longer will young Sucharita feel guilty in calling her boy friend Subir as Subir-da. Now Subir can also call her Sucharita-di until they cross the boundaries of Bengali social formalities. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value We All Have Names Let’s Use Them size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(585, 3354, 'sudipta Ha Ha Ha At least someone is taking it seriously Thanks Brinda-di http://', NULL);
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(586, 0, 'A Lecture-Demonstration session on Gwalior Style of Singing by Smt. Neela Bhagwat of Mumbai on Sunday October 9 2011 at Warren NJ . Topic of discussion 1—– The Gwalior Gharana of Khayal music 2—-The influence of Bhakti and Sufi on Khayal music. 3—-The expressive idiom of Khayal. 4—-Use of Classical idiom of expression to express contemporary themes Venue : 14 Quail Run Warren NJ - 07059 9th October. 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(587, 0, 'Ananda Mandir NJ announces the following winners of 2011 Gayatri GaMarsh Memorial Awards for Literary Excellence: Gouri Datta Newton Massachusetts In Bengali Publications Category Tathagata Ghosh Bridgewater New Jersey In English Publications Category *** The following were the judges who provided their invaluable support in evaluating the submitted nominations : For Bengali Literary Award: Sujan DasGupta Alolika Mukherjee Sakti Sengupta and For English Literary Award: Sumit Roy Arundhati Sanyal Narasingha Sil For information on the submission of next year’s award please check www.anandamandir.org or contact Pronoy Chatterjee: pkc usa@yahoo.com or Debajyoti Chatterji: debsmee572@gmail.com Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value 2011 Gayatri GaMarsh Memorial Awards size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(589, 0, 'Fifth New Jersey Independent South Asian Cine Fest NJISACF 2011 produced by the Asian American Film and Theater Project will showcase independent films by or about South Asian women from all over the world that challenge the stereotypical and traditional portrayal of South Asian women in mainstream commercial cinema. The two day-long festival will introduce new and established independent women film artists from South Asia and the South Asian Diaspora. The festival will also feature filmmaker Q As and panel discussions with participation from scholars and academics from a variety of disciplines. Jury and Audience Choice Prizes will be awarded for excellence in various categories. 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(590, 0, 'When we celebrate Durga Puja in this adopted homeland of ours one thought keeps on playing in our minds - how much does our children enjoy this festival Do they feel the same as we did when we were kids in our homeland Many of us had the idea that our children really don’t care much about this favorite festival of ours. Often we have seen bored kids playing hand held video games in the hallways of our festival venue while their parents enjoyed inside. We sometimes debated whether we are forcing our kids to come to the festival just because we want to or it is our duty as a parent to introduce them to our culture and traditions Is it working Can they feel the spirit of the best festival of our community To get a more definitive answer I asked my fourteen year old son Omkar and his friends a simple question. What does Durga Puja mean to them And here are their responses. Souvik Ganguly a freshman at Bridgewater Raritan High School said - “For me Durga Pujo is one of my favorite times of the year because I get to see all my friends and forget about school for a weekend.” Aishik Mukherjee a Montgomery High School junior responds - “During Durga Puja I have more freedom to do the things I loved as a kid such as running around outside. I also enjoy some of the performances during the Pujo. Last year I was watching this one short film that my brother was in about learning how to read and write Bengali and I was the tech man when it was being shown. I was surprised at how interesting the film was.” Rishav Ghosh a seventh grader says “My favorite parts of Durga are being able to hang out with my friends for a few days as well as participating in some plays with them.” And finally Omkar a Bridgewater Raritan High School Sophomore says - “My favorite part of Durga Pujo is definitely seeing my close friends and hanging out with them for a full weekend. I also enjoy some of the kids’ performances as they can be fun to watch. The festive ambiance of the whole event just ties everything together and makes it a bit more enjoyable.” So if we take these four kids to be a random sample of our community children then it seems their view of Durga Puja is not entirely different from that of ours. The religious part of the festival may not excite them a lot neither does it excite all the adults but I think they got the real essence of the Puja festival - to meet friends and have a good time together. 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(592, 0, 'Yet another Durga Puja festival concluded with great pomp and fan fare. And each year we see the festival transforming itself in different ways. Some people hate change. They feel that tradition is something that should be protected with great care. Others feel nothing should be cast in stone - rules and traditions should be broken to herald in fresh views and thoughts. I am okay with either school of thought although I tend to lean towards the latter philosophy. Organizing an event like Durga Puja is not a trivial task and not all things work according to plan. Besides it is not easy to satisfy everybody. However I can speak about my experience and what I felt about the festival this year especially the one celebrated by Kallol of New Jersey. The process of pre-registration that caused lot of heart burns few years ago seems to be well accepted by now. The process is also quite streamlined if you are internet savvy. This year Kallol formally introduced pre-registration of daily passes. I have been asking about this for quite some time and I am happy to see the committee members introduce this feature. The system of retaining reserved seats for the high-paying registrants read donors patrons etc with white tags still seem to cause quite a bit of dissatisfaction amongst the traditionalists. One cause for concern is that in this hall even with the best audio system only the first few rows can listen to the sound with some degree of clarity. The rows in the back can only hear a cacophony of reverberations mixed with constant chattering of the socialites. Hence anybody who wants to seriously listen to what’s being performed on stage need to stay within the first few rows - a large portion of which were reserved for the white tag holders. Hence it was no surprise when artistes like Anindyo Chatterjee and Purbayan Chatterjee found the rows in front sparsely populated and had to request the audience to move up to those exclusive seats. I understand that those who contribute more financially need to be given some incentives or rewards. But the Kallol execs should also understand that there are many who may not be contributing as much financially but are giving a lot of physical effort and their time voluntarily for the success of this event. They also deserve to be treated in better ways. I have heard complaints that some such people were rudely asked to get off the white tag seats just because they wanted to seriously watch a program they love but were wearing an orange tag badge. Kallol also tried to some limited degree to enforce the policy of no seat blocking with shawls and other objects. It has been an old practice of throwing a shawl or some other object on the seats early in the day and stake a claim during the high profile programs. Some times they do not even come back during the show while people who would like to watch it are prevented from sitting on those seats. Kallol committee members this year were quite strict about this and have fought quite a few nasty battles to recover those protected seats for their guests. But until we try to co-operate with them and try to understand that this is a community event and every body deserves a seat we cannot get rid of this menace. The food service was excellent and I haven’t heard much complaints. The lines were well managed and the food quality was very good. The entertainment program was quite good especially the local artistes kids and adults did a fantastic job. Of the visiting artistes Pt. Anindyo Chatterjee and Purbayan Chatterjee were excellent. Nachiketa disappointed us by singing fewer songs than expected. He should have sung few more songs and waste less time in breaks. Tarun Chatterjee’s play “Kabar” although a very powerful play was certainly not appropriate for the venue. The play also seemed to be not very well prepared although Tarun Chatterjee’s performance was above par. Aparna Sen and “You and I” program was one of the key attractions of this event but it failed to impress me. Ms. Sen is an excellent screen actor and a superb film maker but her reading did not do justice to those love letters and their writers. To bring a letter to life on stage just through reading demands a different kind of skill which very few posses. The music by Soumyajit and Sourendra had no synergy with the letters except for the theme “love”. Soumyajit and Sourendra are both well trained and talented musicians but I don’t know why they had to mix multiple songs for no reason. For example I have no clue why he felt compelled to switch to Manna Dey’s “Lolita” from the famous Mand rendering of “Kesaria Balama…” Why couldn’t they perform each song as they were meant to be performed. Gimmicks can potentially impress some people but for many it can be a source of annoyance. Overall the festival was quite enjoyable and I thank all the organizing committee members and volunteers for giving us a very pleasant weekend of Durga Puja celebrations. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value New Jersey Durga Puja 2011: A Personal Perspective size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(595, 0, 'By Amitava Sen Why do we buy things Some for immediate consumption like food which we need for survival or mere delight of palate. We buy theatre tickets for enjoyment and entertainment. Or books and arts to meet our intellectual needs. We spend money on investment with expectation for a return in cash or kind. Also for long term uses like houses for shelter. The range of items like homes and cars are not always based on a minimum need often times they exceed the rational limit. But their uses remain utilitarian nevertheless. Amongst many others clothing is an important area we spend our money on so that we maintain a societal decorum and do not bare us to the world and for sartorial splendor of course. Generally we acquire thing to meet some kind of needs or perceived needs material physical or intellectual. But there are a few items we get out of sheer obsession of the moments with complete disregard for need or return on investment and we make irrational judgment about the value of the acquisition. Consider for example saree-buying frenzy of an India born women in our Bengalee community. A mirror view is satisfying but principally nice attire helps us look good in others’ eyes. At least that is a reasonable assumption. But observing some Bengalee women here saree possession seems to have crossed the threshold of reasonableness it looks like an uncontrollable mania. As a dress a saree does have certain uniqueness. It is the only garment in the world which fits one size all Even Dishdasha for Arab men Abaya worn by Arab women or Burqua of South Asian Muslim women all basically shapeless coveralls resembling a drape more than a clothing have to be tailored to size. A saree on the other hand does not require cutting formatting not a stitch of a single thread. A saree is also the greatest and most effective camouflage ever especially for laterally challenged. Once when I invited my friend Richie and his wife to a dinner he declined because his wife Doris had been on a diet and slimming down regime for two weeks so that she can shape up and fit in a nice dress to attend an impending wedding. Tongue in cheek I suggested that Doris could wear a saree for the wedding that would save her from starvation for two weeks. Throw an unmanageably long wrap around you and then other appurtenances of female beauty which is your body are effectively hidden from public eyes. But you pay a price your vanity and your pride are undermined. Your beauty your grace and your elegance that either the nature has endowed you with or you have cultivated so assiduously over the years are taken out of view for anyone to see and appreciate. The piece of fabric around you gets all the attention. You feel good when other women come to you and express their admiration for your saree. Not a word about how nice you look in that saree and or how elegant you are. The admiring woman may even break your heart if and when she adds “I have an exact similar piece which I am yet to wear.” That effectively deflates whatever ego you have had satisfied when the saree was praised. Of course there are other reasons for why you are ignored and the dress you are wearing gets all the attention instead appreciating another woman may not come naturally to a woman in our self-conscious Bengali society. Compliments generally come from a woman and almost never from a man. The concept may sound like contrary to evolutionary common sense which conjectures that the purpose women strive to look good is to attract potential mates of the opposite sex. The truth in our Bengali diasporas is that women dress to impress each other. That often is partly a result of environment in which we socialize and the way we are. Whether in a party or a social event or in a Puja the women folks congregate in a close cluster and men are segregated which gives the men scant opportunity to look at the women get friendly and say a word of appreciation. Bringing men into the picture can add some sense and sensibility to the mad world of saree acquisition. If men were the target for getting noticed there would not be the need for buying so many of them. Men have shorter sartorial memories. It is unlikely for a man to remember if that piece of apparel has already been worn once before. It is close to a blasphemy to a Bengalee saree wearing woman to be told that a saree has already been worn once before albeit by the same person. Women can and will easily point out the repeat use of your dress length of the intervening period regardless. Even if they do not tell you in that many words wearer will instantly know from the knowing look of the observers that she has been caught red-handed. Men may also have a nice word for you and that is likely to be honest. Truth is men have a discerning eye for compatibility of the dress and the person putting it on. The women surprisingly have a strange skill of only looking at the saree without even noticing the person wearing it and an incredibly long memory span for sarees. Unfortunately you meet the same and repeat bunch of people wherever you go dressed up in our close-knit Bengali society. And there is always someone to remember your saree even if it is not so remarkable a piece. The fallout from the addiction is wider. Expenses on saree account have a profound impact on the cost of our social lives. In our burgeoning society we have a closeness in order to function and flourish socially and we do have vigorous and frequent interactions with our friends and acquaintances which we cannot do without. Formal occasions like wedding birthdays and casual ones like a weekend dinners demand gifts. Cost for two persons attending works out to 200- 300.00 unless of course you are close to the host in a wedding 100.00 for a birthday For a Sunday lunch at Akbar or similar not so lustrous places 60.00 should do for two guests and there are anniversaries annaprasans you name it. In a routine dinner party you can get away with a 16-20.00 bottle of wine. Now comes the collateral cost. Add to each of the above the cost of single-wear saree between 200-250 a blouse guessing the value of a blouse is tricky. A blouse may be pricey but sometimes judging from the amount of cloth material that are used in a blouse in modern fashion it is not unrealistic to appraise that it may cost little or nothing and occasional matching costume jewelry between 50 and 100.00. Attending Puja is not cheap either these days organizers will shut the door on you unless you pay a high entry fee in advance and do not forget to account for the fresh purchase of one or two sarees from those luring saree stalls at the Puja place. Now please do the math One has to wonder even considering the single wear scenario when and where all the sarees are actually worn. Admittedly our community here has more get-togethers more occasions than others on a yearly basis but the sarees most likely outnumber the opportunities to wear them. In practice it is just impossible to wear all of them within a reasonable period of time before it becomes old and out of fashion. The momentary infatuation bordering insanity that overtook the buyers senses had passed or in hold till another irresistible piece overwhelms. The pieces in storage left unused would probably be not worth wearing and showing off. One has to suspect that quite a few of them stay in closet unused ultimately finding their way to the storage in the garage. Of course I am not proposing this as a generalized truth dictum for all the saree wearing women all over the world I am focusing on the behavior of a certain class of Bengalee women in our midst who in their obsessive saree fetish have lost somewhere a sense of proportion. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value A Discourse on the Saree Fetish size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(596, 0, 'Raag-Rang presents its last concert of the year in memory of Late Dr Bhupen Hazarika. Date Time: 3rd December from 3 pm to 6 pm. Venue: Sophia Fahs Theater Unitarian Universalist Congregation Of Princeton 50 Cherry Hill Drive Princeton- 08540. Concert will start with Dashavatar an Odissi dance presentation by students of Smt Mitra Purakayastha followed by a bouquet of nostalgic melodies composed by Dr Hazarika. The focus of the concert will beon his musical career his philosophy on music and his compositions based on ragas. Participating musicians are Shree Parthasarathi Mukhapadhyay Smt Mitali Banerjee Bhawmik Smt Gayatri Sharma Smt Indrani Chakrabarty Khare. Shree Anirban Roychoudhury will accompany on tabla. Admission: 15.00 per person for non-members. 10.00 per person for members. RSVP is requested as seats are limited. Contact: raagrang07@gmail.com Or call 908 -429-1120 732 -377-9362 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Bhupen Hazarika Memorial Concert size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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Memorial Concert+http://nynjbengali.com/archives/596 https://favorites.live.com/quickadd.aspx?mkt=en-us&url=http://nynjbengali.com/archives/596&title=Bhupen Hazarika Memorial Concert http://bookmarks.yahoo.com/toolbar/savebm?opener=tb&u=http://nynjbengali.com/archives/596&t=Bhupen Hazarika Memorial Concert http://www.feedburner.com/fb/a/emailFlare?itemTitle=Bhupen Hazarika Memorial Concert&uri=http://nynjbengali.com/archives/596&loc=en_US http://nynjbengali.com/archives/596#bookmarkify Dr. Bhupen Hazarika [Ask] [blinklist] [Bloglines] [BlogMarks] [Blogsvine] [del.icio.us] [Digg] [Facebook] [Google] [LinkedIn] [Mister Wong] [Mixx] [Reddit] [StumbleUpon] [Technorati] [Twitter] [Windows Live] [Yahoo!] [Email] Use these links to share this page with others Save to Ask Save to backflip Save to blinklist Save to BlogBookmark Save to Bloglines Save to BlogMarks Save to Blogsvine BuddyMark It Save to BUMPzee! 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(598, 0, 'New Jersey Independent South Asian Cinefest www.NJISACF.org 2011 that recently concluded at the Big Cinemas in Edison New Jersey announced the award winners at a special event. The 2011 award winners are: Best Student Film: Aadmi Ki Aurat Aur Anya Kahaniya Directed by Amit Dutta and produced by FTII Pune Best Production by a Woman: Sunanda Shetty for Desire Of a Woman Best Background Score: Pt. Vishwa Mohan Bhatt Desire of a Woman Best Documentary feature length : Inshallah Football directed by Ashvin Kumar Critic’s Choice Award for a film : Flying Fish directed by Sanjeewa Pushapkumara Outstanding Debut Feature both male female : Meherjaan directed by Rubaiyat Hossain produced by Ashique Mustafa Best Actor Male : Rajat Kapoor I am 24 and Adil Hussain GANGOR Best Actor Female : Priyanka Bose Gangor and Humaima Malik Bol Best Directorial Debut By a Woman: Anjali Menon for Lucky Red Seeds Best Director feature : Shoaib Mansoor Bol Italo Spinelli Gangor Best Director Female : Rubaiyat Hossain Meherjaan Best Feature: Gangor directed by Italo Spinelli produced by Niravana Entertainments and Bibi Films Italy Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value New Jersey Independent South Asian Cinefest 2011 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(600, 0, 'Gayatri GaMarsh Memorial Award for Literary Excellence Presentation Ceremony: December 3 2012 East Brusnwick Library 2 Civic Center Drive East Brunswick NJ 08816 AGENDA 1:30 – 1:45 Set-up and Preparation Amitabha Bagchi Team 1:45 – 2:00 Meet and Greet All 2:00 – 2:05 Welcome and Introduction Pronoy Chatterjee 2:05 – 2:15 Gayatri’s Literary Contribution to the Community Debajyoti Chatterji 2:15 – 2:25 Thoughts behind the Literary Award Jerry GaMarsh 2:25 – 2:30 Ananda Mandir and Cultural Promotion Dipak Sarkar 2:30 – 2:45 Award Presentation to the Winners Pronoy Jerry and Dipak 2:45 – 3:00 Break for Refreshment 3:00 – 3:05 Stage Setting for Literary Readings Amitabha Bagchi 3:05 – 3:15 Short Reading of Original Work Tathagata Ghosh English 3:15 – 3:25 Short Reading of Original Work Gouri Datta Bengali 3:25 – 3:35 Short Reading of Original Work Nupur Lahiri English 3:35 – 3:45 Short Reading of Original Work Sudipta Bhawmik Bengali 3:45 – 4:00 Three Short Readings of Poems Subrata Bhaumik English Sushmita Dutt Bengali Vishnupriya De English 4:00 – 4:10 Literary Pursuit in a Foreign Land Alolika Mukherjee Bengali 4:10 – 4:20 Literary Pursuit in a Foreign Land Amitabha Bagchi English Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Gayatri Gamarsh Literary Award Presentation Ceremony size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(601, 0, 'NJPA Cordially Invites you and your family and friends to the: NJPA Saraswati Puja 2012 Celebration Kiddie Keep Well Camp 35 Roosevelt Drive Edison NJ 08902 Saturday January 14 2012 Puja: 2.00pm Dinner: 5:00pm Cultural Program: 6:30pm Special performances by local artistes. 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(602, 0, 'ICC warmly welcomes you to attend Saraswati Puja to be held on Sunday January 29 2012 at the Ukrainian Cultural Center Whippany. Besides a variety of programs presented by our very own ICC children there will also be a musical performance by well-known local artist. Here are the details of ICC Saraswati Puja 2012: On: Sunday January 29 Puja: 2:00 PM Pushpanjali: 2:30PM Prasad: 3:00PM Cultural Program: 4:00 PM Dinner: 6:30PM Venue: Ukrainian American Cultural Center of New Jersey 60 North Jefferson Road Whippany NJ 07981 Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value ICC Saraswati Puja 2012 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(603, 0, 'Dear GSCA Patrons and Members Board of Trustees Garden State Cultural Association would like to take this opportunity to thank you for your continued commitment and patronage. A very Happy New Year to you and your family. We also would like to invite you and your family at the Saraswati Puja festival to be celebrated on Saturday Jan 28 at Woodrow Wilson Middle School Edison NJ. We will have Puja Pushpanjali Prasad Dinner Variety Cultural Programs Children Arts and Crafts competition for your entertainment. Don’t miss it Details below - Puja 12 noon to 2 p.m. Pushpanjali 2 p.m. to 3 p.m. Hate Khari 2:30 p.m. to 3:30 p.m. Prasad 2:30 p.m. to 3:30 p.m. Arts and Crafts 3 p.m. to 4 p.m. Dinner 4 p.m. to 5 p.m. Cultural Program 5 p.m. to 9 p.m. Cultural Program Highlights: Drama : “Banijye Basate Laksmi” - a play by Sudipta Bhawmik Tabla Recital by 8 kids Vocal Music Kids Dance Drama Presentation Possible surprise guest with Bollywood Music For further details and online registration please visit www.gsca.us. Again please note that the online registration is available until Sunday Jan 22. Rates at the gate will be higher. We encourage you to help us estimate attendance better by registering online. The email you receive from PayPal at the end of the registration serves as your receipt. Please bring a copy of that email with you at the Puja and show it at the reception desk. Best wishes Board of Trustees Garden State Cultural Association New Jersey USA Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value GSCA Saraswati Puja 2012 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(604, 0, 'You and Your Friends and Family are cordially invited to 2011 Swaraswati Puja organized by SREESHTI of New Jersey January 28 2012 10:00 AM to 8:00 PM FREE ADMISSION FOR ALL Special Attraction Event: Akashdeep Also Pushpanjali Hathe Khari Lunch Kids program cultural programs will be there. Where: Livingston Park Elementary School 1128 Livingston Avenue North Brunswick Township NJ 08902-1886 www.sreeshti.com Events: Puja 10:00 AM Anjali 12:00 PM Hathe Khari 12:30 PM Kids Arts and Crafts 1:00 PM Prosad Lunch 2:00 PM Ethnic Dress Parade 3:00 PM Cultural Program 5:00 PM Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Sreeshti Saraswati Puja 2012 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(605, 0, 'Saraswati Puja 2012 SOMERSET BENGALI ASSOCIATION Saturday January 21 2012 Bridgewater Raritan Middle School 425 Foothill Road Bridgewater NJ 08807 REGISTRATION WILL CLOSE ON JANUARY 4 2012 Registration is currently at 90 of permitted capacity. Please register to ensure your participation. PUJA SCHEDULE: 11:00 am – Puja Anjali 1.00 pm – Bhog Prasad Lunch - Khichuri Labra Mishti 3.00 pm - Kids Snacks - Chips Brownies Juice 4.00 pm – Cultural Program 8.30 pm - Kids Dinner - Hakka Noodles General Tso’s Pizza 8.40 pm - Adult Dinner - Goat Curry Fish Curry Kofta Sandesh etc. CULTURAL SHOW: Featuring Darshana Menon - Winner Zee Saregama USA 2008 Baad Protibad - A Hilarious Play by Sudipta Bhawmik Tushar Mukherjee Rhythms of Life - Sunrita Mitra Rhythms of Dance Music - Mitra Purkayastha Fusion Orchestra - Amit Ray Children’s Songs - Soma Choudhury DONATION: Family 2 Adults 2 Children - 80 Extra Child - 10 Senior Parent - 25 Couple 2 Adults - 65 Single - 40 Student - 25 Grand Patron Family - 125 REGISTRATION: Please register online at www.somersetbengalis.org Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value SBA Saraswati Puja 2012 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(606, 0, 'Sararattir Presents “Pakhir Moton Sokaal” at Edison Valley Playhouse EVP http://www.evplayhouse.com/ on 21st and 22nd January 2012 Designed and Directed by Subhashis Das Theme Music and Ambience by Partha Sarathi Mukhopadhyay Light Photography and Illusion by Sunanda Mitra Marketing by Gargi Mukherjee Produced by SARARATTIR Actors are Keka Sircar Soumendu Bhattacharya Arpana Bubu Bhattacharya Indranil Mukherjee Show times Saturday 21st two shows @3pm and @6pm Saturday 22nd two shows @2pm and @5pm Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Sararattir Presents - Pakhir Moton Sokal size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(607, 0, 'Recently I watched this wonderful TED talk by Alain de Botton. He was talking about atheism but unlike many other more radical atheists he did not reject religion altogether. His philosophy is that there is a class of people who do not really believe in the existence of god or gods but they like the other aspects of religion like the rituals the music the literature the art the myths. Alain says that these aspects of religion the more popular aspects which enrich us in many positive ways we don’t have to reject them. I don’t want to go into the details of his talk you can watch the video and listen for yourself but this concept which Alain calls Atheism 2.0 rang a bell in me. I love to attend our Durga Puja festivals love to hear the mythological stories associated with Durga and Mahishasur although I don’t believe they really exist. I love to listen to the sonorous chanting of the “Chandi” or listen to the ecstatic Kirtan music and feel elated. I love Shyama Sangeet I like to watch plays and listen to stories of Hindu mythology and the epics although I don’t feel compelled to believe them as historical truth. And I believe I am not alone. Many of us who have been sitting on the fence of religion wondering which side to land on now have this third option - Atheism 2.0. We refuse to be indoctrinated by religion refuse to believe that ours is the best and for that matter any religion to be better than any other. But we gladly accept the goodies that these religions offers us and thus enrich ourselves with those aspects. I would like to know what others think about this. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Atheism 2.0 size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(608, 0, 'Recently ECTA presented a one man show “Banijye Basate Lakshmi” a play written and performed by Sudipta Bhawmik and directed by Sankar Ghoshal. Gagan Goswami a motivational speaker talks to his audience and inspires them to be successful in business. In a ninety minute long speech Gagan chronicles his colorful journey as a Bengali entrepreneur seeking the answer to the most important question of one’s life - Why Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Banijye Basate Lakshmi : Trailer size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(609, 0, 'Recently I watched Woody Allen’s latest film “Midnight in Paris” in which the central character Gil Pender during his visit to Paris with his fiance’ manages to slip back in time to the Paris of the early 1920s. There Gil meets the greatest of the worlds literati during the period like F. Scott Fitzgerald Ernest Hemingway Gertrude Stein Pablo Picasso Salvador Dali and many others. Gil always thought that the 1920s was the golden age of literature and art and Paris was the center of this world. It was Gil’s dream come true. There in the 1920s Gil falls in love with the beautiful Adriana Pablo Picasso’s lover. But to Adriana of the twenties the golden age was “la Belle Epoque” the European revival during the late 19th century. By a twist in the tale Gil and Adriana travel back to the “belle Epoque” era to Maxim’s and meet Edward Degas Toulouse Lautrec and Paul Gauguin the great artists of the period. But when asked these great artists say that to them the golden age was the period of Renaissance So it seems that to each generation the golden age belongs to the past. We often think that our past was much better than what we have today. Is it because that only the good things of the past remains in our memory as the Bengali proverb says - Smriti Satatoi Sukher Is it that we always tend to forget the miseries of the past In the film at one point when Adriana refuses to return to the future Gils tells her they have no antibiotics. Or is it that we are so backed up in our knowledge that we tend to overlook the great things that are happening around us. We fail to recognize the beauty of the wonderful creations that keep on happening all around us. We always tend to belittle modernity in favor of the past. Nostalgia is good but it should not blind us from enjoying the beauty of our period. All ages are golden ages in their own right. So let’s enjoy what we have right now. Let’s appreciate the creators of our times. Let’s not hold back our creativity just because some other genius has created something similar in the past. Let the past be our inspiration and not a deterrent to our creative motivations. Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value The Golden Age size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . 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(611, 0, 'Raag-Rang presents first concert of the year Kal Ke Kalakar featuring four forms of Dance by young dancers under the guidance of their Gurus. Bharat Natyam presentation under the guidance of Guru Smt Sudha Shekhar Devulapalli Kuchipudi by Guru Smt Divya Yelluri Odissi by Guru Smt Mitra Purkayastha and Folk by Gurus Shree Pratik Devasthali and Madhavi Devasthali. Date-11th March. Time 4 P.M. sharp. Venue: Balaji Temple Auditorium HTCS 1075 Route 202/206 Bridgewater NJ 08807 For Directions Visit: www.venkateswara.org Admission NonMembers: 15 Kids 10 Members: 10 Kids 7 For Details Contact: 908-429-1120 RSVP appreciated raagrang07@gmail.com Visit www.raagrang.org Share this article Close Bookmark and Share This Page Save to Browser Favorites / Bookmarks Ask backflip blinklist BlogBookmark Bloglines BlogMarks Blogsvine BuddyMarks BUMPzee CiteULike co.mments Connotea del.icio.us Digg diigo DotNetKicks DropJack dzone Facebook Fark Faves Feed Me Links Friendsite folkd.com Furl Google Hugg Jamespot Jeqq Kaboodle kirtsy linkaGoGo LinkedIn LinksMarker Ma.gnolia Mister Wong Mixx MySpace MyWeb Netvouz Newsvine oneview OnlyWire PlugIM Propeller Reddit Rojo Segnalo Shoutwire Simpy Slashdot Sphere Sphinn Spurl Squidoo StumbleUpon Technorati ThisNext Twitter Webride Windows Live Worlds Movies Yahoo Email This to a Friend Copy HTML: input readonly readonly onclick this.select type text value Kal Ke Kalakar : Four Indian Classical Dance Forms size 84 title Copy this HTML to create a link to this page / If you like this then please subscribe to the RSS Feed . Powered by Bookmarkify™ More » http://www.venkateswara.org/ tel:908-429-1120 mailto:raagrang07@gmail.com http://www.raagrang.org/ http://nynjbengali.com/wp-content/plugins/bookmarkify/more.css http://nynjbengali.com/archives/611#bookmarkify http://nynjbengali.com/archives/611#bookmarkify http://myjeeves.ask.com/mysearch/BookmarkIt?v=1.2&t=webpages&url=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://www.backflip.com/add_page_pop.ihtml?url=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://blinklist.com/index.php?Action=Blink/addblink.php&Url=http://nynjbengali.com/archives/611&Title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://www.blogbookmark.com/submit.php?url=http://nynjbengali.com/archives/611 http://www.bloglines.com/sub/http://nynjbengali.com/archives/611 http://blogmarks.net/my/new.php?mini=1&simple=1&url=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://www.blogsvine.com/submit.php?url=http://nynjbengali.com/archives/611 http://www.buddymarks.com/add_bookmark.php?bookmark_title=Kal Ke Kalakar : Four Indian Classical Dance Forms&bookmark_url=http://nynjbengali.com/archives/611 http://www.bumpzee.com/bump.php?u=http://nynjbengali.com/archives/611 http://www.citeulike.org/posturl?url=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://co.mments.com/track?url=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://www.connotea.org/addpopup?continue=confirm&uri=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://del.icio.us/post?url=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://digg.com/submit?phase=2&url=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://www.diigo.com/post?url=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://www.dotnetkicks.com/kick/?url=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://www.dropjack.com/submit.php?url=http://nynjbengali.com/archives/611 http://www.dzone.com/links/add.html?description=Kal Ke Kalakar : Four Indian Classical Dance Forms&url=http://nynjbengali.com/archives/611&title=Kal Ke Kalakar : Four Indian Classical Dance Forms http://www.facebook.com/share.php?u=http://nynjbengali.com/archives/611 http://cgi.fark.com/cgi/fark/farkit.pl?u=http://nynjbengali.com/archives/611&h=Kal Ke Kalakar : Four Indian Classical Dance Forms http://faves.com/Authoring.aspx?u=http://nynjbengali.com/archives/611&t=Kal Ke Kalakar : Four Indian Classical Dance Forms http://feedmelinks.com/categorize?from=toolbar&op=submit&name=Kal Ke Kalakar : Four Indian Classical Dance Forms&url=http://nynjbengali.com/archives/611 http://friendsite.com/users/bookmark/?u=http://nynjbengali.com/archives/611&t=Kal Ke Kalakar : Four Indian Classical Dance Forms http://www.folkd.com/submit/http://nynjbenga